Organic Grooves Vinyl 5670 Items

12" | 1987 | US | Original (Riovista)

Release: 1970 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. Cover has slight wear. Puppet sleeve.

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Girly

Trouble

124,99 €*

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1974 | US | Original (Just Sunshine)

Betty Davis

They Say I'm Different

120,99 €*

John Dummer's Famous Music Band

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Sonic Pressing - Unipak cover and vinyl are Close to VG+.

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John Dummer

LP | 1970 | UK | Original (Fontana)

119,99 €*

World Is A Ghetto 50th Anniversary Collector's Black Friday Record Store Day 2023 Vinyl Edition

Release: 1970 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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War

5LP | 1973 | Reissue (Rhino)

112,49 €* 124,99 € -10%

12" | 1989 | US | Original (Sheik)

Release: 1973 / Reissue

Genre: Organic Grooves

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Quantity: 2000
Release type: RSD Exclusive Release

The World is a Ghetto was WAR's 1973 funk/R&B/latin fusion jam, which became the top selling record in America that year. It features "Cisco Kid" inspired by the popular mid-century TV show, The title Track, "The World Is A Ghetto" which has been sampled in more than 31 hip hop songs, including tracks by Geto Boys, Ice T-, and A$ap Mob, instrumental jam "City, Country, City," Four Cornered Room, Beetles In The Bog, and Where Was You At. This release features the progressions of the two key tracks (Cisco Kid and The World Is A Ghetto), and alternate takes/reimaginings of the remaining tracks

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Dreams Come True

Sweet Magic

99,99 €*

Release: 1989 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1971 | DE | Original (Vertigo)

Legend

99,99 €*

12" | 1986 | DE | Original (Transparent)

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Samll stamp on back cover.

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Fragile

We've Got Tonight, Boy

99,99 €*

LP | 1971 | UK | Original (Vertigo)

Release: 1986 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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Graham Bond With Magick

We Put Our Magick On You

97,49 €* 149,99 € -35%

Indigos Indigo Purple Vinyl Edition

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

UK original, first pressing.
Sleeve has light storage wear, LP like new.

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Duke Ellington

2LP | 1989 | US | Reissue (Impex)

93,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Everybody Loves The Sunshine

Roy Ayers Ubiquity

LP | 1976 | US | Original (Polydor)

90,99 €*

LP | 1976 | FR | Original (United Artists)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original inner sleeve. Monarch pressing. Writing on cover.

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Edition Speciale

Allée Des Tilleuls

89,99 €*

2LP | 1982 | UK | Reissue (Mobile Fidelity)

Release: 1976 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with storage wear, a bent corner and small writings on the back! Record with a few scratches!

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Alan Parsons Project

Eye In The Sky

85,99 €*

2LP | 1973 | US | Reissue (Mobile Fidelty)

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm Gatefold Sleeve

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Bill Withers

Live At Carnegie Hall

84,99 €*

LP | 1970 | JP | Reissue (Odeon)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl, numbered limited edition!

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The Yardbirds

Five Live Yardbirds

84,99 €*

LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl.

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Miles Davis

Tribute To Jack Johnson

83,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1982 | JP | Original (Universal Music Japan)

Imitation

Muscle And Heat

80,99 €*

2LP | 1973 | US | Reissue (Analogue Productions)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Steve Scales (Per) and Drutti McDonald (Vo) who also participated in Talking Heads, as well as Sandy and Makoto Kubota, are the pinnacle of world music produced by Japanese people.

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Herbie Hancock

Headhunters

80,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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2LP | 1989 | US | Reissue (Acoustic Sounds)

John Lee Hooker

The Healer

80,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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LP | 1986 | JP | Reissue (Island)

Robert Palmer

Double Fun

Arthur Verocai Half-Speed Mastered Edition

Release: 1986 / JP – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

No Obi, with insert.

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Arthur Verocai

LP | 1972 | EU | Reissue (Mr Bongo)

LP | 1970 | US | Original (Gordy)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition for Record Store Day 2017! Seems unplayed.

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The Temptations

Psychedelic Shack

LP | 1987 | UK | Original (Leo)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

DJ Promo.
Cover with small seam split.
Record has some hairlines and a few superficial scratches.

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Tibor Szemzo

Snapshot From The Island

LP | 1983 | US | Original (Heat)

Release: 1987 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Cover with slight storage wear and small sticker residue on the back!
Record with some scratches on both sides!

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Sexual Harrassment

I Need A Freak

77,99 €*

2LP | 1988 | JP | Reissue (Sony Music Japan)

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Junko Ohashi

Question

77,99 €*

Release: 1988 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-09

LP | 1988 | UK | Original (5 Hours Back)

Roky Erickson

Openers

76,99 €*

Release: 1988 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clube Da Esquina Volume 2

Milton Nascimento

2LP | 1978 | BR | Reissue (Polysom)

75,99 €*

2LP | 1972 | JP | Reissue (Rolling Stones)

Release: 1978 / BR – Reissue

Genre: Organic Grooves

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The release is on 180g vinyl and in a gatefold cover. Milton's second volume of tracks cut with his legendary "corner club" – with a very similar approach to the landmark first volume! Loads of great artists make guest appearances on here, like Lo Borges, Wagner Tiso, Toninho Horta, and Chico Buarque – and the production has haunting blend of baroque, jazz, and soul that we can only define as "Nascimento like"! A really fitting companion to the first volume, and a double-length set with tracks that include "E Dai", "Pao E Agua", "Canoa, Canoa", "Credo", "Nascente", "Meu Menino", "Que Bom, Amigo",

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The Rolling Stones

Exile On Main St.

74,99 €*

LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. OBI is missing. Vinyl is very close to NM. 1979 reissue. Original inner sleeve and insert. Tiny wear.

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Miles Davis

On The Corner

74,99 €*

Al Di Meola, Hon Mclaughlin, Paco De Lucia

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-02

SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Friday Night In San Francisco

2LP | 1981 | EU | Reissue (Impex)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Indigos Black Vinyl Edition

Duke Ellington

2LP | 1989 | US | Reissue (Impex)

Release: 1989 / US – Reissue

Genre: Organic Grooves

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7LP+Box Set | 1973 | JP | Original (Odeon)

Charlie Parker

Charlie Parker On Dial

Sings The George & Ira Gershwin Songbook

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese box set with Obi and booklet.

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Ella Fitzgerald

Box | 1985 | Reissue (Not Now)

Release: 1985 / Reissue

Genre: Organic Grooves

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Dionne Warwick Collection -Her All-Time Greatest

Dionne Warwick

2LP | 1972 | US | Reissue (Friday Rights Mgmt)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Peter Giger - Günter Lenz - Eddy Marron

Where The Hammer Hangs

LP | 1978 | DE | Original (Nagara)

73,94 €* 86,99 € -15%

LP | 1976 | JP | Reissue (Universal Music Japan)

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Tiny sticker rip off on front cover.

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Mikio Masuda

Mickey's Mouth

73,79 €* 81,99 € -10%

LP | 1982 | JP | Reissue (Columbia)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Mikio Masuda, who went to the U.S. as an independent member of Terumasa Hino's group, formed the crossover/fusion group 'Mickey's Mouth' after returning to Japan. This is the band's first album, featuring mainly original compositions.

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Yumi Murata

Himiko

71,99 €*

LP | 1983 | JP | Reissue (Tokuma)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Pop

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Yumi Murata’s second album with Mariah.
It’s a beautiful, stateless ambient record with its halting vocals, which reflect the sonic experiments of Shimizu Yasuaki.

Mariah, at a time when she was leaning towards hard rock; she used this song as a starting point to steer her into the new wave.

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Beers

Mistress

70,99 €*

12" | 1988 | US | Original (N.A.M.E. Brand Record Company)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The only album by Megumi Saito and Yoko Hashimoto, released in 1983. Together with prominent musicians, Kazuo Shiina, who was active as a regular member of Tatsuro Yamashita's band, Hiromasa Suzuki, who was active across genres, Hiroshi Shinkawa, who later worked on Omega Tribe and others, participated as an arrangement team, and you can hear an urban sound full of city feeling. Includes 10 songs including 'Kowareta Wiper', the only single with a comfortable mellow disco groove, and 'Lucky Strike Man' with a reggae taste.

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Plunky Nkabinde

World Class Sax

69,99 €*

LP | 1981 | DE | Original (Wunderwerke)

Release: 1988 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG

Still sealed.
Cover corners slightly dented, faint storage abrasions visible through shrink.

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Supersempfft

Metaluna

69,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | UK | Original (Vertigo)

Graham Bond With Magick

We Put Our Magick On You

69,99 €*

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | US | Original (Philadelphia International)

The O'Jays

Back Stabbers

66,99 €*

Baby Love (12" Remix Ben Liebrand)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Slight wear. Original US pressing.

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Tatjana

12" | 1987 | EU | Original (Ariola)

66,99 €*

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Kifu Mitsuhashi & Kiyoshi Yamaya

Shakuhachi Mountain Poetry

LP | 1976 | JP | Reissue (Columbia Japan)

65,99 €*

Kyohei Tsutsumi & His 585 Band

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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First released in 1976, 'Shakuhachi Mountain Poetry' is one of a two part album collaboration between Shakuhachi master, Kifu Mitsuhashi and jazz musician, Kiyoshi Yamaya. Together, the two artists blended their individual musical disciplines to compose an album that beautifully captures the spirit of both traditional Japanese folk music and jazz. Don't miss out on this incredibly unique Japanese-jazz fusion record!

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Hit Machine

LP | 1986 | JP | Reissue (Universal Music Japan)

65,99 €*

Around The World In A Day

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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Kyohei Tsutsumi, a composer and arranger representing the Japanese music world, led the masked disco unit Kyohei Tsutsumi AND HIS 585 Band in 1976, making full use of the best technology for audio fans [Toshiba Pro-use series]. This rare and legendary album is now being reprinted for the first time! 'Hit Machine' is a disco-arranged project that includes not only self-composed songs, but also various covers of disco hits.

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Prince

LP | 1985 | US | Reissue (Warner)

63,99 €*

Release: 1985 / US – Reissue

Genre: Organic Grooves

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2LP | 1972 | JP | Reissue (Warner Music Japan)

Speed Glue & Shinki

62,99 €*

A Tribute To Jack Johnson

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Speed, Glue & Shinki's last album has been reissued in a gorgeous specification that faithfully reproduces the original, including the entire volume band! Released in 1972. It is a two-disc set that became the last album. Famous for its tiger jacket. There are a lot of songs that seem to be centered on Joey Smith now, but Bluesy Rock is fully opened like the previous work. Although some lyrical songs can be seen, the D-side medley makes heavy use of the precious Moog synthesizer at the time. Guests include Michael Hanopol, Shigeki Watanabe, Hiroshi Oguchi. The 96khz24bit sound source mastered in 2017 is used for this analog conversion. The jacket is a single jacket × 2, a full-length band, a lyrics card, etc. The original is reproduced as much as possible.

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Miles Davis

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

62,99 €*

An Evening With The Devil

Release: 1970 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
MOBILE FIDELITY’S NUMBERED-EDITION 180G SUPERVINYL LP PRESENTS 1971 LANDMARK IN EXUBERANT, FULL-RANGE SOUND

Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl’s nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything — from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio — in reference fashion.

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences long-time fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires.

Utilizing wah-wah and distortion, the go-to instrumentalist of the performances— guitarist John McLaughlin — attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson< cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record’s creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.

The least-well-known masterpiece of Davis' career, the 1971 record — seamlessly assembled and spliced together by producer Teo Macero — was a victim of limited record-label promotion. Audiences also didn’t immediately know what to make of its original cover art — faithfully replicated here. In addition, the powers that be at Columbia Records were directing the public’s attention to Miles at Fillmore, a completely different kind of album guided by two keyboardists. A Tribute to Jack Johnson practically lives in a different universe, one from the future. To many listeners who did manage to hear it — among them critic/musician Robert Quine, Stooges leader Iggy Pop, and renowned critic Robert Christgau — it surpassed everything that came before.

Indeed, Davis treated it as a personal manifesto: An opportunity to salute the Black championship boxer admired for his threatening image to the establishment and impeccable taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson — a stance mirrored by the defiant music, which hits with a prize fighter's force and reflects the graceful elegance with which a pugilist navigates the ring — and closes the album with a Johnson quote read by Brock Peters.

Inspired not only by Johnson but by Jimi Hendrix and Sly Stone, Davis changed his approach and his band. He surrounds himself with a cadre of musicians in their 20s and, in the case of bassist Michael Henderson, a 19-year-old fresh from touring with Stevie Wonder. Henderson gives Davis what he requested: boogie-based grooves that don’t lose shape or direction. Soprano saxophonist Steve Grossman, drummer Billy Cobham, and organist Herbie Hancock adhere to a similar aesthetic that prizes brazenness, innovation, and energy.

In that vein, during a portion of “Yesternow,” Davis segues into a separate performance (which became known in its entirety as “Willie Nelson”) played by guitarists McLaughlin and Sonny Sharrock, bass clarinetist Bernie Maupin, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. Dig it!

Talking with jazz scholar Bill Milkowski — who himself noted how McLaughlin’s unrestrained style, decibel-forward volumes, and rapid-fire power chords engendered himself to the rock crowd at the same time that his harmonics and syncopation still definitely made him a jazz player — guitarist Henry Kaiser summed up part of the appeal of A Tribute to Jack Johnson as well as anyone, saying: “It’s a jazz record that way way more open than other jazz records at the time, but still not free jazz. [McLaughlin’s] rhythm guitar playing on ‘Right Off’ — the use of different chords in a rock shuffle than what anybody had used before — was revolutionary.”

And to think that’s just one aspect of a record that contains multitudes. “Never let them forget it.” Indeed.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.

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Wendell Harrison

LP | 1973 | JP | Reissue (Deep Jazz Reality / Tribe / Octave-Lab)

62,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (Epic)

Mtume

Kiss This World Goodbye

LP | 1974 | Reissue (Lgp Alpha Music)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Terre Haute pressing. Writing on cover. Original inner sleeve.

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Izumi Yukimura

Super Generation

Release: 1974 / Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-02

LP | 1970 | DE | Reissue (Warner Bros.)

Van Morrison

Moondance

LP | 1987 | JP | Reissue (Lawson)

Release: 1970 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1997 reissue. Limited edition. With insert.

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Milk

Polygamy Purple Vinyl Edition + Booklet

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1987 * Pressed on Black Vinyl * Featuring Hideki Saijo and Tomoko Aran The only album 'Milk' by the sister unit Milk that incorporates the Pre-house sound. Also active as a backing singer for Hideki Saijo and Tomoko Aran. Released as an independent album in 1987, this album is a remarkably re-evaluated Japanese boogie in recent years, a phantom rare edition. The long-awaited re-press has been decided!

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Mustafa

LP | 1984 | EU | Reissue (Fatima International)

Dizzy Gillespie With The Orchestra

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.

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One Night In Washington

LP | 1983 | US | Original (Elektra Musician)

LP | 1978 | EU (Funky Planet)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original.

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Ron Everett

The Glitter Of The City

Release: 1978 / EU

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | IT | Original (Memory)

Cheaps

Moliendo Café

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Allman Brothers Band At Fillmore East

The Allman Brothers Band

2LP | 1971 | JP | Original (Atlantic)

LP | 1972 | US | Reissue (Mobile Fidelity)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl with scuffs and hairlines

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Bill Withers

Still Bill

58,99 €*

Hot Is Cool Blue Vinyl Edition

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180g

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Horii Katsumi Project

LP | 1987 | JP | Reissue (Sony Music Japan)

57,99 €*

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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Jiro Inagaki And Soul Media

In The Groove White Coloured Vinyl Edition

12" | 1973 | EU | Reissue (Columbia Japan)

57,99 €*

2LP | 1972 | JP | Original (Polydor)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.

Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.

This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”

Text by Yusuke Ogawa (universound/deep Jazz Reality)

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Cream

Before And After

57,99 €*

LP | 1984 | EU | Reissue (Red)

Release: 1972 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gatefold cover. Without OBI.
Sleeve has foxing.

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Chet Baker

At Capolinea

56,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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The Kenny Drew Trio With Paul Chambers , "Philly" Joe Jones

Kenny Drew Trio

LP | 1984 | JP | Reissue (Riverside)

56,99 €*

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI and insert.

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Charles Mingus

Mingus At Antibes

Freddie Hubbard & Stanley Turrentien

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun

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In Concert

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Dr. John's Gumbo 200g Vinyl Edition

Dr. John

LP | 1972 | US | Reissue (Analogue Productions)

LP | 1984 | DE | Original (Not On Label)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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"Dr. John's Gumbo" is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.
"Dr John's Gumbo" was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").
Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.
This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 200-gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results!

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Magica

People

LP | 1972 | US | Original (Reprise)

Release: 1984 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Ry Cooder

Ry Cooder Radio Show

LP | 1978 | US | Reissue (Acoustic Sounds)

Release: 1972 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.
Writing on cover.
Cover with seam split.

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Tommy Flanagan

Overseas Mono Edition

Release: 1978 / US – Reissue

Genre: Organic Grooves

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12" | 1983 | UK | Original (Passion)

Sun Palace

Winning

LP | 1976 | JP | Reissue (P-Vine)

Release: 1983 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Record has some hairlines.
Ships in a label sleeve with small sticker.

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The Topics

Giving Up

LP | 1971 | US | Original (Impulse!)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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Mel Brown

Mel Brown's Fifth

Jiro Inagaki & Soul Media

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with small punch hole

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Onna Tomodachi (Wandering Birds)

LP | 1971 | JP | Reissue (Nippon Columbia)

High Flying Clear Purple Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.

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Hiromasa Suzuki

LP | 1976 | JP | Reissue (Nippon Columbia)

Smile Clear Sky Blue Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.

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Takeo Moriyama

LP | 1981 | JP | Reissue (Nippon Columbia)

Jiro Inagaki & Soul Media

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.

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Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

Love Life w/ Damaged Sleeve

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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Cindy

LP | 1986 | JP | Reissue (Universal Music Japan)

53,99 €*

LP | 1970 | Reissue (Universal)

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1986 release
Japanese pressing

Cindy is a female vocalist who has worked with Tatsuro Yamashita and Yumi Matsutoya as a backing singer.

Her music has been used in many scenes in the anime 'Mezong Ikkoku' as background music, probably due to the fact that she debuted in the opening the

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Jackson 5

Abc

53,99 €*

Release: 1970 / Reissue

Genre: Organic Grooves

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3LP | 1976 | EU | Reissue (Motown)

Stevie Wonder

Songs In The Key Of Life

52,99 €*

Watertown 50th Anniversary Deluxe Edition Incl. Original Poster

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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180g vinyl

- "Love's in Need of Love Today" sampled by Blackstreet for "Love's in Need",
Busta Rhymes & Erykah Badu for "One",
George Michael for "Love's in Need of Love Today",
Kwame for "Can U Feel It?" and
X-Clan for "Ooh Baby"

- "Sir Duke" sampled by A Tribe Called Quest for "Footprints" and
DJ Jazzy Jeff & the Fresh Prince for "Let's Get Busy Baby"

- "I Wish" sampled by Will Smith for "Wild Wild West"

- "Knocks Me off My Feet" sampled by Ja Rule for "Thug Lovin'" and
ODB for "Shimmy Shimmy Ya"

- "If It's Magic" sampled by Craig Mack for "Making Moves with Puff"

- "Ordinary Pain" sampled by Erykah Badu for "Penitentiary Philosophy"

- "Pastime Paradise" sampled by Coolio for "Gangsta Paradise",
Cru for "Up North",
Gangsta Blac for "Blaze Up Anotha One",
Mary J. Blige for "Time" and
Three 6 Mafia for "3 6 in the Morning"

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Frank Sinatra

LP | 1972 | EU | Reissue (Capitol)

52,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | US | Reissue (Mobile Fidelity Sound Lab)

Bill Withers

Greatest Hits

52,99 €*

LP+7" | 1971 | JP | Reissue (P-Vine)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited/numbered

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Roy Porter Sound Machine

Jessica Deluxe Edition

51,99 €*

Charles Tolliver's Music Inc

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

Roy Porter spent the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy, quickly becoming a sought-out drummer in the blossoming bebop scene before disappearing from the music industry. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971.

There’s no doubt that his early work in the bebop scene would alter the shape of jazz to come, but it’s his work with Roy Porter Sound Machine where you can really hear the iconic drummer let loose. Recorded at the age of 50, Roy Porter is no longer content to sit back and let others take the spotlight, and his drumming has all the fervent energy of a young drummer who just moved to New York. The title track and album opener, “Jessica” (supposedly written for his girlfriend at the time) quickly became a jazz-funk classic, making appearances on ‘Inner Feelings’ (1975) and ‘Generations’(1994). Throughout the album, Porter shows his incredible talent, whether it’s the downtempo cool swing of “Hip City”, the almost maniacal drum solo on “Drums for Daryl”, or the Jobim-inspired Afro-cuban “Ooh-La-La”. It seems implausible that this was Porter’s first recorded material in over a decade, and one of his first albums as a leader, but it is. With original pressings going for over a thousand dollars on the second-hand market, there’s no doubt that this record is worth its weight in gold.

With the LP reissued on clear yellow vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a vocal version of “Jessica”, and a remix by the one and only Kenny Dope, this reissue has “Deluxe” written all over it. Don’t miss this legendary album, reissued for the first time on clear yellow vinyl with a 7” record, available only from P-vine Records!

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Live At The Loosdrecht Jazz Festival

LP | 1972 | UK | Reissue (Strata-East)

51,99 €*

LP | 1974 | HK | Reissue (Evosounds)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording "With Love".

With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years. https://charlestolliver.com/

This LP is jazz of high energy and high sincerity. Jazz at it's best. One of Tolliver's (and jazz's) masterpieces. It is a live recording from 1972. On another occasion, Tolliver recorded with another quartet with Stanley Cowell on piano, and some critics prefer that quartet. However, this quartet is the equal of that one. I think John Hicks did a masterful job of piano playing here. Hicks equalled Charles in energy. The bass playing of Reggie Workman (who was John Coltrane's bassist) is equally smouldering. Drummer Alvin Queen is a perfect match for the other three.
Passionate Jazz Fan.

Tolliver's music (which holds on to one's attention throughout the live set) has its connections to the bebop tradition but also forges ahead and can be quite passionate. Recommended. By Scott Yanow/AMG Personnel: Roberto Miranda - Bass
Everett Brown Jr. - Drums
Aubrey Hart - Flute
Adele Sebastian - Flute, Vocals
Fundi Legohn (tracks: B1) – French horn
Virjilio Figueroa - Percussion
Linda Hill - Piano, Vocals
Sabir Matteen* - Tenor Saxophone, Clarinet
Jugegr Juan Grey - Vocals

Produced by Tom Albach

Recorded & mixed by Dennis Moody in 1981

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Bob James

One

50,99 €*

Release: 1974 / HK – Reissue

Genre: Organic Grooves

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2LP | 1981 | UK | Reissue (Pure Pleasure)

Horace Tapscott

Dial 'B' For Barbra

50,99 €*

2LP | 1973 | US | Reissue (Pure Pleasure)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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The best of pianist Horace Tapscott's recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott's originals plus a 19½-minute version of Linda Hill's "Dem Folks". Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and the performances have a momentum of their own. Scott Yanow/AMG A great group recording from pianist Horace Tapscott – recorded in LA in the early 80s, but done with all the righteousness and spirituality of his earlier albums! Tracks are long and exploratory, but also relatively lyrical too – stretching out with a style that's never too 'outside', and which has Horace and the group really soaring to the heavens on the best moments! The group here is a sextet – with the great Gary Bias on alto and soprano saxophone, plus Sabir Matteen on tenor, Reggie Bullen on trumpet, Roberto Miguel Miranda on bass, and Everett Brown on drums and percussion – all working with a cohesiveness that reminds us of some of Tapscott's larger group recordings, but with a cleaner, leaner kind of feel. Titles include "Lately's Solo", "Dial B For Barbara", and "Dem Folks".

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Clifford Jordan Quartet

Glass Bead Games

50,99 €*