Organic Grooves Vinyl 172 Items

Essential pick! These buddy's "Baby" was recently covered by Hype Williams on their "Ebony" album, and both tunes are hella fresh!

Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin’ Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.

Spurred on their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brother’s school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.

Vinyl is very close to NM. With insert. With CD.

Record is close to NM.

In 2001, Norah Jones debuted with the now classic album "Come Away With Me", which fused jazz, pop, blues and a touch of country in a very unique way, and made it to multi-platinum status and several Grammy awards.



Norah Jones, who had achieved worldwide fame almost overnight, did not slavishly stick to the successful concept in the years to come, but tried out different sounds and styles again and again, to the delight of her fans. In 2011 she appeared as a guest singer of Danger Mouse and Daniele Luppi for their album "Rome". Inspired by this collaboration, Norah Jone' album "Little Broken Hearts" was created the following year in collaboration with Danger Mouse.



In June, for its 10th anniversary, in addition to the remastered version of the original album, a deluxe edition on 3 LPs or 2 CDs will be released. Additionally to the 12 original songs eight alternative versions and remixes are included and also a complete live recording of the album repertoire, which Norah Jones recorded in 2012 in Austin City Limits, Texas.

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Before No Wave there was China and after China there was Mars. For the first time on vinyl the complete 'Rehearsal Tapes and Alt​-​Takes NYC 1976​-​1978', an incredible document from this era. The rehearsal tapes are a chronological record of the 3 years of Mars' existence, the first year of which was spent forming their sound and musical identity, starting out with a lineup of upright piano, bass, acoustic guitar and percussion before going electric with guitars, bass and drums.

The release comes in a gatefold cover.

Single sided 2015 repress.

15 newly remastered tracks. Great psychedelic brazilian soul!

Got an 8.4 from Pitchfork!

Why you'll love it...
Baltimore, an album originally made for the jazz label CTI, is a deep cut in Nina Simone's catalog. It's truly a lost sound found and we're proud to feature it here in celebration of her 90th birthday.

Limited to 2000 copies, the VMP exclusive version of Nina Simone's Baltimore is pressed on (AAA) 180g Red Marble vinyl at GZ Vinyl. The 1LP will arrive in a gatefold, tip-on, foil-stamped and numbered jacket. The (AAA) lacquers were cut from tapes by Ryan Smith at Sterling Sound.

Kendra Morris' stellar and soulful debut album 'Banshee' is finally back on vinyl for the first time since 2012. Originally released via Wax Poetics, Colemine Records is now proud to make this album widely available again on record shop shelves, right where it should be. Pulling influences from late-60s and early-70s psychedelic R&B and funk, Kendra adds her own rock twist in collaboration with producer/guitarist Jeremy Page. The album is a rich sonic tapestry, with hip-hop references and beats weaving throughout. All of this sets the perfect backdrop for Kendra's known powerhouse vocals. 'Banshee' effortlessly blurs the lines between sounding old and new, and has left a lasting impression over the last decade. Kendra, in her own words, "howls like a banshee... and roars like a wolf."

With his 2012 album Black Radio, Robert Glasper laid out a new paradigm for creative music, reaching beyond entrenched genre boundaries to create a singular vision that drew from all reaches of contemporary black music with his Experiment band and a rollcall of special guests including Erykah Badu, yasiin bey, Lupe Fiasco, Bilal, Lalah Hathaway, Meshell Ndegeocello and others. The 10th Anniversary Deluxe Edition includes the original album plus 3 bonus tracks and the remix EP Black Radio Recovered.

Unique Direct-To-Disc Recordings

2022 reissue. Still sealed. Clear vinyl Limited edition.

Smoove is the archetypal B-Boy made good. Despite his huge international success with Smoove & Turrell and his ability to craft jazz, soul, latin, hip hop and funk into world beating dancefloor killers – he can still be found every weekend he's not playing live jumping on a plane or a train to go and DJ in Germany, Italy, Ibiza or just down to Manchester, Bristol or London wherever his diary tells him he has to go..
Wherever it is, his incredible skills behind the decks mean that he gets asked back and the breadth of the music seamlessly joined by his turntablist skills jumps from disco to funk, jazz to soul, hip hop to house and back again.
The endless flights, trains and hotel rooms are dead time to some DJ's but Smoove is always creating new tunes for his set on the fly and working his different influences into the remixes and productions he is currently on. There were at least 40 remixes that could have been included on this album but in the end he chose the ones that worked best together and made the album flow like one of his legendary DJ sets.

On Seeds, Georgia Muldrow takes a step back and leaves the beatmaking to Otis Jackson Jr., aka Madlib. As producers, Muldrow and Jackson are not worlds apart, so the switch requires no adjustment on the part of the listener. That said, this is one dense and tight set, barely over half-an-hour in length, and it's definitely in contention for Muldrow's most focused, funkiest, and (somewhat ironically) personal release to date. Throughout the record, the emphasis remains heavily fixated on her family as a unit of salvation and purpose. The most direct track of the lot is "Husfriend," where she honors her relationship with Dudley Perkins (a/k/a Declaime, who appears on “The Few”). Muldrow can't quite divorce the planetary and personal issues, heard vividly on "Best Love," which sounds just like a simple, sweet, straight-ahead love song until she starts asking her other half for money to build water wells on three continents ("We can make a difference if we try now"). Overall, Seeds is another left-field deviation in Muldrow's career: it's one of her most captivating and immediate front-to-back statements of purpose as a singer, but it's also the first album where she's handed over all the production duties to somebody else. In celebration of this album’s decenary run, Someothaship Connect is pleased to reintroduce an anniversary edition repress of this captivating release in partnership with Fat Beats.

Detailed liner notes, insert with pictures. Expertly remastered sound.

Vinyl with a couple of light scuffs. Cover closer to NM

Vinyl with foxing. Blue vinyl

Vinyl close to NM

Previously unreleased gem from FINAL DECISIONS out of Detroit's Fast Track studios. 'I don't feel no pain' is presented in both Short and Long versions. Produced by Leonard Jones.'

Hayley does it again with two more previously unreleased tracks from the late, great Emanuel Laskey. "...Hall of fame" and "Different kind of different" were recorded in Los Angeles in 1978 with two of his long time friends, Marvin Gaye and Mel Bolton. Written and produced by the trio, the single features an uptempo song squarely aimed at the dancefloor paired with the more mellow "Different kind of different" - both clearly showcase Emanuel's great voice.

The release of this gorgeous song has been Hayley’s proudest moment since the label began. Beautiful vocals, heartrending lyrics and a string arrangement by the great Marvin Gaye himself make this the epitome of a soul record. Lorretta’s take on “Neither one of us” on the flip makes this a great double header.

Green marbled vinyl and grey marbled 7".

Eddie Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s. This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.

Triple LP version comes with bonus 7”, detailed liner notes (8 page full colour booklet) and free MP3 download.

Conceived by Colombian musician Mario Galeano, the force behind the band Frente Cumbiero, and English producer Will ‘Quantic’ Holland, Ondatrópica brings together an all-star cast representing both the classic and modern styles of la musica Colombiana.

Over 3 weeks in January 2012 at the famous Discos Fuentes studios in Medellín legendary figures from Colombian music joined a group of younger Colombian musicians that included members of both Mario’s band Frente Cumbeiro and Quantic’s Combo Barbaro. The plan; “to re-interpret the tropical musical heritage of Colombia with new approaches in composition, arrangement and production in a classic and mythical setting.”

For the recording Will and Mario were joined by Colombian legends including big-hitting saxophonist Michi Sarmiento, multi-instrumentalist Fruko and accordion-playing don and singer Anibal Velasquez as well as a new wave of Colombian and South American musicians such as Chilean MC Ana Tijoux and El Chongo, a young percussionist and beatboxer from the city of Cartagena on the Caribbean coast.

A mixture of well known and classic Colombian styles such as cumbia, porro, gaita and champeta clash head-on with boogaloo, ska, beat-box, hip hop, dub and funk on the record. The tracks range from straight-up timeless pieces with one foot in the 1960s and 70s to progressive and forward-looking recordings firmly rooted in the 21st century. Mario and Will also adopted a 100% analogue recording approach in tribute to a sound and feel that the studio had been lacking for some years now.

Soundway’s exploration into Colombian music began in 2007 with it’s much acclaimed compilation ‘Colombia! The Golden Age of Discos Fuentes The Powerhouse of Colombian Music 1960-76’. That compilation features many original works from the above-mentioned artists as well as some of the main session men of the day that also played on this new record. It’s fitting then that Ondatrópica came together in the legendary Discos Fuentes studios in Medellín.

All new Bobby Womack LP. Produced by Damon Albarn and Richard Russell!

While Chicha Libre's second album, Canibalismo was inspired by the Peruvian Chicha explosion of the 70's, it also looked back to the cultural Cannibalism dear to Os Mutantes and other Brazilian tropicalists, as well as the production values of late 1960’s rock bands. The group still pays homage to amazonian legends Los Wembler's de Iquitos, Los Mirlos and Manzanita, but mixes it up even more by combining mellotron and vintage synths with West African guitars, treated percussion, fuzztone and some R.D Burman-inspired arrangements. Originally released in 2012, this the first european re-release on vinyl.

The unstoppable, irresistible rhythms and melodies of Antibalas have influenced scores of artists across rock, hip hop, afrobeat and beyond. Born in a Brooklyn warehouse in 1997, 12 piece ensemble Antibalas is credited with introducing Afrobeat to a wider global audience, influencing countless musicians and developing a live show that is the stuff of legend. Members of Antibalas served as musical directors and the house band in the Broadway hit Fela! and penned original music for the show. Members have also recently collaborated/performed with Iron and Wine, Sharon Jones & The Dap-Kings, Mark Ronson, TV on the Radio and The Roots. On the heels of the hit musical Fela!, Antibalas ended up reuniting with former member and producer Gabriel Roth, who was at the helm for their first three albums. This self-titled album was their first on Daptone Records.

Classics by James Brown, Aretha Franklin, Stevie Wonder, Isaac Hayes & others get a rework courtesy of Maceo & The WDR Big Band!

The O'Jays, The Futures, Jean Carn, The Jones Girls. The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

Archie Bell & The Drells, People's Choice, Teddy Pendergrass, Lou Rawls. The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.