Organic Grooves Vinyl 291 Items

Late Night Tales reissues the classic and hard-to-find ‘Late Night Tales: Jamiroquai’, compiled by none other than Jay Kay himself. The 10th edition of what is now a classic series of compilations was originally released 20 years ago, and hasn’t been available on vinyl for over 15 years. A blissful collection of soul, disco, jazz, rare groove, and funk, this collection is an electrifying journey through the aural influences of one of the UK’s most seminal jazz bands. Jay Kay showcases a wealth and breadth of inspiration that wouldn’t be amiss on the late-night dancefloors of the Loft (or Giant Steps, for that matter). From The Pointer Sisters’ uplifting and soulful ‘Happiness’ and jazz funk legend Johnny ‘Smith’ Hammond’s ‘Fantasy’ to the anthemic ‘Stay Free’ by Ashford & Simpson and mellifluous ‘Music Of The Earth' by Patrice Rushen, these two discs form a rite of passage into the creative mind of a true musical legend.

Robert Glasper’s 2005 Blue Note debut Canvas signaled the arrival of a singular new voice in jazz and his 2007 follow-up In My Element solidified his status as a rising star who was taking the music someplace new. Featuring bassist Vicente Archer & drummer Damion Reid, the album expanded the possibilities of where a modern jazz piano trio might go by delving further into his hip-hop & gospel roots.

This 2-lp Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.

feat. Dwele & Nigel Hall

Recorded in 1955 for Tom Wilson’s Transition label, "Byrd’s Eye View" was Donald Byrd’s first issued album as a leader featuring the trumpeter at the helm of the line-up of The Jazz Messengers with Hank Mobley, Horace Silver, Doug Watkins, and Art Blakey plus trumpeter Joe Gordon on several tracks. "Byrd’s Eye View" is the first of three reissues from the Transition catalogue that will be released as part of the Tone Poet series in 2023, presented in a single sleeve with a booklet.



BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket. With Booklet.

Fully licensed, heavy vinyl ltd to 500 copies.

‘The Syd Barrett of the avant-jazz scene’ British jazz composer, pianist, songwriter, Mike Taylor died tragically young, leaving just two albums as well as co-writes with Ginger Baker for Cream’s Wheels Of Fire album to his name. In 1973, under the direction of Neil Ardley, several of the performers who had worked with him recorded an album of Taylor’s surviving orchestral music, jazz tunes and songs as a memorial to him and to preserve his work as a composer and song writer for posterity. Taken from Ardley’s master tapes, this is their critically-acclaimed tribute to a master of his art by friends and colleagues, themselves representing a cross-section of the cream of modern British jazz talent of the day.

Mama's Gun is the second studio album by Neo Soul singer Erykah Badu, released in 2000. Covering themes of insecurity, social issues and personal relationships, Badu delivered a highly intimate and personal album that reached Platinum two months after its release.

180g vinyl.

includes remixes by LSB & Hardrock Striker plus the original instrumental versions!

Is this recording an environmental activist art statement or ambient spa music? Maybe both?'

'The fourth release from São Paulo label Lugar Alto is not a Brazilian production but it still has strong ties to the country, it is the psychotomimetically heuristic ambience of The Dreambird by Mitar Subotić (Suba) & Goran Vejvoda. The album was produced in Paris in 1987 and 5 years later was the first release by Suba in Brazil as a limited edition CD put out by the Brazilian Catholic label Paulinas Comep.

The album was made while Goran Vejvoda was living in Paris. Relaxed days were spent sitting around, tinkering with sounds, going out, having lunch, coming back and playing some more. Pascal Humbert, bass player from the French band Passion Fodder, joined the duo for a day. Goran had a Japanese field recording CD called Bird Island Seychelles that contained the exotic bird sounds and sea waves used to create the organic textures of the album. Suba left with the 8-track tapes and rough mix cassettes and adapted the music for a sound art installation/happening by the Danube in Novi Sad where The Dreambird was played, climaxing with a laser show.

Mitar Subotić aka Rex Illusivii aka Suba, was born in 1961 in Yugoslavia. A renowned innovator in his home country but is best known in Brazil for his 1999 CD São Paulo Confessions, a hugely important release that effortlessly walked the line between modern MPB and 90s electronica, influencing a whole generation of Brazilian music makers. Tragically, he died just after it was released and could never benefit from its critical acclaim and success. The Dreambird was recorded in Paris one year before “In the moon cage”, a similar project using the pseudonym Rex Illusivi. This was a recording of exuberant synth scapes, ambient guitar and Yugoslavian folk which was awarded the International Fund for Promotion of Culture from Unesco, and included a three-month scholarship to research Afro-Brazilian rhythms in Brazil. The album was released in 2015 by Ivković’s Offen Music.

It’s challenging to trace the story of this project precisely, very little information is available and what we have are diffused fragments of memory from different actors. So, we return to the initial question: what is The Dreambird? It doesn’t matter if it is either an environmental statement or simply relaxing spa music, what it does is evoke sensations that elevate your mind to a higher and more emotional plane and from there you can travel wherever you like.'

Available on vinyl for the first time since it's original CD-only release in 2007. On black or limited edition forest green with gold double LP, in gatefold jacket with download card. Tenor saxophonist Fred Anderson and drummer Hamid Drake had the closest of relationships, as close as a father and son might have. Their communication was at a higher level musically and emotionally. The music on this album reflects not only their masterful musical skills, but a conversation in music that is exceptionally powerful and unique. For From the River to the Ocean, they assembled a band consisting of fellow Chicagoans to record the most relaxed, perfectly balanced album they made together. It may seem hyperbolic to call From the River to the Ocean Fred Anderson's greatest album, but the empathy and cohesiveness of the ensemble, coupled with the saxophonist's brilliant, searching improvisations, makes it a powerful contender. From the River to the Ocean is an especially varied outing, ranging from Anderson's classic setclosing blues "Strut Time" to the meditative, spiritual, modal track "For Brother Thompson," dedicated to the late trumpeter Malachi Thompson and featuring bassist Harrison Bankhead on brooding piano and Drake chanting in Arabic. The record's title track and the closer, "Sakti/Shiva," find bassist Josh Abrams laying down an astounding bed on guimbri, the threestringed Moroccan acoustic bass familiar to fans of Gnawa music. Another of the album's delights is guitarist Jeff Parker, well known Jazz guitarist as well as member of Tortoise. Here, Parker displays an immense sensitivity and melodic genius, sharing solo spotlight with Bankhead's cello on "From the River to the Ocean" and sculpting a stunning array of shapes on the group's swinging take on Anderson's "Planet E." Underneath it all is Hamid Drake, an intensely creative soul continuing to challenge himself. Drake's growth is not measured in how many different instruments he plays - indeed, he's scaled back his arsenal over the years - but in the depth and musicality of his feeling. On this record he is remarkably light and airy, playing with tremendous delicacy and clarity. Propulsion can be introduced without a pneumatic drill, and Drake instigates an avalanche of rolling forward momentum on the opening moments, inspiring the two basses and guitarist to move, to make something moving, and in turn to further inspire Fred Anderson to some of his most forceful and imaginative playing ever documented. If the individual is a small receptacle of expressivity, a mountain spring if you will, then it is in ideal settings like this one that the springs join forces, turning into streams, then bigger and bigger tributaries, finally swelling into rivers that open into the oceanic creative waterways.

Calypso, kwela, highlife and bebop, a little rock n roll and an Indian mambo, a shango hymn, some Sun Ra-style cha cha cha. A lake in a Johannesburg zoo, a Chinese on the Harrow Road; astronauts and prostitutes, landlords, streetfighters and cricketers.

The music and notes are presented alongside rare artist photographs by Val Wilmer.

The funky fuzzy sounds of West Africa by Orchestre Poly-Rythmo De Cotonou, Super Eagles, Tunji Oyelana & The Blenders, William Onyeabor and others!

Reissue of one of the Ultimate Soukous banger! Originally recorded in 1992 in Paris , « Eki Bis « is a party classic. The chorus « 100 % 100% » became a common expression all over the world helped by the hypnotic guitars of the maestros Diblo Dibala and Rigo Star and a smashing uptempo electro acoustic drum beat. Le Cobra de Sundama is a famous singer from Kinshasa (Democratic Republic of Congo ) who composed more than 12 albums backed by great band such as Empire Bakuba , and was considered as The voice like Kofi Olomide or Papa Wemba mixing lingala and French street expressions. After many concerts and tours allover the continent , he finally settled in Angola . The B side features a Dj / radio edit with the addition of few electro synths . Produced in Paris by the great producer Jacky Toto and now officially licensed . Remastered by The Carvery and pressed on limited 500 Deluxe vinyl copies.

Comet Records is so thrilled to present Psyco on Da Bus 20th Anniversary, for the occasion it will be reissued as a Double Vinyl LP and newly remastered.

Recorded in just few weeks in the US during Tony Allen's Black Voices album tour in Spring 2000, on Doctor L’s G3 in different places as hotels rooms, local studios (Nyc, Toronto) and the tour bus. Doctor L and the members of Tony Allen & Afrobeat 2000 band get the idea of making a collective album alltogether, co-writing both songs and music a nd creating a new spectrum that reflects their different musical backgrounds. Doctor L, Tony Allen, Jean-Phi Dary, Cesar Anot, Jeff Kellner are the “psyco bus” members. Completed later in Paris with guests artists like Smadj, Dom Farkas and Eric Guathier, Psyco On Da Bus project fill the gap between the 70's and the new millenium, blending afrobeat rhythms, gospel & soul vocals, jazz & funk licks with wicked electronics and astonishing production.

From the futuristic funk of “Afropusherman” to the eastern sounds of “Many Questions” or the killer floor filler “Push your mind Breakbeat” , from the underrated spiritual suite “Time To Take A Rest”, hybrid fusion of free jazz, poetry, rare groove and nu-beats, to the outstanding “Never Satisfied”. Last but not least the artwork was created and produced by the talented french graphist designer, filmmaker Edouard Salier. Tony told about his collaboration with Doctor L on this project in 2001: “Younger people are coming into Afrobeat right now. And I personally don't want to be past, I want to be future. Young people like hip-hop, and techno, which is what I must think about. It's the direction I want to take. It's an experiment I've wanted to try. That's why I wanted Doctor L to produce the album.”

• The original album, Remastered by Bernie Grundman
• 5 bonus tracks taken from the original studio session tapes
• 20 page booklet including new liner notes, photos, song notes & lyric

‘Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. To celebrate the 25th Anniversary of the album’s recording, World Circuit will release Special Edition Remaster formats of the album in September 2021, featuring previously unheard tracks, previously unseen photos and new liner notes. The releases will be supported by an international PR & marketing campaign, events and digital initiatives

Türküola continues Manço Mania with the release of Sakla Samanı Gelir Zamanı (Waste Not Want Not) for the second time after 10 years with a fantastic cover that reflects its eclectic aesthetics. The album was originally released by Yavuz Records in Turkey and was actually a compilation of songs previously released in 45 rpm singles. However, Türküola preferred to remove two original songs and place 6 songs like Hal Hal (1980), İşte Hendek İşte Deve (alternative version of Kurtalan Ekspres in 1973) Eğri Büğrü (Recorded in 1979, released as flipside of Hal Hal) and Vur Ha Vur (as flip side of Rezil Dede) and Gülme Ha Gülme (flip side of nazar Eyle-1974 and first time in Sakla Samani LP because it has not been used in the tracklist of 2008 release) instead which made the LP more fascinating than ever. In fact this LP is not the identical reissue of Sakla Samani but Türküola’s interpretation of how it really should be.

it's sabotage again, no more pauls boutique ... brand new instrumental album by the original white boys with able assistance from Keyboard Money Mark and percussionist Alfredo Ortiz

Record Store Day 2022 Drop 1 Release.

Charlie Hunter’s 1995 Blue Note debut „Bing Bing Bing!” was a groove-heavy tour-de-force that marked the arrival of a virtuosic guitarist whose unique concept on his 8-string guitar produced music that was both impressive and irrepressible. Hunter’s trio laid down a program of originals plus an unforgettable cover of Nirvana’s “Come As You Are.”

BLUE NOTE CLASSIC VINYL EDITION: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal

Joe Lovano’s sublime 2003 album „I’m All For You: Ballad Songbook“ found the saxophonist wrapping his ravishing sound around timeless melodies like “Stella By Starlight,” “I Waited For You,” and “Like Someone In Love.” This elegant set also introduced Lovano’s marvelous quartet with pianist Hank Jones, bassist George Mraz, and drummer Paul Motian.

BLUE NOTE CLASSIC VINYL EDITION: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal

A glorious batch of unearthed soul and funk from the early 70s central Ohio scene ... the storming singles of Prix label ... culled from ultra rare 45s plus previous unreleased gems!

Murcof"s first three albums are to be reissued on vinyl to mark the 20th anniversary of the release of his seminal debut album, Martes. Out of print for many years, these albums have been hugely influential in the worlds of minimal and ambient electronic music in their use of modern classical instrumentation, and are significant landmarks in the history of The Leaf Label. Each of the reissues is presented in a new gatefold sleeve featuring updated artwork, with Remembranza and Cosmos featuring fully remastered audio, and Cosmos including a previously unreleased bonus track.

Discover the second album of the emblematic crew Africanism All Stars led by Bob Sinclar and featuring, among others, Bibi, S.U.M.O, Liquid People and Martin Solveig.Including the hits "Heartbeat", "Wintersong" and "Slave Nation".