Organic Grooves Vinyl 5724 Items

2LP | 2019 | EU | Original (Demon)

P&P Soul & Funk

Release: 2019 / EU – Original

Genre: Organic Grooves

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Peter Brown is one of the ultimate in Harlem underground music business entrepreneurs. From the 70s, all through the 80s he had a stream of releases on a plethora of labels, but ultimately under the P&P banner. From soul, to disco to the birth of hip hop, he covered all the street sounds of New York and in a series of comps Demon are exploring his legacy. P&P soul and funk covers the 1970s with a number of rare, sought after masterpieces and some equally essential obscurities. From the former category we have the magnificent ESP by Four Below Zero, Dennis Mobley's Rare Groove instrumental version of Superstition and Florence Miller's soul floor filler 'The Groove I'm In' Super rare funk is present from Wild Honey, Smokey Brooks and Flame & The Sons. The roots of disco is well represented with Magnetic Touch's original version of Ain't No Big Thing and Ella Hamilton's I'm Gonna Fool You. Released on double 180g vinyl, if you bought the originals they would cost you many thousands of pounds.

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2LP | 2019 | EU | Original (Demon)

P & P Disco

Release: 2019 / EU – Original

Genre: Organic Grooves

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12 track vinyl compilation featuring the roots of modern dance music, on 180g heavyweight double LP. P&P was producer and Harlem hustler Peter Brown’s production company. He created some of the greatest moments in underground African American dance music, across a handful of labels in the 70s and 80s.

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Overdose Of The Holy Ghost - Compiled By David Hill

2LP | 2013 | EU | Reissue (Z)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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"Gospel music has often followed the prominent trends in secular music, probably in the hope of widening its audience by giving the subject matter a sprinkling of cool. In the 60s it happened with R&B and then funk-flavoured gospel, the 70s brought sweet-soul crossovers, and by 1975 the sounds of early disco had started to permeate the genre. This compilation brings together overlooked gospel gems that have their production rooted in disco and boogie, the sound of the early 80s that followed in disco's wake. It's only recently that this music has begun to be appreciated by fans outside of its original target market, and I'm glad to help it finally reach a wider audience."

David began his music career in 1994 as a member of the Ballistic Brothers, together with Ashley Beedle and Rocky & Diesel of X-Press 2. In 1994 he co-founded the Nuphonic record label, where he managed the creative aspects on almost a hundred releases, with artists including Faze Action, Norman Jay, Andrew Weatherall, Maurice Fulton and David Mancuso. In addition to the record label, Nuphonic also produced the Sony award winning London Xpress radio show for Xfm, which led to various club nights.

David has also acted as a music consultant to several record companies, one of these being Soul Jazz records, who he produced a series of successful albums for - in 2004 the 'World of Arthur Russell' and more then the acclaimed 'Soul Gospel' series. He was also production consultant for Auralux, the London based reggae reissue record label, where he worked with Lee Perry, King Jammys, Sly & Robbie and Linval Thompson.

He continues to work on personal projects such as Rootikal, the monthly roots reggae Night, and has a number of reissue and compilation projects currently in production. He is also currently overseeing the production of a book and an accompanying touring exhibition that will showcase Bill Bernstein's photographs of New York nightlife in the late 70s.

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Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992

2LP | 2017 | EU | Original (Music From Memory)

33,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.

The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andréa Daltro, Maria Rita, and Fernando Falcão, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty.

Compiled by John Gómez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil’s rich music history for the first time.

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Outernational - Live From Studio Two

LP | 2022 | UK | Original (Jazz Re:Freshed)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Outernational Live from Studio Two Abbey Road" is a unique live LP featuring new stars of UK jazz recorded at the world-famous Abbey Road Studios during the winter lockdown of 2021.

Tracks were originally laid down for a covid-friendly filmed show hosted by the South by Southwest (sxsw) music festival in March of that year following a run of ground-breaking live showcases at the Austin event since 2017....

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LP | 2022 | EU | Original (Secousse)

OST Rumba Rules

Release: 2022 / EU – Original

Genre: Organic Grooves

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The official soundtrack of the 2021 Rumba Rules, New genealogies documentary movie by Congolese artist Sammy Baloji and Quebec filmmaker David Nadeau-Bernatchez. A deep dive into Kinshasa’s vibrant Rumba scene, including remastered classics by Brigade Sarbati, Werrason, Papa Wemba, Franco & le Tout Puissant O.K. Jazz Rumba Rules, New genealogies is about contemporary rumba in Kinshasa, but this music has deep historical roots nevertheless. Born in the interstices of the colonial world and thriving during the three decades of the Mobutu era in Zaïre, Congolese rumba has been iconic and popular all over Africa for decades. The roots of Rumba are even deeper, and the many paths it evokes trigger the imagination. The story goes that this music came with the migration of the ‘Kumba’ drum and dance in previous centuries, African slaves having carried it all around the Americas and giving birth to Cuban ’Rumba’, Colombian ‘Kumbia’ and many others. With its varied rhythms, guitars and horns, through LPs and radio stations, Rumba came back to (re)conquer Africa throughout the 20th century, paving the way for new practices. One could say this music is a sort of palimpsest, a memory in itself of Atlantic migrations and histories. Rumba is nowadays discussed all around the world, igniting many debates among the Congolese diaspora. Being the constant talk of the town sometimes overloads public debate, and many people get tired of this broken record. Thus, over the last decade, enterprising producers have worked hard to promote Kinshasa’s musical diversity and tried to emulate new sounds to reach worldwide attention. But Kin’ locals and urban dwellers will not be fooled : new shoots cannot hide the forest. Despite some difficulties to innovate, despite the pastoralist sermons and the diaspora fighters pushing for concert cancelations, rumba is still at the core of the Congo today. Talented artists such as Fally Ipupa, Ferré Gola, Brigade Sarbati and others are leading the fifth generation, and the religious world has also proven to be a nurturing environment for the cultural and economic dynamism of this music. Focusing on the music of Brigade Sarbati and his Orchestra, this record offers a deep dive into Kinshasa’s rumba scene. Halfway between professional studios and Zoom H4 field recordings, the rumba herein is about today’s youth : dense, full of energy and breakdowns, insights and name-dropping. The cavacha rhythm, the solo and bass guitar’s playing style, the singing style and numerous dedications all resonate with the history of Rumba. In an era where digital sound is taking over, it is interesting to highlight the instrumental and live performance compositions of this music. Digital technology is indeed used during the recording and mixing phases, but Congolese rumba still relies strongly on instrumental playing. There is all that but also, many other things to hear on this record… It’s time to let it be. A big thanks to Étienne Tron for making it possible: it is on his initiative and through his patience that this album is in your hands today. (David Nadeau-Bernatchez, december 2021)

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OST Rocky Horror Picture Show

LP | 2013 | US | Original (Ode Sounds & Visuals)

23,99 €*

Release: 2013 / US – Original

Genre: Organic Grooves, Soundtracks

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LP | 2013 | EU | Original (Nonesuch)

OST Inside Llewyn Davis

35,99 €*

Release: 2013 / EU – Original

Genre: Organic Grooves, Soundtracks

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The album includes 12 new recordings made especially for the film and soundtrack plus an existing recording by Dave Van Ronk. Also featured is a never-before-released version of Bob Dylan performing his song “Farewell,” which was recorded during the sessions for his album The Times They Are A-Changin' and is available exclusively on this soundtrack.

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2LP | 2016 | UK | Original (Mr Bongo)

Original Sound Of Mali

Release: 2016 / UK – Original

Genre: Organic Grooves

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The Original Sound of Mali’ compiled by David ‘Mr Bongo’ Buttle, Vik Sohonie (Ostinato Records) and  Florent Mazzoleni.

Malian music is a deep, lyrical form of African music. Those of us deeply entranced by Malian culture, and, in particular, the immense hypnotic beauty of Malian music, have put together a selection of songs from across the country.

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Original Broadway Cast Recording - Hamilton

4LP | 2016 | EU | Original (Atlantic)

91,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves, Soundtracks

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LP | 2022 | UK | Original (Opaz Multimedia)

Opaz 30

Release: 2022 / UK – Original

Genre: Organic Grooves

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Opaz celebrates 30 years in urban music with a compilation featuring some of their most sought after tracks. Featuring Martine Girault, Mica Paris, Maysa Leak, Cartier Fraser, Imaani, Natasha Campbel, Patrick Jean-Paul-Denis, George Howard, Mary Jane and Ray Hayden. The compilation will be supported with a month advertising on Solar radio, as well as a two hour show featuring Ray's Productions, remixes and songwriting for the likes of Will Smith, Marvin Gaye, Omar, Mary J Blige, Incognito, Tyrese, Sade, Swing Out Sister, Guru and artists from the label.

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Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)

2LP | 2018 | EU | Original (Soundway)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who are at the helm of throwing some of the country’s best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian.
Whilst names such as Ricardo Bomba, Villa Box, Fogo Baiano, Electric Boogies and Batista Junior may not be household names, they tell an untold, yet rich and important part of musical history in Brazil. The release also covers a decade that has been intentionally forgotten and brushed aside by many in the country.
Onda De Amor is a release that is loaded with smooth grooves, bubbling bass, glistening synthesisers, funk strutting guitar lines and sheen of production that undeniably marks it of its time. For Kaiser this compilation is about reintroducing music during a period of reappraisal, catching a new wave and hoping contemporary listeners will ride it with him. “The idea is to do justice to these songs. Songs that combine all the right ingredients that should have put them on radio playlists when I was growing up or at least in the cases of more adventurous DJs”.
Millos Kaiser is a DJ, digger, vinyl junkie/dealer born in Rio de Janeiro and living in São Paulo for the past 8 years. He launched the dance party/club night Selvagem with partner Trepanado in 2010, bringing thousands of dancers one Sunday a month to a public square in the heart of São Paulo.

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OH YEAH! The Original Sound Of Rhythm & Soul

LP | 2018 | UK | Original (Outta Sight)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Numero 95 Clear Vinyl Edition

LP | 2021 | US | Original (Numero Group)

30,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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As escapism from corporate banality turned the corner in the `90s, a new generation of vibrant, software generated soundscapes emerged. Communal access to the internet propagated the new hive mind of ideas online, giving way to smoother, stress-free textures. The PC revolution opened the gateway to ray-traced playgrounds of color and light, allowing for visions of utopic proportions to manifest themselves on screensavers far and wide. Boot up your machine, load the software on this floppy diskette, and drop out of a reality bounded by the physical laws of the universe. Numero 95 is the soundtrack to the screen saver fever dream we're all trying to climb back into. Eight droplets of proto-vaporwave, synthesized in vinyl (or digital) form, fresh from Numero's archive of forgotten sounds. Are you looking for that half way point between smooth jazz and new age? Mac and PC? Quantum Leap and the X-Files? This software is for you. Housed in a replica floppy diskette, Numero 95 explores an early computer music unbound by scene or region. Eight solo pioneers vibing out at home in their headphones, traveling as far as the sound card would allow. This is music that barely escaped the hard drive and yet percolates at the edges of the algorithm 30 years later. Welcome to Numero 95.

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Nu York Groove Sessions #2

LP | 2017 | US | Original (Nu York Groove Sessions)

18,99 €*

Release: 2017 / US – Original

Genre: Organic Grooves

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Nu York Groove Sessions drops another hot LP of rare boogie, disco dub & holy grail cuts! Followers of Larry Levan's Paradise Garage, crate diggin fanatics & trainspotters alike should jump for joy as thus runs the full spectrum for you & yours. Super limited pressings so don't miss out!

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Nu Soul

Release: 2022 / EU – Original

Genre: Organic Grooves

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Nu Jazz

Release: 2022 / EU – Original

Genre: Organic Grooves

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Nowhere Like Here: Love Songs From The Caribbean & Diaspora

2LP | 2022 | UK | Original (Emotional Rescue)

27,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Emotional Rescue is delighted to debut a first. Rather than a straight reissue of an (obscure) classic or a collection of music by an artist or label, here presented is a compilation of various artists centered around a sound and movement reggae-tinged music and how it influenced and spread from the Caribbean and diaspora.

Drawn from the off kilter digging of archivist, DJ and collector Bruno (perfectliv.es), Nowhere Like Here is not a follow up, but a sideways accompaniment, to his recent and already cult like 'Perfect Motion' collection of left field pop and new wave, recently self-released with Flo Dill (nts).

This is a special release to celebrate the label's 10th year and beyond, offering a treasure trove of lo-fi and often pop inspired reggae cuts, mixing heartfelt Lovers Rocks style paeans and quirky private press oddities, all guaranteed to 'make-a-move and tap', these are, in the main ridiculously rare or impossible to find alternative bombs, that are just as sound system rocking and massive bass line quaking showcases of the enduring legacy of this Jamaican music phenomenon. As with much of the early 80s period, the music community was in the throes of a Do-It-Yourself cultural renaissance as small labels, where crazy limited, one off White Labels Onlys came and went. Songs like Avalanche 's 'Your Love is Such a Good Thing 'or Warp Speed's 'Take It To The Night' were part of the claiming the means of production in to their own hands, pressing up the records and self-distributing. This raw, naive exuberance can be heard in the songs themselves. This is not reggae or Lovers as known, but something more expressive. Musical, simply produced, but with intelligible and uplifting optimism that is just superlatively catchy.

While Paul Thompson's 'Can I Take You Home' and Ras Ibuna's 'Black Beauty' are more straight-ahead Lover's style cuts, there is the parallel dance pop private pressing vibrations of the two Keith Robinson songs and Majority's 'Caroline' included all part of a thread; a joining the dots that Nowhere Like Here is at its most basic, a warmth the whole album exudes.

This is not a Lovers Rock Hits of some, but a left-of-center versioning, spread across Double Pack and cut loud for DJ play, fitting the ethos of Emotional Rescue by presenting something most will not have heard before and all the better for it.

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Northern Soul Revue: Here Comes The Night Owl

LP | 2017 | UK | Original (Outta Sight)

23,99 €*

Release: 2017 / UK – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2017!

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Northern Soul Classiest Rarities

LP | 2018 | UK | Original (Kent)

Release: 2018 / UK – Original

Genre: Organic Grooves

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14 tracks of the absolute crème de la crème!

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Noel Gospel

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Wagram)

Noel Divas

Release: 2021 / EU – Original

Genre: Organic Grooves

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The new vinyl collection with a selection of the greatest divas singing the magic of Christmas! With Aretha Franklin - Billie Holiday - Ella Fitzgerald - Judy Garland - Nina Simone...

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Nigeria Soul Power 70 - Afro-Funk, Afro-Rock, Afro-Disco

2LP | 2019 | UK | Original (Soul Jazz)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s. Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more.
While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels.
Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.
Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies of vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international success of the big three international Nigerian artists.
Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage.

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Nigeria 70: No Wahala 1973-1987

2LP | 2019 | EU | Original (Strut)

29,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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As part of their 20th Anniversary celebrations, Strut present the first new volume in their pioneering ‘Nigeria 70’ series for over 8 years, bringing together rare highlife, Afro-funk and juju from the ‘70s and early ‘80s. Compiled by collector and DJ Duncan Brooker, this new selection of tracks is receiving its first international release outside of Nigeria.

The compilation returns to a fertile heyday in Nigerian music when established styles like highlife and juju became infused with elements of Western jazz, soul and funk and musicians brought a proud new message post-independence. Brooker places the spotlight particularly on some of the incredible Ukwuani musicians from the Delta State region as guitarist Rogana Ottah and Steady Arobby’s International Brothers Band forged their own fluid brand of highlife and soulman Don Bruce drew on the US R&B greats for a series of great albums and explosive stage shows at his residency at Hilton Hotel in Abuja.

Elsewhere, the album explores the close connection between Nigeria and Benin’s music, most famously through Sir Victor Uwaifo, appearing here with a killer mid‘80s ekassa jam, as well as highlife hitmaker Osayamore Joseph on ‘Obonogbozu’ (Joseph made headlines in Nigeria for very different reasons in 2017, surviving a one month kidnapping ordeal).

Other tracks include ‘Sickness’ a 1979 lament on how all countries share troubles by Prince Nico Mbarga, the Nigerian / Camerounian star behind the smash hit ‘Sweet Mother’; reggae singer Felixson Ngasia switches to funk and disco for a heavy workout with potent lyrics around black identity; another major highlife great Etubom Rex Williams unleashes a punchy psych funk gem with ‘Psychedelic Shoes’ and Africa 70 member Pax Nicholas vocals a simmering Afrobeat groove from Jacob Lee’s Saxon Lee & The Shadows International Band.

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LP | 2018 | EU | Original (Sonor Music Editions)

New Tape

Release: 2018 / EU – Original

Genre: Organic Grooves

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Founded in early 70s by historical Rai TV trumpeter and composer Cicci Santucci (Looking Around, On The Underground Road etc.), New Tape grown up during the golden period of Italian music production and was dedicated to experimentation of new forms of sound, always hailing from the solid Jazz basis of the musicians and theme music inspiration. Andrea Galtieri aka Cavalier Piscopo sequenced the very best shots from the whole label production including exclusive liner notes, with an explosive mix of Jazz-Rock, Bossa, spellbinding groove and raw Experimental stuff.
"A leading figure in the Italian Jazz scene, Francesco 'Cicci' Santucci worked as trumpeter in the legendary Rai TV orchestra for over 20 years. He was renowned for collaborations with such international jazz legends as Lionel Hampton, Gato Barbieri, and Kenny Clarke – that is until his foray into the avant-garde progressive experience of The Living Music, a project founded by his brother Umberto. During these same years, he took part in important Italian jazz sessions like "Looking Around", "Mondo Operaio", and "On The Underground Road", with his close colleague Enzo Scoppa.
It was just around this period of great music production and experimentation that Cicci founded his own label, the NEW TAPE, in the very early '70s. His goal was to dedicate himself to composing library music with a new expression of music, less linked to hard bop or American standards, but rather more focused on the new sounds of the time that brought the listener closer to modern vibes, like jazz-rock and avant-garde music.
"Mixed Grill" opens this series, composed by the maestro's alias, 'Girosan', along with Lesiman (a.k.a. Paolo Renosto) who added a more esoteric and captivating atmosphere, closer to English progressive rock. "Rengran Mix" and "Tropical" follow, with music by Paolo Renosto and the old avant-garde connoisseur, Romolo Grano. This work gave way to electronic instrumentation and weird experimentation, and was built on a rich rhythmical carpet – tropical percussions, rock and blues inspired vibes, sleazy psych, and jazz improvisations. Music from “Rengran Mix” was also used as the soundtrack for the TV programme "Futili Motivi", and also featured the great backing sound of I Marc 4 with the accompaniment of Nora Orlandi's warm vocals.
The trademark of the label, and the most important production, is the fourth album, "Mirage" by Cicci Santucci and Enzo Scoppa themselves. This record is an explosive mix of elegant jazz, funk, and psychedelia, where every instrument finds its expressive space. We can clearly hear the connection on both the 'On the Underground Road' and 'Looking Around' albums, recorded that same year, bringing that unmistakable underground jazz dopeness typical of the magical duo of Santucci and Scoppa.
The last album of the series is "Appunti Di Guerra" by the mysterious 'Ruscigan' – a very obscure alias which probably belongs to Renosto and Guido Baggiani. This work features complex and dramatic sounds properly composed for war scenes and gloomy atmospheres, with a large assortment of percussion, distorted effects, and tape manipulation – an album that foreshadowed what would become industrial music.
With a ridiculously small pressing of only 100 copies per title, NEW TAPE is among the most interesting discoveries to date in terms of original production library music, and as a result, a very respectable journey begins inside the creative underground jazz of 1970s."
Andrea Galtieri

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New Tangents In Kampala, London & Nairobi

7" | 2022 | Original (Extra Soul Perception)

9,99 €*

Release: 2022 / Original

Genre: Organic Grooves

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In November 2019, eight artists from Kenya, Uganda and the UK spent a week in Nairobi together exploring new tangents in music with soul.

The group consisted of Faizal Mostrixx (Ug), Hibotep (Ug), K15 (uk), Karun (Ke), Labdi (Ke), Lex Amor (uk), Lynda Dawn (uk) and Maxwell Owen (uk).

As we prepare to drop the long awaited full album next year we are releasing two tracks from the album via a 67" vinyl release that gives a taste of what to expect from the double vinyl 70.

The New Tangents 67" crowns a great year for ESP. following the release of Mara TK's debut album Bad Meditation and Lynda Dawn's Roses 67"

The first track from the 67" features 3 of the core artists from the Nairobi & London writing camps in 2019. K15 provides a beat with a bass line so heavy it needs to be heard on a soundsystem. Lex Amor is setting the world alight at the moment and this verse adds more weight to Lex being one of the most vital and exciting voices coming out of the UK. Karun crowns the track with blissful melodies that blend and flow all over the beat.

The second A side on the 67" was born after the lockdown hit. We decided we wanted the album to represent the time in which it was created and with lockdowns enforced around the world we decided to expand the community of musicians involved in the album project. Solaand Labdi blessed us with a soulful electronic hybrid track that combines both artists' stunning vocals. They are perfectly complemented by Solas forward thinking futuristic production.

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Naino, Naino: Spanish Gipsy Soul Funk 1971-1978

LP | 2022 | EU | Original (Adarce)

Release: 2022 / EU – Original

Genre: Organic Grooves

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We are true to the principles of the first "¡Naino!". Flamenco rumba fusion which in the hands of intrepid producers becomes Catalan Rumba under the influence of sounds coming from Cuba and Puerto Rico in the early 1960s, Rumba Pop under the umbrella of the British Invasion and American pop of the late 1960s, and Disco Rumba with the arrival funk and disco from the USA in the mid-1970s. Everything happens thanks to a flourishing record industry located mainly in Barcelona with labels such as Belter, Discophon or Vergara. After the death of the fascist, sanguinary dictator Paquito Franco in November 1975, the international record industry establishes in Madrid through major labels CBS, RCA, and a new fusion led by producer Jose Luis de Carlos and labeled as Gipsy Rock, Caño Roto or, in the Flamenco field, especially in couplets, Flamenco Pop. As Oriol Farràs pointed in the previous volume, rumba moved from tablaos to discotheques, understanding the concept of discotheque at that time with a slightly different meaning and less conditioned style-wise. The selection on offer here complements volume one. Starting with an A side packed with floor fillers, with Peret's "Chavi" as the top example of gypsy funk fusion under production of Josep María Bardagí and Josep "Rabbit Rumba" Cunill, and four examples of the answer to that sound as produced by Jose Luis de Carlos, showing the four cardinal points of this fusion success: Las Grecas, Los Chorbos, El Luis and Chango. De Carlos transforms the sound of Madrid's flamenco artists spicing it with soul, rock, glam, dub, funk, disco and gospel. These five opening tunes alone could feed a whole scholar course on the possibilities of rumba fusion and its incredible dance potential. Back to the record. There are not only examples of Afro-American flavored fusions. Progressive rock and Anglo-American psychedelia of the seventies are also influences represented here. They started a path that would later be known as "rock progresivo andalúz" (Andalusian progressive rock) with a crowded band scene and a hardcore hash impregnated following. But before reaching that point, here are some early efforts on side B. Synth-fueled rumba with Canterbury sound inspired electric guitars. A sound that, as it happened with rumba funk and flamenco pop, also had its moment of glory with the arrival of bands and solo artists such as Triana, Gualberto, Smash, Storm or Medina Azahara, or even the more blues-rock oriented Pata Negra.

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Nagra 70th Year Anniversary Collection Album

2LP | 2022 | EU | Original (Nagra)

93,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Music Is The Most Beautiful Language In The World: Yiddisher Jazz In Londons East End 1920s To 1950s

LP | 2018 | EU | Original (JWM)

Release: 2018 / EU – Original

Genre: Organic Grooves

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New label JWM Records launch with the selection 'Music is the Most Beautiful Language in the World'. A vibrant soundtrack to the Cockney Jewish experience, starting when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel, in London’s East End. For some, music or acting was a potential way out of the poverty experienced by these first and second generation refugees.

Sounds from long-forgotten 78 rpm discs only recently unearthed, reveal a host of recording artists, united here for the first time. Klezmer fused very easily with jazz, a connection that becomes apparent in these recordings. Hear the legendary dance band figures of the era like Bert Ambrose and his Orchestra, and Lew Stone and his Monseigneur Band, to the relatively unknown Jewish speciality acts like Johnny Franks and his Kosher Ragtimers, and Rita Marlowe, the siren of Yiddish song. Delight in the cheeky street patter of the incomparable slapstick drummer Max Bacon, rejoicing in the East Enders' love affair with ‘Beigels’; celebrate the world famous Petticoat Lane street market with not one, but two fox-trots - but also shed a tear with Leo Fuld, the remarkable Dutch Yiddish singer, whose recordings in post-war London were haunting reminders of a way of life decimated by the Holocaust.

‘Music is the most Beautiful Language in the World’ is compiled by Alan Dein, multi-award winning radio documentary presenter, whose own family harks back to the major wave of immigrants fleeing the pogroms in Eastern Europe from the end of the 19th century. The album title is inspired by a 1920s Yiddish slogan of an East London gramophone record shop, from a time when Whitechapel was a fertile breeding ground for singers, musicians, proprietors of record shops and club owners - according to Dein “their stories are now entwined with the development of the British recorded music industry. But for the first time ever, we can the discover the remarkable sounds of Jewish-themed jazz recorded in London between the 1920s and the 1950s - which thankfully had been preserved within the grooves of ancient discs”.

Designed by Will Bankhead, the LP comes with a fold-out insert, the slip-case CD with a 24 page booklet, both including a detailed essay by Dein, illustrated with rare photos and memorabilia. This release is co-compiled by Howard Williams, who has released a series of compilations spanning Moondog (The Viking of Sixth Avenue), Killing Melody (Japanese gangster soundtracks), cult Japanese jazz singer Maki Asakawa, and several other Japanese retrospectives.

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Music Is My Life - Italian Library

LP | 2018 | EU | Original (Cometa Edizioni Musicali)

Release: 2018 / EU – Original

Genre: Organic Grooves, Soundtracks

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The LP Italian library "Music Is My Life" is a new collection of songs never printed in LP of the 70s and early 80s used in the sound commentaries of newsreels, films, TV and documentaries. Many of you (now aged forty) will have surely felt them in the background, now we want to present them in their great musical fullness and to delight your ears.S. Brugnolini - A. Alessandroni - A. Trovajoli - E. Morricone - L. Zito - M. Guantini - Teimar - B. Pisano - G. Tommaso - T. Schipa

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Music From Saharan Whatsapp

LP | 2022 | US | Original (Sahel Sounds)

Release: 2022 / US – Original

Genre: Organic Grooves

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In 2020, Sahel Sounds hosted a project called Music from Saharan WhatsApp. This series consisted of ephemeral digital EPs, documenting live performances by some of the most exciting acts in the Sahel playing music, including Nigerién techno, wedding rock, Woodabe guitar, WZN, traditional music, Mandingue music, and more. Responding to an open call from our network of artists, musicians recorded a handful of tracks on their cellphone and sent them over the popular mobile app WhatsApp. Each session was hosted for a month on Bandcamp and sold on a sliding scale, with all profits wired directly to the musicians. After a month, the EP would disappear, replaced by another one. Now, some of the label's favorite tracks from this series are collected for the first time outside of Bandcamp as the Music from Saharan WhatsApp compilation LP. This LP features tracks by established Sahel Sounds artists such as Etran de L'Aïr, Hama, Alkibar Jr, Amaria Hamadaler (of Les Filles de Illighadad), and artists new to the label like Bounaly and Andal Sukabe.

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Music From Jarvis Cocker's Sunday Service

2LP | 2019 | UK | Original (Ace)

31,99 €*

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2017 | EU | Original (Aziza)

Murder By Contract

Release: 2017 / EU – Original

Genre: Organic Grooves

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his LP explores the vast archives of African popular music, leading to an explosive selection of cuts that blend genres s.a. soul, jerk, psych, beat, garage and more. All cuts are reissued here for the first time.

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Mr Bongo Record Club Volume 5 Pink Vinyl Edition

2LP | 2022 | EU | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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It's hard to believe we are now up to Volume 5 of our renowned Record Club series. Curating these compilations, where we share our latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor-driven than our previous volumes, as fewer opportunities for live events drove us to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic. For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do.

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Mr Bongo Record Club Volume 5 Black Vinyl Edition

2LP | 2022 | EU | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mr Bongo Record Club Volume 2

2LP | 2017 | EU | Original (Mr Bongo)

Release: 2017 / EU – Original

Genre: Organic Grooves

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This instalment follows on from our acclaimed ‘Volume One’ – Lauren Laverne’s ‘Compilation Of The Week’, supported by the likes of Disclosure, Jeremy Underground, Horsemeat Disco, Hunee and Laurent Garnier. ‘Volume Two’ picks up where the last one left off — with a touch more soul and disco — records we’ve been spinning in our DJ sets and on the radio show of the same name, that inspired this series.

Compiled by David ‘Mr Bongo’ Buttle and Gareth Stephens, plus a few personal favourites from Gary Johnson, Ville Marttila and Graham Luckhurst.

TRACKLIST, VINYL 2-LP: A1. Elbernita ‘twinkie’ Clark – Awake O Zion (full length, original version) / A2. Dee Edwards – Put Your Love On The Line / A3. Anubis – Ecology / B1. Guy Cuevas – Ebony Game / B2. Kiru Stars (Julius Kang’ethe) – Family Planning / B3. Teaspoon & The Waves – Oh Yeh Soweto / C1. Leny Andrade – Não Adianta / C2. Rosa Maria – Samba Maneiro / C3. Tom & Dito – Obrigado Corcovado / C4. Inezita Barroso – Maracatu Elegante / C5. Joao Diaz – Capoeira / C6. The Equatics – Merry Go Round / D1. Elias Rahbani And His Orchestra – Liza… Liza / D2. The Beaters – Harari

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Mr Bongo Record Club Volume 1

2LP | 2016 | UK | Original (Mr Bongo)

Release: 2016 / UK – Original

Genre: Organic Grooves

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The first instalment in our new ‘Mr Bongo Record Club’ compilation series – a
selection of favourites, recent discoveries and sought after obscurities, which
form the basis of our DJ sets and our radio show of the same name. Including
cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie
Laverne, Barbosa and more.
The original concept for ‘Mr Bongo Record Club’ was a radio show that allowed
us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions,
not constrained by the need to beat-mix every record, a space where we could
play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl.
We have always DJ’d across-the-board, but playing in an eclectic way hasn’t
always been easy. Recently DJ’s such as MCDE, Floating Points, Nick The Record,
Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and
Young Marco – to name a few – have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco,
boogie, jazz, house, techno and beyond.
We’re seeing a rare groove like sensibility. A shift towards the attitude of
legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson,
where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people
have a progressive attitude and a thirst for new-old music. It is a vibrant and
exciting time – we are proud to be a part of it.

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2LP | 2019 | EU | Original (Universal)

Motown Greatest Hits

38,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2022 | EU (Music On Vinyl)

Motown Collected

35,99 €*

Release: 2022 / EU

Genre: Organic Grooves

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2LP | 2018 | US | Original (Motown)

Motown Christmas

42,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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More Bounce Presents Feeding U New Knocks Volume 2

2LP | 2019 | EU | Original (Wicked Wax)

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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For its eight vinyl release, Amsterdam based label Wicked Wax puts out the second iteration of “MORE BOUNCE presents Feeding U New Knocks”. After the success of their 1st compilation “Feeding U New Knocks Vol.1”, the More Bounce Collective return with another curated list of songs by various flag bearers from the thriving modern-funk movement. Their aim is to shed more light on the genre and tie the international scene closer together.
Sporting songs from Sivey, Daniel Crawford, Jonny Tobin, Temu and Erik Rico, this second compilation even further settles in the MORE BOUNCE collective as leaders of modern-funk. While maintaining an international roster, they’re also keen on finding hidden gems and new talent, like the Dutch-stationed JAEL, Azteka and Rebiere.
In June 2016 MORE BOUNCE started as a monthly party in Amsterdam that focusses on Modern/ Future Funk, 70's/80's Boogie Funk and more. From there they've grown into a platform for today's Funk-scene where they invited people like MXXWLL, Onra, Pomrad, Trian Kayhatu, Butufunk, Sven Atterton, Mofak, Devin Morrison and others to perform live-shows at their nights.

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Moon Ride: Uncut Cosmic Disco Diamonds From The T.K. Galaxy

2LP | 2021 | EU | Original (T.K. Disco)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Presenting a collection of deep spatial gems mined from the ever impressive TK Disco vaults for your playback listening pleasure!

The TK Disco music empire has blessed our ears and minds with an endless stream of music since it's late 1960's inception. Countless soul and funk sides were produced, cut and released by label founder Henry Stone and his associates, in turn changing the face of contemporary black music in the USA and across the world forever. It is true that the TK story originated on America's 'Space Coast', the modern frontier of lunar exploration and galactic travel, the home of NASA and countless missions beyond the stars nestled on the East Coast of the United States.

'Moon Ride' - The compilation you hold in your hands, is merely one strand of the incredible music that was beamed out of Hialeah, FL over the decades. The focus on this collection is the idea of the 'cosmic' from the Disco era. These are records that emit a spacey vibe, either from their lyrical content or equally from their sonic qualities, imbibing synths and electronics to create otherworldly grooves. These records were big hits on underground music scenes such as Daniele Baldelli's cosmic movement in the 70's and 80's in Lake Garda, they were vehicles of escapism and hedonism on the discerning dancefloors of NYC in the hands of progressive DJs like David Mancuso and Nicky Siano and they were also essential building blocks in the creation of House and Techno music in the Midwestern cities of Chicago and Detroit, inspiring legendary artists such as Mr Fingers and Jeff Mills and countless others. An essential collection of music for listening, dancing, loving and travelling!

TK Disco's influence is still felt today and this carefully curated selection of tracks showcases some absolute classics, overlooked nuggets and rarities from the label's huge output. Mastered with love by Optimum Mastering, Bristol UK. Brought to you by TK Disco / Henry Stone Music & Above Board Distribution 2021.

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Mood Mosaic 15 - Supercool

2LP | 2017 | EU | Reissue (Mood Mosaic)

29,99 €*

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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Mogadisco - Dancing In Mogadishu (Somalia '72-91)

2LP | 2019 | EU | Original (Analog Africa)

39,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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After being blown away by a few tunes – probably just as you will be after listening to this – Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the frst music label to set foot in Mogadishu. On his arrival in Somalia Samy questioned the need for a vehicle full of armed chaperones casually toting Kalashnikovs, deemed necessary to accompany him to the radio station archive every morning, but then began ri?ing through piles of cassettes and listening to reel-to-reel tapes in the dusty archives of Radio Mogadishu, looking for music that ‘swam against the current’. The stars were aligned: an uncovered and unmarked pile of discarded recordings was discovered in a cluttered corner of the building. Colonel Abshir - the senior employee and protector of Radio Mogadishu’s archives - clarifed that the pile consisted mostly of music nobody had manage to identify, or music he described as being ‘mainly instrumental and strange music’. At the words ‘strange music’ Samy was hooked, the return ?ight to Tunisia was cancelled. The pile turned out to be a cornucopia of different sounds: radio jingles, background music and interludes for radio programmes, television shows and theatre plays. There were also a good number of disco tunes, some had been stripped of their lyrics, the interesting parts had been recorded multiple times then cut, taped together and spliced into a long groovy instrumental loop. Over the next three weeks, often in watermelon-, grapefruit-juice and shisha-fuelled night-time sessions behind the fortifed walls of Radio Mogadishu, Samy and the archive staff put together Mogadisco: Dancing Mogadishu - Somalia 1972–1991. Like everywhere in Africa during the 1970s, both men and women sported huge afros, bell-bottom trousers and platform shoes. James Brown, Stevie Wonder, Marvin Gaye and The Temptations’ funk were the talk of the town.In 1977, Iftin Band were invited to perform at the Festac festival in Lagos where they represented Somalia at the Second World Black and African Festival of Arts and Culture. Not only did they come back with an award, but they also returned with Afrobeat. While Fela Kuti’s ‘Shakara’ had taken over the continent and was spreading like wildfre throughout Latin America, it was the track ‘Lady’ that would become the hit in Mogadishu. At the same time Bob Marley was busy kick-starting reggae-mania in Somalia, which became such a phenomenon that even the police and military bands began playing it. Some say that it was adopted so quickly because of the strong similarities with the traditional beat from the western region of Somalia, called Dhaanto. But then suddenly the trousers got tighter as the disco tsunami hit the country. Michael Jackson appeared with a new sound that would revolutionise Somalia’s live music scene. You couldn’t walk the streets of Mogadishu without seeing kids trying to moonwalk. ‘Somalia had several nightclubs and although most use DJs to play records, some hotels like Jubba, Al-Uruba and Al Jazeera showcased live bands such as Iftin and Shareero’ – so ran a quote from a 1981 article about the explosion of Mogadishu’s live music scene. The venues mentioned in that article were the luxury hotels that had been built to cover the growing demands of the tourist industry. The state-of-the-art hotel Al-Uruba, with its oriental ornaments and white plastered walls, was a wonder of modern architecture. All of Mogadishu’s top bands performed there at some point or another, and many of the songs presented in this compilation were created in such venues. Mogadisco was not Analog Africa’s easiest project. Tracking down the musicians – often in exile in the diaspora – to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band’s kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet that accompanies the compilation - adorned with no less then 50 pictures from the `70s and ‚80s. As Colonel Abshir Hashi Ali, chief don at the Radio Mogadishu archive – someone who once wrestled a bomber wielding an unpinned hand-grenade to the ?oor – put it: ‘I have dedicated my life to this place. I’m doing this so it can get to the next generation; so that the culture, the heritage and the songs of Somalia don’t disappear.’

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Modernists - Modernists Sharpest Cuts

LP | 2017 | UK | Original (Kent Dance)

Release: 2017 / UK – Original

Genre: Organic Grooves

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Modernism goes vinyl! After two successful CD volumes, Kent’s look at the sort of R&B and club soul that could have been danced to by the original mods – if only they had known about it – arrives with a special vinyl edition.

Gathering up favourite discoveries from the CDs, this 14-track LP is augmented by other tracks culled from the mod jazz series together with a couple of exclusives.

This compilation is a selection of high spots, with something for every mod fan whatever the style. Classic club soul from Bob & Earl, Bessie Banks and Jeb Stuart jostles with jazzy R&B from Floyd White and Clarence Daniels plus some almost-funk from Chuck Higgins and Chet Ivey.

Three tracks are released on vinyl for the first time whilst many others are seeing their first reissue on the format. One of these is the super rare ‘Go’ by Little Johnny Hamilton and the Creators, a band that would go on to become 1970s chart-toppers War.

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Modern Jazz Dance Classics

2LP | 2019 | EU | Original (Staubgold)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2017 | UK | Original (Kent Dance)

Mirwood Northern Soul

Release: 2017 / UK – Original

Genre: Organic Grooves

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Mirwood Records’ second release was Jackie Lee’s ‘The Duck’, an uptempo soul swinger that became a big hit and established the Mirwood sound. The house team of producer Fred Smith, arranger James Carmichael, songwriter and backing voices arranger Sherlie Matthews, along with contributions from veteran singer/songwriters Bobby Relf and Earl Nelson (Bob & Earl), made for uptempo soul perfection and they played that beat throughout 1965 and 1966.

More US chart action occurred for Mirwood with the Olympics and Bob & Earl but much of their superlative work fell on deaf American ears. It was the British soul aficionados of the early 70s who discovered these masterpieces and played them on the burgeoning Northern Soul scene with dancers revelling in the relentless beats, pleading vocals and sassy female backing. Virtually any Jackie Lee track was a worthy contender and although they never repeated his ‘Duck’ success, the company created soul classics like ‘Do The Temptation Walk’, the later master tape discovery ‘Anything You Want (Any Way You Want It)’ and the anthemic ‘Oh My Darlin’’.

Bob & Earl’s hottest number was actually the backing track to Bob’s speedy ‘My Little Girl’, discovered as an accidental LP track in the late 60s. Under the same alias, Bobby Garrett, he had another monster sound with ‘I Can’t Get Away’. Sherlie Matthews composed the hit ‘Mine Exclusively’ for the Olympics and, in a similar stomping vein, wrote ‘The Same Old Thing’ for the group. She penned ‘Don’t Pretend’ for mystery trio the Belles, a studio group consisting of herself along with the Holloway sisters Brenda and Patrice, who were moonlighting while under contract at Motown and Capitol, respectively.

Another Los Angeles stable under the auspices of Henry “Hank” Graham threw the Performers into the mix with ‘I Can’t Stop You’ and renamed singer Jimmy Conwell as Richard Temple for a 45 that epitomises Northern Soul ‘That Beatin’ Rhythm’; a credo for a cult. More indie productions came from Eddie LaShae with the Sheppards’ redoubtable ‘Stubborn Heart’ and Sonny Knight’s production of Curtis Lee on his own ‘Is She In Your Town’.

Ex-Ike Turner sideman Jimmy Thomas landed at Mirwood in 1966 where Bob Relf recorded him on his own ‘Where There’s A Will (There’s A Way)’. Thomas brought the Ikettes along with him; the company switched their name to the Mirettes for the Sherlie Matthews’ song ‘I Wanna Do Everything For You Baby’.

14 vital mid-60s dance records which exemplify why Mirwood is a byword for the best of Northern Soul.

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Milano Undiscovered - Early 80s Electronic Disco Experiments

LP | 2021 | EU | Original (Spittle)

20,89 €* 21,99 € -5%

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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40 years after the beginnings of the Italo disco movement 'Milano Undiscovered' leads us to discover the first ferments of the Milanese post-punk dance scene.In the early 80's future producers began to veer towards a form of dance music not yet defined, what once seemed like an experimental form, today sounds like a cornerstone for future development in the club scene of key city as Berlin, Paris, Stockholm and Amsterdam. Italo disco was first mistreated, then exalted, forgotten and rediscovered a thousand times and today it is one of the most respected genres in club music. Fred Ventura, musician and producer - here curator of the compilation - has selected 11 key tracks from the local scene. Get ready for such unreleased gems – or alternate version – of future dance penned by Modo, Atelier Folie, Fred Ventura, LA Maison, 'lectric Workers, Actor's Studio, Fogli & Riva and Maurizio Marsico. Fred Ventura's career began in 1979, first as a drummer in punk and new wave bands (An Incoherent Psyche, Le Jour Prochain), then as a singer for State Of Art, a seminal group of the Milanese scene of the early 1980s. After State Of Art he was immediately associated with the Italo Disco scene with his productions and record projects. In 2008 he began collaborating with Spittle Records releasing the essential compilations' Milano New Wave 1980-1983 ',' Italia New Wave ',' Italia Synthetica 'and' Milano After Punk ', as well as the fundamental collection of the State Of Art' Dancefloor Statements '. The songs featured on 'Milano Undiscovered' were produced and mixed between 1982 and 1986 in Milan, mastered and edited by guru Alden Tyrell.

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LP | 2017 | EU | Original (Sol Discos)

Message In Our Music

Release: 2017 / EU – Original

Genre: Organic Grooves

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After a first year of activity with 3 beautiful single reissues, SOL DISCOS presents its first album, with the compilation Message In Our Music, selected by WAXIST. Focusing on Modern-Soul genre, the selection ranges from 1977 to 1983 and gathers a nice selection of independent and private press records, all officially licensed.
From the David Nathan's downtempo previously unreleased version of "Ain't Nothing Like The Love", to the beautiful Glen Missick's gospel dancer "Message In Our Music", the album aims at providing to the listener a glimpse of the wide spectrum of productions that exist in this musical genre.
Some of these beauties are officially reissued on vinyl for the very first time, including some highly sought after records such as "Deep Inside Of You" by Harden Brothers, "My Dream" by Harvell Guiton, or "Love With Me" by Don Scott.
The album has been fully remastered by The Carvery in the UK, and features liner notes for each of the songs, plus exclusive pictures provided by the involved artists & producers.

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Merry Christmas And A Happy New Year

LP | 2016 | DE | Original (ZYX Music)

Release: 2016 / DE – Original

Genre: Organic Grooves

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2LP | 2018 | DE | Original (ZYX Music)

Merry Christmas

Release: 2018 / DE – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Grosso)

Mamey Colorao

Release: 2017 / EU – Original

Genre: Organic Grooves

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More Afro-Cuban Roots Of Boogaloo' - The third release in the series that collects music by Latin bands that were based in New York between the '40s and '60s, expanded with recordings done in Cuba by orquestas or conjuntos such as Félix Chappotín, José Curbelo or La Playa Sextet, all of whom had a big influence on the Latinos in New York.

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Mambo

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mali: The Art Of Griots Of Kela, 1978-2019

LP | 2021 | EU | Original (Musee D'Ethnographie De Geneve)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognised throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a “studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe Points of interests - For the fans of the traditional repertoires of Mali’s famous griot musicians. - For music lovers who love the voices accompanied by the guitar and the traditional lutes of the griots.

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Malaco: The Last Soul Company 50 Years of Excellence Gold Vinyl Edition

LP | 2018 | US | Original (Malaco)

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2018!

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2LP | 2022 | EU | Original (Wewantsounds)

Mainstream Funk

35,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Wewantsounds continues its collaboration with Bob Shad's venerable jazz label Mainstream Records, and present a selection of 12 turntable-friendly tracks recorded between 1971 and 1975 and showcasing the label's superb blend of Spiritual Jazz, Funk and Soul by the likes of Buddy Terry, Sarah Vaughan, LaMont Johnson and Johnny Coles. Most of the tracks are released on vinyl for the first time since their original release in the early 70s. The 2-lp set comes with gatefold sleeve featuring never-seen photos from the Mainstream vaults and new liner notes by UK journalist Paul Bowler. Mainstream Records is one of the key independent jazz labels of the early 70s, together with Flying Dutchman, Strata East, CTI and Black Jazz. Founded by legendary label man Bob Shad (who had been head of A&R at Mercury Records and set EmArcy in the 50s), the label concentrated on Psychedelia in the 60s before switching back to Shad's jazz roots in the early 70s, signing a new crop of jazzmen fed on John Coltrane and Miles' electric experiments. Thus was born the cult Mainstream "300 series" with its distinctive artwork and outstanding music from which this selection is largely drawn. ?Giving their chance to many young jazz players and a few old friends, Shad recorded some of the most exciting jazz of the early 70s, mixing spiritual influences with funk and soul. It is interesting to note the Mainstream sessions included many of the hottest session players of that time such as Ron Carter, Eddie Henderson, Airto, Mtume, Earl Palmer, Mickey Roker, Merl Saunders, Cedar Walton to name but a few. ?Shad also had a long-standing association with jazz Divas showcased here with the opening track by Sarah Vaughan, a funkyfied version of Marvin Gaye's 'Inner City Blues' recorded the same year as the original in 1971. ?Mainstream Funk also includes a selection of superb tracks by young turks who'd cut their teeth as sidemen for Blue Note and Prestige in the late 60s and were given a chance to record their own music on Mainstream. Buddy Terry's 'Quiet Afternoon', Dave Hubbard's 'Family Affair' and LaMont Johnson's 'M'Bassa' are prime examples showcasing the label's desire to give these talented newcomers a chance to shine. ?Seasoned musicians from the Be Bop scene were also welcome, such as trumpetists Blue Mitchell - who'd released a string of great albums for Riverside and Blue Note in the late 50s and 60s - and Johnny Coles who'd played with Gil Evans (he's on a few Evans-produced Miles albums including 'Sketches of Spain'), Charles Mingus and Herbie Hancock. ?Shad also released pure soul music on the label such as Sugar Billy's "Super Duper Love" which was released on his Fast Track sub-label in 1974, arranged by Jimmy Roach and featuring Marcus Belgrave in the line-up. Mainstream Records has a lot more exciting music in the vaults and Mainstream Funk is just the tip of the iceberg serving as a timely reminder that Bob Shad's taste as a producer and A&R man was one of the finest on the scene.

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Luke Una Presents E-Soul Cultura

2LP | 2022 | EU | Original (Mr Bongo)

23,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of “E-Soul Cultura”.

It’s best described by Luke himself, who writes: “As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33bpm pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again.”

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s Lgbtq cultural landscape.

Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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Lowriders - Sweet Soul Harmony From The Golden Era

LP | 2022 | UK | Original (Kent)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Our Lowriders album is an amalgam of the two “This Is Lowrider Soul” CDs. We have chosen 14 tracks that represent the sounds loved by Los Angelenos, often of Mexican descent, that emanate from their fabulously designed motors while cruising Whittier Boulevard in East LA or, say, Van Nuys Boulevard in the northwest of the city.

The classic Los Angeles vocal group the Superbs are featured here on their glorious ‘It Hurts So Much’, but it is mainly the records discovered by sweet soul collectors that dominate. The Carnival label has a great reputation on this scene; Lee Williams & the Cymbals’ ‘Please Say It Isn’t So’ and ‘Follow Your Heart’ by the Manhattans are a pair of killer ballads perfect in tempo and harmony for the cruisers. Other East Coast offerings include the Persians’ captivating ‘Here It Comes’ and two gems which were only on master tape prior to their Kent releases – Melvin Hicks & The Versatiles’ ‘I’m Just Passing Time’ and the similarly unknown outfit the Exceptions, with the wailing ‘So Much In Love’.

Chicago has always been a breeding ground for black harmony groups. The Esquires saw much success at Bunky; ‘No Doubt About It’ was their equally great first release at Wand. Little Ben & The Cheers hailed from the same city; their ‘I’m Not Ready To Settle Down’ fetches big bucks due to Lowrider demand, as does ‘What Am I Gonna Do’ by the mysterious Houston Outlaws – their origins are uncertain, but must be Midwestern. The Vanguards hailed from Indianapolis and deservedly charted with ‘Somebody Please’, licensed to LA’s Whiz label. All of their seven singles on Lamp are also fine, harmonic soul tracks. The Lovers were a Bay Area group who recorded in Los Angeles with the maestro Arthur Wright; their ‘Someone’ was tipped for the charts when licensed to Philips, but flopped, leaving it ripe for revival by the soul connoisseurs. Like the Lovers, the reputation of Reuben Bell’s ‘It’s Not That Easy’ has grown over the decades and a record once considered common can now fetch hundreds of dollars – class will out.

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2LP | 2018 | US | Reissue (Now-Again)

Loving On The Flipside

32,99 €*

Release: 2018 / US – Reissue

Genre: Organic Grooves

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We at Now-Again unearthed so much information about the bands that recorded the definitive disco and modern soul contained in our Soul Cal anthology that we decided we had no choice but to release this album at the same time. With that, Loving On The Flip Side was concieved. Loving On The Flip Side offers the enthused a chance to listen to and reflect on another great burst of black American creativity: the creation of the sublime genre we like to call "sweet funk." It seems laughable to skip past Thomas East’s "Slipping Around" 7' for the cheesy funk of "Just A Trip," or to listen obsessively to Lou Ragland’s instrumental funk on the Hot Chocolate LP and ignore his indolent-yet-stirring "We Had True Love." Yet we did just that, until we first heard the Darling Dears and Funky Heavy’s beautiful two-sider. This was the record that set Loving On The Flip Side in motion, as the Darling Dears and Funky Heavy’s two songs precipitated the sweet funk genre: the dichotomy of Funky Heavy’s skull snapping rhythm section and the teenage Dears’ angelic harmonies didn’t sound like anything we’d heard before. That discovery set off a decade long search for the band and culminated in their discovery, the documenting of their stories, the emergence of their master tapes and the inclusion of their songs on Loving On The Flip Side. The excitement we felt while listening to the Darling Dears and Funky Heavy’s masterworks forced us back into the field, in search of other sweet funk swooners and beat-heavy ballads to round out this anthology. The opportunity to present anew such wondrous soul music made the exhaustive process that produced Loving On The Flip Side worthwhile, and allowed us to collect one-offs that escaped prior investigations into the deep funk and sweet soul genres.

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Lost In Sound - Rare Soul & Funk Essentials

LP | 2021 | EU | Original (Perpetual)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Contained herein on this hallowed slab is a collection of recordings that were exceedingly obscure when first released but gained traction many years later thanks to hip and frugal DJs, producers, curators, and music supervisors. Many of the gems on this album have been sampled hundreds of times by artists that have sold millions of records because they knew a good hook when they heard one - while a few are yet to be discovered by a wider audience. We think the lesson learned is that there is an abundance of undiscovered music out there that is just below the radar, but by burrowing deep enough, one will find a wealth of buried treasure. Here's to the many hard working crate diggers that are willing to take the plunge.

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LP | 2014 | US | Original (Sutro Park)

Live At The Bootleggers

14,24 €* 14,99 € -5%

Release: 2014 / US – Original

Genre: Organic Grooves

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Liguria Transatlantica / Bossa Figgeu Black Vinyl Edition

LP | 2022 | EU | Original (Time Is The Enemy)

Release: 2022 / EU – Original

Genre: Organic Grooves

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"South American Jazz & Bossanova flavours from 60s & 70s in Liguria, north west Italy. As you might notice after the first listening, surprisingly, the melody sounds very similar to Brazilian Portuguese and the instrumental tracks have a distinctive touch of South American Jazz. Nonetheless, the sound landscape clearly reflects the Italian libraries of the time. This mingling was possible because at the time of the discoveries of the New World, due to commercial and cultural interconnections, the local Ligurian language was influenced by new stimuli from the new territories and vice-versa. Moreover, since the end of the Nineteenth Century, there has been a strong migration of Italians to South America, similar in numbers to the migration of Italians to North America, but less known because less represented in films or narrative."

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Leon Gardner's Igloo Records

LP | 2021 | UK | Original (Athens Of The North)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Dancer and B3 Hammond player Leon Gardner moved from his Texas to Los Angeles sometime in the mid '60s. Soon after arriving he set up his own Igloo records.

While in LA, Gardner befriended arranger and pianist Arthur Monday, Monday had settled in LA with his friend and co-musician Gabe Fleming, and they shared arranging credits for a few of the igloo releases. Fleming was credited for 'Farm Song' while Monday was credited for 'Honest Song' on the flip. 'Igloo Records' ie Leon Gardner was credited as producer. In reality, it's likely that the three of them worked together on both sides of the record and others on the label. Leon also arranged and produced other bands on the label such as the deep soul classic by the Jhamels 'I've Cried' and Wallace Petty Combo's Petty Cash but never reached the success he had hoped for.

A Decade later and Gardner became frustrated by his lack of recognition, and became increasingly more reclusive, which in turn led to a rift between him and his family. Drummer Edward 'Apple' Nelson (see Tracks 2 and 12), remembers his first impressions of Leon, "I met Leon a few times here and there as him and Monday were real tight. I didn't get to know him that well or nothing as he could came across as very much into his own thing". Leon's son Darrell recalls his father's music, saying "I always knew his music was special even back then and am truly surprised that he never really got any recognition for it until now". Looking back, LA bandleader Charles Wright concurs, "We didn't think of him as being very significant but I guess he was. He did come out with some good lyrics".

As well as his other 45s released on Igloo, there were other recordings made for several other independent labels between 1965 and 1974, after which Gardner seemed to disappear under the radar.. The general consensus is that he is currently was no fixed address and living somewhere in the Hollywood district of Los Angeles, yet all attempts to contact at this point were unsuccessful.

This Leon Gardner / Igloo records LP was originally a project Gerald Short of Jazzman Records. Gerald worked on this over 10 years ago and spoke to many involved with the label who are no longer with us. He finally managed to track Leon down to a care home in LA but unfortunately, Leon passed away soon after Gerald reached out to him. Gerald decided not to continue with the LP out of respect, the information and text here is kindly supplied by Gerald so thanks to him for that.

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LP | 2021 | EU | Original (Wagram)

Led Zeppelin In Jazz

18,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Discrepant)

La Danza Del Agua

Release: 2019 / EU – Original

Genre: Organic Grooves

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"La Danza del Agua" (The Dance of Water) is an eclectic musical journey through Latin American experimentalism - a sort of unofficial companion to the Anthologies of Atypical Portuguese Music volumes but focussing on South American music themes instead. Originally released as two volumes on digital and tape versions on Papaki Records (2017, Argentina), this new concise edition presents 12 of the original 38 artists. Not to be seen as exhaustive document representing the wide styles of the even wider continent, it hopes to showcase some of its more marginal music with artists from a variety of countries such as Argentina, Mexico, Peru, Bolivia & Venezuela.

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Kinshasa 1978 (Originals & Reconstructions)

LP | 2019 | EU | Original (Crammed)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (Numerophon)

King Bullard Version

17,49 €* 24,99 € -30%

Release: 2019 / US – Original

Genre: Organic Grooves

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On Cleveland’s late ‘60s gospel scene, the BOS label was the refined, professional ying to Boddie’s lo-fi yang, galloping to the fore bearing a torch for Curtis Mayfield’s robe-wearing roots. Founded by gospel impresario James Bullard, BOS is the first chapter in story that includes stints producing major spiritual albums for the Birthright, Roadshow, and Word labels. BOS got its start inside Lester Johnson and Bill Branch’s Way Out concern, running the devotional wing of Cleveland’s largest black-owned record company, and picking up a ton of Way Out’s soulful flavor in the process. Compiled here are BOS’s less traditional moments—12 bridges between FM R&B and AM sermons from a time when those worlds were splitting apart.

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Kenya Special: Selected East African Recordings From The 1970s & '80s

3LP+7" | 2013 | UK | Original (Soundway)

27,99 €*

Release: 2013 / UK – Original

Genre: Organic Grooves

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Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.

It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana. Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7" singles) that stand out as being different or unique as well as some classic genre standards. From Kikuyu language ‘liquid soul’, Luo benga and Swahili afrobeat to genre-bending Congolese and Tanzanian tracks recorded in Nairobi, Kenya Special sees Soundway yet again taking the less trodden path. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Kenya was at the time.

In 1970s Kenya the two threads of rumba and benga loosely dominated the music scene. Benga quickly became Kenya’s unique contribution to afro-pop; spreading like wildfire through the interior countryside with it’s fast, 4/4 machine-gun beat and intricate electric guitar layers. The Congolese take on Afro-Cuban rumba was introduced by touring bands many of whom settled in East Africa - influencing bands from Kenya and Tanzania to come up with their own take on this popular style. Alongside these styles were small ensembles and hotel-sponsored bands, playing a blend of music that often included rock ‘n’ roll riffs, elements of ‘afro’ music (influenced by West African musicians like Fela Kuti), and multiple other combinations from South African and Zambian guitar styles to disco, funk and Swahili coastal rhythms like chakacha.

Painstakingly compiled, assembled and researched over two years by a team of five people from five countries (Kenya included), Kenya Special is a collection that looks beyond the mainstream and brings new life and recognition to some little known gems and forgotten classics of Kenya’s past.

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Keb Darge Presents Atomic Rhythm!

2LP | 2021 | EU | Original (Stag-O-Lee)

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Original (Elkar)

Katebegiak

38,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Music produced in the 70’s in the Basque Country got trapped between two earth shattering artistic currents; Ez Dok Amairu in the 60s and Basque Radical Rock in the 80’s, and unfortunately, most of the lovely discs and tunes created at that magical time have been pushed to a remote (and sometimes even despised) corner of our collective memory. 60’s and 80’s music currents are almost opposite, and both work as magnetic poles with a very strong power of attraction, and maybe also as a burden for any of the later artistic currents. 60’s generation of artists searched within their rich and ancient cultural roots to acknowledge and update them, in proud, hopeful and unforgettable folk songs. The 80’s one on the other hand, worked in a flammable environment in constant social and political conflict and found in punk the perfect way to express their anger and weariness for so many unfulfilled promises and the lack of opportunities into short, noisy, direct and corrosive songs, technically sparse but full of energy and expressive power. Most of the “classic” names engraved in our memory come from one or the other like Benito Lertxundi, Mikel Laboa, Lourdes Iriondo and Xabier Lete or Kortatu, Hertzainak, Zarama, Las vulpes, Eskorbuto or Cicatriz. 70’s generation and their music works somehow as the “missing link” (“katebegia” in Basque) between the two. They loved folky tunes and don’t forget their ancient roots, but they also look outside for inspiration and experimentation. Just as the 80’s boys and girls found punk the 70’s guys found a completely different sonic and aesthetic landscape in the works of Grateful Dead, Fairport Convention, King Crimson, Soft Machine, Gong,… and worked closely with keen souls in other neighboring regions such as Maquina!, Pau Riba or Sisa in Catalonia or Smash and Triana in Andalusia. This resulted in more abstract and poetic lyrical content, much longer psych-folk-prog-jazz tunes, full of complex instrumental passages and mesmerizing structures of sheer ambition and masterful execution in many cases. But, most important of all, they found a voice of their own, rich, unique, and fascinating, and that’s what makes them so valuable to us. Not only to us, but also to lots of vinyl collectors and crate-diggers around the world, who have in many cases paid fortunes for some of the original editions of LPs that are the source of tunes in this compilation. Mikel Unzurrunzaga Schmitz aka DJ Makala, Dj and producer of worldwide scope and wisdom, noticed this fact first and decided to pay homage to these wonderful tunes through this masterful and dedicated selection for your pleasure and as an open invitation to dig deeper into your adventures in the dark and hidden side of Basque popular music. The album Katebegiak, now published by Elkar, contains 13 tunes on double LP gatefold edition from Haizea, Izukaitz, William S. Fischer, Magdalena, Enbor, Itoiz, Koska, Itziar, Errobi, Lisker, Amaia Zubiria & Pascal Gaigne, Gontzal Mendibil & Taldea and Urria, and the CD-Book edition adds an extra bonus track by the great unknown artist Juan Arkotxa. Along with this compilation, and as a sample of the era, we reissued two more little gems of which we have included a track on the compilation.

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Journeys In Modern Jazz: Britain 1961-1973

2LP | 2021 | EU | Original (Decca)

42,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Joseph Kabasele And The Creation Of Surboum African Jazz 1960-1963

2LP | 2021 | EU | Original (Planet Ilunga)

33,24 €* 34,99 € -5%

Release: 2021 / EU – Original

Genre: Organic Grooves

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After the two previous O.K. Jazz compilation releases, Planet Ilunga continues its mission to uncover and highlight the overlooked yet epic achievements in the world of Congolese rumba. This time to tell the most spectacular story of all. This is the story of the creation of Surboum African Jazz, the first Congolese music label founded by a Congolese. Despite a few releases of Sonodisc on LP and CD, published many moons ago, which included some important parts of the back catalogue of the label, there is still a large part of the repertoire of Surboum African Jazz that remains completely hidden from the fans. That’s why Planet Ilunga associated with the children of Joseph Kabasele Tshamala (Grand Kallé) and Catherine Ingombo (Kale Kato) to compile 29 songs that were originally released on the label in the early sixties. Surboum African Jazz is the first Congolese music label founded by a Congolese; it was owned and managed by the best singer of all time, Joseph Kabasele, alias Grand Kallé. The recordings mainly happened in Brussels, Belgium. The label's catalog during the period 1960–63 is largely dominated by Grand Kallé’s band African Jazz in its various formations. The band, which could rely in 1961 and 1962 on a real dream team of musicians (Docteur Nico, Dechaud, Rochereau, Manu Dibango, Roger Izeidi and Mujos among others), released in this period at least 212 songs. The second largest source of music for the label is Franco’s band O.K. Jazz with at least 136 released songs. Next, with at least 34 released songs comes Manu Dibango with his different formations. These were the first ever published songs of the late Manu Dibango. For this compilation we chose an original selection of songs recorded by African Jazz in 1961 and 1962. We also included a few songs of Dibango’s bands in the final selection, in order to showcase the diversity and universal philosophy of Grand Kallé’s label. This adventurous music which was recorded in Brussels in the months and years after Congo’s independence is nothing less than post-colonial glory wrapped around popular music. It’s a collection of proud name-dropping songs, political and patriotic lyrics, euphoric declarations of love and explorations towards new and universal impulses and styles. The releases on Surboum African Jazz are for many Congolese the icing on the cake in the iconic history of Congolese rumba. They are a time capsule of the longing of Congolese society to be absorbed in the momentum of the nations. At the same time they are a testimonial of the musical excellence of the African Jazz musicians. This first ever double LP anthology of Surboum African Jazz comes with a large, thoroughly researched and well-illustrated 32-page booklet telling the whole story of this label. Included in the book, among other content, is a text by Alan Brain (director of The Rumba Kings) with never before published information and photos about the epic Table Ronde tour of African Jazz in Belgium, France and The Netherlands in the winter and spring of 1960. This text is the fruit of a research Alan initiated, and then further developed in collaboration with the Congolese author and scholar Manda Tchebwa. Furthermore, you can find in the book a detailed documentation of the recording tours in Brussels in 1961 and 1962, besides a discography of the Surboum African Jazz label and many testimonials of the Congolese community about the first Congolese music label founded by a Congolese.

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Jetstar Records: The Soul Sides Record Store Day 2022 Clear Vinyl Edition

LP | 2022 | US | Original (Sundazed)

30,99 €*

Jesus Rocked Jukebox: Small Group 1951-1965

Release: 2022 / US – Original

Genre: Organic Grooves

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Limited to 1500 copies.

First ever compilation of the deep '60s soul from Jetstar, including Alder Ray Mathis' Northern Soul stepper 'Take Me Baby'! Featuring previously unissued tracks from former NFL star and civil rights icon Abner Haynes, Beamon Young and more, plus rare cuts from Bobby Patterson hitting vinyl for the first time! Pressed on clear vinyl!

1. Take Me Baby - Alder Ray Mathis 2. What’s Your Problem, Baby - Bobby Patterson 3. I’ll Be There - Abner Haynes 4. I Want A Lover - Beamon Young 5. You Can Tell I’m In Love - Bobby Patterson 6. What About Me - Alder Ray Mathis 7. Hot Cha - Abner Haynes 8. I Want To Get Married - Alder Ray Mathis 9. Sock Some Lovin’ At Me - Bobby Patterson 10. What Love Has Joined Together - Abner Haynes 11. Beautiful Day - Beamon Young 12. I Don’t Need But One Man - Alder Ray Mathis 13. If A Man Ever Loved A Woman (Baby I Love You) - Bobby Patterson 14. Let It Be Me - Abner Haynes 15. Turn Back The Hands Of Time - The Mustangs

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V.A:

2LP | 2017 | US | Original (Craft)

55,99 €*

Release: 2017 / US – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Jazzlab)

Jazzlab Compilation

Release: 2022 / EU – Original

Genre: Organic Grooves

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Jazz On Vinyl Volume III - Modern Energy Jazz

LP | 2019 | EU | Original (Jazz On Vinyl)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Jazz Montez Presents Volume I

2LP | 2021 | EU | Original (Jazz Montez)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Jazz Montez is a music collective from Frankfurt, Germany dedicated to spreading the gospel of jazz throughout the universe. To them, jazz does not describe a particular style of music but an attitude, mindset and an approach to art and life that can manifest itself in a variety of ways. For their first vinyl release, they invited seven of the most talented and ambitious young groups from all over Germany to Frankfurt to record a track in the renowned studio Lotte Lindenberg. Despite the band’s various influences, ranging from classic jazz, afrobeat and funk to hip hop, electronic music and rock, “Jazz Montez Presents Vol. I", mixed in its entirety by Drum&Bass legend Kabuki, works as a cohesive album. Pressed on high quality 180g vinyl, the record comes packaged in a beautiful and eco-friendly bagasse gatefold cover, designed by artist Clara Sipf. It features a 20 page booklet that includes a comic on the making of the album, texts by and information on the participating musicians, an interview with the sound engineers and an essay on the contemporary relevance of jazz. May this record inspire us to go through life guided by a spirit of open-mindedness and collaboration so that we may create a better, healthier and more beautiful world.

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Jazz Loves Disney Volume 2: A Kind Of Magic

2LP | 2017 | EU | Original (Blue Note)

38,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves, Pop

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Jazz In South Africa - Township Jazz From The Golden Age

LP | 2022 | EU | Original (Honeypie)

Release: 2022 / EU – Original

Genre: Organic Grooves

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South Africa is in fact the only country in the whole African continent that has developed a strong Jazz tradition. Initially influenced by the great American stylists, (Ellington, Gillespie...) South Africa gradually developed its own soulful style based on a distinctive taste for melody and a deep sense of groove. Masterfully selected from the so-called Golden Age of the genre, (late Fifties / early Sixties), this compilation represents the best introduction to the work of a large and varied body of musicians and composers who inevitably developed their music as part of the historical Anti-Apartheid struggle, and as means of self expression in the dark times of exile. Kippie Moeketsi, Hugh Masekela, Dollar Brand, Chris McGregor, Dudu Pukwana, Mongesi Feza, Barney Rabachan, Nick Moyake and of course the queen Miriam Makeba are just some of the main voices represented here. A bunch of true warriors. in one word: A must!

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Jazz In Saint-Germain Des-Près

LP | 2019 | EU | Original (Wagram)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Jazz In Jamaica - The Coolest Cats From The Alpha Boys School

LP | 2021 | EU | Original (Honeypie)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Talking about the foundation of Jamaican music, the Alpha Boys School in Kingston can be considered as one of the places where it all began! Back in the day, under the direction of Sister Mary Ignatius, the school was the place where young boys from the poor neighborhoods in Kingston could embrace an instrument (mostly brass and drums). Then history tells us that some of these kids became among the most influential musicians in the history of Jamaican Jazz, Ska, and Reggae. Joe Harriott, Dizzy Reece, Tommy McCook, Don Drummond, Cedric Brooks, Rico Rodriguez, Johnny Osbourne, Leroy Smart and Yellowman are just some of the fruits of such a great community art project. Now this compilation contains some rare gems produced between 1959 and 1962 by Jamaican Jazz heavyweights such as Tommy Mc Cook, Don Drummond, Ernest Rangling, Lennie Hiibert, Cecil Lloyd and others. This is highly swinging music inspired by the Black American tradition with a unique and inevitable Caribbean flavour. Don't miss it!!!

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Jazz Genius Collection : Cole Porter

Release: 2022 / EU – Original

Genre: Organic Grooves

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Rediscover the Jazz Legend on a nice vinyl with gatefold sleeve with liner notes by a journalist speicialized in Jazz.With : Eta Jones, Mel Tormé, Nina Simone, Sarah Vaughan, Marilyn Monroe ...

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Jazz Geinus Collection : George Gershwin

Release: 2022 / EU – Original

Genre: Organic Grooves

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Rediscover the Jazz Legend on a nice vinyl with gatefold sleeve with liner notes by a journalist speicialized in Jazz.With : Ella Fitzgerald, Chet Baker, Frank Sinatra, Nat King Cole, Billie Holiday ...

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LP | 2019 | EU | Original (Wagram)

Jazz From Paris

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Wagram)

Jazz Divas

Release: 2017 / EU – Original

Genre: Organic Grooves

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Jazz Dispensary: Super Skunk Record Store Day 2022 Red Vinyl Edition

LP | 2022 | Original (Craft)

34,99 €*

Release: 2022 / Original

Genre: Organic Grooves

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Limited to 3500 copies.

The latest in our ongoing RSD series of rare grooves and soulful Jazz from the Craft vaults. Red vinyl. Tracks released on various albums, most currently unavailable

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LP | 2017 | EU | Original (Wagram)

Jazz Crooners

Release: 2017 / EU – Original

Genre: Organic Grooves

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Jazz & Cinema: Vinyl Story + Illustrated Book

Book+LP | 2022 | UK | Original (Diggers Factory)

39,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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2LP | 2022 | EU | Original (Wagram)

Jazz & Cinema

Release: 2022 / EU – Original

Genre: Organic Grooves

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Jazz At Berlin Philharmonic XI: The Last Call

LP | 2021 | EU | Original (Act Music)

Release: 2021 / EU – Original

Genre: Organic Grooves

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A download code is included.

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2LP | 2022 | EU | Original (Music Brokers)

Jazz And 80's

18,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Jazz A Vienne: Past & Future

2LP | 2022 | EU | Original (Heavenly Sweetness)

27,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Jambú - E Os Míticos Sons Da Amazônia

2LP | 2019 | EU | Original (Analog Africa)

33,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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The city of Belém, in the Northern state of Pará in Brazil, has long been a hotbed of culture and musical innovation. Enveloped by the mystical wonder of the Amazonian forest and overlooking the vastness of the Atlantic Ocean, Belém consists of a diverse culture as vibrant and broad as the Amazon itself. Amerindians, Europeans, Africans - and the myriad combinations between these people - would mingle, and ingeniously pioneer musical genres such as Carimbó, Samba-De-Cacete, Siriá, Bois-Bumbás and bambiá. Although left in the margins of history, these exotic and mysteriously different sounds would thrive in a parallel universe of their own.

I didn’t even know of the existence of that universe until an Australian DJ and producer by the name of Carlo Xavier dragged me deep into this whole new musical world. Ant it all began in Belém do Pará. Perched on a peninsula between the Bay of Guajará and the Guamá river, sculpted by water into ports, small deltas and peripheral areas, Belém had connected city dwellers with those deeper within the forest providing fertile ground for the development of a popular culture mirroring the mighty waters surrounding it. Through the continuous flow of culture, language and tradition, various rhythms were gathered here and transformed into new musical forms that were simultaneously traditional and modern.

Historically marginalized African religions like Umbanda, Candomblé and the Tambor de Mina, which had reached this side of the Atlantic through slaves from West Africa – especially from the Kingdom of Dahomey, currently the Republic of Benin – left an indelible stamp on the identity of Pará´s music. They would give birth to Lundun, Banguê and Carimbó, styles later modernised by Verequete, Orlando Pereira, Mestre Cupijó and Pinduca to great effect. The success of these pioneers would create a solid foundation for a myriad of modern bands in urban areas.

Known as the “Caribbean Port,” Belem had been receiving signal from radio stations from Colombia, Surinam, Guyana and the Caribbean islands - notably Cuba and the Dominican republic - since the 1940s. By the early 1960s, Disc jockeys breathlessly exchanged Caribbean records to add these frenetic, island sounds to liven up revelers. The competition was fierce as to who would be the first to bring unheard hits from these countries. The craze eventually reached local bands’ repertoires, and Belém’s suburbs got overtaken by merengue, leading to the creation of modern sounds such as Lambada and Guitarrada.

To reach a larger audience, the music needed to be broadcast. Radios began targeting the taste of mainstream audiences and played music known as “music for masses.” As the demand for this music grew, it led to the establishment of recording companies. Belém’s infant recording industry began when Rauland Belém Som Ltd was founded in the 1970s. It boosted a radio station, a recording studio, a music label and had a deep roster of popular artists across the carimbó, siriá, bolero and Brega genres.

Another important aspect in understanding how the musical tradition spread in Belém, are the aparelhagem sonora: the sound system culture of Pará. Beginning as simple gramophones connected to loudspeakers tied to light posts or trees, these sound systems livened up neighbourhood parties and family gatherings. The equipment evolved from amateur models into sophisticated versions, perfected over time through the wisdom of handymen. Today’s aparelhagens draw immense crowds, packing clubs with thousands of revelers in Belém’s peripheral neighbourhoods or inland towns in Pará.

The history of "Jambú e Os Míticos Sons Da Amazônia" is the history of an entire city in its full glory. With bustling night clubs providing the best sound systems and erotic live shows, gossip about the whereabouts of legendary bands, singers turned into movie stars, supreme craftiness, and the creativity of a class of musicians that didn’t hesitate to take a gamble, Jambú is an exhilarating, cinematic ride into the beauty and heart of what makes Pará’s little corner of the Amazon tick. The hip swaying, frantic percussion and big band brass of the mixture of carimbó with siriá, the mystical melodies of Amazonian drums, the hypnotizing cadence of the choirs, and the deep, musical reverence to Afro-Brazilian religions, provided the soundtrack for sweltering nights in the city’s club district.

The music and tales found in Jambú are stories of resilience, triumph against all odds, and, most importantly, of a city in the borders of the Amazon who has always known how to throw a damn good party.

“Jambú is a plant widely used in Amazonian and Paraense cuisine. Known for having an appetitestimulating effect, it is added to various dishes and salads but is most famously one of the main ingredients in Tucupi and Tacacá, two delicacies that have been immortalized in countless Carimbó songs. Chewing the leaves of the Jambú plant will leave a strong sensation of tingling on the tongue and lips. Indigenous communities have relied upon its anaesthetic qualities for centuries as an effective remedy against toothaches and as a cure for mouth and throat infections. A decade ago, a distillery from Belém discovered the euphoric effects of the Jambú plant when combined with distilled sugarcane based spirit - known as cachaça - and created the now legendary “Cachaça de Jambú“.

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Jamaica Jazz From Federal Records: Carib Roots, Jazz, Mento, Latin, Merengue & Rhumba 1960-1968

LP | 2019 | UK | Reissue (Dub Store)

49,99 €*

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

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Jack Ashford's Just Productions

LP | 2019 | UK | Original (Kent)