Organic Grooves Vinyl 1073 Items

LP | 1960 | UK | Reissue (Public Domain)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Few have done as much for salsa in Venezuela as band-leader, composer and pianist Ray Pérez. He burst on to the scene in the mid-60s with his group Los Dementes, creating the blueprint for guaguanco, pachanga and boogaloo in Venezuela. When the name salsa began to be used as something of a catch-all-term he was still at the forefront, recording two hugely-popular salsa albums with Los Dementes in 1967. Remarkably, that very same year, he also recorded two albums with a brand new group, Los Calvos, that showed how as well as being the genre’s most visible band-leader, he was also pushing the nascent genre to its limits. Looking back, revered journalist Alfredo Churion states that Los Calvos were “one of the most innovative experiences in Venezuelan popular music.” Estos Son Los Calvos is the first of the two albums he made with Los Calvos. On it, he made a few alterations to the line-up that may seem minor, but created a completely new sound. For the first time, he recruited a drummer (unprecedented at the time for a salsa ensemble, which always used percussionists), he switched from the trombones of Los Dementes to the much harder, direct sound of trumpets, and he recruited Carlos Yanez, best known as El Negrito Calavén, as singer. Whereas Los Dementes had been aligned with the slightly pop sound of tropical orchestras, Los Calvos took an almost-jazz approach, allowing room for the musicians and vocalists to improvise, and they also took inspiration from the sounds of surf rock swirling around Caracas. The group’s drummer El Pavo amusingly once described the group’s sound as like “wearing a dinner suit with flip-flops”. Opening track “El Kenya” is the clearest example of that surf rock influence; it’s opening lines make clear its intentions: “una linda trigueña que me invitó a bailar el Kenya” (“a beautiful trigueña – tri-ethnic girl – invited me to dance the Kenya”). They are intent on creating their own dance craze, El Kenya. If the group had ever performed live, then maybe it would have taken off, as the song had all the credentials: rollicking montuno piano from Pérez, ingenious scatting and vocal improvs from Calavén, and a middle section where the drums and trumpets battle it out hard, with an audience screaming its appreciation throughout. It’s followed by ‘Mi Salsa Llego’, which Pérez had already recorded with Los Dementes; here, it’s a tougher beast, the sparser hits of the drums and trumpets giving a harder sound evocative of the times, with more and more people moving to the cities, and wanting a grittier, urban soundtrack. The secret weapon in Los Calvos was the fact that this was a group made up of some of Venezuela’s finest musicians, many of which, Pérez included, had working class roots. Music for them was as much a part of their day-to-day lives, as it was a profession, it was what they did. The legendary Frank “El Pavo” Hernandez was on drum kit, with revered names like Alfredo Padilla, Carlos “Nene” Quintero, Pedro García, Miguel Silva, Enrique Vazquez, Rafael Araujo and Luis Lewis, also involved in the group. Their versatility allowed Los Calvos to go from the slower, haunting groove of “Negrito Calavan”, a showcase for their singer to improvise, and on to “Bailemos Kenya”, another attempt by the group to create their own version of “The Twist”! Los Calvos never played live, but that was always the intention. Pérez was in demand by the record labels of the time and his deal with RCA Victor to make two albums as Los Calvos was only ever that. But the spirit of Los Calvos remained when Pérez then formed Los Kenya, whose name came from the opening track of this album, and whose line-up featured the same inventions as Los Calvos, with a drum kit, two trumpets and the same vocalists (for their second album, Carlín Rodríguez joined as a singer, and remained for Las Kenya). For this reason, Los Calvos would never have the same successes as Pérez’s other groups, though even Pérez has revealed in interviews that the two albums he made as Los Calvos are some of the most fun he ever had recording. With the price of originals for both albums ever increasing for vinyl collectors, this is a great chance to get hold of two of the heaviest salsa albums ever issued in the 60s, and an important moment in the life of Venezuela’s salsa king, Ray Pérez.

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Kenny Dorham

Quiet Kenny

22,99 €*

LP | 1966 | US | Reissue (We Are Busy Bodies)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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One of the most active bebop trumpeters, Kenny Dorham started in the big bands of Mercer, Ellington, Lionel Hampton, Billy Eckstine and Dizzy Gillespie and eventually landed in the Charlie Parker Quintet. In addition, he was a charter member of Art Blakey’s Jazz Messengers, recorded as a sideman with Thelonious Monk and Sonny Rollins and replaced Clifford Brown in the Max Roach Quintet. Throughout his career he can be heard playing trumpet on various recordings with Lou Donaldson, Sonny Stitt, Fats Navarro, Kenny Clarke, Mary Lou Williams and many more musical legends. “Quiet Kenny” is a jazz masterpiece. Recorded by the great Rudy Van Gelder with a group of musicians playing at the top of their game, this title continues to be one of the most collectible Jazz LPs due to its high demand and short supply.

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Barney Wilen

Zodiac

31,99 €*

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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Herbie Hancock

Takin' Off

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Original (ABC)

Ray Charles

A Portrait Of Ray

11,04 €* 12,99 € -15%

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | EU | Reissue (Cortizona)

Patty Waters

You Loved Me

Year Of The Iron Sheep Clear Vinyl Edtion

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.

The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s and her late 90's songs wherein she expressed the resolution of all of her life's moments through mature readings of traditional songs and jazz standards. This collection aims to provide that missing link and to finally complete the picture of her storied recording career.

In what would have been her third LP, the 'You Loved Me' album serves as the inverse of Patty's debut. While her debut "Sings" concerned itself with themes of heartbreak, loneliness and yearning, there's an abundance of love, joy and togetherness on "You Loved Me".

Or in Patty's own words:

"I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love could be"

On 'You Loved Me' Patty Waters velvet voice captures this longing for love, straight from her soul to your heart. Crossing the border of the avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-sides while the 14 minute composition 'Touched By Rodin In A Paris Museum' on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.

'You Loved Me' proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, impressed Miles Davis, Pharoah Sanders and Henry Grimes with her concerts and can count Patti Smith and Yoko Ono (to name a few) amongst her fans.

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Ken McIntyre

LP | 1962 | EU | Reissue (Sowing)

Western Reunion London 1965

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-Malik, drummers Ben Riley, Louis Hayes and Warren Smith. An amazing cast of players for a great and yet forgotten post-bop gem.

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The New Jazz Orchestra

LP | 1965 | EU | Reissue (Mad About)

Breaking Point Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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British Jazz Masterpiece from 1965 featuring Neil Ardley, Ian Carr, Barbara Thompson and John Hiseman

180 gram black vinyl. Reissue for the first time Worldwide In the mid-60’s London scene, the NJO was one of those unavoidable and big-band groups (originally started as Clive Burrows Orchestra), where almost everyone who was anyone on the scene or almost transited through the group, which was normally the vehicle for composer Neil Ardley. You’ll find in the WR album, among others, stellar names like Ian Carr (of RCQ and Nucleus fame), Barb Thompson, Tony Reeves, John Hiseman (all three of future Colosseum fame), Trevor Watts (future Amalgam) plus a bunch more of lesser-known, but no-less gifted musicians like Paul Rutherford, etc. The line-up would fluctuate to include many other household names.

The New Jazz Orchestra was formed in December 1963, its name reflecting both the youth of its members - their average age was only 23 - and their mission to perform the new kind of orchestral jazz that was then developing in America but still to be heard in Britain. The personnel included such (then) non-jazz instruments as flute, horn and tuba in addition to the standard brass, saxes and rhythm line-up of the big band. This is the NJO's first album, recorded in March 1965 before an invited audience to make the young band feel at ease. The NJO was the offspring of a popular weekend jazz club, the "Jazzhouse" based at the Green Man, Blackheath (demolished to make way for Allison Close) where the "house" band was the Ian Bird Quintet (initially comprising Ian Bird, tenor sax; Clive Burrows, baritone sax; Johnny Mealing, piano; Tony Reeves, bass and Trevor Tomkins, drums - Mealing and Tomkins left to join the newly formed Rendell-Carr Quintet and were succeeded by Paul Raymond and Jon Hiseman respectively. The ensemble featured many London-based jazz musicians, such as Harry Beckett, Jack Bruce, Ian Carr, Dave Gelly, Michael Gibbs, Dick Heckstall-Smith, Jon Hiseman, Henry Lowther, Don Rendell, Frank Ricotti, Paul Rutherford, Barbara Thompson, Trevor Tomkins, Michael Phillipson, Les Carter, Tom Harris, Trevor Watts and Lionel Grigson. Ardley, Gibbs, Carter, Rutherford, Michael Garrick, and composer Mike Taylor all contributed pieces and arrangements.

Under exclusive license of Universal Music Portuga

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Freddie Hubbard

LP | 1966 | EU | Reissue (Blue Note)

42,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Workshop)

John Wright

Mr. Soul

LP | 1968 | EU | Reissue (Morgan Blue Town)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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Judd Proctor

Guitars Galore

LP | 1967 | Reissue (ORG Music)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Re-issue of 1968 album by British jazz guitarist (born January 2, 1933 in Doncaster, England). He played with Norman Burns, "Ray Ellington's Quartet", Benny Goodman (in tour in England, 1971), "Don Lusher's Big Band", and as a session man in the 1970s, 1980s and 1990s.

Judd uses varying permutations of the following instruments on various tracks. Twelve string guitar, electric Fender guitar, electric Gibson guitar (l4) with a Charlie Christian bar pick-up, and a Maton acoustic guitar.

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Dexter Gordon

Take The A Train

32,99 €*

Release: 1967 / Reissue

Genre: Organic Grooves

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LP | 1962 | Reissue (20th Century Masterworks)

Stan Getz & Charlie Byrd

Jazz Samba

Release: 1962 / Reissue

Genre: Organic Grooves

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LP+CD | 1960 | EU | Reissue (Groove Replica)

Bill Evans Trio

Portrait In Jazz

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Motown)

The Supremes

A' Go-Go

33,99 €*

Little Willie John / Hank Ballard & The Midnighters

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1981 mono reissue. Saw cut.

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Sleep / Let's Go, Let's Go, Let's Go

7" | 1960 | DE | Original (Odeon)

Release: 1960 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

LP | 1967 | JP | Reissue (P-Vine)

Cynthia Schloss

Ready And Waiting

38,99 €*

LP | 1960 | JP | Reissue (P-Vine)

Release: 1967 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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How Cynthia Schloss’ debut album Ready And Waiting ended up as part of the infamous tax-scam label TSG Records’ catalogue is characteristically mysterious and unknown. Originally released on Merritone Records in 1976, it’s rich reggae sound is a celebration of life and love, and the Jamaican singer’s syncopated grooves stand apart from familiar TSG funk and soul territory - though both find space to breathe inside the mix of this expansive album. Nevertheless, a year later the album found itself with a new sleeve and identity under the distinct TSG colour and logo. P-vine is thrilled to be reissuing Ready and Waiting as a limited edition LP for the first time in the world with an iconic Japanese obi strip attached.

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B.B. King

The Great B.B.King

36,99 €*

The Latin Bit Tone Poet Vinyl Edition

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Blue Note)

Lee Morgan

Caramba

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Original (Reprise)

Duke Ellington

Ellington '66

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

A Collection Of Original 16 Big Hits Vol. 8

LP | 1967 | US | Original (Motown)

LP | 1968 | US | Original (Columbia)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

tear in spines

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OC Smith

For Once In My Life

Gladys Knight And The Pips

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Tastiest Hits

LP | 1968 | US | Original (Bell)

5,59 €* 7,99 € -30%

LP | 1967 | US | Original (A&M)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original compilation. Cover with punch hole.

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Wes Montgomery

A Day In The Life

14,99 €*

2LP | 1960 | US | Original (Atlantic)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Writing on cover.
Cover with seam split.

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The Modern Jazz Quartet

European Concert

10,99 €*

LP | 1967 | US | Original (Pacific Jazz)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Sides 1-3 have some heavy foxing and marks, the other sides are close to VG+

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Gerald Wilson Orchestra

Live And Swinging

James Brown & The Famous Flames

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with shelf wear

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Live At The Apollo - Volume II

2LP | 1968 | US | Original (King)

Live At The Village Vanguard Acoustic Sound Edition

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines, plays with background noise. Cover with shelf wear and completely torn upper spines.

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John Coltrane

LP | 1962 | EU | Reissue (Impulse)

47,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Original (Cadet)

The Dells

There Is

14,99 €*

Hank Ballard & The Midnighters, Otis Williams & The Charms

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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Finger Poppin' Time / Image Of A Girl

7" | 1960 | DE | Original (Odeon)

6,99 €* 19,99 € -65%

LP | 1967 | US | Reissue (Archive Of Folk Music)

Release: 1960 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Label sleeve is VG.

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Big Bill Broonzy

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | DE | Original (Capitol)

Nancy Wilson

The Best Of Nancy Wilson

Release: 1968 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1960 | JP | Original (Philips)

The Platters

Encore Of Golden Hits

4,99 €*

Wishes You A Swinging Christmas Gold Vinyl Edition

Release: 1960 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing. Foxing

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Ella Fitzgerald

LP | 1960 | EU | Reissue (Not Now)

25,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Original (Atlantic)

Aretha Franklin

Aretha Arrives

The Best Of Wes Montgomery

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US Original Mono Terre Haute Pressing
Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise.

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Wes Montgomery

LP | 1968 | US | Original (Riverside)

8,99 €*

The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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The Staple Singers

LP | 1962 | EU | Reissue (Concord)

LP | 1968 | US | Reissue (Culture Factory)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1962, The Twenty-Fifth Day Of December is The Staples Singers’ holiday classic, featuring traditional songs such as “Joy To The World, “Silent Night,” “Go Tell It On The Mountain” and more. This reissue features the original album artwork and is cut from the analog master, pressed on 180-gram vinyl at Memphis Record Pressing and housed in a tip-on jacket.

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Foundations

Build Me Up Buttercup

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Atlantic)

Herbie Mann

New Mann At Newport

Jazz Impressions Of New York

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve has punchhole.

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The Dave Brubeck Quartet

LP | 1965 | US | Original (Columbia)

7" | 1967 | UK | Reissue (Tay-Ster)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original, Pitman pressing.

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Lillie Bryant

Mamma / Meet Me Halfway

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Elpalmas Music)

Frank Y Sus Inquietos

LP | 1963 | US | Original (Charlie Parker)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Venezuelan aggressive guaguanco originally released in 1967 and reissued for the very first time. Frank y sus Inquietos is a little-commented Venezuelan treasure in our time, an amazing, almost unknown jewel of Venezuelan hard salsa, treasured with zeal by music lovers of all times. This group is evidence of the musical communion of the young Caracas of the late sixties with the sounds of the Caribbean in their nascent marriage with urban aggressiveness. As a result of these meetings of “friends who played instruments” such as congas, bongos, piano, timbales and their fiery discharges on the top floor of Block 3 of La Silsa, a building located in this humble and highly populated Caracas popular area, the repertoire of songs by the homonym Frank y sus Inquietos (1969), with an exquisite imagination and brimming with vitality, authentic vocals and choirs, overwhelming percussion, strong bass and fierce piano conducted by Frank González.

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Lester Young

Pres Is Blue

11,99 €*

Supremes Sing Holland▪Dozier▪Holland

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cover with faint ring wear.
Record is close to VG+.

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The Supremes

LP | 1967 | US | Original (Motown)

Snowfall: The Tony Bennett Christmas Album

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Original 1966 US Pressing! torn spines

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Tony Bennett

LP | 1968 | EU | Reissue (Sony Music Catalog)

26,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Wishes You A Swinging Christmas Acoustic Sounds Edition

Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

38,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Full House Opaque Mustard Vinyl Edition

Wes Montgomery

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Tijuana Moods Royal Blue Vinyl Edition

Charles Mingus

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Original (Roulette)

John Handy

No Coast Jazz

18,65 €* 21,95 € -15%

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1960 | US | Reissue (Waxtime)

Peggy Lee

All Aglow Again

19,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Dinah Washington Sings The Blues

Dinah Washington

LP | 1966 | US | Reissue (Grand Award)

10,99 €*

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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Quincy Jones

Big Band Bossa Nova

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Original (Atlantic)

The Modern Jazz Quartet

Lonely Woman

When My Dreamboat Comes Home

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Writing on back cover.

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Bill Henderson

LP | 1965 | US | Original (Verve)

4,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Stereo pressing.

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American Folk Blues Festival 66 - 1

LP | 1968 | GDR | Original (AMIGA)

Motown Feeling / Mean Old World

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+. Seam split.

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Maynell Wilson

7" | 1967 | EU | Reissue (Record Prayer)

11,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Is Alive And Well At The Whiskey

Hugh Masekela

LP | 1967 | US | Original (UNI)

30,99 €*

Jazz-Lyrik-Prosa Record Store Day 2021 Edition

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Monarch pressing.

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Manfred Krug

2LP | 1968 | EU | Reissue (AMIGA)

25,99 €*

My Funny Valentine - Miles Davis In Concert

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Drop 2 release

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Miles Davis

LP | 1965 | US | Original (Columbia)

29,99 €*

Original Grooves: Ella In Berlin: Mack The Knife / Summertime Record Store Day 2021 Edition

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Cover with storage abrasions.

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Ella Fitzgerald

LP | 1960 | EU | Reissue

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Life Goes On)

Hal Blaine

Psychdelic Percussion

The Drifters' Golden Hits

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Psychedelic Percussion definitely sticks to his title. With the help from Paul Beaver of Beaver & Krause (famous keyboard wizard and sound engineer for the likes of Stevie Wonder), vibe master Emil Richards (check is two fantastic album on Impulse! with The Microtonal Blues Band featuring Joe Porcaro, father of the famed Toto brothers) and Gary Coleman (percussionist in the famous Wrecking Crew), Blaine goes wild in the studio with drums, gong, xylophone, organ, bongos, congas and timpani. Unusual textures and tones lead the way to 12 instrumental exotic numbers similar in a way to Raymond Scott most visionary experiments. This is pure madness, a record full of breaks and still unsurpassed in many ways. Blaine was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks. He became one of the regular players in Phil Spector's de facto house band, which Blaine nicknamed "the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond and the Byrds.

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The Drifters

LP | 1968 | EU | Reissue (Atlantic)

29,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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At The Village Gate Colored Vinyl Edition

Nina Simone

LP | 1962 | EU | Reissue (American Jazz Classics)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Bacchanal Black Vinyl Edition

Gabor Szabo

LP | 1968 | EU | Reissue (Ebalunga!!!)

27,99 €*

Doug Clark & The Hot Nuts

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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The long-awaited reissue of this rare Eastern and psychedelic Jazz LP by the famous Hungarian guitarist, originally released in 1968.

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Freak Out

LP | 1968 | US | Original (Gross)

LP | 1965 | US | Original (Cadet)

Release: 1968 / US – Original

Genre: Organic Grooves, Comics

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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The Ramsey Lewis Trio

Hang On Ramsey!

8,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1960 | EU | Reissue (Jazz Workshop)

Harold Land

The Fox

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"Due to his decision to settle in Los Angeles, tenor saxophonist Harold Land has long been underrated. A strong bop stylist who later on would be influenced a great deal by John Coltrane, Land in 1959 had a sound closer to Sonny Rollins. For this excellent straight-ahead quintet set with trumpeter Dupree Bolton and pianist Elmo Hope, Land performs four of Hope's superior but little-known compositions along with two of his own. This is high-quality hard bop, easily recommended to fans of straight-ahead jazz." Scott Yanow -All Music Guide

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Harold Land

West Coast Blues!

The Essential Gerry Mulligan

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"[...] Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes. Together, they perform three of Land's originals, "Don't Explain," and Charlie Parker's "Klactoveedsedstene," and an early version of Montgomery's "West Coast Blues." The music is as well-played and swinging as one would expect from this superior bop group." Scott Yanow -All Music Guide

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Gerry Mulligan

LP | 1963 | US | Original (Verve)

6,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record has some superficial wear.

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This Is The Blues, Vol. 2

LP | 1968 | US | Original (World Pacific Jazz)

5,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Blues That Gave America Soul

LP | 1966 | US | Original (Duke)

8,99 €*

El Grito (Suite Para Orquesta De Jazz)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines

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Jorge Lopez Ruiz

LP | 1967 | EU | Reissue (Be With)

LP | 1963 | EU | Reissue (Honeypie)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Be With is delighted to present Jorge López Ruiz’s El Grito (Suite Para Orquesta De Jazz), eternal Argentinian magic released on CBS in 1967 that must be one of the most sought-after South American jazz LPs. Living in Buenos Aires in the 60s, driven by creative impulse and rage Jorge López Ruiz used music as his platform to protest the Argentine military dictatorship: “I could never stand dictatorships, to be told how you have to think, what you have to do. Nor did I endure discrimination”. A young López Ruiz had appeared on a television panel alongside writer, politician and philosopher Arturo Jauretche, criticising the Onganía dictatorship. Jauretche told López Ruiz “Now say it with music”. This was the deep inhale that lead to El Grito, literally “The Scream”. As López Ruiz later explained “Jauretche urged me that my protests should not remain in words and acquire the consistency of a work… but it was not so much what he told me but how he told me, what prompted me to make the work take shape, first in a live concert and then in a recording”. As the police and military began resorting to kidnapping, torture and summary executions to quiet dissent, with depressing inevitability the artist community and their work were a particular target of the increasingly brutal regime. El Grito was banned not long after it was released and the majority of original copies were unceremoniously destroyed. The work of a genius artist living under an opressive dictatorship, erased by the government of the time, this is buried treasure in every sense and it’s been a rare record for over 50 years.

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Billy Preston

16 Yr. Old Soul

17,99 €*

LP | 1962 | EU | Reissue (Not Now)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Most listeners only became aware of Billy Preston as a solo artist after he signed to Apple Records in the late 1960s. But he'd been recording for a long time prior to that, dating back to when he was a teenager. This instrumental album for Sam Cooke's SAR label (issued on its sister Derby imprint) was cut in March 1963, when Preston was still going to high school in Los Angeles. The very fact that it's wholly instrumental indicates that it's pretty early in Preston's evolution, and though he does play some piano, it's really on the more uptempo, organ-dominated tunes where he hits the best groove. In truth, these aren't any great shakes even when it comes to soul organ instrumentals, but they have a nice swinging bounce that places them a cut above period background music, though they fall a good ways short of being spellbinding. The slower numbers (including covers of hits by Sam Cooke and Ray Charles) verge on easy listening; in contrast, the more urgent cuts are cookin', with bop, jazz, and gospel influences spicing up the soul/R&B recipe. (allmusic)

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Max Roach

It's Time

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Eero Koivistoinen With Friends

Jappa: The Complete Jazz At The Polytechnicum Recordings 1967-1968

2LP | 1967 | EU | Reissue (Svart)

29,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A Svart Mondo Release. Limited to 500 copies on black vinyl. By early 1960’s, jazz in its mainstream form had become the standard dance music for the student parties in high schools and several student union clubrooms in Helsinki. The Polytech union even organized matinée dances for high school students on Sundays. The change in the musical preference of young people’s dance music occurred with the arrival of British rock in the mid-sixties and this, of course, coincided with another cultural and musical development. As the new campus for the school was built in Otaniemi, Espoo in 1955-1966 and its operations gradually moved there, the modern style “Dipoli” building became the crowning edifice on the campus. It was to be the new home for the Polytech student union. When this controversial building was opened in 1966, it was meant to introduce a new vision of the future and constituted an embodiment of the modernist spirit of those times in the late 1960’s. This reissue of The Complete Jazz at the Polytechnicum recordings, done in 1967-68, also provides us with a glimpse of the modern directions of those days, not only in jazz music, but also in performance art. It is easy to hear that the main aesthetic in these performances was to break conventions and find new avenues for individual expression. The publisher of these recordings was the Jazz Society of the Tech Students, which was formed a little before these recordings. The name of the society was a take-off from Norman Granz’ Jazz at The Philharmonic and it became Jazz at the Polytechnicum. Both are, of course, abbreviated as J.A.T.P., which became formulated in musicians’ mouths into “Jappa”. This Svart Records re-issue consists of four EP-records in chronological order. The first three feature three jazz groups of the leading young players with their ages ranging from 21 to 30. The fourth one documents an avant-garde art “happening” held in Dipoli on March 20th – 24th 1968 called “Posotusta, pimputusta, pompotusta”, which could freely be translated as “Huff ‘n’ puff ‘n’ plonk”.

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Presenting...The James Brown Show

LP | 1967 | US | Original (Smash)

10,99 €*

LP | 1968 | JP | Reissue (Metronome)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with long open seam splits

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Tommy Flanagan Trio

Overseas

LP | 1967 | US | Original (Soul City)

Release: 1968 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI not included. Cover with some wear and yellowing!

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The Fifth Dimension

The Magic Garden

Orkes Angklung Padaeng, Daeng Soetigna

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original, stereo version.
Sleeve has light wear.
LP has surface marks.

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Angklung

LP | 1963 | ID | Original (Lokananta)

9,95 €*

Mike Westbrook Concert Band

Release: 1963 / ID – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.

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Celebration

LP | 1967 | EU | Reissue (Audio Clarity)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Blue Note)

McCoy Tyner

The Real McCoy

27,54 €* 28,99 € -5%

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Pastel Blues Acoustic Sounds Edition

Nina Simone

LP | 1965 | EU | Reissue (Verve)

42,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Culture Factory)

Sérgio Mendes

Beat Of Brazil

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Presenting Joe Williams And Thad Jones / The Mel Lew

Joe Williams

LP | 1968 | US | Reissue (Culture Factory)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Going Back To The Village Of Love

Nathaniel Mayer

LP | 1963 | EU | Reissue (Honeypie)

Ain't That Terrible / A Change Is Gonna Come

Release: 1963 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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American Rhythm 'n' Blues singer Nathaniel Mayer (1944-2008) is mostly remembered for his raw vocal timbre and for his particularly wild live act. Originally released in 1963 on Detroit based label Fortune Records, "Going Back To The Village Of Love" still sounds like an incredibly explosive hyper-energetic irreverent piece of pure Detroit sound.

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Roy Redmond

7" | 1967 | EU | Reissue (Harlem Shuffle)

LP | 1967 | US | Original (Mercury)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Very little is known about Roy Redmond besides the fact he recorded 4 songs and 2 singles in 1967 for Loma Records, a Warner Bros subsidiary that is well known by Norther Soul/6os Soul aficionados. Redmond's largest success is probably his soulful cover of The Beatles 's "Good Day Sunshine", considered by some as one of the best Beatles covers. His other single is a more obscure affair featuring on the A side "Ain't That Terrible" and on the flip "A Change Is Gonna Come", a very fine cover of the Sam Cooke's classic - beautiful stuff. The A side "Ain't That Terrible" is a stylish, uptempo, relentless Northern Soul piano stomper that will get Soul fans up and moving their moneymakers in no time! Relatively unknown, this track is on par with the greatest numbers of the genre such as Lou Pride's "I'm coming home in the morning" or Bob and Earl's "Harlem Shuffle". This is pure underground Northern Soul at its absolute best. To be played often and... Loud. Keep the faith!

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Jerry Butler

Mr. Dream Merchant

A Love Supreme (Acoustic Sounds)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Splits in seams.

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John Coltrane

LP | 1965 | UK | Reissue (Verve)

56,99 €*

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Not Now)

John Lee Hooker

That's My Story

The Butterfield Blues Band

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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There is little doubt that John Lee Hooker was one of the most commercially successful blues artists that ever lived. He rose above his contemporaries with worldwide hit records and a particularly long series of albums, and a career that lasted for over sixty years. He was always prolific and attracted other artists to collaborate with him without ever losing his own highly distinctive style. One of the real and lasting strengths of "That's My Story" as an album is in its immediacy. Orrin Keepnews knew just how to use studio microphone placement to make the listener feel right in the middle of the session. Nothing extraneous is used to move John Lee away from you, making it evident that the producer's original intention with the album has certainly been fulfilled. No wonder that this laid-back work, so quickly recorded, has stood the test of time as one of John Lee Hooker's most revered records.

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East-West

LP | 1966 | EU | Reissue (Speakers Corner)

33,99 €*

We Insist! Max Roach's Freedom Now Suite Clear Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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In 1965, just one year after Paul Butterfield had formed his blues band – named after himself - and launched one of the very best groups among the white Chicago blues community, the band produced this dynamic and visionary album. The group presents a wide range of contrasting numbers, both eastern and western, which reflect the LP’s title – something totally new and innovative. In the first few titles, traditional standard numbers come over rather enigmatically while supporting original and rhythmic compactness, but this soon gives over to a tactically well-formed instrumentation and lengthy solo interludes. The all-embracing motto 'blues' is taken up by the band in Nat Adderley’s "Work Song" at the very latest, with mind-expanding ways of playing and varying sounds. Catapulted by Mike Bloomfield’s artistry on the guitar into the world of rock, all the musicians celebrate these well-known jazz standards and each man contributes his personal skill into forging a perfectly balanced team effort. The title number "East-West" ultimately demolishes the world of the blues. In the tonal mixture of confidently prepared rock ingredients and borrowings from Indian music (raga rock), we have an amalgamation of rock, blues, jazz and oriental melodies which result in an emotional, unheard-of sound that is well worth the hearing.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: July 1966 at Chess Studios, Chicago (il), by Jac Holzman Production: Barry Friedman, Mark Abramson, Paul Rothchild

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Max Roach

LP | 1960 | EU (Sowing)