Organic Grooves Vinyl 375 Items

Classic South African house / Kwaito album on vinyl for the first time ! Originally released on CD in 1995, this album which is associated with the birth of South African street music genre – ‘Kwaito’ and dance/dress style ‘Pantsula’ is now remastered for vinyl from the original tapes – resulting in the best sounding version of the recording to date.

Regarded as one of the earliest full length Kwaito albums, ‘Sigiya Ngengoma’ was released just one year into South Africa’s new democracy in 1995. Characterised by ‘mid-tempo’ beats, heavy bass hooks, adapted breakdancing and vocals in informal Zulu and other South African languages; ‘Sigiya Ngengoma’ would form a critical part of the South African street music movement that now has its own fashion, crews and dance style.

It helped post-democratic South Africa define its own musical identity and would pave the way for other Kwaito releases that ultimately led to the emergence of Amapiano years later.

Back in print with new artwork !

Limited edition colored vinyl.

Everybody Loves THE Sunshine is more than a classic. It is “the” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a Sedsoulciety Recordings 7” vinyl, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

Roy Porter released two albums in the 70's, "Inner Feelings" and "Jessica", which are now highly sought after as important rare groove albums. After a brief absence from the scene, he entered the 90s and challenged the times with a new Sound Machine! The killer funk tracks "Panama" and "Party time," which have been featured as sampling sources on numerous occasions, have been reconstructed by Roy Porter himself, and brushed up to sound with the texture of the 90s. It is no exaggeration to say that this album embodies the fusion of jazz and hip-hop that Robert Glasper and others have shown since the 2010s, 20 years ago.

This is a 1999 album by Weldon Irvine, who gained new recognition with the rise of the hip-hop scene and the rare groove movement in the 90's and beyond, including appearances on Q-tip and Mos Def albums!　Now, for the first time ever, P-vine is releasing this historically significant work on LP, as the original CD is hard to find. Featuring guests such as Q-tip, Mos Def, Talib Kweli, and other artists representing the street scene of the time, the jazzy and tight groove is a must-listen, with a crossover of 70s feeling and 90s sound!

Ferdinand "Maréchal" Papillon was part of the makossa wave that moved from Cameroon to France and across the African diaspora in the 80s and 90s, bringing the sounds of rhythms of Douala and Yaoundé to the clubs and dancefloors of Paris. Although best known for his Sakissa style - his own uptempo take on the makossa of Cameroon - Papillon also regularly featured zouk and reggae influenced tracks on his albums, combining Caribbean and African influences into a unique sound that has stood the test of time."Moulongo" originally appeared on Papillon"s highly sought after 1995 album "Homme fort....je suis sérieux" and was recorded at Studio de la Madeleine in Paris. The Moulongo session features a who"s who of the Paris scene of the time - Aladji Touré and Toto Guillaume from Cameroon as well as Congolese guitar greats Ngoma Lokito and Nene Tchacou - and combines dancehall, zouk and makossa elements for a pan-African dancefloor sureshot.

R&B singer Yazmin had two albums to her credit in the 90s, released the lost album "A Scent Of Flowers" in 1993 but it's hard to find because it was released scandinavian edition vinyl only at that time, and P-vine has taken the opportunity to reissue it in analogue form for the first time. The album features 13 tracks, including Roy Ayers' 'Everybody Loves The Sunshine' which was well received when released as a single in 2021, a cover of The Emotions' "Best Of My Love', , and the club classic Ray Charles' remake of 'Let Me Take Over'.

In 2006, the slight buzz of a Brooklyn band called El Michels Affair started to sound a bit more like a swarm of killer bees when their instrumental rendition of Wu-Tang Clan’s “C.R.E.A.M.” was released as a 7” vinyl single. The band’s namesake Leon Michels and his production partner Jeff Silverman dropped the single on their boutique label called Truth & Soul, and it created such commotion that it would spawn an entire album of Wu-based covers. In honor of the 15th anniversary of that LP— “Enter The 37th Chamber”—the single is now getting its first vinyl repress in years. “C.R.E.A.M.” is featured on Side A, with its prominent guitars and powerful horns complementing the signature baseline and unforgettable piano hook that practically defined an era of New York hip hop. The B-side “Glaciers of Ice” offers a deeper, melancholic interpretation of the hard-driving “Cuban Linx” banger, with a mood consistent to the A-side, as the drums take a comfortable backseat to the melodic guitars and punchy horn lines. Originally released in 2009, El Michels Affair’s “Enter The 37th Chamber” LP on Fat Beats Records is celebrating its 15th Anniversary in 2024.

Originally released on Fat Beats Records in 2009, El Michels Affair’s landmark album “Enter the 37th Chamber” is celebrating its 15th Anniversary in 2024. Featuring reinterpretations of hip hop anthems from the Wu-Tang Clan, the album took stripped-down, raw hip hop bangers and flipped them into richly-arranged instrumentals. Cover versions of tracks such as “C.R.E.A.M.” and “Can It All Be So Simple” instantly sounded as vintage as the records that RZA had sampled to create the originals, with the familiar melodies and driving rhythms elevated by expertly-arranged horns and strings. The gritty and bottom-heavy style of these analog recordings—dubbed “Cinematic Soul”—has been both widely celebrated and often imitated. El Michels Affair namesake Leon Michels has since gone on to produce for and collaborate with artists as diverse as Adele, Black Thought, Lana Del Rey, and The Carters (Beyonce & Jay-Z). Now 15 years from its initial release, “Enter the 37th Chamber” has proven to be one of the true classic instrumental albums of its era, every bit as enduring as the music it had meant to pay homage to.

Recorded in 1955 for Tom Wilson’s Transition label, "Byrd’s Eye View" was Donald Byrd’s first issued album as a leader featuring the trumpeter at the helm of the line-up of The Jazz Messengers with Hank Mobley, Horace Silver, Doug Watkins, and Art Blakey plus trumpeter Joe Gordon on several tracks. "Byrd’s Eye View" is the first of three reissues from the Transition catalogue that will be released as part of the Tone Poet series in 2023, presented in a single sleeve with a booklet.



BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket. With Booklet.

In her intimate 1992 recording with jazz piano legend Hank Jones, Abbey Lincoln contemplates the subject of love, sounding more optimistic than usual. About "When There is Love" Lincoln noted in 1992: “I have a sombre outlook and assessment of the world in which we live, but I also have love, love for the beautiful man that makes life bearable in an otherwise unbearable world. So this is my offering on the altar of conjugal love.” She offers highly personalized interpretations of four of her originals and ten standards, among which Duke Ellington's "Black Butterfly," "The Nearness of You," "You Came a Long Way from St. Louis," Fats Waller's "Jitterbug Waltz" and "You Won't Forget Me" are most memorable. A truly moving testament from two of jazz's finest artists.



This 140-gram vinyl is the first international vinyl reissue, pressed at Pallas, and is presented in a wide-spine, single-sleeve jacket.

Everybody Loves THE Sunshine is more than a classic. It is “the” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a Sedsoulciety Recordings 7” vinyl, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT
FEATURING THE DUET “7 SECONDS” WITH NENEH CHERRY
WORLDWIDE HIT ALBUM THAT WENT CERTIFIED PLATINUM IN
ITALY, CERTIFIED DOUBLE GOLD IN FRANCE AND CERTIFIED GOLD

IN THE NETHERLANDS AND SPAIN

FOR THE FIRST TIME AVAILABLE AS 2LP-SET
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON
YELLOW, RED & ORANGE MARBLED VINYL

Originally released in 1991, PT House’s debut album ‘Big World’ signaled the arrival of a young Soweto rapper named Nelson Mohale (later better known as Dr House) on South Africa’s early house and kwaito scene. Teaming up with producer Danny Bridgens — an up-and-coming studio hand and session guitarist for the likes of Yvonne Chaka Chaka and Margino, also releasing as The Stone and Leroy Stone — the pair drew influence from US & UK hip-house contemporaries but were determined to give their sound a local flavour, as well as a positive vibe that looked forward to a brighter future. PT House’s four-track debut was a bold statement that still holds up today, reissued for the first time on Afrosynth Records.

15 Heavy Funk Rarities Presented As A Double LP Cold Heat is Eothen “Egon” Alapatt’s a follow-up to the famous Funky 16 Corners set he curated in the early 2000s. And like that one, Cold Heat is overflowing with great bits that had barely (or never) been heard by the rest of the world at large. Egon went through a range of rare singles, masters, and demos and came up with tunes that burn with a brightness that's undeniable. The grooves are all on the harder end of the James Brown Funky People side of the spectrum and some tracks are by names that finally got their due here, thanks to Egon, Now-Again, and some of the other funky forces doing the good work over the years.

THE GROOVE SESSIONS VOL.1 is the compilation of the 3 EPs released by CHINESE MAN between 2004 and 2007 since the creation of the CHINESE MAN RECORDS label.

* 180gram HQ pressing * Remastered from the 1st generation Oasis Records master tape * Lacquer cut by Kevin Gray at Cohearent Audio * First time on vinyl reissue * Pressed on Blue Bubble Vinyl / This is the 3rd solo album by Yon Seok-won, whose career as composer/arranger spans 5 decades, released in 1991. The Mermaid is a monumental work representing Yon’s first output as a pioneer of a unique jazz-based Korean new age/fusion sound. The album has recently become much sought-after among listeners and collectors drawn to the ambient elements and Balearic vibes that permeate the album. At long last, after nearly 30 years, this hidden masterpiece from a visionary composer who was way ahead of his time has been reissued! Yon Seok-won was born in 1949 in Hwanghae Province, in what is now part of North Korea. After his family fled to the South during the Korean War, he grew up in Incheon. In 1969, he met Incheon-born musician Kim Myoung-kil, with whom he formed the soul band ‘Devils’. Playing mainly on the U.S. 8th Army entertainment circuit, the group also dominated music competitions and the club scene. Yon left the band when he was drafted into military service soon after the release of the Devils debut album. As soon as his service was complete, Yon formed and led the Outsiders, a rock band that mixed soul and Latin influences. The outfit’s only album was released in 1975. Yon then went on to join Shin Byoung-ha’s jazz-rock / disco unit, the Four Seasons, while also working on solo material and furthering his career as an arranger. Having built a working relationship with SRB Records at the time, he handled production duties as composer / arranger for various acts such as the folk singer Jung Tae-choon as well as soul-funk singers like Yoon Si-nae and Moon Ji-young. Ever passionate about exploring new music, in 1982 he left behind a promising career as composer / arranger in the domestic gayo scene and went to America to discover a greater world of music. He spent the next 5 years studying jazz and playing local gigs in Hawaii. Upon his return to Korea in 1986, Yon’s broadened musical scope organically found expression on numerous remarkable gayo productions, signaling the start of a new heyday for him. This is plain to see in his work on the albums by various top acts of the time, including In Soon-ee, Lee Eun-ha, Kim Wan-sun, and Kim Beom-ryong. In particular, he demonstrated an unparalleled knack for arranging New Wave-influenced disco tunes as well as ballads that incorporated elements of chamber music. Additionally, since the early 1990s to the early 2000s, Yon has been prolific as a score composer for numerous films and drama series. In 1990, Yon established a musicianship crew of his own, ‘Creation’, which became a steadfast vehicle for him to give form to his musical visions. His jazz-based fusion / new age albums, which threw a fresh new light on Yon and his work, were released during this era. Building on his close working relationship with Oasis Records at the time, in 1991 Yon released his first solo material in 10 years – ‘Mermaid’, while also working as head producer of Shin Hyo-bum’s idiosyncratic jazz-oriented gayo album ‘Jazz: The Outing (1991). Also prolific as an arranger, his career peaked when he participated in hit songs by Lee Moon-sae and Kim Gwang-seok. Ever since the 2000s, Yon has focused mainly on composing scores for drama series. Yon’s extraordinary yet woefully under-documented career saw him pursue a unique musical journey after his beginnings in a soul / rock band in the 70s, after which he infused jazz elements into gayo and realized his greater musical vision. His touch can be found everywhere from 70’s gems to the various gayo hits and score albums of the late 91’s. As such, Yon Seok-won is a mysterious musician whose works are familiar to any gayo lover / collector even while little is known about the man himself. It’s high time for a proper appreciation of Yon and his work.