Organic Grooves 1045 Items

LP | 2018 | EU | Original (678)

Release: 2018 / US – Original

Genre: Organic Grooves

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Revolutionary, spiritual jazz from the unlikely city of Houston, Texas: the definitive issue, mastered from the original tapes. Presented in a tip-on gatefold jacket.
Drummer, bandleader and activist Bubbha Thomas had toured America with R&B revues, served as a session musician for Peacock and Back Beat Records, and played straight ahead jazz with legends before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane. Energy Control Center, his third LP with his Lightmen band is his masterpiece: deep-set, maverick jazz on part with the best Tribe and Strata East titles. This is a highpoint amongst the best of the 1970s jazz underground, a collective voice of resistance to the musical and cultural status quo. Contains second disc with bonus tracks: unreleased alternate takes, including two versions of the spiritual jazz classic “All Praises To Allah”, all housed with an extensive booklet with photos and liner notes.

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Pork Pie

Berlin 1974

Movements-Boogie Down In Africa

Release: 2018 / EU – Original

Genre: Organic Grooves

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Recorded at the Philharmonie Berlin, November 1, 1974. Source: Master tape from the private archive of Jasper van ’t Hof
Master digitized at Studio JDM Amsterdam by Frank Jochemsen
Edited & mastered by Marc Broer at Live Concert Recording Monnickendam
Release initiated by P-Dog & Zembie and produced by Frank Jochemsen (Gallio producties), Jasper van ’t Hof & Sander Huibers for 678 Records
Succesfully distributed by Sander Huibers for Painted Dog Records
Grafische verzorging: Piet Schreuders

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Willy Nfor

2LP | 2018 | EU | Original (Odion Livingstone)

Give Me Your Love / You Can't Turn Me Away

Release: 2018 / EU – Original

Genre: Organic Grooves

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For the 7th release on his label,Temi Kogbe compiles Willy Nfor's greatest songs from his solo works. The session player (bass) was involved heavily in the African boogie / funk scene with a impressive credits list.
Willy is little-known master bass player who left his country for Nigeria at 20, formed the Mighty Flames with made a name for himself as a session player played with Bongos' The Groovies, William Onyeabor (Crashes in Love), Odion Iruoje at Phonodisk where he played on several releases, left for Paris, became a sought-after session player, formed Ghetto formed Ghetto Blaster
(with Fela Kuti's Egypt 80 alumni), joined Mory Kante band toured the world on the back of the Global Hit record, unfortunately, he died before the world could really know him.
This compilation (from three rare Nigeria-produced LPs; Mighty Flames' Willie Nfor, Feel So Fine, My Turn) capture Willy's vision of a free world where love, music and breaks migrate freely. His afro-boogie nods to Bootsy Collins and Louis Johnson (The Brothers Johnson) but it invariably afro and inalienably Willy's music, a space funk with deeply rooted rhythmic grooves that has made these LPs highly sought-after by music aficionados and selectors worldwide.

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Sylvia Striplin

12" | 2018 | UK | Original (Expansion)

Release: 2018 / UK – Original

Genre: Organic Grooves

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I Need Somebody To Love Tonight

Sylvester

12" | 2018 | US | Original (Craft)

10,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Out-Sider)

Jodi

Pop Espontaneo

12" | 2018 | EU | Original (Four Flies)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Psychedelic garage, proto-power pop and psych-funk from Paraguay, 1969-1975! “Pop Espontáneo” includes a selection of previously unreleased recordings by Joern and Dirk Wenger’s duo JODI, registered at their state-of the-art 8-track home studio in Asunción, Paraguay. Living in their own isolated world and free from any commercial press ure, Joern Wenger, a kind of Paraguayan Brian Wilson or R. Stevie Moore, created a particular, ahead of its time sound, using electric guitars, fuzz boxes, Moog, Mellotron, Clavinet, Farfisa…
RIYL: BEATLES, KINKS, SHOES, JAN HAMMER, UNITED STATES OF AMERICA, CLEANERS FROM VENUS, ARIEL PINK, GUIDED BY VOICES, BEAT HAPPENING, TROPICALIA…
In 2016, we unearthed and reissued the first Jodi album, "Pops de Vanguardia", which is probably the first DIY lo-fi garage / psychedelic album from South America, originally released in 1971. Now, we're over the moon with this incredible collection of unreleased recordings which were hidden in Joern Wenger's basement for several decades.

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Alessandro Alessandroni

Background Disco

Release: 2018 / EU – Original

Genre: Organic Grooves

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Two disco jewels signed by Maestro Alessandroni for an obscure Italian sexy-comedy in 1976, presented here in a new edit on 12'' designed for the dancefloor.

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Dancefloor Stompers - Librerie Musicali

LP | 2018 | EU | Original (Four Flies)

LP | 2018 | EU | Original (Guerssen)

Release: 2018 / EU – Original

Genre: Organic Grooves

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When Soul-Jazz meets Italian Cinematic Style. 10 cool tracks from a super-groovy combo powered by an explosive horn section and a stunning strings orchestra. Dancefloor Stompers make their debut album on Four Flies Records, recording the music for a TV series that has not yet been written... 100% Black & Cinematic Groove!

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The Tropics

As Time's Gone

LP | 2018 | EU | Original (Lalonova)

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Hailing from Florida, The Tropics were one of the finest 60s garage bands. Their memorable concerts are still remembered today by the lucky ones who saw them at the time. Between 1965 and 1969, they recorded some explosive and now legendary 45s which are prime examples of garage-rock, teen-beat, folk-rock and proto-psych sounds. Here you’ll find most of those 45 sides along with some rare, previously unreleased on vinyl tracks. Including the classic “As time’s gone” (covered by The Fuzztones) and many more.
Remastered sound in mono, insert with detailed liner notes by Jeremy Cargill (Ugly Things) and rare photos.
“In 1965 The Tropics were the biggest band in Florida…simple as that. I watched them in awe” Tom Petty

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Footprint Project

Ask For Directions

Release: 2018 / EU – Original

Genre: Organic Grooves

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For Discos Only: Music From Fantasy & Vanguard Records (1976 -1981)

5LP | 2018 | UK | Original (Craft)

84,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

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7" | 2018 | UK | Original (Athens Of The North)

Luther Davis Group

Keep On Dancin / You

Release: 2018 / UK – Original

Genre: Organic Grooves

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Many know Luther Davis from his more familiar and previously reissued disco floater 'You Can Be A Star', not so many people outside the collector's world know the disco-funk 45 'Keep on Dancin' as its about 4x as rare and slightly more out there musically (which is a good thing). The horn and guitar led disco funk hook float's almost precisely between Modern Soul and Deepfunk (The scene that played it first) and for a change i love the guitar solo, used almost like a synth effect. On the flip is an admittedly formulaic deep soul joint that just works due to the dope backing vocals and crispy drumming.

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LP | 2018 | EU | Original (Sonor Music Editions)

New Tape

The Public Opinion Afro Orchestra

Release: 2018 / EU – Original

Genre: Organic Grooves

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Founded in early 70s by historical Rai TV trumpeter and composer Cicci Santucci (Looking Around, On The Underground Road etc.), New Tape grown up during the golden period of Italian music production and was dedicated to experimentation of new forms of sound, always hailing from the solid Jazz basis of the musicians and theme music inspiration. Andrea Galtieri aka Cavalier Piscopo sequenced the very best shots from the whole label production including exclusive liner notes, with an explosive mix of Jazz-Rock, Bossa, spellbinding groove and raw Experimental stuff.
"A leading figure in the Italian Jazz scene, Francesco 'Cicci' Santucci worked as trumpeter in the legendary Rai TV orchestra for over 20 years. He was renowned for collaborations with such international jazz legends as Lionel Hampton, Gato Barbieri, and Kenny Clarke – that is until his foray into the avant-garde progressive experience of The Living Music, a project founded by his brother Umberto. During these same years, he took part in important Italian jazz sessions like "Looking Around", "Mondo Operaio", and "On The Underground Road", with his close colleague Enzo Scoppa.
It was just around this period of great music production and experimentation that Cicci founded his own label, the NEW TAPE, in the very early '70s. His goal was to dedicate himself to composing library music with a new expression of music, less linked to hard bop or American standards, but rather more focused on the new sounds of the time that brought the listener closer to modern vibes, like jazz-rock and avant-garde music.
"Mixed Grill" opens this series, composed by the maestro's alias, 'Girosan', along with Lesiman (a.k.a. Paolo Renosto) who added a more esoteric and captivating atmosphere, closer to English progressive rock. "Rengran Mix" and "Tropical" follow, with music by Paolo Renosto and the old avant-garde connoisseur, Romolo Grano. This work gave way to electronic instrumentation and weird experimentation, and was built on a rich rhythmical carpet – tropical percussions, rock and blues inspired vibes, sleazy psych, and jazz improvisations. Music from “Rengran Mix” was also used as the soundtrack for the TV programme "Futili Motivi", and also featured the great backing sound of I Marc 4 with the accompaniment of Nora Orlandi's warm vocals.
The trademark of the label, and the most important production, is the fourth album, "Mirage" by Cicci Santucci and Enzo Scoppa themselves. This record is an explosive mix of elegant jazz, funk, and psychedelia, where every instrument finds its expressive space. We can clearly hear the connection on both the 'On the Underground Road' and 'Looking Around' albums, recorded that same year, bringing that unmistakable underground jazz dopeness typical of the magical duo of Santucci and Scoppa.
The last album of the series is "Appunti Di Guerra" by the mysterious 'Ruscigan' – a very obscure alias which probably belongs to Renosto and Guido Baggiani. This work features complex and dramatic sounds properly composed for war scenes and gloomy atmospheres, with a large assortment of percussion, distorted effects, and tape manipulation – an album that foreshadowed what would become industrial music.
With a ridiculously small pressing of only 100 copies per title, NEW TAPE is among the most interesting discoveries to date in terms of original production library music, and as a result, a very respectable journey begins inside the creative underground jazz of 1970s."
Andrea Galtieri

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Naming & Blaming

LP | 2018 | US | Original (Hope Street)

Mademoiselle / Tenas Song

Release: 2018 / US – Original

Genre: Organic Grooves

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After a long wait, Melbourne’s Public Opinion Afro Orchestra (The POAO) is set to release their second album, Naming & Blaming, a pulsing, percussive journey into classic afrobeat. Recorded by a 17 piece
ensemble, led by fierce vocals and a howling horn section, it’s a fitting 21st-century response to the world-shaking music of 1970s Nigeria. The result is true to the afrobeat blueprint of hypnotic, extended songs,
improvisation and political comment but adds to the formula a host of pan-African influences and hip-hop elements that reflect the deep ranging roots of the band. As the title suggests, and in true afrobeat tradition, Naming & Blaming pulls no punches. It is an outspokenly political record, a cauldron of strong
opinions where indignation and optimism coexist. Led by the vocals of MC One Sixth and singer Lamine Sonko, the critique of colonialism is applied to both the African and Australian experience, the battles of many cultures informing the group’s ethos as does the importance of community and staying true to one’s convictions. Uplifting visions of a brighter possible
future as laid out in “No Passport,” the album’s rambunctious opening song, are balanced with honest reflections on injustice like guest Robbie Thorpe’s take on Australia’s chequered history in the title track.
For the Naming & Blaming cover, the band was honoured to have the opportunity to work with one of the originators of the Afrobeat movement
Lemi Ghariokwu, the legendary collage artist and illustrator responsible for all of Fela’s most famous album covers of the 1970s. This relationship is what the POAO is all about, paying respects to the culture and keeping it alive and relevant in the 21st century. Over the last decade, The POAO have established themselves as a firm festival favourites with their
contemporary approach to Afrobeat.

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Foxy

7" | 2018 | UK | Original (Dynamite Cuts)

14,99 €*

7" | 2018 | EU | Original (We Jazz)

Release: 2018 / UK – Original

Genre: Organic Grooves

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A limited edition 7” release by FOXY, both tracks taken from the “GET IT ON” LP. Again DYANMITE CUTS give you never been on 7” release. Including a wonderful re-production of the original sleeve.

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Mopo

Riisto / Acid Panama

Presenting... The Ad Libs Purple Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Mopo presents a 7" with their scorching tune "Riisto" taken from the LP "Mopocalypse" on side A and a brand new cosmos-searching version of "Panama" on the flipside. "Acid Panama", as it's now called, features the Finnish scene legend Jimi Tenor on sax and various other instruments.

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The Ad Libs

LP | 2018 | US | Original (ORG Music)

32,99 €*

Chameleon / Watermelon Man

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

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Herbie Hancock

12" | 2018 | UK | Original (Columbia)

The Just Brothers / The Honey Bees

Release: 2018 / UK – Original

Genre: Organic Grooves

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Major Keys is a brand-new audiophile label focusing on fully licensed reissues of jazz classics, pressed on 12” for a fuller, louder version compared to the original album cut. What better way to kick of the series than housing Herbie Hancock’s imitable ‘Chameleon’ and ‘Watermelon Man’, loud and proud on either side of a 12” - remastered and cut by the engineer of the original Head Hunters LP from 1973.

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Carlena / Let's Get Back Together

Release: 2018 / UK – Original

Genre: Organic Grooves

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Why I Am Crying / That's How Long (I'm Gonna Love ...)

Shirley Wahls

Release: 2018 / UK – Original

Genre: Organic Grooves

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Cody Black / Charles Spurling

I'm Slowly Molding / She Cried Just A Minute

Release: 2018 / UK – Original

Genre: Organic Grooves

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Herbert Hunter / The Jades

I Was Born To Love You / I Know That Feelin'

Release: 2018 / UK – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Vinyl Passion)

Louis Armstrong

Vocal Duets

LP | 2018 | EU | Original (Sonorama)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The main ingredient to a good duet is that of
mutual respect, professional admiration, even
love, which often shines through a particular
performance, and the pairings of Louis
Armstrong with Bing Crosby on the relaxed
“Gone Fishing”, or with Velma Middleton on
“Honeysuckle Rose” or with “The Voice” Frank
Sinatra on “Ad-Lib Blues”, or Ella Fitzgerald
on “Summertime”, the great Louis “Satchmo”
Armstrong significantly being the common
denominator in each duo. Also included are two
rare duets with Billie Holiday on “My Sweet
Hunk O’ Trash” and “You Can’t Lose A Broken
Heart,” while Armstrong and bandleader Louis
Jordan perform an entertaining version of the
classic “You Rascal You”.

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Jazz Community

Revisited

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | EU | Original (Roof Music)

Helge Schneider

Es Gibt Reis, Baby

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | CH | Original (Les Disques Bongo Joe)

Damily

Valimbilo

20,99 €*

Lady Love / Love Everlasting

Release: 2018 / CH – Original

Genre: Organic Grooves

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“June 2017, France. It’s 40° both inside and outside. At Studio Black Box, in the Haut Anjou, it is as if you were there, in Madagascar. And when the tape recorders start rotating, the musicians’ imagination feeds off the guts of their music : Malagasy bush, tropical heat, red dirt, sand, drought, corn, cassava, cockcrow, mooing zebus, lambahoany (fabric), leaf hut, fotaky house (mud), dust, portable generator, music, rhum, bodies frantically dancing wether in the dark or under the blazing sun…Tsapiky.

The album shall be named Valimbilo.
Bilo is a disease which strikes one’s mental health, depression is what western societies call it. When one is diagnosed with « voany bilo », a precise medical treatment is engaged and performed without doctors, nor medicine. To vanquish bilo, one has to use music.
The sorcerer solely decides upon the “good” day (the day which gathers the most positive aspects of the astrological conjuncture) to operate: the extended family hosts a ceremony ruled by many taboos, which can last up to a few days, and in which only one remedy is applied in high dosage : some Tsapiky.
They are “doctor” musicians whom talent is source of the cure.
They play for the patient, who has to be facing the orchestra : all of their attention is focused on the bilo, dancing in the sick person’s body : It has to be awaken, seduced, surprised and attacked from every angle before it is pressured, pressured until KO, until it can’t take the it anymore, stuffed with music. Then the patient is relieved, discharged, and the ceremony is over.

During the entirety of the ceremony, the patient picks a person who helps him/her get the bilo out of his/her system, this is what we call “valimbilo”, literally “husband/wife of the bilo.” "

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Jon Lucien

7" | 2018 | UK | Original (RCA)

Would You Believe In Me / Kuenda

Release: 2018 / UK – Original

Genre: Organic Grooves

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The infamously velvet tones of Jon Lucien get a much welcomed official remastered, reissue - with the original ‘Rashida’ 7” e.p., that contained four of Lucien’s tracks, now split into two 7”s for a louder, more refined pressing of each song. First up, ‘Lady Love’, with it’s bossa nova inspired style, drawing every last drop of emotion from Lucien’s infamously voluptuous voice. Once dubbed by Herbie Hancock as “the man with the golden throat”, it’s easy to see why - Lucien’s rich baritone evoking dreams of summer sunsets, glistening blue seas whilst wrapping you up in a blanket of warmth and tenderness that few can rival.On the B side – ‘Love Everlasting’, another of Jon Lucien’s bossa nova leaning tracks, swells with jazz flutes, plucked acoustic guitars and a soul drenched string section to compliment Lucien’s beautifully calming tones. With the original Rashida 7” exchanging hands for over £150 on Discogs, here’s a chance to get Jon Lucien’s golden-throated voice in the collection without raiding the savings.

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Jon Lucien

7" | 2018 | UK | Original (RCA)

Selects From Both Directions At Once

Release: 2018 / UK – Original

Genre: Organic Grooves

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Part two of the official remastered, reissue of Jon Lucien’s ‘Rashida’ e.p. see’s ‘Would You Believe In Me’ and ‘Kuenda’ lovingly housed together on either side of a dinked 7 inch record. ‘Would You Believe In Me’ is a top down, soulful cruiser, bringing a slice of jazzed up funk gold to the fore. As smooth as silk, Lucien’s dulcet tones leave you in awe - a voice destined to bring joy to souls the world over, it oozes charm, passion and elegance from beginning to end. On the B side, ‘Kuenda’ washes away any worries that the day-to-day mind might have conjured up, with the soft sounds of the sea leading into a beautiful layered vocal performance by Lucien, perfectly accompanied by a solo plucked Spanish guitar.

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John Coltrane

12" | 2018 | US | Original (Impulse)

Orchestra Di Enrico Simonetti

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

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Blue Frog & Others Transparent Blue Colored Vinyl Edition

LP | 2018 | US | Original

A Louder Silence Black Vinyl Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Features key members of Goblin. First ever reissue of this 1975 jam filled with great instrumental orchestral funk. Limited to 500 copies Pressed on transparent blue wax. Published in 1975 and never reissued until today, “Blue Frog… and others” is a 10-song LP in which composer Enrico Simonetti, father of Claudio from Goblin, wrote all five tracks on side A together with Nicola De Vincenti and directed the orchestra in the whole record. The result is excellent, with a first ‘animal side’ with obvious musical references to animal sounds (the song titles leave no room for any doubt: Blue Frog, Water Snake, Lady Murmaid, Moonlight Fish and… Hally Gator!) and a second one consisting of cover songs of popular themes, all blended in an orchestral funk-pop context, well played and recorded.

What makes this release even more interesting is the presence, among the musicians, of Claudio Simonetti, Fabio Pignatelli, Massimo Morante and Walter Martino: in short, the complete Goblin line-up of “Profondo Rosso”!!! A real treat then, for fans of Goblin and soundtracks in particular; this reissue makes available again a record which, until now, was almost impossible to find outside the circle of vinyl rarities collectors. Not to be missed! PRESSED ON BLUE TANSPARENT COLOR VINYL & LIMITED TO 500 COPIES FOR Schwarzer Freitag Record Store Day 2018.

Another friday dedicated to the black gold!

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Leifur James

LP | 2018 | UK | Original (Night Time Stories)

27,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

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I Can See Through You / Chicken Yellow

Miami

7" | 2018 | UK | Original (Dynamite Cuts)

14,99 €*

The Brian Auger Piano Trio

Release: 2018 / UK – Original

Genre: Organic Grooves

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A limited edition 7” release by MIAMI, both tracks taken from the “PARTY FREAKS” LP. Again DYANMITE CUTS give you never been on 7” release. Including a wonderful re-production of the original sleeve.

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Full Circle - Live At Bogie's

LP | 2018 | UK | Original (Freestyle)

Release: 2018 / UK – Original

Genre: Organic Grooves

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It's Nation Time: African Visionary Music

LP | 2018 | US | Original (Motown)

37,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Latin Big Note)

Setenta

We Latin Like That

12,74 €* 16,99 € -25%

LP | 2018 | EU | Original (General General)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Composed and arranged collectively, this new opus mixes up Latin, Funk, Pop and Jazz, with the same percussive and strong vocal section, sung in Spanish, English, Creole and Yoruba, (cf. their arrangement of the traditionnal Rezo a Obatala). They also salute the great Camilo Azuquita with a rework of "Guajiro Bacan" (Ramon "Saoco" Perez), which they bring as a pledge of allegiance to the Latin Soul genre.

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James Booker

The Lost Paramount Tapes

Release: 2018 / EU – Original

Genre: Organic Grooves

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Alan Hawkshaw & Brian Bennett

Full Circle

LP | 2018 | UK | Original (Be With)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.

Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carry lots of deft studio work that many a producer would give their right arm for. Hawkshaw’s arrangements allow the drums, guitar, bass, strings, Hammond, flute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.

Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been afforded the care and attention it rightly deserves. Essential.

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Discophilia Belgica: Next-Door-Disco & Local Spacemusic From Belgium 1975-1987 Part 1

2LP | 2018 | EU | Original (Sdban)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP in gatefold sleeve. 180gr vinyl. Compiled by cratediggers Loud E & The Wild, Discophilia Beligica' is a collection of next-door-disco and local spacemusic from Belgium 1975-1987The tracks on this delightfully obscure collection are from ordinary folk. Most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe and back again.

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LP | 2018 | UK | Original (Ace)

Rhythm & Blues Christmas

The Chase (Version 1) / The Hillary Step

Release: 2018 / UK – Original

Genre: Organic Grooves

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Having noticed that Christmas tends to be an annual event and that vinyl is suffering a resurgence, we here at Ace have put the two together and extracted 14 blues, R&B and doo wop sides from our Christmas R&B compact disc and turned them into a seasonal platter.

A mostly upbeat selection that will certainly help you and yours get through these fraught times.

Blues stars like B.B. King and Lowell Fulsom, with their ripping up-beat guitars join forces with the mellower mistletoe sounds of Hadda Brooks and Jesse Belvin.

This positive view of seasonal goodwill was probably down to the fact that all these sides were cut in Los Angeles in the warm California sun.

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Bowman Trio

7" | 2018 | EU | Original (We Jazz)

From Nubia To Cairo(Remastered) / The Soul Of Black Egypt

Release: 2018 / EU – Original

Genre: Organic Grooves

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Bowman Trio returns with a strong double-sider 7". The trio delivers their trademark loft jazz with remarkable energy and swing on "The Chase (Version 1)" and "The Hillary Step". Both are fresh studio cuts which serve as tasters of the Helsinki trio's new music in anticipation of their second full-length expected to be released in 2019. The 7" vinyl version comes with beautiful "old-school" heat-pressed label and generic brown sleeve.

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Ali Hassan Kuban

LP | 2018 | EU | Original (Piranha)

Release: 2018 / EU – Original

Genre: Organic Grooves

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12" | 2018 | EU | Original (Kalita)

Kallaloo

Star Child

Release: 2018 / EU – Original

Genre: Organic Grooves

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Kalita Records are proud and honoured to announce the first
ever and official reissue of Kallaloo's sought-after 1982
disco single 'Star Child', accompanied by interview-based
liner notes. Originally released on Jeffrey Turpin's
Trinidadian record label IDA, 'Star Child' has since become
highly sought-after by both DJs and collectors alike as an
invisible, yet astonishing piece of Caribbean disco. Unable
at the time to gain the traction and success that it deserved,
we hope that this re-release provides an opportunity to bring
such a great record to a much wider audience.
Kallaloo consisted of various Trinidadian musicians including
Keith Alexander and Peter Wayne Barkley. Keith had been
well-respected as a member of the Trinidadian group Impact, and
was later to become an in-demand producer and composer under
the name of Keith Diamond, responsible for various hits by Billy
Ocean, Donna Summer, Starpoint and Melba Moore. In contrast,
Peter was a well-known recording session drummer, but after
'Star Child's' release he moved to North Carolina to pursue other
interests and “was never heard from again”.

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The Love You Save American Soul Music 1955 1972

2LP | 2018 | US | Original (Cairo)

34,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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12" | 2018 | EU | Original (Cree)

Tropical Tricks

Release: 2018 / EU – Original

Genre: Organic Grooves

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We thought turning five this year would be a good reason to ask some friendly DJs and producers to go through our catalogue and select their favorite track to do an edit or remix on.
The first selection by DJ Nomad from Berlin is Barbara Hernandez' 'All Nite Tonight', written and produced by Leston Paul from Trinidad. Nomad's edit drives the song's dance floor ambition even further beyond the top. As a DJ Nomad does not necessarily put a label on his style, but always expresses love for Polyrythms, Soulful harmonies and the African drums and Percussion. He's notorious for finding fresh world music dance tracks all around the globe, before they become hits, and a massive collector of Tropical Soul, Funk and Disco.
His energetic and surprising , always fresh DJ set's earned him a residency in Paris's infamous ‚Tropical Discoteq’ Parties among the best Dj's of the genre. He is the founder of ‚Vulkandance’ Parties, Blog and Label in Berlin .. He's together with Edna Martinez cofounder of ’El Volcan’ - The first continental European Colombian Pico Soundsystem. As a Producer he's breaking ground and travelling the world together with Dirk Leyers and the transcultural Project Africaine 808, besides working as a master Editor for other artists around the globe. Keshav Singh who is part of Trinidadian/British production duo Jus Now put his hands on Trinidad's Mansa Musa's ’Beat The Drum’.
Being a percussionist in his own right he transformed the song into a housy Soca track and pure dance floor fiah! With his partner Sam Interface, he has produced soca music with EDM influence for Bunji Garlin, Machel Montano and 3Canal. Keshav commutes between Trinidad and the U.K.
The next two tracks are taken from our upcoming compilation ’Gotta Nice Buzz - The Funky Sound of Semp Studios Trinidad, W.I.’. French DJ & record collector Waxist gives Zodiac's ’I Believe’ a proper treatment. ’I Believe’, written by Francis Escayg, is an uptempo Caribbean Disco tune with a strong Giorgio Moroder influence with Denise Plummer on vocals.
Waxist, based in Lyon, France, started his love story with records as a teenager when he bought his first reggae 7 inches. If his love for Jamaican music has survived through the years, the DJ has progressively extended his interests to different, more dancefloororiented music genres like Disco, Modern Soul, Boogie or even a touch of House when needed... Being careful with the technique, as well as with the coherency of his selection, his sets are an invite to a dancing musical journey taking the audience from Disco to Modern Soul, through more Caribbean or Brazilian sounds.

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Confessin' The Blues Volume 2

2LP | 2018 | EU | Original (BMG)

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Orbeatize)

Errol H. Tout

Sounds 1985-87

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A collection of Errol's best compositions taken from his first two recordings (1985 Atmospherics and 1987 Sounds Of Swimming).
16 tracks: Open Jazz Guitar Masterpiece.

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Music Is The Most Beautiful Language In The World: Yiddisher Jazz In Londons East End 1920s To 1950s

LP | 2018 | EU | Original (JWM)

LP | 2018 | US | Original (Awesome Tapes From Africa)

Release: 2018 / EU – Original

Genre: Organic Grooves

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New label JWM Records launch with the selection 'Music is the Most Beautiful Language in the World'. A vibrant soundtrack to the Cockney Jewish experience, starting when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel, in London’s East End. For some, music or acting was a potential way out of the poverty experienced by these first and second generation refugees.

Sounds from long-forgotten 78 rpm discs only recently unearthed, reveal a host of recording artists, united here for the first time. Klezmer fused very easily with jazz, a connection that becomes apparent in these recordings. Hear the legendary dance band figures of the era like Bert Ambrose and his Orchestra, and Lew Stone and his Monseigneur Band, to the relatively unknown Jewish speciality acts like Johnny Franks and his Kosher Ragtimers, and Rita Marlowe, the siren of Yiddish song. Delight in the cheeky street patter of the incomparable slapstick drummer Max Bacon, rejoicing in the East Enders' love affair with ‘Beigels’; celebrate the world famous Petticoat Lane street market with not one, but two fox-trots - but also shed a tear with Leo Fuld, the remarkable Dutch Yiddish singer, whose recordings in post-war London were haunting reminders of a way of life decimated by the Holocaust.

‘Music is the most Beautiful Language in the World’ is compiled by Alan Dein, multi-award winning radio documentary presenter, whose own family harks back to the major wave of immigrants fleeing the pogroms in Eastern Europe from the end of the 19th century. The album title is inspired by a 1920s Yiddish slogan of an East London gramophone record shop, from a time when Whitechapel was a fertile breeding ground for singers, musicians, proprietors of record shops and club owners - according to Dein “their stories are now entwined with the development of the British recorded music industry. But for the first time ever, we can the discover the remarkable sounds of Jewish-themed jazz recorded in London between the 1920s and the 1950s - which thankfully had been preserved within the grooves of ancient discs”.

Designed by Will Bankhead, the LP comes with a fold-out insert, the slip-case CD with a 24 page booklet, both including a detailed essay by Dein, illustrated with rare photos and memorabilia. This release is co-compiled by Howard Williams, who has released a series of compilations spanning Moondog (The Viking of Sixth Avenue), Killing Melody (Japanese gangster soundtracks), cult Japanese jazz singer Maki Asakawa, and several other Japanese retrospectives.

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Asnakech Worku

Asnakech

Ciumeira / Rasga Teu Verso

Release: 2018 / US – Original

Genre: Organic Grooves

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- Backed by Hailu Mergia - Legendary singer/instrumentalist at her mid-1970s prime -
Double LP carefully extracted from cassette and remastered by ATFA family engineer
Jessica Thompson There is perhaps no woman more cherished in modern Ethiopian
history than Asnakech Worku. As a musician, actress, dancer and cultural icon, Asnakech
inspired and challenged society for decades, until her death in 2011. From her beginnings
as Ethiopia's first theater actress in 1952 to her climb to become one of the most famous
actresses at the National Theater to her days as a club owner-turned-master musician,
Asnakech's inimitable confidence and charm made her a household name. She earned
endless accolades across the artistic spectrum. She made seminal recordings of
unforgettable original compositions, as well as legendary renditions of traditional songs,
that became national staples. With a singular sense of style, glamour and sex appeal that
sometimes stunned mainstream society, Asnakech wore clothes no one else wore and
said things no one else said. Staid notions of how women should dress and behave didn't
apply to her. Battling a mentality that until the early 1950s had men wearing dresses to
play female roles in the theater, Asnakech became a national treasure on her own terms.
Her family wasn't pleased with Asnakech becoming an azmari_an itinerant praise
musician who sings, often in bars, for tips_and didn't bother her, especially after Emperor
Haile Selassie I began to emphasize theater and music in society, officially legitimizing her
career. Asnakech became an internationally-celebrated performer of Ethiopia's ancient
harp, the krar, making her one of the most visible female musicians of the 20th century.
All this while leaving controversy, broken hearts and a changed cultural landscape in her
wake. In 1975, keyboardist and bandleader Hailu Mergia got a call from the owner of
Misratch Music Shop to do a recording with Asnakech and he went for it. This recording
is a nearly-forgotten artifact of the remarkable icon's singular legacy, remastered and
available outside Ethiopia for the first time. It also provides a rare glimpse into Mergia's
work as a arranger-sideman in the Addis Ababa music scene. This trio recording
featuring Mergia on organ and Temare Harege on drums using only brushes is starkly
minimal but deeply evocative. The minimalist arrangements ensure the focus is on
Asnakech's incisive_and occasionally romantic_lyrics and her virtuosic krar performance.

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Carlos Sodré

7" | 2018 | UK | Original (Mr Bongo)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Double sider of uptempo vintage MPB samba jazz from Carlos Sodré, originally released as a 33rpm ‘compacto’ 7” single on Copacabana in 1965.

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Music Is My Life - Italian Library

LP | 2018 | EU | Original (Cometa Edizioni Musicali)

Ella Wishes You A Swinging Christmas Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves, Soundtracks

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The LP Italian library "Music Is My Life" is a new collection of songs never printed in LP of the 70s and early 80s used in the sound commentaries of newsreels, films, TV and documentaries. Many of you (now aged forty) will have surely felt them in the background, now we want to present them in their great musical fullness and to delight your ears.S. Brugnolini - A. Alessandroni - A. Trovajoli - E. Morricone - L. Zito - M. Guantini - Teimar - B. Pisano - G. Tommaso - T. Schipa

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Ella Fitzgerald

LP | 2018 | EU | Original (Dol)

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | US | Original (Daptone)

Charles Bradley

Black Velvet

LP | 2018 | EU | Original (Trost)

Release: 2018 / US – Original

Genre: Organic Grooves

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November 5th, 2018 would have been Charles Bradley’s 70th birthday. In celebration of his extraordinary life, Daptone imprint Dunham Records is proud to announce the release of his fourth and final album, Black Velvet.

Black Velvet is a celebration of Charles Bradley, lovingly assembled by his friends and family at Dunham/Daptone Records. Though chronologically the material spans Charles' entire career, this is no anthology, greatest hits or other shallow rehashing of the songs that already made him famous. Rather, this album is a profound exploration through the less-travelled corners of the soulful universe that Charles and his longtime producer, co-writer and friend Tommy "TNT" Brenneck created in the studio together over their decade-long partnership. It features new songs recorded during the sessions from each of his three albums, heard here for the very first time in all their scorching glory: "Can't Fight the Feeling," "Fly Little Girl" and the heart-wrenching single "I Feel a Change", hard core rarities like his funk-bomb duet with LaRose Jackson, "Luv Jones," the psychedelic groover, "(I Hope You Find) The Good Life" and the ever-illusive alternate full band electric version of "Victim of Love", sought-after covers of Nirvana's "Stay Away," Neal Young's "Heart of Gold" and Rodriguez's "Slip Away", and the title track "Black Velvet," a stirring Menahan Street Band instrumental to which Charles was never able to cut a vocal.

Charles was truly a transcendent singer who led a remarkable life, overcoming unimaginable adversity to achieve great success and international acclaim very late in his life. What was really special about him and made him different from everybody else in the world was how he understood his pain as a cry for universal love and humanity. He felt that if he loved enough—if we all loved each other enough—we could take away the world’s pain and sadness. That is why he jumped off the stage and literally tried to hug everybody he could. It's why he took such great care of a mother that had abandoned him. It's why he sang and danced like a lunatic. It's why he screamed like an eagle. And that's why we love him.

Black Velvet is a celebration of his life, and is destined to join Charles' first three albums alongside the cannon of essential soul records for the ages.
The new album is comprised of ten tracks the singer laid down in the years before his death, taken from different recording sessions over the years.

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Full Blast

Rio

I Can't Stand It / Only Yesterday

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited live release by Peter Brötzmann's Full Blast Power Free Jazz Trio
recorded at Audio Rebel, Rio de Janeiro, Brasil 2016. Mixed and Mastering :
Martin Siewert (Vienna) Artwork : Peter Brötzmann

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Thelma Jones

7" | 2018 | US | Original (Numero Group)

The Scorpions & Saif Abu Bakr

Release: 2018 / US – Original

Genre: Organic Grooves

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The missing link between her Barry and Columbia singles, “I Can’t Stand It” b/w “Only Yesterday” is Thelma Jones with her back against the wall of an empty and indifferent Holiday Inn lounge and nothing to lose. Washed out of the recording business by the age of 30, Jones and her then-husband/manager James Hazley relocated to Tampa to work the hotel circuit and figure out what—if anything—was next. Following a chance encounter with Blair Mooney, Jones was invited to workshop a few stray originals at his Studio 70 compound in 1972. “He seemed to believe in me more than I did at the time,”Jones remembered of the Tampa studio impresario. Jones signed with Columbia a few years later and hightailed it out of The Big Guava, leaving two sides of country-politan soul on the shelf to be forgotten about. This Eccentric Soul 45 is a first time issue, carrying the banner of Mooney’s Gimp label and mastered directly from the original analog tapes.

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Jazz, Jazz, Jazz

LP | 2018 | EU | Original (Habibi Funk)

2LP | 2018 | US | Original (International Anthem)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Incredibly unique modernized adaptations of traditional rhythms of the diverse regions of Sudan, recorded in Kuwait 1980. The “holy grail” album from Sudan.
I heard about Seif Abu Bakr and The Scorpions maybe 3-4 years ago. Their album “Jazz, Jazz Jazz” ended up on my radar because of an eBay auction with the bids eventually rising daily up to a staggering 1000$. The music is a unique combination of incredible horn arrangements powerfully performed, a vigorous drummer contributing a funky backbone and Seif's vocals uniting those elements. The results range from instrumental tracks awaking memories of 1970s crime thriller soundtracks to more Sudanese-rooted tracks, a lot of them modernized versions traditional rhythms of the diverse regions of Sudan and even an excursion into Colgolese Soukouss.
I went for my second trip to Sudan in December 2018 and after doing some research on the first trip my local colleagues Larissa and Yassir had managed to reach Amir, The Scorpions band leader and he was happy to meet. We got together with him in a Cafe right at the Nile in Omdurman. It was a happy occasion for everyone. He told us stories about him meeting Jimmy Cliff and Lewis Armstrong when they visited Sudan and how he and his band mates from The Scorpions played extensively in Kuwait, both in club residencies as well as for television. Amir brought tons of incredible photos illustrating not only the bands history but the vivid cultural live in the many music clubs in Khartoum of the 1970s. During this decade up until 1983 the capital was home to a huge number of clubs, bards and concert halls. This scene started to perish after president Nimeiry's turn away from his socialist policies, that he was widely associated with in the first decade of his rule, towards the implementation of Sharia law in 1983. During the first decade of his rule he had actively supported various artists of the Jazz scene, taking some of them on trips throughout Africa. The 1989 coup of Bashir and his generals then caused the final blow to a once thriving scene. Both of these political events within 6 years lead to significant drawbacks for the Sudanese jazz scene resulting into hardly no gig opportunities left and parties and concerts being critically observed. A number of musicians faced prosecution, most of the time for their political views, some left Sudan for good. Music never completely vanished from public life and even the regime kept selected artists close, but for a majority of those bands affiliated to the jazz scene life and making ends became a lot harder. The Scorpions dissolved as a group around the same time.

The re-release was produced with a clean copy of the vinyl version as a source. The original reel tape of the album stayed with Saif Abu Bakr along with another reel with other recordings that were never released. Unfortunately it was lost when Saif Abu Bakr had to flee to Kuwait temporarily during the second gulf war when Iraq raided Kuwait. Both the CD and vinyl version come with extensive booklets with photos, interviews, liner notes. The vinyl version also has a DLL code.

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Makaya McCraven

Universal Beings

27,99 €*

Music Is Message / Show Me Tell Me

Release: 2018 / US – Original

Genre: Organic Grooves

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Universal Beings is jazz drummer / producer Makaya McCraven's new album - his most ambitious, elegant and refined work yet. Recorded at 2 intimate live sessions and 2 pop-up "studio" sessions across the "new" jazz hotbed cities of New York, Chicago, London, and Los Angeles, Makaya collaborated with an all-star cast of improvisers (15 musicians in total, including Shabaka Hutchings, Nubya Garcia, Jeff Parker, Miguel Atwood-Ferguson,Tomeka Reid, Brandee Younger and Carlos Niño) to create source material for the signature style of "organic beat music" production he debuted on the groundbreaking 2015 release In The Moment. The result is this epic, 2xLP set that represents another breakthrough in Makaya's career as a recording artist, as well as a definitive new work of the exciting global groundswell of next-generation, Black musicians re-vivifying and re-articulating "jazz" in 2018.

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Sons Of Slum

7" | 2018 | EU | Original (Cordial)

Lost In The Crowd / Silly Kind Of Love

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sons Of Slum released three singles on Stax and Gamma in the 1970s. They were reputed to be Chicago's finest live band of their time, the band broke up in 1978. 'Music Is Message' is a high octane funk and soul crossover jam which which has the potential to be a future classic. On the flip the tempo is lowered and a rasping horn supplements the killer groove with a smoothing vocal delivery. Cordial Recordings will release an album of previously unreleased songs that were recorded back in the mid 1970s in 2019.

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Billy Byrd

7" | 2018 | EU | Reissue (Record Shack)

Frank Motley & The Hitchikers Featuring The Mighty Pope / King Herbert & The Knight

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 150 copies. In white cut-out sleeve with sticker. The REVISIT Soundtrack was initiated by Markus Oberndorfer as part of his media art project REVISITED which features 360 video, media installation, photography, collage, and an artist book. Six befriended musicians were invited to provide three tracks each and given the assignment to send contributions representing their interpretations of the 360 videos recorded of the Sunset Strip in 2016 as part of REVISITED.

REVISIT OST is part of the installations virtual experience in form of radio broadcasts and subject of digital release and three limited physical releases on split 12“ vinyl. The vinyl is available in two versions à 150 copies: 1. Rhythm-Section (sound) and Rhythm- & Sequence-Frame-Section (sound & visual concept).

DROOM-01: Parental, Sirlensalot
DROOM-02: Devaloop, Lex (de Kalhex)
DROOM-03: Kompact, Dday One)

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Mr. Fortune / Sissy Strut

7" | 2018 | EU | Reissue (Record Shack)

Welcome To Our World / Cosmic Lust

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Mass Production

12" | 2018 | EU | Original (Groovin)

Dancing In Outer Space / Outer Space

Release: 2018 / EU – Original

Genre: Organic Grooves

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A boogie classic!

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Atmosfear

12" | 2018 | UK | Original (Mr Bongo)

LP | 2018 | EU | Original (Smithsonian Folkways)

Release: 2018 / UK – Original

Genre: Organic Grooves

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‘Dancing In Outer Space’ is a certified jazz-funk classic from a legendary band! 12" vinyl, cut loud at 45rpm.It sits at the pinnacle of the underground UK dance scene that went on to have a global influence. Stateside, the track had big support in clubs such as the mythic ‘Paradise Garage’ and 'The Loft' by the likes of Larry Levan and David Mancuso. An instantly recognisable anthem that is just as fresh today as it was when it was first released.Official Mr Bongo reissue. Licensed from Chemical Discs.

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Joseph Spence

Bahamian Folk Guitar

18,84 €* 28,99 € -35%

Release: 2018 / EU – Original

Genre: Organic Grooves

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Make Me Yours / Love Is Gonna Get You

Z.Z. Hill / Peggy Woods

7" | 2018 | UK | Original (Kent Soul)

10,99 €*

The Charmels / L.V. Johnson

Release: 2018 / UK – Original

Genre: Organic Grooves

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Southern soul singer Z.Z. Hill was Kent/Modern’s main artist in the latter half of the 60s. In 1967 the company recorded him on an LP of soul classics and rightly chose Bettye Swann’s hit from only a few months before as one of the tracks. The label may have missed a commercial trick as his male-angle on the marvellous song gave it a new dimension and would surely have fared well as a 45. The UK licensors Action Records spotted the song’s potential and it was well received, although the much smaller UK soul market of the time could rarely achieve big sales. Since its release more soul fans have become aware of its quality and at last it is available again for discerning collectors.

Peggy Woods’ classic Northern Soul stomper was first on 45 in 1988 as a 100 Club anniversary single. With only approximately 400 pressed it was inevitable this and other such singles would become sought-after. Here is Peggy in her original glory singing her Kent/Modern masterpiece.

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I've Done It Again / Seeing Is Believing

7" | 2018 | UK | Original (Deep Soul)

LP | 2018 | EU | Original (Staatsakt)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Ace’s access to the Stax vaults in the 90s lead to some historic tracks being heard by soul fans for the first time. The ones by the major acts like Otis, Carla and William Bell hit the headlines but the lesser artists demonstrated what talent they had on previously unheard musical gems.

Both the Charmels’ ‘I’ve Done It Again’ and L.V. Johnson’s ‘Seeing Is Believing’ are simply breathtakingly beautiful soul records that anyone with an interest in the music will appreciate as truly great records.

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Jens Friebe

Fuck Penetration

Release: 2018 / EU – Original

Genre: Organic Grooves

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Risin' To The Top / You're The Best (12 Inch Mix)

Keni Burke

12" | 2018 | UK | Original (RCA)

2LP+CD | 2018 | EU | Original (Because)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Keni Burke’s signature hit ‘Risin’ To The Top’ gets an official remastered, reissue alongside the 12 inch mix of his ’81 killer jam ‘You’re The Best’.

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Les Negresses Vertes

10 remixes

Bruce Marshall / Bill Thomas

Release: 2018 / EU – Original

Genre: Organic Grooves

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Following the reissues of their 4 albums on vinyl earlier this year, French band and pioneers of the fusion of World and Alternative music Les Négresses Vertes continues to celebrate the 30th anniversary of their first album “Mlah” with a new re-issue of their album “10 Remixes”. Repressed by Because Music, “10 Remixes” features remixes of their classics (‘Sous Le Soleil De Bodega’, ‘Voilà L’Eté’, ‘Zobi La Mouche’, etc.) by Massive Attack, Gangstarr, Clive Martin, Kwanzaa Posse, etc.

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Gimme My Wife / Ease My Mind

7" | 2018 | US | Original (Preservation Project)

14,39 €* 15,99 € -10%

Joey Pastrana & His Orchestra

Release: 2018 / US – Original

Genre: Organic Grooves

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Come be our special guest at the P-Funk party of PP-005 — a release reminiscent of those pioneers of funk, Parliament and Funkadelic. These found tracks by Bruce Marshall and Bill Thomas were likely recorded around the time of “Osmium” and “Maggot Brain” — in fact, the artists featured here may have been directly influenced by the movement as it was happening, making these discoveries remarkable entries into the history of psych funk.
Where to begin with Bruce Marshall’s “Gimme My Wife” on the A side? Try to imagine a psychedelic football game, with driving wah wah funk as the halftime show. The frenetic instrumentation is guided by an infectious guitar hook, coupled with a loose chorus of voices and whistle blows. They all come together at the end to chant what sounds like “parrrr-tay,” a foreshadowing of that refrain the Beastie Boys would popularize.
Things get a little more solemn on side B with an instant classic by Bill Thomas, “Ease My Mind Pt. 1.” A surprising dirge of fuzzy guitar leads into a chorus that sings, like a mantra, “I have seen much trouble...ease my mind.” Things morph into tight horns backed by some prominent organ — in fact, this is one of the tightest horn sections on any of our releases to date.
Psych funk is alive and well on our fifth release — adding a new dimension to the amazing body of P-Funk that’s already out there. Who knows what could have happened had these cuts reached ears during the 70s — but the time for the Marshall-Thomas ship to land is now. Put this on to get your next party going, and it’ll do most of the work for you. Get this special, split 7” on limited-run vinyl while you can.

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Let's Ball

LP | 2018 | US | Reissue (Get On Down)

LP | 2018 | US | Original (Get On Down)

Release: 2018 / US – Reissue

Genre: Organic Grooves

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Joey Pastrana had a special gift for singing
songs in both English and Spanish. Along with
other boogaloo luminaries like Pete Rodriguez
and Joe Cuba; Joey Pastrana was responsible
for introducing Latin music to many English
speakers across America. With a wonderful and
talented orchestra, Joey Pastrana paved the
way for the new Latin music fusions that have
come to be known as the Latin boogaloo.
A master of the timbales, Pastrana was also
a brilliant singer known internationally for
his energizing live performances. Honing his
musical skills in his beloved New York City,
Joey was enamored at an early age by the
sights and sounds coming out of Spanish
Harlem during the early sixties. Taking his cue
from the R&B and Jazz that was popular at that
time, Pastrana became a master of rolling
rhythms that shook up hips in dance floors
throughout the world. One of the top artists of
the boogaloo/Latin soul era, Joey Pastrana’s
music is regarded as one the most wonderful
and exquisite examples of the world-famous
New York Latin sound.

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Sisters Love

With Love

10" | 2018 | EU | Original (Jazzaggression)

Release: 2018 / US – Original

Genre: Organic Grooves

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Motown's First Ladies of Funk finally release their vinyl
debut, some 45 years after it was originally scheduled!
As the '70s dawned and Motown relocated to the West Coast, the
era of their honey-toned '60s girl groups came to a resounding
halt. The Sisters Love were the antithesis of the traditional
Motown group and came to the label from A&M, armed with a lot
of funk, sass and attitude.
Paired with some of Motown's finest writers and producers - Hal
Davis, Gloria Jones, Pamela Sawyer, Paul Riser and Willie Hutch
- they got off to a rousing start with the gritty "Mr. Fix-It Man"
and went into high gear for the UK only release "I'm Learning To
Trust My Man".
Motown had them playing arenas with The Jackson Five (probably
not their smartest move!), issued the odd single and scheduled
more but Sisters Love's anticipated breakthrough didn't happen.
In 1980 New York DJ Danny Krivit pressed up an extended
eight-minute re-edit of "Give Me Your Love", an old B-side from a
1973 single! That song was somewhat of an underground classic
but the Krivit mix brought in a whole new legion of fans amongst
the rare groove crowd, both in the US and the UK.
Sisters Love had long been rumored to have recorded a complete
album for the Motown subsidiary MoWest. Get On Down Records
combed the vaults with Motown's help and the result is the
original 10 cut album, plus a bonus cut, "Give Me Your Love."
Although Gwen Berry passed away some years ago, the other
three members of the group - Jeanie Long, Lillie Fort and
Vermettya Royster have all been actively involved in this release.

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Erik Andresen Quartet

Cointreau

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sarah Vaughan

Lullaby Of Birdland

Release: 2018 / EU – Original

Genre: Organic Grooves

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Nat King Cole

Route 66

Release: 2018 / EU – Original

Genre: Organic Grooves

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Lester Young

Just You, Just Me

Release: 2018 / EU – Original

Genre: Organic Grooves

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Gerry Mulligan Quartet

Soft Shoe

Release: 2018 / EU – Original

Genre: Organic Grooves

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Duke Ellington

Ko Ko

Release: 2018 / EU – Original

Genre: Organic Grooves

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Dizzy Gillespie

Cubana Be, Cubana Bop

Release: 2018 / EU – Original

Genre: Organic Grooves

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Charlie Parker

Now's The Time

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | UK | Original (Confunktion)

Mr. Confuse

Only A Man

26,99 €*

LP | 2018 | US | Original (Sahel Sounds)

Release: 2018 / UK – Original

Genre: Organic Grooves

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This album is about the depths of Mr. Confuse and therefore a very personal album in a way. The way he produces his music is inspired by growing up with the '90s hip hop producer technique of creating something new by referring unheard funk and soul. This from of appreciating '60s and '70s music in order to bring it on a new level of musical expression is a clear trademark of Mr. Confuse. This time he re-funked the well-known freestyle electro classic 'Let The Music Play' by Shannon.

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Tallawit Timbouctou

Hali Diallo

I Want You For Myself (Tom Moulton Mix) / Brazilian Love Affair

Release: 2018 / US – Original

Genre: Organic Grooves

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Tallawit Timbouctou are champions of takamba, a hypnotic traditional music from
Northern Mali. Built around the tehardent, the four stringed lute and pre-cursor to
the American banjo, takamba's droning distortion comes from signature handmade
mics and blown out amplifiers. Accompanied by percussion pounded out onto an
overturned calabash with mind boggling time signatures, the combined effect is
trance inducing. This is the music that long ruled the North of Mali, performed at
festivities, blasting out of dusty boomboxes, and beaming out from village radio
stations. Its origin is shrouded in mystery, and though purportedly dating back to the
Songhai Empire of the 15th century, takamba's heyday was in the 1980s, with the
introduction of amplification. Musicians found a lucrative circuit, performing in
elegant weddings, creating cassettes on demand, and writing songs for their wealthy
patrons. Today takamba has fallen out of popular fashion with the youth, but
continues to thrive in a small network of die-hard traditionalists. Band leader Aghaly
Ag Amoumine is one of the remaining renowned takamba musicians. Descended
from a long line of praise singers, he spent decades traveling across the Sahel,
performing in remote nomad camps and crowded West African capitals. His
compositions continue to circulate today and have become part of the folk
repertoire. His group Tallawit Timbouctou, based in the city of the same name,
continues in the family tradition, and has featured both his brother and nephew as
accompanying members. Recorded at home in Timbouctou, "Hali Diallo" is a
relentless and nonstop recording, true to the form of takamba. Tracks blend
seamlessly into one another, instruments are tuned mid-song, and Aghaly only
pauses singing long enough for the occasional shout-out or dedication. Unfiltered
and direct as it's meant to be heard, Tallawit Timbouctou is a shining example of one
of the last great takamba bands.

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George Duke

12" | 2018 | UK | Original (Epic)

The Rob Franken Electrification Trio

Release: 2018 / UK – Original

Genre: Organic Grooves

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Two all-time George Duke greats, ‘I Want You for Myself’ & ‘Brazilian Love Affair’, get the official remastered, reissue treatment. First up, ‘I Want You For Myself’ Duke’s 1979 jazz funk, R&B tinged gem has got all the ingredients of classic from his illustrious catalogue. A funked up guitar and exuberant percussion, compliment Lynn Davis’ fabulously soulful vocals perfectly to make this a love song that’s sweeter than most. A Duke classic wouldn’t be complete without a killer, keys solo and ‘I Want You For Myself’ shows off his talents in abundance. The infamous Tom Moulton takes on edit duties splicing it into a 10-minute exploration of this fusion powerhouse, extending and enhancing elements in the mix, alongside adding an epic breakdown in a way that only he knows how. On the B side, the stone-cold killer ‘Brazilian Love Affair’ is a Latin American, jazz funk classic. Recorded in Rio de Janeiro, Duke drafted in a host of greats to guest on the track, each bringing something unique to the table. From Airto Moreira’s expert latin drumming, to Byron Miller’s heavyweight bass and Roland Bautista’s overdriven guitar. Duke supplements this to a tee with his blissful vocals and an otherworldly Rhodes solo. Much sampled, much loved, this is a masterpiece that needs a place in the collection.

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Colours & Images

LP | 2018 | EU | Original (678)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Rob Franken Electrification Trio

Six Seven Eight

LP | 2018 | EU | Original (678)

Release: 2018 / EU – Original

Genre: Organic Grooves

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107th Street Stickball Team

Saboreando, Pot Full Of Soul

LP | 2018 | EU | Original (Everland)

LP | 2018 | EU | Original (Soundway)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Plus 4 Unreleased Bonus Songs! This is a band project from the late 1960s with a very young Bobby Marin, a leading figure in the invention of BOOGALOO music, a cocktail of Latin music, Rhythm & Blues, Soul and Rock’n’Roll oft he day clearly geared towards the western pop music that made the top of the charts. As he grew up on 107th Street in Harlem / NYC he and his mates played a game called Stickball during the day which is a street variation of baseball originating from the New York area while at night he rehearsed with a doo wop ensemble named THE LATIN CHORDS and others from his team got together in a percussion group in buildings on the opposite site of the street. It was no miracle that both groups soon merged into one act that became the 107TH STREET STICKBALL TEAM producing this sole LP in 1969 with a 7“ decoupled probably upfront that featured the two album tracks „On old Broadway“ and „Mojo shingaling“. Well shaped originals of the full length vinyl go for 200,00 € now as a mono pressing, while even those which fetch lower prices never fall beyond 100,00 €. Therefore this reissue on Everland Records suits us fans of outstanding 1960s music fairly well with even four bonus tracks added that band leader Marin unearthed from his personal vaults. This is clearly a typical album in the field of BOOGALOO music of the later 1960s. Western popular music such as beat with British roots, American soul music with lush arrangements and orchestration and the well known elements of bossa nova, salsa, cha cha cha and merengue team up in an exciting sound that gave us some very intense albums during the short span of it’s real popularity in between 1966 and 1969 around NYC but also far out in the latin world. The anthems of one’s life in the Bronx or in Harlem given by the likes of Tito Puente could be felt pouring out of the relaxed, yet intensely pulsating rhythms from drums and percussion on this record while the melodic constructions on top of this groundwork were either soul inspired such as with the hauntingly dreamy opener „On old broadway“ with a great pop appeal and beautiful horn section and vocal arrangements, had a bluesy approach such as the ballad „Look to me“ in three – quarter time at first but adopting a latin melody and cha cha cha beat towards the end of the song or showed a 1960s pop beat affinity with the vocal melodies on top of a bed of ever grooving mid paced salsa rhythms with powerful horns accompanying the basic structures as you can hear it in the two minute shorty you put a hurt in my heart. But this was only one side oft he coin. There were even more traditional latin songs to be found here which were even sung in Spanish. „Toma Guajira“ could easily be an evergreen on the dancefloor in every bar in Havanna. The mixture was breathtaking for you did not get away from dancing and twirling to the enthralling rhythms upon which sometimes the instruments could take a frantic path such as the organs or the saxophone in the soul inspired instrumental „Barbara with the kooky eyes“, which has this typical late 60s atmosphere. Wherever you put the needle in the groove the music will grab you by the heart and legs. The four bonus tracks fit well with the original album and if you would not know they were added only for this reissue you would never realize they would have stayed unreleased for about 50 years. „Come live with me“ is a hot blooded latin groover with a late 50s soul and doo wop feel merged with cumbia and salsa elements. The melodies drag you straight into the clubs of Cuba’s capital. „Rosemary with the funny knees“ is rather modern soul pop and Northern soul of the day in which more of these Cuban aspects appear for a moment but with the late 60s sound prevailing. It feels like the band drifts from one one world into the other and back without losing a beat. „Hey mama“ is a cross of 60s doo wop vocal music and Latin sounds that makes up a prototypical boogaloo style dance floor sweeper. „Lost in the jungle“ adds some 1950s exotica elements to the haunting 60s pop with latin rhythm groundwork and once more frantic performances from the horns and the singers make it an instant classic. I could go on raving about this album but instead I recommend to buy a copy of the reissue and get the full boogaloo experience. If I should limit myself to only one record from this style it would certainly be this.

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Grupo Controle Digital

A Festa E Nossa

LP | 2018 | EU | Original (Soundway)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Soundway Records delivers a beautifully remastered reissue of Brazilian duo Grupo Controle Digital’s only album, “A Festa É Nossa”. First released in 1988, the album is now housed in a tip-on heavyweight sleeve and restored artwork.
With the title track “A Festa É Nossa” having circulated the last few years in the DJ sets of influential tastemakers, the album has become highly sought after by electronic fans and collectors alike. Lo-fi synths and cruising bass lines permeate the record, influenced by the group’s Brazilian contemporaries at the time such as Tim Maia, Cláudio Zoli, Secos E Molhados, and rock outfit Made In Brazil.
Band members Billy Jaguar and Gel Valiery regularly performed in various groups in São Paulo throughout the 80s and 90s, but after Gel passed away, Grupo Controle Digital was no more - the band and the album faded into obscurity and Billy became a priest, working with gospel music. It remained that way until Brazilian DJ Millos Kaiser (from label Selva Discos, and one half of Brazilian street party organisers Selvagem) tracked down the remaining member of the group to be able to include one of their tracks on the highly anticipated Soundway compilation “Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)”, released in July 2018.
Audio restored by Neal Birnie and re-mastered by Frank Merritt at The Carvery, London. Artwork restored by Lewis Heriz.

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Felbm

Tape 1 / Tape 2

LP | 2018 | US | Reissue (Too Good)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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In the Felbm project, Dutch multi-instrumentalist Eelco Topper steps away from his previous synthesiser-laden sounds as Falco Benz, towards a much looser, simpler and sketch-like approach. Picking up a number of acoustic instruments, he began experimenting with a Tascam 4-track tape recorder and allowed these sketches to flourish.
The result is Tape 1 and Tape 2, a two-part project stretching across fifteen tracks - encompassing fluttering piano melodies, subtle jazz drums, rumba rhythms and soothing ambience. The jazz element links back to Topper’s childhood. “I grew up playing drums, switched to playing piano at sixteen and in the meantime I produced hip-hop beats,” he recalls. “I went to study jazz piano at the Utrecht Conservatory, which I finished with pain and effort… I was interested more in electronic and present-day music.”
This mix of being rooted in traditional jazz composition whilst searching for something more contemporary is the perfect encapsulation of these recordings. Tape 1’s jazz roots are palpable and as things move into Tape 2, it takes on a neo-classical, psychedelic soundscape and cinematic quality.

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Tommy Guerrero

Road To Knowhere

29,99 €*

2LP | 2018 | EU | Original (Hot Casa)

Release: 2018 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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This album is inspired by bits and pieces of Ethio-Jazz, Afrobeat, Highlife Spiritual Jazz and dusty funk 45’s. It’s where I’m at now and what has kept this mortal vehicle fueled. I tend to take different paths each musical outing but this one is for the long haul, the one for the blue highways and forgotten byways. It’s the one to get lost to. It’s about the journey, not the destination." Tommy Guerrero continues pushing the boundaries while upholding his San Francisco Bay heritage. Starting from the Bones Brigade skate team in the '80s, he’s made movie appearances, designed for Levi's in Japan, Vans shoes worldwide and Sutro eyewear among others, signed a skateboard contract with Converse, co-founded Real Skateboards and 40’s Clothing, is art director for Krooked Skateboarding, and found time to be a prolific recording artist.

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Vaudou Game

Otodi

29,99 €*

LP | 2018 | EU | Original (Must Have / Membran)

Release: 2018 / EU – Original

Genre: Organic Grooves

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No one had been through those doors in years. Unchanged, seemingly untouched, just a Guard watching over it, one wondered whether the place would ever see the light of day again. Built in the 70s by Scotch, there were only twenty such places in the entire world. Twenty studios, all identical. Most had undergone a digital makeover in the 80s, but not this one; situated in Lomé, this studio had stayed true to its original form. Silent and uninhabited but waiting for one thing, and one thing only: for the sacred fire to be lit once again. That of the Togolese Recording Office, is studio OTODI for those in the know. Through thick layers of dust, the console was vibrating still, impatient to be turned on and spurt out the sound so unique to analog. That sound is what Peter Solo and his band Vaudou Game came to seek out.
The original vibrations of Lomé’s sound, resonating within the studio space, an undercurrent pulsing within the walls, the floor, and the entire atmosphere. A presence at once electrical and mystical sourced through the amps that had never really gone cold, despite the deep sleep that they had been forced into. In taking over the studio’s 3000 square feet, enough to house a full orchestra, Vaudou Game had the space necessary to conjure the spirits of voodoo, those very spirits who watch over men and nature, and with whom Peter converses every day.
For the most authentic of frequencies to fully imbibe this third album, Peter Solo entrusted the rhythmic section to a Togolese bass and drum duo, putting the groove in the expert hands of those versed in feeling and a type of musicianship that you can’t learn in any school. This was also a way to put OTODI on the path of a more heavily hued funk sound, the backbone of which maintains flexibility and agility when moving over to highlife, straightens out when enhanced with frequent guest Roger Damawuzan’s James Brown type screams, and softens when making the way for strings. Snaking and undulating when a chorus of Togolese women takes over, guiding it towards a slow, hypnotic trance. Up until now, Vaudou Game had maintained their connection to Togo from their base in France. This time, recording the entire album in Lomé at OTODI with local musicians, Peter Solo drew the voodoo fluid directly from the source, once again using only Togolese scales to make his guitar sing, his strings acting as channels between listeners and deities…

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Ed Motta

Criterion Of The Senses

Release: 2018 / EU – Original

Genre: Organic Grooves

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Charlie Haden & Brad Mehldau

Long Ago And Far Away (Live In Mannheim 2007)

CD | 2018 | EU | Original (Impulse)

10" | 2018 | EU | Original (Sonorama)

Release: 2018 / EU – Original

Genre: Organic Grooves

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This recording was made on November 5, 2007 at the Christuskirche in Mannheim, Germany, during the Enjoy Jazz Festival. It was on a Sunday, on September 19, 1993 to be exact, that Charlie Haden heard Brad Mehldau for the first time. Charlie and I were walking through the halls of the Hidden Valley Resort located in the Laurel Mountains in southwest Pennsylvania. The resort was sponsoring a jazz festival and Charlie had just finished an interview after which we needed to get back to the hotel room in order to prepare for Charlie’s sound-check and concert that night. As we hurried through the hall, one could hear, from behind the closed doors of the auditorium we passed, the sounds of a concert in progress,

Now, Charlie had the biggest ears of anyone in jazz, and while we were walking and talking, Charlie came to a sudden halt and said, “Shhh!"

His eyes opened wide as he crept to the door to listen. Someone was taking a solo. He said to me, "I have to go in and listen." We entered the auditorium and stood at the back to listen to the rest of the concert. It was Joshua Redman’s band with Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade who, together, in 1994 recorded Joshua’s album Moodswing.

Once the concert was finished Charlie strode to the stage to greet the guys and to speak directly to the young pianist. It was Brad Mehldau who had taken that solo. They spoke for some time, and when Charlie came back to me, he said, “That pianist is brilliant. He is special, so unique.” Charlie would later go on to pronounce Brad one of the most important musicians of his generation because of his unique voice, his depth of knowledge of and facility on the instrument, and how he has moved the language of jazz forward.

Eventually, in 1996, Charlie found a way to bring Brad out to LA to perform with Lee Konitz and him at the Jazz Bakery. This led to a trio recording on Blue Note (1997) called Alone Together. In 2011, he and Brad recorded a live album with Lee Konitz, and Paul Motian for ECM called Live at Birdland. Brad and Charlie remained friends from the time of their first meeting. They had a special connection. In the early days, Charlie, in a sense, mentored this young pianist in life lessons. Personally, I think he saw a bit of himself in this young brilliant player.

The two musicians, however, had never had the chance to perform on stage in duo when, in 2007, Rainer Kern, the director of the Enjoy Jazz Festival in the Heidelberg region of Germany, invited Charlie and Brad to play a duet concert at a beautiful church, the Christuskirche in Mannheim. This was a rare opportunity for the two of them to have a musical dialogue and they both eagerly agreed. Rainer had asked to record the concert but the two artists said an emphatic, “No!” I, however, had a feeling about this concert and was able to talk the two musicians into relenting as Rainer graciously agreed to let us own the tapes. For contractual reasons regarding both musicians, the recording could not be released until now. Charlie listened to the tape often and dearly wanted to release it at some point. I am forever grateful to Rainer Kern for allowing us to record and own the work. As a result we have a dazzling testament to the interaction between two genius musicians: piano and bass, their brilliance resounding through the hallowed space of an art nouveau cathedral, recorded on November 5, 2007.

I must thank, first and foremost, Charlie Haden and Brad Mehldau for their transcendent performances and the devotion they show to the music. A special thanks to Brad Mehldau for being such a wonderful partner throughout this entire project. I must thank our friend, Rainer Kern for organizing this concert, and acknowledge the Enjoy Jazz Festival team for its support. Thank-you Jean-Philippe Allard for believing in the music and agreeing to release this recording on Universal Music, France. JP has been a great friend to Charlie’s music for many years.

It took a lot more people to make this recording happen as several parties had to agree thus many thanks to the hard work our lawyers put in to bring this project to fruition: Fred Ansis of Reed Smith LLP, Paul Bezilla of Fox Rothschild LLP, Valerie Foray and Christelle D’Almeida of Universal Music, Scott Southard and Tom Korkidis of IMN, Nanette Monton of Warner Bros. Records Inc, Bob Hurwitz, Nonesuch Records. Additional thanks to our friends, Farida Bachir, Jenny Defaut, Pascal Bod and Nicolas Pflug of Universal Music, France.

One of the most important aspects of recording is mixing and mastering. Charlie and I have worked with the recording engineer ,Jay Newland, for many years and he, again, worked his magic, bringing us the full experience of this live recording despite the inherent difficulties of such a recording taking place in an echo-resounding cathedral. Thank-you, Jay, for your incredible ears and skill. Many thanks to our mastering engineer, Mark Wilder of Battery Studios for his dedication to sound and his understanding that “Jazz is more than notes on a piece of paper.” Many thanks to Joe D’Ambrosio for facilitating the mixing and mastering process.

I need to mention the cover art. The painting was done by a friend of Charlie’s and mine, the Dutch-American painter, Luc Leestemaker who passed away in 2012. He had a timeless poetic style that Charlie and I really loved. Luc revered Charlie’s music, and we revered Luc’s paintings. We also used one of his paintings for the cover of Charlie’s album Land of the Sun. It feels good that Luc and Charlie get to do a project together again.

Charlie is gone now, and this recording was made “long ago and far away”, yet the music remains immediate. The music is now.

Ruth Cameron Haden, Los Angeles, California, July 2018

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Werner Müller Orchestra

Feuilleton In Jazz

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Born Bad)

Cannibale

Not Easy To Cook

2LP | 2018 | EU | Original (Heavenly Sweetness)

Release: 2018 / EU – Original

Genre: Organic Grooves

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If Cannibale's members brought their breakfast back up when talking about 'Not Easy To Cook', their listeners would be surprised. There's a world of difference between the beginning of Cannibale's success story and this second album. The most surprising thing about 'Not Easy To Cook' is the sultriness that emerges. It's hard to sum it up other than by comparing these 10 songs with some pressure cooker in which bits of dancehall, London ska and Hawaiian dub would have cooked together. Here's the small miracle achieved by this LP recorded by the band in its remote French village: sounding French, but Polynesian French. A very psychedelic mixture of cumbia, African rhythms and garage music. Or, if you will, a kind of missing link between Fela Kuti, The Doors and The Seeds!

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Anthony Joseph

People Of The Sun

Release: 2018 / EU – Original

Genre: Organic Grooves

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Finally ! After 6 albums published in 12 years, the poet Anthony Joseph pays tribute to Trinidad with this album recorded on his native island. A sunny trip with the local stars of the island, from steel drum to calypso. Ella Andall, singer of the deities Orishas, "Boogsie" Sharp and his metallic harmonies or 3 Canal and Brother Resistance with big phrasings.

Recorded facing the ocean, Anthony Joseph drew his inspiration from his roots, his island.
An album in the image of his poet.

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LP+CD | 2018 | EU | Original (Grosso)

Roots Of Salsa Volume 3

26,99 €*

Beautiful Philosophy / Too Sweet To Be Lonely

Release: 2018 / EU – Original

Genre: Organic Grooves

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his is the third in Grosso! Recordings' compilation series on the roots of salsa. In a nutshell 'The Roots Of Salsa' series is an investigation into early Cuban or Cuban-derived tunes that were either covered by salsa groups later (mid-1960s through today) or were highly influential on the development of salsa over the decades. The main criterion was to pick tracks that sounded adequate for today's DJ or collectors to play at a gig or on the radio, or were sufficiently interesting (or enough of a surprise to fans of the later version) to merit inclusion, but were not perhaps the best known or of more recent vintage.

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The Internationals

7" | 2018 | UK | Original (Soul Junction)

Mounaiki - By The Bright Of Night White Vinyl Edition

Release: 2018 / UK – Original

Genre: Organic Grooves

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This release features two songs from the esteemed Poindexter Brothers song writing catalogue recorded on The Internationals during 1969 for the D’ar label this being their second release. Beautiful Philosophy was a exclusive recording for The Internationals while the flipside “Too Sweet To Be Lonely” was a cover version of a song previously recorded by The O’Jay’s on their Bell, “Back On Top” album and also as a solo outing by a song writing colleague of The Poindexter’s ,Ray Lewis (Also on the D’ar Label). Into the 1070’s The Internationals became the million selling group The Persuaders with their hit “Thin Line Between Love & Hate”. Both “Beautiful Philosophy” and “Too Sweet To Be Lonely” are now very sought after and highly regarded examples of the ‘Crossover genre.

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My Baby

LP | 2018 | UK | Original (Prehistoric Rhythm)