Organic Grooves Vinyl 360 Items

A.B. Crentsil is a heavyweight of Highlife music and the main vocalist of Sweet Talks, one of the most popular Ghanaian bands of the 1970’s. In 1992, musician Charles Amoah and producer Richie Osei Kuffour offered him the opportunity to explore a new popular sound: Bürger Highlife. Little did he know these studio sessions would give birth to the biggest song of his career. Charles Amoah, who had released his Sweet Vibrations LP in 1984 to great acclaim, extensively toured in Europe with bands such as Black Earth and Saraba, was eager to bring a new sound to Crentsil, an artist he had admired for years. Throughout the 1980’s, Highlife had been changing pretty radically, following the same evolution as Congolese Soukous, Caribbean Zouk and most popular black music genres of that era: Heavy use of drum machines, synths and digital technology was conveniently replacing big bands and expensive analog studios and equipments. Mostly recorded, produced or mixed in Germany, this new breed of electric Highlife dubbed ‘Bürger Highlife’ could be defined as a fusion of Disco, Jazz, Funk and Pop with the popular Highlife beats, rhythms and lyrics. According to A.B. Crentsil, the name was a reference to the ever present American cultural influence on Ghanaian musicians. Charles Amoah has his own take: “I initially called this particular kind of Highlife ‘Ethno Pop’. Bürger is the German word for citizen, and that’s how Ghanaian musicians living and working in Germany were calling each other”. The music for both “Obi Baa Wiase'' and “Sika Be Ba” was entirely composed and played by Charles Amoah, using minimal equipment: a DX7 synth, a Korg M1, a Yamaha RX5 drum machine, and an Akai 1000 sampler. A.B. Crentsil provided the lyrics for both tunes on the spot. Obi Ba Wiase’s message is one of gratitude and faith: it says we should appreciate our life way more and follow the example of people who have a lot less but still praise God all day. Charles remembers fondly Crentsil’s larger than life personality: "A.B. slept a lot, he really loved sleeping. His lack of punctuality was easily dismissed by his wonderful sense of humour and it wasn't uncommon to find musicians rolling with laughter on the studio floor." Charles also remembers vividly the "Obi Baa Wiase" session: he could feel the magic in the air while working on the soon to be hit, and knew something special was happening. A.B. asked for a break in the middle of the session, which Charles adamantly refused until the song was finished and the magic fully captured. Success was not immediate, and Charles was first a little concerned by the lack of buzz following the immediate release of the Gyae Me Life Ma Me album. But a few months down the line, the situation took a new turn. "Obi Baa Wiase" was making its way into radio playlists, weddings and festive celebrations. It was covered by local bands, and soon most of Ghana and its European and American diasporas were hooked. It became A.B. Crentsil’s most requested song at live events for the following decades. As producer Richie Moore wrote on the album back cover : "A perfect integration of two musical geniuses, the result of which are the scintillating tracks of music on this record… so all you party fans go onto the floor and dance the body music".

Since the initial release in 2003, Kurt Rosenwinkel's Heartcore has been lauded by listeners and musicians alike for its forward-thinking vision and conception and seamless integration of electronic elements with acoustic jazz interplay. The album features Kurt Rosenwinkel on guitar, electric bass, voice, and synthesizer, Mark Turner on saxophone, Jeff Ballard on drums, Ethan Iverson on piano, and was produced by Q-Tip of A Tribe Called Quest. Much has changed since the early 2000"s- all of the musicians involved with Heartcore have since risen to the forefront of the global contemporary music scene, and the album itself has gained the status of a 'cult classic' in many circles. Now, Rosenwinkel and Heartcore Records are releasing an updated version of Heartcore, remixed, remastered and including a bonus track from the original sessions. This new version of Heartcore promises to be even more spellbinding than the first iteration, and is now released as a top quality Double Vinyl LP in limited production.

"ccr - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12" taken form Expanded Music's labels. The 6th release on "ccr - Club Culture Rarities" Hornbostel E.P. 1 originally released on Progressive Motion Records in 1993. Produced by Christian Hornbostel & Mr. Marvin (Virtualmismo, VFR, Tales of Underground, etc.) during their greatest artistic fertility period. Hornbostel EP1 takes us back to hypnotic grooves and atmospheres built with typical instruments belonging to that music era, such as the mythical Korg M1 and Waldorf Microwave. A new colored vinyl (blue) release on CCR Club Culture Rarities

Limited to 2500 copies.

25th anniversary reissue of Commander Venus’ second album, featuring Conor Oberst and Tim Kasher. First vinyl reissue and featuring bonus track “Congratulations!” Pressed on translucent vinyl.

25th anniversary reissue of Collective Soul’s platinum-selling third album, featuring singles “Precious Declaration” and “Listen.” First vinyl reissue and pressed on red translucent vinyl.

Limited to 750 copies.

Limited to 24.150 copies. The Gold Experience was the first full-length Prince album to be credited to his unpronounceable symbol, and was released at the most public, heated stage of his battle with the major label industrial complex. With the word “slave” written on one cheek, Prince shined on the opulent ballads “The Most Beautiful Girl in the World” and “Gold” and the defiant single “Eye Hate U,” and the album earned widespread critical acclaim.

The Record Store Day 2022 re-release of The Gold Experience is an homage to the rare US-only promo version of the album released in 1995. The two-LP set is pressed onto translucent gold vinyl with a bonus suite of “Eye Hate U” remixes on Side D.

All-conquering Dutch superstars Kraak & Smaak have taken the electronic music world by storm, sealing their international pedigree with a slew of sought-after tracks, remixes, and killer collaborations (Parcels, Mayer Hawthorne and many more). Their live show has seen them play every festival and club worth a mention from Glastonbury to Coachella and beyond. Before that, the three guys from Leiden released their debut album 'Boogie Angst', which established them in the spotlight and led to the longstanding support they receive from tastemakers worldwide today. This latest 7" release showcases a couple of gems from the era that started it all.

An absolute classic of an album reissued for our 30th Anniversary! This Beauty features the masterful guitar work by Parker who is joined by percussionist Chad Taylor, bassist Chris Lopes, and pianist Sam Barsheshet. Deluxe reissues on Clear with High Melt Gold and splashes of Brown on virgin vinyl in an uncoated stock jacket with free download coupon. Jeff Parker has been a cornerstone of the rock, jazz, and experimental music communities for the past three decades. As the guitarist for groundbreaking groups Tortoise, Isotope 217, Chicago Underground, as a sideman for artists like Joshua Redman, Fred Anderson, and Joey DeFrancesco, and as a solo artist, Parker's work engages in a deep understanding of a constellation of styles while defying boundaries at every turn.

Originally released in 1992 and heavily sought after since, this 3rd album of brazilian artist Bruno Nunes aka Brunno is now reissued by Notes on a Journey

Sharon Benson’s lost album Sunshine was originally unearthed by P-vine in 2015 having gathered dust on Polydor shelves since the early 90s. In 1992, following in the footsteps of the lead single release of which the album shares its name, plans to release the original ten track album grew increasingly unlikely, and eventually the project was abandoned.

The London-based singer would later return in 1995 for a fresh set of songs on a self-titled album before returning to acting and signing in the West End, but the mystery of Sunshine would linger. Uncovered and unwrapped, it’s easy to see why. Upon playing, it’s an album that immediately brushes aside its neglected state, and launches into some of the most slick and sweet sounding R&B and new jack swing at the turn of the decade. P-vine is excited to be reissuing the album on LP for the first time.

10 tracks, 4 previously unreleased

Comet Records is so thrilled to present Psyco on Da Bus 20th Anniversary, for the occasion it will be reissued as a Double Vinyl LP and newly remastered.

Recorded in just few weeks in the US during Tony Allen's Black Voices album tour in Spring 2000, on Doctor L’s G3 in different places as hotels rooms, local studios (Nyc, Toronto) and the tour bus. Doctor L and the members of Tony Allen & Afrobeat 2000 band get the idea of making a collective album alltogether, co-writing both songs and music a nd creating a new spectrum that reflects their different musical backgrounds. Doctor L, Tony Allen, Jean-Phi Dary, Cesar Anot, Jeff Kellner are the “psyco bus” members. Completed later in Paris with guests artists like Smadj, Dom Farkas and Eric Guathier, Psyco On Da Bus project fill the gap between the 70's and the new millenium, blending afrobeat rhythms, gospel & soul vocals, jazz & funk licks with wicked electronics and astonishing production.

From the futuristic funk of “Afropusherman” to the eastern sounds of “Many Questions” or the killer floor filler “Push your mind Breakbeat” , from the underrated spiritual suite “Time To Take A Rest”, hybrid fusion of free jazz, poetry, rare groove and nu-beats, to the outstanding “Never Satisfied”. Last but not least the artwork was created and produced by the talented french graphist designer, filmmaker Edouard Salier. Tony told about his collaboration with Doctor L on this project in 2001: “Younger people are coming into Afrobeat right now. And I personally don't want to be past, I want to be future. Young people like hip-hop, and techno, which is what I must think about. It's the direction I want to take. It's an experiment I've wanted to try. That's why I wanted Doctor L to produce the album.”

This mini-album from Drummer Akira Kawasaki and Keyboardist Atsushi Kiyota was the first release for the jazz-inspired post-rockers mouse on the keys in 2007. They had yet to link up with their third member Daisuke Niitome who would root their thee-person unit band for the next eleven years, but this is no lesser of a release in their catalogue. As a duo, Kawasaki and Kiyota build up a fire of fused soundscapes that would set alight the minds of any Chon or Hella adoring math-rock fan. Mixing and mastering duties come from a group matched perfectly in tow(toe?) with Mino Takaaki of post-rock comtemporaries toe.

Crystal Ball originally recorded in 1990 by Frankie (rip) and now totally reconstructed by maestro Nigel Lowis - the ‘Marvinesque flavas’ on this composition are outstanding! On the flip is What Goes Around, the superior remix of this song by the late Clive Scott.

It's September 1981 and it's matter of weeks away from the release of 'I'M A RAINBOW', the second album Donna Summer had recorded for Geffen Records, which had also been produced by Giorgio Moroder and Pete Bellotte. At the time that the album was being recorded, the musical landscape had changed and production techniques were developing further. Geffen also wanted a more R&B-influenced album, despite the album having a more R&B feel than 'The Wanderer' had done. The songs and their lyrical content were very strong and Donna's voice had never sounded better, which was always a tough comparison against previous albums. A decision was taken by the label to withdraw 'I'M A RAINBOW' just prior to its release. David Geffen then brought-in Quincy Jones to produce the next new album; 1982's 'Donna Summer'. 'I'M A RAINBOW' was eventually issued in 1996, as an 18-track CD, without the usual fanfare that heralded a 'new' Donna Summer album. A few tracks were familiar to Donna and non-Donna fans, as they had been released in the early 1980s; 'Highway Runner' ("Fast Times At Ridgemont High" OST) and 'Romeo' ("Flashdance" OST). "Flashdance" also included the ballad 'Lady, Lady, Lady' which was performed by original Brooklyn Dreams singer Joe "Bean" Esposito, who appears on the duet 'I Believe (In You)'. Fast-forward 40 years and 'I'M A RAINBOW' receives a fresh coat of paint, giving credence to the songs' great lyrics and compositions that they richly deserved at the time. 'I'M A RAINBOW - RECOVERED & RECOLOURED' has been slimmed-down to a compact 10-track album and completely re-imagined by a host of international producers, from North AND South America, Europe and Scandinavia. Junior Vasquez, Le Flex, Figo Sound, Jean Tonique, Ladies On Mars and Oliver Nelson - who has just signed to Atlantic Records - have all added their touch. The album now has a thread running through it, with a sequence that sees the album open with the beautiful title track and builds throughout the album through soul and dance, ending with the high-octane 'girl power' statement track, 'Leave Me Alone [Ladies On Mars 'Independence' Remix]'. The lead single, 'I Believe (In You) [Figo Sound Version]', is released 25th June and it starts the four-month pre-release campaign, up until the album's release. This 2LP format also includes two radio edits and three extended mixes.

Reissue of Edson Natale’s genre-challenging masterpiece from 1990. The album combines traditional acoustic Brazilian music with ambient electronics, all the while maintaining a strong pop sensibility. The album features Mitar Subotić (Rex Ilusivii) alongside some of Brazil's finest players and vocalists. Pressed on 180 gram vinyl in a gatefold cover with the original Portugese lyrics and liner notes on the inside.

* The long-awaited reissue with the first remastered sound source on vinyl * Contains 11 songs including 'Night Shade (Gong Cake mix)' which is only on vinyl * A long-awaited reissue album in which Makoto Kubota's first remastering tracks was cut by Toru Kotetsu, one of the Japanese leading cutting engineers

6 tracks by The Montreal Black Community Youth Choir, Emile Normand Sextet, ...

Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue. This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album. Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics. Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.

From Yasmine's rare 2nd album "A Scent Of Flowers", which was released in just Netherland and left behind the one of the masterpieces of90s R&B "Wanna Dance" that has been compiled into numerous mixtapes and dance hit compilations, the popular cover songs Roy Ayers "Everybody Loves The Sunshine" and Ray Charles "Let Me Take Over" are finally single-cut with a superb cover that reproduces freshly with R&B manners!