Organic Grooves Vinyl 2226 Items

LP | 1983 | JP | Reissue (P-Vine)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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From famed tax scam label “Tiger Lily Records”, comes another ultra rare soul record - Together - reissued for the first time ever.

A shocking pink cover, with a simple black logo painted on top of it. Besides song titles, composers, and the iconic Tiger Lily Records name, no credits appear anywhere on this mysterious record. Yet the sound, reminiscent of the teen soul of the Jackson Five, and Jackson Sisters has garnered high praise - often appearing on grail lists for hardcore crate diggers.

After catching the eye of Woodstock founder and major producer Michael Lange in 1975, Together signed a deal with a major record label. That is, until the untimely voice change of the unnamed teenage lead vocalist. The record was shelved at the last minute, and through a series of unknown circumstances, ended up being released by Tiger Lily Records. But take one listen and the album’s history will be the last of your concerns!

The charming vocal harmonies of the teenage singers, the incredibly danceable band sound - everything you could want is there! From the dance number opener “One Kiss And Then” to sweet soul ballad “Can I Be The Woman”, this record is packed full of 70s soul and groove! P-vine is thrilled to be reissuing Together’s self-titled debut for the first time ever, on limited edition vinyl with an obi-strip attached!

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Today's Latin Project

44,99 €*

LP | 1970 | US | Reissue (Craft)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Long awaited reissue is finally coming! "Today's Latin Project '' was released in 1983 from Discomate and currently this is one of the most demanded vinyls of 80's Walearic record which was produced by Tadaaki Misago (Tokyo Cuban Boys) who is one of the most important person of Latin music scene in Japan. and arranged by Yasuaki Shimizu (composer, saxophonist and producer / well known for his interpretations of the music of J.S. Bach) , Jun Takemura (latin music compiler / januralist) and Kazuo Otani (composer, arranger / he had been also playing in Shogun). CD version is also available from P-vine / released in 2020). OBI strip is attached.

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Tito Puente & Celia Cruz

Alma Con Alma

LP | 1976 | JP | Reissue (P-Vine)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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THIS ALBUM SYMBOLIZES THE VERY ESSENCE OF TWO GREAT ARTISTS AT THEIR VERY BEST. THE 'CUBAN EDITH PIAF', CELIA CRUZ AND THE UNPARALLELED TITO PUENTE GIVE THIS ALBUM EVERYTHING IN SPADES: FEELING, STYLE, RHYTHM AND CLASS!

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Timeless Legend

Synchronized

Do You Love Me / You're The One

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Not many groups can call themselves “Timeless Legend” and not be accused of arrogance. With countless features on magazines and DJ playlists, this Ohio four-piece vocal unit actually manages to pull it off. With ballads as sweet as Carolina ice tea and groovy dance numbers, their sole full-length release, “Synchronized” is perfect for any time, place, or situation. Reissued with its original track order for the first time ever, experience this iconic album the way it was originally intended!

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Timeless Legend

12" | 1985 | EU | Reissue (Expansion)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Their ‘Synchronised’ album from 1980 is one of the rarest ‘rare grooves’ and both original copies and the ‘Northern Soul’ single “I Was Born To Love You” still sell for over £1,000 a copy. Of the two sides “You’re The One” has become the most enduring and in demand, again an original reach which has been sold for £1000 on the collectors scene. In this edition the release has been restored to how the original first looked and sounded on Pendulum Records artwork from Expansion.

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LP | 1973 | BR | Reissue (Polysom)

Tim Maia 1973

39,99 €*

Release: 1973 / BR – Reissue

Genre: Organic Grooves

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This is 180g vinyl. A great step forward for the legendary Tim Maia – working here in a style that's even tighter and more sophisticated than before – yet still equally filled with funk and soul.

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LP | 1973 | EU | Reissue (Survival Research)

20,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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An icon of Brazilian popular music, Tim Maia was a musical polymath and prolific recording artist best known for introducing American soul to the Brazilian music scene, pioneering the sambalanço style by blending elements of soul, funk, rock, and samba. Maia recorded four self-titled albums for Polydor Brazil, this fourth release from 1973 arguably the best, with its outstanding hits ‘Réu Confesso’ and ‘Gostava Tanto de Você’; ‘Do Your Thing, Behave Yourself’ shows how the soul form fitted him perfectly and ‘O Balanço’ full to bursting with Brazilian flavour. A superb set from start to finish, it’s a must for all Tim Maia fans.

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Racional Volume 2

LP | 1975 | EU (Seroma)

Release: 1975 / EU

Genre: Organic Grooves

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Only one copy per customer!

Check out this reissue of Tim Maia’s “Racional Volume 2”!

Tim Maia (September 28, 1942 – March 15, 1998), born Sebastião Rodrigues Maia in Rio de Janeiro city, was a Brazilian musician, songwriter and businessman known for his iconoclastic, ironic, outspoken, and humorous musical style.

Maia contributed to Brazilian music within a wide variety of musical genres, including soul, funk, bossa nova, disco, romantic ballads, pop, rock, jazz, baião and MPB.

He introduced the soul style on the Brazilian musical scene. Tim Maia is internationally recognised as one of the biggest icons of the Brazilian music.

Tim Maia recorded numerous albums and toured extensively in a long career. After his early death in 1998, his recorded oeuvre has shown enduring popularity. A theatrical retrospective of his career, the popular musical “Vale Tudo”, was first staged in Rio de Janeiro in 2012.

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LP | 1978 | EU | Reissue (Mr Bongo)

Disco Club

22,99 €*

2LP | 1977 | EU | Reissue (Munster)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Official Mr Bongo reissue. Replica original artwork.
Mr Bongo brings another Brazilian rarity to the masses with this sublime reissue of Tim Maia’s Disco Club. Recorded in 1978, it’s a latter-period gem from the larger than life legend, combining the glitz and glamour of disco’s heyday with Maia’s raw funk and soul roots. When Maia first heard Little Richard as a teenager, he knew what kind of singer and artist he wanted to be. Five formative years spent in the US, where he ran wild in NYC and joined a doo-wop group called the Ideals, did little to dampen his enthusiasm for black music. Stirred by the civil rights movement in the US and driven by a punk spirit, Maia went on to blaze his own trail through the early 70s over the course of four successful albums for Polydor. Moving away from the straight MPB, Tropicalia and international rock dominating the airwaves, his sound represented a new black Brazilian consciousness. When he sang, he could be raspy and defiant one moment … and then romantic and reflective the next. But always on a groove and with a hook. It was an irresistible combination.
Yet by 1977 he was bankrupt and in limbo having first joined a religious cult called Superior National and then alienated listeners with his first album sung entirely in English. To complicate matters further, Brazil was feeling the Saturday Night Fever. Gloria Gaynor, Chic and Kool & the Gang were dominating the charts and filling hotspots such as New York City Discotheque in Ipanema and Frenetic Dancing Days in the Gávea Mall. Maia left his usual band and went into the legendary Estudios Level with a mighty ensemble of Rio’s finest including Paulinha Braga on drums, Jamil Joanes on bass, Robson Jorge on clarinet, Hyldon De Souza on guitar, Sidinho on percussion, trombonists Edmundo Maciel and Darcy Seixas, and Juarez Assis on tenor sax.
Arranger and keyboardist Lincoln Olivetti was a crucial presence during these sessions. He added that all-important string flourish and brassy joy to the uptempo tracks while giving the star enough room to express himself. The album kicks off with a trio of floor fillers: the exuberant party starter ‘A Fim De Voltar’, a sing-a-long anthem in ‘Acenda O Farol’ and the undeniably funky hit ‘Sossego’ (file that one next to Fatback).
But then Maia drops it down and gets existential on ‘All I Want’, questioning the meaning of happiness. He also shows his tender side on slow burners such as ‘Murmúrio’ (written by the great Cassiano) and ‘Pais E Filhos’, the latter featuring a supersoft bed of harmonies you can't help but lay down on. But the party ain’t over and mid-tempo groover ‘Juras’ gets the feet moving again before ‘Jhony’ sends us swaying off into the night.
Maia’s appetite for excess would eventually get the better of him. But Disco Club is the sound of an unpredictable genius on top form. Get ready for the time of your life.

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Tim Blake

Crystal Machine

22,99 €*

LP | 1974 | EU | Reissue (Croatia)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Hold your body and mind belts, and immerse yourself into a cornerstone of cosmic music in a double remastered vinyl - one them filled with rarities - called "Crystal Machine" by the visionary Tim Blake, English composer and synthesizer master. Recorded in 1976/7, it remains echoing as a timeless effort, pretty much still alive. This is a deadly serious art piece, accordingly trippy in all its aspects, full of strangeness and sheer beauty.

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Tihomir "Pop" Asanovic

Majko Zemljo

LP | 1978 | EU | Reissue (Jet)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180 gram vinyl in a fold out cover with an insert.

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Thony Shorby Nyenwi

Sweet Funk Music

LP | 1979 | Reissue (Be With)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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For fans of Fela Kuti, Ofege, Assagai, The Funkees, Mixed Grill, Bob Marley
Reissue of a long lost afro beat and Nigerian funk classic from 1978
A massive collection of captivating grooves and haunting melodies.

Who said that all Nigerian afrobeat from the 70s was dark and though provoking with a melancholic edge despite the ongoing powerful grooves and a more or less political message denouncing the the methods of the countrys leaders to increase their own wealth and power while the simple people suffer. Well, this 1978 album by bandleader Thony Shorby Nyenwi proves this idea wrong. What we have here is a sacredly rare gem, fetching 300 for a copy in playable condition. A crown jewel of Nigerian afrobeat and funk music that is an utter joy listening to.

Thony Nyenwi's music is a monument of the genre carved in rock. His vocal melodies are more at the lighter and happier side of life, somehow hypnotizing with reduced note progressions on repetitive rhythm figures that rush through your whole body to make you groove along. A fine funky wah wah guitar sound and a mind blowing keyboard sound including electric piano, farfisa organ and others hook up to add colour to the stoic rhythms. The atmosphere literally cooks. This is certainly more modern with a slightly more polished feel than the political music of Fela Kuti or Segun Bucknor, but still bears an unparalleled intensity that makes this album a dance floor sweeper at each club. Coloured lights are flashing into the white haze from the fogging machines when people in glittering bell bottom trousers and twinkling shirts happily get into the groove. 70s galore. Well, the folks can also shift down a gear and rock out a sweet reggae tune that later on turns into a smooth funk, to add more variety to this black wax jewel.

No matter what Thony and his mates do here, they do it with passion and divine talent.
The arrangements are a dense network of sounds, beats, melodies, voices and it goes on and on throughout the whole record. You as a fan of 1970s black music, funk, reggae, soul, all mixed up in a typical Nigerian way, will be enchanted and become swallowed by the holy cloud emerging from the speakers. A beautiful discovery after such a long time that will bring more joy to a new generation of black music aficionadoes.

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Thomas Almqvist

Nyanser

Release: 1979 / Reissue

Genre: Organic Grooves

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Originally released in 1979 on Mistlur Records in Sweden, Nyanser is widely considered Thomas Almvqvist’s masterpiece.

It's almost unspeakably beautiful.

With his adventurous, virtuoso guitar technique to the fore, the album explores a unique path through world music, folk, jazz and acoustic experimentation, whilst retaining a very personal vision.

It’s aged very, very well indeed and is now rare and immensely sought-after, coveted for many years by collectors of all musical genres. This Be With re-issue, remastered from the original analogue tapes, shows off just why this deserves to be back in press.

The majority of the album is a solo exercise with Thomas playing Rhodes, flute, synthesizer and percussion as well as his idiosyncratic guitar on all tracks. Alongside Thomas in the studio were an array of young, experimental Swedish musicians in the nascent stages of their careers including the much lauded Swedish composer Ann-Sofi Söderqvist, vocalist Turid Lundqvist and perhaps the key contributor to the album, Hans Peter Andersson, whose alto, tenor and baritone saxophone contributions shift the album from into the realms of jazz, most notably on “Horisont” and “E.M.”

The whole ensemble comes together on the centrepiece of the album, the joyous aquatic harmony of “Coral Reef”, one we've been playing out for the past 5 years to dropped jaws. The album presents a very visual aesthetic, each track evoking images of landscapes and far-flung corners of the earth. Almvqvist himself considered the visual aspect of his sound very important, describing his approach as “picture music.”

Nyanser is considered one of the earliest examples of a fusion of world music, jazz and folk traditions, certainly from a Scandinavian artist. Despite its impact on release being minimal outside of those aficionados tuned into such sounds, over the years the album has become something of a "lost" cult classic and a fine example of the experimentalism going on in Scandinavian music at the time. The English translation of nyanser - ‘shades’ - is a particularly apt description of the sounds contained within.

Thomas very sadly passed away in 2008 at the age of 55. We hope this reissue will go some way to bringing his unique output to a wider audience and secure the legacy he deserves as one of Sweden’s great guitarists and musical visionaries. It sounds sensational, if we do say so ourselves. Working with audio from the original analogue tapes, the vinyl mastering chops of Simon Francis are on full show here in what he considers to be some of his best ever work for Be With. Pete Norman’s cutting skills have made sure nothing is lost whilst the beautiful artwork has been restored here at Be With HQ as the finishing touch to helping this revered work find a rightful place in every record collection.

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Third World

Now that we found love

12" | 1978 | US (Island)

12" | 1982 | EU | Reissue (Third Rail Band)

Release: 1978 / US

Genre: Organic Grooves, Reggae & Dancehall

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/ one cold vibe

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Third Rail Band

Keep On Dancin

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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The Voices Of East Harlem

Can you feel it

LP | 1974 | US | Reissue (Just Sunshine)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1976 | JP | Reissue (P-Vine)

The Ultimates

You're My Lady

56,99 €*

LP | 1971 | EU (Trading Places)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Well known as a super rare vinyl of sweet soul will be reissued again by P-vine! originally issued by the TSG records in 1976 according to producer Bruce Clark, TSG's LP is bootleg as well as The Topics

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The Trio

Conflagration

21,99 €*

LP | 1976 | JP | Reissue (P-Vine)

Release: 1971 / EU

Genre: Organic Grooves

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The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea and trumpeter Harry Beckett, ensuring their take on abstract jazz contains melody as well as jarring exchanges. Another great Trio free jazz set!

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The Topics

Giving Up

54,99 €*

Christmas Card Colored Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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The Temptations

LP | 1970 | EU | Reissue (Island)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition

The Supreme Jubilees

LP | 1980 | US | Reissue (Light In The Attic)

LP | 1975 | Reissue (Luaka Bop)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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New LP Color Edition pressed on opaque maroon & transparent yellow wax
First ever LP reissue

Liner notes by Jessica Hundley interviewing the band, plus rare archive photographs
LP housed in an expanded gatefold jacket
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over.

Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.

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The Staples Jr. Singers

When Do We Get Paid

When Do We Get Paid Golden Sleeve Edition

Release: 1975 / Reissue

Genre: Organic Grooves

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The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.

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The Staples Jr. Singer

LP | 1975 | US | Reissue (Luaka Bop)

LP | 1977 | JP | Reissue (P-Vine)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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When Do We Get Paid is now available for the first time since its original release (nearly 50 years ago) with its original gold cover.The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.

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The Sidewinders

Flatfoot Hustlin'

The Showmen Blue Vinyl Edtion

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The deeply rooted funk spirit is alive and well in Canada's prolific funk-producing area, and The Sidewinders' most sought-after funk album, "Flatfoot Hustlin'," is making a long-awaited reissue with an obi. Apart from the fact that it was recorded in the same studio as Professor Lett AND STUDY's "love Serenade" at the time, the details of this album were shrouded in mystery. It gained attention among diggers when it adorned the cover of the rare groove/deep funk collector's bible, "Funky & Groovy Music Records Lexicon."

Featuring floor-pounding funky tunes like "I Like To Dance" and "Flat Foot Hustlin','' guaranteed to lift the dance floor, as well as a recommendable slow number for the sweet tea fans, "Time For Loving," and a heavy funk with a low center of gravity, "Gift to the Sun." Every track on this album is top-notch, making it a must-have for funk enthusiasts.

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The Showmen

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Keep in touch (body to body)

The Shades Of Love

12" | 1982 | US (Scorgemi)

Release: 1982 / US

Genre: Organic Grooves

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The Rova Saxophone Quartet With Andrea Centazzo

The Bay

LP | 1979 | EU | Reissue (Ictus)

22,99 €*

LP | 1975 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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On the same trip to the United States that produced “U.S.A. Concerts” and “Environment for Sextet”, Andrea Centazzo also connected with the San Francisco-based Rova Saxophone Quartet, formed the previous year by Jon Raskin, Larry Ochs, Andrew Voigt and Bruce Ackley (all playing various saxophones). While not as well-known now as they once were, over the last 40+ years the ensemble has produced dozens of albums and collaborated with diverse figures like Anthony Braxton, Alvin Curran, Terry Riley, and Henry Kaiser. The first of those collaborations captured on tape was "The Bay", recorded in California during December of 1978.

In Centazzo’s own words: “At the end of the 1970s this group (R.O.V.A.) of four saxophone players appeared on the scene of improvised and jazz music, bringing with them a gust of fresh air in their unusual approach to themes, technical dexterity and daring choices of language contamination”. Launching in with the almost symphonic piece, “Trobar Clus”, which takes up the majority of the first side and deploys complex clusters tones and rhythms to startling effect, the album progresses through a series of pieces that follow Centazzo’s disposition toward working across diverse arrangements of players, breaking down into trios, duos, and full ensemble works, each composed by the quartet, Centazzo, or in collaboration between the two.

Utilizing compositional structures that allow broad spaces for improvisation, while highlighting each player’s highly individual skill set within a various ensembles, trios, duets and solos, to underline the soloist skills of the musicians, and organizes the sound situations into ensembles, trios, duets and solos, “The Bay” is a stunning piece of much neglected creativity, riding the American and Italian scenes, from the mid to late 1970s, as well as drawing the ear back toward the origins of The Rova Saxophone Quartet.

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The Rolf Kühn Group

Total Space

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Be With)

The Rhythm Makers

Soul On Your Side

12" | 1983 | EU | Reissue (Miss You)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The Rhythm Makers's Soul On Your Side is flawless proto-disco funk. The Bronx-based band - that later went on to form heavyweight disco outfit GQ - originally released this treasure in 1976 and it's long been a hard to find record. It's also rare to find a record this hard. Captivating funk at its rawest, no doubt.

Storming out the gate with the rollicking Loft/Garage staple "Can You Feel It (Part 1)", the listener is immediately put on notice that this LP is just a little bit special. The title track, "Soul On Your Side", is a classic dancer and the basis of GQ's future hit "Disco Nights". But it's perhaps "Zone", a huge Baldelli track, that the record is best known for. Hypnotic psyched-out cosmic-disco / cosmic funk, it's an unrelenting groove that really thrusts the party into hyperdrive. With doses of scintillating Latin and pulsating African rhythms driving the pumping tune, atop an unstoppable bassline and imaginative, soul-slathered keyboard figures, it's basically a full-on funk assault. You might need a lie-down after this.

But there's no let-up on the B-Side, immediately grooving thanks to "Funk-N-You", a laidback glider that just rolls in the sleek style. Gorgeous harmony skills are displayed on "Street Dreamin'". Beautiful and gritty funk, by turns. "You're My Last Girl" is an airy ballad with two leads before the legendary "Monterey" enters the fray. A much-sampled instrumental and heavy disco-funk nugget, it contains an amazing B-Boy drum break making the whole LP worth the price of admission. "Can You Feel It (Part 2)" closes out this spectacular set.

The Rhythm Makers had been gigging around New York City since the late ’60s, having initially come together as Sabu and the Survivors, named after bassist Keith “Sabu” Crier. They eventually - for this album at least! - settled on The Rhythm Makers and cut one record for the small De-Lite subsidiary Vigor. The core lineup featured Crier, keyboardist Herb Lane, drummer Kenny Banks and rhythm guitarist Rahiem Leblanc.

Mastered for vinyl by Simon Francis, cut by Cicely Balston for Alchemy at AIR Studios with artwork restored at Be With HQ, this new edition should hopefully bring this album into the homes and record boxes of many more people.

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The Redhots

Redhot

9,74 €* 14,99 € -35%

Step Inside My World / So Long Letter

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Powerful downtempo ballad with heavy emotions from Louisiana based guitarist Chris McCaa. Originally released as a 7” promo oriented record in 1983, the band had hopes of it leading to bigger projects but most of the pressing probably ended up in someone's basement with very few copies available online. 40 years later, “If I Had To Say Goodbye” is back again to bless your ears at the ending sets of special dancefloors. Featuring a sound that is highly reminiscent Chris Rea's aesthetic, both in terms of vocal and guitar use, yet still breaking new ground in the power ballad department. Now in 12” 45rpm format with an extended edit by Castro on the B-side, remastered at Berlin's finest manmade mastering.

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The Reason Why

7" | 1977 | UK | Reissue (Soul Brother)

18,99 €*

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Farfalla)

The Rainbow Orchestra

Wonderland Of Sound

LP | 1973 | EU | Reissue (Strut)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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To mark its 50th anniversary, Farfalla Records is proud to announce the reissue of the highly sought after German library gem "Wonderland of Sound". Originally released in 1974, the album was produced by Brillant-Musik's founder Werner Tautz and recorded in Zurich. Wonderland of Sound is the epitome of the classic 70s library sound. A jazzy bliss orchestrated by the hottest European session players making up the Big Band "Rainbow-Orchestra". A Splendidly funky and stunning set of compositions and arrangements with ultra-stylish horn section.

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The Pyramids

Lalibela

LP | 1974 | EU | Reissue (Strut)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The debut album by the Pyramids was inspired by the group"s visit to the Lalibela monastery in Egypt, and was recorded in Yellow Springs Ohio in early 1973. Drawing on the teachings of Cecil Taylor and the influence of John Coltrane, combined with a barrage of intense percussion, the album evolves over several long-form pieces. Initially only 500 copies were pressed and sold to friends and followers in the local area.

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The Pyramids

King Of Kings

LP | 1976 | EU | Reissue (Strut)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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King Of Kings was recorded in 1974 and features a wider array of instruments including Ugandan Harp and Balafon. Perhaps best known for the expansive "Nsorama (The Stars)" a seminal work of Spiritual Jazz.

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The Pyramids

Birth / Speed / Merging

Boy Child Felix Dickinson Mix

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Birth / Speed / Merging was recorded in 1976 after the band"s move to San Francisco. The album closes the Pyramids" 70s trilogy and makes more use of studio technology: adding overdubs and other effects, a marked departure from the previous two releases, though at no cost to the urgent message and energy of their earlier works.

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The Prolifics

12" | 1984 | UK | Reissue (Emotional Rescue)

15,29 €* 16,99 € -10%

Changing Man / I'm Just Your Clown

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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The Emotional Rescue reissue series of Noel Williams aka King Sporty working with other artists and singers on the Konduko label's roster comes to completion with the deep funk disco of The Prolifics' Boy Child.

Formed in 1970 as part of "Senator" Nolan Jones' New Orleans soul and funk label Hep' Me Records, the bands early deep southern soul saw them release a series of 7"s for Hep' Me and Avco, plus an Xmas single for EMI and the minor hit A Place Called Home, recorded at the infamous Musle Shoals studios, backed by the Rhythm Section band who, from the early 60s, turned out hit after hit, from When A Man Loves A Women to Brown Sugar.

Landing on the newly inked Drive label, set up in '72 by Henry Stone as a sub label of his burgeoning T.K Records empire, their developing move in to funk saw them featured alongside Funky Nassau, Jimmy Castor and Peter Brown. It is here the connection with Noel Williams was formed. While putting together the "Konduko Six Pack" showcase album, the band were invited to the Miami Sound Studios for sessions that brought us both title cut Boy Child and the accompanying You Got Me.

All brass and claps, Boy Child is as funky as Williams got, backing the groups soul vocals, a story of first born's energetic path in life and a mothers love. The backing from Deep Rockers band bring the swing, the trippy keys and wide bottom end has made this a secret drop for many. You Got Me on the other hand is true King Sporty, a driving 9-minute disco boogie cut, where the warm harmonies lay down this uplifting, killer dance floor stop.

To close, the flip is again given over for reinterpretation, welcoming back Felix Dickinson to expertly cut, loop and dub. A special personal song for Dickinson, his subtle extension teases the intro for DJ play, before letting things fly - "the little show-off" as the song notes. With a near 30-year DJ and production career in place, his Discomix is a fitting way to complete this cycle of reissues of this benchmark label, for now.

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The Power Of Attorney

7" | 1973 | US | Reissue (Nicetown / Brewerytown Beats)

The Positive Force With Ade Olatunji

Release: 1973 / US – Reissue

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind. In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band. Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born. In January of 1973, Power of Attorney got the chance to record at Sigma Sound Studios, the legendary space that helped birth the Philadelphia International sound as well as classic albums like David Bowie's Young Americans. Taking the routines that they had rehearsed for a reported five hours each day, the band laid down the tracks — including the reflective “Changing Man,” an original composition by McDowell. “It tells the story of a man who made a mistake, and after a while in jail, he gets his head together, and realizes it’s time to straighten it out,” the 21-year-old serving life for murder told The Philadelphia Daily News upon the single’s release. The 7-inch single was released on the Nicetown label in 1973. Sold directly from the prison activities office, 500 copies were originally made. After more practicing and recording, one year later James Brown & Polydor Records offered The Power Of Attorney’s lone full-length, 1974’s From The Inside… Between 1973 and 1975 the band played 400+ concerts outside of the prison walls. Even opening for Stevie Wonder at Lincoln University and also making a live appearance on the Mike Douglas show. Forward to 2020 – While digging through the Sigma tape archives at Drexel University, Brewerytown Beats owner Max Ochester – known for deep-dive Philly reissues by The Thompsons and Sounds Of Liberation – noticed two tapes, with only “P.O.A.” scribbled on the spines. Upon further inspection, it was discovered that these 2-inch multi-reels contained six songs, four of them previously unreleased, all from 1973. The full original studio tapes for Power Of Attorney’s “Changing Man” sessions had been found, 47 years later. Expertly mixed and remastered from the original reels, Power Of Attorney’s Changing Man (out now on Brewerytown Records) is a document of the joy and pain of a handful of men trying to make the best of an impossible situation. The bittersweet love ballad “I’m Just your Clown” is featured on the flip. The reissued single is available now on Brewerytown Records on vinyl and streaming platforms. The label will follow this up with the vinyl and streaming release of all 6 songs found on that long-lost Sigma tape, on vinyl & CD in late 2020.

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Oracy

LP | 1977 | EU | Reissue (Rain&Shine)

The Ponderosa Twins Plus One

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Seminal Spiritual Jazz from Detroit, 1977. Officially licensed and re-mastered re-issue. Comes with fold-out insert of Ade Olatunji’s Poetry that features on the album and never before seen artwork designed by New Zealand based designer David Broome. File under Free Jazz, Fusion, Spoken Word, Poetry, Conscious
“I remember Detroit being a cultural hotbed in 1977. There was poetry, theater and music everywhere. I remember even a local bar on the east side even had a poetry night. I don't remember a lot of unemployment or blighted neighbourhoods back then The greatest takeaway from my trip to Nigeria, was the term "Oracy." I want to say that Wole Soyinka, was giving a talk about about communicating with illiterate or functionally illiterate people and he was talking about oral literacy, or "oracy," for short. It struck me as a perfect word-- for what I was doing, practising. When we decided to produce a record of poetry and music there was no question that it would be titled "Oracy."

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2+2+1= Colored Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

The Ponderosa Twins Plus One

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, The Ponderosa Twins Plus One featured two sets of identical teenage twins, Alfred and Alvin Pelham, and Keith and Kirk Gardner, along with Ricky Spicer. The group released a couple of singles and a lone album for Cleveland's Saru label in 1971, breaking up and disbanding as adolescence waned. A recent sample darling of both Kanye West and Tyler The Creator, "Bound" has revealed the Ponderosa Twins Plus One as the real Midwest kid soul deal. Numero is proud to present the first official American repressing of the original 1971 release, with fresh remasters from the original analog tapes, two previously unissued bonus tracks, and a replica tip on sleeve, making this an album you're bound to fall in love with.

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2+2+1=

LP | 1971 | US | Reissue (Numero Group)

LP | 1975 | UK | Reissue (Pure Pleasure)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would goon to shape the sound of pop music muchfarther beyond their imaginations, ThePonderosa Twins Plus One featured twosets of identical teenage twins, Alfred andAlvin Pelham, and Keith and Kirk Gardner,along with Ricky Spicer. The group releaseda couple of singles and a lone album forCleveland's Saru label in 1971, breakingup and disbanding as adolescence waned. Arecent sample darling of both Kanye West andTyler The Creator, "Bound" has revealed thePonderosa Twins Plus One as the real Midwestkid soul deal. Numero is proud to presentthe first official American repressing of theoriginal 1971 release, with fresh remastersfrom the original analog tapes, two previouslyunissued bonus tracks, and a replica tip onsleeve, making this an album you're bound tofall in love with.

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The Piano Choir

Handscapes Volume 2

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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The Physicians Limited Colored Edition

The Physicians

LP | 1973 | EU | Reissue (Cinedelic)

LP | 1975 | CZ | Reissue (Now-Again)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Behind this incredibly rare 1973 album lurks CAMPO DI MARTE (the highly regarded Italian progressive rock band) in their second incarnation. After the release of their debut album the group performed at numerous concerts but only released this one album under the pseudonym of THE PHYSICIANS. They were called by the producer Giuseppe Cassia in Rome to record this album, which was produced in a day, and it's amazing to feel the harmony between the band members, all from Livorno and led by the excellent guitarist Enrico Rosa who the following year would be transferred abroad in Denmark in order to better express his art.

There are many memorable jazz-rock tracks on the album that recall the British band Nucleus, such as "Jazz in the Cellar", "My girl from Harlem" and "East Side Rhythm" but with a unique and personal style.

The band, besides the aforementioned Enrico Rosa, included Loriano Berti, nicknamed whistle, coming from Capitolo 6 on sax and flute, Andrea Colli on drums (who in the future would also collaborate with Demetrio Stratos) and Sergio Ducilli on electric bass.

Limited edition LP + download card.

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The Peace

Black Power

Good Guy, Bad Guy (Pacific Dream)

Release: 1975 / CZ – Reissue

Genre: Organic Grooves

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Essential garage Zamrock/soul/funk: the first official reissue of the celebrated band’s one and only album. The musical style that became known as Zamrock came to embody the economic despair that followed the 1973-1974 oil crisis, which flung Zambia into recession and exacerbated a wide range of social tensions. Much of Zamrock also captured the controversy of wider politics in Africa and the world. Perhaps the finest example of this is Black Power by The Peace. - The Guardian. The Boyfriends, from Kitwe’s Chamboli Mine Township, supplied the founding members for Zamrock’s most famous band, Witch, and kick started one of Zamrock’s best bands, Peace. Their sole Zamrock entry, Black Power, recorded at Malachite Film Studio circa 1973/4 and issued circa 1975, sounds like nothing else in the Zamrock canon: a lost message drifiting from the flower power era, imbued with a fiery Zambian voice.

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The Oceans

12" | 1980 | EU | Reissue (Record Shack)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Another rare gem from Record Shack gets its first officially licensed 12” release – the absolutely killer early ‘80s jazz funk tinged, boogie bomb from The Oceans – ‘Bad Guy, Good Guy’, fully remastered for maximum audio pleasure.
With the release only ever being a whitelabel there was much confusion over the correct titling due to the stamp simply stating ‘Pacific Dream’, however the actual track titles are those housed on this release - ‘Bad Guy, Good Guy’ and the instrumental ‘Synth Good Guy’. Those original whitelabels command prices of up to £120 and it’s no surprise when you hear those infectious guitar riffs blended with buoyant synth flurries and sensuous vocal harmonies. For those that would rather leave the vocals at bay, the B side houses the instrumental mix in all its glory. A radiant release that still sparkles as bright as it did back in 1980 – an essential buy!

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Super Bad Colored Vinyl Edition

LP | 1971 | US | Reissue (Trip)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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180 gram pressing!

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LP | 1971 | US | Reissue (Trip)

Super Bad

21,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Epic)

Ship Ahoy

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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12" | 1975 | US (Philadelphia International)

Love Train

14,99 €*

Release: 1975 / US

Genre: Organic Grooves

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/ i love music / back stabbers

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12" | 1975 | EU | Reissue (Philadelphia International)

I Love Music

I'm A Loner / All My Life

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's. They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine.

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The Nu-Ron's

7" | 1971 | US | Reissue (Brewerytown Beats)

16,14 €* 16,99 € -5%

12" | 1985 | EU | Reissue (Isle Of Jura)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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A close replica of the original 45rpm record released in 1971 - Recorded October 27th, 1970 at famed Philadelphia studio Sigma Sound - The songs were produced by Emanuel Campbell Jr. & Charles Bowen and have been lovingly mixed from the original 16 track multi's - Mixed how he "would have mixed Mfsb (the backing band) in 1970", by engineer Tom Moulton, then lovingly mastered by Peter Humphries of MasterWorks. This would have been the original team working on these tracks back in the 70's, both are legendary in the Philadelphia soul music scene.

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The Nm Band

She Wants

12" | 1980 | US (Prelude)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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The long awaited official reissue of ‘She Wants’, one of the first UK Street Soul singles originally released in 1985 by The NM Band.

The NM Band was an alias for UK Lovers Rock band Natural Mystic, responsible for a number of hits in the late 70’s and early 80’s most notably ‘Runaway Love’ and ‘Groove Rocking’. They released a string of acclaimed reggae LPs and toured extensively throughout the UK, but by 1985 wanted to try something away from their trademark roots reggae sound. Influenced by the availability of affordable hardware the band set about fusing Reggae and Soul using an Akai Drum machine, Yamaha DX7 and Roland sound module. ‘She Wants’ is one of the forebearers of UK Street Soul, raw machine drums paired with an incredibly soulful vocal from Ashley Sommers. The band created their own imprint ‘Mixdown’ to release the single, but it slipped under the radar, despite strong radio play from Choice FM and the then pirate station Kiss. The 12” is backed with Dub Version ‘She Wants’ (More).

A 140gram pressing in 3mm spine black disco sleeve with metallic sticker designed by Bradley Pinkerton.

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The Nick Straker Band

A little Bit Of Jazz

LP | 1980 | JP | Reissue (P-Vine)

Release: 1980 / US

Genre: Organic Grooves

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/ space age

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The Next Movement

12" | 1984 | EU | Reissue (Bordello A Parigi)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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The first ever vinyl reissue of Chicago’s very own chorus group The Next Movement’s self-titled debut, is getting its long-awaited release!

“What’s the next move?” was supposedly something that the fledgling Next Movement was asked so frequently (due to their incredibly smooth dance moves), they decided to take their name from it. Although they made a name for themselves performing for Oprah Winfrey and rowdy Las Vegas crowds, their self-titled debut album - the sole full length effort from the group - predates that fame, initially being released through GEC in 1980. Album opener “You’re The One” is a funky dance tune, complete with slap bass, wah’d out guitars, and iconic 80s synth sounds. In comparison, A-side closer “Kid Stuff” is a soul ballad, deeply groovy, but tinged with a hint of melancholy. All of this is tied together by the group’s impeccable vocal harmonies, truly reflecting the immense talent found in these Chicago crooners! P-vine is thrilled to be reissuing the Next Movement’s self-titled debut on limited edition vinyl with an obi-strip for the first time ever!

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The New York Models

Love On Video

The New York Disco Orchestra

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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We’re proud to announce the re-issue of this obscure Hi-NRG banger by Bobby Orlando! Comes with an additional DJ cut by Vanzetti & Sacco. 'You can watch them making love on video'

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Reverie Black Vinyl Edition

LP | 1978 | EU | Reissue (Espacial Discos)

21,99 €*

LP | 1986 | EU | Reissue (Rain & Shine)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Sought-after disco / funk / boogie album from the US, 1978!! Pro-sounding recording with top level musicianship and perfect sound quality, comparable to any other major album of the time (think Love Unlimited Orchestra!). Mixed by Disco legend Joaquin J. Lopes and featuring brothers John & Rocco Giamundo. Mostly instrumental with superb arrangements (string, keys and even the Vako Ochestron on one track) and surprising occasional fuzz/effects electric guitar. Originally released as a promo album in blank sleeve (now impossible to find) on the band’s own Artemis label, it was subsequently issued in Belgium (under the Reverie – Get Up And Dance title) and Japan, both housed in picture sleeves. Including club / rare-groove classics like “It’s True” (compiled on “Under The Influence Vol. 2 by Paul Phillips), “Get It On And Dance”, “The Way We Were” (a disco-symphonic version of the Barbra Streisand movie hit) and more… Here’s the first ever reissue featuring new artwork (based on the band’s original idea for the intended but never finished US cover) and master tape sound.

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The Nelson Family

Filled With His Spirit

The Mystery Kindaichi Band

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Official re-release of The Nelson Family's Gospel LP from 1986. Essential for any serious collectors of Gospel. Quality from end-to-end, including the cuts Thank You Lord (firm favorite of Floating Points and Skymark), Filled With His Spirit and Everlasting Love.

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The Adventures Of Kindaichi Kosuke Black Vinyl Edition

LP | 1977 | EU | Original (Wewantsounds)

32,99 €*

Release: 1977 / EU – Original

Genre: Organic Grooves, Soundtracks

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LP | 1971 | EU | Reissue (Be With)

The Moments

On Top

Rough Out Here / I Can't Fight Your Love Record Store Day 2019 Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The Moments’ On Top is a perfect example of symphonic soul. Amongst true heads, this is considered the most valuable of all their albums. Alongside contemporaneous acts from the early 70s - The Chi-lites, The Stylistics, The Delfonics, The Futures, Blue Magic and The Main Ingredient - The Moments exuded all that was compelling about deep, harmony-drenched, string-laden soul. The standout here is undoubtedly “To You with Love", a floating, tender ballad sung by Harry Ray that features the group’s patented handclap-tambourine combo, sweetly repetitive strings, serene guitar and gentle piano. It was famously sampled by J Dilla for “Last Donut Of The Night” - the gut-wrenching finale to his seminal Donuts. Concentrating solely on its sampled history would do The Moments a huge disservice, but its crucial appearance at the climax of Donuts directed fresh generations of pre-disposed soul fans to the absolute canon. Judged entirely on its merit, it’s one of the most heart-breaking songs of any decade and worth the price of admission alone. It’s the sweetest, most goose-bump inducing 3 minutes of aural bliss you’re ever likely to be exposed to. If that wasn’t enough, On Top spawned two minor R&B hits: “All I Have” and “Lucky Me", each featuring Billy Brown’s ice-melting falsetto. Opener “All I Have” is a sumptuous introduction to the album. With melancholic, understated guitar licks, twinkling keys and heartbeat drums, it’s a gem.

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The Modulations

7" | 1973 | EU | Reissue (Buddah)

12,99 €*

10" | 1973 | UK | Reissue (Honest Jon's)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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A killer rare groove classic and a modern soul belter from The Modulations - featuring arrangements by Vince Montana, Norman Harris and Ronald Baker and instrumentation by members of MFSB, key mainstays of the city's 'Philly sound'.
The only original 7 inchs from the 70's are changing hands for £150, so it's high time an official remastered, reissue landed.

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The Metro-Tones Inc.

Get Together

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Dedicated ‘to the United Nations and especially young people’, this is slow-burning, steeply screwed, early-seventies Atlanta funk by James Conley and co, spun out of a line from Eliza Hewett’s nineteenth-century hymn, When We All Get To Heaven.

The flip is deadly, too: a super-soulful blend of Sly & The Family Stone with Kool & The Gang, movingly confused and sincere in its pleading (without threats or machismo) to be loved back.

Both sides come with instrumentals. Check part two of Get Together.

Beautifully sleeved.

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Struttin' Blue Vinyl Edtion

LP | 1970 | US | Reissue (Jackpot)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Third Album released in 1970. Features the hits "Chicken Strut" ,"Hand Clapping Song" and more. A classic and heavily sampled record. Sourced From the Original 1970 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Limited Blue Jay Vinyl Lp.

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LP | 1970 | EU | Reissue (Music On Vinyl)

Struttin'

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Music On Vinyl)

Rejuvenation + 2

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g audiophile vinyl

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Look-Ka Py Py Green Vinyl Edtion

LP | 1970 | US | Reissue (Jackpot)

The Girl Next Door / Stop Let Your Heart Be Your Guide

Release: 1970 / US – Reissue

Genre: Organic Grooves

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1970 Seminal 2nd Album by The Meters. Featuring the hit track: "Look-Ka Py Py" Pitchfork: "10/10" Sourced From the Original 1970 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Limited Spring Green Vinyl LP.

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The Mansion

7" | 1974 | UK | Reissue (Soul Junction)

With Love From The Lovelites

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Two fine examples of Sweet/Group Soul Harmony that was originally released as vanity project on the local Gibbs label by this former ex Prison group with original copies being excruciatingly hard to find in any condition.

Artist Bio:

The Mansion were initially a prison group formed by Charles Lorenzo Blakely in 1970 while serving time in the Green Bay Reformatory at Allouez, Wisconsin. The Mansion’s line up included at different times Michael Locke, Stanley Newburn, Carl Anderson, John Crawford, Michael Smith, Larry Moses, Ronald Hardin, Jerome Wagner, Larry Lister, Maurice Payne and Charles himself. One day while rehearsing in the prison chapel, the Mansion attracted the attention of the warden’s wife who happened to be showing some local dignitaries around. Impressed by what she heard the warden’s wife was instrumental in the Mansion being invited to perform for the city’s television station Wbay, where they recording two holiday programs. The warden later gave them permission to perform outside the prison which brought them to the attention of a Milwaukee neighbourhood program adviser by the name of Al Dunlap of the Commando Project One. It was through Dunlap that the Mansion recorded their solitary 45 release in 1974 “The Girl Next Door /Stop! Let Your Heart Be Your Guide” for a local Milwaukee label Gibbs (406). The label’s owner Bill Gibbs held the release back until some of the members of the Mansion were granted their release papers as at that time prisoners were unable to sign any contract agreements while still incarcerated. Although Charles Blakely remained incarcerated, he was later moved to a medium security prison in Fox Lake County, Wisconsin. While there he formed a gospel group, called the ‘Bell Tones’ who’s line up included Charles, Mayweather Lee, Joe Hayes, and Levell Rudd. The formation of this group was seen as major factor in Charles’s rehabilitation which led to his eventual parole in 1976. Once on the outside Charles with former ‘Bell Tone” member Mayweather Lee were joined by Charles (Sonny) Bryant and Jimmy Taylor to form a new ensemble by the name of The “Final Chapter”. As the final Chapter they recorded a solitary release for Marvel Love’s New World Label “Now I Know/Get Down For Your Action” (nw800) during 1980, a brief association that for several reasons was to eventually brake down. Although Jimmy Taylor left to pursue a career as a blues musician the remaining three members of the ‘Final Chapter’ continued to perform until they finally disbanded in 1987. Three previously unissued Final Chapter songs can be found on Soul Junction Various Artists CD compilation “We Got A Sweet Thing going On” Volume II. The Mansion’s Gibbs 45 is now is a highly prized and sort after item amongst Sweet and Group Soul collectors.

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The Lovelites

LP | 1970 | JP | Reissue (P-Vine)

A Chance For Hope Record Store Day 2020 Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Formed around the singular talent that was Patti Hamilton, Chicago teen soul trio, The Lovelites, released one album - With Love from The Lovelites - before disbanding. Their sole album, initially a commercial failure, would become a crate digger classic, selling with several-hundred dollar premiums on the second hand market over half a century after its release. And it’s no wonder why - Patti Hamilton’s soulful voice sounds wise beyond her years, and the trio’s angelic harmonies are backed by a full Chicago brass band. With the deft hand of Clarence Johnson (best known for his production of Brighter Side of Darkness) producing, the harmonies are sweet, the band is tight, and the singular voice of Patti Hamilton shines through it all. The first ever reissue of With Love From The Lovelites is available on limited edition vinyl, with an obi-strip, only from P-vine Records.

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The Live Band

7" | 1982 | EU | Reissue (The Sound Of Brooklyn)

Horizon Unlimited Opaque Green Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

For the first time ever this Modern Soul early ’80s masterpiece finally gets a 7″ release some 38 years later! Quite simply “A Chance For Hope” is one of the all-time, under-rated gems from this era. How it never made to a single release before now we’ll never know. One of the classiest 7 inch releases you’re ever likely to see! Officially licensed, remastered and LTD 7 inch RSD release with replica artwork.

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The Lijadu Sisters

LP | 1979 | US | Reissue (Numero Group)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Horizon Unlimited Black Vinyl Edition

The Lijadu Sisters

LP | 1979 | US | Reissue (Numero Group)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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2LP | 1971 | US | Reissue (Now-Again)

The Lightmen Plus One

Fancy Pants

LP | 1979 | JP | Reissue (P-Vine)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Revolutionary, spiritual jazz from Houston, reissued for the first time – expanded reissue of The Lightmen Plus One’s Spiritual Jazz classic, on sale and shipping now. (Worldwide release in March.) The second in a series of four expanded reissues of drummer and bandleader Bubbha Thomas’s lauded catalog.

Now-Again Records celebrated the expanded reissue of The Lightmen’s Fancy Pants with a pop-up record shop at Rappcats on February 24th. The sale was hosted by Egon of Now-Again, with records sourced from Bubbha Thomas and his Lightmen bandmates: saxophonist Doug Harris and bassist Don Patterson’s collections, one-of-a-kind rarities and classic soul, funk, jazz and rock LPs and 45s that inspired Thomas and his band.

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The Lewis Connection

36,99 €*

You Gonna Make Me Love Somebody Else

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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The Lewis Connection was a Soul / Funk band from Minneapolis whose self-titled LP may have been lost to the vaults were it not for their peculiar historical connection - the first appearance of Prince as a guest performer. The song in question, "Got To Be Something Here," features Prince on background vocals and guitar, but there's far more packed into this early record of what would become the signature Minneapolis funk sound. There's bustling energy across these tracks with enticing funk hooks, instrumental variety, and mood-heightening extended jams. P-vine is thrilled to present The Lewis Conection with a newly remastered limited edition LP with obi strip attached.

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The Jones Girls

12" | 1979 | US (Philadelphia International)

14,99 €*

Release: 1979 / US

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Everland Jazz)

The John Danser Octet

The Danser Revolution

LP | 1974 | EU | Reissue (Heavenly Sweetness)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Earlier in 2017 Everland Jazz presented a reissue of Danser's Inferno's - Creation One, originally released in 1973. Now we present the even more obscure release The Danser Revolution by The John Danser Octet, almost impossible to find in original format. The ultra rare funky jazz LP from 1977 contains the killer funky fusion tune "Cool" known for being sampled by Gangstarr, Blackalicious and J.Dilla. At age 14, John Danser emigrated from London and established himself in New York City where he earned a master's degree in music at the Manhattan school of music. In his early years, Danser played in classical as well as jazz gigs, simultaneously arranging and composing. In the 1970’s, composer and multi-instrumentalist John Danser formed Danser’s Inferno, a funky Jazz-Rock-Fusion band, an ensemble of 14 very talented musicians. The John Danser Octet most probably contains the core of that same ensemble but the groups’s single album is so rare that little is known about it’s exact origins. So, just let the great music speak for itself. Licensed from Jessica Danser.

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The John Betsch Society

Earth Blossom

29,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Limited to 1000 copies!

To celebrate the 15th birthday of our first ever vinyl reissue, we did a new edition of this spiritual Jazz classic on cult label Srata East.

New vinyl mastering and lacquers done by the great Frank Merritt at The Carvery (London).
Mastered to and from 1/4” tape for added warmth and character.
Tape layback to disc; direct analogue lacquer cut from 1/4” tape using pure analogue signal path. Studer A80 preview to Neumann VMS70.

180g black vinyl.

New scans of the original artwork . Exact replica of the original cover.
Printed on deluxe Tip-on sleeve. Heavy cardboard;

The definitive edition of this incredible album by drummer John Betsch and his Society.
A must have for any spiritual jazz fan.

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The Jazz Clan

Dediction

LP | 1973 | UK | Reissue

LP | 1976 | US | Reissue (Epic)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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One of the rarest and most sought after South African recordings of the early 1970s, available again for the first time since its original South African release – the swinging township groove of The Jazz Clan’s 1973 debut LP, Dedication

Die-hard fans of South African jazz speak about The Jazz Clan in hushed tones. One of the dozens of South African groups who styled themselves as ‘jazz dignitaries’ – like the Jazz Giants, the Jazz Ambassadors, or the Jazz Ministers, for instance – their two widely separated studio albums for Gallo (Dedications and Makwenkwe, released in 1973 and 1976 respectively) are extremely hard to find, and were never repressed after their initial runs. Until now their work has graced neither re-release nor compilation. But they were no also-rans. They may have left a small recorded footprint, but it was an impressive one, epitomised by their hard-swinging 1973 debut, Dedication – a tough, swinging soul-jazz set with distinct African touches which is counted by those in the know as among the best South African jazz recordings of the era.

Once you dig down into the history of the group, this is no surprise: the players that comprised the Jazz Clan were veterans. And they thought big – their first incarnation during the 1960s had been as a 16-piece, and they had held down a residency at one of Nelson Mandela’s regular haunts, the Planet Hotel in Fordsburg. The original leader, drummer Gordon ‘Micky’ Mfandu, had been a regular on the Johannesburg jazz scene since the early 1960s and had recorded with figures including Gideon Nxumalo, and the famous Blue Notes; along with bassist Mongezi Velelo he had also been a member of the revered Soul Giants unit. Baritone player Cornelius Khumalo had also played with Chris McGregor and the Blue Notes in the pit band of the musical play Mr Paljas, and had also recorded with township legend Zakes Nkosi. Also in the line-up, and handling most writing duties on this disc, was the great trumpeter Peter Segona – a quicksilver hornsman, Segona later sought exile in Europe, where he played with musical luminaries across the continent including Chris McGregor’s Brotherhood of Breath, Cymande, and Manu Dibango.

By the 1970s Mfandu was dead, murdered in Soweto, and the group had consolidated as a septet – the late drummer is memorialised here on closer ‘Micky’. South African jazz was moving toward electrified funk and bump, and the new township style of Dollar Brand was just around the corner. But Dedication captures the acoustic jazz sound of the early 1970s in its pomp – a handful of tightly wound songs jostling for space, blending uptempo soul-jazz sensibilities with Latin influences and pronounced township jazz accents, the latter especially audible in Dimpie Tshabalala’s piano vamps, Jeff Mpete’s pattering hi-hat emphases, and the unmistakably South African swagger and dip of the horns on cuts like ‘Rabothata’. It is music on the brink of a transition, looking ahead but still dedicated to the sound of the golden years, and it could have been made nowhere else on earth but in Soweto.'

Transferred from the master tapes by Gallo in South Africa. Mastered for release by D&M. Pressed at Pallas. Fully licensed from Gallo South Africa.

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The Jacksons

Release: 1976 / US – Reissue

Genre: Organic Grooves

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2LP | 1973 | US | Reissue (T-Neck)

The Isley Brothers

Isleys Live

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Go For Your Guns Translucent Blue Vinyl Edition

The Isley Brothers

LP | 1977 | EU | Reissue (Music On Vinyl)

LP | 1980 | EU | Reissue (Kalita)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES INSERT
DOUBLE PLATINUM CERTIFIED ALBUM FEATURING “FOOTSTEPS IN THE DARK, PTS. 1 & 2”
AND “VOYAGE TO ATLANTIS”

#1 BILLBOARD R&B ALBUM CHART 1977
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT BLUE
COLOURED VINYL

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The IgG Band

Ultra/Sound

LP | 1976 | EU | Reissue (Sleeve Records & Dig This Way)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Kalita are excited to announce the first ever reissue of student medical group the IgG Band's highly sought-after 1980 soul, funk and disco grail 'Ultra/Sound'. Originally privately released in a small run on band member Clifford Becker's Infusion Records imprint, the album has since become a treasured prize of but a handful of die hard collectors and DJs as a result of both ist scarcity and quality. Now, in partnership with the band, Kalita shine a light on the album for the first time in over forty years, accompanied by never-before-seen archival photos and extensive interview-based liner notes.

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The Hygrades

Seasons Red Transparent Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Sleeve Records & Dig This Way teamed back to bring to light the history and the tracks of this iconic early 70' Psychedelic Afro-funk East Nigeria group.
The Hygrades's album will include all 4 rare 45"s united in a single LP with an insert of their story told by a true Uchenna narrator.

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The Howard Lemon Singers

LP | 1977 | EU | Reissue (Regrooved)

33,99 €*

Seasons Black Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Experience the soulful and funky gospel sounds of the Howard Lemon Singers with the reissue of their 1977 album, Seasons, originally released by TK Records' Gospel sub-label Gospel Roots. Now reissued on vinyl for the first time through Regrooved Records, this album masterfully blends traditional gospel with modern soul elements, showcasing the Howard Lemon Singers at their most dynamic and inspirational. Featuring rich vocal harmonies and uplifting messages, Seasons invites listeners on a spiritual journey through life's varying stages, emphasizing renewal, celebration, and introspection. Among the standout tracks is "You Are Somebody," a powerful anthem that resonates deeply with its message of affirmation and empowerment. The vinyl reissue preserves the original essence of the album, enhancing the audio quality to highlight the depth and warmth of the studio recordings. Perfect for both avid gospel enthusiasts and newcomers, this reissue of Seasons by The Howard Lemon Singers is not just a record—it's a celebration of faith, resilience, and the human spirit. Add this pivotal piece of gospel heritage to your collection and let the timeless beauty of their music inspire you throughout the seasons of your life.

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The Howard Lemon Singers

LP | 1977 | EU | Reissue (Regrooved)

30,99 €*

Impeach The President Clear Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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The Honey Drippers

7" | 1974 | UK | Reissue (Alaga U.S.)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Impeach The President Black Vinyl Edition

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The Honey Drippers

7" | 1974 | UK | Reissue (Alaga U.S.)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Unknownunknown)

The Headquarters

Sweetie / Moshate

7" | 1975 | UK | Reissue (Soul Brother)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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2 tracks taken from the "Sweetie" LP by South-African group, The Headquarters. Originally released in 1977 and very hard to come by in it's original form. The album tracks are loudly pressed on one side each in it's original length. "Real solid deep disco for the heads!"

Mastered by The Carvery.

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The Headhunters

God Make Me Funky

The Harvey Scales & Seven Seas

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Limited edition for Record Store Day 2017!

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Trying To Survive / Bump Your Thang Record Store Day 2023 Edition

7" | 1975 | UK | Reissue (Magic Touch)

14,99 €*

The Gypsy (Shirley Bunnie Foy)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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A must have double sider from Harvey Scales & The Seven Seas, containing two of the rarest tracks from their much sought after back catalogue. Originals have sold for eye watering sums of over £1700 in the past, attaining to its rarity but also the sheer quality of the music pressed into its grooves. ‘Trying To Survive’ is one of the great social-consciousness anthems and a slice of pure lyrical genius, whilst ‘Bump Your Thang’ hits with a heavy funk workout, channelling James Brown-esque energy in Chicago shoes. Red label version original black sleeve.

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Way-O

LP | 1974 | EU | Reissue (Mono Jazz)

LP | 1971 | EU | Reissue (Four Flies)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This extraordinary album, which we are re-issuing on the occasion of RT 30 (the celebration of Right Tempo's thirty years of activity), is a tribute to the great Trinidadian pianist Sonnie Taylor who in these recordings, accompanied by the singer Bunnie Foy, expresses all his musical nature connected to Africa and the spiritual roots of jazz music. Many of you will recall Mayfra Combo, well, the leader of that seminal soul jazz ensemble was Sonnie Taylor. “I'm a Harlem Flower” sais Bunnie “I was born right in Harlem, where I've listened to an infinite number of popular songs of all kinds since I was a child. That's why I learned to sing spirituals, blues, classic and modern jazz pieces by Billie Holiday and Ella Fitzgerlad, and even calypso and African music. These are things that are all equally familiar to me. On this record, for example, I interpret a Gershwin medley but also Go Down Moses which is spiritual, Uelelé which is an Angolan piece and Way-O Comin' home which comes from the Caribbean”. Her real name is Shirley, but the nickname - which in Italian means bunny - grew up with her. She arrived in Italy in 1968 after a very flattering career start, during which she collaborated with famous names such as Dizzy Gillespie and John Coltrane. When she decided to settle in Milan she had already been to France, Switzerland, Germany, Belgium and North Africa. Sonnie Taylor, the distinguished pianist and organist who leads the nine recordings contained herein, is a native of Trinidad. He has performed in England, Spain and Italy with a rhythm and blues ensemble. He currently leads a quintet that plays Afro-Cuban music. For about a year he has been working with Bunnie Foy on her concert tours.

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The Green Birds

Diapason

23,99 €*

LP | 1973 | US | Reissue (Pickwick)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Totally brilliant and obscure psych era Italian library music. Originally released in 1971 for the microsmall label Vi.Di.Elle, the same label as another psych bomb, "The Black Fire - Cream". Behind the mysterious "The Green Birds" name is a marvellous trio of unsung
composers like Franco Bonfanti, Romano Rizzati (Corfull)and Renato Sperduti (Myrval), playing here some really dope jams in the style of the Braen's Machine's Underground LP. The whole album is full of psych effects, synth melodies, wah-wah & fuzz guitars, drum breaks & loungey vibes. Track A4 "Ambiente Elegante" by Franco Bonfanti was compiled in the cultish Speedball Experience in 1996.

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The Ghana Soul Explosion

Soul Makossa

Release: 1973 / US – Reissue

Genre: Organic Grooves

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The Franklin Street Arterial

The Franklin Street Arterial Colored Vinyl Edition

LP | 1980 | EU | Reissue (Petit Cherie)

Second Best (Is Never Enough) Blue Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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The Franklin Street Arterial were from Portland, Maine and are the type of band to appreciate since the beginning of A Side. Late 70s and early 80s light fusion sound (but not smooth jazz!). Definitely more on the jazz side rather than rock, but with well crafted melodies and solid professional playing from all. Sublime synthesizer, fine guitar, and fantastic sax gives an honest and touchable value to this record.

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The Finishing Touch

12" | 1974 | UK | Reissue (Brookside Music)

The Fantastic Aleems & Leroy Burgess

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Philly Groove and Brookside are back at it! This time with a remix edit of Finishing Touch - 'Second Best (Is Never Enough)'. Side A gets a Mike Maurro Remix, edited down to a DJ friendly 7'' version and the B Side contains the original single version. Pressed on limited edition blue vinyl 7'' for the collectors.

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Get Down Friday Night Special Re-Mix Record Store Day 2023 Green Vinyl Edtion

12" | 1982 | UK | Reissue (Nia)

We Shall See Him As He Is Record Store Day 2024 Edition

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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New York boogie royalty right here, the holy trinity of The Fantastic Aleems, Leroy Burgess and John Morales. ‘Get Down Friday Night’ is a stone-cold classic, the Aleem twins taking care of the music, the legend Leroy behind the mic and mixed by the master Morales. Reissued for the first time since it’s 1982 release, it’s been a perennial underground club hit for 40 years and rightly deserves a home in every collection for that reason alone. Limited edition Green vinyl Green label version

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The Family Tree

LP | 1979 | UK | Reissue (Cheri)

23,99 €*

LP | 1973 | US | Reissue (Numero Group)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Cheri Records is excited to unveil the reissue of The Family Tree's spiritual disco rarity, 'We Shall See Him As He Is.' Originally released in 1979, this gospel-disco gem has transcended time to become a sought-after treasure in the realm of soulful digging treats, paying homage to the vibrant gospel disco scene of Baltimore. With an original copy fetching prices exceeding $300. We present the opportunity to own this gospel rarity including the tracks 'Psalm 150' and a killer disco version of Stevie Wonder’s 'As' on a heavyweight vinyl album. Remastered and presented with the original striking album cover, this release is a special edition for Record Store Day, a testament to the enduring impact of The Family Tree's gospel disco masterpiece.

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The Family Circle

Familiy Circle

23,99 €*

You're An Angel / Walking In My Shadow

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Family Circle’s 1973 LP draws a tight ring around the most beguiling soul tropes of its era, with its full house of ambitious players and hook-laden originals. Newark, New Jersey’s Simmons siblings—George, James, Mary, Don, and David—rallied around journeyman arranger George Andrews and business maven/producer Randy Irwin, whose industry ties brought studio luminaries into the Simmons orbit: session guitar giant Cornell Dupree, guitarist/songwriter Billy Vera, and the inimitable Bernard “Pretty” Purdie on drums. Charles Simmons’ “Well Runs Dry” dipped several toes into Jackson 5-saturated waters, while “I Hope You Really Love Me” stayed together with the Al Green ethos. Where the bowling, basketball, and karate-obsessed Simmons fivesome was hitching to—thumbs unfurled and dressed to impress in Central Park on Family Circle’s back cover—is anyone’s guess, but their sparkling, layered sound, gospel-honed vocal chops, and instantly relatable melodies should’ve dropped them off on everybody’s turntable. Give Family Circle a lift, drive ‘em around awhile.

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The Essence Of Life

7" | 1979 | UK | Reissue (Stream)

16,14 €* 18,99 € -15%