Organic Grooves Vinyl 624 Items

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Simon & Garfunkel, Dave Grusin

OST The Graduate: The Original Sound Track Recording Limited 180g Audiophile Edition

LP | 1968 | US | Reissue (Speakers Corner)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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The Max Roach Trio Feat. The Legendary Hasaan

The Max Roach Trio

LP | 1965 | EU | Reissue (Speakers Corner)

LP | 1962 | EU | Reissue (Speakers Corner)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Hardly any other musician has released so little as Hasaan Ibn Ali, born William Henry Langford Jr., in 1931, who died in 1980. Just seven titles in all are his complete output, all of which he composed himself, all of them on the present Atlantic LP, and all recorded in December 1964. The saxophonist Odean Pope, who often practised with him, talks of a second recording session in 1965 for Atlantic, but the recordings were never released because Hasaan was sent to jail shortly afterwards; rumour has it that the tapes were destroyed in a fire – and it might well be that recordings with John Coltrane still exist somewhere or other.
Until then, one should enjoy the Max Roach Trio with Art Davis on the bass to the full. We have here a recording that will astound and fascinate your ears with its originality. A first impression conjures up reminiscences of Cecil Taylor and Herbie Nichols, while Hasaan himself talks of the pianist Elmo Hope as the man who brought him closer to the 'mystery of music'. When asked how the recording session with maestro Max Roach went, Hasaan said: »They scared me to death.«
According to Odean Pope, Hasaan was not an easy person to get on with, and he was convinced of his talent to the point of arrogance. But despite this – or perhaps because of this – one listens spellbound to the 40 minutes on this LP, a legacy and never-fulfilled promise of an extremely talented man. We are indebted to Max Roach, who persuaded the bosses of Atlantic Records to make these recordings. For many, many years they had vanished from the record market, but fortunately they are now available as an audiophile re-release to be listened to and admired.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

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Herbie Mann

At The Village Gate

LP | 1966 | EU | Reissue (Speakers Corner)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

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Paul Desmond

Easy Living

LP | 1968 | EU | Reissue (Speakers Corner)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Why should you buy this LP? 1. Because of its super sound? Of course! 2. Because Paul Desmond and Jim Hall are playing? Naturally! 3. For "Easy Living"? Surely one of the best numbers in one of the most multifaceted versions! 4. Because you missed out on the first release in 1966? Well, don’t make the same mistake in 2018!
Not everyone wants to purchase all Victor recordings by Paul Desmond and Jim Hall with umpteen alternate takes in a voluminous CD Box, to listen to it all, and to find it just wonderful to show off on the record shelf. The eight numbers on "Easy Living" constitute the height of Desmond’s career anyway after he had at last managed to take his leave from Dave Brubeck’s group. And the change from purely chordal playing and single notes from Jim Hall is more airy and more inspiring than the meaty piano clusters of his former boss. And don’t forget either that half of the Modern Jazz Quartet, namely the bassist Percy Heath and the drummer Connie Kay, deliver an exquisite skeletal structure over which the musicians can improvise brilliantly.
LPs are, and remain, unbeatable, both as regards sound and feel. And happily they are also a safe investment – maybe not all, but "Easy Living" with Paul Desmond and Jim Hall most definitely!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: June 1963, July and September 1964, June 1965 at RCA Studio, New York City
Production: George Avakian

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Dr. John

Gris Gris

LP | 1964 | EU | Reissue (Speakers Corner)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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His grandmother is purported to have transported objects using her spiritual powers and it is said that she sometimes floated through the room. Her grandson Malcolm Rebenneck was fully aware of his unique features when he appeared under the name of Dr. John, a voodoo healer in the 19th century, and was the first person to transcend from pitch-black spheres to psychedelic music as its high priest, so to speak.
In the seven magical musical numbers of "Gris-gris", the root doctor conjures up a potent mixture of creole melodies, primeval heathen sounds, a pinch of mardi-gras and New Orleans jazz and even undreamt-of sounds. "Gumbo Ya Ya", a dragging procession with archaic sing-song, shows that suggestive Afro sounds are what rule in this album. And to play with them, to soften them here and there, or to enhance them with dance-like expression and voices from afar ("Danse Fambeaux") is all part of the programme in this collection of artistic treasures. In between raspy sounds there are flattering, intimate tones such as the springy, gentle and forward-looking "Croker Courtbullion".
The equation Witchcraft = Masterwork certainly applies to this unrivalled album, which is listed at No. 143 in the 500 Greatest Albums of all Time by the magazine Rolling Stone.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1967 at Gold Star Studios, Los Angeles
Production: Harold Battiste

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Miles Davis

Miles In Berlin

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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It's 1964 and the first Berlin Jazz Festival is about to reach its absolute peak: the final concert on the night of Friday, 25th September by Miles Davis. And the European subsidiary of Columbia Records, CBS, couldn’t wait to release this legendary event on LP.
The new quintet, for the first time with Wayne Shorter on the tenor sax (and not yet as composer), thrilled and roused the audience in the Philharmonie from the first minute to the very end. The classics "Miles(tones)", "So What" and "Walkin’" were performed at an astonishingly fast pace, the ballads were tender and dreamy. Such a magical atmosphere was rarely evoked at later concerts, which was probably due to the excellent acoustics of the large concert hall. The audience were also seated behind the stage, so Miles couldn't turn his back provokingly on people; sometimes he just squatted on the stage. However, this didn’t prevent him from performing his solos lyrically and tenderly, most of them finely nuanced, soft and gentle, yet audible right into the furthest corner. The rhythmic structure created by the young drummer Anthony Williams provided the necessary excitement.
Miles at the top of his form, an enthusiastic audience, impressive acoustics and, to top it all, excellent recording technology and a fantastic pressing on virgin vinyl - what more does a jazz fan want? Now’s the time to dig out your credit card!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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Freddie Hubbard

Backlash

LP | 1969 | US | Reissue (Stax)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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William Bell

Bound To Happen

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Speakers Corner)

Charles Lloyd

Forest Flower

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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It was a clever move by George Avakian, producer at Atlantic Records, to record live the Charles Lloyd Quartet during their appearance in Monterey, and to release the LP under the title "Forest Flower". Although the hippy flower-power movement tended towards a rather different musical genre at the end of the Sixties, they were blown away by this music. The four artists attracted masses of people and ensured that every seat was taken and all standing room filled at jazz festivals such as Newport, Molde (Norway), Antibes (France) and the Fillmore East and West. The super group also appeared in Monterey, 120 Km south of San Francisco, the centre of the hippy movement, on 18 September 1966.
On the LP we have the almost 18-minute-long title piece and the standard work "East Of The Sun", which were recorded at the festival. The disc is complemented by a Keith Jarrett composition and one by Cecil McBee, both of which were recorded in the studio ten days before the festival.
Of particular note is the rich interplay, the energy that is palpable throughout, the perfect harmony in each and every change of mood, and the intensity. Even 50 years later, it is quite clear that Charles Lloyd managed to break down the barriers between pop and jazz.
Charles Lloyd is committed to this objective to this very day! All four musicians are still active, although they no longer appear together as a group. Such a special treat for the ears is offered by this newly mastered disc only.

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LP | 1964 | US | Reissue (Fantasy)

Stardust

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Paul Desmond & Gerry Mulligan

Two Of A Mind

LP | 1962 | EU | Reissue (Speakers Corner)

Elvin Jones & Richard Davis

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Although the beautiful sound, mutual understanding and harmonic balance mostly predominate, the music of alto saxophonist Paul Desmond performing together with baritone saxophonist Gerry Mulligan is far from what one calls 'easy listening'. For many, it is even difficult to identify the melody of evergreens such as "Stardust" and "The Way You Look Tonight". (And what theme is tucked away in "Two Of A Mind"????)
The recording in the RCA Victor Studio took place over several days in 1962, and this is why different bass players and percussionists are heard – Wendell Marshall, Joe Benjamin and John Beal each take their turn on the bass, while Connie Kay and Mel Lewis change places behind the drum set. These musicians form a brilliant team, and that there is no piano is both deliberate and inevitable for Gerry Mulligan recordings of the day. By the way, the second saxophonist in "The Way You Look Tonight" is Paul Desmond – by means of over-dubbing in the middle of the stereo recording!
The present LP could certainly take a rightful place in a 'Best Of' collection alongside the other recordings by Gerry Mulligan with Ben Webster and Stan Getz.

Pressed to 180g audiophile vinyl.

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Heavy Sounds Verve By Request Edition

LP | 1968 | WW | Reissue (Verve)

Nobuo Hara Meets Hozan Yamamoto

Release: 1968 / WW – Reissue

Genre: Organic Grooves

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Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.

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New Jazz In Japan

LP | 1968 | EU | Reissue (Le Très Jazz Club)

LP | 1969 | EU | Reissue (Le Très Jazz Club)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.

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Terumasa Hino Quintet

Hi-Nology

LP | 1969 | US | Reissue (Craft)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Terumasa Hino is undoubtedly one of the most famous Japanese jazzmen. Learning the trumpet at the age of 9, he began his career as a professional musician by playing in the orchestra of an US Army base, before joining Hideo Shiraki"s Quintet and then forming his own band in 1964. On Hi-Nology we find his brother Motohiko Hino on drums, Hiroma Suzuki on electric piano, Kumitsu Inaba on electric bass and Takeru Muraoka ontenor sax. The inspiration from the "electric period" of Miles Davis (notably Miles In The Sky released in 1968) is felt and is even accepted, since the opening piece is entitled "Like Miles". Coincidentally, Hi-Nology was recorded on July 31, 1969, the day after the release of In a Silent Way and has nothing to envy of this great record by Miles Davis.

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Joe Henderson

Power To The People

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Dexter Gordon & Slide Hampton

A Day In Copenhagen Black Friday Record Store Day 2023 Sky Blue Vinyl Edition

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

LP | 1968 | UK | Reissue (Arc Records)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release

With his big, warm, round-toned sound, sophisticated phrasing, and hip quotes, Dexter Gordon was one of the major forces on the tenor saxophone from the mid-1940s until his death in 1990. Gordon was cited by both Sonny Rollins and John Coltrane as a major influence on their playing and is acknowledged as a jazz icon.

The popularity of mainstream jazz was on the decline in the States during the 1960s. The Vietnam war and racial turmoil were in high gear, and many of the music’s top-flight musicians, including Gordon, migrated to Europe in order both to escape and to make a living playing jazz. Gordon eventually settled in Copenhagen, Denmark. During this period, he usually played and recorded backed by a piano trio, but this 1969 recording is different. The usual quartet has been expanded with some of those premiere jazz ‘refugees’, each a major voice on his instrument, assembled for the session.

One of the great modern jazz trombonists, Slide Hampton, is also a composer/arranger of note. The album was a collaborative venture between Gordon and Hampton, and three of the compositions and all the arrangements on the album are his. The classy Jamaican trumpeter Dizzy Reese completes the front line. The rhythm section includes two jazz giants who were Gordon’s constant companions at Copenhagen’s famous Club Montmartre, fellow American expatriate pianist Kenny Drew and the great Danish bassist N-H Örsted-Peterson. The Gordon/Drew pairing is one of the classic horn-/piano matchups in jazz, and has often been compared with the Miles Davis/Red Garland and John Coltrane/McCoy Tyner pairings. Art Taylor, who “helped define the sound of modern drumming”, was brought in from Paris to complete the all-star rhythm section.

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Max Roach

Members, Don't Git Weary

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Slow Drag Tone Poet Vinyl Edition

Donald Byrd

LP | 1967 | EU | Reissue (Blue Note)

Our Meanings And Our Feelings

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Donald Byrd’s 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Michel Portal

LP | 1969 | EU | Reissue (Le Très Jazz Club)

Jazz Samba Acoustic Sounds Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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On June 27th, 1969, Michel Portal pushed the door of the Pathé Marconi studios. With him were drummers Jacques Thollot and Aldo Romano, bassist Jean-François Jenny-Clark and pianist Joachim Kühn. They hadn"t rehearsed anything, as if entering the studio to record an album without any plan was something normal. The musicians were obviously very used to playing with each other, as the five tracks on Our Meanings And Our Feelings seem to flow perfectly without any hint of improvisation. The zokra, an oriental clarinet that Michel Portal plays on "Walking through the land" and "Dear old Morocco" brings a singular touch to this album. This singularity is transcended by Joachim Kühn"s ability to easily go from the piano to the saxophone alto, from supporting to soloing, before playing the bells, then the tambourine, opening the soundscape. Our Meanings And Our Feelings may not be the first French free jazz record - as it was preceded by the fantastic Free Jazz by François Tusques, released in 1965 and on which Michel Portal plays as well - but it remains one of the most important. Its incredible outburst of sounds and melodies is completely free yet never turns into cacophony. 44 years after its release, it is still urgent to listen to Our Meanings And Our Feelings and what these five talented musicians had to tell us.

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Stan Getz & Charlie Byrd

LP | 1962 | EU | Reissue (Verve)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When Charlie Byrd toured South America in 1961, Bossa Nova—a melding of Brazilian samba rhythms with the harmonic structures and cool sound of West Coast jazz—was booming. He brought back records for Stan Getz to hear and they planned a session. The result was Jazz Samba—the first album of Bossa Nova music by jazz artists and the one that created the Bossa Nova wave.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Doin' Our Thing Blue Vinyl Edtion

LP | 1968 | US | Reissue (Jackpot)

34,19 €* 35,99 € -5%

New York Eye & Ear Control

Release: 1968 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Doin’ Our Thing’s first U.S. vinyl reissue since its original 1968 release date. 1968’s 'Doin’ Our Thing' is not only their first self-produced album but offers their most varied selection of songs.

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Albert Ayler

LP | 1964 | US | Reissue (Esp Disk Ltd.)

34,99 €*

Gypsy Woman Yellow Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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One of the key 60s free jazz recordings!

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Joe Bataan

LP | 1967 | US | Reissue (Craft)

34,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | JP | Reissue (P-Vine)

Spanky Wilson

Spankin' Brand New

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The album that started it all! Spanky Wilson’s legendary debut from Mother’s Records saw Philadelphia’s soon to be soul diva teaming up with legendary producer/arranger H.B. Barnum to deliver a killer 11-track LP! From the opening notes of “You’re Gonna Miss Me”, to the final fading chimes of “The Last Day of Summer”, Spanky Wilson’s beautiful voice is always on full display. Despite the fullness of her voice, there’s a surprising tenderness - undercutting soulful funky numbers with an element of emotionality unlike anything her peers would ever put out. As Spanky’s voice soars, her backing band, at times as sparse as a single piano, and at times as full as a big band, is always tight, giving Spanky plenty of room to shine while showing off their own immense talents. Don’t miss the album that started it all for legendary soul diva Spanky Wilson, now available on limited edition vinyl with a special Japanese Obi-strip!

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Eddie Harris

The In Sound

These Are My Roots - Clifford Jordan Plays Leadbelly

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd

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Clifford Jordan

LP | 1965 | EU | Reissue (Atlantic)

LP | 1969 | US | Reissue (Craft)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Clifford Jordan hailed from Chicago, hometown of hard-driving, so-called ‘tough tenorists’ like Gene Ammons and Eddie ‘Lockjaw’ Davis. While Jordan shared their unnerving bravado, his tone is different, an alluring tone, simultaneously rough around the edges and ephemeral. A sought-after sideman, Jordan recorded with stalwarts as Lee Morgan and Max Roach in the late fifties and early sixties, as well as a series of high standard solo albums. Like age matures wine, Jordan’s style ripened in the early seventies, his lines becoming fluent like ripples of lake water. Jordan kept recording and performing steadily until his death in 1993.

Maybe this album, filled with interpretations of such classic tunes as Take This Hammer and Goodnight Irene, is not such a surprise act after all. The preceding year, Jordan had been part of Charles Mingus’ outfit (appearing on the hi-voltage live album Right Now: Live At The Jazz Workshop) Musical gobbler Mingus’ unfazed search for new vistas while retaining an all-embracing sense of the past’s relevance and blend of harmonic finesse with unbridled juke joint tumult surely rubbed off on Jordan.

Da Gray Goose is one of the cases in point. Tasteful harmony over the stop-time theme kicks it into action, strongly plucked bass and fiery drums inspire the soloists, creating an atmosphere of abandon. Lusty shout choruses stoke up the fire as the tune progresses. There are also some, yes, virtuoso banjo parts.

The gloomy folk blues music of Huddie ‘Leadbelly’ Ledbetter, whose life story reads like a combined effort of Shakespeare and James Baldwin, including oppression, hardship, addiction, treachery, murder and prison life, is excellently cast in a jazz frame. But not too jazzy, often the sound of Jordan’s top-notch group is as tough-as-nails as the sound of any one group that enlivened the back alley bars way back when. Jordan’s unpredictable phrasing overcomes the restrictions of the rigid folk blues form.

Craftily uncrafted, These Are My Roots is a spirited album of earnest, raw and ebullient swing.

Recorded on February 1 & 17, 1965 in NYC

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Bar-Kays

Gotta Groove

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Craft)

Willie Colón

Hustler

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.

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Sarah Vaughan

Sarah +2

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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The Charles Lloyd Quartet

Love-In

LP | 1967 | UK | Reissue (Pure Pleasure)

LP | 1964 | UK | Reissue (Pure Pleasure)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Four-and-a-half decades after the event, saxophonist Charles Lloyd's "Love-In", recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance", "Temple Bells"), and the inclusion of John Lennon and Paul McCartney's "Here There And Everywhere", "Love-In's" semiology reeks of the acid-drenched zeitgeist of the mid 1960s, a time when creative music flourished, and rock fans were prepared to embrace jazz, provided the musicians did not come on like their parents: juicers dressed in sharp suits exuding cynicism.
It is likely that more joints were rolled on "Love-In's" cover than that of any other jazz LP of the era, with the possible exception of saxophonists John Coltrane's "A Love Supreme" (Impulse!, 1965) and Pharoah Sanders's "Tauhid" (Impulse!, 1967). Chet Helms, a key mover and shaker in the West Coast counterculture, spoke for many when he hailed the Lloyd quartet as »the first psychedelic jazz group«.
It is to Lloyd's credit that, at least in the early stages of his adoption by the counterculture, he resisted dumbing down his music. The adoption stemmed from Lloyd's espoused attitude to society, his media savvy, his sartorial style and his sheer nerve in playing jazz in the temples of rock culture. He took the quartet into the Fillmore West three years before trumpeter Miles Davis took his into the Fillmore East.
So "Love-In" comes with a load of baggage, some of it less than fragrant. But as 45 minutes of music, it still has legs. Lloyd's vocalized tenor (and flute on two tracks) has Coltrane-derived muscle; the young Jarrett's lyrical and funky solos, particularly on his 07:55 showcase, the gospel-ish "Sunday Morning", his two featured originals ("Sunday Morning" and the soul jazz-ish "Is It Really the Same?"), and his playing the strings of the piano directly with his hands, all remain compelling; McClure and DeJohnette are solid and inventive.

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Modern Jazz Quartet

The Sheriff

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Craft)

Brenton Wood

Baby You Got It

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | UK | Reissue (Pure Pleasure)

Charles Lloyd

Dream Weaver

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. "Dream Weaver" is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence", where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern explorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam", with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966.

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Aretha Franklin

Yeah!

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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The Dave Brubeck Trio & Gerry Mulligan

Blues Roots

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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LP | 1962 | UK | Reissue (Pure Pleasure)

Paul Desmond

Desmond Blue

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by Ray Staff at Air Mastering!

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2LP | 1965 | WW | Reissue (BYG)

A Love Supreme

Release: 1965 / WW – Reissue

Genre: Organic Grooves

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LP | 1962 | JP | Reissue (P-Vine)

Lightnin' Hopkins

Mojo Hand

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Forget lightning in a bottle, we have Lightnin' on a vinyl! Recorded in New York in 1960 with famed producer Bobby Robinson, Mojo Hand is considered by many to be one of the finest blues records of all time. Since P-vine reissued it for the first time ever in 1983, word of the record’s quality quickly spread, with original copies now selling for thousands of dollars on the second hand market! Whether it’s the boogie of title song “Mojo Hand”, or the low and slow blues of “Have You Ever Loved a Woman”, the Lightnin’s acoustic blues is soulful. Don’t miss Mojo Hand, available for the first time ever on limited edition red vinyl with an obi-strip, only from P-vine Records.

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LP | 1967 | JP | Reissue (P-Vine)

B.B. King

The Jungle

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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LP | 1969 | JP | Reissue (P-Vine)

The Ballads

The Gift Of Love

LP | 1968 | US | Reissue (Craft)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The only original album by West Coast soul vocal group The Ballads, released in 1969, is still a favourite among soul fans, but has only been reissued on vinyl once before, in 1982. P-vine is honoured to be able to reissue it on LP with a Japanese obi.

The album is extremely rich and wonderful, with gems such as Gene Chandler's 'God Bless Our Love' and 'The Gift Of Love', as well as Detroit-style dance numbers, and will also include a bonus track that was only released as a single. The album captures the band's cradle period in the 1970s, when they began to fully embrace a sweet soul style.

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Junior Wells

Coming At You

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Craft)

Isaac Hayes

Hot Buttered Soul

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Music For Zen Meditation And Other Joys

Tony Scott

LP | 1964 | EU | Reissue (Verve)

LP | 1969 | EU | Reissue (Verve)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Mostly improvised by clarinettist Scott, backed by Hozan Yamamoto and Shinichi Yuize — on the Japanese instruments shakuhachi and koto — this 1964 album is a precursor to later movements in ambient and new age music, from in and out of the jazz world.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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The Eddie Fisher Quintet

The Third Cup

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Music For The Small Hours

Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

Look To The Rainbow Verve By Request Edition

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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Astrud Gilberto

LP | 1966 | EU | Reissue (Verve)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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A Love Supreme Cobalt Blue Vinyl Edition

LP | 1964 | US | Reissue (Impulse!)

Funky Skull Verve By Request Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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One of the most influential albums in all of jazz. Recorded in 1964 with the likes of Jimmy Garrison, Elvin Jones & McCoy Tyner

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Melvin Jackson

LP | 1969 | EU | Reissue (Verve)

The Peace-Maker Verve By Request

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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On his sole album as a leader, bassist Melvin Jackson - a veteran of the Eddie Harris band (this album includes two Harris originals) - plays with a bow, plucks and plugs his upright bass into a Maestro G-2 filter box, a Boomerang, an Echoplex, and an Ampeg amp. The result is soulful, psychedelic, and of course, funky – at once one of the grooviest and most avant-garde albums you’ll ever hear.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Harold Land Quintet

LP | 1968 | EU | Reissue (Verve)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Hip Hug-Her Pink Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"

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And Now! Orange Vinyl Edtion

LP | 1966 | US | Reissue (Jackpot)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1966 release. 1966’s And Now!’ is the first to feature long-term bassist Duck Dunn, who helps create a nightclub feel that alternates between some of their most aggressive recordings and most sultry.

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Soul Dressing Mono Clear Vinyl Edtion

LP | 1965 | US | Reissue (Jackpot)

The Meters Red Vinyl Edtion

Release: 1965 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1965 Mono release. Featuring the legendary The Mar-Keys’ horn section. Includes the hit single "Soul Dressing". Limited Clear Vinyl Pressing

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The Meters

LP | 1969 | US | Reissue (Jackpot)

LP | 1962 | JP | Reissue (P-Vine)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.

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Howling Wolf

Sings The Blues

35,99 €* 39,99 € -10%

Lady Soul Clear Vinyl Edition

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Howlin' Wolf was a true bluesman who stuck to his own style. This LP reissue of an album compiled from his recordings in 1951-1952 for RPM label, sub-label of Modern Records and released in1962 on Crown Records, also a substance of Modern.

The album features Willie Johnston on guitar, a rule-breaking mix of primitive delta blues and fancy jazz chords; Willie Steele on drums and unidentified musicians providing unparalleled backing; and Ike Turner on vibrant piano, Wolf barked out wild and tough blues in West Memphis.

Although the piano, the guitar and the harmonica were clearly out of tune, the sounds were outstandingly thumping and beautiful - there was no greater shock. This is a classic in blues history that captured the rampaging blues wolf of the blues at the beginning of his career, when he made his recording debut after the age of 40. The reissue LP will be available with iconic OBI strip.

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Aretha Franklin

LP | 1968 | EU | Reissue (Rhino)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Mr. Natural Tone Poet Vinyl Edition

Stanley Turrentine

LP | 1964 | EU | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Craft)

Albert King

Born Under A Bad Sign

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Bring It Home To Me Tone Poet Vinyl Edition

Blue Mitchell

LP | 1966 | EU | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Crescent Acoustic Sounds Edition

LP | 1964 | EU | Reissue (Impulse)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Impulse!)

Coltrane

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Gris Gris Colored Vinyl Edition

Dr. John

LP | 1968 | US | Reissue (Jackpot)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Today (Bluesville Acoustic Sounds Series)

Skip James

LP | 1966 | US | Reissue (Craft)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Psychicemotus Verve By Request Edition

Yusef Lateef

LP | 1966 | EU | Reissue (Impulse)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Kenny Dorham

Una Mas

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (Blue Note)

Lonnie Smith

Think

Together Original Master Mono

Release: 1968 / US – Reissue

Genre: Organic Grooves

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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Marvin Gaye & Mary Wells

LP | 1964 | US | Reissue (Motown)

LP | 1969 | US | Reissue (Motown)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Vinyl LP pressing.

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The Temptations

Cloud Nine

LP | 1966 | US | Reissue (Motown)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Vinyl LP pressing.

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Supremes

I Hear A Symphony

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Limited green colored vinyl LP pressing.

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LP | 1969 | JP | Reissue (P-Vine)

Kashmere Stage Band

Our Thing

Vagabundeando! Hangin' Out

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Joe Cuba Sextet

LP | 1964 | US | Reissue (Craft)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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A Jackson In Your House Orange Marbled Vinyl Edition

Art Ensemble Of Chicago

LP | 1969 | UK | Reissue (Charly)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A Jackson In Your House Colored Vinyl Edition

Art Ensemble Of Chicago

LP | 1969 | UK | Reissue (Charly)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Spin The Blues)

Arthur Big Boy Crudup

Mean Ol' Frisco

The Exciting Wilson Pickett Crystal Clear Vinyl Edition

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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Wilson Pickett

LP | 1966 | UK | Reissue (Rhino Atlantic)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Don't Play That Song Crystal Clear Vinyl Edition

Ben E. King

LP | 1962 | UK | Reissue (Rhino Atlantic)

LP | 1967 | JP | Reissue (P-Vine)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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Cynthia Schloss

Ready And Waiting

Sweet Rain Acoustic Sounds Edition

Release: 1967 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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How Cynthia Schloss’ debut album Ready And Waiting ended up as part of the infamous tax-scam label TSG Records’ catalogue is characteristically mysterious and unknown. Originally released on Merritone Records in 1976, it’s rich reggae sound is a celebration of life and love, and the Jamaican singer’s syncopated grooves stand apart from familiar TSG funk and soul territory - though both find space to breathe inside the mix of this expansive album. Nevertheless, a year later the album found itself with a new sleeve and identity under the distinct TSG colour and logo. P-vine is thrilled to be reissuing Ready and Waiting as a limited edition LP for the first time in the world with an iconic Japanese obi strip attached.

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Stan Getz

LP | 1967 | US | Reissue (Verve)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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East Broadway Run Down Acoustic Sounds

Sonny Rollins

LP | 1966 | EU | Reissue (Impulse)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Taru Tone Poet Vinyl Edition

Lee Morgan

LP | 1968 | Reissue (Blue Note)

Medina Tone Poet Vinyl Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

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Bobby Hutcherson

LP | 1969 | Reissue (Blue Note)

Mike Bloomfield & Al Kooper

Release: 1969 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s cutting-edge 1969 session "Medina" found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.
BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.

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Live Adventures Of ... Blue & White Marbled Vinyl Edition

2LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition

Eric Dolphy

LP | 1968 | EU | Reissue (Culture Factory)

LP | 1965 | JP | Reissue (Think!)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.

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Mighty Sparrow

Tattoo Woman

Czeslaw Niemen & Akwarele

Release: 1965 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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"Tattoo Woman" was originally released in 1965 and includes "Under My Skin", a favorite not only among calypso fans but also Ska and Reggae lovers! This is a calypso arrangement of Cole Porter's original song "I've Got You Under My Skin" and is truly a masterpiece! The album as a whole contains many wonderful pieces that convey the breath of calypso in its heyday! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "The Outcast", which will be released at the same time on analog LP!!

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Dziwny Jest Ten Swiat..

LP | 1967 | PL | Reissue (Warner)

39,59 €* 43,99 € -10%

Release: 1967 / PL – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | EU | Reissue (Polysom)

Brazilian Octopus

LP | 1968 | BR | Reissue (Polysom)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The only LP from the group Brazilian Octopus, featuring Hermeto Pascoal and Nilson da Matta. Originally released in 1969 on the Fermata label. Rare in its original format, a much welcomed re-issue from the Polysom label. Deep soul-funk grooves meet library-esque progressive cinematics and psychedelics meet jazz dance jams! Full range.

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Tom Ze

Grande Liquidacao

LP | 1965 | BR | Reissue (Polysom)

Release: 1968 / BR – Reissue

Genre: Organic Grooves

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This is a 180g vinyl pressing. In 1968 Tom Zé; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement,Zé was so independent he was determined to forge his own musical path. He started by recording Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Brazoes and Os Versateis.

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Moacir Santos

Coisas

Release: 1965 / BR – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Atlantic)

Dusty Springfield

Dusty In Memphis

Afro-Harping Deluxe Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl ... classic !

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Dorothy Ashby

2LP | 1968 | EU | Reissue (Verve)