Organic Grooves Vinyl 6937 Items

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Hardy's Jet Band / Orchestra Klaus Wuesthoff / Jan Troysen Band / Orchestra Gary Pacific

Blue Butterfly

LP | 1971 | EU | Reissue (Be With)

27,99 €*

Siegried Kessler / Gus Nemeth / Stu Martin

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

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Solaire

LP | 1971 | EU | Reissue (Souffle Continu)

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

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Siegfried Kessler

Solaire

LP | 1971 | UK | Original (Vertigo)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Solaire, Siegfried Kessler, that is the least we can say! Aged 4: learns piano. Aged 6: his first concert. After this: studies classical music like everyone else... until the jazz of Jack Diéval and Stan Kenton turned everything upside down. So it was goodbye to Bach...

...And hello to Dexter Gordon, Joe Henderson, Ted Curson and Archie Shepp (who he would accompany over a long period). In 1969, with Yochk’o Seffer, Didier Levallet and Jean-My Truong, he formed a group which would mark history and create a sensation: Perception. If French free jazz exists, its thanks to Kessler (and company).

The following year, the pianist recorded his first album: Live at the Gill’s Club. On this one-night concert date can also be heard Barre Phillips and Steve McCall. But it was in 1971 that Kessler would record his greatest album; still in a trio setting, but this time with bassist Gus Nemeth and percussionist Stu Martin: Solaire. Five tracks of extraordinary music, moving back and forth between modal jazz and contemporary music.

Let’s begin at the end, with the title track Solaire, on which Kessler plays a melody on flute and piano which resists all onslaughts. It sends out powerful waves, Kessler’s jazz, bubbling like hot oil (Persécution, Drum), shaking modal jazz to its roots (De l’Orient à Orion) or upsetting the memory of a cantata (Bach Hcab). The piano is an instrument which can provide a tendency towards, demonstrative technique; with Kessler, it is something else: a joyful persecution!

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Graham Bond With Magick

We Put Our Magick On You

104,99 €* 149,99 € -30%

Alice Coltrane & Pharoah Sanders

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

UK original, first pressing.
Sleeve has light storage wear, LP like new.

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Journey In Satchidananda Acoustic Sounds Edition

LP | 1971 | EU | Reissue (Impulse)

43,99 €*

Please Heart Don't Break / Ain't Nothin' Nowhere Record Store Day 2023 Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Tsu Toronados

7" | 1971 | UK | Reissue (Rampart Street)

13,49 €* 14,99 € -10%

12" | 1971 | EU (Trading Places)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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A first official reissue of this vintage Houston double header from TSU Toronados – the house band for Ovide who recorded the original ‘Tighten Up’ riff. With originals of the 7 inch selling on the second-hand market for £300+, it’s high time a reissue hit the shelves.

Side A sees a crossover, mellow groove classic in the form of ‘Please Heart Don’t Break’ full to the brim with emotion encapsulated in those sweet vocals and harmonies. On the flip you’re treated to the energetic excellence of ‘Ain’t Nothin’ Nowhere’, an up-tempo funk jam with a raucous trading off of voices in the mix. Two super collectable cuts across a multitude of scenes. Red label version original black sleeve.

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Atlantic Bridge

I Can't Lie To You

10,49 €* 13,99 € -25%

LP | 1971 | EU | Reissue (Be With)

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Nucleus

Solar Plexus

30,99 €*

We'll Talk About It Later

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

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Nucleus

LP | 1971 | EU | Reissue (Be With)

30,99 €*

LP | 1971 | EU (Trading Places)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

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The Trio

Conflagration

21,99 €*

Malombo Jazz Makers Volume 2

Release: 1971 / EU

Genre: Organic Grooves

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The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea and trumpeter Harry Beckett, ensuring their take on abstract jazz contains melody as well as jarring exchanges. Another great Trio free jazz set!

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Malombo Jazz Makers

LP | 1971 | EU | Reissue (Strut)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Junior Walker & The All Stars

Rainbow Funk

LP | 1971 | US | Original (Soul)

6,79 €* 7,99 € -15%

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Weather Report Colored Vinyl Edition

Weather Report

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Junior Walker & The All Stars

Moody Jr

LP | 1971 | US | Original (Soul)

8,09 €* 8,99 € -10%

LP | 1971 | EU | Reissue (Soulgramma)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. Cover has ring wear.

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O' Jays

Super Bad

29,99 €*

LP | 1971 | EU | Reissue (Elemental Music)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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One of the most influential vocal groups of the 60’s with their original masterpiece, a necessary collection of rare groove and soul ballads. Officially reissued on vinyl after more than 40 years here’s the band fifth album, originally released in 1971 on Little Star Records. Formed in 1958 in Canton, Ohio, and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once Gamble & Huff signed them to their Philadelphia International. Super Bad is a raw, deep funk classic. Ranking among their finest work and it is widely regarded as their most complete album.

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Diana Ross

Surrender

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Bound / Remember You Black Vinyl Edition

Ponderosa Twins Plus One

7" | 1971 | US | Reissue (Numero Group)

Bound / Remember You Opaque Yellow Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, Numero is proud to present the first official American 45' repressing of the Ponderosa Twins + 1 original 1971 release of Bound b/w I Remember You.

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Ponderosa Twins Plus One

7" | 1971 | US | Reissue (Numero Group)

Dizzy Gillespie And The Mitchell-Ruff Duo

Release: 1971 / US – Reissue

Genre: Organic Grooves

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In Concert

LP | 1971 | US | Original (Mainstream)

8,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1971 | UK | Original (MGM)

Lou Rawls

A Natural Man

4,99 €*

Release: 1971 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1971 | US | Reissue (CTI)

Freddie Hubbard

First Light

38,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Version Galore Gold Vinyl Edition

U-Roy

LP | 1971 | EU | Reissue (Music On Vinyl)

2LP | 1971 | US | Original (Columbia)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 750 individually numbered copies on gold coloured vinyl

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V.A.

Great Hits Of R&B

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | US | Original (Mercury)

Jerry Butler

The Sagittarius Movement

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | US | Original (United Artists)

Bobby Womack

Communication

15,99 €*

LP | 1971 | US | Reissue (Everest Records Archive Of Folk & Jazz Music)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks

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Coleman Hawkins

6,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Their Greatest Recordings, The Early Years

The Drifters

LP | 1971 | US | Original (ATCO)

LP | 1971 | EU | Reissue (Holy Basil)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with cut-out.

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Atmo

Telegiornale

John Carter / Bobby Bradford

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.

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Self Determination Music

LP | 1971 | UK | Reissue (BGP / Flying Dutchman)

LP | 1971 | EU | Reissue (Four Flies)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought them together to lead their own band.

Their first outing on Flying Dutchman was “Flight For Four” as the Carter Bradford Quartet that was released in 1969. This is the second album they recorded where Carter and Bradford were supported by Tom Williamson (bass), Buzz Freeman (drums) and another uncredited bass player on four extended improvisations – ‘The Sunday Afternoon Jazz Blues Society’, ‘The Eye Of The Storm’, ‘Loneliness’ and ‘Encounter’.

The album has been out of print on vinyl since 1971 and Ace are delighted to release it with audio taken from hi-res digital transfers from the original masters.

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Giuliano Sorgini

Scappo Per Cantare

Genesis Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

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Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

43,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Genesis Opaque Pink Vinyl Edition

Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

47,49 €* 49,99 € -5%

Release: 1971 / US – Reissue

Genre: Organic Grooves

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7" | 1971 | EU | Reissue (Discos Quilombo)

Los Laser

Vuelven!

17,99 €*

John Mayall • Jerry McGee • Larry Taylor

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Discos Quilombo is back with its second release, and what a killer one!!!

Bolivian group “Los Laser”!!! Took ages to finally locate the Laser guys in La Paz but can’t be more worth than this and you can read their story in the 4-page full-colour insert.

They were part of the so-called “Bolivian New Wave” where local teens were emulating the British groups of the mid-60s, but their music turned as furious as their minds (they were deeply involved in political activities, even joining an armed organization fighting against Bolivian dictatorships).

With biting lyrics and outstanding fuzz guitar riffs, they recorded the awesome social anthem “Los desposeídos” which was part of their only EP released in 1971. Now you can get the two best tracks of that EP in the new Discos Quilombo single.

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Memories

LP | 1971 | US | Original (Polydor)

8,99 €*

7" | 1971 | DE | Original (Atlantic)

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut corner.

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James Anderson

Mama Mama

3,99 €*

Creedence Clearwater Revival

Release: 1971 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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Sweet Hitch-Hiker / Door To Door

7" | 1971 | DE | Original (Bellaphon)

6,99 €*

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Muddy Waters - Little Walter - Howlin' Wolf

We Three Kings

LP | 1971 | UK | Original (Syndicate Chapter)

LP | 1971 | US | Original (Motown)

Release: 1971 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with spine damage and shelf wear

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The Supremes & Four Tops

Dynamite

10,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | IT | Original (Joker)

Art Tatum

Art Tatum 1945

Release: 1971 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Joe Williams And George Shearing

The Heart And Soul Of Joe Williams And George Shearing

LP | 1971 | US | Original (Sheba)

6,99 €*

Takesi Inomata & Sound Limited

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Innocent Canon Black Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Takesi Inomata & Sound Limited

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Innocent Canon HHV Exclusive White Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

LP | 1971 | US | Original (United Artists)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on white wax, limited to 80 copies worldwide.

Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Ike & Tina Turner

'Nuff Said

13,99 €*

Papo Felix And Ray Rodrguez

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with cut corner

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Papo Felix Meets Ray Rodriguez

LP | 1971 | US | Reissue (Now-Again)

31,99 €*

LP | 1971 | US | Reissue (Now-Again)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - one of the label’s most lauded recordings containing epic examples of Big Band Salsa, Horace Silver-flavored Modal Jazz and Soulful Grooves - masterminded by a young Bobby RodrÌguez with vocals by Papo Felix. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

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Joe Acosta

The Power Of Love

Why Black Man Dey Suffer Transparent Yellow Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - Puerto Rico-born pianist Joe Acosta had a long, if unsung career in Latin music, but his Ghetto Records LP is his best and most sought-after album. It’s easy to see why - deep trombones, fantastic piano solos, great Salsa alongside a couple of Latin Soul gems make for a heady mix that embodies the Salsoul - Salsa meets Soul - movement kickstarted by Joe Bataan. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

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Fela Kuti

LP | 1971 | UK | Reissue (Knitting Factory)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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LP | 1971 | UK | Original (Vertigo)

Graham Bond With Magick

We Put Our Magick On You

69,99 €*

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | CA | Original (Tamla Motown)

The Temptations

Sky's The Limit

LP | 1971 | US | Reissue (Columbia)

Release: 1971 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Miles Davis

In A Silent Way

24,99 €*

Things Ain't What They Used To Be (And You Better Believe It)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

US 1971 reissue.

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Ella Fitzgerald

LP | 1971 | US | Original (Reprise)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | US | Original (A&M)

Billy Preston

I Wrote A Simple Song

LP | 1971 | US | Original (Atlantic)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Ships in brand new plain sleeve.

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David "Fathead" Newman

The Best Of

7,99 €*

LP | 1971 | US | Original (A&M)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels

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Billy Preston

I Wrote A Simple Song

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Mal Waldron & Gary Peacock

First Encounter

LP | 1971 | EU (Trading Places)

20,99 €*

LP | 1971 | US | Original (A&M)

Release: 1971 / EU

Genre: Organic Grooves

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Preorder shipping from 2024-08-16

After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s “She Walks In Beauty” contrasted by the up-tempo groove of Peacock’s “What’s That”; future Native Son founder Hiroshi Murakami makes important contribution on drums.

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Billy Preston

I Wrote A Simple Song

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | DE | Original (Polydor)

Jimi Hendrix

Isle Of Wight

19,99 €*

LP | 1971 | DE | Original (Vertigo)

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM. Cover has slight ringwear.
https://www.discogs.com/release/10731223-Jimi-Hendrix-Isle-Of-Wight

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Legend

99,99 €*

The Best Of The Impressions

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Samll stamp on back cover.

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The Impressions

LP | 1971 | US | Reissue (ABC)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1971 | US | Reissue (Prestige)

Gene Ammons

My Way

18,99 €*

5-10-15-20-25-30 Years Of Love

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1971 reissue. Vinyl is Close to VG+.

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Presidents

LP | 1971 | US | Original (Sussex)

5,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

LP | 1971 | PL | Reissue (Warner)

Novi Singers

Novi Sing Chopin

Release: 1971 / PL – Reissue

Genre: Organic Grooves

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Na Szkle Malovane Transparent Grey & Blue Vinyl Edition

V.A.

LP | 1971 | EU | Reissue (Warner)

32,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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2LP | 1971 | US | Original (Impulse!)

Gabor Szabo

His Great Hits

34,99 €*

LP | 1971 | FR | Original (America)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with ring wear

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Charles Mingus

Blue Bird

37,99 €*

Release: 1971 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

I'm A Loner / All My Life

The Nu-Ron's

7" | 1971 | US | Reissue (Brewerytown Beats)

16,14 €* 16,99 € -5%

LP | 1971 | AU (Great Barrier)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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A close replica of the original 45rpm record released in 1971 - Recorded October 27th, 1970 at famed Philadelphia studio Sigma Sound - The songs were produced by Emanuel Campbell Jr. & Charles Bowen and have been lovingly mixed from the original 16 track multi's - Mixed how he "would have mixed Mfsb (the backing band) in 1970", by engineer Tom Moulton, then lovingly mastered by Peter Humphries of MasterWorks. This would have been the original team working on these tracks back in the 70's, both are legendary in the Philadelphia soul music scene.

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Mogul Thrash

24,99 €*

LP | 1971 | JP | Reissue (Polydor)

Release: 1971 / AU

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny corner wear. 2015 reissue.

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Mal Waldron

Left Alone

24,99 €*

2LP | 1971 | US | Reissue (Craft)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI and insert!

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Woody Shaw

Blackstone Legacy

47,99 €*

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

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Septet Matchi-Oul

Terremoto

27,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?

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Stanley Turrentine

Sugar

30,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Friday, Saturday And Sunday (Clarence Reid)

Potato Salad / There Must Be Something 2024 Repress

7" | 1971 | UK | Reissue (Dig)

LP | 1971 | US | Original (Atlantic)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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2024 Repress

Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016.

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Aretha Franklin

Live At Fillmore West

29,99 €*

LP | 1971 | JP | Original (Musik Produktion Schwarzwald)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has seam splt and writing on back. Vinyl with many scuffs and hairlines.

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Count Basie Orchestra

High Voltage

14,99 €*

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1971 | JP | Original (Polydor)

James Brown

Portrait Of James Brown

16,99 €*

LP | 1971 | JP | Original (Kudu)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Die cut cover. OBI is missing. With insert.

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Grover Washington, Jr.

Inner City Blues

44,99 €*

The Allman Brothers Band At Fillmore East

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI! Record shows a few scratches! Gatefodl cover with slight storage wear and yellowing!

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The Allman Brothers Band

2LP | 1971 | JP | Original (Atlantic)

59,99 €*

Sings Today's Greatest Hits

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl with scuffs and hairlines

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Andy Williams

LP | 1971 | JP | Original (CBS/Sony)

Thomas Natschinski Und Seine Gruppe

Release: 1971 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

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Wir Über Uns

LP | 1971 | GDR | Original (AMIGA)

16,99 €*

Release: 1971 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | JP | Original (CBS/Sony)

Janis Joplin

Pearl

16,99 €*

LP | 1971 | UK | Original (Contour)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

No Obi. Cover has one split on the spine and one on the upper opening edge.

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Caterina Valente

Malagueña

4,99 €*

Release: 1971 / UK – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | DE | Reissue (Westbound)

Funkadelic

Maggot Brain

50,99 €*

Aynsley Dunbar / Blue Whale

Release: 1971 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. German reissue.

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Days / Willing To Fight

7" | 1971 | FR | Original (BYG)

4,99 €*

Claude Thornhill And His Orchestra Featuring Gil Evans

Release: 1971 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Small deeper scratch on side 1.
Writing on cover.

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The Real Birth Of The Cool (Featuring Gil Evans Arrangements)

LP | 1971 | JP | Original (CBS/Sony)

Taking All The Love I Can

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. Vinyl seems unplayed.

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Chosen Few

LP | 1971 | US | Reissue (On High)

34,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Original (Mega)

Larry Coryell

Fairyland

14,99 €*

LP | 1971 | US | Reissue (Craft)

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has shelf and ring wear. Record has hairlines and surface marks.

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Ralfi Pagan

With Love

34,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The Genius Sings The Blues

Ray Charles

LP | 1971 | IT | Reissue (Atlantic)

18,99 €*

LP | 1971 | US | Original (Embryo)

Release: 1971 / IT – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US reissue.
Sleeve has seam-split.

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Jim Pepper

Pepper's Pow Wow

36,99 €*

LP | 1971 | US | Original (Atlantic)

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has slight ring and edge wear. Vinyl has surface marks, but still plays VG+ with only little background noise.

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Yusef Lateef

The Best Of Yusef Lateef

LP | 1971 | CA | Original (Atlantic)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Promo copy! Taped spine. Writing on cover.

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Aretha Franklin

Aretha's Greatest Hits

8,99 €*

Lionel Hampton And His Orchestra

Release: 1971 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve has light water damage and discolouration.
LP has surface marks.

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Lionel

LP | 1971 | US | Original (Audio Fidelity)

7,99 €*

Ismael Rivera & Kako Y Su Orquesta

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Lo Ultimo En La Avienda

LP | 1971 | US | Reissue (Craft)

35,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Pastor T.L. And The Youth For Christ Choir Barrett

Like A Ship (Without A Sail) Splatter Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

27,99 €*