Organic Grooves Vinyl 1265 Items

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Original (Blue Rock)

Junior Wells

You're Tuff Enough

Call On Me / That's The Way Love Is

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Sleeve is taped on top seam, bottom seam and at opening. Sleeve also has writing and punch hole. Record has some scuffs and hairlines, but is close to vg+.

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Bobby Bland

LP | 1963 | US | Original (Duke)

Pata Pata (Definitive Remastered Edition)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Original US pressing.

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Miriam Makeba

2LP | 1967 | EU | Reissue (Strut)

LP | 1969 | EU | Reissue (Supraphon)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Includes both the mono and stereo versions of the album!

Strut presents an all-time classic of South African music, the definitive remastered edition of Miriam Makeba's 'Pata Pata', her first album recorded for Reprise in 1966.
The album marked a significant international breakthrough for Makeba. Moving to the US after the anti-apartheid film 'Come Back, Africa' gained international attention and staying there in exile, she quickly built her career in New York during the '60s, mentored by Harry Belafonte. Signing with Reprise after a period with RCA, she returned to one of her older songs: "I wrote 'Pata Pata' back in 1956, back in South Africa", remembered Makeba in her autobiography. "It was a fun little song and I was thinking of a dance that we do at home ("pata" means 'touch" in Zulu and Xhosa)".
The track peaked on the Billboard Hot 100 at no. 12 and the album. Other songs on the album included a version of the traditional Xhosa classic, 'Click Song Number One' ('Qongqothwane'), the atmospheric 'West Wind', later famously covered by her friend Nina Simone, and a version of Tilahun Gessesse's 'Yetentu Tizaleny' which Makeba learned on a trip to Addis to perform for Haile Selassie at the Organisation Of African Unity.

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Marta Kubisova

Songy A Balady

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Albert Ayler / Don Cherry

New York Eye And Ear Control

LP | 1966 | EU | Reissue (ESP Disk)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (ESP Disk)

Paul Bley Trio

Closer

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (ESP Disk)

Albert Ayler

Bells

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Their Satanic Majesties Request

The Rolling Stones

LP | 1967 | EU | Original (ABKCO)

Release: 1967 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1962 | EU | Reissue (Music On Vinyl)

Howlin' Wolf

Rockin' Chair Album

LP | 1960 | EU | Reissue (Sony)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Howlin' Wolf is the third studio album from Chicago blues singer/guitarist/harmonica player Howlin' Wolf. It is a collection of six singles previously released by the Chess label from 1960 through 1962. Because of the illustration on its sleeve, the album is often called The Rockin' Chair Album, which was eventually adopted on subsequent pressings.

180g vinyl.

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Miles Davis

Sketches Of Spain

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Blue Note)

Lou Donaldson

Lush Life

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Music On Vinyl)

The Temptations

Gettin' Ready

LP+CD | 1969 | EU | Reissue (Lilith)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180g vinyl, remastered, two bonus songs.

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Tropicalia

Ou Panis Et Circencis

LP | 1968 | EU | Reissue (Lilith)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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180 Gram vinyl!

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Os Mutantes

LP | 1960 | UK | Reissue (Not Now)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Os Mutantes' debut album that made the psychedelic sound popular in Brazil.

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John Coltrane

Giant Steps

LP | 1968 | JP | Original (Capitol)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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180g vinyl

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Nat King Cole

Pretend

LP | 1965 | US | Reissue (Curb)

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. Red vinyl.

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Ike & Tina Turner

Greatest Hits

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-23

Larry Young

Into Somethin'

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Pete La Roca

Basra

Sonny Rollins / Teddy Edwards With Joe Castro

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2020 reissue.

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At Music Inn / At Falcon's Lair

LP | 1960 | US | Original (Metrojazz)

Ella Wishes You A Swinging Christmas

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Torn spines. Vinyl is Close to VG+. Original US mono deep groove pressing.

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Ella Fitzgerald

LP | 1960 | US | Original (Verve)

James Brown Live At The Apollo

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Vinyl with many scuffs, hairlines and some deeper marks. Cover with punch hole, stains and shelf wear

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James Brown

LP | 1966 | US | Reissue (King)

Sorcerer Crystal Clear Vinyl Edition

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Terre Haute pressing. Vinyl has audible damage on both sides

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Miles Davis

LP | 1967 | EU | Reissue (Music On Vinyl)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Conversation With The Blues (A Documentary Of Field Recordings)

Various, Paul Oliver

LP | 1965 | UK | Original (Decca)

Release: 1965 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1966 | UK | Reissue (Bgp / Tuba)

Johnny Lytle

The Loop

LP | 1968 | US | Reissue (Superior Viaduct)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cuts 'Selim' and 'The Man' being anthems of the scene.

The Ohio-born player’s first album as a leader was on the Jazzland label in 1962 with “Nice And Easy”. His second, three years later, on Riverside, "The Village Caller", made him a star in the jazz world. When Riverside encountered difficulties, co-owner Orrin Keepnews collaborated with Lytle on two albums which came out on the Detroit label, Tuba.

The first of these, "The Loop", featured his regular trio partners, organist Milt Harris and drummer “Peppy” Hinnant. This line-up was augmented on some tracks by former Miles Davis pianist Wynton Kelly and bassist George Duvivier. A 7” version of the title track actually spent five weeks in the Billboard Hot 100 in January 1966. As for the album, as well as the acid jazz cut 'The Man', it features a stunning version of Duke Pearson's 'Cristo Redentor' and the dancefloor-friendly 'Possum Grease' and 'Hot Sauce'. The band also stretch out on extended track ‘The Shyster’.

"The Loop” is a classic album and Ace’s pressing is the first time it has been legally reissued on vinyl.

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Byard Lancaster

It's Not Up To Us

The Nervous Kats Colored Splatter Vinyl Edition

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Byard Lancaster was a composer/multi-instrumentalist born in Philadelphia in 1942. He started playing alto saxophone at an early age and later took up flute and bass clarinet. While attending Berklee College of Music, Lancaster and pianist Dave Burrell organized late-night jam sessions with fellow students and touring musicians. In 1965, he moved to New York and quickly became part of the city's burgeoning scene – playing with jazz luminaries such as Archie Shepp, Sunny Murray, Bill Dixon and Marzette Watts. It's Not Up To Us, Lancaster's 1968 debut as a leader, was originally released on Vortex, a subsidiary of Atlantic responsible for first albums by Chick Corea, Keith Jarrett and Sonny Sharrock. Featuring guitarist Sharrock (another Berklee alum), It's Not Up To Us is true fire music – fusing elements of free jazz, soul/R&B and traditional folk song. On the opening title track, Lancaster's luminous flute draws the listener in, while bassist Jerome Hunter grounds the tune with a simple descending theme over Keno Speller and Eric Gravatt's syncopated rhythms. "John's Children," a reference to the group's status as post-Coltrane players, showcases the modal strumming of Sharrock's steady drones as Lancaster cries into the void. After repeated listens, Lancaster's original compositions become visceral aural memories ingrained in the ear, while the standards ("Misty" and "Over The Rainbow") sound the most avant-garde pieces on the album. This first-time vinyl reissue is recommended for fans of Albert Ayler, Don Cherry and Pharoah Sanders.

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Bailey's Nervous Kats

LP | 1965 | US | Reissue (Numero Group)

The Nervous Kats Black Vinyl Edition

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Isolated at the rural fringe of Northern California, Bailey's Nervous Kats took Shasta County by storm in the early '60s. Combining surf, rock n' roll, exotica, and R&B, the Kats were a teenage dream draped in Magnatone amplifiers and crisp white polo tees. Their self-titled_and only_LP came at the dead end of the band's run, issued on Orville Simmons' one-shot Emma imprint in 1965. The mid-century modern LP of your dreams.

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Bailey's Nervous Kats

LP | 1965 | CA | Reissue (Numero Group)

Ritmo Y Sabor De Fiesta Con El Sexteto Caracas

Release: 1965 / CA – Reissue

Genre: Organic Grooves

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Sexteto Caracas

LP | 1969 | EU | Reissue (Elpalmas Music)

26,59 €* 27,99 € -5%

LP | 1965 | DE | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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“This LP with Sexteto Caracas will be, from now on, the favorite of all parties with a happy atmosphere, because through its interpretations it has that rhythm and party flavor that we all want to hear and dance to” reads the back cover of the original edition of the great album that the El Palmas Music label has the enormous pleasure of reissuing on vinyl, respecting every detail of its original art.

Ritmo y Sabor de Fiesta Con El… Sexteto Caracas, was launched in 1969 by a small Venezuelan label (Discos Diana), it appeared when salsa was already a consolidated popular phenomenon in the country. The era of the rage of the tasty crossover of genres with guaguancó and boogalú and even soul, of the “superdiscotecas with cinematic sound and psycho-delirious dance floor”, as was announced in the promotion of a show at El Palacio del Baile when Caracas was experiencing an impressive cultural explosion.

In this context, the only album by Sexteto Caracas was released, a group of young but seasoned musicians through dozens and dozens of shows, with a luxury musical director (Abiezer M. D'Aubeterre, better known as “Ajoporro”, also in charge of the piano and guitar) and the voice of Alfredo Antonio, who had previously ventured into pop music as the singer of the group Chicles.

Sexteto Caracas was born in the mid-60s as the initiative of the timbalero Jesús “Chui” Osuna, who conditioned his own house for the group's rehearsals, and it established itself as it added concerts in that Caracas of great musical revelry until it reached its unique album, a collector's item that El Palmas Music proudly recovers, faithful to its objective of cultural archeology and revaluation of artists who deserve a privileged place in history. ________________________________________

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Anthony Williams

Spring

26,09 €* 28,99 € -10%

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Honeypie)

Hugh Masekela

Trumpet Africaine

LP | 1966 | EU | Reissue (Verve)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Trumpet Africaine" was Hugh Masekela's debut album, recorded in New York and released in 1962, two years after Masekela had left South Afrika as reaction to the increasing inhumanity of the apartheid regime. Masekela's trumpet shines on top of Hugo Montenegro's fine orchestral arrangements while the tracklist includes, among others, five fresh instrumental versions of Miriam Makeba's songs. Trumpet Africaine was an important early statement from one of the most representative South African musicians of its time.

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Nina Simone

Wild Is The Wind

Markley (West Coast Pop Art Experimental Band)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180g

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Markley, A Group

LP | 1969 | EU | Reissue (Life Goes On)

LP | 1965 | DE | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

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Big John Patton

Oh Baby!

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Blue Note’s 1960s roster boasted numerous Hammond B3 organ whizzes including the soulful Kansas City born master Big John Patton. The dynamic quintet that Patton assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by trumpeter Blue Mitchell, tenor saxophonist Harold Vick, guitarist Grant Green, and drummer Ben Dixon.

Big John Patton (organ); Blue Mitchell (trumpet); Harold Vick (tenor sax); Grant Green (guitar); Ben Dixon (drums)

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Booker Ervin

Cookin'

James Clay & David Fathead Newman

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued as Savoy Records MG 12154

The Booker Ervin Quintet Booker Ervin (tenor sax), Richard Williams (trumpet), Horace Parlan (piano), George Tucker (bass), Dannie Richmond (drums). Recorded at Medallion Studios, Newark, New Jersey, on November 26, 1960

Sound engineer: Paul Cady Cover art: Lee Jack Morton Liner notes & recording supervision by Tom Wilson Album preparation: Herman Lubinsky

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The Sound Of The Wide Open Spaces!!!!

LP | 1960 | EU | Reissue (Jazz Workshop)

LP | 1969 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"James Clay's debut album as a leader (and one of only two that he cut before moving back to Dallas for nearly 30 years) matches him with fellow Texas tenor David 'Fathead' Newman, pianist Wynton Kelly, bassist Sam Jones and drummer Art Taylor. Cannonball Adderley supervised the session, putting the spotlight on the competitive horns who really battle it out on the Babs Gonzales blues "Wide Open Spaces." Clay, who plays flute on the date's lone standard "What's New," holds his own with Newman and plenty of sparks fly." —Scott Yanow (All Music Guide)

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Don Cherry

Where Is Brooklyn?

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Wishes You A Swinging Christmas Gold Vinyl Edition

Ella Fitzgerald

LP | 1960 | EU | Reissue (Not Now)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Jazz-Lyrik-Prosa Record Store Day 2021 Edition

Manfred Krug

2LP | 1968 | EU | Reissue (AMIGA)

The Wonderful World Of Sam Cooke

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Drop 2 release

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Sam Cooke

LP | 1960 | EU | Reissue (Universal)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Alexis Korner Blues Incorporated

R&B From The Marquee Audiophile Edition

LP | 1962 | US | Reissue (Waxtime)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Impulse)

McCoy Tyner

Inception

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Swing Low, Sweet Cadillac

Dizzy Gillespie

LP | 1967 | EU | Reissue (Impulse)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | US | Original (Verve)

The Oscar Peterson Trio

Night Train

Mack The Knife: Ella In Berlin

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US mono pressing.
Record has some hairlines and a few superficial scratches.
Small writing and stickers on back cover.

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Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Warner Music Poland)

Jerzy Milian Trio

Bazaar

Dreams Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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This is 180g vinyl.

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Gabor Szabo

LP | 1968 | EU | Reissue (Skye)

LP | 1965 | EU | Reissue (Verve)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Arrangements by Gary McFarland Recorded at Western Recording, Los Angeles
August 6th, 7th and 9th, 1968

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Nina Simone

I Put A Spell On You

LP | 1969 | EU | Reissue (ECM)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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180g

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Abdullah Ibrahim

African Piano

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Phil Moore And The Afro Latin Soultet

Afro Brazil Oba!

LP | 1966 | US | Reissue (Tower)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Blue Note)

Joe Henderson

Page One

LP | 1966 | UK | Reissue (Bgp / Tuba)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2021 reissue.

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Johnny Lytle

New And Groovy

Sextet & Quartet Blue Vinyl Edition

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cut 'Selim' being an anthem of the scene.

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Chet Baker

LP | 1960 | EU | Reissue (SAAR)

Baden Powel E Vinicius De Moraes

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Saar Records, through its famous Music subsidiary, re-releases the second Chet Baker’s LP, recorded with his sextet and quartet and originally released in March 1960; one of the rare occasions for our musicians to team together with an American trumpet player for a rather long period.

Chet Baker is one of the most important and essential characters of modern jazz and over the years he has not lost his strength and colour, a fact that’s clearly demonstrated by this release, indeed showing us a quite different Chet Baker. His style has become less slender, more excited, more precise, more violent, and several tracks of this record prove it.

The musicians here accompanying Chet Baker are the very best the Italian jazz scene of the time could offer: Glauco Masetti on alto sax, Gianni Basso on tenor sax, Renato Sellani on piano, Franco Cerri on double bass, together with the Italian-American Gene Victory on drums. As usual in such situations, arrangements were entrusted to Giulio Libano, who wisely provided the musicians with ample space for their solos. Chet Baker is undoubtedly the protagonist, but a lot of freedom of expression is granted to his fellow adventurers.

The album was recorded on 25 and 26 September and on 6 October 1959 at the Guertler Bros studio.

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Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | UK | Reissue (Be! Jazz)

Duke Jordan

Les Liasons Dangereuses

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Be! Jazz)

The Three Out

Sittin' In

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Milford Graves / Don Pullen

Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

Milford Graves / Don Pullen

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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In Concert At Yale University

LP | 1966 | US | Reissue (Superior Viaduct)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era – he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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John Patton

Oh Baby!

LP | 1969 | EU | Reissue (Epic)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2022 reissue.

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Sly & The Family Stone

Stand

25,64 €* 26,99 € -5%

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Honeypie)

Ahmad Jamal

Happy Moods

LP | 1968 | US | Original (Atlantic)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmad Jamal's contribution to the expansion of the Jazz art form is undeniable. A true genius and a source of inspiration for other Jazz greats, one for all: Miles Davis. Jamal's piano style and music aesthetic come as a unique blend of sophistication and taste. Recorded in Chicago and first released on Argo in 1960 "Happy Moods" is the result of a happy studio date and lush production featuring his great trio with Israel Crosby on bass and Vernel Fournier on drums.

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Aretha Franklin

Lady Soul

LP | 1969 | EU | Reissue (Eargong)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with seam split, spine damage and shelf wear

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Barre Phillips

Unaccompanied Barre

LP | 1967 | EU | Reissue (Culture Factory)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Foundations

From The Foundations

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Twistin' The Night Away Clear Vinyl Edtion

Sam Cooke

LP | 1962 | EU | Reissue (Sowing)

Soul Trombone And The Jazz Clan

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Twistin' the Night Away is Sam Cooke's eighth studio album. Released in April 1962 by RCA Victor, the album shows how the one and only Sam Cooke approached the twist dance phenomenon and as a result became one of Cooke's most successful releases. In fact Twistin' the Night Away peaked while the single of the same name charted high at number nine on the Billboard Hot 100. Twistin' the Night Away stands as one of the great dance albums of its period,"and "a brilliant soul album as well.

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Curtis Fuller

LP | 1962 | EU | Reissue (Sowing)

LP | 1969 | EU | Reissue (Mad About)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released on Impulse in 1962 "Soul Trombone and the Jazz Clan" was a major statement from one of the great trombone players in American jazz. Here Fuller displays an outstanding hard-bop ensemble based on a bunch of great individuals all at the top of their game. Fuller himself is part of a super strong horn section with trumpeter Freddie Hubbard and tenor saxophonist Jimmy Heath, while the groove is assured by a hard swinging rhythm section with pianist Cedar Walton, bassist Jimmie Merritt and drummer Jimmy Cobb. Fuller gives lots of space to his musicians who naturally respond and empathize with great solos.In one word: an outstanding record!

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The Four Sounds

Jazz From District Six

Speed And Space - The Concept Of Space In Music

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”

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Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1969 | JP | Original (Atlantic)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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Herbie Mann

Memphis Underground

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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John Wright

Mr. Soul

LP | 1968 | EU | Reissue (Morgan Blue Town)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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Judd Proctor

Guitars Galore

LP | 1966 | EU | Reissue (Far Out)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Re-issue of 1968 album by British jazz guitarist (born January 2, 1933 in Doncaster, England). He played with Norman Burns, "Ray Ellington's Quartet", Benny Goodman (in tour in England, 1971), "Don Lusher's Big Band", and as a session man in the 1970s, 1980s and 1990s.

Judd uses varying permutations of the following instruments on various tracks. Twelve string guitar, electric Fender guitar, electric Gibson guitar (l4) with a Charlie Christian bar pick-up, and a Maton acoustic guitar.

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Jose Roberto Bertrami

Jose Roberto Trio

Noisy Silence - Gentle Noise

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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The Dave Pike Set

LP | 1969 | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (Culture Factory)

Foundations

Build Me Up Buttercup

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Elpalmas Music)

Frank Y Sus Inquietos

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Venezuelan aggressive guaguanco originally released in 1967 and reissued for the very first time. Frank y sus Inquietos is a little-commented Venezuelan treasure in our time, an amazing, almost unknown jewel of Venezuelan hard salsa, treasured with zeal by music lovers of all times. This group is evidence of the musical communion of the young Caracas of the late sixties with the sounds of the Caribbean in their nascent marriage with urban aggressiveness. As a result of these meetings of “friends who played instruments” such as congas, bongos, piano, timbales and their fiery discharges on the top floor of Block 3 of La Silsa, a building located in this humble and highly populated Caracas popular area, the repertoire of songs by the homonym Frank y sus Inquietos (1969), with an exquisite imagination and brimming with vitality, authentic vocals and choirs, overwhelming percussion, strong bass and fierce piano conducted by Frank González.

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Herbie Hancock

Maiden Voyage

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Be With)

Willie Hutch

Soul Portrait

Dexter Gordon & Slide Hampton

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.

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A Day In Copenhagen

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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O Amor, O Sorriso E A Flor Clear Vinyl Edition

Joao Gilberto

LP | 1960 | EU | Reissue (Sowing)

El Grito (Suite Para Orquesta De Jazz)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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First released in Brazil in 1960 this is Joao Gilberto's second studio effort. A seminal album that just one year later introduced Bossa Nova to the United States. Joao Gilberto, one of the true masters of the genre, displays a great selection of songs including various Tom Jobim's classic gems such as "Samba de Uma Nota Só" ("One Note Samba"), "Corcovado" and "Outra Vez". An essential piece of work in the whole history of Brazilian music.

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Jorge Lopez Ruiz

LP | 1967 | EU | Reissue (Be With)

LP | 1967 | US | Reissue (Culture Factory)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Be With is delighted to present Jorge López Ruiz’s El Grito (Suite Para Orquesta De Jazz), eternal Argentinian magic released on CBS in 1967 that must be one of the most sought-after South American jazz LPs. Living in Buenos Aires in the 60s, driven by creative impulse and rage Jorge López Ruiz used music as his platform to protest the Argentine military dictatorship: “I could never stand dictatorships, to be told how you have to think, what you have to do. Nor did I endure discrimination”. A young López Ruiz had appeared on a television panel alongside writer, politician and philosopher Arturo Jauretche, criticising the Onganía dictatorship. Jauretche told López Ruiz “Now say it with music”. This was the deep inhale that lead to El Grito, literally “The Scream”. As López Ruiz later explained “Jauretche urged me that my protests should not remain in words and acquire the consistency of a work… but it was not so much what he told me but how he told me, what prompted me to make the work take shape, first in a live concert and then in a recording”. As the police and military began resorting to kidnapping, torture and summary executions to quiet dissent, with depressing inevitability the artist community and their work were a particular target of the increasingly brutal regime. El Grito was banned not long after it was released and the majority of original copies were unceremoniously destroyed. The work of a genius artist living under an opressive dictatorship, erased by the government of the time, this is buried treasure in every sense and it’s been a rare record for over 50 years.

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Sérgio Mendes

Beat Of Brazil

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Presenting Joe Williams And Thad Jones / The Mel Lew

Joe Williams

LP | 1968 | US | Reissue (Culture Factory)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Alan Hawkshaw & Keith Mansfield

Beat Incidental

LP | 1969 | EU | Reissue (Be With)

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes.Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Oscar Peterson

Motions & Emotions

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Introducing George Guzman

George Guzman

LP | 1968 | US | Reissue (Get On Down)

LP | 1969 | US | Original (Epic)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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It was 1968 when Fania Records President, Jerry Masucci, received a phone call from conguero George Guzman, inviting Jerry to listen to his band. Jerry turned the project over to Harvey Averne, who later reported to Jerry that the band was “out of sight” and suggested that Masucci sign them up. A short time later, things became complicated for George and his band. First of all, the lead singer was drafted into the military, leaving George high and dry. By the time a replacement was found, George learned that his trumpet player was leaving to join another orchestra, so the search was on for his replacement. One problem led to another and before you knew it several months had gone by before George was finally ready to enter the studio and begin recording. Thanks to George and Harvey’s perseverance, “Introducing George Guzman” was released in time for George to join the fray of Boogaloo bands that had brightened up the night scene in New York City in 1968. - Bobby Marin

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Sly & The Family Stone

Stand!

LP | 1966 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

- "Sex Machine" sampled by Beastie Boys for "Sex Machine"

- "Don't Call Me Nigger, Whitey" sampled by Geto Boys for "Punk Bitch Game",
Ice Cube for "Horny Lil' Devil",
Ice T for "Don't Call Me Nigger, Whitey",
KAM for "Stereotype",
MOP for "G-Building" and
Schoolly D for "Don't Call Me Nigger"

- "Stand" sampled by 3XDope for "Believe Dat",
7A3 for "Coolin' in Cali",
A Tribe Called Quest for "Rap Promoter",
Kool Moe Dee for "Rise 'N' Shine",
Professor Griff for "Last Asiatic Disciples",
Public Enemy for "Who Stole the Soul?" and
Scarface for "The Diary"

- "You Can Make it if You Try" (Drums) sampled by 7A3 for "Coolin' in Cali",
Diamond D for "What You Seek",
DJ Quik for "Niggaz Still Trippin'",
DJ Shadow for "Basic Mega-Mix",
Ice Cube for "The Product", "True to the Game" & "Wicked",
Ice T for "New Jack Hustler",
Insane Poetry for "Grim Reality",
Jungle Brothers for "Because I Got it Like That",
King Sun for "Be Black" & "Stunts",
King T for "Take You Home",
Lifer's Group for "Jack U. Back (So You Wanna Be a Gangsta)",
Mad Flava for "Wax on tha Belt (Baby G Gets Biz)",
Mobb Deep for "Hit it from the Back",
Powerule for "Gots to Get This",
Public Enemy for "Night of the Living Baseheads",
Queen Latifah for "Mama Gave Birth to the Soul Children",
Rumpletilskinz for "I-N-I",
Schoolly D for "Mr. Big Dick" & "This is It (Ain't Gonna Rain)",
Stetsasonic for "Talkin' All That Jazz",
Tupac for "Troublesome",
Two Kings in a Cipher for "Movin' on 'Em",
X-Clan for "Xodus" and
Yo-Yo for "You Can't Play with My Yo-Yo"

- "I Want to Take You Higher" sampled by De La Soul for "A Roller Skating Jam Named 'Saturdays'" & "Ladies Nite Decision",
DOC for "Mind Blowin'",
Grandmaster Flash & the Furious Five for "Magic Carpet Ride" and
Schoolly D for "Dis Groove is Bad"

- "Sing a Simple Song" (Drums) sampled amongst others by A Tribe Called Quest for "Jazz (We've Got)",
Ahmad for "Can I Party?",
Akinyele for "Bags Packed",
Alkaholiks for "Make Room",
Arrested Development for "Mr. Wendal",
Big Punisher for "Twinz (Deep Cover '98)",
Boss for "Drive By",
Chubb Rock for "Lost in the Storm",
Compton's Most Wanted for "I Don't Dance",
Craig Mack for "That Y'all",
Cypress Hill for "Latin Lingo",
Da King & I for "Krak Da Weazel",
Da Lench Mob for "Buck tha Devil",
Das EFX for "Hard Like a Criminal" & "Mic Checka",
De La Soul for "Eye Know",
Del for "Worldwide",
Diamond D for "Check 1, 2",
Digital Underground for "Return of the Crazy One" & "The Humpty Dance",
Domino for "Getto Jam", "Long Beach Thing" & "Sweet Potato Pie",
Dr. Dre for "Deep Cover",
E-40 for "Hide n Seek" & "Nuttin' A-s Nigga",
Eazy-E for "Eazy-Duz-It" & "It's On",
Ed OG for "Skinny Dip",
Erick Sermon for "Stay Real",
Fu-Schnickens for "Props" & "Sneekin' up on Ya",
Gorillaz for "192000",
Grandmaster Flash & the Furious Five for "Kid Named Flash",
Group Home for "Supa Star",
Heather B for "All Glocks Down",
Ice Cube for "Gangsta's Fairy Tale 2",
"Jackin' for Beats", "Really Doe" & "Who's the Mack?",
Ice T for "Ricochet",
Insane Poetry for "How Ya Gonna Reason with a Psycho",
Jungle Brothers for "For the Heads at Company B", "J. Beez Comin' Through" & "Simple As That",
KAM for "Ain't That a Bitch", "Holiday Madness", "Pull Your Hoe Card" & "Stereotype",
Kris Kross for "Can't Stop the Bumrush",
KRS-One for "Sound of da Police",
LL Cool J for "How I'm Comin'" & "Mama Said Knock You Out",
Lords of the Underground for "Here Comes the Lords",
MadKap for "Check it Out",
Mary J. Blige for "Love is All We Need",
Me Phi Me for "Put Sho' Hands Together",
Mellow Man Ace for "Me La Pelas",
Naughty by Nature for "Ready for Dem",
ODB for "Hippa to da Hoppa",
Papa Chuk for "Trunk of Funk",
Paris for "Check it out ch'all",
Pete Rock & CL Smooth for "Anger in the Nation" & "For Pete's Sake",
Pharcyde for "I'm That Type of Nigga",
Public Enemy for "Brothers Gonna Work it Out", "Can't Truss It", "Get the Fuck out of Dodge", "Livin' in a Zoo" & "Party for Your Right to Fight",
Redman for "Blow Your Mind", "So Ruff" & "Time 4 Sum Aksion",
Rumpletilskinz for "Sweet Therapy" & "Theramixx",
Run-DMC for "In the House",
Salt-N-Pepa for "Somma Time Man",
Scarface for "Your Ass Got Took",
Schoolly D for "Dis Groove is Bad",
Showbiz & A.G. for "Represent",
Sir Mix-A-Lot for "The Jack Back",
Soul II Soul for "Nuff Love",
Stereo MCs for "The Other Side",
Stetsasonic for "It's in My Song",
Stezo for "Gets into His Move",
Terminator X for "Back to the Scene of the Crime",
TLC for "Ain't 2 Proud 2 Beg", "Hat 2 Da Back" & "What about Your Friends?",
Tupac for "Peep Game", "Souljah's Revenge", "Temptations" & "Young Niggaz",
UTFO for "Rough and Rugged",
WC & the Maad Circle for "Behind Closed Doors",
West Street Mob for "Sing A Simple Song",
Wu-Tang Clan for "Protect Ya Neck (The Jump Off)",
X-Clan for "Funk Liberation" and
Yo-Yo for "Mackstress"

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Baden Powell

Tristeza On Guitar

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Albert Mangelsdorff And His Friends

Albert Mangelsdorff

LP | 1967 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Musik Produktion Schwarzwald)

Clarke-Boland Big Band

All Smiles

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Rhino)

Booker T & The MG's

Green Onions