Organic Grooves Vinyl 7149 Items

LP | 1987 | CW | Original (Discos Mindelo)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G

Vinyl with a couple of very small and light scuffs. Cover with ring, shelf wear and completely open top spine.

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Cesaria Evora

Cesária

150,99 €*

LP | 1970 | UK | Original (Track)

Release: 1987 / CW – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

tear in top spine, writing on cover and on label stickers. Cape Verdian pressing!

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Jimi Hendrix

Band Of Gypsys

125,99 €*

LP | 1974 | US | Original (Just Sunshine)

Release: 1970 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. Cover has slight wear. Puppet sleeve.

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Betty Davis

They Say I'm Different

120,99 €*

John Dummer's Famous Music Band

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Sonic Pressing - Unipak cover and vinyl are Close to VG+.

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John Dummer

LP | 1970 | UK | Original (Fontana)

119,99 €*

World Is A Ghetto 50th Anniversary Collector's Black Friday Record Store Day 2023 Vinyl Edition

Release: 1970 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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War

5LP | 1973 | Reissue (Rhino)

118,74 €* 124,99 € -5%

12" | 1983 | IT | Original (House Of Music)

Release: 1973 / Reissue

Genre: Organic Grooves

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Quantity: 2000
Release type: RSD Exclusive Release

The World is a Ghetto was WAR's 1973 funk/R&B/latin fusion jam, which became the top selling record in America that year. It features "Cisco Kid" inspired by the popular mid-century TV show, The title Track, "The World Is A Ghetto" which has been sampled in more than 31 hip hop songs, including tracks by Geto Boys, Ice T-, and A$ap Mob, instrumental jam "City, Country, City," Four Cornered Room, Beetles In The Bog, and Where Was You At. This release features the progressions of the two key tracks (Cisco Kid and The World Is A Ghetto), and alternate takes/reimaginings of the remaining tracks

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B.W.H.

Livin' Up / Stop

99,99 €*

Release: 1983 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | JP | Reissue (Crown)

Taeko Ohnuki

Sunshower

99,99 €*

12" | 1986 | DE | Original (Transparent)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing! Record with scuffs and small scratches! Cover with slight storage wear!

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Fragile

We've Got Tonight, Boy

99,99 €*

Indigos Indigo Purple Vinyl Edition

Release: 1986 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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Duke Ellington

2LP | 1989 | US | Reissue (Impex)

93,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | US | Reissue (Chiaroscuro)

Tarika Blue

93,99 €*

LP | 1973 | BR | Reissue (Philips)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. 2020 reissue.

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Gal Costa

Índia

90,99 €*

LP | 1970 | JP | Reissue (Odeon)

Release: 1973 / BR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1973 reissue. slight seam wear, small sticker on back cover

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The Yardbirds

Five Live Yardbirds

84,99 €*

2LP | 1973 | US | Reissue (Mobile Fidelty)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl.

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Bill Withers

Live At Carnegie Hall

83,99 €*

12" | 1980 | UK | Original (Grapevine)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl, numbered limited edition!

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Leo's Sunshipp

Give Me The Sunshine

82,99 €*

Release: 1980 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1982 | JP | Original (Universal Music Japan)

Imitation

Muscle And Heat

80,99 €*

2LP | 1973 | US | Reissue (Analogue Productions)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Steve Scales (Per) and Drutti McDonald (Vo) who also participated in Talking Heads, as well as Sandy and Makoto Kubota, are the pinnacle of world music produced by Japanese people.

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Herbie Hancock

Headhunters

80,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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2LP | 1989 | US | Reissue (Acoustic Sounds)

John Lee Hooker

The Healer

80,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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LP | 1986 | JP | Reissue (Island)

Robert Palmer

Double Fun

Arthur Verocai Half-Speed Mastered Edition

Release: 1986 / JP – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

No Obi, with insert.

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Arthur Verocai

LP | 1972 | EU | Reissue (Mr Bongo)

2LP | 1988 | JP | Reissue (Sony Music Japan)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition for Record Store Day 2017! Seems unplayed.

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Junko Ohashi

Question

Release: 1988 / JP – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Original (Gordy)

The Temptations

Psychedelic Shack

LP | 1987 | UK | Original (Leo)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

DJ Promo.
Cover with small seam split.
Record has some hairlines and a few superficial scratches.

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Tibor Szemzo

Snapshot From The Island

LP | 1983 | US | Original (Heat)

Release: 1987 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Cover with slight storage wear and small sticker residue on the back!
Record with some scratches on both sides!

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Sexual Harrassment

I Need A Freak

77,99 €*

M. Muraoka & New Symphonette

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Fantastic Bamboo Flute Best Collection = 魅惑のポップ尺八ベスト・コレクション

LP | 1975 | JP | Original (Columbia)

77,99 €*

2LP | 1982 | UK | Reissue (Mobile Fidelity)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with insert. Vinyl closer to NM and cover to VG+

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The Alan Parsons Project

Eye In The Sky

77,39 €* 85,99 € -10%

LP | 1988 | UK | Original (5 Hours Back)

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm Gatefold Sleeve

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Roky Erickson

Openers

76,99 €*

Release: 1988 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clube Da Esquina Volume 2

Milton Nascimento

2LP | 1978 | BR | Reissue (Polysom)

75,99 €*

2LP | 1972 | JP | Reissue (Rolling Stones)

Release: 1978 / BR – Reissue

Genre: Organic Grooves

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The release is on 180g vinyl and in a gatefold cover. Milton's second volume of tracks cut with his legendary "corner club" – with a very similar approach to the landmark first volume! Loads of great artists make guest appearances on here, like Lo Borges, Wagner Tiso, Toninho Horta, and Chico Buarque – and the production has haunting blend of baroque, jazz, and soul that we can only define as "Nascimento like"! A really fitting companion to the first volume, and a double-length set with tracks that include "E Dai", "Pao E Agua", "Canoa, Canoa", "Credo", "Nascente", "Meu Menino", "Que Bom, Amigo",

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The Rolling Stones

Exile On Main St.

74,99 €*

LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. OBI is missing. Vinyl is very close to NM. 1979 reissue. Original inner sleeve and insert. Tiny wear.

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Miles Davis

On The Corner

74,99 €*

Dionne Warwick Collection -Her All-Time Greatest

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-09-27

SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Dionne Warwick

2LP | 1972 | US | Reissue (Friday Rights Mgmt)

74,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Al Di Meola, Hon Mclaughlin, Paco De Lucia

Friday Night In San Francisco

2LP | 1981 | EU | Reissue (Impex)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Indigos Black Vinyl Edition

Duke Ellington

2LP | 1989 | US | Reissue (Impex)

Release: 1989 / US – Reissue

Genre: Organic Grooves

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7LP+Box Set | 1973 | JP | Original (Odeon)

Charlie Parker

Charlie Parker On Dial

Sings The George & Ira Gershwin Songbook

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese box set with Obi and booklet.

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Ella Fitzgerald

Box | 1985 | Reissue (Not Now)

Release: 1985 / Reissue

Genre: Organic Grooves

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LP | 1980 | JP | Reissue (Teichiku)

Judy Anton

Smile

72,99 €*

LP | 1982 | JP | Reissue (Columbia)

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Pop

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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.

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Yumi Murata

Himiko

71,99 €*

LP | 1983 | JP | Reissue (Tokuma)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Pop

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Yumi Murata’s second album with Mariah.
It’s a beautiful, stateless ambient record with its halting vocals, which reflect the sonic experiments of Shimizu Yasuaki.

Mariah, at a time when she was leaning towards hard rock; she used this song as a starting point to steer her into the new wave.

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Beers

Mistress

70,99 €*

LP | 1977 | US | Original (Pablo)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The only album by Megumi Saito and Yoko Hashimoto, released in 1983. Together with prominent musicians, Kazuo Shiina, who was active as a regular member of Tatsuro Yamashita's band, Hiromasa Suzuki, who was active across genres, Hiroshi Shinkawa, who later worked on Omega Tribe and others, participated as an arrangement team, and you can hear an urban sound full of city feeling. Includes 10 songs including 'Kowareta Wiper', the only single with a comfortable mellow disco groove, and 'Lucky Strike Man' with a reggae taste.

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Ray Bryant

Solo Flight

70,99 €*

12" | 1988 | US | Original (N.A.M.E. Brand Record Company)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Plunky Nkabinde

World Class Sax

69,99 €*

LP | 1981 | DE | Original (Wunderwerke)

Release: 1988 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG

Still sealed.
Cover corners slightly dented, faint storage abrasions visible through shrink.

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Supersempfft

Metaluna

69,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1976 | JP | Reissue (Universal Music Japan)

Mikio Masuda

Mickey's Mouth

69,69 €* 81,99 € -15%

Nicht Stehenbleiben / Move Your Ass In Time

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Mikio Masuda, who went to the U.S. as an independent member of Terumasa Hino's group, formed the crossover/fusion group 'Mickey's Mouth' after returning to Japan. This is the band's first album, featuring mainly original compositions.

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Real Ax Band

LP | 1977 | DE | Original (April)

67,99 €*

LP | 1972 | US | Original (Philadelphia International)

Release: 1977 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with light ring wear on the back.

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The O'Jays

Back Stabbers

66,99 €*

Don't You Stop That Feeling

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Slight wear. Original US pressing.

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Suzy Q

LP | 1982 | CA | Original (J.C.)

66,99 €*

Release: 1982 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Baby Love (12" Remix Ben Liebrand)

Tatjana

12" | 1987 | EU | Original (Ariola)

66,99 €*

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Kifu Mitsuhashi & Kiyoshi Yamaya

Shakuhachi Mountain Poetry

LP | 1976 | JP | Reissue (Columbia Japan)

65,99 €*

Kyohei Tsutsumi & His 585 Band

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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First released in 1976, 'Shakuhachi Mountain Poetry' is one of a two part album collaboration between Shakuhachi master, Kifu Mitsuhashi and jazz musician, Kiyoshi Yamaya. Together, the two artists blended their individual musical disciplines to compose an album that beautifully captures the spirit of both traditional Japanese folk music and jazz. Don't miss out on this incredibly unique Japanese-jazz fusion record!

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Hit Machine

LP | 1986 | JP | Reissue (Universal Music Japan)

65,99 €*

Around The World In A Day

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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Kyohei Tsutsumi, a composer and arranger representing the Japanese music world, led the masked disco unit Kyohei Tsutsumi AND HIS 585 Band in 1976, making full use of the best technology for audio fans [Toshiba Pro-use series]. This rare and legendary album is now being reprinted for the first time! 'Hit Machine' is a disco-arranged project that includes not only self-composed songs, but also various covers of disco hits.

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Prince

LP | 1985 | US | Reissue (Warner)

64,99 €*

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Just Be Strong / Give It Up

The Artistic Sounds

7" | 1977 | US | Original (Savoy)

64,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 1972 | JP | Reissue (Warner Music Japan)

Speed Glue & Shinki

62,99 €*

A Tribute To Jack Johnson

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Speed, Glue & Shinki's last album has been reissued in a gorgeous specification that faithfully reproduces the original, including the entire volume band! Released in 1972. It is a two-disc set that became the last album. Famous for its tiger jacket. There are a lot of songs that seem to be centered on Joey Smith now, but Bluesy Rock is fully opened like the previous work. Although some lyrical songs can be seen, the D-side medley makes heavy use of the precious Moog synthesizer at the time. Guests include Michael Hanopol, Shigeki Watanabe, Hiroshi Oguchi. The 96khz24bit sound source mastered in 2017 is used for this analog conversion. The jacket is a single jacket × 2, a full-length band, a lyrics card, etc. The original is reproduced as much as possible.

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Miles Davis

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

62,99 €*

An Evening With The Devil

Release: 1970 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
MOBILE FIDELITY’S NUMBERED-EDITION 180G SUPERVINYL LP PRESENTS 1971 LANDMARK IN EXUBERANT, FULL-RANGE SOUND

Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl’s nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything — from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio — in reference fashion.

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences long-time fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires.

Utilizing wah-wah and distortion, the go-to instrumentalist of the performances— guitarist John McLaughlin — attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson< cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record’s creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.

The least-well-known masterpiece of Davis' career, the 1971 record — seamlessly assembled and spliced together by producer Teo Macero — was a victim of limited record-label promotion. Audiences also didn’t immediately know what to make of its original cover art — faithfully replicated here. In addition, the powers that be at Columbia Records were directing the public’s attention to Miles at Fillmore, a completely different kind of album guided by two keyboardists. A Tribute to Jack Johnson practically lives in a different universe, one from the future. To many listeners who did manage to hear it — among them critic/musician Robert Quine, Stooges leader Iggy Pop, and renowned critic Robert Christgau — it surpassed everything that came before.

Indeed, Davis treated it as a personal manifesto: An opportunity to salute the Black championship boxer admired for his threatening image to the establishment and impeccable taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson — a stance mirrored by the defiant music, which hits with a prize fighter's force and reflects the graceful elegance with which a pugilist navigates the ring — and closes the album with a Johnson quote read by Brock Peters.

Inspired not only by Johnson but by Jimi Hendrix and Sly Stone, Davis changed his approach and his band. He surrounds himself with a cadre of musicians in their 20s and, in the case of bassist Michael Henderson, a 19-year-old fresh from touring with Stevie Wonder. Henderson gives Davis what he requested: boogie-based grooves that don’t lose shape or direction. Soprano saxophonist Steve Grossman, drummer Billy Cobham, and organist Herbie Hancock adhere to a similar aesthetic that prizes brazenness, innovation, and energy.

In that vein, during a portion of “Yesternow,” Davis segues into a separate performance (which became known in its entirety as “Willie Nelson”) played by guitarists McLaughlin and Sonny Sharrock, bass clarinetist Bernie Maupin, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. Dig it!

Talking with jazz scholar Bill Milkowski — who himself noted how McLaughlin’s unrestrained style, decibel-forward volumes, and rapid-fire power chords engendered himself to the rock crowd at the same time that his harmonics and syncopation still definitely made him a jazz player — guitarist Henry Kaiser summed up part of the appeal of A Tribute to Jack Johnson as well as anyone, saying: “It’s a jazz record that way way more open than other jazz records at the time, but still not free jazz. [McLaughlin’s] rhythm guitar playing on ‘Right Off’ — the use of different chords in a rock shuffle than what anybody had used before — was revolutionary.”

And to think that’s just one aspect of a record that contains multitudes. “Never let them forget it.” Indeed.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.

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Wendell Harrison

LP | 1973 | JP | Reissue (Deep Jazz Reality / Tribe / Octave-Lab)

62,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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LP | 1977 | UK | Reissue (Mobile Fidelity)

James Taylor

61,99 €*

LP | 1974 | Reissue (Lgp Alpha Music)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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180g 1LP Gatefold Sleeve

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Izumi Yukimura

Super Generation

61,99 €*

Release: 1974 / Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (Epic)

Mtume

Kiss This World Goodbye

LP | 1975 | US | Original (MCA)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Terre Haute pressing. Writing on cover. Original inner sleeve.

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Lynyrd Skynyrd

Nuthin' Fancy

Electrif Lycanthrope (Be•Bop Deluxe)

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

a few tiny tears in top spine. Gloversville press. Original inner sleeve

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Little Feat

LP | 1975 | US (The Amazing Kornyfone Record Label)

LP | 1970 | DE | Reissue (Warner Bros.)

Release: 1975 / US

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is cut and taped. Vinyl is close to NM.

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Van Morrison

Moondance

LP | 1987 | JP | Reissue (Lawson)

Release: 1970 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1997 reissue. Limited edition. With insert.

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Milk

Polygamy Purple Vinyl Edition + Booklet

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1987 * Pressed on Black Vinyl * Featuring Hideki Saijo and Tomoko Aran The only album 'Milk' by the sister unit Milk that incorporates the Pre-house sound. Also active as a backing singer for Hideki Saijo and Tomoko Aran. Released as an independent album in 1987, this album is a remarkably re-evaluated Japanese boogie in recent years, a phantom rare edition. The long-awaited re-press has been decided!

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Mustafa

LP | 1984 | EU | Reissue (Fatima International)

Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.

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Charlie Parker

2LP | 1977 | US | Reissue (Rockbeat)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | DE | Original (Blue Note)

Donald Byrd

Street Lady

12" | 1983 | IT | Original (Memory)

Release: 1974 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, close to VG+. Cover with creasing around the edges and spine.

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Cheaps

Moliendo Café

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Jeff Beck With The Jan Hammer Group Live

Jeff Beck

LP | 1977 | US | Reissue (Mobile Fidelity Sound Lab)

58,99 €*

Release: 1977 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Mobile Fidelity)

Bill Withers

Still Bill

58,99 €*

Hot Is Cool Blue Vinyl Edition

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180g

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Horii Katsumi Project

LP | 1987 | JP | Reissue (Sony Music Japan)

57,99 €*

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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2LP | 1972 | JP | Original (Polydor)

Cream

Before And After

57,99 €*

LP | 1977 | US | Original (Pablo)

Release: 1972 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gatefold cover. Without OBI.
Sleeve has foxing.

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Ray Bryant

Solo Flight

57,74 €* 76,99 € -25%

LP | 1984 | EU | Reissue (Red)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Light ring wear on cover

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Chet Baker

At Capolinea

56,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | JP | Reissue (P-Vine)

The Ultimates

You're My Lady

56,99 €*

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Well known as a super rare vinyl of sweet soul will be reissued again by P-vine! originally issued by the TSG records in 1976 according to producer Bruce Clark, TSG's LP is bootleg as well as The Topics

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Charles Mingus

Mingus At Antibes

Freddie Hubbard & Stanley Turrentien

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun

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In Concert

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Dr. John's Gumbo 200g Vinyl Edition

Dr. John

LP | 1972 | US | Reissue (Analogue Productions)

2LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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"Dr. John's Gumbo" is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.
"Dr John's Gumbo" was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").
Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.
This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 200-gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results!

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Herbie Hancock

Flood

LP | 1984 | DE | Original (Not On Label)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne

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Magica

People

LP | 1977 | JP | Reissue (King)

Release: 1984 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Piranha Gundan

LP | 1972 | US | Original (Reprise)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The "Piranha Gundan" was established in 1975 by Toei actors. The actors, who support the Toei production by playing roles in movies and TV dramas, naturally gathered for booze ups. Masaru Shiga, a member of the group, named them "Piranha Kai" with a dream to one day playing main roles in movies.

The gang benefited from the positive publicity generated by Takuzo Kawatani and Hideo Murota's appearance in the drama "Zenryaku Ofukuro-sama," broadcast from October 1975. This gradually brought the other corps members to the attention of the public. The release of "Violent Panic: The Big Crash" and "A Savage Beast Goes Mad" (both released in 1976), in which corps actors played major roles, contributed to the continued growth of the Piranha Gundan boom. In 1977, the movie "The Smart Aleck Ten" was released, starring all members.

This album was released in April 1977. Folk singer Kan Mikami, who was also active as an actor, conceived the idea of producing a Piranha Gundan record at a party with Tsunehiko Watase. With the exception of M-2 "Mura Uta ~Washashiranbushi~" and M-4 "Ore (Re-o)," 11 songs were written and composed by Kan Mikami. The album was arranged by Jun Sato and Ryuichi Sakamoto, who also played keyboards. Other musicians who contributed to the album include Shuichi Murakami, Tetsuro Kashibuchi, Tsugitoshi Goto, Nobu Saito, and others.

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Ry Cooder

Ry Cooder Radio Show

That's The Way Of The World

Release: 1972 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.
Writing on cover.
Cover with seam split.

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Earth, Wind & Fire

LP | 1975 | US | Reissue (Impex)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Acoustic Sounds)

Tommy Flanagan

Overseas Mono Edition

Release: 1978 / US – Reissue

Genre: Organic Grooves

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12" | 1983 | UK | Original (Passion)

Sun Palace

Winning

LP | 1976 | JP | Reissue (P-Vine)

Release: 1983 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Record has some hairlines.
Ships in a label sleeve with small sticker.

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The Topics

Giving Up

High Flying Clear Purple Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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Hiromasa Suzuki

LP | 1976 | JP | Reissue (Nippon Columbia)

Smile Clear Sky Blue Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.

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Takeo Moriyama

LP | 1981 | JP | Reissue (Nippon Columbia)

Jiro Inagaki & Soul Media

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.

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Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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Shigeo Sekito

LP | 1975 | JP | Reissue (Nippon Columbia)

Love Life w/ Damaged Sleeve

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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The song "The Word II" was sampled by Mac DeMarco on “Chamber of Reflection" and by Travis Scott and Quavo's project Huncho Jack on "How U Feel." This sampling led to the song becoming widely recognized around the world. The reissue of Shigeo Sekito's masterpiece includes the song. This is the most listened to Electone album in the world, attracting attention from a diverse range of musical genres, including hip-hop, Balearic, and dream pop.

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Cindy

LP | 1986 | JP | Reissue (Universal Music Japan)

53,99 €*

3LP | 1976 | EU | Reissue (Motown)

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1986 release
Japanese pressing

Cindy is a female vocalist who has worked with Tatsuro Yamashita and Yumi Matsutoya as a backing singer.

Her music has been used in many scenes in the anime 'Mezong Ikkoku' as background music, probably due to the fact that she debuted in the opening the

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Stevie Wonder

Songs In The Key Of Life

52,99 €*

Watertown 50th Anniversary Deluxe Edition Incl. Original Poster

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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180g vinyl

- "Love's in Need of Love Today" sampled by Blackstreet for "Love's in Need",
Busta Rhymes & Erykah Badu for "One",
George Michael for "Love's in Need of Love Today",
Kwame for "Can U Feel It?" and
X-Clan for "Ooh Baby"

- "Sir Duke" sampled by A Tribe Called Quest for "Footprints" and
DJ Jazzy Jeff & the Fresh Prince for "Let's Get Busy Baby"

- "I Wish" sampled by Will Smith for "Wild Wild West"

- "Knocks Me off My Feet" sampled by Ja Rule for "Thug Lovin'" and
ODB for "Shimmy Shimmy Ya"

- "If It's Magic" sampled by Craig Mack for "Making Moves with Puff"

- "Ordinary Pain" sampled by Erykah Badu for "Penitentiary Philosophy"

- "Pastime Paradise" sampled by Coolio for "Gangsta Paradise",
Cru for "Up North",
Gangsta Blac for "Blaze Up Anotha One",
Mary J. Blige for "Time" and
Three 6 Mafia for "3 6 in the Morning"

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Frank Sinatra

LP | 1972 | EU | Reissue (Capitol)

52,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | US | Reissue (Mobile Fidelity Sound Lab)

Bill Withers

Greatest Hits

52,99 €*

Inner Feelings Deluxe Edition

Release: 1981 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited/numbered

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Roy Porter Sound Machine

LP+7" | 1975 | JP | Reissue (P-Vine)

51,99 €*

Charles Tolliver's Music Inc

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

After spending the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971. Four years later, he followed that up with “Inner Feelings”. Listeners back then had to wait four years for the sequel, but you don’t have to wait at all!

The seven-man band, with its powerful horns and phat grooves, is no doubt worthy of the name ‘Sound Machine’ Praise has been sung of this record in and among rare groove circles for over three decades, with mere rumors of original copies being enough to cause collectors to begin salivating. Album opener, “Party Time”, begins with an almost mechanical drum break - a groove so tight, you just might think Roy Porter is a metronome. Jpegmafia certainly thought so, sampling the drum beat on “Free the Frail”. Fans of classic hip-hop may also recognize “Panama”, not just for its beautiful melody and iconic groove, but from DJ SPINNA’s hit-song “rock”. The re-recorded version of “Jessica” adds vocals and a touch of melancholy to the jazz-funk classic. It’s still danceable, but it might also make you stop and think for a second. Album closer, “Out on the Town Tonight”, takes the funk one step further, with an even larger horn section, and fiery solos. Yet throughout the whole album, the drumming remains steadily funky, a reminder that Roy Porter sits at the heart of the Sound Machine.

With the LP reissued on clear blue vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a re-edit by the legendary DJ Muro, and the nearly impossible to find vocal version of “Panama”, this reissue is no doubt going to be legendary! Don’t miss this iconic album, reissued for the first time on clear blue vinyl with a 7” record, available only from P-vine Records!

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Live At The Loosdrecht Jazz Festival

LP | 1972 | UK | Reissue (Strata-East)

51,99 €*

LP | 1974 | HK | Reissue (Evosounds)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording "With Love".

With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years. https://charlestolliver.com/

This LP is jazz of high energy and high sincerity. Jazz at it's best. One of Tolliver's (and jazz's) masterpieces. It is a live recording from 1972. On another occasion, Tolliver recorded with another quartet with Stanley Cowell on piano, and some critics prefer that quartet. However, this quartet is the equal of that one. I think John Hicks did a masterful job of piano playing here. Hicks equalled Charles in energy. The bass playing of Reggie Workman (who was John Coltrane's bassist) is equally smouldering. Drummer Alvin Queen is a perfect match for the other three.
Passionate Jazz Fan.

Tolliver's music (which holds on to one's attention throughout the live set) has its connections to the bebop tradition but also forges ahead and can be quite passionate. Recommended. By Scott Yanow/AMG Personnel: Roberto Miranda - Bass
Everett Brown Jr. - Drums
Aubrey Hart - Flute
Adele Sebastian - Flute, Vocals
Fundi Legohn (tracks: B1) – French horn
Virjilio Figueroa - Percussion
Linda Hill - Piano, Vocals
Sabir Matteen* - Tenor Saxophone, Clarinet
Jugegr Juan Grey - Vocals

Produced by Tom Albach

Recorded & mixed by Dennis Moody in 1981

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Bob James

One

50,99 €*

Release: 1974 / HK – Reissue

Genre: Organic Grooves

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2LP | 1973 | US | Reissue (Pure Pleasure)

Clifford Jordan Quartet

Glass Bead Games

50,99 €*