Organic Grooves Vinyl 1901 Items

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Altercat)

Luis Vecchio

Contactos

21,99 €*

Vega Synthauri / Grace Kelly's Song

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Cosmic jazz from the Canary Islands. After a few years in London, where he worked with Archie Shepp and recorded a sought-after album for the famed library music label De Wolfe, Argentinian pianist Luis Vecchio settled in the island of Gran Canaria following advice from a superior entity from outer space. Vecchio subsequently opened the first jazz school in the Canary Islands, effectively planting the seeds of jazz in the archipelago. In Contactos, recorded in 1978 in the Mayra studio owned by Ramiro González, Vecchio gives a free jazz account (with a dash of funky jazz rock) of his contacts with Adionesis, who delivers his ominous message upon the human race on side B of the album. Fellow Argentinean Fernando Bermúdez on percussion and Japanese bass player Yoichi Yahiro complete the line-up of Contactos.

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Donna Laser Orchestra

12" | 1984 | EU | Reissue (Best Record Italy)

LP | 1989 | EU | Reissue (Invisible City Editions)

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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"Another Italo Disco Pearl, Vega Synthauri! One the most spontaneous and genuine tracks of the first half of 80s. The song, written by composer Daniele Pace (co-author Corrado Conti), is a futuristic and galactic dance floor piece with a heavy rhythmic focus where the main melodic line has a classical music feel to it. A lovely combination! This track by Donna Laser is one of the most significant electronic tracks of the entire Italo-Disco scene even beyond the mid-80s, was arranged by the talented Mark Owen (aka Marco Colucci). His synthesizer skills are a true art! This release was mixed at the renowned Trafalgar Recording Studios of Rome by Gaetano Ria, one of the most accredited technicians of the country in that period. "Grace Kelly's Song" on the flip is a very beautiful quiet nostalgic piece, that could fit perfectly into an Italian dramatic film of the late 70s or early 80s, a cute and delicate track to unwind after the monster killer on side A! Masterpiece created by the young visionary DJ Marco Marati. Stunning release!"

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Shawn Pittman

Dreams

18,99 €* 19,99 € -5%

LP | 1979 | TR | Reissue (Emre Grafson)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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mited Pressing.

Invisible City Editions returns with an official repress of a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni Producer/keyboardist Engineer Art Forest and Inner City background vocalist dancer/singer Shawn Pittman. On the A side a lush slow modern soul slow burner “Dreams'' features a deep,spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Ms Pittman.” 'Dreams are only Dreams till you make it real' chants Shawn Pittman and we’re lead down a dazzling maze of mirrors. With “I'm Losing Control (Extended Bass-ment Club Mix)” on the flipside a wild late night warehouse dub remix features sci-fi vocal effects,fostex tape loops and ultra-heavy bass and driving drum machines. Minimal lush soul perfect for early mornings and the post-club world and a wild sci-fi house winner for late night club sessions. An IC fave! Remastered by Brandenberg/The Carvery (Note: we’ve also removed the drum machine going out of sync that was on the original press) Official Repress via Art Forest and his label Wildboy.Essential stuff!

Art Forest is an Electronic Engineer and production wizard from Detroit Michigan. He originally recorded 2 of Inner CItys’ Biggest Hits “Good Life” and “Big Fun” and continues to record to this day. Art Forest still finds and repairs equipment to add to his studio today. He also recorded for Paula Abdul “Straight Up” and Madonnas’ “Justify My Love” Shawn Pittman was a singer and dancer from Detroit who was a good friend of Inner City vocalist Paris Grey. Shawn Pittman sang backing vocals and harmonies on “Good Life” and “Big Fun”.

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Baris Manco

Yeni Bir Gun

Roy Brooks & The Artistic Truth

Release: 1979 / TR – Reissue

Genre: Organic Grooves

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2019 Re-mastered – 180g black vinyl in gatefold Cover + 2 pages liner notes. It was originally released in 1979 which is (may be) the peak of Baris Manco and his band Kurtalan Ekspres’ musical career. True masterpiece ! It deserves to be a part of your collection. Every track in this LP, open any surprise. While one track is jazz-funk, the next one space rock and a pschedelic song will follow.

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Ethnic Expressions

LP | 1973 | JP | Reissue (P-Vine)

38,99 €*

Come To My Garden Clear Vinyl Edtion

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Groovy, spiritual, and oh so, rare, this live album by drummer Roy Brooks is one of the best to ever come out of the spiritual jazz scene. With a career spanning over 50 years and collaborations with artists like Horace Silver, Stanley Turrentine, Yusef Lateef, and Charles Mingus, Roy Brooks was a foundation and leading force of the Jazz scene throughout his entire storied life. As one of the most talented drummers of any generation, Brooks would lead his own group, the Artistic Truth, and create some of the most invigorating music this side of Ornette Coleman. This recording, taken from a late 1973 show in New York City features Reggie Workman (b), Olu Dara (tp), Joe Bonner (p), Cecil Bridgewater (tp), Sonny Fortune (as), John Stubblefield (ts), and the late great Hammiet Bluiett (bs) working together as a cohesive unit, even welcoming the vocal talents of the legendary Eddie Jefferson at one point. These five tracks, spread over 48 minutes, are packed with so much groove, they could kill a grown man. Don’t miss this iconic album, available on vinyl only from P-vine Records.

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Minnie Riperton

LP | 1970 | EU | Reissue (Soulgramma)

12" | 1988 | EU | Reissue (Blanco Y Negro)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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What a beauty here. A proper re-issue of Minnie Riperton debut album on GRT, originally puvlished in 1970. Her name came to prominence with the highly influential Chicago band Rotary Connection, forerunners of the rock & soul crossover. In addition to their own recordings, including their 1967 debut album Rotary Connection, the band is notable as the backing band for Muddy Waters on his 1968 psychedelic blues album Electric Mud. Standing on her own, Minnie cut a series of sublime albums moving in a more soulful way. Opening track ‘Les Fleur’ is a shiny cover of Ramsey Lewis – who is musical assistant and contributor here – classic number penned in 1968, literally a cornerstone for contemporary hip-hop and r&b being sampled by the likes of Jurassic 5 feat. Nelly Furtado, Damu the Fudgemunk, Dr. Octagon and Cut Chemist among others. Produced by Charles Stepney (already in with Rotary Connection and subsequently behind the desk with Earth Wind & Fire), the album benefits from is lushy orchestral arrangements, pushing the vocal duties of Minnie even forward (her five-octave vocal range, enabled her to sing in ‘whistle register’ nevertheless). The jazzy soft-pop feel overall will mark comparison with Stevie Wonder, Riperton’s future employer/mentor.

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Alan Barry

Tell Me The Reason

Werther Jade Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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Originally released on Discomagic in 1988, probably it’s one of the last italo disco classics tracks from the 80s. The track was composed by Fred Ventura (not performed) and Gianfranco Bortolotti (Media Records).Very energetic track with a unique structure in its genre, more clubby than an italo classic track. A unique fantastique lead melted into a likely trancy bassline. Dub version a bit more clubby on b-side.

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Werther

LP | 1970 | EU | Reissue (Altercat)

Ra To The Rescue Transculent Green Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies for the 2022 Summer of Jazz campaign, focused on Brazilian jazz.

1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements.
The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: Bohemian life, the sea, love.
Despite Werther and his friends being only in their teens, without any previous experience recording music, those working behind the scenes were not equally amateur. Producer Peter Keller had already worked with Aloysio De Oliveira in the quintessential Bossa Nova label Elenco, and was also an initial partner in Roberto Quartin’s cult label Forma. Studio owner Bill Horne was a very loved character in the Rio jazz scene who had regularly taken part in the legendary meetings in Nara Leão’s apartment and befriended some of Brazil’s most respected musicians. Some of these musicians were, for example, Naná Vasconcelos and Edison Machado, who provided small contributions to Werther’s album.
It was only in the 1990s that Werther’s album was rediscovered by a handful of collectors and Brazilian music enthusiasts, who recognized in it a purity that had already vanished from the mainstream Bossa Nova recordings. But due to the haziness around the original release and the relative anonymity of its instigators, many questions surrounding these recordings were left unanswered. Today, we are finally able to disclose the full story behind Werther’s short-lived contribution to Brazilian music.

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Sun Ra

LP | 1983 | US | Reissue (Modern Harmonic)

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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One of the rarer albums in the Sun Ra canon, Rttr originally entered our orbit in 1983, mystifying listeners and confounding Ra fanatics with the minimal info on the Saturn pressing. Recorded at several locations over several years (including legendary avant-garde arts enclave, the Squat Theater in Nyc), the tracks here include everything from Ra's sci-fi synthesizer insanity, Marshall Allen's skronking sax, an excellent Arkestra vocal track 'They Plan To Leave,' and so much more. Reissued for the first time, and pressed on colored vinyl!

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L.J. Reynolds

Travelin'

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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You Make Me Do It Black Vinyl Edition

Ago

12" | 1981 | EU | Reissue (Fulltime)

10,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Real Gone Music)

East Coast

32,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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L.A. Will Make You Pay $$$

Burton Inc.

LP | 1976 | JP | Reissue (P-Vine)

36,99 €*

LP | 1979 | JP | Reissue (P-Vine)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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A follow-up of sorts to Messengers Incorporated’s Soulful Proclamation, LA Will Make You Pay $$$ by Burton Inc. featured core members Charles and Barbara Burton of both groups, and is a shining example of the modern soul and disco that pulsed through the Oklahoma underground. Moving away from the psych-infused heavy funk jams of Soulful Proclamation, these eight tracks gave Barbara Burton’s vocals the spotlight with heart-tugging soul ballads, sun-soaked horns and bass grooves. Originally released independently in 1976, P-vine is delighted to reissue the album on limited-edition vinyl with an iconic Japanese obi strip included.

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The Lewis Connection

36,99 €*

LP | 1986 | EU | Reissue (Funkscapes)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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The Lewis Connection was a Soul / Funk band from Minneapolis whose self-titled LP may have been lost to the vaults were it not for their peculiar historical connection - the first appearance of Prince as a guest performer. The song in question, "Got To Be Something Here," features Prince on background vocals and guitar, but there's far more packed into this early record of what would become the signature Minneapolis funk sound. There's bustling energy across these tracks with enticing funk hooks, instrumental variety, and mood-heightening extended jams. P-vine is thrilled to present The Lewis Conection with a newly remastered limited edition LP with obi strip attached.

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Citro

Smile

After Hours / Love Don't Come Easy Record Store Day 2022 Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Full cover artwork based on the original and includes an insert with liner notes and images. Limited to 300 copies.

Official reissue of Citro’s EO Smile, from 1986. An unsung German funk band from Saarbrücken that existed for almost 4 years and played shows in Germany, France and Italy. They got a male and a female lead vocalist and therefore reached an extra variety in their songs.

It starts off with a boogie. The positivity of Smile should be remembered on every blue monday or whenever you got the blues. Just put on your smiling face. Smile is reworked by Dea (who released his own EP on Gudu records recently and is one half of Zatua that got a LP out on Second Circle). He gently extended the original and added some nice keyboard and drum machine sounds without losing the original vibe.

If the a-side already got you grooving, the b-side will make you dance. Way Down To You is a melancholic dancefloor bomb about a love at the crossroads. The future of it depends if some rumours about the man’s faithfulness are right or wrong. Open end. We Got Fantasy – a statement of a song, with great keyboards and additional percussion. We Got Fantasy is edited by BM, the label boss himself, starting directly from the keyboard solo and extending it to an almost neverending and tense- ful intrumental. From a DJ perspective, simple and effective.

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Charlie Mitchell

7" | 1973 | UK | Reissue (Janus)

Sons And Daughters Of Lite

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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One record which has lately come to prominence is the brilliant "After Hours" by Charlie Mitchell aka Vic Marcel on an absolutely gorgeous slice of mellow Rare-Groove which recalls the Leon Ware vibe perfectly. Produced and arranged by seasoned veterans Tony Silvester and Bert DeCoteaux this incredibly hypnotic song was also written by top writers J.R. Bailey and Ken Williams. "After Hours" has grown in popularity particularly over the last few years with original copies now reaching the £200-£250 valuation.

The flip-side is another slice of beautiful mid-tempo soul from the same production stable. Only one copy currently available the last time we checked, such has been the demand over the last two years especially. Quite why this record has been underground for so long is open to debate. Vic Marcel was under contract to RCA at the time hence the Charlie Mitchell pseudonym. Janus were also suffering distribution problems at the time which explains why the original is so rare. We're proud to finally make this available again on the original Janus imprint. Another double-sided beauty.

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Let The Sun Shine In

LP | 1978 | US | Reissue (Ubiquity)

30,99 €*

LP | 1970 | EU | Reissue (Far Out)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Formed in Oakland in the early 1970s, the Sons and Daughters of Lite recorded Let The Sun Shine In, their only LP, which has now achieved holy grail status among collectors. Let The Sun Shine In is a spiritual recording filled with soul, funk, jazz, and African percussion. The musical collective described themselves as a mix of African rhythms, Latin flavors, and Far Eastern textures. This album was virtually unknown to DJs and collectors until Michael McFadin's discovery in the late 80s. He then scoured the bay area and bought up multiple copies for his record store The Groove Merchant on Haight Street in San Francisco, many of which were bought from flea markets and the dollar bins of other shops. The outrageously funky title track became a jazz dance classic, courtesy of heavy radio and club play by top UK DJ and tastemaker Gilles Peterson.

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Hermeto Pascoal

Hermeto

Black Children Sledge Funk Group

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Far Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album. Recorded in 1970 at A&R studios in New York, the album features certified North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album).

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Love Is Fair Record Store Day 2022 Black Vinyl Edition

LP | 1976 | EU | Reissue (Afrodelic)

29,99 €*

Cults Percussion Ensemble

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Nigerian classic Black Children Sledge Funk Group 1976’s debut album full of positive vibrations and feel-good grooves! A sunny blend of Reggae and Afro-Funk with a lot of percussions, psychedelic and rhythmic guitar and organ. In the mid-seventies in Nigeria everybody loved them. Pride of 70’s Africa Repressed for the first time.

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The Cults Percussion Ensemble

LP | 1979 | EU | Reissue (Trunk)

LP | 1983 | US | Reissue (Goner)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Limited Repress With NEW (original) Artwork. Legendary privately pressed 1979 LP from Scotland. This illusive, super rare and sublimely wonderful percussion album is like no other. Hypnotic, celestial, even cosmic and ambient in parts and totally unique in all ways, it was played by a group of 11 girls with an average age of 14. The group included Evelyn Glennie, who was destined to become one of the world’s greatest percussionists. This is her first ever record. The Cults Percussion Ensemble was a group formed by percussion teaching legend Ron Forbes in the mid 1970s. The ensemble must have one of the best group names of all time. To many it will immediately come across as something sinister, a touch spooky and possibly a bit dramatic too. They are certainly two of those but the use of the word “Cults” here is easily misinterpreted. Cults, in this case, is the suburb of Aberdeen. The average age of the students was just 14. They came from a few of the schools in the area, including the Cults Academy, Ellon Academy, Aboyne Academy, Inverurie Academy and Powis. My original copy of the album came from Spitalfields market in London. I loved the music the second it started, because it reminded me of Carl Orff and peculiar library. So I started to investigate it further, and eventually, thanks to the highly tuned world of percussion, was given the address of Ron Forbes. I got in touch with him and now we have this, a formal release of something quite lovely that was only previously available very briefly in 1979 at concerts when the young girls performed. The music here is really quite unique, with a celestial swirling hypnotic quality. The blend of glockenspiels, xylophones, vibraphones, marimba and timpani drums is quite intoxicating and can recall the shimmering warmth of the desert sun one minute (“Baia”) or freezing glacial ice caps the next (“Circles”). The Ensemble perform with an effortless tightness and deftness of touch, building textured layers with recurring percussive motives which appear simultaneously dense and yet sparse, almost sounding like modern sampling. In fact, while struggling to find a musical comparison, during the pulsating introduction to "Percussion Suite" I found myself recalling "Gamma Player", a piece of soulful Detroit techno minimalism from Jeff Mills (Millsart - “Humana” EP 1995) with its rhythmic percussion layered with complex emotion. Weirdly enough, other tracks on that EP also prominently feature xylophone and tuned percussion, although obviously synthesised and programmed, a good 20 years after the CPE first recorded. Sleevenotes also include a letter from Ron Forbes: “I decided to form a percussion group to provide an outlet for my percussion pupils to play music specially written for them. The group soon became well known in the region and as a result of winning the outstanding award at the National Festival of Music for youth on three occasions, they were invited to play at other festivals within Europe, one being in Erlangen in Germany - hence the Erlangen Polka - and Autun in France - hence the Autun Carillon. During these visits we were often asked if we had any recordings and so it was decided to make an LP”. Thanks to Ron Forbes and Trunk Records, more people can now enjoy the simple hypnotic musical charms of the Cults Percussion Ensemble

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Fred Lane

From The On That Cut You

LP | 1986 | US | Reissue (Goner)

Release: 1983 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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As anyone who worked in a record store from the late 1980s to the mid-1990s can relate, the two Shimmy Disc albums released by the Rev. Fred Lane were the weirdest, most bizarre, abstractly enigmatic releases any of them had ever heard. From the dadaist titles and surrealist cover artwork to the absurdly peculiar lyrics and dementedly brilliant musical bent that careened from country to jazz to Morricone-inspired Western soundtracks, From The One That Cut You and Car Radio Jerome bewitched listeners with Lane’s eccentric take on music and, by extension, life in general. Early internet chat rooms and message boards were devoted to solving the mystery. For decades, rumors swirled about them. “We would just stare at the album covers and kinda make up our own stories,” Eric Friedl of Goner Records says of the misleading recording notations, fictitious back catalogs, and vague artistic allusions that dropped mostly fake clues for Lane’s most astute fans to decipher. Then, in 2013, Lane himself surfaced at the University of Alabama for an exposition. Seven years later, Icepick To The Moon, a documentary about Lane by filmmaker Skizz Cyzyk, premiered. The film, which took more than twenty years to piece together, filled in most of the blanks that had stumped generations of fans. Learning the details of Lane’s albums doesn’t change their inscrutability. The alternate Alabama universe that Lane and his compatriots conjured up—in, of all places, the southern college football town of Tuscaloosa—is a metaphysical place as vast and imbued with meaning as Faulkner’s Yoknapatawpha. As Friedl raves, “They’re still different from any other record out there.”

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Fred Lane

Car Radio Jerome

LP | 1974 | US | Reissue (Real Gone Music)

Release: 1986 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Doug Carn

Adam's Apple

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (As Shams)

Gideon Nxumalo

Early-Mart

LP | 1973 | JP | Reissue (P-Vine)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Gideon Nxumalo was a key figure during the formative years of South African jazz in the 1950s, helping shape the emerging South African jazz sound as a pianist and composer and contributing to the scene as a radio presenter, music teacher and arranger. His recorded output as bandleader/composer is comprised of three iconic albums from Jazz Fantasia (1962) to Gideon Plays (1968) to Early-Mart (1970).

Early-Mart was Gideon Nxumalo's tribute to his friend and musical compatriot, drummer Early Mabuza (Castle Lager Big Band, Mankunku Quartet), who died in 1969. Nxumalo assembled what journalist and observer Leslie Sehume reports was a 14-piece band for the album, which was recorded during a legendary overnight session in February 1970 and released just months before Nxumalo's own death on 24 December 1970.

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Weldon Irvine

Time Capsule

30,99 €*

Hear & Now Yellow Vinyl Edition

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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The impact of Weldon Irvine’s music across a wealth of genres cannot be overstated with his piano playing and compositions regularly handed down through generations, and influencing new waves of musicians. Artists like Q-Tip and Mos Def are noted admirers of the jazz-funk artist, and the distinct sounds of Irvine can be heard in the tapestry of the 90s sound via samples appearing in key records of the jazz hip-hop movement and beyond.

Time Capsule was originally released in 1973, and is keen to strike up a conversation with the listener as social commentary and poetic reflections signpost the way through its otherworldly jazz. Early tracks like 'Feelin’ Mellow' see a contemplative Weldon brew a satisfying blend of soul with lovingly warm vocal harmonies and gliding instrumentation. In contrast, other windows into the mind of Weldon like the meandering 'Watergate - Don’t Bug Me!,' are as much a virtuoso display of his bouncing creativity, as a charting of the rocky political climate at the time.

P-vine is thrilled to be releasing Time Capsule as a limited edition LP with a newly remastered audio, and an iconic Japanese obi strip attached.

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Don Cherry

LP | 1977 | EU | Reissue (Klimt)

20,99 €*

They Say I'm Different Black Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Recorded in December 1976, Hear And Now was produced by drummer/keyboardist Narada Michael Walden (ex-member and session man for Journey, Mahavishnu Orchestra, Weather Report). The album – licensed by major label Atlantic – has been often dismissed by jazz purist and early days Cherry fans as a commercial effort. To be true it is a record that epitomize the ‘club’ tendencies discovered in the second half of the decade by many jazz and fusion artists. Led by the incredible ‘world’ rare groove of Universal Mother, the album is to be rediscovered in a different light.

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Betty Davis

LP | 1974 | US | Reissue (Light In The Attic)

34,99 €*

Is This Love Or Desire Silver Vinyl Edition

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Betty Davis

LP | 1976 | US | Reissue (Light In The Attic)

36,99 €*

Is This Love Or Desire Black Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

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Betty Davis

LP | 1976 | US | Reissue (Light In The Attic)

LP | 1980 | EU | Reissue (Kalita)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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The IgG Band

Ultra/Sound

LP | 1974 | EU | Reissue (Speakers Corner)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Kalita are excited to announce the first ever reissue of student medical group the IgG Band's highly sought-after 1980 soul, funk and disco grail 'Ultra/Sound'. Originally privately released in a small run on band member Clifford Becker's Infusion Records imprint, the album has since become a treasured prize of but a handful of die hard collectors and DJs as a result of both ist scarcity and quality. Now, in partnership with the band, Kalita shine a light on the album for the first time in over forty years, accompanied by never-before-seen archival photos and extensive interview-based liner notes.

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Charlie Mingus

Oh Yeah

Funky Is On Green Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Commenting on this album in 1962, Billboard magazine wrote: »He seems to be everywhere, everywhere that is but on his usual instrument«. Charles Mingus, one of the most impressive musicians in the history of jazz, doesn’t play a single note on the bass for a change, but leads the band from his (blues-)piano – the instrument that he always used for composing. He hits the keys, he sings the blues, he shouts and he encourages – apparently Mingus really found the need to express himself loudly in this album. (Doug Watkins stood in for him on the contrabass.) "Oh Yeah" is definitely Mingus’s most powerful and passionate album. He calls on two hot, intensive saxophonists – Roland Kirk and Booker Ervin – as well as Jimmy Knepper on the trombone. Kirk is the main soloist, but all three wind-players deliver expressive improvisations, carrying out a non-stop dialogue with one another, and pushing one other to achieve maximum energy. The music is wild and ecstatic, but it’s not free jazz, remaining – as it does – grounded in blues and gospel. "Hog Callin’ Blues" is an enthralling shuffle with a wealth of riffs, "Devil Woman" a clever slow blues with inventive wind figures. "Ecclusiastics", with its constant change of rhythm and expression alternating between gospel and blues has the most complex form. Blues has always been a part of a black church service, said Mingus. "Eat That Chicken" (a homage to Fats Waller and his favourite food) even plays around with an old-time, Dixie feeling. Humour is never far away. Even in the atomic bomb song (this too, a sort of churchy blues) one hears the words: »Don’t let ’em drop it! Stop it! Be-bop it!«

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: November 1961 at Atlantic Studios, New York City, by Tom Dowd and Phil Iehle Production: Nesuhi Ertegun

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Funky Family

12" | 1984 | EU | Reissue (Club Culture Rarities)

LP | 1979 | EU | Reissue (Mad About)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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"ccr - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels. The 5th release on "ccr - Club Culture Rarities" Funky IS ON of Funky Family originally released on Third Label in 1984. Another hot mix for most sofisticate Italo Disco Lovers. Funky is On by Funky Family, was never a popular commercial hit, but more an high valued rarity. Produced by Nicola Nicolosi from Nicolosi Family this tune represents a real example of proto-house. Since it first release in 1984, it became a Chicago classic and always an hot mix for most sophisticated Italo Disco Lovers.

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Don Beto

Nossa Imaginacao

Shake & Rock Till The Police Knock

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Mad About Records is delighted to present Brazilian Soul Boogie all time classic. Limited Edition on 180 gram black vinyl transfer from Master Tapes Don Beto was born in Uruguay and became one of the most forerunners of Soul Music in Brazil in 1979, he recorded "Nossa Imaginação" LP wich featured arrangements by the legendary producer Lincoln Olivetti, and where we can listen to classics such as "No quero Mais", "Tudo again" and "Renascendo em mim". This album was awarded the Golden Globe in 1979. Don Betto's "Nossa Imaginação" attracts not only Brazilian Music Fans but also Soul, AOR. Official Reissue Under License Som Livre

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Memphis

7" | 1982 | UK | Reissue (Athens Of The North)

Suite Nihonkai Transparent Red Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Many of you will be aware of the band Homegrown Syndrome (we released the single a few years ago). They were also known locally as Homegrown Funk & the band Memphis that put out one extremely rare two sider. A party Side 'Shake and Rock' flipped with a top of the rung ballad 'Inside My Love', it has everything collectors want, Rarity & Quality so sells for 500+ all day long, below Robert Garcia gives us the history....
"Memphis" were members of the Memphis based group "Home Grown Funk." Home Grown Funk was also known as "Homegrown Syndrome," a controversial name bestowed to them. Before heading to LA they gigged all over Memphis. Some of the members were from an earlier 70s group called "Brothers Unlimited" and had earlier ties during the 60s with the "Memphis Invaders" (a peaceful civil rights activist group).

With aspirations of pushing Homegrown further, a few members including Jerry Jones made the move out west. It was LA 1977 when they were introduced to Ike Tuner through a mutual friend "Ricky G". It was a casual meetup. Then one night Ike had his son Ike Jr. go check them out while performing at the Soul Train hangout spot "Maverick Flats". Ike Jr. praised their performance to Ike and he had them come out to his Inglewood studio. The group walked into the studio with a funky track already playing and that's when Jerry Jones improvised this opportunity and started singing. Ike then turned and said… "Who is that singing?" Jerry said, "Thats me." Then Ike replied " YOU BIG Muthaf***a! You could be my new Tina." From that point the group cut bunch of tracks with Ike over the years up until they're feature on his 1980 album "The Edge."

In 1981 Perry Kibble (Keyboardist for Taste Of Honey) was at "Concerts In The Park" and heard Home Grown Funk performing. He linked up with the group and got them a deal with Arista. During this time they recorded their hit track " Confrontation." Perry suggested that the group change their name because he didn't want another group with the work "Funk" in it and hence "Homegrown Syndrome." They also use the Arista studio to cut an unreleased acetate with tracks "Got the love" and "Party Vibes" soon to be reissued on Aton.

Around the same time they were introduced to a fella named Roger Green. Green asked the group to come over to his home studio to cut the track "Inside My Love." Upon naming the record Roger Green suggested to go by "Memphis" since they were all from there. This record was eventually pressed in 1982 as small run becoming extremely hard to find.

Words by: Robert Garcia

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Chisato Yamada

LP | 1981 | EU | Reissue (Cinedelic)

28,49 €* 29,99 € -5%

2LP | 1978 | JP | Reissue (P-Vine)

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited edtion of 200 copies on transparent red vinyl.

From the meeting of the legendary Tsugaru Jamisen Maestro Chisato Yamada with volcanic mind of the composer Tasheshi Terauchi and his Oriental Fantastic Orchestra, a collaboration and a unique record, a conceptual work, is born in which innovative songs transcend the boundaries of traditional music by mixing modernity, rural and electronic atmospheres, local arias and contemporary music.
A record with strongly evocative and cinematic sounds.
Comes with OBI and a two-panel fold out sheet with original liner notes of the time translated in English that explains in an exhaustive way the inspirations from tradition and popular music and the very accurate digital recording techniques of the time that make it a record sought after by audiophiles looking for sounds unedited in the Western tradition.

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Lemuria

44,99 €*

Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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The 1978 self-titled album by the free soul band Lemuria remains much talked about around rare groove circles. Formed by Kirk Thompson of the iconic Kalapana, it’s a proud statement of Hawaiian AOR, and highlights the magic touch of Thompson as both a keyboardist, and behind the mixers, his work as the album’s serving producer. For this new reissue edition, P-vine is including three bonus tracks and two alternate takes for the first time on vinyl, resulting in this deluxe fourteen track double gatefold package.

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Medasi

LP | 1984 | JP | Reissue (P-Vine)

LP | 1974 | EU | Reissue (Speakers Corner)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The second album by the group Medasi was released in 1984, and features among others Geri Allen on piano, Clarence Seay on bass and Agyei Akoto on saxophone and flute. It features 5 tracks including the eleven minute second track “Children,” a great example what to expect from the record. It opens with a full-voice choir of children momentarily taking over Madhubuti’s duties, and when their role disperses into the spirit in the music, the percussion then kicks up the tempo with operatic vocals dancing with lead instruments. Over the top, Madhubuti reflects on the cyclical nature of life, and the importance to “be what you want your children to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Medasi on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.

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Andy Bey

Experience And Judgement

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Andy Bey was one of the most sought-after vocalists in the era of jazz fusion. Between 1968 and 1973 he was first choice as a studio singer for Max Roach, Duke Pearson, Horace Silver, Gary Bartz and Stanley Clarke, to mention but a few. His warm and engaging baritone voice easily crossed the bridge from conventional blues and gospel to a pugnacious, politicising style of soul – Andy Bey was 'spiritual' in every sense of the word. "Experience And Judgment", his debut album under his own name, was recorded in New York in 1973 and quickly became a cult album. Bey delivers twelve songs in single length, which are full of relaxed, funky grooves, soulful and electrifying, and quite lacking in gimmickry – in many of them a blues number is lurking in the background as a basic idea. His most important colleagues are Wilbur Bascomb, who lets his electric slap bass really thump out, and Bill Fischer who joins in on an electric piano, synthesizer and various other keyboards and really sets off a little fusion firework display. The most powerful numbers come from Andy Bey himself, such as "Experience", "Judgment", "Celestial Blues", "Tune Up" and "Being Uptight" – often powering forwards with a vengeance. Bill Fischer – at that time Artistic Director at Atlantic Records – added a few soul ballads to balance out the LP. This album inspired numerous jazz singers, including Gregory Porter. Jamie Cullum says: »What I love about Andy Bey is that he creates an atmosphere. As soon as he opens his mouth, you’re transported to another place.«

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: July and September 1973 at Regent Sound Studios, New York, by Bob Liftin Production: William S. Fischer

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Jackson 5

ABC

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Favorite)

Esperanto

Vegas

Free Man Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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After the recent reissue of their first eponymous album, Favorite Recordings proudly presents Vegas, the second LP from Venezuelan band Esperanto. Rare and sought-after for many collectors, it was recorded in between Las Vegas and Caracas and originally released in 1981. Following bandleader Jorge Aguilar in his musical trip to the infamous American city bathing into flashing lights and vivid colors, we're invited to an excursion in Disco, Boogie and Jazz-Funk territories. Finally reissued, fully remastered, Vegas will be available as Gatefold Tip-On Vinyl LP. With great care and attention to details, Esperanto managed to create a very convincing sequel to their JazzFunk debuts. Vegas keeps indeed a perfect balance between various influences. Through energic disco beats with intense funky solos, catchy AOR-influenced songs, where Jorge delivers convincing vocal performance, or sunny jazz-funk slow jams, the album still reveals something quite authentic. And this feeling echoes surely the one that could have been felt by Jorge Aguilar while discovering USA on a trip - where it all started for the music he loves. Like sometimes a foreigner's enriching view on some local specialty, he surely brought with the band all his authenticity and young but vibrant experience while convincing at the same time major labels for distribution. With certain notoriety coming with the release of their first album, Jorge Aguilar and his drummer Pablo Matarazzo planned to go to Los Angeles for a few gigs. But once there, they realized their contact had to leave for Tina Turner's tour in Europe. Before that, he invited them to come along to Las Vegas and eventually meet musicians there. Luckily, the plan worked perfectly: Jorge came back to Los Angeles with a lot of contacts then moved to Boston and NYC before finally coming back to Caracas. He told: "I was so impressed with this trip that I told myself that one day I would return to Los Angeles and Las Vegas. The first tracks I did them in Los Angeles with Kenny More, James Gadson and other session musicians from that city. Later, I took the tracks to Caracas where the musicians of the band recorded overdubs. After that, I returned to Los Angeles to master with Bernie Grundman who was still working in his small studio at A & M records studios in Hollywood. As can be seen in the title of some of the songs like "Hollywood", "Vegas", "Kenny's Place", were only the translation of my experiences at the time."

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Friimen Muzik Company

LP | 1976 | US | Reissue (Tidal Waves Music)

LP | 1980 | EU | Reissue (Fulltime)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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THE Friimen Muzik Company (also known as Friimen) was formed after the Biafran war in 1973-1974 in the town of ABA in the eastern part of Nigeria. Aba was the Number 1 Music Hub in the entire Eastern Region of Nigeria. While bands and artists like ‘Ofege’ and ‘Fela Kuti’ ruled the Lagos scene, bands like ‘Friimen’ and ‘The Apostles’ were ruling the ABA scene.

Before forming the band, most of its members were already working together as freelance session musicians backing up solo artists on several recordings and concerts (or were playing in military bands that gradually became civilian bands because the war had just ended). Friimen members’ credits were numerous and they played, wrote or performed on recordings from well-known acts like The Funkees, The Jets, The Apostles…and countless others.

When they started concentrating on writing their own songs, the group instantly took off and became an overnight hit that resulted in them doing multiple successful nationwide tours. Friimen would go on to record three albums: Free Man (1976), We Can Get It On (1978) and Merry Man (1979). All three albums were released on the Aba based label Anodisc Records (the key label to be on if you wanted your music heard and out there), Anodisc also released hit records by ‘Sweet Unit’ and ‘Voice Of The Cross’ but The Friimen Muzik Company was the label’s signature band.

The Friimen Muzik Company was so solid that every new group or artist wanted the Friimen to back them up in the recording studio. As a result, Anodisc Records received tons of demo cassettes from aspiring artists…the label would then first consult the Friimen members to see if these new acts were worthy of giving a chance to record and release an album for Anodisc. Over the course of the years the band went through several line-up changes…but in 1980 the band finally broke up and their story came to an end.

The album we are presenting you today (Free Man from 1976) was recorded at the famous Decca Studios in Lagos and comes swinging right out of the gate with a set of no less than Eight monster tunes. Expect nothing less than crazy afrobeat and over the top melodic funk influenced by a wide array of artists (both local and international). Mesmerizing solos, captivating grooves, impeccable sequences that turned many heads…everything you need to get a dancehall into a complete uproar. The musicians’ skills are just plain incredible! Free MAN is a quintessential record that every serious collector or fan needs to have in his/her collection.

Originally released in 1976 on Anodisc Records Nigeria, Tidal Waves Music now proudly presents the first official reissue of this seminal Afrobeat/Afrofunk album. This is also the first time the album is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip and featuring the original artwork. This reissue also comes with an insert featuring pictures of the band and extensive liner notes from band-member Arthur Freds.

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Kano

18,99 €*

Capon - Maté - Morris - Rahoerson

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Pop

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Straight from the immense shelves of the Full Time Production warehouse, here's a new must-have gem for the italo disco lovers. Released for the first time in 1980 , eponymous album "Kano " is remastered for vinyl for the first time since then and is given an incredible new life through this version pressed on limited edition hand-numbered vinyl that is deep in grooves and inspiration. The first successful pioneer and ambassadors of the newly-minted "italo disco", Stefano Pulga and Luciano Ninzatti formed the core of Kano forging a consistent and memorable sound maintened throughout. This is the sound of an army of buzzing, mini-computers and thickly-slapped bass guitars igniting neon squares across dancefloors worldwide. As such, it sort of straddles the line between italo disco and synth funk. Each of the six songs provides 6 to 7 minutes of danceable delights with lengthy instrumental stretches perfect for nightclubs. With vocals that are a mix of natural, falsetto and robotic, this is an album for boys, girls and androids alike. The best of the bunch open and close the set, with "It's a War" marrying a downright deadly bass line with a furiously funky organ and apocalyptic screeching synths and "I'm Ready" providing a veritable celebration of this new sound that would go on to be a big hit in two different decades. "I'm ready" was not only the beginning of Italo Disco but also a starting point for Hip Hop because that track became a classic for breakdance. "Now Baby Now" provides further thrilling proof of the success of this sound. The positively boppy "Ahjia" hails its all-encompassing power with a jubilant refrain of "everything is music!", while the mostly-instrumental "Cosmic Voyager" acts as an adventurous, triumphant soundtrack for a hero spacecraft. "Super Extra Sexy Sign", meanwhile, grooves through the Zodiac signs in entertaining fashion.

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LP | 1977 | EU | Reissue (Souffle Continu)

25,99 €*

LP | 1983 | EU | Reissue (Mad About)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.

Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who had also been on one of the trips to Tananarive and so had also known Rahoerson there. Unfortunately, Eddy Louiss –who had already played with Gilson and Capon on the album “Bill Coleman Sings And Plays 12 Negro Spirituals” in 1968- had to drop out at the last minute: he was delayed by a session with Claude Nougaro. Jean-Charles Capon had also become a sought-after studio musician since his trip to Madagascar in 1969. He appeared on several key albums on the Saravah label including the now famous “Comme À La Radio” by Brigitte Fontaine, “Un Beau Matin” by Areski and “Chorus” by Michel Roques, without mentioning the album by his own Baroque Jazz Trio. He was also to be found with Jef Gilson for his album on Vogue with the ex-drummer from Miles Davis’ first great quintet, Philly Joe Jones, or also in the orchestra led by Jean-Claude Vannier for the album “Nino Ferrer & Leggs”. He also played regularly on albums by Georges Moustaki.

Jean-Charles Capon and Serge Rahoerson found themselves thus in the studio, with Jef at the controls. He had decided to record the rhythmic structure right away. He would find the soloists later, that didn’t worry him. Serge Rahoerson was on drums. Though a saxophonist by training, Jef remembered that Serge was also capable of great things behind a drum kit: he was the improvised drummer on their cover of “The Creator Has A Master Plan” on the album “Malagasy”... The great memories came flooding back (the nod on the title “Orly - Ivato”), and the old magic worked again.

Brought in momentarily from Europamerica, Gilson’s new big band, in which JC Capon also played, the saxophonists Philippe Maté, from France (another Saravah stablemate) and the American Butch Morris (soon to be a key member of David Murray’s band) were invited to record their parts later and Gilson mixed it all as if it had been one single session (as he had already done on other albums, with the tracks by Christian Vander recorded before the creation and success of Magma).

The album would not appear until 1977, on Palm, Jef’s own label, and was dedicated to the memory of Georges Rahoerson, Serge’s father, who had also played on the album “Malagasy” and who had died prematurely at the age of 51 in 1974. “I only received my own copy of the album in 1981 when I came to live in France definitively”, a still-moved Serge Rahoerson told us in 2013. “I was playing in a club one night and Jef turned up by surprise with a copy of the album for me, I was so pleased to see him again. When I arrived in France, I told everyone that I had played with Jef Gilson a few years previously, and I was surprised to learn that so few people knew of him. For us, he was of one of the great jazz visionaries.” (Jérôme "Kalcha" Simonneau)

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Popcorn

Prime Choice

12" | 1980 | EU | Reissue (Far Out)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Rare Modern Soul/Funk private press LP from Miami! Almost impossible to find an original copy of this 1983 Modern Funk Soul Boogie masterpiece.

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Freeez

Keep In Touch (Pinky 1)

12,74 €* 14,99 € -15%

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Two individually sold Vinyl 12"s. Far Out Recordings presents a double bill of two monumental Brit funk classics. 'Keep In Touch' and 'Stay' were the first two 12" singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rythm imprint.

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Ben Webster

Live At Pio's

35,99 €*

LP | 1974 | EU | Reissue (Speakers Corner)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A great small club date from Ben Webster – different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums – who really come out swinging, and push Ben to take some of his boldest solos of the period – plenty of bite throughout, and a fire that you don't always hear on his other 60s recordings. Titles include "Cookin For T", "Sunday", "Pennies From Heaven", "How Long Has This Been Going On", and "Gone With The Wind".

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Billy Cobham

Total Eclipse

LP | 1979 | JP | Reissue (HMV Record Shop)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Ever since his time with John McLaughlin’s Mahavishnu Orchestra (1971–1973), the drummer Billy Cobham is one of electric fusion jazz’s greatest heroes. "Total Eclipse" was the third album he made as a leader within just a few months, and here again he composed all the numbers himself. In the opening 'suite' entitled "Solarization" (eleven minutes long) he already shows his broad and certainly refined stylistic spectrum. Cobham’s music leaps from high-energy jazz-rock with wild guitar and thundering volleys on the drums to highly original improvisations on the piano and winds. Smooth electric Latin grooves and gripping funky numbers are not missing either. Cobham’s handpicked band is bursting with virtuosos. A look at the names of the three-man wind section proves the point: Michael Brecker, Randy Brecker, Glenn Ferris are highlights in themselves. And the then 30-year-old band leader himself was the non plus ultra when it came to jazz-rock drumming technique – his amazingly rapid drum volleys are just as sensational today as they were then. With this album this exceptional drummer will thrill all fans of first-class fusion sound similar to Weather Report or Return To Forever.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1974 Atlantic Recording Studios and at Electric Lady Studios, New York, N.Y. by Ken Scott Production: Billy Cobham & Ken Scott

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Tadao Inoue

Dancing Shadows

39,99 €*

7" | 1980 | EU | Reissue (Athens Of The North)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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* A city pop masterpiece with the participation of gorgeous players such as Jun Fukamachi, Masayoshi Takanaka, Tsugutoshi Goto, Jun Sato, and Nobu Saito.

The reissue of Tadao Inoue’s original album “DANCING SHADOWS” released in 1979 has been decided!

Former member of Jackey Yoshikawa and Blue Comets, composed of the theme song “Sorrow / Warrior” of the movie version “Mobile Suit Gundam” series.

In addition, the solo album “DANCING SHADOWS” released in 1979 by Tatsuo Inoue, who has various talents such as participating as a saxophonist in Tatsuro Yamashita’s work.

This is a city pop masterpiece with the participation of gorgeous players such as Jun Fukamachi, Masayoshi Takanaka, Tsugutoshi Goto, Jun Sato, and Nobu Saito.

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Rivage

Strung Out On Your Love

7" | 1980 | EU | Reissue (Athens Of The North)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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One of my favourite 70s soul sides, it will set you back Â£500ish if you can find one and even then it won't sound as nice as our pressing.
The track is popular for a reason, from the excellent flute build up at the start, the sense of urgency through the track, and catchy chorus.. it's a winner end to end. On the flip we decided to diverge from the OG 45 and put on a class ballad from the LP, still very much DJable, i encourage everyone to flip it and pitch this one up a little.

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Rivage

I Need You Baby

LP | 1978 | EU | Reissue (Strut)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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70s Soul perfection, both previously unreleased on 45 so should keep collectors and DJs smiling as we head back into the clubs. We released the crazy rare Rivage LP last year, but felt it was time to drop them on our favourite format for the first time.
'I Need You Baby' was my go to spin on the LP (apart from 'Strung Out' Obviously) A positive 70s floater with a vocal that just holds it together.
On the flip 'Answer' It's Mid-tempo Jam time, kind of has a feel it out as you go vibe which I like, the backing holds it together and love the guitar solo.

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Sun Ra

Lanquidity

27,99 €*

Tülay German & Francois Rabbath

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Recorded overnight at Bob Bank’s Blank Tapes on 17th July 1978 after the Arkestra had appeared on Saturday Night Live, the album is unique in the Ra catalogue. “Most critics felt that it was more of a fusion-inspired record,” explains Michael Ray. “As the name suggests, the album is liquid and languid.” Bob Blank continues, “Musically, it was very ad hoc and freeform. There were horn charts but most tracks came out of improvised jams. Sun Ra just did his thing.”

Comprising five effortlessly fluid pieces, the album eases in with Lanquidity. Danny Ray Thompson remembers, “This was one of Sun Ra’s on-the-spot compositions. It is almost like an Ancient Egyptian Stargazing Ceremony, mapping out the stars and the planets.” Where Pathways Meet is “Sun Ra’s funky version of an Egyptian march. Pharaoh is sending his troops off to fight and this is his pep-talk!” continues Thompson. “The music seems to take different pathways but still converges.” The loping groove of That’s How I Feel, features the reflective trumpet lines of Eddie Gale with solos by John Gilmore and Marshall Allen: “Marshall comes in with that snake charming oboe.” Says Thompson. The funky Twin Stars Of Thence weaves around Richard Williams celebrated elastic bassline while the haunting closer, There Are Other Worlds (They Have Not Told You Of), is pure “space music.” The poet Mama Nzinga described it as ‘The essence of light. Spirit takes a ride inside the deep dark space of just being.”

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LP | 1980 | EU | Reissue (Zehra)

21,99 €*

John Mclaughlin & John Surman

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Remastered vinyl reissues of the two essential albums by Turkish folk/ jazz singer Tülay German, starting with the self-titled release (1980) and followed by "Hommage to Nazım Hikmet" (1982) in early 2022. Referring heavily on turkish poets and the tradition of aşıks (singer-poets and wandering bards) these two albums represent unique and modern interpretations of turkish folk songs unmatched
to this day. A matured artist with full conviction at the height of her powers! Back in the 60s Tülay German (*1935 in Istanbul, Turkey) shook the turkish music landscape with several 7" records. Most notably her first 7" record Burçak Tarlası (1964) is now considered
the cornerstone of what was to become the Anadolu Rock/ Pop movement and underlines her rebellious nature and sense of justice.
But due to increasing repression Tülay German and her lifelong partner and intellectual impetus Erdem Buri decided to leave Turkey a few years later. In fact, an impending prison sentence for Erdem Buri for translating Hegel’s Dialectic and Science of Logic led the couple to emigrate to France.

In France Tülay German signs a major contract with Philips resulting in many 7" releases sung in french under her french moniker Toulaϊ. In the long run Tülay German doesn’t feel quite comfortable with this major deal. And thus, despite the success and recognition she had gained, she decides to quit the contract with Philips! Later on she signs to independent world-music label Arion to pursue her actual artistic goals more in line with her origin and temperament. Back to her mother tongue, Tülay German records above mentioned albums for Arion under full artistic freedom, the only full-lenghths in her 20+ years career. Alongside with double-bass virtuoso and turkophil François Rabbath (*1931 in Aleppo, Syria) the albums consist of aşık traditionals and intonated poems mainly by Nazım Hikmet. Her passionate voice and the restrained arrangements of François Rabbath turn these centuries old melodies and poems into glowing manifestos for love and justice.

The fruitful collaboration of these artists-in-exile adds significantly to the rich heritage of turkish folk music. The self-titled debut, which was awarded with the prestigious Grand Prix du Disque of Académie Charles Cros in 1981, is now seeing a vinyl reissue after 40 years. Tülay German ended her musical career in 1987 and after the death of Erdem Buri in 1993 she retired from public life completely, leading a quiet life in Paris where she still lives to this day. In 2021 Tülay German was awarded with the Lifetime Achievement Award by the Istanbul Foundation for Culture and Arts, Turkey.

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Where Fortune Smiles Color Vinyl Edition

LP | 1970 | EU | Reissue (Tiger Bay)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Rockin - Poppin Full Tilting

Lee Alfred

12" | 1980 | EU | Reissue (Cancer)

Stage Two Clear Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Insanely rare full length 12 inch versions of an already eye poppingly sought-after 1980’s disco bomb, 'Rockin – Poppin Full Tilting'. A classic in it's own right, Midland brought it back to the forefront of people's minds, expertly sampling it in the 2016 summer anthem ‘Final Credits’, leaving many scrambling to find an original copy. The 12 inch original has never been sold on Discogs before, with prices of the 7 inch topping £125.

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Pat Thomas

LP | 1976 | US | Reissue (Tidal Waves Music)

N.E.P.A. (Never Expect Power Always)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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North American version on CLEAR vinyl
Limited 180g Vinyl Edition (500 copies) with obi strip
Rare Ghanese Highlife-Soul album from 1976
Featuring the Marijata band backing up Pat Thomas
First ever vinyl reissue
First ever release outside of the African continent

The legendary Ghanaian singer-producer Pat Thomas needs little introduction, he is a globally recognized vocalist and songwriter, famed for both his solo works and that with the highlife bands The Blue Monks, Broadway-Stargazers Dance Band, The Satellites, The Sweet Beans, Marijata, The Kwashibu Area Band and The Uhuru Dance Band. Between 1974 and 2019, he issued more than two dozen recordings offering a unique take on highlife, funk, reggae, soul and Afro-beat/pop. Pat Thomas’ work was sampled many times and continues to be featured on compilations by renowned reissue-labels across the globe.
Born in 1946 in Agona (in the Ashanti region) as Kwabena Nyamekye Amoo-Mensah, Pat Thomas almost literally had music in his DNA: his father was a music theory teacher and his mother worked as a bandleader. His uncle was none other than legendary Ghanaian guitarist King Onyina, who was not only renowned for his own recordings, but for his performing work with Nat King Cole, Miriam Makeba, Ray Charles and Ella Fitzgerald. Thomas went to live with his uncle where he learned musical notation, began to study guitar and play drums. He became a notable composer, and as a teenager, quickly established a reputation in the local club scene as a singer.
In the early Seventies, he moved to Accra to join Ebo Taylor’s legendary highlife band The Blue Monks (their residency at the Tip Toe Nite Club is an important part of Ghanaian musical history). Pat Thomas left Taylor’s band (though their friendship and their musical association continued) and moved to the Ivory Coast in 1973, where he formed The Satellites. The band was short-lived but they did record a few singles. In 1974, he formed The Sweet Beans (which also featured Ebo Taylor in some of its incarnations) and started to cut several albums for the Ghanaian label Gapophone Records between 1974 and 1980. Soon, his singles started to become major radio-DJ favorites.
1976 turned into Pat Thomas’ busiest year…this was the year that he released his most-famed works: the “Stay There”, “Pat Thomas Introduces Marijata” and “Stage Two” albums! Marijata was a notable funky Ghanaian group (who had their own unique identity) that started to back Thomas’ on several of his classic albums.
In 1978, he was voted “Mr. Golden Voice of Africa” and in the first half of the Eighties he started issuing his well-known ‘Action’ album series…here his musical vision got broader and Thomas started to include Afro-Latin sounds & funky African disco parallel to his already signature Afrobeat-Afropop sound. It was also during this period that he moved to London to record several of his own albums and collaborations with other artists. Pat Thomas was restless…he moved and played all over Europe for the next years, recording for a series of labels. In 1990 he moved to Canada where he began teaching in addition to playing and recording (his 1991 album “Sika Ye Mogya” on Fire Records won the Album of the Year award in Ghana).
Pat Thomas remains active as a performer and recording artist in the 21st century and currently resides in Ghana, where he resumed his teaching career and plays across the African continent, making occasional forays to Europe.
The album we are presenting you today (Stage Two from 1976) comes swinging right out the gate with a set of nine monster tunes, heavy drum-breaks, reggae infused afro-beats, funky bass lines, Wah-wah-psyche guitars and lyrics that straddle between a sense of melancholy and frantic urgency. This is a quintessential Pat Thomas (backed by the Marijata band) record that every serious collector or fan needs to have in his collection.
Originally released in 1976 on Gapophone Records Ghana, Tidal Waves Music now proudly presents the first official reissue of this rare album (original copies tend to go for LARGE amounts on the secondary market…that is if you’re lucky enough to come across one). This is also the FIRST time Stage Two is being released outside of the African continent. This North American vinyl version is limited to 500 copies on 180g Clear Vinyl and also comes with an obi strip.

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Tony Allen

LP | 1984 | EU | Reissue (Comet)

7" | 1981 | EU | Reissue (Paint A Picture)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Comet Records presents from Afrobeat pioneer Tony Allen, N.E.P.A Reissue LP Vinyl remastered and coming in an heavy Deluxe Tip-On Jacket. In 1979, Tony Allen decided to leave Fela Kuti & Africa 70 and moved to London in 1982. Originally Released in 1984 on Earthworks Records, this reissue holds an extra track previously unreleased on vinyl called “Olokun”. N.E.P.A (Never Expect Power Always) is a searing critique of the Nigerian Electric Power Authority, an organisation that governed the use of electricity in Nigeria. It starts out with the title track, with a definite Afro-beat punch. Electro-claps stand as part of the percussion line, adding to a more modern look at what Afro-beat was becoming. This is followed by an even further modernized piece of Afro-beat, as the title track is given a dub mix. “When One Road Close” has a similar pace, and is similarly followed by a dub remix, complete with the necessary space-effects reverb. And to make this reissue extra special the track “Olokun” was never released on vinyl before. Blending the nascent rise of electronica into Afrobeat production, it’s tighter than any Fela album and became a definitive project in shaping Allen’s future sound. Whether it’s the electro beats or the punchier, multilayered arrangement, it instantly stands out in Allen’s vast and expansive discography

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Reflex

Funny Situation

LP | 1984 | JP | Reissue (Universal Music Japan)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Paint A Picture are incredibly pleased to announce news of their first release: a fully remastered, licensed reissue of rediscovered British 7” Funny Situation recorded by Reflex - a band put together by drummer David Humphrey (Public Image Ltd., Sparks, Mike Oldfield) and privately released on his Star Records back in 1981. With the original record now changing hands for in excess of £200 and just in time for a 40th anniversary release the reissue - remastered and cut by Frank Merritt at The Carvery - will include updated original artwork whilst also containing an insert providing further details and context on the release. Recorded a few months after seminal Britfunk tune "Southern Freeez" at the very same Vine Yard Studios and with the same engineer Simon Sullivan - the release unfortunately suffered from a lack of marketing and proper distribution but almost forty years later the record is now receiving the attention it deserves and with a price tag to match. The A side presents a beautiful mesh of funk and soul styles with influence from other Britfunk bands of the time but with a more overt jazz and rock feel fusing a tight rhythm section with smooth vocals and climaxing in a guitar and saxophone duel. The instrumental Version Two provides a fresh approach with the addition of dub FX and Indian percussion with the use of a tabla added to the mix.

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Ichiko Hashimoto

Beauty

39,99 €*

LP | 1981 | JP | Reissue (P-Vine)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1984 * Participated in the YMO Domestic Tour

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Fay

This Is A Blessing

Chico Buarque De Hollanda & Ennio Morricone

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Fay Hill has been based in LA since the 1980s and is best known for her 2nd album "Island In My Mind" which was released in 1987 with a rich selection professional musicians and engineers from LA. This, her debut album "This Is A Blessing", released six years earlier in 1981, is by comparison a much more raw and spontaneous affair which in turn spotlights her powerful gospel vocals, and the bustling funk and soul scene of LA in the early 80s.

"I Don't Know You" (m5) is an album highlight produced by Michael ORR who will be familiar to Rare Groove followers along with its wonderful cutting guitar line. "I Know Who You Should See" (m2) and "Any Load You Can Handle" (m7) were also released as single-cut 7 inches at the time and are still in high demand.It's an album truly full of killer tunes, and finally seeing its first reissue in the world!

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Per Un Pugno Di Samba

LP | 1970 | EU | Reissue (Legacy)

23,99 €*

LP | 1970 | Reissue (Be With)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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"Per un Pugno di Samba" is the fifth album recorded by Francisco Buarque de Hollanda, known as Chico Buarque, one of the most important authors and interpreters of Brazilian popular music. The album, released in 1970, was recorded during a self-imposed exile in Italy in 1969 following the arrest he had suffered in Brazil in 1968 for his political commitment against the military dictatorship. In Italy he met Sergio Bardotti who produced the disc writing lyrics in Italian and music, and especially the master Ennio Morricone who arranges the songs. To be noted the presence of Mia Martini and Loredana Bertè among the voices of the choirs.

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Willie Hutch

Season For Love

LP | 1976 | US | Reissue (Holy Basil)

Release: 1970 / Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. Often-overlooked, his second album Season For Love (1970) is a must for all deep soul fans and has been sought-after by collectors of different stripes for decades. Whereas his debut featured thundering, gritty numbers, Hutch treats us to a mellower soul here - sumptuous, warm and string-led. He compared his approach to that of Otis Redding and there are definite parallels; from the raspy, rough-hewn vocals that tend to roam between sweet and deeply impassioned to the horn-heavy, emphatic sonic backdrops.

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Modern Sound Quartet

Cocktail Bar

Here Come The Girls / Back Street Lover Record Store Day 2021 Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Originally released in 1976, "Cocktail Bar" was the first release of the Modern Sound Quartet ensemble lead by Oscar Rocchi, one of the most brilliant yet unrecognized composer of the library music era. As the title might already suggest, the 14 songs bring an incredibly fresh mix of sounds and flavours, each one named after a different spirit, with every single track floating around different soundscapes and atmospheres. Wether it be a gin & tonic poolside, a melancholic drink of strega on the hills of southern Italy or some kümmel by a dutch canal, this masterpiece has got something for every taste. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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Ernie K. Doe

7" | 1970 | EU | Reissue (Janus)

11,99 €*

We've Only Just Begun / I'll Do Anything For You Record Store Day 2021 Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Most people will remember the Boots advert from 2007 which used Ernie K. Doe's infectious funky 'Here Come The Girls' and caused a surge of new interest in this killer 1970 New Orleans vintage groover. The Sugababes then nicked it and managed a Top 3 hit. However, accept no substiture for the original! An essential Allen Toussaint song and production which should be in everyone's 7Inch box as a staple. Instant flloor-filler anywhere and everywhere.

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Lee McDonald

7" | 1981 | EU | Reissue (Selector Series)

Soup For One Record Store Day 2021 Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. 40 year anniversary release of this in demand modern soul masterpiece. For their third vinyl outing, Selector Series dig into the Archives of New Jersey’s Debbie Records from 1981 to re-issue this storming boogie re interpretation of The Carpenters standard, which found itself a legion of fans in the UK thanks to Gary Dennis’s championing of it. In a pre Discogs era, this record attracted a £400 price tag amongst serious collectors back in the late eighties, with the original pressings still going for £500+ even now. The album has been re issued by several different labels over the ensuing years, but this double header is being made available for Record Store Day on a seven inch format for the first time officially, featuring the original album sleeve artwork.

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Chic

12" | 1982 | EU | Reissue (Mirage)

21,99 €*

Shamek Farrah & Sonelius Smith

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Famously sampled in Modjo’s number one smash hit ‘Lady’, Chic ‘Soup For One’ is a tried and tested recipe for greatness. Tantalizing, trademark Nile Rogers funk strumming, sublime synthwork, vocals to die for and hooks for days. Coming up to its 40th anniversary with the original released on Mirage in ’82.

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The World Of The Children

LP | 1977 | UK | Reissue (Pure Pleasure)

35,99 €*

LP | 1977 | EU | Reissue (Mad About)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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An amazing session of spiritual soul jazz – and one of the rarest albums on Strata East! Shamek Farrah's soulful alto is matched with the free spiritual piano of Sonelius Smith, for a totally memorable session that virtually defines the essence of the Strata East sound! The music is free, but not too free; lyrical, but never indulgent; and always turning over with a fresh sense of imagination, and a soaring groove that's very much in the classic Strata East mode!

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Syndicate

Conveyance

25,99 €*

LP | 1981 | JP | Reissue (P-Vine)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In Summer 1977, Syndicate band from Las Cruces, New Mexico, recorded and released this album "Conveyance". It is the only recording the band ever released. Super rare Latin Funk album from New Mexico with a killer cover of Curtis Mayfield and the Sisters Love masterpiece "Give Me Your Love".

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Sylvia Striplin

Give Me Your Love

38,99 €*

LP | 1974 | UK | Reissue (Soul Jazz)

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Sylvia Striplin is NY based jazz, soul, and R&B singer who is also well known as a member of Ladies of the Eighties which is led byRoy Ayers. This is her only solo album which was released from Roy's label "Uno Melodic" in 1981 and P-vine are so proud of releasing this finest rare groove as limited 180g heavyweight double LPs with OBI-strip! all tracks have been newly remastered.

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Steve Reid

Nova Red Vinyl Edition

LP | 1983 | JP | Reissue (P-Vine)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Soul Jazz Records are re-releasing the debut album from the legendary Steve Reid. As a radical jazz artist, Steve Reid played with an extraordinary group of artists - Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie and many more. He began his career as a teenager in the 1960s as a drummer at Motown. Reid was born in the South Bronx, and grew up in Queens, New York, three blocks away from John Coltrane. In 1969, Reid refused to enlist to the Vietnam war and was arrested as a conscientious objector and given a four-year prison sentence. On his release in 1974, he formed the Legendary Master Brotherhood and the independent record label, Mustevic Sound, to release his debut LP Nova. At the start of the 21st century, Steve Reid began a successful collaboration with Kieran Hebden (Fourtet), who Reid referred to as his 'musical soul mate', resulting in a number of joint albums. Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists. "A truly phenomenal artist." Gilles Peterson "Steve Reid is one of the greatest drummers. He is a musical genius." Kieran Hebden (Fourtet)

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Jim Schmidt

Somethin' Right

The More I Get, The More I Want / Feed The Flame

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Long awaited reissue for AOR fans is here! JIM Schmidt is a American Christian singer actived in 80's west coast and his only work "Somethin’Right" had been released in 1983 from Emerald Records, produced and arranged by Terry Winch. this work was highly regarded as a masterpiece of CCM (Contemporary Christian Music) AOR, the chorus participation of Richard Page and Steve George of Paiges and some tracks is compsed by Bob Wilson from Seawind and Roby Duke. AOR listeners can not stand with opening tune "Love Has Taken It All Away"! this reissue will come with OBI-strip.

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Lorraine Johnson

12" | 1977 | UK | Reissue (Prelude)

Novaphonia Clear Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Serious holy grail business on this rare 12-inch extended disco version of Lorraine Johnson - The More I Get, The More I Want on Prelude Records. Original copies of this promo-only cut will set you back £400+ and it doesn’t take a genius to work out why. Produced by Jesse Boyce and Moses Dillard and mixed by Rafael Charres the man behind the mixing desk for classics such as Rare Pleasure - Superfine Feeling and Keith Barrow - Turn Me Up, it’s a dream team cohort that created this Paradise Garage classic. Backed with equally enthralling, Boyce and Dillard produced, Francois K mixed ‘Feed The Flame’, also loved by the Garage dance floor. Comes in various colours.

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

33,99 €* 39,99 € -15%

7" | 1976 | UK | Reissue (Sonic Wax)

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Limited to 200 copies.
Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Mixed Feelings

Sha La La

14,99 €*

Evolution - Bring Back The Ofege Beat Clear Vinyl Edition

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Every home should own a copy of a record This good, it’s hot buttered crossover soul at it’s very best.

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Melvin Ukachi (Ofege)

LP | 1981 | US | Reissue (Tidal Waves Music)

Live Evil Black Vinyl Edition

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Melvin Ukachi needs little introduction, the Lagos (Nigeria) based vocalist and bandleader is a living legend. Melvin is known for his fantastic solo albums, his vocals for the afrobeat star-groups M.F.B. and Ozzobia…but his biggest legacy is without a doubt him being the singer and bandleader of Ofege.

Melvin formed Ofege in the early 1970s (when he and the other band members were all still a bunch of teenagers). Due to their vibrant combo of sweet harmonies, hooks & fuzz, Ofege would become one of the most legendary Nigerian groups of all time, with expressive sales and national stardom to follow. At the turn of the century (and because of tracks appearing on various compilations) Ofege would receive international acknowledgment for being the first of their kind and THE ultimate West-African psychedelic funk band!

Melvin Ukachi recorded four milestone albums with Ofege: ‘Try and Love’ (1973) ‘The Last of The Origins’ (1976), ‘Higher Plane Breeze’ (1977) and ‘How Do You Feel’ (1978). When the Ofege story came to an end, Melvin recorded two astonishing solo albums: ‘Evolution-Bring Back The Ofege Beat’ (1981) and ‘I am Ok’ (1985). Both of his solo recordings have now become much sought-after holy grails for collectors and fans alike.

On the album, we are presenting you today (Evolution-Bring Back The Ofege Beat) the listener is treated to the trademark Ofege sound (as the title of the record obviously suggests). Next to the rootsy and raw Ofege sound, we’re shown a perfect glimpse of the late '70s afrobeat works combining soul, jazzy rhythms, William Onyeabor style synths & fluid boogie-danceability

Expect some serious ‘all-star’ guest musicians as well…featured on the album are Chyke Madu (The Funkees) on drums, Berkley Jones (Ofege) on guitar…and many other local legends. To top things off the tracks were recorded and mixed at the legendary Abbey Road Studios in London…all slickly engineered by Rafiu Ayoade (The Apostles) and produced by the president of sound himself Odion Iruoje (known for his work with Manu Dibango, Fela Kuti…and many others).

‘Evolution-Bring Back The Ofege Beat’ was released on EMI Nigeria in 1981 and is a total Afro-psych-funk classic that begs for a special place in your record collection. It’s tight, funky and Melvin’s soulful vocals are to die for. This record is a monster!

Tidal Waves Music now proudly presents the first-ever reissue (supervised by Melvin Ukachi himself) of this amazing Nigerian Afrobeat album. This Rare classic (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies, 300 black, 200 clear) complete with the original artwork made at Grafikad (who were responsible for designing landmark sleeves for renowned artists such as Fela Kuti).

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Miles Davis

2LP | 1970 | EU | Reissue (Music On Vinyl)

LP | 1974 | UK | Reissue (Mr Bongo)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands. One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.

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Tom Brock

I Love You More And More

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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The Devil Is Loose Black Vinyl Edition

Asha Puthli

LP | 1976 | UK | Reissue (Mr Bongo)

Teaspoon And The Waves Black Vinyl Edition

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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We can’t think of many artists that have had as diverse a career and who have been involved in as many different genres of music as Asha Puthli. A musical pioneer who forged a path through 60's psych, free-jazz, pop, rock, disco, and more. Asha's 1976 album 'The Devil Is Loose' is maybe her most well-known record. Featuring the beautiful disco-funk-classic 'Space Talk’, Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. You would hear it played by David Mancuso at the now ‘mythical’ underground New York party 'The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ’Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic. Here at Mr Bongo we are thrilled to be releasing records by such an iconic musical maverick as Asha, from her roots in India to becoming a globe-trotting artist with a celebrated career in music and acting, whilst always staying true to her art. She has blazed a trail so that others could follow. Whether you are buying this album as a replacement for your worn-out original copy or it's the first time you've heard of Asha Puthli and you're just intrigued and drawn in by the cover, we hope you enjoy this quintessential slice of Asha's world.

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Teaspoon And The Waves

LP | 1977 | UK | Reissue (Mr Bongo)

Easy Going Black Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Official replica re-issue of a South African jazz-funk rarity from Teaspoon & The Waves. Released in 1977 on Soul Jazz Pop, a subsidiary label of Mavuthela Music Company / Gallo, Teaspoon & The Waves’ self-titled album is an absolute masterpiece. Best known for the song 'Oh Yeh Soweto’, which is an astonishing adaptation of Lamont Dozier's anthem 'Going Back to My Roots', this track has become a contemporary underground club classic in recent times and has been featured in sets from a cross-section of DJs. With such a massive calling card song, it could be easy to write off the album as a typical one-tracker (like so many records often are), but that is a long way from the truth. Each of the remaining four tracks are super strong and, for us here at Mr Bongo, this has to be our favourite South African record of this era. 'Saturday Express' is a jazz-funk/disco stomper which will soon be lighting up dancefloors again. 'Wind and Fire' is true afro-jazz-funk excellence, with great spacey synths and reggae-inspired guitar grooves riding throughout. The opener, 'Friday Night’, also has a slightly reggae-tinged tropical groove, whilst 'Got Me Tight' finishes off the session with a feel-good jazz-funk workout that features cool, quirky, Patrick Adams-esque synths. Saxophonist Teaspoon Ndlela has had an amazing and rich musical career. Releasing albums on records labels Soul Jazz Pop, Hit Special, Gallo GRC, alongside working with and writing for South African artists such as Mpharanyana, Stimela, Sipho Gumede and Sgu. He also features on the Paul Simon track 'Gumboots' taken from the iconic 'Graceland' project. Though best known for 'Oh Yeh Soweto' we hope this re-issue helps demonstrate that there is much more magic in this wonderful musician's repertoire to discover.

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Easy Going

LP | 1978 | EU | Reissue (Fulltime)

18,99 €*

LP | 1976 | JP | Reissue (P-Vine)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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For the first time ever repressed on FullTime Production the iconic disco record "Easy Going" by Easy Going!
That's a brand-new great landmark for the label as "Easy Going" set a milestone in the italian Disco culture.
If at the end of the Seventies you were at Piazza Barberini in Rome at night, you would have come across a small but crowded club half-hidden in the ascent of Via della Purificazione, a trendy gay club with elegant Fassbinderian furniture, but also a night crossroads for many prominent characters of the cultural and artistic life of the eternal city and a regular stop for the most popular national DJs at the time. Easy Going creature was founded by Claudio Simonetti (Goblin), as a homage to the place mentioned above.
The homonymous 33 rpm debut of 1978 is remastered and repressed on a glossy white vinyl and due next December 13th on FullTime Production!
It features the original LP cover highlighting the mosaic of masculine struggle between a sailor and a strictly naked policeman , photographed in the Roman club.
The music explodes with the piece that will define the group par excellence: "Baby I Love You" also released as the first single, sung by a very filtered voice on a hypnotic rug of keyboards and a captivating melody that define a real masterpiece of italian disco and beyond. The same goes for the remaining three tracks of the album, which are also set to set the dance floor on fire: "Do It Again" is pure dance from Studio 54 and on the flip side, Creedence Clearwater Revival's cover "Suzie Q" and the ballad "Little Fairy".

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The Ultimates

You're My Lady

56,99 €*

LP | 1987 | EU | Reissue (Hot Casa)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Well known as a super rare vinyl of sweet soul will be reissued again by P-vine! originally issued by the TSG records in 1976 according to producer Bruce Clark, TSG's LP is bootleg as well as The Topics

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Star Lovers

Boafo Ne Nyame

27,99 €*

LP | 1973 | US | Reissue (Real Gone Music)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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A spectacular Hi-Life album with funky digital touches from the great Ghanaian producer Frimpong Manso. Recorded in 1987 at Ghana Films Studio in Accra, the album Boafo Ne Nyame, that we can translate as “Helper is god”, is led by the great and sweet voice of K. Adusei. Five long tracks filled with hypnotic hi-life grooves and many funk inflections that go way beyond lots of standard riffing of modern Afro Funk. The track “Asem De Ye So” (There's problem on us) is a dancefloor friendly song, already known from connoisseurs and maybe a future anthem when the clubs will reopen! Manso Frimpong was born Feb 21st at Nkawkaw and sadly died Nov 23rd 2016 in Kumasi.

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Gene Russell

Talk To My Lady

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Everybody Needs Lovin, Nows The Time / Hey Look At Me

Jelly

7" | 1978 | EU | Reissue (Fantasy Love)

14,99 €*

LP | 1981 | US | Reissue (Sony Legacy)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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In the Spring of 1978, Aaron McCarthy Jr, a.k.a. ‘Jelly’ was invited to Miami by local producer, Thomas Fundora to assist Herman Kelly with his forthcoming album, ‘Percussion Explosion!’. Herman, who was studying at the University of Miami at the time, had met Jelly whilst studying Music Theory together at Henry Ford Community College in Detroit. Both Detroit natives, Jelly had founded the group the Soulful Sonics, later to be known as Pure Pleasure whilst Herman transferred to Miami. The group Life consisted of Jelly on Vocals, Percussion & arrangement, Oliver Wells on Keys, John DeMonica on Bass, Michal Cordoza on, Guitar, Travis Biggs on Horn Arrangements and Keys. ‘Percussion Explosion!’, which included the infamous ‘Dance To The Drummer Beat’, was recorded at ‘Miami Sound Studios’, as a forthcoming release on Fundora’s Electric Cat label, distributed by RCA. On reviewing which tracks made the album, there was a track recorded during those sessions that Herman decided to leave out, a song Oliver Wells had been working on and completed once Jelly arrived called ‘Everybody Needs Lovin, Now’s The Time’. Originally known as ‘Now’s The Time’, Jelly finalised the lyrics and arrangement and cut a deal with Fundora to transfer the master for an independent release on a joint label ‘fu-ja’, made up of FU (Fundora) & JA (Jelly). Jelly had started performing professionally after joining the Navy in 1970. Stationed at Naval Air Station Glynco in Brunswick Georgia, he was part of the Navy band as well as working the clubs with local groups. ‘Hey Look At Me’ was written whilst in boot camp, a song that when he performed & won with at a Whcb talent show upon returning to Detroit. The song was recorded using a 4 track in 1976 at Richard Wells Studio, Detroit. During the late 70s, Jelly was pursuing a successful career in music locally in Detroit by hiring spaces and hosting cabarets. A graduate of local teacher & Motown Orchestra player Ernie Rodgers, Jelly would hire musicians from his class to perform with him at these events. The majority of players who would become Jelly’s group, ‘Skybirst’. Both ‘Hey Look At Me’ & ‘Everybody Needs Lovin, Now’s The Time’ were mastered by Greg Reilly at Super Disc in Detroit and sent to Nashville to get pressed as a quantity of 200. Jelly released his single in July of 1978 as part of a show he had lined up at ‘Mr Kelley’s Lounge’, an exclusive venue in downtown Detroit. Fast forward 30+ years, Jelly was reminded about this single after Brad Hales of Peoples Records played this track at a European Soul Weekender that, needlessly to say, saw a regained interest in this elusive single. Jelly’s currently working on his biography so be sure to look out for that, it’s a pleasure to be able to present to you these two timeless tracks.

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Bill Withers

Greatest Hits

Release: 1981 / US – Reissue

Genre: Organic Grooves

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LP | 1989 | EU | Reissue (Nyami Nyami)

Azumah

Long Time Ago

LP | 1976 | EU | Reissue (Mad About)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Azumah was the coming together of a group of talented young dancer-musicians from Soweto (South Africa) with musician and instrument-maker Smiles Mandla Makama of eSwatini (formerly Swaziland). Long Time Ago is the surprising and enticing, resultant album from 1985, recorded in the house of theatre stalwarts Des and Dawn Lindberg in Johannesburg. Produced by David Marks (3rd Ear Music, Hidden Years Music Archive Project), Des Lindberg and Smiles Makama, this album takes us back to a priceless musical moment in the dark and wild eighties of apartheid South Africa. Smiles Makama is a gifted and visionary music-maker. He was born in South Africa but grew up in eSwatini, the small kingdom enveloped by South Africa and Mozambique on each side. He tells the story of the process leading to the recording of this remarkable album: “I was invited from Swaziland by a Soweto-based group, Azumah. […] One of the members knew that there was a wizard in the mountains in Swaziland, building instruments. As I was in the mountains in my hut and then I saw people arrive. They found me. It all started there.” Instead of simplistic images of a generic ‘Africanness’ or ‘South Africanness’ and pictures of constructed and exotic ethnic identity, a contemporary, fresh listen to this album encourages an appreciation of the composition and musical skill at play in this music. Few people speak about the individual innovation and experimentation involved in the creation of this music (or the music of Amampondo for instance). “Woza Moya” sticks out as a dark and melancholy creation, different tonally to what has come before, evoking the work of Naná Vasconelos or Don Cherry. One thing that remains the same decades later is that encouraging deeper listening to the sounds of the mbira, the nyunga-nyunga, the uhadi or makhoyane bows is still challenging. Discouraging the superficial, short-lived acknowledgement of this ‘unchanging’, ‘African cultural expression’ is the everlasting hurdle. This is made so much easier by albums like Long Time Ago: when artists create music to be loved and entangled with, to be challenged by, derived from the musical roots and structures of these instruments and then expanded upon with creative freedom, risk, humour and funk. Azumah did this in 1985 and we have this album again today, newly released, to remind us of that moment and the moments since when musicians have urned inward and done similar. As Smiles has it: “Indigenous music doesn’t fade out. It’s just waiting to be discovered, all the time.”

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Mandala

12" | 1986 | EU | Reissue (Afrosynth)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Mandala made only one eponymous album, recorded in 1971 but released only in 1976. A very rare and influential album, featuring future members of Grupo Um (Nazário and Zeca Assumpção who also played with Hermeto and Egberto Gismonti) and Pau Brasil (Nelson Ayres) - two seminal bands from the Brazilian instrumental scene of the 80s. The sound is a mix of Jazz Fusion with a Brazilian footprint - with a dash of psychedelic atmosphere and the spiced influence of oriental music.

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Condry Ziqubu

Gorilla Man

LP | 1983 | JP | Reissue (Universal Music Japan)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Four tracks by one of the biggest names in South African disco: Condry Ziqubu. A regular on the local soul scene since the late 1960s in groups such as The Flaming Souls, The Anchors and The Flaming Ghettoes, by the mid-80s he had qualified as a sangoma (traditional healer), recorded with Harari (the biggest group in the country at the time), fronted his own group Lumumba, and travelled the world as part of Caiphus Semenya and Letta Mbulu’s band. In 1986 he ditched Lumumba and released his first solo hit, ‘Gorilla Man’. Opening with an audacious 20-second intro, the song tells the story of a man preying on women in downtown Johannesburg. It highlights Condry’s winning formula of lyrics that touch on everyday South African issues and places (without drawing the attention of apartheid censors). Musically the song draws obvious influence from Piano Fantasia’s 1985 Euro-disco hit ‘Song for Denise’. Also included on this new anthology is another song from the same album, the politically charged ‘Confusion (Ma Afrika)’, as well as ‘Phola Baby’ from his 1988 album Pick Six – a call to men to “stop pushing your woman around … what kind of man are you?” – and ‘Everybody Party’ from 1989’s Magic Man, a straight-up party song with no political or social intimations, other than as a brief escape from the harsh reality of the time, one that still resonates today. Gorilla Man will be released on vinyl and digitally in early 2021 on Johannesburg-based Afrosynth Records (afs047), distributed worldwide by Rush Hour in Amsterdam.

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Noriki

39,99 €*

Jackie Wilson / Doris & Kelley

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1983 release
Japanese pressing

This is the first reissue of the first album 'noriki' by the fusion group Noriki, which was formed in 1983 by keyboard player and arranger Kanekazu Nogi, who has played on the albums and tours of famous musicians such as Tatsuro Yamashita and Yasuko Agawa

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Because Of You / You Don't Have To Worry

7" | 1973 | UK | Reissue (Deptford Northern Soul Club)

LP | 1983 | EU | Reissue (Music Take Me Up)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Soul legend Jackie Wilson’s 1973 Brunswick single is a smooth, hook-laden, vibe-driven classic that goes for £80 and upwards. In typically fine voice, Jackie’s ‘Because Of You’ is an aching tale of the power of love that’s irresistible. ? Backed with Dori

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Joy

The Time Is Right

28,49 €* 29,99 € -5%

Free Your Mind And Your Ass Will Follow Blue Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Gathered for the first time and including what can safely be called a holy grail of Gospel music is the very best of Joy, compiled from their albums “I Feel The Spirit” and “The Time Is Right”. Consisting of members of the St. Stephen's Church of God in Christ in San Diego, Joy was a performing Gospel band spreading the word of God throughout the local community and opening for renowned Gospel artists such as Danniebelle Hall, Jessy Dixon and Sandra Crouch. Led by producer/musician Matt Anderson, the two albums were recorded in ’78 and ’83 and feature an impressive array of very talented contributing artists such as bass player Michael-Kae and multi-instrumentalist Clarence Bell, also known for his work with Stevie Wonder and Patrice Rushen. Restored and remastered from the original master tapes, the compilation is available on a high quality vinyl pressing and includes the masterpiece “The Time Is Right” among a collection of lesser known but equally powerful and timeless pieces of music.

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Funkadelic

LP | 1970 | UK | Reissue (Westbound)

23,99 €*

Kip Carmen & Danny Horton

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Also from 1970 is Funkadelic’s second LP.

In a thick card gatefold sleeve with 180g blue vinyl pressing

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This Island Is Our Home

12" | 1980 | EU | Reissue (Music Take Me Up)

14,99 €*

LP | 1981 | EU | Reissue (Sony)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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The third installment of this reissue series brings us the dreamy sounds of Kip Carmen & Danny Horton, two seasoned musicians telling us the story about a very special island. At the time of recording in 1980, Kip had already enjoyed a successful career in the entertainment industry after getting signed to Hi Records in Memphis and working together with artists such as Al Green and Jimmy Allen Smith. He then teamed up with Danny and a few other musicians starting a residency at the Long Island night club 'The Lion's Cage' where they played every Sunday night. Originally released on 7" only, the two songs have now been restored from the original master tapes and are pressed on a 12" including a previously unreleased extended version containing a part that was originally left out.

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Bill Withers

Greatest Hits

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Eargong)

Mike Osborne

Outback

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Tell You (Today) White Vinyl Edition

Loose Joints

12" | 1983 | EU | Reissue (West End)