Organic Grooves Vinyl 970 Items

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

Bill Evans

2LP | 1967 | US | Reissue (Analogue Productions)

245,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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A Love Supreme Uhqr Limited Edition Box Set

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

Muddy Waters At Newport 1960

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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Muddy Waters

LP | 1960 | US | Original (Chess)

189,99 €*

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Stan Getz & Joao Gilberto

Getz/Gilberto 1step Numbered Limited Edition 180g 45rpm 2lp Edition

2LP | 1964 | US | Reissue (Impex)

179,99 €*

7" | 1966 | UK | Original (Island)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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1step Process 180g 45rpm Double LP Pressed on VR900-Supreme Vinyl! Mastered From The Original Analogue Master Tapes by Bernie Grundman! Super-Luxe "Monster Pak" Jacket with a Rich 36-Page Booklet & Striking Outer Slipcase!

New lacquers cut for every 500 pressings!

Strictly Limited To 7,500 Numbered Pressings!

There have been more than 40 U.S. releases (and hundreds more worldwide) of Stan Getz's cultural touchstone album and for good reason: few recordings better capture the breezy warmth and easy-going sophistication of Brazilian bossa nova for an American jazz audience. Fewer recordings can replicate the you-are-there presence and flawlessly tight studio acoustics. Only Getz/Gilberto has Billboard Top-10-charting singles like "The Girl from Ipanema." When Impex Records jumps into this densely-populated fray with our own production, we need to bring maximum value and prestige to it. Challenge accepted. We worked directly with Stan's wife Monica Getz and their son Nicolaus to create the most authentic, best-presented Getz/Gilberto ever.

Exclusive to Impex's 1step Getz/Gilberto includes an insightful new interview/essay by Charles Granata featuring Monica reminiscences of the making of this record, the subsequent cultural phenomenon, and Stan's battles with some pretty heavy demons. Also unique to this release are two bonus tracks: an alternate mono 7" mix of "The Girl from Ipanema" (without the added echo, thank you very much) and a live recording of "Corcovado" from Carnegie Hall. Finally, the large-format, 36-page booklet features dozens of rare photos, the original album notes, and a fascinating personal remembrance from Monica Getz herself, celebrating her late husband's work and an inside look at Stan's family life while making the record!

Using the original analog master tapes and no computers at all, Bernie Grundman at Bernie Grundman Mastering sought to keep the sense of space and tone on the master tape intact without unnecessary embellishment. Impex 1steps get you closer to the source, not the ideal.

We know you have many choices when it comes to enjoying this singular album. The Impex 1step of Getz/Gilberto cuts above all other releases with added-value content that takes you deeper into Stan Getz's life and process in a way never previously possible.

The 1step Process:

The Impex 1step process relies on short, tightly-controlled runs that require a new lacquer after each 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass.

Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.

Features:

The only release of this fundamental jazz classic crafted with the full participation of the Getz family, including never-before-seen photos and notes from Monica and Nick Getz Exclusive new interview essay about Getz's life and the recording of the album by noted producer and historian Charles L. Granata Exclusive ultra-luxe Impex 1step packaging featuring a deluxe 36-page booklet within a heavy-stock two-sleeve Monster Pack jacket and striking colour-matched slip case Two all-analogue bonus tracks: an alternate mono 7" mix of "The Girl from Ipanema" and a live recording of "Corcovado" from Carnegie Hall Limited to 7,500 copies

Musicians:

Stan Getz- tenor saxophone Joao Gilberto - guitar, vocals Antonio Carlos - Jobim piano Tommy William - bass Milton Banana - drums Astrud Gilberto - vocals

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Chris Farlowe

Stormy Monday

169,99 €*

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Reissue (Mobile Fidelity)

Muddy Waters

Folk Singer

162,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Sonny Boy Williamson & The Yardbirds

LP | 1965 | UK | Original (Fontana)

139,99 €*

Release: 1965 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with creasing

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"Live" At The Village Vanguard

LP | 1962 | US | Original (Impulse!)

114,99 €*

LP | 1964 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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Lee Morgan

The Sidewinder

89,99 €*

Curtis Fuller With Red Garland

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many scuffs, hairlines and some deeper marks. Cover with long seam splits, shelf wear. and yellowing

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LP | 1962 | US | Original (New Jazz)

89,99 €*

LP | 1967 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped seams, heavy wear, punchhole.
LP has scratches.

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Lee Morgan

Delightfulee

89,99 €*

LP | 1962 | JP | Reissue (Riverside)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs, hairlines and a couple of deeper marks. Cover with seam split, tears and shelf wear.

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The Bill Evans Trio

Waltz For Debby

88,99 €*

2LP | 1962 | US | Reissue (Analogue Productions)

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1993 reissue. OBI is missing. With insert. Stuffed corner. Vinyl is close to NM.

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Tony Bennett

At Carnegie Hall

80,99 €*

John Mayall & The Bluesbreakers

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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A Hard Road

LP | 1967 | UK | Original (Decca)

80,99 €*

Release: 1967 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Sorcerer

75,99 €*

Blues & Roots Atlantic 75 Series

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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LP | 1963 | US | Reissue (Mobile Fidelity Sound Lab)

Seven Steps To Heaven

75,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Live At The Sands (Before Frank)

Count Basie

2LP | 1966 | US | Reissue (Mobile Fidelity Sound Lab)

73,99 €*

Album | 1965 | UK | Original (Transatlantic)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited & numbered!

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Bert Jansch

70,99 €*

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | UK | Original (Transatlantic)

John Renbourn

70,99 €*

2LP | 1967 | US | Reissue (Impex)

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original UK mono pressing.

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Thelonoius Monk

Straight, No Chaser

70,29 €* 73,99 € -5%

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Alexis Korner's Blues Incorporated

Blues Incorporated

LP | 1965 | UK | Original (Ace Of Clubs)

69,99 €*

I Put A Spell On You Acoustic Sounds Edition

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original UK Mono pressing.
Writing on label.
Small light scuff on side 2.
Record is close to VG+.
Yellowed cover with faint ring wear on the back.

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Nina Simone

69,99 €*

Pastel Blues Acoustic Sounds Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM!

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Nina Simone

69,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 1962 | EU | Reissue (Dialogo)

V.A.

Passaporto Per L'italia

67,89 €* 96,99 € -30%

LP | 1962 | UK | Reissue (Impex)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Kenny Dorham

Matador

66,99 €*

Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Numbered, Limited Edition - 5000 Copies!

Available On All-Analog Hq-180 For The First Time Ever!

Mastered by Chris Bellman From The Original Analog Master Tapes!

Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our new all-analog Hq-180 of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180-gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you'll scratch your head raw that this under-appreciated gem has been missing for so long.

Working with a soulful Jackie McLean on alto, a loose and swinging Bobby Timmons on piano, and the locked-in rhythm section of Teddy Smith on bass and J.C. Moses on drums, the playing is spontaneous, energetic and expressive. Check out the frenetic interplay between Timmons and Moses during the long trailing section of "Melanie".

"Dorham and McLean, two of jazz' most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest." - Ira Gitler, Downbeat Magazine, April 1963

Recorded in a single day in 1962, Matador contains the sprawling epic McLean-penned "Melanie" (a suite in three parts), as well as Dorham's smoldering "El Matador" and a stirring take on "Beautiful Love". Throughout the session, Timmons, Smith, and Moses provide sublime support while Dorham and McLean trade sinewy solos. Emotional musical exploration ties to readily approachable post-bop structure that make for a snappy, yet heady, mix of tunes that put a tap in your foot while engaging your head and heart.

Chris Bellman cut Matador from the original analog master tape (one of the few that survived the Universal warehouse fire of 2008, lucky for us) and the sound is revelatory! Tight acoustics of the Soundmaker Studios provide tightened bass, crystal-clear drums and beautifully rounded tones from Dorham's and McLean's horns. This is another fine example of Impex Records cutting through the fat of modern music-making to reveal the very essence of the music and the giant talents who created it. We are elated to bring this sadly-neglected classic back for true believers to add to their collection and (maybe more importantly) to a whole new generation to discover for the first time.

"Kenny Dorham's Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener... A fantastic session by any standard."- Brandon Burke, AllMusic Guide

Features Numbered, Limited Edition Limited To 5000 Pressings Audiophile 180g Vinyl LP 33rpm Available on all-analog LP for the first time in nearly 50 years First time ever on Hq-180 Mastered by Chris Bellman from the original analog master tapes Original single disc jacket with ribbed paper tip-on over heavy-board stock Pressed at RTI

Musicians

Kenny Dorham trumpet

Jackie McLean alto saxophone

Bobby Timmons piano

Teddy Smith bass

J.C. Moses drums

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Sonny Rollins With The Modern Jazz Quartet

LP | 1960 | JP | Original (Top Rank International)

60,99 €*

Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Art Blakey & The Afro-Drum Ensemble

The African Beat

LP | 1962 | US | Original (Blue Note)

The Amazing Bud Powell, Volume 2

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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Bud Powell

LP | 1966 | US | Reissue (Blue Note)

Kenny Burrell & John Coltrane

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has some wear, yellowing and two tears on the back! Record has a few scratches!

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Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Cameo)

? & The Mysterians

96 Tears

LP | 1960 | US | Reissue (Analogue Productions)

Release: 1966 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with punch hole

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Eric Dolphy

Outward Bound

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Dolphy had left his native California and come east as part of Chico Hamilton's group, settling in New York in 1960 and becoming part of Charles Mingus's group. This first recording as a leader brought comparisons with Ornette Coleman but the two were really parallel figures in the then-emerging avant-garde. Dolphy did not eschew 'changes', as Coleman did, but he used them in new ways. This LP was significant not only for his alto saxophone but introduced his individual approach to the flute and, particularly, the bass clarinet.

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Standard Coltrane 200g Vinyl Edition

LP | 1962 | US | Reissue (Analogue Productions)

LP | 1964 | US | Reissue (Analogue Productions)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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Booker Ervin

The Freedom Book

Exultation! 200g Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety. But it was his series of Song Books for Prestige Records that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. The Southwest moan was an integral part of his playing. But his style went beyond the classic Texas tenor tradition to incorporate the intricacies of bebop and suggestions of the free jazz that was initiating one of the periods of self-renewal that keeps jazz fresh and interesting. "The Freedom Book", recorded at the end of 1963, was one of Ervin's masterpieces. He is abetted by the power and drive of Jaki Byard, Richard Davis, and Alan Dawson.

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Booker Ervin

LP | 1963 | US | Reissue (Analogue Productions)

Latin In A Satin Mood 200g Vinyl Edition

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Intensity marked everything that Booker Ervin played. In his harmonic concept, slashing attack, and broad Texas sound, Ervin demanded attention and constantly built improvisations of searing drama and epic sweep. His primary legacy is a series of albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin’s longtime compatriot from their days together in the Charles Mingus Jazz Workshop and in a cooperative quartet that worked at "Minton’s Playhouse". In addition to four inspiring originals by Ervin and drummer Walter Perkins, the session features an eloquent reading of Fats Waller’s immortal "Black And Blue" and an exploration of the show tune "Just in Time". Both the latter and "No Land’s Man" are included in two versions, the shorter of which were cut for release as a 45rpm single.

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Julie London

LP | 1963 | US | Reissue (Analogue Productions)

2LP | 1963 | EU | Reissue (Speakers Corner)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was 'discovered' while running a department store elevator in Hollywood.
Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.
The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male 'mariachi-esque' serenade adds to the romantic ambiance.
And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal Music.
Describing her smoky vocal style, London once said, »It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate.« A style inimitable, in our estimation.

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The Dave Brubeck Quartet

At Carnegie Hall

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Reissue (Analogue Productions)

Thelonious Monk

At The Blackhawk

Release: 1960 / US – Reissue

Genre: Organic Grooves

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The Ornette Coleman Quartet

This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

54,99 €*

2LP | 1963 | EU | Reissue (Ubatuqui)

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Joao Gilberto

Warm World Of

54,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (Analogue Productions)

Booker Ervin

Song Book 180g Edition

53,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Original (Tamla)

The Miracles

Going To A Go-Go

50,99 €*

LP | 1966 | US | Original (Verve)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split and storage wear. Vinyl is Close to VG. 1965 reissue.

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Ed Thigpen

Out Of The Storm

50,99 €*

LP | 1963 | US | Original (Okeh)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl is slightly warped. Deep groove pressing. Drill hole and torn spines.

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Champion Jack Dupree

Cabbage Greens

50,99 €*

LP | 1966 | US | Original (Blue Note)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

taped spines. original mono pressing

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Wayne Shorter

The All Seeing Eye

The Fourth Dimension In Sound

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many marks, scuffs, hairlines and deeper scratches, plays with grainy background noise. Cover with completely open top and bottom spine, shelf wear

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Shorty Rogers

LP | 1962 | JP | Original (Warner Bros.)

The Horace Silver Quintet

Release: 1962 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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Silver's Serenade

LP | 1963 | US | Reissue (Blue Note)

Quinteto Real En Japon Vol. 1

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record has some hairlines and a few superficial scratches.
Backcover with minor stains from prior waterdamage.

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Quinteto Real

LP | 1964 | JP | Original (CBS)

Little Darling (I Need You)

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI not included.
Cover slightly yellowed but close to VG+

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Marvin Gaye

7" | 1966 | UK | Original (Tamla Motown)

7" | 1965 | UK | Original (Sue)

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ships in a label sleeve with small tear at the centre.

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Little Joe Cook

Stormy Monday Blues

Sgt. Pepper's Lonely Hearts Club Band

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.
Sticker on label.

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The Beatles

LP | 1967 | DE | Reissue (Odeon)

48,99 €*

LP | 1960 | JP | Reissue (Liberty)

Release: 1967 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Early German reissue. Cover is close to NM. Vinyl seems unplayed.

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Julie London

Around Midnight

48,99 €*

LP | 1960 | JP | Reissue (Cadet)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1994 reissue. OBI is missing. With insert.

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The Kenny Burrell Trio

A Night At The Vanguard

48,99 €*

Out Of The Blue Tone Poet Vinyl Edition

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed. With OBI and insert. 1975 reissue. Cover is close to NM.

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Sonny Red

LP | 1960 | UK | Reissue (Blue Note)

47,99 €*

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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The Latin Bit Tone Poet Vinyl Edition

Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Live At The Village Vanguard Acoustic Sound Edition

LP | 1962 | EU | Reissue (Impulse)

47,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Bill Evans At Town Hall Volume One Acoustic Sounds Edition

Bill Evans Trio

LP | 1966 | EU | Reissue (Verve)

46,99 €*

LP | 1960 | US | Original (HiFi Jazz)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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A timeless piano jazz classic: Bill Evans’ first-ever performance at a concert hall in New York City. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Includes a thirteen-minute solo suite dedicated to the memory of Bill’s father who had only recently passed at the time of the recording.

Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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The Paul Horn Quintet

Something Blue

46,99 €*

LP | 1963 | US | Original (Argo)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in spines

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Lorez Alexandria

For Swingers Only

44,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Blue Spirits Tone Poet Vinyl Edition

Freddie Hubbard

LP | 1965 | EU | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Wynton Kelly Trio & Wes Montgomery

Smokin' At The Half Note Acoustic Sounds Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Mr. Natural Tone Poet Vinyl Edition

Stanley Turrentine

LP | 1964 | EU | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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A Charlie Brown Christmas Deluxe Edition

Vince Guaraldi Trio

2LP | 1965 | EU | Reissue (Craft)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Blues A-Plenty Acoustic Sounds

Johnny Hodges

LP | 1960 | Reissue (Verve)

Release: 1960 / Reissue

Genre: Organic Grooves

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Guitar Forms Acoustic Sounds

Kenny Burrell

Night Lights Acoustic Sound Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Gerry Mulligan

LP | 1963 | EU | Reissue (Verve)

Life Time Tone Poet Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The album "Night Lights" by American jazz saxophonist Gerry Mulligan was released in 1963, at the height of the bossa nova boom of the early 1960s. Laid-back rhythms and lyrical compositions leave room for improvisations and charming arrangements of signature solos by his fellow musicians - in addition to three original compositions, there are relaxed versions of Chopin's "Prelude in E Minor" and the Brazilian anthem "Morning of the Carnival" from Luiz Bonfa's "Black Orpheus".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Anthony Williams

LP | 1964 | EU | Reissue (Blue Note)

Silver's Serenade Tone Poet Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Der frühreife und begnadete Schlagzeuger und Komponist Tony Williams war bereits Mitglied des Miles Davis Quintet und wirkte an zahlreichen bahnbrechenden Blue-Note-Aufnahmen mit, darunter Herbie Hancock "Empyrean Isles", Eric Dolphy "Out To Lunch", Andrew Hill "Point Of Departure", Jackie McLean "One Step Beyond" und Grachan Moncur III "Evolution", als er im August 1964 sein eigenes abenteuerliches Debütalbum "Life Time" aufnahm, als er gerade einmal 18 Jahre alt war.

Williams hatte nicht die Absicht, auf seiner Jungfernfahrt als Leader auf Nummer sicher zu gehen und machte sich daran, seinen kompromisslosen Ausdruck auf diesem Programm mit innovativen Originalkompositionen zu dokumentieren. Seite 1 präsentiert die ausgedehnte zweisätzige Suite "2 Pieces of One", bei der der Schlagzeuger von dem Tenorsaxophonisten Sam Rivers und den Bassisten Gary Peacock und Richard Davis unterstützt wird. Seite 2 beginnt mit dem fröhlichen "Tomorrow Afternoon", bei dem Williams, Rivers und Peacock mitwirken. Auf dem frei improvisierten "Memory", bei dem Herbie Hancock am Klavier und Bobby Hutcherson am Vibraphon mitwirken, spielt Williams verschiedene Perkussionsinstrumente, und das nachdenkliche Klavier-Bass-Duett "Barb's Song to the Wizard", das von Hancock und Ron Carter gespielt wird und das Album abschließt, ist ganz auf ihn zugeschnitten.

Diese Stereo Tone Poet Vinyl Edition wurde von Joe Harley produziert, von Kevin Gray (Cohearent Audio) von den originalen analogen Masterbändern gemastert, bei Record Technology Inc. (RTI) auf 180g Vinyl gepresst und in einer luxuriösen Gatefold-Tip-on-Hülle verpackt.

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Horace Silver

LP | 1963 | EU | Reissue (Blue Note)

Down With It! Tone Poet Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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"Silver’s Serenade" was the last album Horace Silver made with his celebrated Quintet with Blue Mitchell, Junior Cook, Gene Taylor and Roy Brooks. These five Silver tunes epitomize his compositional style: captivating melodies, sophisticated harmonies and intricate rhythms with an unerring sense of swing.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

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Blue Mitchell

LP | 1965 | EU | Original (Blue Note)

Easterly Winds Tone Poet Vinyl Edition

Release: 1965 / EU – Original

Genre: Organic Grooves

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Trumpeter Blue Mitchell had a soulful, swinging style and was equally at home in jazz, R&B, and funk settings. This 1965 date featured his Horace Silver bandmates Junior Cook on tenor sax and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums.

“BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

Out Of The Afternoon (Acoustic Sounds)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Roy Haynes

LP | 1962 | EU | Reissue (Impulse!)

Slow Drag Tone Poet Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Drummer Roy Haynes was just about everywhere in the golden age of jazz, recording classic albums with some of the most legendary names of the genre. The hard-bop-verging-on-post-bop Out Of The Afternoon is an excellent example of the adventurous spirit that was taking flight in the jazz world in the early 1960s. Haynes swings as the leader of this 1962 Impulse! session, featuring A-list jazzmen Roland Kirk (multiple instruments including stritch and nose flute!), Tommy Flanagan (piano) and Henry Grimes (bass).

VERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Donald Byrd

LP | 1967 | EU | Reissue (Blue Note)

Jazz Samba Acoustic Sounds Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Donald Byrd’s 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Stan Getz & Charlie Byrd

LP | 1962 | EU | Reissue (Verve)

Best Of Wilson Pickett Volume Two

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When Charlie Byrd toured South America in 1961, Bossa Nova—a melding of Brazilian samba rhythms with the harmonic structures and cool sound of West Coast jazz—was booming. He brought back records for Stan Getz to hear and they planned a session. The result was Jazz Samba—the first album of Bossa Nova music by jazz artists and the one that created the Bossa Nova wave.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Bring It Home To Me Tone Poet Vinyl Edition

Blue Mitchell

LP | 1966 | EU | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Blue Note)

Bobby Hutcherson

Stick Up!

Steppin' Out Tone Poet Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Vibraphonist Bobby Hutcherson’s 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals plus Ornette Coleman’s “Una Muy Bonita.”

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Bobby Hutcherson (vibraphone); Joe Henderson (tenor saxophone); McCoy Tyner (piano); Herbie Lewis (bass); Billy Higgins (drums)

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Harold Vick

LP | 1963 | EU | Reissue (Blue Note)

Breaking Point Tone Poet Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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In 1963, tenor saxophonist Harold Vick made his sole album as a leader for Blue Note, the underrated soul jazz gem „Steppin’ Out“. The record finds its groove from the first downbeat and stays firmly in the pocket throughout this set featuring Blue Mitchell, Grant Green, John Patton, and Ben Dixon.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket

Harold Vick (tenor saxophone); Big John Patton (organ);

Grant Green (guitar); Ben Dixon (drums); Blue Mitchell (trumpet)

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Freddie Hubbard

LP | 1966 | EU | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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For DJango Tone Poet Vinyl Edition

Joe Pass

LP | 1964 | UK | Reissue (Blue Note)

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Columbia)

Nefertiti

Greatest Hits - Stand By Me Red Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180g audiophile pressing.

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Ben E. King

LP | 1964 | US | Reissue (Friday Music)

41,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Ramblin' (Bonus Track) Blue Vinyl Edition

The Jack Wilson Quartet

LP | 1966 | US | Reissue (Friday Rights Mgmt)

41,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Intermusic)

Ben E. King

Dont Play That Song!

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Howlin' Wolf 60th Anniversary Edition

Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-02

LP | 1960 | JP | Reissue (Time)

Booker Little

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. 1975 reissue. OBI is missing. Slightly stained cover. Vinyl is close to NM.

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LP | 1965 | DE | Original (CBS)

E.S.P.

The Heliocentric Worlds Of Sun Ra, Volume 2

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Tear in spines.

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Sun Ra

LP | 1966 | US | Reissue (ESP Disk)

LP | 1960 | JP | Reissue (CBS/Sony)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue.

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The J.J. Johnson Sextet

J.J. Inc.

LP | 1966 | US | Reissue (Anagram Music)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. 1970 reissue.

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Bill Evan

With Symphony Orchestra

Release: 1966 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | BR | Reissue (Polysom)

Jorge Ben

Sacundin Ben Samba

LP | 1965 | BR | Reissue (Polysom)

Release: 1963 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1964.

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Moacir Santos

Coisas

Release: 1965 / BR – Reissue

Genre: Organic Grooves

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LP | 1963 | BR | Reissue (Polysom)

Jorge Ben

Samba Esquema Novo

Release: 1963 / BR – Reissue

Genre: Organic Grooves

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That'll Get It / She's A-1

Knight Brothers

7" | 1966 | UK | Original (Chess)

LP | 1966 | US | Original (Stax)

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ships in a label sleeve.

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Carla Thomas

Carla

LP | 1962 | JP | Reissue (P-Vine)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Monarch Pressing.
Upper and lower seams are torn.
Record has hairlines and a few superficial scratches.

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Howling Wolf

Sings The Blues