Organic Grooves Vinyl 1996 Items

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Gula Matari Deluxe Gatefold Sleeve Edition

Quincy Jones

LP | 1970 | EU | Reissue (Elemental Music)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Lol Coxhill/Pierre Courbois/Jasper Van't Hof

Toverbal Sweet

LP | 1972 | EU | Reissue (Lantern Heights)

Artistry Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.

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Sirone

LP | 1979 | UK | Reissue (Moved By Sound)

Maliks Emerging Force Arts Trio

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.

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Time & Condition Black Vinyl Edition

LP | 1983 | UK | Reissue (Moved By Sound)

LP | 1972 | EU | Reissue (Playoff)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Malik King was an important part of the St Louis jazz scene of the 70's & 80's.

He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human Arts Ensemble, as well as various Emerging Force Ensembles.

Zimbabwe Nkenya (1953-2022), a creative artist and innovative musician, was brought up on army bases in the USA and Spain. He spent 30 years traveling and performing in New York, New Mexico, Arizona and St Louis. playing with a who's who of jazz. In New Mexico he became an integral part of the scene, producing and hosting the Kunm's radio show "the House That Jazz Built" .

Luckily Malik self released "Time & Condition" in 1982, capturing his work together with Qaiyim Shabazz. It's not just a crate diggers Holy Grail, but an important artistic and historic document of the St Louis scene. Time & Condition stands alone as a (very) individual, spiritual jazz classic.

We hope this reissue will finally grant these musicians the wider acknowledgement & credit they deserved during their life time.

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The Whatnauts

Whatnauts On The Rocks

The Glow Of Love 40th The Anniversay Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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The Whatnauts emerged from Baltimore in the late 60"s and were produced by George Kerr & Michael Watson. This 8-song original LP has become a classic 70s soul album, mixing ballads and groovy tracks. While "You forget too easy" could be played on any lowriders mixtape, "I"m So Glad I Found You" featuring Linda Jones is the perfect Northern soul floor filler. The beatmakers & producers are given their share too, with the drum breaks of the groovy "Why Can"t People Be Colors Too?" And to make this reissue even more collectable, Playoff Records added the 80s funky "Help is on the way" sampled by De La soul as the perfect bonus track. A must have for any diggers or soul music fans.

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Change

2LP | 1980 | EU | Reissue (Odc)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Wewantsounds)

Machine

Nice To Meet Miss Christine Record Store Day 2022 Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Machine's self-titled album is shrouded in mystery. Released on Sylvia Robinson's All Platinum label in 1972, It vanished without trace and has since become one of the rarest Funk albums on the international scene. The album is mostly known to a small circle of hardcore collectors and only a few copies seem to have survived, fetching prices in excess of $5000 whenever one turns up on the auction market. Consisting of three young session musicians working for Sylvia Robinson's All Platinum Records and their hit makers, The Whatnauts, the group display a superb mix of socially-conscious hard-hitting funk and earthy soul, the album is reissued here in its original artwork and remastered by Colorsound Studio in Paris. It includes a 2-page insert with new liner notes by Charles Waring.

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Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

LP | 1976 | US | Reissue (Real Gone Music)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Chuck Armstrong

Shackin' Up

Release: 1976 / US – Reissue

Genre: Organic Grooves

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2LP | 1984 | EU | Reissue (Hot Casa)

Alhaji K. Frimpong

Abrabo

Genesis Clear Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A classic and essential Hi-Life & Afro Funk album from one of the greatest Ghanaian singers and composers, reissued for the first time! The legendary Alhaji Kwabena Frimpong's fantastic rare album was recorded in 1984 in Germany and originally produced and distributed from Hamburg. K . Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti - Akim district, died Oct 18th 2005 in Kumasi (Ghana). He entered right into music after elementary school by joining "Star de Republic" and later "Oko's band" after which he left for K. Gyasy's band where he worked for more than 6 years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of Hi-life and Soul . The excellent background is given by the famous Cubanos Fiesta with members of Vis-à-vis band such as the famous Sammy Cropper on guitar or Slim Manu on bass. Originally produced by Atakora Mensah in Hamburg, this four songs recording is a blend of danceable and spiritual Soul and straight Hi-life. A must-have vinyl of percussive Afro Funk for all the music connoisseurs, Abrabo is a true masterpiece, so hard to find and reaching crazy skills for a decent copy affordable. Remastered by Frank Merritt at The Carvery. Pressed on Replika format. Fully licensed by the Alhaji Kwame Frimpong Family.

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Harari

LP | 1977 | US | Reissue (Tidal Waves Music)

Quintessence Brown Vinyl Edition

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Harari was formed in the late sixties and originally known as The Beaters, the South African group consisting of guitarists Selby Ntuli & Monty ‘Saitana’ Ndimande, bassist Alec Khaoli and drummer Sipho Mabuse decided to change their name to Harari during a tour through Rhodesia (now Zimbabwe) in 1976. The name is taken from a township outside Salisbury (which is now the capital, Harare). With their afro-rock/funk/fusion style they achieved huge successes back home and in the neighbouring states, and they were the first local black pop/rock band to appear on South African TV.

The Beaters/Harari had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. They supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was a three-month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. In the process, they created a sound that was labelled all too simply as ‘Afro-rock’ but was really a fusion of funk- and rock-inspired rhythms with African roots.

In 1976 Harari were also voted South Africa’s top instrumental group and were in high demand at concert venues across the country (they were the first Black band to headline their own show at Johannesburg’s Colosseum Theatre). Harari released several albums and their South African based label (Gallo), even got them a two-album deal with the US major label A&M. Their single, 'Party', entered the American Disco Hot 100 in 1982. After the untimely death of Selby Ntuli in 1978 they would go on to record more albums with a new line-up but it was never the same again. By 1984 the group disbanded, and Harari’s members launched successful solo careers.

Harari was a band that was deeply rooted in pan-African politics, the parallel cross-influences of the Black Panther Movement and Black Consciousness. African American soul music and Soweto Soul contributed to the way Harari became purveyors of all the styles we know today as Afro-soul, Afro-pop and Afro-jazz. The Beaters/Harari left behind a body of work that fused traditional African sounds with rock, funk, jazz, soul and psychedelia into a unique and coherent sound. It shows their ability to capture the many genres flying around South Africa during a time of intense political and cultural shifts.

The album we are presenting you today (Genesis from 1977) comes swinging right out the gate with a set of six monster anthems, explosive up-tempo jams, gorgeous vocal harmonies and chants, Afro-centric fusions of rock, funk and indigenous influences. The album is packed with mesmerizing drum-grooves, psychedelic improvisations and catchy Afrobeat rhythms. This is a quintessential Harari record that every serious collector or fan needs to have in his collection.

Originally released in 1977 on Gallo Records South Africa (and later repressed in 1982 on the same label), Tidal Waves Music now proudly presents the first official reissue of this rare album (original copies tend to go for Large amounts on the secondary market…that is if you’re lucky enough to come across one). This is also the First time ‘Genesis’ is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and featuring the original artwork.

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

The Mystery Kindaichi Band

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies. JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert. Limited to 100 copies 180g Brown Vinyl (available exclusively from HHV Records).

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The Adventures Of Kindaichi Kosuke Black Vinyl Edition

LP | 1977 | EU | Original (Wewantsounds)

Release: 1977 / EU – Original

Genre: Organic Grooves, Soundtracks

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2LP | 1981 | EU | Reissue (Outernational)

Creative Arts Ensemble

One Step Out

LP | 1973 | US | Reissue (Motown)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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“Sounds from the Great House! Outernational Sounds proudly presents a Nimbus West spirit jazz essential: the Creative Arts Ensemble’s classic debut One Step Out. Mastered at 45rpm on double vinyl for enhanced sound, this release features all tracks at full length for the first time on wax.

One of the most sought after and highly regarded titles to have appeared on Tom Albach’s celebrated Nimbus West imprint, the Creative Art Ensemble’s One Step Out is a timeless work of spiritualised jazz. A true gem from the Los Angeles jazz underground, the album was pianist and composer Kaeef Ruzadun Ali’s first recording as leader of the Creative Arts Ensemble, the only large ensemble group that emerged directly from Horace Tapscott’s legendary Pan Afrikan Peoples Arkestra community jazz group.

A Los Angeles native, Kaeef was introduced to the Tapscott circle in the late 1970s. His first experience of the Arkestra’s ethos was through PAPA tenorist Michael Session, who took him to the famous ‘Great House’ at 2412 South Western Ave., LA – a large mansion house which members of the Arkestra had taken over as a space for communal living. Life in the Great House was a continuous stream of music, dance and community events. ‘When I walked in there,’ recalled Kaeef, ‘it was like this whole rush came over me, just from going in the front door…It was like a very, very warm feeling of love. I went and I came out with ‘Flashback of Time’, and that was my first arrangement.’

Kaeef quickly became a significant contributor of compositions to the Arkestra’s songbook – his piece ‘New Horizon’ would be recorded by Horace Tapscott for the latter’s Tapscott Sessions series. But ‘Flashback of Time’ would eventually appear on One Step Out, played by the new group he had put together from stalwart Arkestra members. Inspired by both Tapscott’s example and by the Art Ensemble of Chicago, Kaeef had wanted to follow their lead by assembling a larger unit. ‘I would like to form a group that would be an extension of the Pan Afrikan Peoples Arkestra,’ he told Tapscott. The group was to be known as the Creative Arts Ensemble, and One Step Out, released in 1981 by Nimbus West, was their debut.

Featuring seasoned Arkestra regulars including reedsman Dadisi Komolafe, drummer Woody ‘Sonship’ Theus and altoist Gary Bias, with veterans Henry ‘The Skipper’ Franklin on bass and George Bohannon on trombone, One Step Out is a key document of the Los Angeles radical jazz underground. Featuring the sanctified vocals of Kaeef’s sister, B. J. Crowley, the album is a tour de force of spiritually energised independent jazz music. Community uplift and sacred vision straight from the Great House, back on vinyl for the first time since 1981!

One Step Out is released as a limited, 2LP vinyl-only edition. 180g pressing, mastered at 45rpm for enhanced sound. Fully licensed from Tom Albach.”

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Marvin Gaye

Diana & Marvin

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins

Live At The Hillcrest Club 1958

2LP | 1976 | EU | Reissue (Doxy)

LP | 1978 | US | Reissue (Frederiksberg)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Limited to 500 copies, Audiophile Clear Vinyl Series!

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Spirits Rejoice

Spirits Rejoice!

LP | 1976 | EU | Reissue (Week-End)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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First ever reissue of this excellent self-titled South African jazz album by Spirits Rejoice. Check out tracks like 'Woza Uzo Kudanisa Nathi' or 'Papa's Funk' !

The 1970s is regarded as a period of experimentation, boundary-breaking and hybridization in modern music and this spirit certainly informed the mushrooming of ideas that occurred in South African jazz during this time. In the shadow of more commercial township jive and soul, South African jazz evolved on the fringe, nurtured by passionate and enterprising independent producers who courted the interest of the mainstream with enchanting concoctions of jazz with folk, rock, soul and funk.

With a lineup hailing from far flung regions of South Africa, the mercurial sound of Spirits Rejoice and its willingness to weave a patchwork of different influences into its recordings is not hard to account for. More difficult to reconcile is that the band didn’t manage to level up to the status enjoyed by its peers in larger music markets abroad. Nevertheless, Spirits Rejoice has maintained its revered status in the collective memory of South African jazz for over four decades and their recorded artifacts return in the 2020s with the group’s vitality and energy undiminished.

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Joyce

Passarinho Urbano

Young Power Red & Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy.

She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy.

For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.

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Young Power

LP | 1987 | EU | Reissue (Warner)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Krystyna Pronko & Koman-Band

Krystyna Pronko

LP | 1974 | EU | Reissue (Warner)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Warner)

Wojciech Karolak

Easy! Red Vinyl Edtion

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1980 | EU | Reissue (Private)

Methusalem

Journey Into The Unknown

LP | 1974 | EU | Reissue (Elemental Music)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The official re-release of the scarce DJ classic. Ralf Nowy produced this unique mix of Krautrock, Space Disco and proto Techno vibes in Berlin in 1980. The collaboration featuring also famous German star producer Jack White and Tom M?ller aswell Vicky Brown from UK as singer who worked together also with bands as for example Pink Floyd, Roger Waters, Cerrone and Bryan Ferry.

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Freddie King

Burglar

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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War & Peace Red Vinyl Edition

Edwin Starr

LP | 1970 | UK | Reissue (Elemental)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Wewantsounds)

Ayako Shinozaki

Music Now For Harp

2LP | 1987 | UK | Reissue (BBE)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki"s hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label"s cult "Master Sonic" series and features Shinozaki"s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.

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Wütrio

32,79 €* 40,99 € -20%

Release: 1987 / UK – Reissue

Genre: Organic Grooves

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LP | 1977 | JP | Reissue (P-Vine)

Washington Jamb Band

Gonna Get Your Cherry

32,39 €* 35,99 € -10%

LP | 1976 | UK | Reissue (Mr Bongo)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Originally recorded in 1977 by a small battalion of teenagers (there were supposedly upwards of ten members) Gonna Get Your Cherry was Groove Diggers’ inaugural release in 2006! Is the title immature? Perhaps. But there’s nothing immature about the 11 tracks of soulful, danceable funk that the album is made up of. From album opener “Can’t Hide the Funk”, the skill of these young players is on immediate display, with vocal harmonies and a rhythm section so tight you could mistake them for performers twice their age. Title track “Gonna Get Your Cherry” follows, with a beat so groovy even thinking about the song will have you tapping your foot. “Instrumental Soul” is - as described - some of the finest instrumental soul-funk this side of Chicago, with a fiery saxophone solo and staccato guitar strumming that’ll have you dancing in no time.

In comparison, B-side opener “Living In Style” and “Who Wants To Fall In Love” are subdued affairs, with female vocalists and a backing chorus giving space for the Washington Jamb Band’s more soulful side to shine. Including the never before reissued (on vinyl) track “In The Clouds”, two boogie-esque bonus tracks, and an obi-strip, this is the finest reissue to ever hit the market! Make sure you don’t miss Washington Jamb Band’s Gonna Get Your Cherry, only from P-vine Records!

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Grupo Irakere

32,39 €* 35,99 € -10%

LP | 1972 | US | Reissue (Craft)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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For the second instalment in our Cuban Classics series, we proudly present this sought-after slice of sublime Afro-Cuban jazz from 1976. It comes courtesy of one of Cuba’s most influential acts, Grupo Irakere. Founded in 1973 by Chucho Valdés (son of the Cuban pianist and bandleader Bebo Valdés) the group was home to many of Cuba’s finest musicians over the years. With an electrifying style and sound, they mixed traditional Cuban music with jazz, funk, and rock.

This self-titled album includes the much-loved, dancefloor heavy-hitter 'Chequeré-Son’, a Latin-jazz funk masterpiece with Cubanized bebop-flavoured horn lines, lush keys, and ‘70s hip swagger. Though 'Chequeré-Son’ is the keystone of the record, the album is laced with brilliance at every turn, from the Carlos Santana-esque channelling ‘Iya’ with its percussive Latin power, to the sultry, slick and passionate '38 1/2’. Elsewhere, the absorbing, ever-building energy of 'Juana 1600’ and steamy vocal dancer ‘Xiomara’ are also highlights of this incredible album.

Pressed on Cuba’s state led Areito Records, the album was well received internationally, garnering distribution in Finland on Love Records, in Italy on Phase 6 Super Stereo, and also in the Dominican Republic, Mexico and Venezuela.

A cherished Afro-Cuban triumph, this album has been crying out for a reissue and we’re delighted to make that happen.

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Esther Marrow

Sister Woman

32,29 €* 33,99 € -5%

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Joey Gilmore Gold Vinyl Edition

Joey Gilmore

LP | 1977 | Reissue (Regrooved)

32,29 €* 33,99 € -5%

Live In Cleveland 1976 Clear Vinyl Edition

Release: 1977 / Reissue

Genre: Organic Grooves

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In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences with a series of unforgettable singles that showcased his raw talent and unique style. It wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his highly anticipated debut record.

This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with listeners, capturing the essence of his artistry and leaving an indelible impact.

Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's debut album. This reissue is a celebration of his timeless music, meticulously crafted to preserve the authenticity and integrity of the original recording. Every note, every lyric and the original design of the sleeve has been lovingly restored to transport you back to the magic of that era.

Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music, as this remarkable reissue brings his debut album back to life. Allow the melodies and rhythms to envelop you, taking you on a captivating musical adventure that transcends time. Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your soul once again.

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Gabor Szabo

LP | 1976 | EU | Reissue (Ebalunga!)

LP | 1972 | EU | Reissue (Motown)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”

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Stevie Wonder

Talking Book

Afrodisiac Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Finally back in print on 180g vinyl.
Limited vinyl LP repressing featuring Braille inscriptions originally available only on the album's rare first pressing. This reissue is newly remastered from original analog. Talking Book is the fifteenth album by Stevie Wonder, originally released in 1972. "You Are the Sunshine of My Life", hit #1 on Billboard's Hot 100 and earned Stevie his first Grammy Award. The album's first single, "Superstition", also hit #1 on Billboard's Hot 100 and Hot Soul Singles charts. Sandwiched between the release of Music of My Mind and Innervisions, Talking Book saw Wonder enjoying more artistic freedom from Motown. Guest appearances include Jeff Beck, Ray Parker, Jr., David Sanborn, and Buzz Feiten. The sound of the album is sharply defined by Wonder's keyboard work, especially with the synthesizers he incorporated, giving a funky edge to tracks like "Maybe Your Baby". His use of the Hohner clavinet model C on "Superstition" is widely regarded as one of the definitive tracks featuring the instrument.

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Fela Kuti

2LP | 1973 | UK | Reissue (Knitting Factory)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1983 | EU | Reissue (Little Butterfly)

Jorge Galemire

Segundos Afuera

LP | 1977 | EU | Reissue (Proper)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Directly connected with the universe of America Invertida, Jorge Galemire's second album, recorded and released in 1983, is considered a landmark of 80s Uruguayan music. Candombe, rock and jazz shake hands with singer- songwriter vibes, creating a sophisticated pop with South American roots and equal doses of groove and psychedelia. A forgotten gem reissued for the first time since its original release. '

Description

Segundos afuera was recorded at La Batuta, the first recording studio in Uruguay to have 16 channels. The sound engineer (and partly music co-producer) was again Dario Ribeiro.

Ribeiro was instrumental in the album's sonic experimentations, encouraging Galemire's ideas. The textures achieved with backward tapes in "Sin saber por qué" and "Un son", the overlapping female voices (performed by the trio Travesía) in that song, the three drums added in "Kublai Kan" and its male choral canon are a sample of these searches, unusual until that moment in Uruguayan music.

Segundos afuera had a generous studio budget for the time. It was recorded in about 300 hours, when it was usual for the Orfeo label to assign a maximum of 100 hours for these projects. Despite that fact, it’s surprising how Galemire and Ribeiro achieved a work so stylized taking the best of Uruguayan studios technical limitations.

The rhythm section of Segundos afuera was the same as the previous record: Andrés Recagno on bass (who also played synthesizers, backing vocals and some arrangements) and Gustavo Etchenique on drums, plus Carlos "Boca" Ferreira on percussion.

More than thirty musicians are featured in the album. Among them are some of Galemire's artistic heroes such as Osvaldo Fattoruso, Eduardo Mateo and Dino.

All played the best out of them, maybe at Galemire's influx or just for the joy of participating in such an attractive project.

Segundos afuera was released at the end of 1983 and went almost unnoticed by the general audience. However, it became an instant classic in the Uruguayan music scene from the very moment of its release. The sophistication of its sound; the unique way of combining pop, rock, jazz, candombe, milonga and murga; the search for moods and textures; the lyrics that mixed common themes and existential reflection dazzled and influenced different generations of artists.

Galemire released only three studio albums after Segundos afuera. None of them were as ambitious as this one. Its cult status was reinforced when it became inaccessible. After a first release of a few hundred vinyl and cassette copies, the album was never reissued in any format. The few copies available became a prized collector's item in Uruguay and abroad. It was only in 2020 that the album was released on streaming sites.

This mythical, but almost unknown album is now sounding again, showing its beauty intact.

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Sandy Denny

Rendezvous

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Like An Old Fashioned Waltz

Sandy Denny

LP | 1974 | EU | Reissue (Proper)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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2LP | 1980 | EU | Reissue (RCA)

Perigeo

Alice Red Vinyl Edtion

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1976 | EU | Reissue (New Platform)

Tullio De Piscopo

Sotto E 'Ncoppa

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The Greatest Love Story 2022 Repress

Heaven Sent & Ecstasy

LP | 1980 | JP | Reissue (P-Vine)

All Stars 1977 4 Lica Jazza

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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This is the only studio album from US Soul/Rare Groove unit "Heaven Sent & Ecstasy", originally issued in 1980. An mysterious jacket design, inexplicable sub-title, some songs included in the soundtracks of "Scrolls, The Book of Life", many mysteries and great music have included and high demanded album with collectors are reissued as vinyl for the first time! P-Vine reissued it as CD in 2006, and now we present it as vinyl with OBI.

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V.A.

2LP | 1978 | EU | Reissue (Croatia)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | CA | Reissue (We Are Busy Bodies)

Drive

Drive Live

Release: 1975 / CA – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (We Are Busy Bodies)

Pat Matshikiza

Sikiza Matshikiza

LP | 1973 | US | Reissue (Now-Again)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Recording for the As-Shams/The Sun label in the 1970s, Pat Matshikiza released the collaborative album Tshona! with sax giant Kippie Moeketsi in 1975. The album was followed in 1976 by Sikiza Matshikza, Pat's solo debut with Moeketsi appearing as a featured artist. The personnel on the album were an early iteration of the group that would become Spirits Rejoice in 1977, with Duke Makasi on tenor sax, George Tyefumani on trumpet, Sipho Gumede on bass, Gilbert Mathews on drums and Sandile Shange (who appears alongside Matshikiza and Moeketsi on the album's cover photo) on guitar.Pat Matshikiza's mid-70s recordings mark a high point in his career and are essential documents in the history of South African jazz on vinyl. With these reissues, we hope to bring his artistic legacy to prominence and share his work with lovers of jazz around the world.

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Wendell Harrison

Evening With The Devil

LP | 1976 | CA | Reissue (We Are Busy Bodies)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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The Tribe co-founder’s debut, remixed from the original mutli-track master tapes under the direction of its creator and lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Almon Memela

Funky Africa

LP | 1973 | EU | Reissue (Be With)

Release: 1976 / CA – Reissue

Genre: Organic Grooves

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We Are Busy Bodies returns with a reissue of composter, guitarist, and later producer, Almon Memela's ultra rare 1975 album, Funky Africa. From the original liner notes: Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in world affairs. But to Almon Memela, Africa is Home . . . and his music tells it like it really is. "Funky Africa" is the sound of Africa today. And as you listen, you will find that Africa is indeed many things. For in the music of Almon Memela lies everything that is Africa: the call of the wild and the scream of the Jumbo; the throb of the bush and the roar of Commissioner Street. So here it is . . . "Funky Africa". The sound of Africa, by an African, for the world.

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Ian Carr With Nucleus

Labyrinth

LP | 1976 | US | Reissue (Now-Again)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Labyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

At this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.

Labyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.

The album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.

Over on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.

The final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.

This Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.

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Phil Ranelin

Vibes From The Tribe

Voyage: A Journey Into Discoid Funk Record Store Day 2022 Blue & Black Swirl Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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The Tribe co-founder’s masterpiece, lacquered directly from his master tapes in an all analog transfer by Bernie Grundman. The denitive reissue of this Spiritual Jazz album, one of the most sought after artifacts of the 1970s jazz underground. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Brian Bennett

LP | 1978 | US | Reissue (Real Gone Music)

Sounds Of The City Experience

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Limited to 2800 copies.

Brian Bennett is one of instrumental music's true cult figures. Drummer for Cliff Richard & The Shadows, Bennett also is the composer of some of the most collectible production music albums ever made, and for over 40 years has been a sought-after composer for TV and film. But of all his projects, his 1978 release "Voyage (A Journey into Discoid Funk)" is probably his most beloved, a truly pioneering "space disco" recording inspired by Brian Eno but wielding a groove all its own. Despite its absolutely eye-popping Discogs stats, our release marks its first vinyl reissue outside of Australia, and its first-ever release on colored vinyl (blue with black swirl), complete with original gatefold jacket art.

Side ONE 1. Voyage 2. Solstice 3. Chain Reaction Side TWO 1. Pendulum Force 2. Air Quake 3. Ocean Glide

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Doug Hammond & David Durrah

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Released on the famed tax scam label Tiger Lily in 1976, Sounds Of The City Experience’s self-titled debut album is a rare groove treat with original pressings often reaching astronomical figures on the second-hand market. Its quality carries over into the sound with its richness of character pushing beyond what must have been a very limited recording budget. The members, whose anonymity today stands in stark contrast to the instant fame they generate on the record, go from strength to strength across these ten tracks, and craft some of the most catchy and enticing soul and funk of the 70s. P-vine is excited to be reissuing the album for a limited edition LP package with an iconic Japanese obi strip attached.

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Reflections In The Sea Of Nurnen

LP | 1975 | US | Reissue (Now-Again)

LP | 1976 | US | Reissue (We Are Busy Bodies)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Etubom Rex Williams

Ubok Aka Inua

LP | 1984 | JP | Reissue (P-Vine)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Originally released in 1976, Ubok Aka Inua is the fifth album by legendary Nigerian saxophonist and band leader, Etubom Rex Williams. The album features Psychedelic Shoes and One Woman Is Enough Trouble, both heard on countless funk and soul compilations. The album was restored from the original tapes by Noah Mintz and artwork restored and recreated by Steve Lewin. "Etubom Rex Williams occupies the genuine space of legend of Nigerian Highlife. His incredible professionalism, vast body of work and huge personality, established him as a veritable force of the genre quite early in his career. A case quite similar to another teenage prodigy of Highlife Music, Sir Victor Uwaifo. However any accolades he earned were well deserved and based on a platform of hard graft and genuine love for his art. He like Uwaifo, straddles the Inter-generational gap between the old masters of Highlife such as Bobby Benson, E.C.Arinze, Inyang Henshaw, Dr Victor Olaiya etc and the latter generation of Eddy Okweddy, Orlando Owoh, Tunji Oyelana, Eric Akaeze, Osayomore Joseph et al." - Ed Keazor, Music in Africa

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Home Boy And The C.O.L.

Out Break

LP | 1982 | JP | Reissue (P-Vine)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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An album deemed by many to be Chicago-native Cecil Lyde’s crowning achievement, Out Break was released in 1984 with his group Home Boy and the C.O.L. - the follow-up to 1982’s self-titled debut for the group. While many of Lyde’s earlier works redeem the charms of their lo-fi production qualities, the ambition of Out Break is plain to see as the band erupts into 8 minute opener “You Turn Me Out,” and deliver an 80s electro-funk record packed with hits. This album is a wholesome, luxurious listening experience, and reflective moments like the ballad “I Don’t Want To Be A Movie Star,” broadens the dynamic range by easing the pace and building tension via passionate vocal harmonies. P-vine is thrilled to be reissuing the album as a limited edition LP with an iconic Japanese obi strip attached.

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Home Boy And The C.O.L.

LP | 1974 | US | Reissue (Now-Again)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Two years after his debut album Stone Free, Chicago-native Cecil Lyde followed up with a second album of mesmeric modern soul and boogie with his group Home Boy And The Col. Released in 1982, this album possesses the same jagged and electric playfulness of the original while developing a taste for electronic production - his flirtations of a digital kind fill the air in instrumental moments like the electro floor-filler “Time to Change”. Make no mistake though, Lyde’s rich vocals are the highlight on many of the tracks here, and kick into motion the timeless hits “I’ll Make It On My Own” and “Love Was The Cost”. P-vine is thrilled to be reissuing the album for a world first limited edition LP pressing with an iconic Japanese obi strip attached.

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Phil Ranelin

The Time Is Now

Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble

Release: 1974 / US – Reissue

Genre: Organic Grooves

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The Tribe co-founder’s debut, lacquered directly from his master tapes in an all analog transfer by Bernie Grundman. The definitive reissue of this Spiritual Jazz album which set the stage for his Vibes from the Tribe The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Rise Vision Comin

LP | 1980 | JP | Reissue (P-Vine)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on saxophone who also served as creative director. It features 9 tracks with the title track, “Rise, Vision, Comin” a great example of the adhesive comradery between instrumentation and Madhubuti’s spoken-word. On the track, they match each other pace for pace and build into frenzy where they finally reach Madhubuti's prophetic words, “We are what we are, We are what we are not, we are what we are going to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Rise Vision Comin on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.

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Cecil Lyde

Stone Free

LP | 1974 | EU | Reissue (Real Gone Music)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Stone Free was the only album to be released by funk and soul specialist Cecil Lyde in 1980, and its sumptuous body of songs immediately takes hold upon first spin. Originally released with the short-lived Californian label Aladdin Records, Chicago-native Lyde created an album of uncompromising modern soul and boogie that has an urgency to entertain. Title track “Stone Free (Freaks With Me)” is a bold opener with percussion laced like a whip, and active bass melodies complementing Lyde’s falsetto harmonies. Another highlight, “Money’s Funny” doubles down on intricate percussion and bass eccentricities, driving home inspired funk hooks and untapped pleasures. P-vine is thrilled to be reissuing Stone Free under its groove-diggers imprint with an iconic Japanese obi strip.

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Don Julian & Larks

Super Slick

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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John Valenti

Anything You Want

2LP | 1987 | EU | Reissue (Left Ear)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Anything You Want, The debut solo album from former Puzzle drummer John Valenti makes its way back to LP for the first time in ten years through P-vine’s Groove-Diggers imprint. Originally going by the name John Livigni, his talents had been stewing for some time in the run-up to the original 1976 release. And yet, after supporting smooth pop arrangements for one of the few white bands signed to Motown records, few could have predicted the infectious disco beat and Valenti’s snarling and soulful lead vocals across these eleven tracks. From album opener and title track “Anything You Want,” Valenti establishes a hypnotic connection, and album highlight “Why Don’t We Fall In Love” is as moving as it is an encompassing display of Valenti’s soul power. P-vine is proud to be repressing Anything You Want, and hope that new fans can connect with this free soul classic.

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Picture Music

LP | 1978 | EU | Reissue (P-Vine)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Concocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat & Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music. If there is a red thread running through the Picture Music album, it is its "late night" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative cool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same. This 2021 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth.

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Ted Coleman Band

Taking Care Of Business

LP | 1978 | EU | Reissue (P-Vine)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Conjuring up flashes of the masterly mellow tones heard in Roy Ayers and Billy Wooten’s local jazz funk, P-VINE’s Rare Groove will revisit New Jersey, a series favourite location, for a joyous and unassuming record of vibraphone grooves and smooth Jazz. Taking Care of Business was originally released in 1980 and marked the debut for Ted Coleman, a musician whose craft extended beyond the box and took the reins of not only its production work, but also the fetching typography design on the cover jacket. In fact, Coleman’s careful architecture oversees all aspects of this release, and whether it’s his soothing voice breathing life into his graciously composed lyrics or skillful musings on his percussive instrument of choice, it’s a record built with the richest materials that has stood the test of time. Includes a Japanese obi strip.

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Al Johnson

Peaceful

Mackey Feary Band Black Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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American R&B and soul singer and producer Al Johnson debuted as lead singer of The Unifics in the mid 60's and enjoyed a successful career as songwriter and producer after leaving the group. He is also well known as a producer of Terry Huff's classic album The Lonely One.

His first album Peaceful was released from a minor label called Marina Records in 1978 and was produced by Lloyd Price who is the singer that had some R&B hit songs in the 50's. In addition, thanks to the skillful supporting musicians such as Bernard Purdie on drums, Leo Nocentelli from The Meters on guitar, the album is an aural delight with soulful gems from start-to-finish.

Although it's less known than his 2nd full length Back For More which was produced by Norman Connors, P-vine believes this album will strike a chord with R&B lovers. Includes Japanese OBI-strip!

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Mackey Feary Band

LP | 1978 | US | Reissue (Aloha Got Soul)

LP | 1981 | JP | Reissue (P-Vine)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Must have rare groove classic from Hawaii * Original tracklisting includes full version of 'Powerslide' * Meticulously restored and remastered by Jessica Thompson * First official reissue outside of Japan

Highly coveted Hawaiian jazz/soul album. The debut album from Mackey Feary’s solo band after departing seminal contemporary Hawaiian group, Kalapana. This LP reads like a who’s who in the local 70s music scene: Nohelani Cypriano (of “Lihue” cult fame), Azure McCall (of Lemuria), Jimmy Funai (who produced Hal Bradbury’s debut), and Gaylord Holomalia (who now runs the island studio where stars record, incl. Kanye West, Jay-Z, Mariah Carey). Unlike other reissues, this Aloha Got Soul pressing includes the full version of “Powerslide” in all its 7-minute glory. An all-time classic must-have record from the Hawaiian Islands.

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Fay

This Is A Blessing

Governor's State University Jazz Band

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Fay Hill has been based in LA since the 1980s and is best known for her 2nd album "Island In My Mind" which was released in 1987 with a rich selection professional musicians and engineers from LA. This, her debut album "This Is A Blessing", released six years earlier in 1981, is by comparison a much more raw and spontaneous affair which in turn spotlights her powerful gospel vocals, and the bustling funk and soul scene of LA in the early 80s.

"I Don't Know You" (m5) is an album highlight produced by Michael ORR who will be familiar to Rare Groove followers along with its wonderful cutting guitar line. "I Know Who You Should See" (m2) and "Any Load You Can Handle" (m7) were also released as single-cut 7 inches at the time and are still in high demand.It's an album truly full of killer tunes, and finally seeing its first reissue in the world!

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Gsu Jazz Live!

LP | 1974 | JP | Reissue (P-Vine)

LP | 1981 | JP | Reissue (P-Vine)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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This is a live albumperformed by a band of college students from the Governor's State University in Chicago under the direction of Warwick L. Carter.Although therewere many college bands that existed at the time, this is one quite unlike any other and under the strong leadership of Carter, the group rose to towering heights in a performance very fortunate to be recorded to tape.

The almighty jazz-funk cover of "Freedom Jazz Dance" under the title of "Listen Here" bursts with a strong break, and is full of intense jazz-funk that crosses the bounds of amateur performance into something else entirely. College band performances are often seen as just a means to an end; a necessary development stage before embarking on a career, but this doesn't apply here with renditions packed full of skillfully realised creative ambition owing greatly to the teaching of Carter. The originaledition which was released in 1974is hardly foundinmarkets becauseof its rarity. One of the long awaited reissuesforRare Groove fans is arriving at last on vinyl for the first time in the world!

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Jakob Magnússon

Jack Magnet

LP | 1974 | UK | Reissue (Soul Jazz)

Release: 1981 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Hailing from Iceland, Jakob Magnusson is a jazz-fusion keyboardist who originally recorded this third album in Los Angeles and released it in 1981. The cover which was designed by Hipgnosis is a gateway to the smooth and alluring sounds on this love letter to the 80s getting pressed for the first time in 18 years. Fans of Steely Dan and Todd Rundgren will be sure to find something to like on this timeless album.

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Steve Reid

Nova Red Vinyl Edition

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Soul Jazz Records are re-releasing the debut album from the legendary Steve Reid. As a radical jazz artist, Steve Reid played with an extraordinary group of artists - Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie and many more. He began his career as a teenager in the 1960s as a drummer at Motown. Reid was born in the South Bronx, and grew up in Queens, New York, three blocks away from John Coltrane. In 1969, Reid refused to enlist to the Vietnam war and was arrested as a conscientious objector and given a four-year prison sentence. On his release in 1974, he formed the Legendary Master Brotherhood and the independent record label, Mustevic Sound, to release his debut LP Nova. At the start of the 21st century, Steve Reid began a successful collaboration with Kieran Hebden (Fourtet), who Reid referred to as his 'musical soul mate', resulting in a number of joint albums. Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists. "A truly phenomenal artist." Gilles Peterson "Steve Reid is one of the greatest drummers. He is a musical genius." Kieran Hebden (Fourtet)

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Smoke

Risin'

Amandla Black Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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"Smoke" is a soul vocal group from Kansas City though soul music was not so popular at that time. The band had Larry Brown who is also a member ofAHarold Melvin & the Blue Notes, and Melvin Manning who is the younger brother of Marva Whitney.This album was originally released 1976 and P-vine released this album 24 years ago as LP and that edition has gotten expensive recently. So we decided to present it again for sweet soul lovers all over the world as a limited edition LP with OBI strip.The outstanding slow ballad "I'm So Lonely" provesAthis LP is not only rare, but also has perfect quality!

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Andre & Josi

LP | 1979 | US | Reissue (Tidal Waves Music)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Rare Afrobeat album from 1979
Recorded at Decca Studios (Nigeria)
First ever vinyl reissue
Featuring Zamrock collaborators Josi & Andre (Wells Fargo, Osibisa, Tony Allen)

Having shown talent for playing guitar at a young age, Josi Ndlovu (Zimbabwe) started his first rock band “The Movers” (who were very popular within the local scene) in 1968. By the early 70’s Josi was already an acclaimed guitarist and a member of the revolutionary rock bands “Wells Fargo” and “Eye of Liberty” who were critical opponents of the racist Rhodesian government.

Prosecuted and harassed by the police for being a supporter of the independence movement, Josi Ndlovu had to move to Lusaka (Zambia) in 1975...it was here that he met his musical soulmate (Osibisa collaborator and bassist extraordinaire) André Abrahamse from South Africa. They started playing together in several local acts together with drummer Peter Lungu (from “Born Free” and later in the legendary Zamrock band “Witch”).

In 1977, Josi & André decided to go to Lagos (Nigeria) where they found many fellow Zimbabwean and South African students in exile. It was a total culture shock and really rough on the both of them…but they got lucky and were able to stay with some friends they had worked with in London (Themba Matebese and Uwandile Piliso of T-Fire fame). It was also here that they were approached by the Nigerian label “Boom Records” who booked them to record at the Decca Studios in Lagos (home to many other renowned recording artists such as Fela Kuti, Manu Dibango and Ofege). The result of these recording sessions was “Amandla” (the Ndebele word for ‘Power’).

The now legendary “Amandla” studio project is one of the most interesting collaborations between dissident, exiled musicians during the apartheid era…a very engaging album which talks about the liberation movement in Zimbabwe (which was under British colonial rule), ‘people-power’ as a concept and the walk towards freedom by any means necessary. Banned from radio and distribution (because of its political content) in their native countries, the record however did very well in Nigeria.

With the ‘Amandla’ album under their belts, André & Josi continued their traveling adventures to Botswana, Cape Town, and many other cities/countries…touring, recording and playing with influential artists from the likes of Rikki Ililonga, Tony Allen and Anna Mwale. André to this day keeps on composing and producing music for TV, film and various other audio projects. Josi Ndlovu passed away on September 7th, 2000…he will forever be in our hearts.

On “Amandla” the listener will find many genres blended together very successfully…a lot of smooth chordal Afro-soul, Blues soloing, Afro-disco-reggae with a dominant funk feeling surrounding it and a LOT of rock influences! Their groovy tunes went down smoothly on the dance floor and one can clearly hear the Fela Kuti-influenced beats pouring out of (Lagos scene regular) Buttley Moore’s fantastic drum-work. Other influences are also very diverse…from acts and styles that include Zamrock, Earth Wind and Fire, Isaac Hayes, Miles Davis, Jimi Hendrix, Sly Stone, local folk music etc. All of this makes the album a total must have for any collector and fan of the afro-beat-funk genre.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic Afrobeat album (originally released in 1979 on Boom Records Nigeria). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition complete with the original artwork.

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Danny Dee

Movin' In

Utakata No Hibi Black Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Danny Dee aka Lil Albert was an original member of Hawaii's Society of Seven, P-Vine present a vinyl reisue of his sought-after 1976 album Movin' in.

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Mariah

2LP | 1983 | EU | Reissue (Everland)

Window Of The Mind Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!

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Billy Brooks

LP | 1974 | EU | Reissue (Wewantsounds)

Boogie Legs Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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2022 restock; LP version. Wewantsounds reissue of Billy Brooks's much sought-after album Windows of the Mind, released in 1974 on Ray Charles's Crossover Records. The album was co-produced by Charles and features such heavy players as Herman Riley, Calvin Keys, and Larry Gales. There's not a huge amount of information to be found about trumpet player Billy Brooks. A solid session musician who'd been around since the '50s, he played with the likes of Lionel Hampton, Cal Tjader, and of course Ray Charles, who signed him to his sub label Crossover Records in the early '70s to release Windows of the Mind. Interestingly, Brooks also appears on Bea Benjamin's 1976 cult classic African Songbird produced by Dollard Brand. Windows of the Mind released in 1974 remains Brooks' only solo album. Windows of the Mind was recorded in Los Angeles and co-produced by Ray Charles. It is a skillful, brass-led mix of jazz and funk performed by such cult players as bassist Larry Gales (Thelonious Monk), drummer Clarence Johnston (Freddie Roach, James Moody), saxophonist Herman Riley (Side Effect, Pleasure, Earth Wind & Fire, Letta Mbulu), guitarists Jef Lee (Roy Ayers, Sylvia Striplin) and cult player Calvin Keys of Black Jazz Records fame. From the groove of "Rockin Julius", "Shetter Cheeze", and "Black Flag" to the mid-tempo jazz mood of "Cooling It" and "C.P. Time" and the cinematic brass pyrotechnics of "The Speech Maker", "Windows of the Mind" is a superb funked-up big band jazz album. Windows of the Mind did reasonably well among the jazz circles when it came out but its fate would change fifteen years later when, in 1990, A Tribe Called Quest heavily sampled its closing track "Fourty Days" for their own "Luck of Lucien" featured on the group's debut album People's Instinctive Travels And The Paths Of Rhythm (1990). The album revolutionized hip-hop and "Luck of Lucien" became one of the album's highlights, thus cementing the reputation of Billy Brooks original LP among DJs and collectors. Original LPs now change hands for a few hundred dollars. Wewantsounds now make this landmark album available again in partnership with The Ray Charles Foundation. Newly remastered audio; comes with original artwork.

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Jake Sollo

LP | 1980 | US | Reissue (Tidal Waves Music)

2LP | 1980 | UK | Reissue (Matsuli)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Jake Sollo (Born in Nigeria as Nkem Okonkwo) started his career in the 1960s as a member of The Hykkers, a popular band that drew large audiences across the country (even during the turmoil of the Biafra civil war). After The Hykkers disbanded, Jake joined the Aba-based super-group The Funkees…a musical outfit turned into instant superstars due to the State Broadcasting Service's heavy rotation of their demo tracks. The Funkees became a phenomenon that spread across the country fast (and eventually to England where they were championed by the legendary John Peel). By 1976, due to creative and personal tensions, The Funkees slowly started disintegrating. Jake Sollo was soon offered the golden opportunity to join the ‘crème de la crème’ of Afro-rock groups: Osibisa. Jake’s distinctive rhythm guitar graced their hits, but his tenure with them was short-lived…in 1977, Sollo and two other members left the band because of financial disagreements.

Jake Sollo quickly moved on and did just fine after his experiences with said bands…he got steady work as a session musician and became a hot producer in the London scene. Eventually, that chapter came to a close as well (with budgets and visas to record in the UK becoming increasingly scarce at this point). Jake returned to Nigeria where he started recording and producing albums, during this period he became the MOST in-demand producer in Nigeria.

Sollo’s specialty was bouncy ‘high-gloss’ boogie (though he occasionally produced artists in other genres as well). Regardless of which style he was working in, a ‘Jake Sollo production’ was always instantly recognizable and his records’ main sonic signature was probably the distinct sound of the Prophet "V" synthesizer (a hot piece of hardware that was transforming music in Europe and America). Rumor has it that Sollo owned one of the two only Prophet synthesizers present on the African continent (the other one belonging to William Onyeabor). Without exaggeration and according to his peers…Jake was the hottest and most prolific music producer in Nigeria between the late 1970s and mid 1980s.

Next to his productions for other artists and major labels like EMI & Polydor, Jake Sollo would go on to record a total of three astonishing albums: ‘Coming Home’ (1977), ‘Show Me How’ (1979) and ‘Boogie Legs’ (1980). Boogie Legs would be Sollo’s final album, his career was cut short when he tragically died in a car accident in 1985…depriving the world of what no doubt would have been decades of more innovative and creative music.

On Boogie Legs, the listener is treated to Jake Sollo’s trademark sound with touches of pop, plenty of African groove disco, moments of psychedelic reggae, chattering guitars, mad synth skills and fat angular basslines … all bound together with Jakes distinctive guitar playing and smooth production. A triumphant album that combined the raw power from his roots with the slick tricks he learned in London. Also featured on these recordings are some ‘all-star’ guest appearances by musicians from the likes of Trevor Murrell (Kim Wilde, Sade) and Ray Carless (Maxi Priest, Adele).

Boogie Legs is a sexy monster of an album that shows off Jake Sollo as the multi-instrumentalist extraordinaire and Apostle of Nigerian music he was…the sound of an artist at the height of his power, with a career that came to an untimely end…but leaving us with a BIG legacy.

Tidal Waves Music now proudly presents the first ever vinyl reissue of Jake Sollo’s ‘Boogie Legs’ album (originally released in 1980 on Taretone). This rare Nigerian record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition (500 copies) complete with the original artwork.

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Hugh Masekela & Company

Live In Lesotho

LP | 1978 | EU | Reissue (Wewantsounds)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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“Hugh Masekela and Miriam Makeba’s double-bill Lesotho concert was a daring, defiant and ultimately dazzling act. For the first time since its limited release in South Africa in 1981, Matsuli Music is proud to re-issue this gem of a pan-African, funk-infused, extended audio double album with unpublished photographs and new liner notes from Atiyyah Khan.

The Christmas-weekend stadium-filled concert deeply challenged and disturbed South Africa’s apartheid regime. Makeba and Masekela were banned from entering South Africa, yet tens of thousands of their South African fans invaded Lesotho to party with their musical heroes.

Live in Lesotho documents an inspired Hugh Masekela and his stellar New York band putting a new spin on crowd favourites.

Another South African jazz gem from Matsuli Music’s growing catalogue of essential high-quality reissues. For an artist as prolific and famous as Hugh Masekela, it is a real surprise that this particular recording took so long to resurface.”

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Ziad Rahbani

Abu Ali

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Polydor)

James Brown

Get On The Good Foot

LP | 1978 | US | Reissue (Luaka Bop)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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William Onyeabor

Atomic Bomb

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Earth Blossom Deluxe Edition

John Betsch Society

LP | 1974 | Reissue (Heavenly Sweetness)

Release: 1974 / Reissue

Genre: Organic Grooves

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LP | 1970 | UK | Reissue (Charly)

Don Cherry

Mu. Second Part

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Jazz Room)

Abacothozi

Thema Maboneng

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Mulatu Of Ethiopia White Vinyl Edition

Mulatu Astatke

2LP | 1972 | EU | Reissue (Strut)

LP | 1972 | US | Reissue (Now-Again)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia".Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz.For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.

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Candido Y Su Movimento

Palos De Fuego

LP | 1973 | EU | Reissue (Soul Jazz)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - Joseph “Candido” RodrÌguez - Candido was mentored by Tito Punete, and his debut features a fantastic mix of fiery Salsa, Latin Jazz and Sweet Latin Soul. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

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Ripple

Ripple (Remastered)

2LP | 1974 | EU | Reissue (Easy Tempo)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Seminal rare groove funk and deep soul album originally released in 1973 on GRC Records now released 50 years later on Soul Jazz Records in this fully remastered edition of this Classic album. The album "Ripple" contains the all-time classic "I Don"t know What It Is, But It Sure Is Funky", one of the most memorable funk tunes of all time and sampled many times over. Ripple"s unique blend of funk, soul, rock, proto-disco and more stood them alongside groups like Funkadelic, Brass Construction, Mandrill, Pleasure, Kool and the Gang and The Blackbyrds, who were all blending these styles while remaining firmly focussed on the dancefloor. Like the group Funkadelic, Ripple hailed from Michigan and in 1976 opened for the group on their Parliament/Funkadelic Mothership Connection tour. This classic album has been out of print for nearly 30 years on vinyl and is now fully remastered and presented here in its original artwork.

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Les Chakachas

Discoteca Sudamericana

28 Raccolta Picture Disc Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LES Chakachas 'Disco Sudamericana' has been released by CBS Sugar in 1974 and when originally came out did not receive the attention it deserved. At least not the same of the previous album, a club classic with dancefloor bangers as 'stories' and 'the Party'. But if we take a deeper look at the album, 'Disco Sudamericana' is much richer in terms of catchy tracks and killer grooves. 'super Cat', 'liza& Brooks' or 'selling Mango' are just some of the peaks here. It is then amazing to discover that such an exotic band came from Belgium ! We stress to remember anyway that Tito Puente wife is the lead singer here, giving the session an appealing latin flavor. LES Chakachas is yet another major release on the legendary Easy Tempo label, offering this time two extra tracks not featured on the original release !

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Fausto Papetti

LP | 1979 | EU | Reissue (Sony)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | UK | Reissue (Diggers Factory / Soul Makossa)

Manu Dibango

Sun Explosion

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Easy Tempo)

Genius

LP | 1975 | US | Reissue (ORG Music)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Extremely obscure ‘Rare Groove’ album recorded in Argentina in 1974 and produced by great radio and music producer Mochin Marafioti. It has been impossible to learn who the musicians of the amazing session were. Soul, funk, psychedelia and latin melt into a sort of funkadelic sound. Spoken intro, sensual vocals and a monster rhythm section flirt with wah wah guitars and catchy melodies. A truly hidden treasury brought back to life by legendary Easy Tempo crew and destined to please the worldwide Rare Groove clubbing nation. To the original recording were added Edits by Andrea Passenger done in the spirit of the classic disco music manipulators like Tom Moulton, Danny Krivit and Walter Gibbons. To be played very loud.

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Cecil Taylor

Silent Tongues

31,44 €* 36,99 € -15%

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Boogie Legs Yellow Vinyl Edition

Jake Sollo

LP | 1980 | US | Reissue (Tidal Waves Music)

31,34 €* 32,99 € -5%

LP | 1970 | EU | Reissue (Be With)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies.

Shake your ya-ya! Jake Sollo (Born in Nigeria as Nkem Okonkwo) started his career in the 1960s as a member of The Hykkers, a popular band that drew large audiences across the country (even during the turmoil of the Biafra civil war). After The Hykkers disbanded, Jake joined the Aba-based super-group The Funkees…a musical outfit turned into instant superstars due to the State Broadcasting Service's heavy rotation of their demo tracks. The Funkees became a phenomenon that spread across the country fast (and eventually to England where they were championed by the legendary John Peel). By 1976, due to creative and personal tensions, The Funkees slowly started disintegrating. Jake Sollo was soon offered the golden opportunity to join the ‘crème de la crème’ of Afro-rock groups: Osibisa. Jake’s distinctive rhythm guitar graced their hits, but his tenure with them was short-lived…in 1977, Sollo and two other members left the band because of financial disagreements.

Jake Sollo quickly moved on and did just fine after his experiences with said bands…he got steady work as a session musician and became a hot producer in the London scene. Eventually, that chapter came to a close as well (with budgets and visas to record in the UK becoming increasingly scarce at this point). Jake returned to Nigeria where he started recording and producing albums, during this period he became the MOST in-demand producer in Nigeria.

Sollo’s specialty was bouncy ‘high-gloss’ boogie (though he occasionally produced artists in other genres as well). Regardless of which style he was working in, a ‘Jake Sollo production’ was always instantly recognizable and his records’ main sonic signature was probably the distinct sound of the Prophet "V" synthesizer (a hot piece of hardware that was transforming music in Europe and America). Rumor has it that Sollo owned one of the two only Prophet synthesizers present on the African continent (the other one belonging to William Onyeabor). Without exaggeration and according to his peers…Jake was the hottest and most prolific music producer in Nigeria between the late 1970s and mid 1980s.

Next to his productions for other artists and major labels like EMI & Polydor, Jake Sollo would go on to record a total of three astonishing albums: ‘Coming Home’ (1977), ‘Show Me How’ (1979) and ‘Boogie Legs’ (1980). Boogie Legs would be Sollo’s final album, his career was cut short when he tragically died in a car accident in 1985…depriving the world of what no doubt would have been decades of more innovative and creative music.

On Boogie Legs, the listener is treated to Jake Sollo’s trademark sound with touches of pop, plenty of African groove disco, moments of psychedelic reggae, chattering guitars, mad synth skills and fat angular basslines … all bound together with Jakes distinctive guitar playing and smooth production. A triumphant album that combined the raw power from his roots with the slick tricks he learned in London. Also featured on these recordings are some ‘all-star’ guest appearances by musicians from the likes of Trevor Murrell (Kim Wilde, Sade) and Ray Carless (Maxi Priest, Adele).

Boogie Legs is a sexy monster of an album that shows off Jake Sollo as the multi-instrumentalist extraordinaire and Apostle of Nigerian music he was…the sound of an artist at the height of his power, with a career that came to an untimely end…but leaving us with a BIG legacy.

Tidal Waves Music now proudly presents the first ever vinyl reissue of Jake Sollo’s ‘Boogie Legs’ album (originally released in 1980 on Taretone). This rare Nigerian record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition (500 copies) complete with the original artwork. Limited to 100 copies 180g YELLOW VINYL (available exclusively from HHV RECORDS).

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Nucleus

Elastic Rock

Different Strokes For Different Folks Transparent Red Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.

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Don Covay

LP | 1972 | UK | Reissue (Goodtime)

Fire, Passion, Ecstasy Clear Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Released in 1972 on the Janus label, this record is Don Covay’s second collaboration with the Jefferson Lemon Blues Band following his departure from Atlantic Records. Largely recorded at the prestigious Muscle Shoals Studios, these cuts are an eclectic mix of funk, soul, gospel and rock, and highlight his admirable skills as a songwriter and producer. Marking five decades since its original release, this record is reissued here on heavyweight red virgin vinyl.

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Stimela

LP | 1984 | US | Reissue (Tidal Waves Music)

LP | 1975 | EU | Reissue (Elemental Music)

Release: 1984 / US – Reissue

Genre: Organic Grooves

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Rare South African Afro-Fusion from 1984 First vinyl reissue Since 1990 First ever release outside of the African Continent Comes With Double-Sided Insert 180g Clear vinyl limited to 100 copies / Stimela were a popular and successful South African Afro-fusion outfit led by guitarist, vocalist, songwriter, producer and arranger Ray Phiri. The band was formed under the name ‘The Cannibals’ during the 1970s when Phiri got together with drummer Isaac Mtshali, keyboard player Thabo Lloyd Lelosa and bass player Jabu Sibumbe. They initially started out as instrumentalists, but later evolved to Afro-fusion when they joined forces with vocalist Jacob “Mparanyana” Radebe in 1975. The story of ‘The Cannibals’ ends when Radebe died in 1978 but the ‘Stimela’ story was only just beginning.

In 1979, after a life-changing experience in Mozambique (where they were stranded for three months) the bandmembers had to sell all their belongings to take a train home. This trip was a watershed moment as it was here where they conceived the new name for the band: The Zulu word for “locomotive-train” Stimela.

Stimela would soon become little short of an institution in their home country of South Africa. With soulful tunes and gripping lyrics, the band has recorded platinum-winning albums such as Fire, Passion and Ecstasy, Shadows, Fear and Pain & Look Listen and Decide. In addition to recording their own material, the group supplied instrumental accompaniment on albums by a lengthy list of legendary artists. Stimela would go on to gain global fame after being featured on Paul Simon’s iconic 1986 ‘Graceland’ album and the mega tour that followed.

Ray Phiri would enter into many successful collaborations with major acts and artists such as Harari, Joan Baez, Willie Nelson and Manu Dibango. In 2017 he was diagnosed with lung cancer and died at the age of 70. Phiri has received many awards in recognition for his contribution in the music industry, one of these is the Order of Ikhamanga awarded to him by the South African president. This was to honor his sterling contribution to the South African music industry and the successful use of arts as an instrument of social transformation.

Stimela is the tale of a South African band who have battled their way through dark days to take their rightful place in the forefront of the South African apartheid-era music invasion. One of their most memorable tracks “Whispers in the Deep” was even restricted from being broadcasted by the old South African Broadcasting Corporation.

On the album we are presenting you today (Fire, Passion and Ecstasy from 1984) the unique sounds of Ray Phiri’s Stimela are fully showcased. Expect infectious hypnotic build-up grooves, cinematic lowdown jazz-funk, Afro-soul, delightful reggae, gospel influences and funky synth-boogie sounds…all with a touch of early eighties new wave and hints of Island disco mixed with sensual bubblegum pop. It comes as no surprise that the album has now become a sought-after item due to its addictive and original-sounding nature, a must-have for any self-respecting record digger!

These recordings completely encapsulate Stimela’s fusion style. They managed to craft a modern South African sound that continues to influence SA musicians to this day. Never in a rush, yet always with a sense of purpose and direction – like the steam train after which they took their name.

Tidal Waves Music now proudly presents the first reissue of this fantastic Afro-fusion classic since 1990 (originally released in 1984 on Gallo Records) & this is also the first time the album is getting a release outside of the African continent. This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (limited to 500 copies) complete with the original artwork. Also included is a double-sided insert containing rare pictures of the band.

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Donna Summer

Love To Love You Baby

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Rock Joint Biwa - Kumikyoku Fulukotofumi HHV Exclusive Transparent Red Vinyl Edition

Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

LP | 1975 | EU | Reissue (Dialogo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies pressed on transparent red wax exclusively available at HHV.

The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated on these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Enrico Rava

Pupa O Crisalide

Rock Joint Biwa - Kumikyoku Fulukotofumi Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. A border city with a long history as part of Austria, an important port on the Adriatic see, a places influenced by different cultures. Rava's music at its best is a product of this city - a mix of Central European and Italian culture. 'Pupa o Crisalide' is one of the most interesting works in Enrico's discography. It is a good summary of the first phase of his solo career, and contains tracks recorded with three different line-ups: an all-Italian line-up for the opener "Pupa O Crisalide" and the closer "Giromondo", recorded in Rome with Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini - an Argentinian octet for the B-side of the LP, recorded in Buenos Aires, and finally an impressive American septet with Jack DeJohnette and John Abercrombie, to name a few for the A-side, recorded in New York. The musical style clearly reflects the composite nature of the album. The first half is funkier, edgier and more fiery, evidently influenced by the jazz-rock/fusion tendencies that were spreading at the time. The second is more placid, elegantly incorporating some Latin/samba elements into the alchemy. The two halves are held together by the similarity in timbre of the line-ups (which feature almost the same elements), and Enrico Rava's renowned trumpet style. Often compared to Miles Davis and Kenny Wheeler, his technique involves rarefied notes, full of atmosphere, and erratic melodic lines that surprisingly do not undermine the 'presence' of his trumpet sound. On the contrary, the charisma of Rava's trumpet seems to emerge precisely from this surprising balance of detachment and red blood.

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Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

Allison & The South Funk Boulevard Band

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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LP | 1978 | EU | Reissue (Superfly)