Organic Grooves 29568 Items

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If I Could Only Remember My Name SACD Edition

David Crosby

CD | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

33,14 €* 38,99 € -15%

Pot Of Gold / Nothing Comes To A Sleeper (But A Dream)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sacd

Go to Item

El Count Executives

7" | 1971 | UK | Reissue (Symphonical)

14,99 €*

Pieces Of A Man AAA Vinyl Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1971, Detroit's 'El Count Executives' epitomise the mythical, spoken sentiment of love through their only single, 'Pot Of Gold' & 'Nothing Comes To a Sleeper (But A Dream)', written & released by Ohio native, Kennedy Hollman, on his record label 'Gemini", aptly named after his astrological sign. Hollman, who had his debut single 'l've Got Style' in 1967, recorded as 'The Mints', later known as 'The Imperial Wonders', became a leading figure amongst the Cleveland circuit. His initial release by 'El Count Executives', recorded in Detroit at Gary Rubin's 'Pioneer Recording Studio', was shortly followed by 'The Soul In-Pressions', released on 'Aquarius', another astrologically tipped label ran alongside Henry Watkins, Jr. & James Lately. Towards the late 70s, Holman was part of Detroit's Soul/Disco act, 'Solid Solution' Now available as a limited 7" single for the first time in over 50 years, kindly licensed from the Holman estate’

Go to Item

Gil Scott-Heron

2LP | 1971 | UK | Reissue (BGP / Flying Dutchman)

39,99 €*

The London Howlin' Wolf Sessions

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gil Scott-Heron’s “Pieces Of A Man” is one of the most important albums in the history of black American music. Although it didn’t set the charts alight, it stands as a masterpiece alongside contemporary works such as Marvin Gaye’s “What’s Going On”, Curtis Mayfield’s debut LP, Funkadelic's “Maggot Brain” and Isaac Hayes’ “Shaft”. All were brilliant in their way, but lyrically Scott-Heron was on a different level from almost every other writer. It was a landmark album with its bold, poetic lyrical content allied to progressive and melodic music, and it saw producer Bob Thiele help Gil and his musical partner Brian Jackson paint the picture they needed to get their message across. Thiele put Gil and Brian together with Ron Carter, Hubert Laws and Bernard Purdie, giving them the musical heft they wanted. For many years the focus was on ‘The Revolution Will Not Be Televised’, which was included in the Grammy Hall Of Fame in 2014, but this focus sometimes overshadowed the heights which Gil reached throughout the album. Today ‘Home Is Where The Hatred Is’ and ‘Lady Day And John Coltrane’ are also considered standards, whilst the album’s title track is a prescient and heart-breaking warning about the way in which big business dehumanises its workers. The album reached its landmark 50th year in 2021 and we decided that we would create this special edition to celebrate its incredible sound. The original master tape was taken to Frank Merritt at The Carvery in London, who cut it as a double disc 2 x 45 RPM record, in an all-analogue chain. The original record - especially side two - was long, and serving it up this way allowed the music a greater level of fidelity. The release is packaged in the original album’s gatefold sleeve.

Go to Item

Howlin' Wolf

LP | 1971 | EU | Reissue (Elemental Music)

32,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

James Knight & The Butlers

Black Knight Clear Vinyl Edition

LP | 1971 | EU | Reissue (Regrooved)

35,99 €*

Vivre La Mort Du Vieux Monde

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Originally released in 1971 * Handmade Tip-On Sleeve * Analogue Remastered * Insert: Band Photo * Limited edition: black (300 copies), red (100 copies), and crystal (100 copies) vinyl

History is full of once-in-a-lifetime experiences. No, let us rephrase that: once-in-the-span-of-human-history experiences. Because if you weren’t there when James Knight & the (Fabulous) Butlers made their claim to fame, then all you can do is try to get hold of a copy of their only record: Black Knight. And that is exactly what we here at ReGrooved enable you to do!

This was the very first release on the Cat sublabel of TK Records. It is noted for its very psychedelic funk and soul sound, which is extremely evident in ‘Uncle Joe’, with its distorted guitar sounds, reverb and screams. Think of Jimi Hendrix and/or Arthur Brown who decided to dabble in soul! The tone was already set by the preceding track, ‘Funky Cat’, in which Knight introduces the various artist of his band, building up the groove. That was the precise moment in which we as listeners are ensnared by the band’s inescapable funky mood, that fortunately continues the rest of this precious gem of a record. It alternates the more psychedelic sounds with slightly more conventional and calmer tracks, making the album accessible to a wide variety of music fans. Still, are you looking for soul and funk with a touch of acid? Then our reissue of Black Knight by James Knight & the Butlers is a disc that deserves to be a regular guest on your record player!

Go to Item

Maajun

25,99 €*

LP+7" | 1971 | JP | Reissue (P-Vine)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was... Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble Of Chicago. Under these conditions, Long Live Death!

“The most French of all the French groups, determined to take Maurice Chevalier’s place in American hearts.” This was how Rock&Folk presented Mahjun in 1977. So be it. But when “Vivre la Mort du Vieux Monde”, was issued, it was 1971, and the name, though the same group, was still spelled Maajun. So, let’s look back at the story.

At the end of the sixties, five blues fans decided to form a French group ready to break down the barriers: Jean-Pierre Arnoux (drums, vibraphone, saxophone), Cyril Lefebvre (guitar, organ), Jean-Louis Lefebvre (bass, violin, guitar, vocals), Alain Roux (saxophone, flute, harmonica, vocals) and Roger Scaglia (guitar, vocals). This was Maajun, and Vivre la mort du vieux monde would be their only album, but which would (nevertheless) be followed by those of Mahjun created later by Lefebvre (Jean-Louis) and Arnoux.

Recorded for the Vogue label, “Vivre la Mort du Vieux Monde” would disturb a number of people. This is mostly due to the lyrics, many of which were written by Gérald Escot-Bocanegra, who, while summoning the spirit of Lautréamont and Rimbaud, turned the Maajun musicians on to rock and free jazz. Add a bit of politics into the mix, and the release of the album was delayed for several months. But then, wasn’t it worth waiting for?

Because “Vivre la Mort du Vieux Monde”, a real concept-album, is an important and iconoclastic statement made directly in the face of (francophone) dreamers of all countries. Over heavy guitar riffs, psychedelic interludes or fantasy-fuelled digressions, Maajun built mazes on the advice of alchemists known only to themselves before heading off on a long march on the “cracking walls”. It was an ambitious project, but Maajun could handle it, going so far as to proclaim: “Tomorrow will be a huge party!” But as we can see “tomorrow”, is now!

Go to Item

Roy Porter Sound Machine

Jessica Deluxe Edition

51,99 €*

LP | 1971 | EU | Reissue (Motown)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

He wasn’t satisfied simply being a bebop legend!

Roy Porter spent the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy, quickly becoming a sought-out drummer in the blossoming bebop scene before disappearing from the music industry. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971.

There’s no doubt that his early work in the bebop scene would alter the shape of jazz to come, but it’s his work with Roy Porter Sound Machine where you can really hear the iconic drummer let loose. Recorded at the age of 50, Roy Porter is no longer content to sit back and let others take the spotlight, and his drumming has all the fervent energy of a young drummer who just moved to New York. The title track and album opener, “Jessica” (supposedly written for his girlfriend at the time) quickly became a jazz-funk classic, making appearances on ‘Inner Feelings’ (1975) and ‘Generations’(1994). Throughout the album, Porter shows his incredible talent, whether it’s the downtempo cool swing of “Hip City”, the almost maniacal drum solo on “Drums for Daryl”, or the Jobim-inspired Afro-cuban “Ooh-La-La”. It seems implausible that this was Porter’s first recorded material in over a decade, and one of his first albums as a leader, but it is. With original pressings going for over a thousand dollars on the second-hand market, there’s no doubt that this record is worth its weight in gold.

With the LP reissued on clear yellow vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a vocal version of “Jessica”, and a remix by the one and only Kenny Dope, this reissue has “Deluxe” written all over it. Don’t miss this legendary album, reissued for the first time on clear yellow vinyl with a 7” record, available only from P-vine Records!

Go to Item

Marvin Gaye

What's Going On

22,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hardy's Jet Band / Orchestra Klaus Wuesthoff / Jan Troysen Band / Orchestra Gary Pacific

Blue Butterfly

LP | 1971 | EU | Reissue (Be With)

Siegried Kessler / Gus Nemeth / Stu Martin

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

Go to Item

Solaire

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

Go to Item

Siegfried Kessler

Solaire

25,99 €*

Tape | 1971 | UK | Reissue (Ace)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Solaire, Siegfried Kessler, that is the least we can say! Aged 4: learns piano. Aged 6: his first concert. After this: studies classical music like everyone else... until the jazz of Jack Diéval and Stan Kenton turned everything upside down. So it was goodbye to Bach...

...And hello to Dexter Gordon, Joe Henderson, Ted Curson and Archie Shepp (who he would accompany over a long period). In 1969, with Yochk’o Seffer, Didier Levallet and Jean-My Truong, he formed a group which would mark history and create a sensation: Perception. If French free jazz exists, its thanks to Kessler (and company).

The following year, the pianist recorded his first album: Live at the Gill’s Club. On this one-night concert date can also be heard Barre Phillips and Steve McCall. But it was in 1971 that Kessler would record his greatest album; still in a trio setting, but this time with bassist Gus Nemeth and percussionist Stu Martin: Solaire. Five tracks of extraordinary music, moving back and forth between modal jazz and contemporary music.

Let’s begin at the end, with the title track Solaire, on which Kessler plays a melody on flute and piano which resists all onslaughts. It sends out powerful waves, Kessler’s jazz, bubbling like hot oil (Persécution, Drum), shaking modal jazz to its roots (De l’Orient à Orion) or upsetting the memory of a cantata (Bach Hcab). The piano is an instrument which can provide a tendency towards, demonstrative technique; with Kessler, it is something else: a joyful persecution!

Go to Item

Funkadelic

Maggot Brain

20,99 €*

Journey In Satchidananda Acoustic Sounds Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1971 and Black America was luxuriating in the soft soul of the O’Jays, the Temptations had just left behind their flirtation with psychedelia, James Brown was explaining Soul Power, Sly & the Family Stone were having a Family Affair, and Marvin Gaye was asking ‘What’s Going On’.

In their own inimitable way, Funkadelic were laying down their own statement about the ecology of the planet in the opening of lead and title track ‘Maggot Brain’, turning it into an elegy for the Earth in the ensuing heart-wrenching extended Eddie Hazel guitar solo – one of the most radical records of the period.

The album also spawned two Top 50 singles with the usual Funkadelic wry observational humour of ‘You And Your Folks, Me And My Folks’ and ‘Can You Get To That’. And just in case you think things have normalised, the set closes with nine minutes of the chaotic sound collage ‘Wars Of Armageddon’.

Go to Item

Alice Coltrane

LP | 1971 | EU | Reissue (Impulse)

43,99 €*

Forever Changes Sacd Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

Go to Item

Love

SACD | 1971 | UK | Reissue (Mobile Fidelity)

47,99 €*

Please Heart Don't Break / Ain't Nothin' Nowhere Record Store Day 2023 Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sacd

Go to Item

Tsu Toronados

7" | 1971 | UK | Reissue (Rampart Street)

10,49 €* 14,99 € -30%

12" | 1971 | EU (Trading Places)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A first official reissue of this vintage Houston double header from TSU Toronados – the house band for Ovide who recorded the original ‘Tighten Up’ riff. With originals of the 7 inch selling on the second-hand market for £300+, it’s high time a reissue hit the shelves.

Side A sees a crossover, mellow groove classic in the form of ‘Please Heart Don’t Break’ full to the brim with emotion encapsulated in those sweet vocals and harmonies. On the flip you’re treated to the energetic excellence of ‘Ain’t Nothin’ Nowhere’, an up-tempo funk jam with a raucous trading off of voices in the mix. Two super collectable cuts across a multitude of scenes. Red label version original black sleeve.

Go to Item

Atlantic Bridge

I Can't Lie To You

13,99 €*

LP | 1971 | EU | Reissue (Be With)

Release: 1971 / EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

Go to Item

Nucleus

Solar Plexus

We'll Talk About It Later

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

Go to Item

Nucleus

LP | 1971 | EU | Reissue (Be With)

LP | 1971 | EU (Trading Places)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

Go to Item

The Trio

Conflagration

21,99 €*

Malombo Jazz Makers Volume 2

Release: 1971 / EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea and trumpeter Harry Beckett, ensuring their take on abstract jazz contains melody as well as jarring exchanges. Another great Trio free jazz set!

Go to Item

Malombo Jazz Makers

LP | 1971 | EU | Reissue (Strut)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Weather Report Colored Vinyl Edition

Weather Report

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | EU | Reissue (Soulgramma)

O' Jays

Super Bad

29,99 €*

LP | 1971 | EU | Reissue (Elemental Music)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of the most influential vocal groups of the 60’s with their original masterpiece, a necessary collection of rare groove and soul ballads. Officially reissued on vinyl after more than 40 years here’s the band fifth album, originally released in 1971 on Little Star Records. Formed in 1958 in Canton, Ohio, and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once Gamble & Huff signed them to their Philadelphia International. Super Bad is a raw, deep funk classic. Ranking among their finest work and it is widely regarded as their most complete album.

Go to Item

Diana Ross

Surrender

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bound / Remember You Opaque Yellow Vinyl Edition

Ponderosa Twins Plus One

7" | 1971 | US | Reissue (Numero Group)

12,99 €*

Dizzy Gillespie And The Mitchell-Ruff Duo

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, Numero is proud to present the first official American 45' repressing of the Ponderosa Twins + 1 original 1971 release of Bound b/w I Remember You.

Go to Item

In Concert

LP | 1971 | US | Original (Mainstream)

8,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

7" | 1971 | UK | Original (MGM)

Lou Rawls

A Natural Man

3,49 €* 4,99 € -30%

Release: 1971 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

LP | 1971 | US | Reissue (CTI)

Freddie Hubbard

First Light

27,29 €* 38,99 € -30%

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Version Galore Gold Vinyl Edition

U-Roy

LP | 1971 | EU | Reissue (Music On Vinyl)

LP | 1971 | US | Original (Mercury)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition of 750 individually numbered copies on gold coloured vinyl

Go to Item

Jerry Butler

The Sagittarius Movement

12,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | US | Reissue (Everest Records Archive Of Folk & Jazz Music)

Coleman Hawkins

5,59 €* 6,99 € -20%

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | EU | Reissue (Holy Basil)

Atmo

Telegiornale

John Carter / Bobby Bradford

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.

Go to Item

Self Determination Music

LP | 1971 | UK | Reissue (BGP / Flying Dutchman)

25,99 €*

LP | 1971 | EU | Reissue (Four Flies)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought them together to lead their own band.

Their first outing on Flying Dutchman was “Flight For Four” as the Carter Bradford Quartet that was released in 1969. This is the second album they recorded where Carter and Bradford were supported by Tom Williamson (bass), Buzz Freeman (drums) and another uncredited bass player on four extended improvisations – ‘The Sunday Afternoon Jazz Blues Society’, ‘The Eye Of The Storm’, ‘Loneliness’ and ‘Encounter’.

The album has been out of print on vinyl since 1971 and Ace are delighted to release it with audio taken from hi-res digital transfers from the original masters.

Go to Item

Giuliano Sorgini

Scappo Per Cantare

Genesis Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

Go to Item

Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

42,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Genesis Opaque Pink Vinyl Edition

Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Stand By Your Man Black Vinyl Edition

Candi Staton

LP | 1971 | UK | Reissue (Kent Soul / Fame)

7" | 1971 | EU | Reissue (Discos Quilombo)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Released in August 1970, as well as detonating hard and reaching #4 in the US R&B charts, ‘Stand By Your Man’ became a break-through single for Candi Staton, spending 14 weeks in the Billboard Hot 100, peaking at #24. When it came to the follow-up to ‘Stand By Your Man’, the formula was repeated with Candi taking on another country song ‘She Called Me Baby’. This song was written by country singer Harlan Howard and appeared on “Harlan Howard Sings Harlan Howard” released in 1961. It was first drenched in strings and sung from the female perspective as ‘He Called Me Baby’ by Jeanne Newman in 1965 and then, in more soulful form, by Ella Washington, whose version got to #77 in the Billboard Hot 100 in 1969. As with Newman and Washington’s versions, Rick Hall dressed the song in strings as well as belting brass. Staton’s definitive southern soul version of ‘He Called Me Baby’ got to #9 in the R&B chart and #52 in the Billboard Hot 100 when released in January 1971.

Both ‘Stand By Your Man’ and ‘He Called Me Baby’ – as well as their flips ‘How Can I Put Out The Flame (When You Keep The Fire Burning)’ and ‘What Would Become Of Me’ – appeared on Staton’s second album “Stand By Your Man”, released at the end of 1970. As with her singles and debut LP, “I’m Just A Prisoner” Capitol’s promotional rodeo ran wild and one advert even included the line, “Stand by your radio. Stand by your racks. Stand by for Candi Staton, a new American singing star.”

“Stand By Your Man” is one of the cornerstones of Southern soul. As well as the tracks listed above it features other ear-Candi such as ‘Mr and Mrs Untrue’, Freedom Is Just Beyond The Door’ and ‘Sweet Feeling’.

Go to Item

Los Laser

Vuelven!

17,09 €* 17,99 € -5%

Creedence Clearwater Revival

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Discos Quilombo is back with its second release, and what a killer one!!!

Bolivian group “Los Laser”!!! Took ages to finally locate the Laser guys in La Paz but can’t be more worth than this and you can read their story in the 4-page full-colour insert.

They were part of the so-called “Bolivian New Wave” where local teens were emulating the British groups of the mid-60s, but their music turned as furious as their minds (they were deeply involved in political activities, even joining an armed organization fighting against Bolivian dictatorships).

With biting lyrics and outstanding fuzz guitar riffs, they recorded the awesome social anthem “Los desposeídos” which was part of their only EP released in 1971. Now you can get the two best tracks of that EP in the new Discos Quilombo single.

Go to Item

Sweet Hitch-Hiker / Door To Door

7" | 1971 | DE | Original (Bellaphon)

6,99 €*

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

CD | 1971 | UK | Reissue (Sanctuary Midline)

Colosseum

Colosseum Live

Muddy Waters - Little Walter - Howlin' Wolf

Release: 1971 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

Go to Item

We Three Kings

LP | 1971 | UK | Original (Syndicate Chapter)

LP | 1971 | IT | Original (Joker)

Release: 1971 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: G+

Cover with spine damage and shelf wear

Go to Item

Art Tatum

Art Tatum 1945

Release: 1971 / IT – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Joe Williams And George Shearing

The Heart And Soul Of Joe Williams And George Shearing

LP | 1971 | US | Original (Sheba)

6,99 €*

Takesi Inomata & Sound Limited

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

US original.

Go to Item

Innocent Canon Black Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Takesi Inomata & Sound Limited

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

Go to Item

Innocent Canon HHV Exclusive White Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Papo Felix And Ray Rodrguez

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

HHV Exclusive edition on white wax, limited to 80 copies worldwide.

Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

Go to Item

Papo Felix Meets Ray Rodriguez

LP | 1971 | US | Reissue (Now-Again)

31,99 €*

Why Black Man Dey Suffer Transparent Yellow Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - one of the label’s most lauded recordings containing epic examples of Big Band Salsa, Horace Silver-flavored Modal Jazz and Soulful Grooves - masterminded by a young Bobby RodrÌguez with vocals by Papo Felix. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

Go to Item

Fela Kuti

LP | 1971 | UK | Reissue (Knitting Factory)

24,69 €* 25,99 € -5%

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | UK | Original (Vertigo)

Graham Bond With Magick

We Put Our Magick On You

69,99 €*

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Jan Erik Vold & Jan Garbarek

Hav

LP | 1971 | EU | Reissue (Norske Albumklassikere)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Billy Preston

I Wrote A Simple Song

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

Ships in brand new plain sleeve.

Go to Item

David "Fathead" Newman

The Best Of

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels

Go to Item

Billy Preston

I Wrote A Simple Song

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG

Mal Waldron & Gary Peacock

First Encounter

LP | 1971 | EU (Trading Places)

20,99 €*

Release: 1971 / EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-08

After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s “She Walks In Beauty” contrasted by the up-tempo groove of Peacock’s “What’s That”; future Native Son founder Hiroshi Murakami makes important contribution on drums.

Go to Item

Billy Preston

I Wrote A Simple Song

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | DE | Original (Polydor)

Jimi Hendrix

Isle Of Wight

19,99 €*

LP | 1971 | DE | Original (Vertigo)

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM. Cover has slight ringwear.
https://www.discogs.com/release/10731223-Jimi-Hendrix-Isle-Of-Wight

Go to Item

Legend

99,99 €*

The Best Of The Impressions

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Samll stamp on back cover.

Go to Item

The Impressions

LP | 1971 | US | Reissue (ABC)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1971 | US | Reissue (Prestige)

Gene Ammons

My Way

18,99 €*

5-10-15-20-25-30 Years Of Love

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

1971 reissue. Vinyl is Close to VG+.

Go to Item

Presidents

LP | 1971 | US | Original (Sussex)

5,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G, Cover: VG

LP | 1971 | PL | Reissue (Warner)

Novi Singers

Novi Sing Chopin

Release: 1971 / PL – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Na Szkle Malovane Transparent Grey & Blue Vinyl Edition

V.A.

LP | 1971 | EU | Reissue (Warner)

32,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1971 | US | Original (Impulse!)

Gabor Szabo

His Great Hits

34,99 €*

LP | 1971 | FR | Original (America)

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with ring wear

Go to Item

Charles Mingus

Blue Bird

37,99 €*

Release: 1971 / FR – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

I'm A Loner / All My Life

The Nu-Ron's

7" | 1971 | US | Reissue (Brewerytown Beats)

16,14 €* 16,99 € -5%

LP | 1971 | AU (Great Barrier)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A close replica of the original 45rpm record released in 1971 - Recorded October 27th, 1970 at famed Philadelphia studio Sigma Sound - The songs were produced by Emanuel Campbell Jr. & Charles Bowen and have been lovingly mixed from the original 16 track multi's - Mixed how he "would have mixed Mfsb (the backing band) in 1970", by engineer Tom Moulton, then lovingly mastered by Peter Humphries of MasterWorks. This would have been the original team working on these tracks back in the 70's, both are legendary in the Philadelphia soul music scene.

Go to Item

Mogul Thrash

24,99 €*

LP | 1971 | JP | Reissue (Polydor)

Release: 1971 / AU

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny corner wear. 2015 reissue.

Go to Item

Mal Waldron

Left Alone

24,99 €*

2LP | 1971 | US | Reissue (Craft)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI and insert!

Go to Item

Woody Shaw

Blackstone Legacy

49,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

Go to Item

Stanley Turrentine

Sugar

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Septet Matchi-Oul

Terremoto

Friday, Saturday And Sunday (Clarence Reid)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?

Go to Item

Potato Salad / There Must Be Something 2024 Repress

7" | 1971 | UK | Reissue (Dig)

12,99 €*

LP | 1971 | JP | Original (Musik Produktion Schwarzwald)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2024 Repress

Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016.

Go to Item

Count Basie Orchestra

High Voltage

14,99 €*

Release: 1971 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

LP | 1971 | JP | Original (Polydor)

James Brown

Portrait Of James Brown

16,99 €*

Sings Today's Greatest Hits

Release: 1971 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Die cut cover. OBI is missing. With insert.

Go to Item

Andy Williams

LP | 1971 | JP | Original (CBS/Sony)

Thomas Natschinski Und Seine Gruppe

Release: 1971 / JP – Original

Genre: Organic Grooves, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

Go to Item

Wir Über Uns

LP | 1971 | GDR | Original (AMIGA)

16,99 €*

Release: 1971 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | JP | Original (CBS/Sony)

Janis Joplin

Pearl

16,99 €*

Aynsley Dunbar / Blue Whale

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: G+

No Obi. Cover has one split on the spine and one on the upper opening edge.

Go to Item

Days / Willing To Fight

7" | 1971 | FR | Original (BYG)

4,99 €*

Claude Thornhill And His Orchestra Featuring Gil Evans

Release: 1971 / FR – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG

Small deeper scratch on side 1.
Writing on cover.

Go to Item

The Real Birth Of The Cool (Featuring Gil Evans Arrangements)

LP | 1971 | JP | Original (CBS/Sony)

Taking All The Love I Can

Release: 1971 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. Vinyl seems unplayed.

Go to Item

Chosen Few

LP | 1971 | US | Reissue (On High)

34,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | US | Original (Mega)

Larry Coryell

Fairyland

14,99 €*

LP | 1971 | US | Reissue (Craft)

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Cover has shelf and ring wear. Record has hairlines and surface marks.

Go to Item

Ralfi Pagan

With Love

34,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Yusef Lateef

The Best Of Yusef Lateef

Lionel Hampton And His Orchestra

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG

Promo copy! Taped spine. Writing on cover.

Go to Item

Lionel

LP | 1971 | US | Original (Audio Fidelity)

Ismael Rivera & Kako Y Su Orquesta

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

US original.

Go to Item

Lo Ultimo En La Avienda

LP | 1971 | US | Reissue (Craft)

35,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pastor T.L. And The Youth For Christ Choir Barrett

Like A Ship (Without A Sail) Splatter Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

Piano Improvisations Vol. 1

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded in 1971 by a 27-year-old pastorand an after school program choir, Like AShip is a stirring and powerful meditationon the wayward aftermath of the CivilRights Movement. Tracked with the helpof Chess/Cadet maestros Gene Barge, PhilUpchurch, and Richard Evans, the albumis a mix of euphoric gospel and Mayfieldesquepolitical soul, with sleigh bells, handclaps, and jazzy piano stabs. Sampled byT.I., Kanye, and Khaled, Barrett createda rapturous, crossover gospel classic that'sstill wildly r elevant.

Go to Item

Chick Corea

LP | 1971 | US | Original (ECM)

8,99 €*

Soul To Soul (Music From The Original Soundtrack - Recorded Live In Ghana, West Africa)

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+. Cover has slight ring wear.

Go to Item

V.A.

6,99 €*

LP | 1971 | US | Original (Polydor)

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG+

Vinyl with many scuffs and hairlines. Vinyl with scuffs and hairlines

Go to Item

James Brown

Hot Pants

17,99 €*

The Isley Brothers & Jimi Hendrix

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: G+

Torn spines.

Go to Item

In The Beginning...

LP | 1971 | US | Original (T-Neck)

19,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side A.
Cover with faint ring wear and seam split.

Go to Item

Humble Pie

Rock On

29,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Cover with faint ring wear.
Record has some hairlines and a few superficial scratches.

Go to Item

Keith Jarrett

The Mourning Of A Star

17,99 €*

LP | 1971 | EU (Survival Research)

Release: 1971 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Cover has strong ring wear!

Go to Item

Exciters

Black Beauty

19,99 €*

LP | 1971 | PL | Original (Polskie Nagrania Muza)

Release: 1971 / EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Starting out as the Masterettes, a girl group formed by high school friends Brenda Reid, Carol Johnson, Lillian Walker and Sylvia Wilbur, the group switched focus and changed name after Wilbur was replaced by Brenda Reid’s husband, Herb Rooney, their breakthrough hit ‘Tell Him’ appearing in 1963 after Leiber & Stoller took charge. 1971’s Black Beauty, produced by Rooney, continued the post-L&S journey via the group’s own take of funky and melodic soul, approaching the style of the Staples Singers with plenty of emotive harmonies. If you like your soul switched on, hard-hitting and individual, you need Black Beauty in your collection.

Go to Item

Mieczysław Mazur

Rag Swing Time

Release: 1971 / PL – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Das Macht Mein Athletischer Körperbau

Ulrich Roski

LP | 1971 | DE | Original (Telefunken)

Release: 1971 / DE – Original

Genre: Organic Grooves, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

The Ponderosa Twins Plus One

2+2+1=

LP | 1971 | US | Reissue (Numero Group)

7" | 1971 | DE | Original (Tamla Motown)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An American soul vocal group that would goon to shape the sound of pop music muchfarther beyond their imaginations, ThePonderosa Twins Plus One featured twosets of identical teenage twins, Alfred andAlvin Pelham, and Keith and Kirk Gardner,along with Ricky Spicer. The group releaseda couple of singles and a lone album forCleveland's Saru label in 1971, breakingup and disbanding as adolescence waned. Arecent sample darling of both Kanye West andTyler The Creator, "Bound" has revealed thePonderosa Twins Plus One as the real Midwestkid soul deal. Numero is proud to presentthe first official American repressing of theoriginal 1971 release, with fresh remastersfrom the original analog tapes, two previouslyunissued bonus tracks, and a replica tip onsleeve, making this an album you're bound tofall in love with.

Go to Item

The Elgins

Put Yourself In My Place

Release: 1971 / DE – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1971 | GDR | Reissue (AMIGA)

Herb Alpert

A Banda

4,99 €*

Reflections Record Store Day 2024 Clear Vinyl Edtion

Release: 1971 / GDR – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM.

Go to Item

Amancio D'Silva

LP | 1971 | CZ | Reissue (Decca)

29,59 €* 36,99 € -20%

Release: 1971 / CZ – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1971 | EU | Reissue (Wewantsounds)

Harold Land

Choma (Burn)

33,99 €*

Jiro Inagaki & Soul Media

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wewantsounds is delighted to reissue Harold Land"s 1971 Mainstream Records LP "Choma (Burn)," recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson & Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal Jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 72. Choma (Burn) is reissued here in its original gatefold artwork with all the photos scanned from first generation negatives recently found in the Mainstream Records vaults, and comes with newly remastered audio and a 2-page insert including new liner notes by Kevin Le Gendre.

Go to Item

Onna Tomodachi (Wandering Birds)

LP | 1971 | JP | Reissue (Nippon Columbia)

54,99 €*

LP | 1971 | JP | Reissue (P-Vine)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-08

This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.

Go to Item

Kashmere Stage Band

Thunder Soul

36,99 €*