Organic Grooves Vinyl 970 Items

We Insist! Opaque Bone Color Vinyl Edition

LP | 1961 | EU | Reissue (Dol)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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We Insist! Opaque Bone Color Vinyl Edition

LP | 1961 | EU | Reissue (Dol)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1961 | US | Reissue (Candid)

We Insist (Mono)

30,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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We Insist Clear Vinyl Edition

LP | 1961 | US | Reissue (Candid)

30,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Not Now)

It's Time

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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OST Doctor Zhivago ドクトル・ジバゴ

Maurice Jarre

LP | 1966 | JP | Original (MGM)

8,99 €*

LP | 1964 | US | Original (Motown)

Release: 1966 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.

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Mary Wells

Greatest Hits

The Soulful Moods Of Marvin Gaye

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Record has many hairlines and audible surface marks. Cover has seam splits.

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Marvin Gaye

LP | 1961 | Reissue (Gm & Publishing)

27,99 €*

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Wagram)

Marvin Gaye

Stubborn Kind Of Fellow

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Together Original Master Mono

Marvin Gaye & Mary Wells

LP | 1964 | US | Reissue (Motown)

37,99 €*

Little Darling (I Need You)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Vinyl LP pressing.

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Marvin Gaye

7" | 1966 | UK | Original (Tamla Motown)

49,99 €*

Martha Reeves & The Vandellas

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ships in a label sleeve with small tear at the centre.

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Love Bug Leave My Heart Alone

7" | 1967 | UK | Original (Tamla Motown)

Mark Wirtz Orchestra & Chorus

Release: 1967 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record slightly warped but still enjoyable and close to VG+.
Ships in a label sleeve.

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Latin A Go-Go

LP | 1966 | EU | Reissue (Vinilisssimo)

LP | 1966 | EU | Reissue (Mr Bongo)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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ark Wirtz' most famous output was recorded during the mid/late '60s when he was working as an in-house producer for EMI at Abbey Road. His 'Mood Mosaic' LP and the unfinished concept album 'A Teenage Opera' (a single off this LP, 'Grocer Jack', was actually released in 1967) provided Wirtz with an iconic status. However, his lesser known 1966 album 'Latin A Go-Go' is the one to have if you aim to hit the dancefloor. To get an idea of the music, think of wild cocktail parties in sunny California in the mid-'60s, cosmopolitan hotel lounges in Copacabana or the hippest clubs in Swinging London.
The LP co-features the likes of Barbara Moore (from the legendary library music album 'Vocal Shades And Tones') and Jim Sullivan (Lord Sitar).

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Marcos Valle

Braziliance!

22,99 €*

LP | 1962 | EU | Reissue (Honeypie)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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To call Marcos Valle 'a legend' of Brazilian music is much more than just easy press-release hype. As singer, writer, musician and record producer, Marcos has played an integral role shaping the sound of the country’s music from the 'golden era' of the 60s and 70s, through to the modern day. Alongside his brother, Paulo Sergio Valle, they have penned a huge catalogue of classic songs, not just for themselves but for other greats such as Elza Soares, Astrud Gilberto, Claudia to name a few.
‘Braziliance!’ takes things back to the early heady days of Marcos’ career with the bright and optimistic sound of Rio's Bossa Nova scene. It includes an instrumental version of ’Crickets Sing For Anamaria’ or 'Os Grilos’ in Portuguese, which would also be re-recorded with
vocals. Though only in his early twenties at the time, ‘Braziliance!’ depicts very sophisticated production for a musician so young. Recorded in 1966, produced by Louis Oliveira and Ray Gilberts with arrangements by the very talented Emir Deodato, the album was released on Warner Bros. Records. The artwork presents a very clean-cut, wholesome looking Marcos but darker things were around the corner for Brazil. The ‘Tropicalica’ movement was on its way and about to shake thighs up both musically and politically. Unlike some of his Bossa Nova contemporaries, Marcos continued to stay relevant, surfing the changes and adapting to the musical developments that culture and society projected and needed, without comprising his art.
Under exclusive license to Light In The Attic Records & Distribution, LLC | Mr Bongo Records.

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Mar-Keys

Do The Pop-Eye

LP | 1965 | UK | Reissue (Umbrella Music)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Here are the fabulous Mar-Keys, the Memphis based group, remembered to be the first house band at Stax Records. A bunch of talented, solid studio musicians who formed the foundation for the legendary Stax sound. Originally issued in early 1962, "Do the Pop-Eye" was the band's second album, a collection of minimal, infectious Soul-Funk-Rock instrumentals. Among the players: guitarist and composer Steve Cropper, bassist Donald “Duck” Dunn and organist Booker T. Jones. Just the right people to lay down the perfect groove for a quintessential album of instrumental music to dance to.

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Manfred Mann

Mann Made

LP | 1966 | US | Original (MGM)

Release: 1965 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2018 reissue. Tiny wear. Original inner sleeve.

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Mamie Lee

Once In A Lifetime

6,29 €* 8,99 € -30%

The Quest Limited Ojc. Series

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with open seam splits on top and bottom spines. Punch hole.

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Mal Waldron

LP | 1961 | Reissue (Concord)

38,99 €*

Release: 1961 / Reissue

Genre: Organic Grooves

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The Monkey Time / Mama Didn't Know

Major Lance

7" | 1963 | US | Original (Okeh)

LP | 1963 | US | Original (Okeh)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Major Lance

The Monkey Time

22,99 €*

LP | 1965 | US | Original (Okeh)

Release: 1963 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G+, Cover: VG

Tear in spine. Writing on cover.

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Major Lance

Major's Greatest Hits

8,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Baby I'm Coming Home / My Baby

Mack Rice

7" | 1964 | EU | Reissue (Record Prayer)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Satchmo A Musical Autobiography Of Louis Armstrong (1926-1927) Hot Fives And Sevens

Louis Armstrong

LP | 1961 | US | Original (Decca)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Louis Armstrong & Duke Ellington

Together For The First Time

LP | 1961 | EU | Reissue (Not Now)

17,99 €*

LP | 1967 | US | Original (Capitol)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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When stars collide, sparks will fly. At least that's the theory. Louis Armstrong and Duke Ellington accepted the invitation to record together with dignity and polite courtesy. While keen to see what this pairing might produce artistically speaking, it was certainly an historic occasion. As the red light went on and the tapes rolled, Duke on piano and Louis on trumpet and vocals, backed by the Armstrong All-Stars began to play. As Ellington hits the keys on a riff that sounds suspiciously like C Jam Blues and Satchmo sings cheerfully 'Baby, take me down to Duke's Place!' the champions are ready to exchange ideas rather than blows. Perhaps unsurprisingly Louis soon emerged from this unique musical gathering as the natural born leader. But all the source material was firmly Ellingtonian. Both men had enjoyed extraordinary careers and were world renowned figures when the idea of bringing them together was first proposed.

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Lou Rawls

Too Much!

6,99 €*

LP | 1966 | US | Original (Capitol)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record has many hairlines and surface marks.

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Lou Rawls

Soulin'

LP | 1966 | US | Original (Capitol)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Mono. Scranton Pressing.
Cover with seam split.

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Lou Rawls

Live!

14,99 €*

LP | 1967 | US | Reissue (Blue Note)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Scranton pressing. Close to VG+

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Lou Donaldson

Lush Life

26,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Riverside)

Lou Courtney

Skate now shing-a-ling

Release: 1967 / US – Reissue

Genre: Organic Grooves

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El Juego De Desaparecer / Chica Tiéntame

Los Syn

7" | 1966 | EU | Reissue (Madmua)

Mi Mami Dijo / Pobre Nina

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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Los Monjes

7" | 1965 | EU | Reissue (Discos Quilombo)

LP | 1967 | JP | Original (Victor World Group)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Reissue of this incredibly wild proto-punk garage 45 released in Mexico in 1965!!! 500 copies only!!!

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Los Indios

Golden Latin Chorus

8,99 €*

LP | 1967 | EU | Reissue (Elpalmas Music)

Release: 1967 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Los Calvos

Estos Son Los Calvos

LP | 1963 | US | Original (Argo)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Few have done as much for salsa in Venezuela as band-leader, composer and pianist Ray Pérez. He burst on to the scene in the mid-60s with his group Los Dementes, creating the blueprint for guaguanco, pachanga and boogaloo in Venezuela. When the name salsa began to be used as something of a catch-all-term he was still at the forefront, recording two hugely-popular salsa albums with Los Dementes in 1967. Remarkably, that very same year, he also recorded two albums with a brand new group, Los Calvos, that showed how as well as being the genre’s most visible band-leader, he was also pushing the nascent genre to its limits. Looking back, revered journalist Alfredo Churion states that Los Calvos were “one of the most innovative experiences in Venezuelan popular music.” Estos Son Los Calvos is the first of the two albums he made with Los Calvos. On it, he made a few alterations to the line-up that may seem minor, but created a completely new sound. For the first time, he recruited a drummer (unprecedented at the time for a salsa ensemble, which always used percussionists), he switched from the trombones of Los Dementes to the much harder, direct sound of trumpets, and he recruited Carlos Yanez, best known as El Negrito Calavén, as singer. Whereas Los Dementes had been aligned with the slightly pop sound of tropical orchestras, Los Calvos took an almost-jazz approach, allowing room for the musicians and vocalists to improvise, and they also took inspiration from the sounds of surf rock swirling around Caracas. The group’s drummer El Pavo amusingly once described the group’s sound as like “wearing a dinner suit with flip-flops”. Opening track “El Kenya” is the clearest example of that surf rock influence; it’s opening lines make clear its intentions: “una linda trigueña que me invitó a bailar el Kenya” (“a beautiful trigueña – tri-ethnic girl – invited me to dance the Kenya”). They are intent on creating their own dance craze, El Kenya. If the group had ever performed live, then maybe it would have taken off, as the song had all the credentials: rollicking montuno piano from Pérez, ingenious scatting and vocal improvs from Calavén, and a middle section where the drums and trumpets battle it out hard, with an audience screaming its appreciation throughout. It’s followed by ‘Mi Salsa Llego’, which Pérez had already recorded with Los Dementes; here, it’s a tougher beast, the sparser hits of the drums and trumpets giving a harder sound evocative of the times, with more and more people moving to the cities, and wanting a grittier, urban soundtrack. The secret weapon in Los Calvos was the fact that this was a group made up of some of Venezuela’s finest musicians, many of which, Pérez included, had working class roots. Music for them was as much a part of their day-to-day lives, as it was a profession, it was what they did. The legendary Frank “El Pavo” Hernandez was on drum kit, with revered names like Alfredo Padilla, Carlos “Nene” Quintero, Pedro García, Miguel Silva, Enrique Vazquez, Rafael Araujo and Luis Lewis, also involved in the group. Their versatility allowed Los Calvos to go from the slower, haunting groove of “Negrito Calavan”, a showcase for their singer to improvise, and on to “Bailemos Kenya”, another attempt by the group to create their own version of “The Twist”! Los Calvos never played live, but that was always the intention. Pérez was in demand by the record labels of the time and his deal with RCA Victor to make two albums as Los Calvos was only ever that. But the spirit of Los Calvos remained when Pérez then formed Los Kenya, whose name came from the opening track of this album, and whose line-up featured the same inventions as Los Calvos, with a drum kit, two trumpets and the same vocalists (for their second album, Carlín Rodríguez joined as a singer, and remained for Las Kenya). For this reason, Los Calvos would never have the same successes as Pérez’s other groups, though even Pérez has revealed in interviews that the two albums he made as Los Calvos are some of the most fun he ever had recording. With the price of originals for both albums ever increasing for vinyl collectors, this is a great chance to get hold of two of the heaviest salsa albums ever issued in the 60s, and an important moment in the life of Venezuela’s salsa king, Ray Pérez.

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Lorez Alexandria

For Swingers Only

44,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1967 | US | Original (RCA Camden)

Living Brass

That's Life

4,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Poor Dog / A Little Bit Of Something

Little Richard

7" | 1967 | EU | Reissue (Outta Sight)

12,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Duke)

Little Junior Parker

Driving Wheel

Release: 1962 / US – Reissue

Genre: Organic Grooves

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7" | 1965 | UK | Original (Sue)

Little Joe Cook

Stormy Monday Blues

49,99 €*

Little Anthony & The Imperials

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.
Sticker on label.

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I'm On The Outside (Looking In)

LP | 1964 | US | Original (DCP International)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Little Anthony & The Imperials

Goin Out Of My Head

LP | 1966 | US | Reissue (Veep)

12,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

7" | 1967 | UK | Reissue (Tay-Ster)

Lillie Bryant

Mamma / Meet Me Halfway

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Last Of The Great Blues Singers

Lightning Hopkins

LP | 1962 | US | Reissue (Time)

16,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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An exact repro vinyl reissue of this magnificent 1962 vintage blues delivery.

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LP | 1962 | EU | Reissue (Vinyl Lovers)

Mojo Hand

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Picture
Coming Soon

LP | 1962 | JP | Reissue (P-Vine)

Mojo Hand

35,99 €*

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Forget lightning in a bottle, we have Lightnin' on a vinyl! Recorded in New York in 1960 with famed producer Bobby Robinson, Mojo Hand is considered by many to be one of the finest blues records of all time. Since P-vine reissued it for the first time ever in 1983, word of the record’s quality quickly spread, with original copies now selling for thousands of dollars on the second hand market! Whether it’s the boogie of title song “Mojo Hand”, or the low and slow blues of “Have You Ever Loved a Woman”, the Lightnin’s acoustic blues is soulful. Don’t miss Mojo Hand, available for the first time ever on limited edition red vinyl with an obi-strip, only from P-vine Records.

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"Live" At The Bird Lounge (Houston, Texas)

LP | 1964 | UK | Original (Bulldog)

Release: 1964 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1961 | US | Reissue (Candid)

Lightnin' In New York

31,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Analogue Productions)

Lightnin'

55,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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"Lightnin'" is among the rewarding acoustic dates Lightnin' Hopkins delivered in the early '60s. The session has an informal, relaxed quality, and this approach serves a 48-year-old Hopkins impressively well on both originals like "Thinkin' 'Bout An Old Friend" and the familiar "Katie Mae" and enjoyable interpretations of Sonny Terry & Brownie McGhee's "Back To New Orleans" and Arthur 'Big Boy' Crudup's "Mean Old Frisco". Hopkins' only accompaniment consists of bassist Leonard Gaskin and drummer Belton Evans, both of whom play in an understated fashion and do their part to make this intimate setting successful. From the remorseful "Come Back Baby" to more lighthearted, fun numbers like "You Better Watch Yourself" and "Automobile Blues", "Lightnin'" is a lot like being in a small club with Hopkins as he shares his experiences, insights and humor with you.

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LP | 1961 | EU | Reissue (Ace)

Blues In My Bottle

16,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

EU reissue.

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LP | 1961 | UK | Reissue (Ace)

Blues In My Bottle

20,99 €*

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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The Great Lester Young - Volume 2

Lester Young

LP | 1962 | US | Original (Imperial)

5,09 €* 5,99 € -15%

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1963 | US | Original (Charlie Parker)

Lester Young

Pres Is Blue

Les Swingle Singers Perform With The Modern Jazz Quartet

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cover with faint ring wear.
Record is close to VG+.

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Place Vendôme

LP | 1966 | JP | Reissue (Fontana)

5,99 €*

Les McCann & The Jazz Crusaders

Release: 1966 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Jazz Waltz

LP | 1963 | EU | Reissue (Honeypie)

Orchestra Arranged & Directed By Geral Wilson

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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First released on Pacific Jazz in 1963 "Jazz Waltz" brings together the talent of pianist Les Mc Cann and the legendary Jazz Crusaders featuring the great late Joe Sample - piano, organ, the horn frontline of Wayne Henderson – trombone and Wilton Felder - tenor saxophone and the super tight rhythm section of Bobby Haynes - bass and Stix Hooper - drums. One of those great soul-Jazz records where every track is pure gold!

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Les Mccann Sings

LP | 1961 | EU | Reissue (Honeypie)

12,99 €*

LP | 1966 | US | Original (Pacific Jazz)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Here's a true West Coast soul-jazz gem originally released on pacific jazz in 1961. Les McCann's warm and emotional singing shines over some gorgeous big band arrangements signed by the great conductor and bandleader Gerald Wilson. McCann's usual trio with Herbie Lewis on bass and Ron Jefferson on drums is augmented by a phenomenal bunch of West Coast top musicians including clarinetist Buddy Collette, tenor sax lions Charles Lloyd, Teddy Edward, and Harold Land, and two absolute guest stars: tenor sax giant Ben Webster and organ stylist Richard "groove" Holmes, what else?

Soul-jazz and blues at their best. Allmusic Guide

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Les McCann

A Bag Of Gold

West Side Story (The Original Sound Track Recording)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl close to VG+

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Leonard Bernstein

LP | 1965 | DE | Original (CBS)

5,99 €*

Release: 1965 / DE – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

I Concentrate On You – The Best Of Lena Horne

Lena Horne

LP | 1962 | JP | Original (Victor)

14,99 €*

Release: 1962 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Includes OBI.
Writing on back cover.

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The Sidewinder Blue Note 85 Collection Blue Vinyl Edition

LP | 1964 | WW | Reissue (Blue Note)

28,99 €*

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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Nobody had expected the extraordinary success of this album and its funky title track. When Blue Note released trumpeter Lee Morgan's “The Sidewinder” in 1964, the label “only” pressed 4,000 copies, but they were completely sold out within three days. The instrumental album reached number 25 in the pop charts and number 10 in the rhythm'n'blues charts, while the soul-jazzy title track, which was shortened for that, was also successful as a single. The album, recorded with tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw and drummer Billy Higgins, is now a classic album that should be in every jazz collection.

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LP | 1964 | US | Original (Blue Note)

The Sidewinder

89,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many scuffs, hairlines and some deeper marks. Cover with long seam splits, shelf wear. and yellowing

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LP | 1964 | EU | Reissue (Blue Note)

The Sidewinder

23,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | Reissue (Blue Note)

The Gigolo

28,99 €*

Release: 1965 / Reissue

Genre: Organic Grooves

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LP | 1967 | US | Original (Blue Note)

Delightfulee

89,99 €*

LP | 1961 | US | Original (Verve)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs, hairlines and a couple of deeper marks. Cover with seam split, tears and shelf wear.

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Lee Konitz

Motion

69,99 €*

LP | 1966 | US | Reissue (Amy)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Stamps inside gatefold.

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Lee Dorsey

Working In The Coal Mine

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Ride Your Pony / Get Out Of My Life

Lee Dorsey

LP | 1966 | US | Reissue (Amy)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Laurindo Almeida & Bud Shank

Jazz Goes Brazil

LP | 1964 | UK | Original (Fontana)

Release: 1964 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | US | Original (Capitol)

Laurindo Almeida

A Man And A Woman

7,99 €*

7" | 1967 | UK | Reissue (Coolumbia)

Release: 1967 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Tiny needle hole in cover.

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Latin Combo

I'm A Man

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

Larry Young

Into Somethin'

26,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1962 | US | Reissue (Prestige)

Larry Young

Groove street

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Honeypie)

Krzysztof Komeda

Ballet Etudes

That'll Get It / She's A-1

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism. For many years considered a rare collector item "Callet Etudes" comes back to life as a major statement in East-European music history.” Allan Botschinsky - trumpet, Jan Wróblewski - tenor sax, Krzysztof Komeda - piano, Roman Dylag - bass, Rune Carlsson drums.

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Knight Brothers

7" | 1966 | UK | Original (Chess)

39,99 €*

Plays The Hits Made Famous By Sam Cooke

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ships in a label sleeve.

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King Curtis

LP | 1965 | US | Original (Capitol)

Art Of The Koto; The Music Of Japan

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G

cover with puchhole and bottom seam split. vinyl has only superficial marks

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Kimio Eto

LP | 1963 | US | Original (Elektra)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | EU | Reissue (Blue Note)

Kenny Dorham

Una Mas

37,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

Kenny Dorham

Trompeta Toccata

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | UK | Reissue (Impex)

Kenny Dorham

Matador

66,99 €*

LP | 1963 | EU | Reissue (Not Now)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Numbered, Limited Edition - 5000 Copies!

Available On All-Analog Hq-180 For The First Time Ever!

Mastered by Chris Bellman From The Original Analog Master Tapes!

Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our new all-analog Hq-180 of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180-gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you'll scratch your head raw that this under-appreciated gem has been missing for so long.

Working with a soulful Jackie McLean on alto, a loose and swinging Bobby Timmons on piano, and the locked-in rhythm section of Teddy Smith on bass and J.C. Moses on drums, the playing is spontaneous, energetic and expressive. Check out the frenetic interplay between Timmons and Moses during the long trailing section of "Melanie".

"Dorham and McLean, two of jazz' most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest." - Ira Gitler, Downbeat Magazine, April 1963

Recorded in a single day in 1962, Matador contains the sprawling epic McLean-penned "Melanie" (a suite in three parts), as well as Dorham's smoldering "El Matador" and a stirring take on "Beautiful Love". Throughout the session, Timmons, Smith, and Moses provide sublime support while Dorham and McLean trade sinewy solos. Emotional musical exploration ties to readily approachable post-bop structure that make for a snappy, yet heady, mix of tunes that put a tap in your foot while engaging your head and heart.

Chris Bellman cut Matador from the original analog master tape (one of the few that survived the Universal warehouse fire of 2008, lucky for us) and the sound is revelatory! Tight acoustics of the Soundmaker Studios provide tightened bass, crystal-clear drums and beautifully rounded tones from Dorham's and McLean's horns. This is another fine example of Impex Records cutting through the fat of modern music-making to reveal the very essence of the music and the giant talents who created it. We are elated to bring this sadly-neglected classic back for true believers to add to their collection and (maybe more importantly) to a whole new generation to discover for the first time.

"Kenny Dorham's Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener... A fantastic session by any standard."- Brandon Burke, AllMusic Guide

Features Numbered, Limited Edition Limited To 5000 Pressings Audiophile 180g Vinyl LP 33rpm Available on all-analog LP for the first time in nearly 50 years First time ever on Hq-180 Mastered by Chris Bellman from the original analog master tapes Original single disc jacket with ribbed paper tip-on over heavy-board stock Pressed at RTI

Musicians

Kenny Dorham trumpet

Jackie McLean alto saxophone

Bobby Timmons piano

Teddy Smith bass

J.C. Moses drums

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Kenny Burrell

Midnight Blue

26,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell & John Coltrane

Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

59,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Guitar Forms Acoustic Sounds

Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

43,99 €*

Kenny Burrell & Coleman Hawkins

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Bluesy Burrell 200g Vinyl Edition

LP | 1963 | US | Reissue (Analogue Productions)

55,99 €*

Year Of The Iron Sheep Clear Vinyl Edtion

Release: 1963 / US – Reissue

Genre: Organic Grooves

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This session is a model of the emotionally intense ballad programs featured on Prestige's Moodsville subsidiary. The great Kenny Burrell receives a major assist from saxophone patriarch Coleman Hawkins (who is in exemplary early-Sixties form), Hawkins' rhythm section of the time (made up exclusively of natives of Burrell's hometown Detroit) and conga drummer Ray Barretto. The choice of material and variety of settings are inspired, with Burrell heard solo on "No More", over just bass and drums on "Guilty", in two different settings and on three titles by the full sextet. Each soloist is fully engaged throughout, with things shifting into even higher gear when Burrell and Hawkins converse on "Montono Blues" and "I Thought About You".

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Ken McIntyre

LP | 1962 | EU | Reissue (Sowing)

20,99 €*

Ken Mcintyre / Eric Dolphy

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-Malik, drummers Ben Riley, Louis Hayes and Warren Smith. An amazing cast of players for a great and yet forgotten post-bop gem.

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Looking Ahead Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

LP | 1964 | US | Original (Verve)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Looking Ahead is the debut album by American jazz musician Ken McIntyre, recorded with fellow alto saxophonist Eric Dolphy in 1960 and released on the New Jazz label in January 1961. From the beginning Mr. McIntyre considered himself part of the avant-garde or ''new thing'' movement in jazz, as spearheaded by musicians like Ornette Coleman, Bill Dixon and Cecil Taylor, although his own music was considerably more traditionally melodic than theirs. He played a whole fleet of reed instruments, including oboe, bassoon, bass clarinet and saxophones. In 1964, on the album ''Way, Way Out,'' he recorded bouncing, urgent jazz tunes with chilly, dissonant string arrangements; in 1966, he accompanied Mr. Taylor on the album ''Unit Structures,'' a landmark recording of the jazz avant-garde.

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Kai Winding

Mondo Cane #2

Release: 1964 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Junior Walker & The All Stars

Jr. Walker & The All Stars "Live"

LP | 1967 | US | Original (Soul)

Sings Latin In A Satin Mood

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Tear in top spine.

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Julie London

LP | 1963 | EU | Reissue (Waxtime)

16,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Latin In A Satin Mood 200g Vinyl Edition

Julie London

LP | 1963 | US | Reissue (Analogue Productions)

55,99 €*

Julie Driscoll, Brian Auger & The Trinity

Release: 1963 / US – Reissue

Genre: Organic Grooves

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She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was 'discovered' while running a department store elevator in Hollywood.
Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.
The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male 'mariachi-esque' serenade adds to the romantic ambiance.
And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal Music.
Describing her smoky vocal style, London once said, »It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate.« A style inimitable, in our estimation.

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Open

LP | 1967 | DE | Original (Polydor)

29,99 €*

Release: 1967 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1966 | UK | Reissue (Far Out)

José Roberto Trio

LP | 1966 | EU | Reissue (Far Out)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

UK reissue 2022. Still in shrink but opened. Tiny corner wear.

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Jose Roberto Bertrami

Jose Roberto Trio

El Grito (Suite Para Orquesta De Jazz)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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Jorge Lopez Ruiz

LP | 1967 | EU | Reissue (Be With)

LP | 1961 | EU | Reissue (Ascensionale)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Be With is delighted to present Jorge López Ruiz’s El Grito (Suite Para Orquesta De Jazz), eternal Argentinian magic released on CBS in 1967 that must be one of the most sought-after South American jazz LPs. Living in Buenos Aires in the 60s, driven by creative impulse and rage Jorge López Ruiz used music as his platform to protest the Argentine military dictatorship: “I could never stand dictatorships, to be told how you have to think, what you have to do. Nor did I endure discrimination”. A young López Ruiz had appeared on a television panel alongside writer, politician and philosopher Arturo Jauretche, criticising the Onganía dictatorship. Jauretche told López Ruiz “Now say it with music”. This was the deep inhale that lead to El Grito, literally “The Scream”. As López Ruiz later explained “Jauretche urged me that my protests should not remain in words and acquire the consistency of a work… but it was not so much what he told me but how he told me, what prompted me to make the work take shape, first in a live concert and then in a recording”. As the police and military began resorting to kidnapping, torture and summary executions to quiet dissent, with depressing inevitability the artist community and their work were a particular target of the increasingly brutal regime. El Grito was banned not long after it was released and the majority of original copies were unceremoniously destroyed. The work of a genius artist living under an opressive dictatorship, erased by the government of the time, this is buried treasure in every sense and it’s been a rare record for over 50 years.

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Jorge Lopez Ruiz

B.A. Jazz

39,99 €*