Organic Grooves 1297 Items

LP | 1969 | US | Original (Bluesway)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US Monarch pressing. Vinyl with scuffs and hairlines. Cover with ring, shelf wear and long open seam splits

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B.B. King

Live & Well

LP | 1967 | JP | Original (CBS)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. Vinyl with many scuffs and hairlines. Cover with shelf wear

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The Dave Brubeck Quartet

Time Out

Release: 1967 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1969 | JP | Original (A&M)

Wes Montgomery

Road Song

LP | 1969 | JP | Reissue (P-Vine)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Spanky Wilson

Spankin' Brand New

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1960 | US | Reissue (Riverside)

Elmer Snowden Quartet

Harlem banjo!

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Harlem Street Singer Limited Edition +2 Bonus Tracks

Blind Gary Davis

LP | 1961 | EU | Reissue (Blues Joint)

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Out Of The Blue Tone Poet Vinyl Edition

Sonny Red

LP | 1960 | UK | Reissue (Blue Note)

37,99 €*

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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Total Eclipse Tone Poet Vinyl Edition

Bobby Hutcherson

LP | 1968 | Reissue (Blue Note)

43,99 €*

The Remarkable Carmell Jones Tone Poet Vinyl Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Carmell Jones

LP | 1961 | EU | Reissue (Blue Note)

32,99 €*

Singing And Piano Blue Marbled Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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24 Jahre jung war der Trompeter Carmell Jones, als er 1960 von seiner Geburtsstadt Kansas City nach Los Angeles ging. Und schon kurz nach seiner Ankunft erhielt der vielversprechende Youngster, den manche damals mit Clifford Brown verglichen, dort einen Plattenvertrag bei Pacific Jazz. 1961 konnte er für das Label sein phänomenales Debütalbum “The Remarkable Carmell Jones” aufnehmen. Im Zusammenspiel mit Tenorsaxophonist Harold Land, Pianist Frank Strazzeri, Bassist Gary Peacock und Schlagzeuger Leon Pettis präsentierte er auf dem Album eine hochinteressante Mischung aus Cool Jazz und Hardbop.

BLUE NOTE TONE POET EDITION: Stereo, produziert von Joe Harley, komplett analog von Kevin Gray von den Originalbändern gemastert, RTI-Pressung (180g), stabiles Tip-on-Gatefold, wattierte Innenhülle.

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Nina Simone

LP | 1969 | Reissue

Release: 1969 / Reissue

Genre: Organic Grooves

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LP | 1967 | US | Original (MGM)

Erroll Garner

That's My Kick

5,99 €*

LP | 1967 | US | Original (Atlantic)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover is close to VG+.

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Charles Lloyd

Forest Flower

6,99 €*

LP | 1968 | JP | Original (Capitol)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Cover has small seam split.

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The Lettermen

Special Request

14,99 €*

LP | 1967 | JP | Original (Polydor)

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI! Red vinyl!

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Sam Taylor

Makka Na Taiyo

Release: 1967 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Perez Prado And His Orchestra

Prado In Japan

LP | 1965 | JP | Original (Victor)

Time Further Out (Miro Reflections)

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split. OBI is missing

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The Dave Brubeck Quartet

LP | 1961 | US | Original (Columbia)

14,99 €*

Duke Ellington & Johnny Hodges

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Slightly split bottom edge. Age discoloration. Minor writing on back cover.

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Back To Back (Duke Ellington And Johnny Hodges Play The Blues)

LP | 1961 | US | Original (Verve)

14,99 €*

LP | 1968 | US | Original (Project 3)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Slightly torn spine, age wear and minor writing on back cover. Seamsplit bottom. Plays without skipping but with audible crackling throughout.

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Pearl Bailey

The Real Pearl

6,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Lush Life 200g Vinyl Edition

John Coltrane

LP | 1961 | US | Reissue (Analogue Productions)

46,99 €*

LP | 1961 | US | Reissue (Analogue Productions)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.

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Eric Dolphy

At The Five Spot

46,99 €*

LP | 1964 | US | Reissue (Analogue Productions)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary quintet.
Eric Dolphy, Booker Little, Mal Waldron, Richard Davis and Ed Blackwell had formed a cooperative group and, if LIttle had not died in October 1961, there is no doubt that it would have been a potent force in the music of the 1960s and beyond. Dolphy himself died in June 1964, after establishing himself as one of the important contemporary reedmen. Here his alto saxophone and bass clarinet and Little’s trumpet explore three originals: "The Prophet" by Dolphy, "Bee Vamp" by Little, and "Fire Waltz" by Waldron. It’s time caught in a bottle — music for the ages.

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Booker Ervin

The Freedom Book

46,99 €*

LP | 1965 | EU | Reissue (Verve)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety. But it was his series of Song Books for Prestige Records that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. The Southwest moan was an integral part of his playing. But his style went beyond the classic Texas tenor tradition to incorporate the intricacies of bebop and suggestions of the free jazz that was initiating one of the periods of self-renewal that keeps jazz fresh and interesting. "The Freedom Book", recorded at the end of 1963, was one of Ervin's masterpieces. He is abetted by the power and drive of Jaki Byard, Richard Davis, and Alan Dawson.

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Oscar Peterson

We Get Requests

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Mad About)

The Four Sounds

Jazz From District Six

LP | 1967 | EU | Reissue (Elpalmas Music)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”

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Los Calvos

Estos Son Los Calvos

LP | 1961 | US | Reissue (Candid)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Few have done as much for salsa in Venezuela as band-leader, composer and pianist Ray Pérez. He burst on to the scene in the mid-60s with his group Los Dementes, creating the blueprint for guaguanco, pachanga and boogaloo in Venezuela. When the name salsa began to be used as something of a catch-all-term he was still at the forefront, recording two hugely-popular salsa albums with Los Dementes in 1967. Remarkably, that very same year, he also recorded two albums with a brand new group, Los Calvos, that showed how as well as being the genre’s most visible band-leader, he was also pushing the nascent genre to its limits. Looking back, revered journalist Alfredo Churion states that Los Calvos were “one of the most innovative experiences in Venezuelan popular music.” Estos Son Los Calvos is the first of the two albums he made with Los Calvos. On it, he made a few alterations to the line-up that may seem minor, but created a completely new sound. For the first time, he recruited a drummer (unprecedented at the time for a salsa ensemble, which always used percussionists), he switched from the trombones of Los Dementes to the much harder, direct sound of trumpets, and he recruited Carlos Yanez, best known as El Negrito Calavén, as singer. Whereas Los Dementes had been aligned with the slightly pop sound of tropical orchestras, Los Calvos took an almost-jazz approach, allowing room for the musicians and vocalists to improvise, and they also took inspiration from the sounds of surf rock swirling around Caracas. The group’s drummer El Pavo amusingly once described the group’s sound as like “wearing a dinner suit with flip-flops”. Opening track “El Kenya” is the clearest example of that surf rock influence; it’s opening lines make clear its intentions: “una linda trigueña que me invitó a bailar el Kenya” (“a beautiful trigueña – tri-ethnic girl – invited me to dance the Kenya”). They are intent on creating their own dance craze, El Kenya. If the group had ever performed live, then maybe it would have taken off, as the song had all the credentials: rollicking montuno piano from Pérez, ingenious scatting and vocal improvs from Calavén, and a middle section where the drums and trumpets battle it out hard, with an audience screaming its appreciation throughout. It’s followed by ‘Mi Salsa Llego’, which Pérez had already recorded with Los Dementes; here, it’s a tougher beast, the sparser hits of the drums and trumpets giving a harder sound evocative of the times, with more and more people moving to the cities, and wanting a grittier, urban soundtrack. The secret weapon in Los Calvos was the fact that this was a group made up of some of Venezuela’s finest musicians, many of which, Pérez included, had working class roots. Music for them was as much a part of their day-to-day lives, as it was a profession, it was what they did. The legendary Frank “El Pavo” Hernandez was on drum kit, with revered names like Alfredo Padilla, Carlos “Nene” Quintero, Pedro García, Miguel Silva, Enrique Vazquez, Rafael Araujo and Luis Lewis, also involved in the group. Their versatility allowed Los Calvos to go from the slower, haunting groove of “Negrito Calavan”, a showcase for their singer to improvise, and on to “Bailemos Kenya”, another attempt by the group to create their own version of “The Twist”! Los Calvos never played live, but that was always the intention. Pérez was in demand by the record labels of the time and his deal with RCA Victor to make two albums as Los Calvos was only ever that. But the spirit of Los Calvos remained when Pérez then formed Los Kenya, whose name came from the opening track of this album, and whose line-up featured the same inventions as Los Calvos, with a drum kit, two trumpets and the same vocalists (for their second album, Carlín Rodríguez joined as a singer, and remained for Las Kenya). For this reason, Los Calvos would never have the same successes as Pérez’s other groups, though even Pérez has revealed in interviews that the two albums he made as Los Calvos are some of the most fun he ever had recording. With the price of originals for both albums ever increasing for vinyl collectors, this is a great chance to get hold of two of the heaviest salsa albums ever issued in the 60s, and an important moment in the life of Venezuela’s salsa king, Ray Pérez.

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Lightnin' Hopkins

Lightnin' In New York

31,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Otis Blue: Otis Redding Sings Soul

Otis Redding

LP | 1965 | UK | Reissue (Atlantic)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Music On Vinyl)

Herbie Hancock

Fat Albert Rotunda

42,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Thanks To You Clear Vinyl Edition

The Egyptians

7" | 1967 | US | Reissue (Fraternity)

Fathers And Sons Vinyl Me, Please Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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The Egyptians - Thanks Yo You

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Muddy Waters

2LP | 1969 | US | Reissue (Vinyl Me, Please)

41,99 €*

LP | 1967 | US | Reissue (Culture Factory)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
The late '60s were a mixed bag for Muddy Waters. In 1969, Waters needed to pivot, and away from the longhairs. He made ‘Fathers and Sons’.

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Sérgio Mendes

Beat Of Brazil

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Charles Musselwhite Blues Band

Tennessee Woman Vinyl Me, Please Edition

LP | 1969 | US | Reissue (Vinyl Me, Please)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Tennessee Woman is an undervalued Chicago blues masterpiece, a flawlessly executed showcase for Charlie Musselwhite’s unique blues harp sound, an album that perfectly meshed the urban, raucous sounds of Chicago electric blues of Musselwhite’s adult life and the down-home sound of the Memphis blues of his youth. Musselwhite never set out to be a musician; he just wanted to find a job in Chicago that would allow him some spending money to see the blues musicians he loved. When it came time to make his own records, all of Charlie Musselwhite went into Tennessee Woman, and you can hear it from the first notes.

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Ray Charles In Person Vinyl Me, Please Edition

LP | 1968 | US | Reissue (Vinyl Me, Please)

The Magic Of Christmas Vinyl Me, Please Edition

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Creating harmony out of unlikely combinations was integral to Charles’ genius, and that’s evident with how effortlessly he navigates multiple genres on In Person, oftentimes on the same song. It’s an album that’s a testament to him as a versatile musical pioneer: someone who was unafraid to explore different ideas and sounds throughout his career, becoming a seminal figure in American music in the process.

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Soulful Strings

LP | 1968 | US | Reissue (Vinyl Me, Please)

LP | 1969 | US | Reissue (Legacy)

Release: 1968 / US – Reissue

Genre: Organic Grooves, Christmas

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Why you'll love it...

Cadet Records was one of the oddest jazz labels to ever issue LPs in America; it was the jazz imprint of Chess Records, and most of its releases came from the minds of two men: Charles Stepney and Richard Evans. The latter man ran point on the short-lived label's lone holiday release, which found the label's house band – which included luminaries like Phil Upchurch – doing their thing on 10 holiday classics. A curio for the cratedigger who already owns every Dorothy Ashby album, this album was AAA remastered by Barry Grint.

Limited to 2,000 copies, the VMP exclusive version of The Soulful Strings' The Magic of Christmas is pressed 180g Opaque Olive vinyl at Independent Record Pressing (IRP). The AAA 1 LP will arrive in a single, tip-on, foil-stamped and numbered jacket. The lacquers were cut by Barry Grint at Alchemy Mastering at AIR.

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Jeff Beck

Beck-Ola

LP | 1968 | US | Reissue (Craft)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding

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Junior Wells

Coming At You

35,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Dinah Sings - Previn Plays

Dinah Shore

LP | 1960 | EU | Reissue (Supper Club)

18,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Nina Simone Sings The Blues Vinyl Me, Please Edition

Nina Simone

LP | 1967 | US | Reissue (Vinyl Me, Please)

Hey Jude Vinyl Me, Please Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Nina was singular in both her ability and the music she made. She will always be one of the best to ever do it. "Nina Simone Sings the Blues' comes on 180 gram blue vinyl.

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Wilson Pickett

LP | 1969 | US | Reissue (Vinyl Me, Please)

The Mar-Keys / Booker T. & The M.G.'S

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.

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Back To Back Vinyl Me, Please Edition

LP | 1967 | US | Reissue (Vinyl Me, Please)

Vagabundeando! Hangin' Out

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Back to Back captures the instrumental aspect of the ’67 Stax-Volt European tour (“Volt” is the name of Stax’s subsidiary label). Immediately apparent is that the live versions of these songs are played much faster than the recorded ones. Exuberant? Definitely! These folks were racing across unfamiliar cultures and landscapes, reimagining their place in this world, looking down at the clouds for the first time. The pace was faster because their lives were — quickly — getting so much larger. In these recordings, you can hear all of that emotional exhilaration, all of that savoring of personal respect, that thrill of the new. Many of these songs were several years old, but they shine on Back to Back like they’re being performed for the first time. Over and over, you hear the musicians throwing in something extra, curlicues and tangents that express their excitement.

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Joe Cuba Sextet

LP | 1964 | US | Reissue (Craft)

37,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Original (Fantasy)

Cal Tjader Quintet

Concert On The Campus

LP | 1960 | US | Reissue (Vee Jay)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Blue Translucent Vinyl with scuffs and hairlines

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Wynton Kelly

Kelly Great

Johnny Young And Midnight Sun Pops Orchestra

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1964 US reissue.

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Mood In Drum

LP | 1969 | JP | Original (Sun)

LP | 1969 | JP | Original (Sun)

Release: 1969 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Red vinyl and cover are close to NM. With booklet.

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Sunny Boy Jazz Band

Mood In Jazz

LP | 1967 | US | Original (Archive Of Folk Music)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. With booklet. Japanese pressing.

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Josh White

LP | 1969 | JP | Original (Atlantic)

Release: 1967 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Tear in top spine. Original US Mono pressing.

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Herbie Mann

Memphis Underground

22,99 €*

LP | 1969 | US | Original (Harmony)

Release: 1969 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM.

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Duke Ellington

In My Solitude

Kid Howard's La Vida Band

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Terre Haute Pressing.

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Afraid To Stay Here, Afraid To Leave This Town

LP | 1961 | US | Original (Jazzology)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1968 | JP | Original (Atlantic)

V.A.

Solid Gold Soul Vol. 4

8,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1969 | EU | Reissue (Cree)

Andre Tanker Five

Afro Blossom West

We Insist! Freedom Now Suite

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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When this album was first released in 1969, the young combo around vibraphonist and singer Andre Tanker conveyed a new style mix, which apparently naturally merged quite different musical influences into a new whole. At the centre of the music of the Andre Tanker Five was jazz in its Caribbean, Trinidadian style, a combination of the modern jazz of those days and the sounds of the extremely popular steeldrum bands of the time. A very decisive addition is typical for Trinidad: Calypso. Calypso stands for the attitude to life of this young generation of musicians, for the 'Good Time Feeling' and the desire to incorporate danceable Caribbean rhythms and Afro-Latin grooves into their individual style.
Although the original sounds of the young Andre Tanker Five are deeply rooted in the music of the West Indies, Afro-American elements always remain in the foreground. The young combo is musically equally at home in the Caribbean as in the 'hip' jazz clubs of the US megacities and the juke joints of the south with their sultry blues as well as the soul dance halls in Detroit or Memphis. The combination of vibraphone and electric guitar plus bass/drums is also rather unusual in those days. Not a pure instrumental album, 'Afro Blossom West' delivers some surprising vocals - rather unusual for a groove-jazz-based project with a sophisticated rhythmic sound.
Bandleader and vibraphonist Andre Tanker is considered a very creative and versatile musician. His exciting improvisations are a dominant feature of this group. Party In The City, Lena and Swahili are original compositions of which he sings the first two himself. Guitarist Clarence Wears is a gifted accompanist and effective soloist. His sometimes 'funky soul style' is more reminiscent of 'Memphis' than 'Trinidad'. Bass player Clive Bradley, who also plays piano and guitar, is a fine all-round musician who knows his music to the limit, and the rhythm section around Kester Smith (drums and timbales) and Mikey Coryat (congas) are able to provide the necessary power, but they can also play softly and subtly when the mood demands it.
As the album's name suggests, the combo refers deeply to the music and rhythms of Africa, whose roots - when shifted to the West - have produced the calypso, blues and Afro-Latin rhythms heard on this LP. We have had the album reworked from the original master tapes for this limited high quality LP edition by mastering expert Tom Meyer. New liner notes by Ron Reid shed light on the history of Andre Tanker, his combo and the circumstances that led to this creative product!

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Max Roach

LP | 1960 | UK | Reissue (Intermusic)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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Easterly Winds Tone Poet Vinyl Edition

Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

43,99 €*

LP | 1969 | US | Original (Reprise)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Ella Fitzgerald

Ella

13,99 €*

LP | 1969 | JP | Original (A&M)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy.

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Bossa Rio

LP | 1961 | JP | Original (Victor)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Gatefold cover with foxing on the inside, otherwise VG+.. Vinyl close to VG+

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Lionel Hampton

Swing Classics

Release: 1961 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Modern Jazz Quartet / Herbie Mann

M.J.Q. Vs. Herbie Mann

LP | 1965 | JP | Original (Atlantic)

The Universal-International Orchestra Conducted By Joseph Gershenson And Louis Armstrong And His All-Stars

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

OBI is missing! Cover with seam split

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Music From The Sound Track Of The Universal-International Motion Picture The Glenn Miller Story

LP | 1961 | DE | Original (Brunswick)

Release: 1961 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

The Supremes Sing Rodgers & Hart

The Supremes

LP | 1967 | US | Original (Motown)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

'Live' At London's Talk Of The Town

The Supremes

LP | 1968 | US | Original (Motown)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1960 | US | Original (Contemporary)

André Previn & His Pals

West Side Story

26,99 €*

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | US | Original (Cadet)

Eldee Young / Red Holt

Feature Spot

5,99 €*

LP | 1961 | US | Original (Vee Jay)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Slightly warped vinyl, but still enjoyable, with many scuffs and hairlines

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Eddie Harris

Exodus To Jazz

LP | 1968 | US | Original (Capitol)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original mono pressing.

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Ella Fitzgerald

Misty Blue

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with punch hole

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Ray Charles Live In Concert

LP | 1965 | US | Original (ABC-Paramount)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original, club edition.

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LP | 1969 | US | Original (ABC)

I'm All Yours-Baby!

LP | 1965 | US | Original (Motown)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with ring, shelf wear. Vinyl with scuffs and hairlines

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The Supremes

At The Copa

22,99 €*

Marvin Gaye / Tammi Terrell

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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You're All I Need

LP | 1968 | US | Original (Tamla)

27,99 €*

LP | 1964 | US | Reissue (Kent)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with ring, shelf wear

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B.B. King

Rock Me Baby

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Early Reissue!

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LP | 1968 | US | Original (ABC)

A Portrait Of Ray

8,99 €*

LP | 1968 | US | Reissue (Atlantic)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam splits

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Aretha Franklin

Aretha In Paris

LP | 1964 | US | Original (Argo)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with seam split on bottom spine, ring and shelf wear. Vinyl with scuffs and hairlines

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The Ramsey Lewis Trio

At The Bohemian Caverns

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | US | Reissue (Atlantic)

V.A.

The Super Hits

Pearl Bailey With Louis Bellson And His Orchestra

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine. Vinyl with scuffs and hairlines

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The Best Of Pearl Bailey

LP | 1965 | US | Reissue (Roulette)

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover closer to VG+

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LP | 1961 | US | Original (Atlantic)

The Genius After Hours

LP | 1969 | AU | Original (Scepter)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original mono pressing. Vinyl with scuffs and a couple of small scratches.

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Dionne Warwick

Soulful

Release: 1969 / AU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

The Jimmy Owens - Kenny Barron Quintet

You Had Better Listen

LP | 1967 | US | Original (Atlantic)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

The Cannonball Adderley Quintet

Mercy, Mercy, Mercy! - Live At "The Club"

LP | 1967 | US | Original (Capitol)

25,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | US | Original (ABC-Paramount)

...Dedicated To You

Herb Alpert & The Tijuana Brass

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original, stereo version.

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Sounds Like...Herb Alpert & The Tijuana Brass

LP | 1967 | US | Original (A&M)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Modern Sounds In Country And Western Music

LP | 1967 | US | Original (ABC)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Cover with punch hole. Vinyl close to VG+

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Modern Sounds In Country And Western Music Volume Two

LP | 1967 | US | Reissue (ABC)

LP | 1965 | US | Original (Capitol)

Release: 1967 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with punch hole

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Nancy Wilson

Gentle Is My Love

The Wonderful World Of Antonio Carlos Jobim

Release: 1965 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Antonio Carlos Jobim

LP | 1965 | US | Original (Warner)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Mike Bloomfield & Al Kooper

Live Adventures Of ... Blue & White Marbled Vinyl Edition

2LP | 1969 | EU | Reissue (Music On Vinyl)

38,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Trojan)

Jimmy Cliff

Release: 1969 / UK – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Richard Groove Holmes & Rusty Bryant

That Healin' Feelin'

LP | 1968 | US | Reissue (Prestige)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Polydor)

James Brown

Popcorn

20,99 €*

LP | 1969 | US | Reissue (Stax)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Ollie & The Nightingales

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (Excello)

Kelly Brothers

Sweet Soul

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Argo)

Rahsaan Roland Kirk

Introducing Roland Kirk

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Rearward)

Helen Merrill

Parole e Musica

20,99 €*

LP | 1969 | EU | Reissue (Polysom)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Helen Merrill with Piero Umiliani!

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Brazilian Octopus

39,99 €*

LP | 1969 | EU | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The only LP from the group Brazilian Octopus, featuring Hermeto Pascoal and Nilson da Matta. Originally released in 1969 on the Fermata label. Rare in its original format, a much welcomed re-issue from the Polysom label. Deep soul-funk grooves meet library-esque progressive cinematics and psychedelics meet jazz dance jams! Full range.

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Don Cherry

Where Is Brooklyn?

25,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Art Blakey & The New Jazz Men

Live In Paris '65

LP | 1965 | UK | Reissue (Sam)

32,99 €*

Love Cry Verve By Request Edition

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Art Blakey's "Live In '65" boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.

Freddie Hubbard's incendiary playing on "Blue Moon" and the blistering 24-minute version of his own "Crisis" shows that he was one of the most innovative trumpeters in jazz history.

On this live session, the audiences seem to have been enthusiastic and appreciative. »Everywhere we’d go people would say, this is the best Jazz Messengers we’ve heard!«, according to Davis. »And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing – with Messengers heads, you know, but when we got to soloing...! And Blakey was ridin’ and oatin’ the time ... but he would always be loose enough to follow, to keep it going. He’s one helluva musician.«

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Albert Ayler

LP | 1967 | EU | Reissue (Verve)

31,99 €*

Afro-Harping Deluxe Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Dorothy Ashby

2LP | 1968 | EU | Reissue (Verve)

39,99 €*

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.

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Miles Davis

Miles In Tokyo

LP | 1967 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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'Miles in Tokyo' is a live album recorded on July 14, 1964, by the Miles Davis Quintet (featuring Sam Rivers, Ron Carter, Herbie Hancock and Tony Williams) at the Tokyo Kosei Nenkin Kaikan, Shinjuku, Tokyo, Japan. It is the first recording of Davis in Japan and the only album to showcase an early incarnation of his Second Great Quintet featuring Sam Rivers on tenor saxophone, following George Coleman's departure. After this, Wayne Shorter's appointment completed the classic line-up which recorded such albums as 'ESP' and 'Miles Smiles', through to 'Miles in the Sky'. The legendary 'Miles in Tokyo' album is now available on vinyl in Europe for the first time. The heavyweight gatefold contains a 4 page-booklet glued inside, like the original 1969 Japanese LP version.

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Miles Davis Quintet

Miles Smiles

28,99 €*

Marvin Peterson And The Soulmasters

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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The wonderful Post-Bop album Miles Smiles (1967) was recorded by Davis's second great quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. The album showcases Davis' deeper exploration of modal performance with looser forms, tempos, and meters. Although it did not follow the conventions of Bop, the album did not follow the formlessness of Free Jazz.

180g vinyl.

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In Concert

LP | 1969 | JP | Reissue (P-Vine)

31,99 €*