Organic Grooves 817 Items

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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LP | 1962 | JP | Reissue (P-Vine)

Howling Wolf

Sings The Blues

39,99 €*

We Insist Clear Vinyl Edition

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Howlin' Wolf was a true bluesman who stuck to his own style. This LP reissue of an album compiled from his recordings in 1951-1952 for RPM label, sub-label of Modern Records and released in1962 on Crown Records, also a substance of Modern.

The album features Willie Johnston on guitar, a rule-breaking mix of primitive delta blues and fancy jazz chords; Willie Steele on drums and unidentified musicians providing unparalleled backing; and Ike Turner on vibrant piano, Wolf barked out wild and tough blues in West Memphis.

Although the piano, the guitar and the harmonica were clearly out of tune, the sounds were outstandingly thumping and beautiful - there was no greater shock. This is a classic in blues history that captured the rampaging blues wolf of the blues at the beginning of his career, when he made his recording debut after the age of 40. The reissue LP will be available with iconic OBI strip.

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Max Roach

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Max Roach

We Insist (Mono)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Miss Etta James Orange Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Miss Etta James Orange Marble Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Miss Etta James

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Marble Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Impex)

Bud Shank

Barefoot Adbenture

49,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | Reissue (Gm & Publishing)

27,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1961 | Reissue (Gm & Publishing)

Miss Etta James

27,99 €*

Release: 1961 / Reissue

Genre: Organic Grooves

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John Mayall And The Bluesbreakers

A Hard Road

LP | 1967 | EU (Decca)

Release: 1967 / EU

Genre: Organic Grooves, Rock & Indie

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Little Johnny C Blue Note Classic Vinyl Edition

Johnny Coles

LP | 1961 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 1967 | EU (Endless Happiness)

Tamba 4

We And The Sea

21,99 €*

Release: 1967 / EU

Genre: Organic Grooves

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Jimmy Smith / Wes Montgomery

Jimmy & Wes: The Dynamic Duo

LP | 1966 | US | Reissue (Anagram Music)

40,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Anagram Music)

Bill Evan

With Symphony Orchestra

40,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The Cool World (Original Score)

Dizzy Gillespie

LP | 1964 | US | Original (Philips)

Milford Graves / Don Pullen

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Promo copy.

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Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

25,99 €*

Milford Graves / Don Pullen

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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In Concert At Yale University

LP | 1966 | US | Reissue (Superior Viaduct)

25,99 €*

James Ray Clear Vinyl Edition

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era – he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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James Ray

Release: 1962 / EU

Genre: Organic Grooves

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James Ray kickstarted his career as a teenager in 1959 after he left Washington DC for New York, but debut single ‘Make Her Mine’ flopped. Two years later, songwriter Rudy Clark discovered Ray and got him signed to the Caprice label, the resultant ‘If You Gotta Make A Fool Of Somebody’ a top-30 hit that the Beatles covered in early live sets. Ray’s self-titled debut album had that hit and the equally appealing follow-up, ‘Itty Bitty Pieces,’ as well as ‘I’ve Got My Mind Set On You,’ later successfully covered by George Harrison. An overdose would tragically cut short Ray’s career, this sole LP a testament to his enduring talent.

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Mingus Mingus Mingus Mingus Mingus

LP | 1964 | EU | Reissue (Elemental Music)

31,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Original (Columbia)

Art Van Damme

Swings Sweetly

6,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Modern Jazz Quartet With Laurindo Almeida

Collaboration

LP | 1964 | US | Original (Atlantic)

LP | 1961 | UK | Reissue (Blues Joint)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve has edge wear, sticker residue.
LP has surface marks.

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Robert Pete Williams

Free Again

26,99 €*

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Atlantic)

Shelly Manne & His Men

Boss Sounds!

13,99 €*

Paul Desmond With Strings

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original Atlantic Mono pressing.

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Desmond Blue

LP | 1962 | US | Original (RCA Victor)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | US | Original (Blue Note)

Lee Morgan

Delightfulee

89,99 €*

LP | 1966 | US | Reissue (Sue Records Inc.)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs, hairlines and a couple of deeper marks. Cover with seam split, tears and shelf wear.

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V.A.

Sue Old Goodies

2LP | 1967 | US | Original (Motown)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with ring wear

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The Supremes

Greatest Hits

Release: 1967 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1967 | US | Original (London)

John Mayall

The Blues Alone

19,99 €*

John Mayall & The Bluesbreakers

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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A Hard Road

LP | 1967 | UK | Original (Decca)

80,99 €*

Release: 1967 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1962 | EU | Reissue (20th Century Masterworks)

Bill Evans & Jim Hall

Undercurrent

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (20th Century Masterworks)

Lush Life

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Wayne Shorter Featuring Lee Morgan, Reginald Workman And Elvin Jones

Night Dreamer

LP | 1964 | EU (Blue Note)

Oscar Peterson Trio with Milt Jackson

Release: 1964 / EU

Genre: Organic Grooves

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Wayne Shorter stepped out as a Blue Note artist on his masterful 1964 label debut Night Dreamer, a sublime set that signalled the arrival of one of the most important saxophonists and composers in jazz history. Timeless Shorter compositions are given transcendent performances by a quintet with Lee Morgan, McCoy Tyner, Reggie Workman, and Elvin Jones.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

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Very Tall Acoustic Sounds

LP | 1961 | EU | Reissue (Verve)

43,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Nature Sounds)

Roy Ayers

Stoned Soul Picnic

LP | 1966 | US | Original (Cameo)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the late 1960s, vibraphonist Roy Ayers was among the top young talents in jazz, thriving during a remarkable era for the genre. While Ayers would later become a jazz-funk pioneer and delve heavily into R&B fusions, his third album Stoned Soul Picnic is a masterful showcase of soul-jazz grooves. Produced by Herbie Mann, Stoned Soul Picnic features a memorable Laura Nyro-penned title track, along with an exceptional lineup of musicians, including Gary Bartz, Hubert Laws, Ron Carter, Herbie Hancock, and Grady Tate. Originally released in 1968, this early Roy Ayers classic is now receiving an official reissue via Nature Sounds.

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? & The Mysterians

96 Tears

59,99 €*

LP | 1966 | UK | Original (Transatlantic)

Release: 1966 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with punch hole

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John Renbourn

70,99 €*

LP | 1961 | EU | Reissue (Ace)

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original UK mono pressing.

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Lightnin' Hopkins

Blues In My Bottle

Muddy Waters Sings The Songs Of Big Bill Broonzy

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

EU reissue.

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Muddy Waters

LP | 1964 | UK | Original (Pye International)

28,49 €* 29,99 € -5%

Release: 1964 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

In The Christmas Spirit Clear Vinyl Edition

Booker T & Mg's

LP | 1966 | Reissue (Atlantic)

Release: 1966 / Reissue

Genre: Organic Grooves, Christmas

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LP | 1967 | EU | Reissue (El Palmas Music)

Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

27,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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LP | 1964 | DE | Reissue (Impulse)

Crescent

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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Easterly Winds Tone Poet Vinyl Edition

Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

43,99 €*

7" | 1966 | UK | Original (Island)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Chris Farlowe

Stormy Monday

161,49 €* 169,99 € -5%

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Hip Hug-Her Pink Vinyl Edition

Booker T. And The Mg's

LP | 1967 | US | Reissue (Jackpot)

35,99 €*

And Now! Orange Vinyl Edtion

Release: 1967 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"

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Booker T. And The Mg's

LP | 1966 | US | Reissue (Jackpot)

30,59 €* 35,99 € -15%

Art Blakey & The Jazz Messengers

Release: 1966 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1966 release. 1966’s And Now!’ is the first to feature long-term bassist Duck Dunn, who helps create a nightclub feel that alternates between some of their most aggressive recordings and most sultry.

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Mosaic

LP | 1961 | DE | Reissue (Blue Note)

Release: 1961 / DE – Reissue

Genre: Organic Grooves

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Continental Tango Golden Album

Stanley Black

LP | 1966 | JP | Original (London)

8,09 €* 8,99 € -10%

In Person At The Blackhawk

Release: 1966 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI not included.

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Miles Davis

2LP | 1961 | US | Reissue (Impex)

62,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Verve)

Pre-Bird Acoustic Sounds

34,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU (Destination Moon)

Mance Lipscomb

Trouble In Mind

Midnight Special (Blue Note Classic Vinyl)

Release: 1961 / EU

Genre: Organic Grooves

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The son of a slave and of part-Native American heritage, Texan blues songster Mance Lipscomb began recording albums in 1960 after the Arhoolie label became aware of his talents, the work coming at the start of the country blues revival, which he became a key part of. The excellent follow-up Trouble In Mind, released by Reprise in 1961, has top-notch renditions of favourites such as ‘Alabama Bound,’ ‘Ballad of the Boll Weevil’ and ‘Motherless Children,’ the latter with great slide guitar work, yet somehow the LP sold poorly, rendering it a sought-after rarity. Definitely one of Mance Lipscomb’s best!

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Jimmy Smith

LP | 1961 | EU | Reissue (Blue Note)

22,99 €*

Out Of The Afternoon (Acoustic Sounds)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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It’s a testament to Jimmy Smith’s volcanic creativity that the Hammond B3 organ firebrand recorded not one but two soul jazz classics—Midnight Special and Back at the Chicken Shack—in a single day when he entered Van Gelder Studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums. Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Jimmy Smith (Hammond B3 organ); Stanley Turrentine (tenor sax); Kenny Burrell (guitar); Donald Bailey (drums)

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Roy Haynes

LP | 1962 | EU | Reissue (Impulse!)

34,99 €*

Giant Instrumental Rhythm & Blues Hits

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Drummer Roy Haynes was just about everywhere in the golden age of jazz, recording classic albums with some of the most legendary names of the genre. The hard-bop-verging-on-post-bop Out Of The Afternoon is an excellent example of the adventurous spirit that was taking flight in the jazz world in the early 1960s. Haynes swings as the leader of this 1962 Impulse! session, featuring A-list jazzmen Roland Kirk (multiple instruments including stritch and nose flute!), Tommy Flanagan (piano) and Henry Grimes (bass).

VERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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V.A.

LP | 1964 | US | Original (Imperial)

12,79 €* 15,99 € -20%

Mal Waldron With Eric Dolphy And Booker Ervin

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in top spine. Mono Research Craft Press.

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The Quest

LP | 1962 | EU | Reissue (Soundsgood)

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Roland Kirk With Brother Jack McDuff

Funk Underneath

LP | 1967 | US | Reissue (Prestige)

17,59 €* 21,99 € -20%

LP | 1961 | US | Original (Everest)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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Gloria Lynne

This Little Boy Of Mine

4,79 €* 5,99 € -20%

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1964 | US | Original (Everest)

Gloria Lynne

I Wish You Love

4,79 €* 5,99 € -20%

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Original (Recording Industries Corp.)

Roosevelt Grier

Soul City

16,49 €* 21,99 € -25%

LP | 1966 | US | Original (Pacific Jazz)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks

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Gerald Wilson Orchestra

On Stage

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

A Love Supreme Uhqr Limited Edition Box Set

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

Love Cry Verve By Request Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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Albert Ayler

LP | 1967 | EU | Reissue (Verve)

31,99 €*

The Winter Of My Discontent

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Morgana King

LP | 1964 | US | Original (Ascot)

13,49 €* 17,99 € -25%

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Damaged back spine. Vinyl is Close to VG+.

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LP | 1961 | US | Original (Atlantic)

My Favorite Things

90,99 €*

The Modern Jazz Quartet With Laurindo Almeida

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono MGM pressing.

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Collaboration

LP | 1964 | JP | Original (Philips)

LP | 1966 | JP | Original (CBS)

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Andy Williams

De Luxe

Release: 1966 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

With OBI.

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Phil Woods

Rights Of Swing

LP | 1966 | EU | Reissue (Blue Note)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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When he first came on the scene, Phil Woods was often referred to as “The New Bird,” in a nod to the legendary Charlie Parker. A testament to his genius on the saxophone to be sure. But while obviously indebted to Parker - as all modern jazz saxophonists of a certain era were - there is no question that Phil Woods was an original. After earning a degree in music from Juilliard in the early 1950’s, Woods found himself in the orbit of the great Quincy Jones. At Jones’ invitation Woods joined Dizzy Gillespie’s infamous Jazz Ambassadors - a tour sponsored by the US State Department as part of a global cultural diplomacy initiative - and subsequently became a member of Jones’ own touring band. This recording, his 9th album as a band leader, consists entirely of Woods’ five-part Rights of Swing Suite. An ambitious large-scale composition based solidly on jazz traditions. A culmination of the influences the then 30 year artist had absorbed. Arguably considered one of Woods finest recordings, the record features a stellar section made up of Wood’s fellow Quincy Jones band members. (It should be noted that these same musicians, for the most part, are also the section on Benny Bailey’s Candid Records recording, Big Brass, recorded a a few months prior in November of 1960). Recorded at the Nola Penthouse Studios in New Your City on two dates in January and February of 1961, and conducted by Quincy Jones. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and in-depth commentary from Woods himself, giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Cecil Taylor

Unit Structures

22,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Now Or Never)

Bo Diddley

Is A Lover

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Free Jazz Limited Edition Colored Vinyl

Ornette Coleman

LP | 1961 | EU | Reissue (Now Or Never)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | FR | Original (RCA Victor)

Nat Bigwan

L'Année Qui Danse

4,19 €* 5,99 € -30%

Release: 1966 / FR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Toshiko Mariano

Toshiko Mariano Quartet

LP | 1962 | EU | Reissue (Honeypie)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Toshiko Mariano Quartet is the 1961 album from fourteen time Grammy Nominated pianist and composer Toshiko Akiyoshi - then known as Toshiko Mariano. Women have long been denied the credit they deserve in jazz. It must be noted that as a Japanese women in jazz, Akiyoshi had to battle for acceptance on many fronts. Jazz has been a patriarchy community from the beginning, and even critical praise of her playing could not help but take note of her gender. Leonard Feather, for example, writing at the time in the Encyclopedia of Jazz called out Akiyoshi’s playing as “fiery, powerfully articulated and exceptionally fluent,” but added that there was “nothing delicately feminine.” Even today it is still hard for people to see Jazz in any other way. We are pleased to be a part of shifting the narrative and shine a spotlight on this talented artist and this wonderful album. While she was later to compose using themes, harmonies, and instruments connected to her Japanese heritage, this album captures the pianist early in her career playing a straight ahead, harp bop style. This was already her 7th album as a band leader, and it is a shining example of her confidence and mastery of her instrument and as a band leader. Recorded at the Nola Penthouse Studios in New Your City in December of 1960, the LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Ahmad Jamal

All Of You

13,99 €*

The Genius After Hours Sacd Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label. Jamal's group had a personal sound of its own, often playing quietly and leaving space but never losing the passion. These versions of "Time on My Hands," "Star Eyes" and "All of You" in particular are well worth hearing. On the cover, photographed by Don Bronstein, one of the first staff photographers for Playboy magazine, Jamal sits in an MAA chair, designed by George Nelson.

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Ray Charles

SACD | 1961 | UK | Reissue (Mobile Fidelity)

51,99 €*

LP | 1961 | UK | Reissue (Ace)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Lightnin' Hopkins

Blues In My Bottle

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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Walkin' This Road By Myself

Lightnin' Hopkins

LP | 1962 | UK | Reissue (Ace)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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LP | 1966 | UK | Reissue (Bgp / Tuba)

Johnny Lytle

The Loop

26,99 €*

LP | 1961 | EU | Reissue (Culture Factory)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cuts 'Selim' and 'The Man' being anthems of the scene.

The Ohio-born player’s first album as a leader was on the Jazzland label in 1962 with “Nice And Easy”. His second, three years later, on Riverside, "The Village Caller", made him a star in the jazz world. When Riverside encountered difficulties, co-owner Orrin Keepnews collaborated with Lytle on two albums which came out on the Detroit label, Tuba.

The first of these, "The Loop", featured his regular trio partners, organist Milt Harris and drummer “Peppy” Hinnant. This line-up was augmented on some tracks by former Miles Davis pianist Wynton Kelly and bassist George Duvivier. A 7” version of the title track actually spent five weeks in the Billboard Hot 100 in January 1966. As for the album, as well as the acid jazz cut 'The Man', it features a stunning version of Duke Pearson's 'Cristo Redentor' and the dancefloor-friendly 'Possum Grease' and 'Hot Sauce'. The band also stretch out on extended track ‘The Shyster’.

"The Loop” is a classic album and Ace’s pressing is the first time it has been legally reissued on vinyl.

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Donald Byrd

Royal Flush

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Don Ellis

How Time Passes

The Straight Horn Of Steve Lacy

Release: 1961 / US – Reissue

Genre: Organic Grooves

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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Steve Lacy

LP | 1962 | US | Reissue (Candid)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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The “straight horn” referred to in the title of this superb album from 1961 is the soprano saxophone, and Lacy is recognized as one of the greatest to ever play the instrument, ranking alongside John Coltrane and Sidney Bechet. Because of the difficulty involved in mastering it’s pitch challenges, very few jazzmen concentrated on it. Lacy is widely considered the first “modern” musician to specialize on the instrument. Lacy had long and prolific career and a fascinating style trajectory. At sixteen he began playing Dixieland with the likes of Pee Wee Russell. In the mid 1950’s he played free jazz with Cecil Taylor, and appeared with his groundbreaking quartet at the 1957 New Port Jazz Festival. He made a notable appearance on the 1959 Gil Evens, Great Jazz Standards album. Along the way, Lacy became obsessed with the music of Thelonious Monk, working with him several times including the 1963 Big Band and Quartet in Concert album, and devoted much of this life’s work to the interpretation of Monk’s materiel

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Mingus

LP | 1961 | US | Original (Crown)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "mdm (Monk Duke & Me)” consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's “Main Stem”, Thelonious Monk's “Straight, No Chaser”, and Mingus' “Fifty First Street Blues.” Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Coleman Hawkins

The Hawk Swings

12,99 €*

Little Johnny C Blue Note Classic Vinyl Edition

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Red vinyl with scuffs and hairlines

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Johnny Coles

LP | 1961 | EU | Reissue (Blue Note)

22,99 €*

Fonseca Et Ses Anges Noirs

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Under-recognized trumpeter Johnny Coles recorded only one album for Blue Note but 1963’s Little Johnny C is a little-known treasure of the catalog featuring Coles at the helm of a dynamic sextet with tenor saxophonist Joe Henderson, alto saxophonist Leo Wright, pianist Duke Pearson, bassist Bob Cranshaw, and drummers Walter Perkins & Pete La Roca.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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LP | 1966 | EU | Reissue (Music On Vinyl)

Blanche Thomas, "Papa" French And His New Orleans Jazz Band

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl
Includes insert
Debut album from 1966 by "The King Of Afro-Cuban Rhythm"
Limited edition of 500 individually numbered copies on translucent red coloured vinyl

Fonseca is the son of a Senegalese mother and a father from Cape Verde. Hence the Portuguese sounding name: Louis Vera Da Fonseca.

In the 1950s, he founded the group Les Anges Noirs (The Black Angels) in Brussels, named after the Brussels club in the Boomkwekerijstraat, which quickly became very popular in Belgium, Africa, and the West Indies. The famous Manu Dibango was even musical director and pianist there for a period. Manu Dibango would later become one of the emblematic figures of African music. Soon Fonseca was nicknamed “the King of Afro-Cuban rhythm”.

After several great successes from the early sixties to 1968, Fonseca suddenly disappeared from the music scene in the late 60's. Whether he died in 1970, as can be read on some sites, cannot be said with certainty.

The self-titled album Fonseca Et Ses Anges Noirs is available as a limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes an insert.

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Am I Blue

LP | 1964 | US | Original (Nobility)

5,39 €* 8,99 € -40%

Frank Frost With The Night Hawks

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Hey Boss Man! Clear Vinyl Edtion

Psychicemotus Verve By Request Edition

Release: 1962 / EU

Genre: Organic Grooves

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"Legendary Sun Records producer Sam Phillips knew talent when he saw it, and when he started up his new Phillips label in the early 1960s, one of the first acts he signed was Frank Frost and his electric Delta blues trio. Now known as one of the greatest harp players of his generation, Frost learned his trade playing with none other than Sonny Boy Williamson and his influence can be heard whenever he blows. Originally released in 1962, Hey, Boss Man! is one of the last great electric blues albums."

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Yusef Lateef

LP | 1966 | EU | Reissue (Impulse)

35,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Tijuana Moods Clear Vinyl Edtion

17,99 €*

Green Onions Clear Vinyl Edtion

Release: 1962 / EU

Genre: Organic Grooves

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Recorded in New York in 1957 (though not released until 1962), 'Tijuana Moods' was, according to Mingus himself, "the best album i ever made." The music is a vigorous stew of Mexican rhythms and sophisticated post-Ellington arrangements, further invigorated by the soloing of trumpeter Clarence Shaw, trombonist Jimmy Knepper, and, particularly, saxophonist Shafi Hadi. Mingus's vision of Tijuana was clearly sensual, the music evoking strippers, frenetic street scenes, and heart-broken lovers. Making use of suite like thematic material and various forms of counterpoint, the group sounds much larger than it is, and points toward Mingus's later experiments with form. the bristling sound and spirit of the music, however, are its primary attractions - a remarkable place where Mexican fantasy and hard bop meet.

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Booker T. & The M.G.'s

17,99 €*

LP | 1964 | US | Original (Vanguard)

Release: 1962 / EU

Genre: Organic Grooves

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The house band at Memphis's legendary Stax Records, Booker T. & the M.G.'s played on some of the most legendary and unforgettable soul recordings in history. Originally released in 1962, the title-track of their debut LP Green Onions is arguably the most recognizable piece of instrumental pop and soul ever to be released; an absolute stone classic of a jam, with Booker T.'s organ at the fore. In addition to being a classic group, Booker T. & the M.G.'s were one of the first soul and rock groups to have both white and black members, and understandably their music is often associated with the Civil Rights Movement that was going on all around them in the American south of the 1960s. Essential American originals from Booker T. & the M.G.'s.

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Joan Baez

9,99 €*

Best Of Wilson Pickett Volume Two

Release: 1964 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover is close to VG+.

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Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

43,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (United Artists)

Count Basie Orchestra

Basie Meets Bond

12,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Greatest Hits - Stand By Me Red Vinyl Edition

Ben E. King

LP | 1964 | US | Reissue (Friday Music)

41,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Free Form Clear Vinyl Edtion

Joe Harriott Quintet

LP | 1961 | EU (Destination Moon)

17,99 €*