Organic Grooves Vinyl 7111 Items

LP | 1970 | UK | Original (Track)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM. With insert and brown paper bag outer sleeve.

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Jimi Hendrix

Band Of Gypsys

125,99 €*

LP | 1974 | US | Original (Just Sunshine)

Release: 1970 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. Cover has slight wear. Puppet sleeve.

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Betty Davis

They Say I'm Different

120,99 €*

LP | 1979 | DE | Original (Kanon)

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Sonic Pressing - Unipak cover and vinyl are Close to VG+.

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Goldfinger

Soundhouse Vol. 1

119,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

John Dummer's Famous Music Band

John Dummer

LP | 1970 | UK | Original (Fontana)

119,99 €*

World Is A Ghetto 50th Anniversary Collector's Black Friday Record Store Day 2023 Vinyl Edition

Release: 1970 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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War

5LP | 1973 | Reissue (Rhino)

118,74 €* 124,99 € -5%

LP | 1977 | JP | Reissue (Crown)

Release: 1973 / Reissue

Genre: Organic Grooves

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Quantity: 2000
Release type: RSD Exclusive Release

The World is a Ghetto was WAR's 1973 funk/R&B/latin fusion jam, which became the top selling record in America that year. It features "Cisco Kid" inspired by the popular mid-century TV show, The title Track, "The World Is A Ghetto" which has been sampled in more than 31 hip hop songs, including tracks by Geto Boys, Ice T-, and A$ap Mob, instrumental jam "City, Country, City," Four Cornered Room, Beetles In The Bog, and Where Was You At. This release features the progressions of the two key tracks (Cisco Kid and The World Is A Ghetto), and alternate takes/reimaginings of the remaining tracks

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Taeko Ohnuki

Sunshower

114,99 €*

LP | 1971 | UK | Original (Vertigo)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing! Record with scuffs and small scratches! Cover with slight storage wear!

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Graham Bond With Magick

We Put Our Magick On You

112,49 €* 149,99 € -25%

LP | 1971 | DE | Original (Vertigo)

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

UK original, first pressing.
Sleeve has light storage wear, LP like new.

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Legend

99,99 €*

LP | 1979 | DE | Original (Not On Label)

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Samll stamp on back cover.

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Varis

99,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | US | Reissue (Chiaroscuro)

Tarika Blue

93,99 €*

Everybody Loves The Sunshine

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. 2020 reissue.

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Roy Ayers Ubiquity

LP | 1976 | US | Original (Polydor)

90,99 €*

LP | 1976 | FR | Original (United Artists)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original inner sleeve. Monarch pressing. Writing on cover.

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Edition Speciale

Allée Des Tilleuls

89,99 €*

La Pocha Y Su Grupo De Flamenco = La Pocha Y Su Grupo De Flamenco

Release: 1976 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with storage wear, a bent corner and small writings on the back! Record with a few scratches!

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Flamenco Ole! = フラメンコ・オーレ!

LP | 1979 | JP | Original (JVC)

87,99 €*

2LP | 1982 | UK | Reissue (Mobile Fidelity)

Release: 1979 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Limited edition. Direct Disk. OBI is missing.

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Alan Parsons Project

Eye In The Sky

85,99 €*

2LP | 1973 | US | Reissue (Mobile Fidelty)

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm Gatefold Sleeve

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Bill Withers

Live At Carnegie Hall

84,99 €*

LP | 1970 | JP | Reissue (Odeon)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl, numbered limited edition!

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The Yardbirds

Five Live Yardbirds

84,99 €*

LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl.

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Miles Davis

Tribute To Jack Johnson

83,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Al Di Meola, John McLaughlin & Paco De Lucia

Friday Night In San Francisco

2LP | 1981 | EU | Reissue (Impex)

82,99 €*

12" | 1980 | UK | Original (Grapevine)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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• Mastered by Bernie Grundman from the original analogue master tapes!
• Numbered Limited Edition 100% Analog 180-gram vinyl LP!
• Limited to only 3,000 numbered copies!
• Plated and pressed at RTI, supervised by Rick Hashimoto

Everything you've loved about this iconic, reference-defining recording is laid bare, reproduced with stunning fidelity and nuance. Featuring all-analog mastering byChris Bellman at Bernie Grundman Mastering and an exclusive foil-stamped jacket for this very special release. This Di Meola-McLaughlin-De Lucia classic could only come from the LP fetishists at Impex Records.

Listen as Impex's 180-gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.

Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...[it] may be considered the most influential of all live acoustic guitar albums. All the tracks except "Guardian Angel" were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.

This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.

Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.

Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.

John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time." After contributing to several key British groups of the early sixties and making his first solo record, he moved to the U.S. where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums: In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.

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Leo's Sunshipp

Give Me The Sunshine

82,99 €*

Release: 1980 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Peter Giger - Günter Lenz - Eddy Marron

Where The Hammer Hangs

LP | 1978 | DE | Original (Nagara)

82,64 €* 86,99 € -5%

LP | 1982 | JP | Original (Universal Music Japan)

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Tiny sticker rip off on front cover.

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Imitation

Muscle And Heat

80,99 €*

2LP | 1973 | US | Reissue (Analogue Productions)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Steve Scales (Per) and Drutti McDonald (Vo) who also participated in Talking Heads, as well as Sandy and Makoto Kubota, are the pinnacle of world music produced by Japanese people.

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Herbie Hancock

Headhunters

80,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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2LP | 1989 | US | Reissue (Acoustic Sounds)

John Lee Hooker

The Healer

80,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | AR | Original (Sazam)

Serú Girán

Grasa De Las Capitales

79,99 €*

LP | 1970 | US | Original (Gordy)

Release: 1979 / AR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Cover with strong wear and writings on the front! Record shows scuffs and some scratches!

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The Temptations

Psychedelic Shack

79,99 €*

LP | 1987 | UK | Original (Leo)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

DJ Promo.
Cover with small seam split.
Record has some hairlines and a few superficial scratches.

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Tibor Szemzo

Snapshot From The Island

79,99 €*

LP | 1983 | US | Original (Heat)

Release: 1987 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Cover with slight storage wear and small sticker residue on the back!
Record with some scratches on both sides!

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Sexual Harrassment

I Need A Freak

77,99 €*

2LP | 1988 | JP | Reissue (Sony Music Japan)

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Junko Ohashi

Question

77,99 €*

Release: 1988 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-09

M. Muraoka & New Symphonette

Fantastic Bamboo Flute Best Collection = 魅惑のポップ尺八ベスト・コレクション

LP | 1975 | JP | Original (Columbia)

77,99 €*

LP | 1976 | JP | Reissue (Universal Music Japan)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with insert. Vinyl closer to NM and cover to VG+

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Mikio Masuda

Mickey's Mouth

77,89 €* 81,99 € -5%

LP | 1988 | UK | Original (5 Hours Back)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Mikio Masuda, who went to the U.S. as an independent member of Terumasa Hino's group, formed the crossover/fusion group 'Mickey's Mouth' after returning to Japan. This is the band's first album, featuring mainly original compositions.

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Roky Erickson

Openers

76,99 €*

Release: 1988 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1981 | JP | Original (Invitation)

Shoody

Tomorrow's Child

76,99 €*

Clube Da Esquina Volume 2

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Includes OBI.

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Milton Nascimento

2LP | 1978 | BR | Reissue (Polysom)

75,99 €*

7LP+Box Set | 1973 | JP | Original (Odeon)

Release: 1978 / BR – Reissue

Genre: Organic Grooves

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The release is on 180g vinyl and in a gatefold cover. Milton's second volume of tracks cut with his legendary "corner club" – with a very similar approach to the landmark first volume! Loads of great artists make guest appearances on here, like Lo Borges, Wagner Tiso, Toninho Horta, and Chico Buarque – and the production has haunting blend of baroque, jazz, and soul that we can only define as "Nascimento like"! A really fitting companion to the first volume, and a double-length set with tracks that include "E Dai", "Pao E Agua", "Canoa, Canoa", "Credo", "Nascente", "Meu Menino", "Que Bom, Amigo",

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Charlie Parker

Charlie Parker On Dial

73,99 €*

Sings The George & Ira Gershwin Songbook

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese box set with Obi and booklet.

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Ella Fitzgerald

Box | 1985 | Reissue (Not Now)

73,99 €*

Release: 1985 / Reissue

Genre: Organic Grooves

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LP | 1977 | US | Original (Pablo)

Ray Bryant

Solo Flight

73,14 €* 76,99 € -5%

Sagisu Shiro With Somethin'special

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Light ring wear on cover

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Eyes

LP | 1979 | JP | Reissue (Tokuma)

72,99 €*

LP | 1980 | JP | Reissue (Teichiku)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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* The long-awaited LP analog reissue of the album 'eyes' * Includes Obi Strip

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Judy Anton

Smile

72,99 €*

LP | 1982 | JP | Reissue (Columbia)

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Pop

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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.

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Yumi Murata

Himiko

71,99 €*

LP | 1983 | JP | Reissue (Tokuma)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Pop

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Yumi Murata’s second album with Mariah.
It’s a beautiful, stateless ambient record with its halting vocals, which reflect the sonic experiments of Shimizu Yasuaki.

Mariah, at a time when she was leaning towards hard rock; she used this song as a starting point to steer her into the new wave.

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Beers

Mistress

70,99 €*

LP | 1977 | US | Original (Pablo)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The only album by Megumi Saito and Yoko Hashimoto, released in 1983. Together with prominent musicians, Kazuo Shiina, who was active as a regular member of Tatsuro Yamashita's band, Hiromasa Suzuki, who was active across genres, Hiroshi Shinkawa, who later worked on Omega Tribe and others, participated as an arrangement team, and you can hear an urban sound full of city feeling. Includes 10 songs including 'Kowareta Wiper', the only single with a comfortable mellow disco groove, and 'Lucky Strike Man' with a reggae taste.

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Ray Bryant

Solo Flight

70,99 €*

12" | 1988 | US | Original (N.A.M.E. Brand Record Company)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Plunky Nkabinde

World Class Sax

69,99 €*

LP | 1981 | DE | Original (Wunderwerke)

Release: 1988 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG

Still sealed.
Cover corners slightly dented, faint storage abrasions visible through shrink.

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Supersempfft

Metaluna

69,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | UK | Original (Vertigo)

Graham Bond With Magick

We Put Our Magick On You

69,99 €*

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Nicht Stehenbleiben / Move Your Ass In Time

Real Ax Band

LP | 1977 | DE | Original (April)

67,99 €*

Baby Love (12" Remix Ben Liebrand)

Release: 1977 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with light ring wear on the back.

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Tatjana

12" | 1987 | EU | Original (Ariola)

66,99 €*

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Kifu Mitsuhashi & Kiyoshi Yamaya

Shakuhachi Mountain Poetry

LP | 1976 | JP | Reissue (Columbia Japan)

65,99 €*

Kyohei Tsutsumi & His 585 Band

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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First released in 1976, 'Shakuhachi Mountain Poetry' is one of a two part album collaboration between Shakuhachi master, Kifu Mitsuhashi and jazz musician, Kiyoshi Yamaya. Together, the two artists blended their individual musical disciplines to compose an album that beautifully captures the spirit of both traditional Japanese folk music and jazz. Don't miss out on this incredibly unique Japanese-jazz fusion record!

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Hit Machine

LP | 1986 | JP | Reissue (Universal Music Japan)

65,99 €*

Just Be Strong / Give It Up

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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Kyohei Tsutsumi, a composer and arranger representing the Japanese music world, led the masked disco unit Kyohei Tsutsumi AND HIS 585 Band in 1976, making full use of the best technology for audio fans [Toshiba Pro-use series]. This rare and legendary album is now being reprinted for the first time! 'Hit Machine' is a disco-arranged project that includes not only self-composed songs, but also various covers of disco hits.

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The Artistic Sounds

7" | 1977 | US | Original (Savoy)

64,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Around The World In A Day

Prince

LP | 1985 | US | Reissue (Warner)

63,99 €*

Release: 1985 / US – Reissue

Genre: Organic Grooves

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A Tribute To Jack Johnson

Miles Davis

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

62,99 €*

An Evening With The Devil

Release: 1970 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
MOBILE FIDELITY’S NUMBERED-EDITION 180G SUPERVINYL LP PRESENTS 1971 LANDMARK IN EXUBERANT, FULL-RANGE SOUND

Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl’s nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything — from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio — in reference fashion.

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences long-time fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires.

Utilizing wah-wah and distortion, the go-to instrumentalist of the performances— guitarist John McLaughlin — attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson< cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record’s creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.

The least-well-known masterpiece of Davis' career, the 1971 record — seamlessly assembled and spliced together by producer Teo Macero — was a victim of limited record-label promotion. Audiences also didn’t immediately know what to make of its original cover art — faithfully replicated here. In addition, the powers that be at Columbia Records were directing the public’s attention to Miles at Fillmore, a completely different kind of album guided by two keyboardists. A Tribute to Jack Johnson practically lives in a different universe, one from the future. To many listeners who did manage to hear it — among them critic/musician Robert Quine, Stooges leader Iggy Pop, and renowned critic Robert Christgau — it surpassed everything that came before.

Indeed, Davis treated it as a personal manifesto: An opportunity to salute the Black championship boxer admired for his threatening image to the establishment and impeccable taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson — a stance mirrored by the defiant music, which hits with a prize fighter's force and reflects the graceful elegance with which a pugilist navigates the ring — and closes the album with a Johnson quote read by Brock Peters.

Inspired not only by Johnson but by Jimi Hendrix and Sly Stone, Davis changed his approach and his band. He surrounds himself with a cadre of musicians in their 20s and, in the case of bassist Michael Henderson, a 19-year-old fresh from touring with Stevie Wonder. Henderson gives Davis what he requested: boogie-based grooves that don’t lose shape or direction. Soprano saxophonist Steve Grossman, drummer Billy Cobham, and organist Herbie Hancock adhere to a similar aesthetic that prizes brazenness, innovation, and energy.

In that vein, during a portion of “Yesternow,” Davis segues into a separate performance (which became known in its entirety as “Willie Nelson”) played by guitarists McLaughlin and Sonny Sharrock, bass clarinetist Bernie Maupin, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. Dig it!

Talking with jazz scholar Bill Milkowski — who himself noted how McLaughlin’s unrestrained style, decibel-forward volumes, and rapid-fire power chords engendered himself to the rock crowd at the same time that his harmonics and syncopation still definitely made him a jazz player — guitarist Henry Kaiser summed up part of the appeal of A Tribute to Jack Johnson as well as anyone, saying: “It’s a jazz record that way way more open than other jazz records at the time, but still not free jazz. [McLaughlin’s] rhythm guitar playing on ‘Right Off’ — the use of different chords in a rock shuffle than what anybody had used before — was revolutionary.”

And to think that’s just one aspect of a record that contains multitudes. “Never let them forget it.” Indeed.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.

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Wendell Harrison

LP | 1973 | JP | Reissue (Deep Jazz Reality / Tribe / Octave-Lab)

61,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (Epic)

Mtume

Kiss This World Goodbye

LP | 1974 | Reissue (Lgp Alpha Music)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Terre Haute pressing. Writing on cover. Original inner sleeve.

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Izumi Yukimura

Super Generation

Release: 1974 / Reissue

Genre: Organic Grooves

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LP | 1975 | US | Original (MCA)

Lynyrd Skynyrd

Nuthin' Fancy

Electrif Lycanthrope (Be•Bop Deluxe)

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

a few tiny tears in top spine. Gloversville press. Original inner sleeve

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Little Feat

LP | 1975 | US (The Amazing Kornyfone Record Label)

LP | 1970 | DE | Reissue (Warner Bros.)

Release: 1975 / US

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is cut and taped. Vinyl is close to NM.

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Van Morrison

Moondance

LP | 1987 | JP | Reissue (Lawson)

Release: 1970 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1997 reissue. Limited edition. With insert.

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Milk

Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1987 * Pressed on Black Vinyl * Featuring Hideki Saijo and Tomoko Aran The only album 'Milk' by the sister unit Milk that incorporates the Pre-house sound. Also active as a backing singer for Hideki Saijo and Tomoko Aran. Released as an independent album in 1987, this album is a remarkably re-evaluated Japanese boogie in recent years, a phantom rare edition. The long-awaited re-press has been decided!

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Charlie Parker

2LP | 1977 | US | Reissue (Rockbeat)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Dizzy Gillespie With The Orchestra

One Night In Washington

LP | 1983 | US | Original (Elektra Musician)

LP | 1978 | EU (Funky Planet)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original.

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Ron Everett

The Glitter Of The City

Release: 1978 / EU

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | IT | Original (Memory)

Cheaps

Moliendo Café

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Allman Brothers Band At Fillmore East

The Allman Brothers Band

2LP | 1971 | JP | Original (Atlantic)

LP | 1974 | US | Original (Reprise)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl with scuffs and hairlines

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The Meters

Rejuvenation

2LP | 1975 | UK | Reissue (BGP)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.

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Johnny Hammond

Gears

58,99 €*

Hot Is Cool Blue Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl. Still in shrink but opened. Tiny wear. 2015 reissue.

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Horii Katsumi Project

LP | 1987 | JP | Reissue (Sony Music Japan)

57,99 €*

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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Jiro Inagaki And Soul Media

In The Groove White Coloured Vinyl Edition

12" | 1973 | EU | Reissue (Columbia Japan)

57,99 €*

LP | 1976 | JP | Reissue (P-Vine)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.

Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.

This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”

Text by Yusuke Ogawa (universound/deep Jazz Reality)

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The Ultimates

You're My Lady

56,99 €*

12" | 1979 | US | Original (Showboat)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Well known as a super rare vinyl of sweet soul will be reissued again by P-vine! originally issued by the TSG records in 1976 according to producer Bruce Clark, TSG's LP is bootleg as well as The Topics

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Strait Jacket

Fun

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Rare!

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Charles Mingus

Mingus At Antibes

Freddie Hubbard & Stanley Turrentien

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun

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In Concert

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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2LP | 1975 | EU | Reissue (Speakers Corner)

Herbie Hancock

Flood

LP | 1974 | US | Original (People)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne

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Maceo & The Macks

LP | 1977 | JP | Reissue (King)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Original US Sonic pressing.

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Piranha Gundan

That's The Way Of The World

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The "Piranha Gundan" was established in 1975 by Toei actors. The actors, who support the Toei production by playing roles in movies and TV dramas, naturally gathered for booze ups. Masaru Shiga, a member of the group, named them "Piranha Kai" with a dream to one day playing main roles in movies.

The gang benefited from the positive publicity generated by Takuzo Kawatani and Hideo Murota's appearance in the drama "Zenryaku Ofukuro-sama," broadcast from October 1975. This gradually brought the other corps members to the attention of the public. The release of "Violent Panic: The Big Crash" and "A Savage Beast Goes Mad" (both released in 1976), in which corps actors played major roles, contributed to the continued growth of the Piranha Gundan boom. In 1977, the movie "The Smart Aleck Ten" was released, starring all members.

This album was released in April 1977. Folk singer Kan Mikami, who was also active as an actor, conceived the idea of producing a Piranha Gundan record at a party with Tsunehiko Watase. With the exception of M-2 "Mura Uta ~Washashiranbushi~" and M-4 "Ore (Re-o)," 11 songs were written and composed by Kan Mikami. The album was arranged by Jun Sato and Ryuichi Sakamoto, who also played keyboards. Other musicians who contributed to the album include Shuichi Murakami, Tetsuro Kashibuchi, Tsugitoshi Goto, Nobu Saito, and others.

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Earth, Wind & Fire

LP | 1975 | US | Reissue (Impex)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Acoustic Sounds)

Tommy Flanagan

Overseas Mono Edition

Release: 1978 / US – Reissue

Genre: Organic Grooves

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12" | 1983 | UK | Original (Passion)

Sun Palace

Winning

LP | 1976 | JP | Reissue (P-Vine)

Release: 1983 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Record has some hairlines.
Ships in a label sleeve with small sticker.

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The Topics

Giving Up

LP | 1971 | US | Original (Impulse!)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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Mel Brown

Mel Brown's Fifth

Jiro Inagaki & Soul Media

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with small punch hole

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Onna Tomodachi (Wandering Birds)

LP | 1971 | JP | Reissue (Nippon Columbia)

High Flying Clear Purple Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.

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Hiromasa Suzuki

LP | 1976 | JP | Reissue (Nippon Columbia)

Smile Clear Sky Blue Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.

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Takeo Moriyama

LP | 1981 | JP | Reissue (Nippon Columbia)

Jiro Inagaki & Soul Media

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.

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Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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Shigeo Sekito

LP | 1975 | JP | Reissue (Nippon Columbia)

Love Life w/ Damaged Sleeve

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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The song "The Word II" was sampled by Mac DeMarco on “Chamber of Reflection" and by Travis Scott and Quavo's project Huncho Jack on "How U Feel." This sampling led to the song becoming widely recognized around the world. The reissue of Shigeo Sekito's masterpiece includes the song. This is the most listened to Electone album in the world, attracting attention from a diverse range of musical genres, including hip-hop, Balearic, and dream pop.

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Cindy

LP | 1986 | JP | Reissue (Universal Music Japan)

53,99 €*

LP | 1970 | Reissue (Universal)

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1986 release
Japanese pressing

Cindy is a female vocalist who has worked with Tatsuro Yamashita and Yumi Matsutoya as a backing singer.

Her music has been used in many scenes in the anime 'Mezong Ikkoku' as background music, probably due to the fact that she debuted in the opening the

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Picture
Coming Soon

Jackson 5

Abc

53,99 €*

Release: 1970 / Reissue

Genre: Organic Grooves

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3LP | 1976 | EU | Reissue (Motown)

Stevie Wonder

Songs In The Key Of Life

52,99 €*

LP | 1981 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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180g vinyl

- "Love's in Need of Love Today" sampled by Blackstreet for "Love's in Need",
Busta Rhymes & Erykah Badu for "One",
George Michael for "Love's in Need of Love Today",
Kwame for "Can U Feel It?" and
X-Clan for "Ooh Baby"

- "Sir Duke" sampled by A Tribe Called Quest for "Footprints" and
DJ Jazzy Jeff & the Fresh Prince for "Let's Get Busy Baby"

- "I Wish" sampled by Will Smith for "Wild Wild West"

- "Knocks Me off My Feet" sampled by Ja Rule for "Thug Lovin'" and
ODB for "Shimmy Shimmy Ya"

- "If It's Magic" sampled by Craig Mack for "Making Moves with Puff"

- "Ordinary Pain" sampled by Erykah Badu for "Penitentiary Philosophy"

- "Pastime Paradise" sampled by Coolio for "Gangsta Paradise",
Cru for "Up North",
Gangsta Blac for "Blaze Up Anotha One",
Mary J. Blige for "Time" and
Three 6 Mafia for "3 6 in the Morning"

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Bill Withers

Greatest Hits

52,99 €*

Inner Feelings Deluxe Edition

Release: 1981 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited/numbered

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Roy Porter Sound Machine

LP+7" | 1975 | JP | Reissue (P-Vine)

51,99 €*

LP+7" | 1971 | JP | Reissue (P-Vine)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

After spending the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971. Four years later, he followed that up with “Inner Feelings”. Listeners back then had to wait four years for the sequel, but you don’t have to wait at all!

The seven-man band, with its powerful horns and phat grooves, is no doubt worthy of the name ‘Sound Machine’ Praise has been sung of this record in and among rare groove circles for over three decades, with mere rumors of original copies being enough to cause collectors to begin salivating. Album opener, “Party Time”, begins with an almost mechanical drum break - a groove so tight, you just might think Roy Porter is a metronome. Jpegmafia certainly thought so, sampling the drum beat on “Free the Frail”. Fans of classic hip-hop may also recognize “Panama”, not just for its beautiful melody and iconic groove, but from DJ SPINNA’s hit-song “rock”. The re-recorded version of “Jessica” adds vocals and a touch of melancholy to the jazz-funk classic. It’s still danceable, but it might also make you stop and think for a second. Album closer, “Out on the Town Tonight”, takes the funk one step further, with an even larger horn section, and fiery solos. Yet throughout the whole album, the drumming remains steadily funky, a reminder that Roy Porter sits at the heart of the Sound Machine.

With the LP reissued on clear blue vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a re-edit by the legendary DJ Muro, and the nearly impossible to find vocal version of “Panama”, this reissue is no doubt going to be legendary! Don’t miss this iconic album, reissued for the first time on clear blue vinyl with a 7” record, available only from P-vine Records!

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Roy Porter Sound Machine

Jessica Deluxe Edition

51,99 €*

2LP | 1980 | UK | Reissue (Pure Pleasure)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

Roy Porter spent the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy, quickly becoming a sought-out drummer in the blossoming bebop scene before disappearing from the music industry. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971.

There’s no doubt that his early work in the bebop scene would alter the shape of jazz to come, but it’s his work with Roy Porter Sound Machine where you can really hear the iconic drummer let loose. Recorded at the age of 50, Roy Porter is no longer content to sit back and let others take the spotlight, and his drumming has all the fervent energy of a young drummer who just moved to New York. The title track and album opener, “Jessica” (supposedly written for his girlfriend at the time) quickly became a jazz-funk classic, making appearances on ‘Inner Feelings’ (1975) and ‘Generations’(1994). Throughout the album, Porter shows his incredible talent, whether it’s the downtempo cool swing of “Hip City”, the almost maniacal drum solo on “Drums for Daryl”, or the Jobim-inspired Afro-cuban “Ooh-La-La”. It seems implausible that this was Porter’s first recorded material in over a decade, and one of his first albums as a leader, but it is. With original pressings going for over a thousand dollars on the second-hand market, there’s no doubt that this record is worth its weight in gold.

With the LP reissued on clear yellow vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a vocal version of “Jessica”, and a remix by the one and only Kenny Dope, this reissue has “Deluxe” written all over it. Don’t miss this legendary album, reissued for the first time on clear yellow vinyl with a 7” record, available only from P-vine Records!

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Pharoah Sanders

Journey To The One

51,99 €*

2LP | 1981 | UK | Reissue (Pure Pleasure)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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* 180 gram double LP with gatefold sleeve

* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

* What separates this LP from others is that it is a group playing under his leadership where he gives all others close to equal billing.

* A jazz essential with plenty of incorporated nontraditional instrumentation

* One of his best recording from his post Impulse career.

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Horace Tapscott

Dial 'B' For Barbra

50,99 €*

2LP | 1973 | US | Reissue (Pure Pleasure)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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The best of pianist Horace Tapscott's recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott's originals plus a 19½-minute version of Linda Hill's "Dem Folks". Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and the performances have a momentum of their own. Scott Yanow/AMG A great group recording from pianist Horace Tapscott – recorded in LA in the early 80s, but done with all the righteousness and spirituality of his earlier albums! Tracks are long and exploratory, but also relatively lyrical too – stretching out with a style that's never too 'outside', and which has Horace and the group really soaring to the heavens on the best moments! The group here is a sextet – with the great Gary Bias on alto and soprano saxophone, plus Sabir Matteen on tenor, Reggie Bullen on trumpet, Roberto Miguel Miranda on bass, and Everett Brown on drums and percussion – all working with a cohesiveness that reminds us of some of Tapscott's larger group recordings, but with a cleaner, leaner kind of feel. Titles include "Lately's Solo", "Dial B For Barbara", and "Dem Folks".

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Clifford Jordan Quartet

Glass Bead Games

50,99 €*