Organic Grooves Vinyl 6316 Items

Barry White Sings For Someone You Love

LP | 1977 | US | Original (20th Century)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tiny sticker tear

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Barry White Sings For Someone You Love

LP | 1977 | US | Original (20th Century)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with a couple of scratches. Open locket

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LP | 1978 | US | Original (20th Century Fox)

Barry White The Man

7,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

cut corner

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LP | 1974 | US | Reissue (20th Century)

Can't Get Enough

19,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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sampled by Kool G Rap, 50 Cent, Raekwon

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LP | 1982 | US | Original (Unlimited Gold)

Change

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Don't Make Me Wait Too Long

7" | 1976 | DE | Original (20th Century)

Release: 1976 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam split

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It's Ecstasy When You Lay Down Next To Me

12" | 1977 | US (20th Century)

Release: 1977 / US

Genre: Organic Grooves

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/ playing your game baby

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Just Another Way To Say I Love You

LP | 1975 | US | Reissue (20th Century)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Barry White, Love Unlimited & Love Unlimited Orchestra

Love

LP | 1974 | JP | Original (20th Century)

16,99 €*

Barry White, Love Unlimited & Love Unlimited Orchestra

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Few paper scuffs. Cover has slight foxing.

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Love

LP | 1974 | JP | Original (20th Century)

Barry White & Love Unlimited Orchestra

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Superdisc The Love Unlimited Orchestra '77

2LP | 1976 | JP | Original (20th Century)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Stereo Laboratory, Vol. 11 - Solid Sound

LP | 1975 | JP | Original (20th Century)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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LP | 1975 | US | Reissue (20th Century)

Stone Gon

19,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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You're The First, The Last, My Everything

7" | 1974 | US | Original (20th Century)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Pitman Pressing.
Record is close to VG+.

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Your Sweetness Is My Weakness

12" | 1973 | US (20th Century)

12,99 €*

12" | 1984 | EU | Reissue (Bordello A Parigi)

Release: 1973 / US

Genre: Organic Grooves

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/ never never gonna give ya up

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Basic

Face In The Night

13,99 €*

LP | 1974 | UK | Reissue (Matsuli Music)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A re-issue of this timeless italo ballad produced by Italian percussionist Massimo Pacciani. The song was recorded in 1984 in Marzio Bennelli’s studio in Florence with an Oberheim Ob-x, Yamaha DX7, Marzio on guitar and the great vocals of Riccardo Galardini. They took inspiration from Flashdancers – Maniac (an italo cover of Michael Sembello’s ‘Maniac’) which they recorded the same day in Bennelli’s studio. Remastered from original master tapes.

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Batsumi

29,99 €*

Make That Feeling Come Again!

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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BATSUMI’s 1974 classic. Repressed at Pallas in Germany on 180g black vinyl. Cover printed on reverse board and includes printed inner sleeve with liner notes from Francis Gooding. Initial copies shipped with exclusive 30cm x 30cm print of Batsumi performing in 1974. Batsumi is a masterpiece of spiritualised afro-jazz, and a prodigious singularity in the South African jazz canon. There is nothing else on record from the period that has the deep, resonant urgency of the Batsumi sound, a reverb-drenched, formidably focused pulse, underpinned by the tight-locked interplay of traditional and trap drums, and pushed on by the throb of Zulu Bidi’s mesmeric bass figures. The warm notes of Johnny Mothopeng’s guitar complete a soundscape that is at once closely packed with sonic texture and simultaneously vibrating with open space, and in whose shimmer and haze Themba Koyana and Tom Masemola soar. A sonorous echo emanating from an ancient well, reverberant with jazz ghosts and warmed by the heat of soul and pop, Batsumi is nothing short of revelatory. Many groups from this period did not issue recordings at all, and Batsumi are unusual in even having left an official recorded legacy. Out of print since the 1970s, and never issued outside of South African in its entirety, Batsumi is a landmark South African jazz recording, and a key musical document of its time.'

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Beautiful Bend

LP | 1978 | US | Original (Marlin)

6,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Beautiful Bend / Montana Sextet Featuring Denise Montana

That's The Meaning / Boogie Motion / # 1 Dee Jay

12" | 1984 | CA | Original (Matra)

Release: 1984 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | US | Original (Capitol)

Bebe & Cece Winans

Meantime

Release: 1989 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1976 | JP | Original (RSO)

Bee Gees

Children Of The World

16,99 €*

7" | 1978 | JP | Original (RSO)

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Bee Gees

Stayin' Alive

Release: 1978 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | JP | Reissue (Tokuma)

Beers

Mistress

70,99 €*

Belinda Carlisle Featuring Freda Payne

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The only album by Megumi Saito and Yoko Hashimoto, released in 1983. Together with prominent musicians, Kazuo Shiina, who was active as a regular member of Tatsuro Yamashita's band, Hiromasa Suzuki, who was active across genres, Hiroshi Shinkawa, who later worked on Omega Tribe and others, participated as an arrangement team, and you can hear an urban sound full of city feeling. Includes 10 songs including 'Kowareta Wiper', the only single with a comfortable mellow disco groove, and 'Lucky Strike Man' with a reggae taste.

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Band Of Gold

12" | 1986 | US | Original (I.R.S.)

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1977 | DE | Original (Carrere)

Belle Epoque

Miss Broadway

Release: 1977 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Bemowe Frazy Yellow Vinyl Edtion

Bemibem

LP | 1974 | EU | Reissue (Warner)

26,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Ben E. King / Ben E. King With The Drifters

Stand By Me: The Best Of Ben E. King And Ben E. King With The Drifters

LP | 1986 | US | Original (Atlantic)

Release: 1986 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: Near Mint

LP | 1978 | US | Original (Atlantic)

Ben E. King

Let Me Live In Your Life

Save The Last Dance For Me

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut-out.

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Ben E. King

LP | 1987 | JP | Original (Manhattan)

LP | 1981 | US | Original (Atlantic)

Release: 1987 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.
Close to NM.

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Ben E. King

Street Tough

LP | 1978 | US | Original (Arista)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is slightly warped. Cover is discoloured. Promo stamp on front cover.

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Ben Sidran

Live At Montreux

10,99 €*

LP | 1976 | US | Original (Buddah)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Ben Vereen

LP | 1975 | US | Original (Buddah)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has slight wear, small saw cut and tear in top spine, sticker residue on front cover. Vinyl has scuffs and light scratches, close to VG+.

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Ben Vereen

Off-Stage

18,99 €*

Ben Webster & Harry Edison

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with punch hole

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Ben & Sweets

LP | 1981 | US | Reissue (Columbia)

15,99 €*

Ben Webster & His Quartet

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is close to VG+!

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Wayfaring Webster Black Friday Record Store Day 2023 Black Vinyl Edition

2LP | 1970 | EU | Reissue (Tidal Waves Music)

In Hot House Record Store Day 2023 Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Record Store Day Black Friday 2023 exclusive release Limited 180g Deluxe Double Vinyl Edition (1000 copies) with obi strip Rare unearthed Dutch recordings from 1970 Featuring an all-star line-up First Time ON Vinyl Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (Wayfaring Stranger recorded in 1970 by the NPS Radio network in The Netherlands) you will find mind-blowing high-quality Dutch sessions that were left dormant on a shelf and weren’t commercially released for over 30 years! On ‘Wayfaring Stranger’ the listener is treated to no less than nine sublime tracks that document Webster’s trademark relaxed-swinging but imaginative playing style that never gets boring. The album features an all-star line-up from the likes of Rob Langereis (Toots Thielemans), John Engels (Chet Baker, Dizzy Gillespie) and Cees Slinger (Dexter Gordon, Slide Hampton). Expect a 61-year-old Ben Webster in excellent form giving a warm, dusky, gritty yet funky performance where he delivers everything from up-tempo material, 12-bar blues jams to soulful expressive ballads. Webster’s quartet is in constant musical dialog with each other, creating a unique back and forth between musicians at the top of their game. Tidal Waves Music now proudly presents the First Ever vinyl release of this fantastic album (originally released as a limited Compact Disc edition back in 2000). This unique record comes as a deluxe 180g Double vinyl edition (strictly limited to 1000 copies) with obi strip. Released exclusively for Record Store Day Black Friday (UK & Europe) 2023 and available in participating stores on November 24, 2023.

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

34,19 €* 35,99 € -5%

In Hot House White Vinyl Edition

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

19,99 €*

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Ben Webster

Live At Pio's

Ben Webster Sextet / Corky Corcoran's Collegiates / Albert Ammons And His Rhythm Kings

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A great small club date from Ben Webster – different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums – who really come out swinging, and push Ben to take some of his boldest solos of the period – plenty of bite throughout, and a fire that you don't always hear on his other 60s recordings. Titles include "Cookin For T", "Sunday", "Pennies From Heaven", "How Long Has This Been Going On", and "Gone With The Wind".

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Big Tenors

LP | 1973 | JP | Reissue (Mercury)

Benny Goodman And His Orchestra Featuring André Previn And Russ Freeman

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert

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Happy Session

LP | 1973 | JP | Reissue (CBS/Sony)

12,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 1978 | JP | Original (RCA)

13,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.
Sticker on cover.

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LP | 1981 | JP | Original (CBS/Sony)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover without OBI has tiny wear. Vinyl seems unplayed. Original Japanese pressing.

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Benny Goodman Super Deluxe

LP | 1983 | JP | Original (MCA)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Benny Goodman, The Benny Goodman Quartet, Benny Goodman Trio

The Benny Goodman Story

LP | 1984 | JP | Original (MCA)

8,99 €*

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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LP | 1976 | JP | Original (MCA)

The Benny Goodman Story

8,99 €*

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Gatefold cover has faintest foxing on the inside.

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LP | 1985 | JP | Reissue (Century)

The King

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Berliner Austausch Dienst

-Echo-

LP | 1983 | DE | Original (Uhlklang)

LP | 1983 | JP | Original (Barclay)

Release: 1983 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Close to NM.

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Bernard Lavilliers

O Gringo

7" | 1982 | EU | Reissue (Fantasy Love)

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI and insert. close to NM.

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Bernard Walker

My Lover / Sexy Thang

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Junei, the guitarist behind The Space Army Band, who would team up with his brother, General Lee, to form The Lost Weekend remains a pivotal character amongst the music scene of his hometown, Gary, Indiana.

Working closely with local indie groups & producers, such as Gordon Keith of Steeltown (Jackson 5's first manager), Junei would spend the 70s writing & recording whilst touring with artists such as The Emotions, Curtis Mayfield & Albert King.

Junei's calling card came to be in 1987, when he released his single 'Let's Ride' & 'You Must Go On' on local imprint, Pharoah's Records. The following year, he teamed up with Bernard Walker to produce a signature of that late-80s bedroom indie sound, cemented by the ideology & instruments used.

As Junei recalls..

"Bernard Walker approached me based on my reputation around town. He told me about this song that he wrote called "My Lover." Initially, he wanted to record a demo but I convinced him that I could do an actual finished production of his song, right from my small project "tape based, 8-track" basement studio. The sessions took place in Gary, Indiana in the basement of my parents home inside my... more

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Bernie Worrell

All The Woo In The World

28,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (BBE)

Bert Myrick

Live N' Well

21,99 €*

Don't You Worry Baby The Best Is Yet To Come / Try To Leave Me If You Can

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Rescued from relative obscurity by DJ Amir’s 180 Proof Records, BBE is delighted to present a gem from the tiny yet highly influential catalogue of Strata Records, Bert Myrick’s ‘Live ‘n Well’. This is the first in a long line of reissues focusing on the Strata catalog details attached.

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Bessie Banks

7" | 1976 | EU | Reissue (Pressure Makes Diamonds)

Betty Carter And Ray Bryant

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Ultra-rare modern/Northern soul/funk crossover, now extremely expensive in its original form. Cut loud & proud. Artwork based on the original promo version. Officially licensed from Phase One Network.

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Meet Betty Carter And Ray Bryant

LP | 1973 | JP | Reissue (Epic)

29,99 €*

LP | 1970 | US | Original (Bet-Car Productions)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI and insert!

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Betty Carter

LP | 1974 | JP | Reissue (Trio)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Small sticker on cover.

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Betty Carter

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | JP | Original (Roulette)

Betty Carter

Round Midnight

6,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Is This Love Or Desire Gold Vinyl Edition

LP | 1976 | US | Reissue (Light In The Attic)

35,14 €* 36,99 € -5%

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

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Is This Love Or Desire Silver Vinyl Edition

LP | 1976 | US | Reissue (Light In The Attic)

36,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Nasty Gal Metallic Gold Vinyl Edition

LP | 1975 | US | Reissue (Light In The Attic)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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"In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty paved the way for generations of future artists who said ‘funk you’ to the music industry and social norms.

In 1975, Betty Davis’s star was on the rise. With the backing of Island Records and a new band, Funk House, Betty’s third album, Nasty Gal, leans into the hyper-sexualized persona with which her critics were so obsessed. She raps, purrs, shrieks, and moans on top of Funk House’s manic funk-rock and lays claim to the “bad girl” anthems that now saturate the music industry. Mastered from the original tapes, Nasty Gal showcases Betty’s groundbreaking work as a performer, writer, and producer."

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Nasty Gal Pink & Yellow Vinyl Edition

LP | 1975 | US | Reissue (Light In The Attic)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | US | Original (Just Sunshine)

They Say I'm Different

120,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Sonic Pressing - Unipak cover and vinyl are Close to VG+.

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They Say I'm Different Black Vinyl Edition

LP | 1974 | US | Reissue (Light In The Attic)

34,99 €*

7" | 1970 | UK | Original (UNI)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Betty Everett

Sugar

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1970 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Promo

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Betty & The Code Red

Wishful Thinking

17,99 €*

LP | 1978 | US | Original (Alston)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.

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Betty Wright

Betty Wright Live

10,99 €*

7" | 1985 | JP | Original (Seven Seas)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam splits

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Betty Wright

Sinderella

17,99 €*

Tsvimbodzemoto = Sticks Of Fire

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Small pencil mark on cover.

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Bhundu Boys

LP | 1987 | UK | Original (Discafrique)

Wake Up / Wake Up (Remix)

Release: 1987 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to NM and cover to VG+

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Bianca Neve

12" | 1987 | EU | Original (CBS)

LP | 1983 | EU | Reissue (Pharaway Sounds)

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Record is warped but still enjoyable!

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Bibi Den's Tshibayi

Sensible

21,99 €*

LP | 1984 | US | Original (Big J)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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A great mix of Zouk, Afro-Funk and Boogie from the Ivory Coast, 1983. Cool synths, electric guitar, Afro-Caribbean rhythms...
Four long tracks, including the massive afro-disco-boogie “Africa Mawa” plus two cool afro/Zouk tracks and a deep ballad with psych guitar.
Featuring Congolese musician Denis Bibi Den’s Thsibayi and his band The Best, “Sensible” was recorded at Abidjan, Ivory Coast, after Denis Tshibayi was requested to play live there. M. Sacko helped with the production / edition and the album was originally released first as a tiny private pressing in the Ivory Coast and later in France on the Tangent label. During that time, Denis Thsibayi also recorded for Earthworks/Rough Trade and in the following decades he recorded with Adrian Sherwood (On-U Sound Records), Alpha Blondy, etc.

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Big Jay McNeely

Loose On Sunset

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | US | Original (India Navigation)

Big Nick Nicholas

Big And Warm

7,99 €* 9,99 € -20%

12" | 1987 | DE | Original (BCM)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Big Tony

Out Of Hand

LP | 1977 | US | Original (Good News Records)

Release: 1987 / DE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Slight seam wear. Sticker on front and sticker residue on back cover.

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Bili Thedford

Music Of My 2nd Birth

7,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Bill Berry And The LA Band

Hello Rev

LP | 1976 | US | Original (Concord Jazz)

Bill De Arango / John Williams

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with stains on the back

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Williams Tell

LP | 1973 | JP | Original (Mercury)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

With OBI .

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LP | 1977 | JP | Reissue (Verve)

Alone

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!
Cover with some wear and yellowing!

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Alone White Vinyl Edition

LP | 1970 | EU | Reissue (Klimt)

23,74 €* 24,99 € -5%

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Alone was recorded at Webster Hall in the East Village, which was reserved for two recording sessions in October 1968. A Steinway & Sons concert grand piano model D-274 was chosen by Bill Evans for this recording. Released in April 1970, the Grammy Award-winning Alone was Bill Evans' first single piano solo album following in the footsteps of his 1963 Verve session Conversations with Myself (three pianos overdubbed) and his 1967 Further Conversations with Myself, also on Verve (two pianos overdubbed).

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LP | 1981 | JP | Original (CBS/Sony)

17,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 1981 | JP | Original (CBS/Sony)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

From Left To Right White Vinyl Edition

LP | 1970 | EU | Reissue (Klimt)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)

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Montreux II Blue Vinyl Edtion

LP | 1970 | EU | Reissue (Klimt)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded live at the Montreux Festival, 1970, and originally released on CTI, this stunning album features a piano trio led by Bill Evans with bassist Eddie Gomez and drummer Marty Morrell.

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LP | 1971 | EU | Reissue (Speakers Corner)

The Bill Evans Album

33,99 €*

Bill Haley And His Comets, Herb Ellen, Toni Tornado, The Shot-Guns

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meagre result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm – and ever better – trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in "The Bill Evans Album".
The LP is remarkable in that only Evans’s own compositions were recorded – three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans’s musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans’s most well-known composition – "Waltz For Debby".
The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio’s live recordings. And as Bill Evans once said, it was with this trio that he could fulfil his musical ambitions.

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Rock 'N' Soul

LP | 1970 | DE | Original (Europa)

Release: 1970 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Bill Harris, Terry Gibbs, Lou Levy, Red Mitchell, Stan Levey

The Bill Harris Memorial Album

LP | 1983 | US | Reissue (Xanadu)

8,54 €* 8,99 € -5%

LP | 1977 | JP | Original (P-Vine Special)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

1983 reissue.

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Bill-O-Men

Bill Summers & Summers Heat

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. stained cover

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Call It What You Want

LP | 1981 | US | Original (MCA)

Bill Summers & Summers Heat

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl plays with constant background noises, no skips. OIS included.

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Call It What You Want

LP | 1981 | US | Original (MCA)

6,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Bill Summers & Summers Heat

Seventeen

LP | 1982 | US | Original (MCA)

8,99 €*

LP | 1981 | US | Original (Columbia)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

slightly damaged corners

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Bill Watrous

7,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Manhattan Wildlife Refuge

Bill Watrous

LP | 1974 | US | Original (Columbia)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Bill Withers Live At Carnegie Hall

2LP | 1973 | US | Original (Sussex)

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US Original Sonic Pressing. Vinyl with scuffs and hairlines, close to VG. Gatefold has seamsplits at bottom and shelf wear.

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LP | 1981 | US | Reissue (Sony Legacy)

Greatest Hits

28,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Sony)

Greatest Hits

26,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | US | Reissue (Mobile Fidelity Sound Lab)

Greatest Hits

52,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited/numbered

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LP | 1971 | EU | Reissue (Speakers Corner)

Just as i am

33,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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180 gram high quality pressing vinyl!

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LP | 1974 | EU | Reissue (Music On Vinyl)

+ Justments

28,99 €*