Organic Grooves Vinyl 7413 Items

LP | 1985 | US | Original (A&M)

As The Band Turns

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines

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LP | 1985 | US | Original (A&M)

As The Band Turns

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Original (A&M)

As The Band Turns

3,74 €* 4,99 € -25%

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1980 | US | Original (A&M)

Radiant

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1980 | US | Original (A&M)

Radiant

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1989 | US | Original (Warner Bros.)

We're Movin' Up

LP | 1971 | EU | Reissue (Holy Basil)

Release: 1989 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

US original.
Sleeve has light edge wear, scuffs.
LP has surface marks, overall closer to VG+.

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Atmo

Telegiornale

28,99 €*

7" | 1980 | UK | Original (MCA)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.

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Atmosfear

Motivation / Extract

Djamballà / Beryl's Tune (Colonna Sonora Originale Del Film)

Release: 1980 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs

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Augusto Martelli

7" | 1971 | IT | Original (Cinevox)

10,99 €*

Release: 1971 / IT – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1976 | US | Reissue (Lion Productions)

Aura

Aura (Sativa)

21,99 €*

LP | 1978 | JP | Original (Chrysalis)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Aura was a San Francisco Psych-Funk band formed in 1974 which played extensively throughout Northern California and by 1976, the band recorded their first and only album. The original title of the album was meant to be "Sativa", but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as "Aura". Over the ensuing decades, the Aura album has grown in stature to become a major soul/funk collector's item. As a strange side note, it was the producer of underground psychedelic band the Lemon Drops, Reggie Weiss, who wrote the psych-funk title track, 'Sativa' (a parody of The Champs hit song 'Tequila', with water pipe sound effects and blistering guitar leads by former Lemon Drops guitarist, Eddie Weiss) and 'Skyrocket' (with manic fuzz guitar).

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Auracle

Glider

13,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | CA | Original (Capitol)

Ava Cherry

Picture Me

3,99 €*

LP | 1974 | US | Original (Atlantic)

Release: 1987 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Punch hole in cover.

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Average White Band

AWB

Average White Band & Ben E. King

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

The cover has some wear and seam split on the top.
Vinyl has scuffs and slight hairlines.

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Benny And Us

LP | 1977 | US | Original (Atlantic)

Average White Band & Ben E. King

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Presswell pressing.

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Benny And Us

LP | 1977 | US | Original (Atlantic)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | DE | Original (Vagabond)

Axel Zwingenberger

Boogie Woogie Breakdown

8,99 €*

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | EU | Reissue (Souffle Continu)

Axolotl

Abrasive

27,99 €*

LP | 1974 | EU | Reissue (Wewantsounds)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.

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Ayako Shinozaki

Music Now For Harp

32,99 €*

7" | 1978 | DE | Original (EMI)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki"s hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label"s cult "Master Sonic" series and features Shinozaki"s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.

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Ayisha

Space Man

49,99 €*

Aynsley Dunbar / Blue Whale

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear and small sticker.

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Days / Willing To Fight

7" | 1971 | FR | Original (BYG)

2LP | 1975 | EU | Reissue (Far Out)

Release: 1971 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Small deeper scratch on side 1.
Writing on cover.

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Azambuja & Cia

Shadow Dancing Clear Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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This 180g LP is a Vinyl only release. In 1975, the prolific and multi-talented Brazilian comedians Chico Anysio and Arnaud Rodrigues recorded an album based on the protagonist of one of their most celebrated TV series. This soundtrack/musical re-imagining of the series combines jazz-funk with samba soul and MPB, with the help of cult Brazilian trio Azymuth.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

39,99 €*

LP | 1975 | US | Reissue (Craft)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Azar Lawrence

Summer Solstice

35,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1989 | EU | Reissue (Nyami Nyami)

Azumah

Long Time Ago

19,99 €*

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Azumah was the coming together of a group of talented young dancer-musicians from Soweto (South Africa) with musician and instrument-maker Smiles Mandla Makama of eSwatini (formerly Swaziland). Long Time Ago is the surprising and enticing, resultant album from 1985, recorded in the house of theatre stalwarts Des and Dawn Lindberg in Johannesburg. Produced by David Marks (3rd Ear Music, Hidden Years Music Archive Project), Des Lindberg and Smiles Makama, this album takes us back to a priceless musical moment in the dark and wild eighties of apartheid South Africa. Smiles Makama is a gifted and visionary music-maker. He was born in South Africa but grew up in eSwatini, the small kingdom enveloped by South Africa and Mozambique on each side. He tells the story of the process leading to the recording of this remarkable album: “I was invited from Swaziland by a Soweto-based group, Azumah. […] One of the members knew that there was a wizard in the mountains in Swaziland, building instruments. As I was in the mountains in my hut and then I saw people arrive. They found me. It all started there.” Instead of simplistic images of a generic ‘Africanness’ or ‘South Africanness’ and pictures of constructed and exotic ethnic identity, a contemporary, fresh listen to this album encourages an appreciation of the composition and musical skill at play in this music. Few people speak about the individual innovation and experimentation involved in the creation of this music (or the music of Amampondo for instance). “Woza Moya” sticks out as a dark and melancholy creation, different tonally to what has come before, evoking the work of Naná Vasconelos or Don Cherry. One thing that remains the same decades later is that encouraging deeper listening to the sounds of the mbira, the nyunga-nyunga, the uhadi or makhoyane bows is still challenging. Discouraging the superficial, short-lived acknowledgement of this ‘unchanging’, ‘African cultural expression’ is the everlasting hurdle. This is made so much easier by albums like Long Time Ago: when artists create music to be loved and entangled with, to be challenged by, derived from the musical roots and structures of these instruments and then expanded upon with creative freedom, risk, humour and funk. Azumah did this in 1985 and we have this album again today, newly released, to remind us of that moment and the moments since when musicians have urned inward and done similar. As Smiles has it: “Indigenous music doesn’t fade out. It’s just waiting to be discovered, all the time.”

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LP | 1977 | EU | Reissue (Mr Bongo)

Aguia Nao Come Mosca

22,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Golden-era, 1977, Brazilian jazz-funk-fusion album from the legendary Azymuth.
Lush Rhodes, soaring synths and fusion guitars from Malheiros and
Bertrami combine with the inimitable drum grooves from Ivan “Mamao” Conti that create the signature Azymuth sound.
The album moves from mellow soulful moods, into screaming disco-jazz-fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout.
This is actually the first Azymuth album that we have released on Mr Bongo, which came as a surprise to us too.
Official Mr Bongo reissue. Licensed from Warner Music.

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LP | 1975 | UK | Reissue (Far Out)

Azimüth

28,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Reissued on 180 gram vinyl in gatefold sleeve!

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Outubro Deep Aqua Colored Vinyl Edition

LP | 1980 | UK | Reissue (Far Out)

26,99 €*

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade.

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LP | 1986 | US | Original (Milestone)

Tightrope Walker

Release: 1986 / US – Original

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Geffen)

B. B. King

Live In Cook County Jail

28,99 €*

7" | 1973 | US | Reissue (Collectables)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Limited 180 gram vinyl LP repressing of the classic B.B. King live album. Live In Cook County Jail. Recorded in Chicago's Cook County Jail on a hot fall day in 1970 and released the following year, the recording of this historic event was named #499 on Rolling Stone's list of the 500 Greatest Albums of All Time, hitting #1 on the Billboard R&B charts, #3 on the Jazz charts and #25 on the Top 200. One of several live albums King released, it features a selection of his best-known songs. Includes "How Blue Can You Get?", "Please Accept My Love" and his signature classics "The Thrill Is Gone" and "Every Day I Have The Blues".

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B.B. King

The Thrill Is Gone

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

US reissue.

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Do It 'Til You're Satisfied Blue Vinyl Edition

LP | 1974 | US | Reissue (Friday Rights Mgmt)

42,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Do it til youre satisfied

LP | 1974 | US | Reissue (Scepter)

19,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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- "Express" sampled by Busy Bee for "Express",
Gang Starr for "Gusto",
Leaders of the New School for "Sound of the Zeekers",
Powerule for "Young Stars from Nowhere" and
Rell for "Love for Free"

- "This House is Smokin'" sampled by 3rd Bass for "Triple Stage Darkness",
Above the Law for "Menace to Society",
Positively Black for "Nightmare on America Street" and
W.I.S.E Guyz for "This House is Smokin'"

- "Everything Good to You (Ain't Always Good for You)" sampled by DMX for "Get at Me Dog",
EPMD for "Get the Bozack",
Ma$e for "Would They Die for You" and
Rascalz for "Northern Touch"

- "If it Don't Turn You on (You Outta Leave it Alone)" sampled by Big Daddy Kane for "Smooth Operator",
DOC for "Comm 2",
Dr. Dre for "Stranded on Death Row",
EPMD for "So Whatcha Sayin'?",
Gang Starr for "Premier & the Guru",
Ice Cube for "Jackin' for Beats",
King T for "Can this Be Real?",
Kool Moe Dee for "God Made Me Funky",
Live Squad for "Pump for a Livin'",
Lootpack for "Whenimondamic",
MC Lyte for "Ice Cream Dream",
Nemesis for "Str8 Jackin'",
Rubix for "Imagine" and
Treacherous Three for "Yes We Can Can"

- "Once You Get It" sampled by Above the Law for "Menace to Society",
C.E.B. for "Goes Like This",
Cookie Crew for "Feelin' Proud",
DJ Quik for "Loc'ed out Hood" & "Tear it Off",
Maestro Fresh Wes for "LTD's on the Wheels of Fortune" and
Schoolly D for "Parkside 5-2"

- "Do it 'Till Your Satisfied" sampled by Common Sense for "A for the Effort",
Funky Aztec for "Chicano Blues" and
Truth Hurts ft Rakim for "Addictive"

- "Do You Like It" sampled by Above the Law for "Menace to Society",
Boogiemonsters for "Riders of the Storm",
DJ Quik for "Loc'ed out Hood",
Grandmaster Flash & the Furious Five for "Yo Baby",
Ice T for "The Iceberg",
King T for "King Tee Production",
Positively Black for "Take No Prisoners",
W.I.S.E Guyz for "Let's Rock the House" and
Zhigge for "Harlem"

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Give Up The Funk (Let's Dance) / Does It Feel Good

12" | 1980 | UK | Original (Calibre)

8,99 €*

Release: 1980 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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12" | 1980 | UK | Original (Excaliber Records Ltd.)

Stretch

Release: 1980 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Livin ' Up / Stop Black Vinyl Edition

B.W.H.

12" | 1983 | EU | Reissue (House Of Music)

LP | 1979 | JP | Reissue (P-Vine)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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An essential part of the European disco history... "Livin' Up" and "Stop" by B.W.H., these two tracks are true 'milestones' and Italo-Disco in the purest form. The sound that only the most virtuous and innovative young Italian DJs and arrangers were able to create in the early 80s. B.W.H is Stefano Zito (aka Black Way), Stefano Galante, and the late Carlo Favilli, "Stop" is dubbed "the best B-side ever!", but "Livin' Up" is also incredible, making this vinyl the hottest 12" ever assembled in the Italo Domain and for decades incredibly underrated. It was I-f's Mixed Up The Hague mix that brought this to the attention of a wider audience and have been considered one of the holy grails of Italo ever since. Here the 2 original versions from 1983 remastered with care and passion by Dom Scuteri and Claudio Casalini (Best Record) in two different editions: the classic one in black vinyl and the strictly limited one in gray vinyl. Two essential tracks available in a high quality edition. (Limited Grey vinyl)

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Babadu!

35,99 €*

LP | 1979 | UK | Reissue (Pure Pleasure)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Produced by Hawaiian AOR legend Kirk Thompson (of Kalapana and Lemuria fame) singer-songwriter Babadu’s sole album is mellow Hawaiian soul from start to finish.

The 1970s saw the birth of Contemporary Hawaiian music, a genre inspired by the popular sounds of the mainland US, but with a distinct, Hawaiian feeling. Perhaps the most popular form of Contemporary Hawaiian music was Hawaiian AOR. It makes sense - mellow grooves and laid-back bass lines seem perfect for the pristine beaches of Waikiki; yet the genre would take off, gaining popularity in lands as far away as Japan.

Babadu! is firmly in the tradition of Hawaiian AOR, with the vocals of Babadu himself resting perfectly atop backing tracks that perfectly meld the sounds of the island with mainland yacht rock. Album opener “We’re Not To Blame” is a perfect example, with tropical flutes practically dancing over Babadu’s soulful vocals and a groove that’ll have anybody nodding their head. With Kirk Thompson of Kalapana handling production, arranging and keyboards - much like he did for Hawaiian AOR legends Lemuria, the album sounds simply sublime. Reissued with an obi-strip for the first time ever, with the handsome face of Babadu himself adorning the cover, you already know you’re in for a soulful, good time with this album.

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Babatunde And Phenomena

Levels Of Consciousness

35,99 €*

LP | 1980 | EU (Survival Research)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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This reissue of an LP cut for the Theresa label contains plenty of exciting music. Percussionist Babatunde Lea takes stirring solos and constantly inspires the ensembles and soloists during a generally high-powered set. The musicians were all based in San Francisco at the time, including guest soloists trumpeter Eddie Henderson and trombonist Julian Priester. The music is Afro-Cuban jazz with bits of 1970s electronics and funk added to the mix. But despite some R&B-ish vocals (which dominate a bit during the last few tracks) and commercial moments, the music is excellent, there are some strong solos.

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Babla

Babla's Disco Sensation

Babs Robert & The Love Planet

Release: 1980 / EU

Genre: Organic Grooves

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Laxmichand ‘Babla’ Shah began his career and a drummer and percussionist on Bollywood soundtracks composed by his older brothers Kalyanji V. Shah and Anandji V. Shah, and then made history through Babla’s Disco Sensation, the adventurous disco and synth-pop recasting of popular film hits released by Polydor in the late 1970s. This rare beast kicked off the ‘Disco Dandia’ craze and is a total killer from start to finish, the sitar funk grooves and eastern melodies clashing with all kinds of Moog madness. It’s a crate-diggers special that was sampled by Metro Area and others – grab your copy now and play loud for best effect!

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LP | 1970 | EU | Reissue (Alpha)

44,99 €*

LP | 1978 | JP | Original (RCA)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.

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Baccara

Yes Sir, I Can Boogie

LP | 1974 | EU | Reissue (Everland)

Release: 1978 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert. Bent corner.

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Back East

Day By Day

19,99 €*

7" | 1986 | GDR | Reissue (AMIGA)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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A masterpiece in the field of dreamy psyche pop that should have been issued five to seven years before. The Fifth Dimension might be a comparison but there is more. Jazz is one of the basic elements here, dreamy colorful pop and soul music are the others. The mixture is exciting despite it’s relaxed atmosphere. All thrillers here on the song front, great coverversions included turned into this band’s very own songs.

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Bad Boys Blue

3,99 €*

Release: 1986 / GDR – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | UK | Original (Big Top)

Badamas

One Man Isn't Enough

Release: 1987 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1973 | EU | Reissue (Musik Produktion Schwarzwald)

Baden Powell

Images On Guitar

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Baiano & Os Novos Caetanos

LP | 1974 | EU | Reissue (Far Out)

LP | 1974 | EU | Reissue (Souffle Continu)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This 180g LP is a Vinyl only release. Baiano & Os Novos Caetanos was a band formed by prolific and multi-talented Brazilian comedians Chico Anysio and Arnaud Rodrigues. Azymuth’s free and funky psych sounds combine with accordion, harmonica, brass and plenty of rural Brazilian rhythms, for a hugely varied album drawing on MPB, funk and soulful samba rock. The album also features Orlandivo who co-wrote many of the songs, and renowned multi-instrumentalist and producer Durval Ferreira.

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Baikida E.J. Carroll

Orange Fish Tears

26,59 €* 27,99 € -5%

LP | 1987 | JP | Original (London)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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In 1972, trumpeter Baikida Carroll and some of his colleagues from the Black Artists Group took the advice of their friends in the Art Ensemble Of Chicago and left Missouri to discover the bright lights of Paris. The following year they would even get the chance to record their only album which would rapidly attain mythical status and a collector’s item: »In Paris, Aries 1973«, an essential album if you are a fan of free-wheeling avant-garde music from the Art Ensemble of Chicago to Sonic Youth and including Shabaka Hutchings and Rob Mazurek

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Bananarama

Wow!

Release: 1987 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

LP | 1977 | BR | Reissue (Polysom)

Banda Black Rio

Maria Fumaca

39,99 €*

Release: 1977 / BR – Reissue

Genre: Organic Grooves

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LP | 1989 | US | Original (Mercury)

Bar-Kays

Animal

LP | 1979 | JP | Original (Mercury)

Release: 1989 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened. with hype sticker

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Bar-Kays

Injoy

LP | 1970 | US | Reissue (Brunswick)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Japanese pressing without OBI!

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Barbara Acklin

Someone else's arms

15,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Barbara Carr & Roy Roberts / Eddie Floyd:

It's Only You / Guess It Wasn't Meant To Be

7" | 1978 | UK | Reissue (Izipho Soul)

15,99 €*

LP | 1981 | US | Original (Discovery)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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In 1978, Roy Roberts produced and wrote a song for soul music legend Eddie Floyd; this melancholy storyliner has languished in the vaults for over forty years. Izipho Soul are thrilled to release on a 45 and continue our Rock House Records/Westwood Music Group licensed collaboration. Featuring on the A Side, Southern soul legends Barbara Carr and Roy Roberts duet on the supreme mid-pacer ‘It’s Only You’. 250 collectors’ copies pressed for the Real Soul Heads!

Please note ‘Guess It Wasn’t Meant To Be’ has been restored from the original tape to its best possible quality - unrepairable damage is evident in the final parts.

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Barbara Carroll

At The Piano

5,69 €* 5,99 € -5%

Release: 1981 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

LP | 1976 | US | Original (Blue Note)

Barbara Carroll

LP | 1976 | US | Original (Blue Note)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Cover has a cut corner.

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Barbara Carroll

13,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

On The Rise Black Vinyl Edition

Barbara Howard

LP | 1977 | US | Reissue (Remined)

26,99 €*

The Stars / How Can I Tell

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Barbara Howard’s On The Rise is more than just another rare soul LP. It’s a love story. It’s a dream. It was an attempt to break through. And although Barbara certainly never became a star, one song did become a staple in rare soul and funk DJ sets, keeping interest in Barbara Howard just under the surface. And as fate would have it in 2016, a sealed copy of the LP would find its way into Plaid Room Records in Loveland, OH and kick start the revival of her story and her music.

In 1968, as an outgrowth of a community movement and talent search program called “Operation Step-Up”, Steven Reece wanted to take his community movement to the next level. This is when the idea of founding an independent label came to mind. The idea was to self-produce quality records and through successful sales attempt to land major label distribution. Steve identified Barbara Howard as the talent and set to producing her record. The idea was to produce an LP with a variety of tracks that could be marketed to a variety of radio formats and markets (gospel, pop, soul, jazz, etc.).

And while the record fizzled shortly after its release, Steve and Barbara ended up getting married shortly afterwards making this possibly the most romantic production of a record is soul music history. So via Colemine’s reissue imprint Remined Records, we are proud to present to you Barbara Howard’s On The Rise.

Recommend for fans of: Aretha Franklin, Betty Davis, Lyn Collins, Sharon Jones, Ann Peebles

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Barbara Lewis

LP | 1970 | EU | Reissue (Outta Sight)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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7" | 1972 | US | Original (Buddah)

Barbara Mason

Bed And Board

Release: 1972 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: Generic

Barbara Thalheim & Streichquartett Jens Naumilkat

Was Fang Ich Mit Mir An

LP | 1980 | GDR | Original (AMIGA)

Release: 1980 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG, Cover: VG

12" | 1982 | EU | Reissue (Best Record Italy)

Barbara York

Tonight

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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"Tonight" is a captivating, extraordinarily song written and arranged by Paolo Gianolio (one of Mauro Malavasi's most valid collaborators), who strongly wanted Ivana Spagna as a vocalist. In those very early 80s Spagna used to lend her refined voice.to successful productions using various pseudonyms: Mirage, Carol Kane and Yvonne Kay and precisely Barbara York The piece released in 1982 with Delirium Records was then released in 1983 on Smash One Music by Pino Toma who jealously preserved it making it one of the many rare gems of Italo-Disco. Now after 40 years here it is revived by Best Record in all four original versions, perfectly remastered by Dom Scuteri.

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Barbra Streisand's Greatest Hits - Volume 2

LP | 1978 | US | Original (Columbia)

Release: 1978 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Pitman pressing. Original inner sleeve

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LP | 1976 | JP | Original (CBS/Sony)

Grand Prix 20

15,99 €*

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

No obi.

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LP | 1976 | JP | Original (CBS/Sony)

Grand Prix 20

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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LP | 1977 | JP | Original (CBS/Sony)

Streisand Superman

12,99 €*

LP | 1975 | EU | Reissue (Sommor)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+. Japanese pressing. With inserts.

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Barcelona Traction

23,99 €*

LP | 1975 | TR | Reissue (Emre Grafson)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to form his own band, having jazz as a starting point but taking it to a more electric, eclectic sound with multiple influences. And thus, in 1973, he created the New Jazz Trio, which would become the embryo for Barcelona Traction. Lucky was accompanied by top double bass player Jordi Clua (ex-Dos +Un) and drummer Francis Rabassa (a veteran of the Barcelona 60s beat scene). The New Jazz Trio was the house band at the legendary La Cova del Drac jazz club, where they played every day, even acting as the backing band for international artists that came mainly through the USA-Paris jazz connection.

Performing life on a daily basis gave the trio great skills and the confidence to create a more personal sound through improvisation. But the turning point came when they decided to go electric. Lucky Guri moved to electric piano and even introduced the mini-moog to their sound. Jordi Clua never left the double bass, but started to use an electric bass as well. Add the modern, daring beat of Francis Rabassa and they started delivering a totally electric jazz-rock sound. The resulting mix arose the criticism of their more jazz-purist followers who turned their back on them, but the younger generations and a new audience coming from rock started to follow them instead.

After changing their name to Barcelona Traction, they caught the attention of popular catalan singer-songwriter Joan Manuel Serrat, who arranged for them to sign for his label, Òliba-Edigsa. The resulting LP contains five instrumental tracks. Three are written by Lucky Guri, the other two are fabulous covers of Rubens Serrano's "Sudamérica" and James Taylor's "Fire and Rain", here translated to Catalan as "Foc i pluja".

On Francesc Bellmunt's film about the famous Canet Rock festival, the band appears playing "Sudamérica". Thanks to this footage we can see how powerful the trio was on stage. Barcelona Traction marked an era, and their eponymous debut LP is here to prove it. Modern, fresh music that gets the attention of the listener. Unlike other bands like Música Urbana, more based in sophistication and more technical developments, Barcelona Traction is a combo that stands out due to the apparent simplicity and high energy of their sound, with the quality of being able to appeal and be listened in any situation, taking it beyond strict, pigeonholed mind sets.” - Álex Gómez-Font

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Baris Manco

2023

LP | 1975 | UK | Reissue (Guerssen)

Release: 1975 / TR – Reissue

Genre: Organic Grooves

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Re-mastered 180g black vinyl, in gatefold cover 12 pages booklet + poster. Originally released in 1975 by the Pioneer of Anatolian Rock, Baris Manco. He was one of the best musician in golden Era of Turkish Rock Scene. The album contains both traditional lyrics and space rock, progressive rock and psychedelic elements. In other words, nice blend of Turkish understanding with western instruments. Simply hypnotic, groovy.

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Baris Manco

2023 Black Vinyl Edition

25,99 €*

Baris Manco & Kurtalan Ekspres

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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From 1975, this is Baris Manço’s masterpiece. Stunning cosmic, psychedelic, groovy conceptual album with fantastic electronics use and a strong Turkish folk flavour as usual. Legit deluxe release.

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Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

LP | 1979 | TR | Reissue (Emre Grafson)

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Baris Manco

Yeni Bir Gun

Release: 1979 / TR – Reissue

Genre: Organic Grooves

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2019 Re-mastered – 180g black vinyl in gatefold Cover + 2 pages liner notes. It was originally released in 1979 which is (may be) the peak of Baris Manco and his band Kurtalan Ekspres’ musical career. True masterpiece ! It deserves to be a part of your collection. Every track in this LP, open any surprise. While one track is jazz-funk, the next one space rock and a pschedelic song will follow.

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LP | 1981 | DE | Original (Hansa)

Piel De Barrabás

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG+

LP | 1973 | FR | Original (RCA Victor)

Power

Release: 1973 / FR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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LP | 1974 | EU | Reissue (Sommor)

Soltad A Barrabas!

21,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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12" | 1972 | US | Reissue (Get On Down)

Wild Safari

Release: 1972 / US – Reissue

Genre: Organic Grooves

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When there's Rhythm people will move, and moving people was the fate for these two songs from Spanish Supergroup Barrabas. Originally released in 1972 on RCA Spain, 'Wild Safari' and 'Woman' would become underground hits among New York City disc jockeys at time when Discotheques preceded disco music. Over the years It has been well documented that the music from the Iberian Rockers and in particular their song 'Woman' found a home in both Nicky Siano's Gallery and in David Mancuso's Legendary Loft around 1973. Curiously but perhaps not surprising, a few years later 'Woman' would also become a breaker's anthem in a nascent hip-hop scene, where having obscure or 'ultimate' breaks would separate a Grandmaster from the rest of the flock.

The Story behind Barrabas is quite peculiar as well. With members from various Latin countries (Cuba, Philipines, Portugal and Spain), the band led by Fernando Arbex were accidental pioneers in a sense, blending Latin, African, and American influences into a package destined to move people across the globe. With a succesful debut album, Barrabas was one of the first international groups to leave its mark on the disco circuit with these two hit singles. 'Woman' and 'Wild Safari' charted well in various countries across Europe and the Americas, including the USA and Canada.

Although the group never followed up the success of their first LP, the legacy of tracks like 'Woman' and 'Wild Safari' is treasured by the DJs who have studied the histories of clubs like the Paradise Garage and The Loft. It's really not surprising to find a decade later in the 80s, 'High Energy' and 'Freestyle' covers of 'Woman' or the groove sampled into a House Music beat even to this day. There was indeed something about that Woman.

Recently, HBO's Show "Vinyl" paid homage to 'Wild Safari' in a scene that more than symbolically depicted the birth of the disco era as we would come to know it.

Part of the Get On Down Sound vinyl series with the aim to bring back their favorite Dance 12-Inches to a new generation of Vinyl-DJs. Re-mastered for optimal club use, these are official re-issues of some of Dance Music's most influential cuts.

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LP | 1978 | DE | Original (Arista)

Release: 1978 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1978 | JP | Original (Arista)

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert.

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LP | 1978 | JP | Original (Arista)

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Cover and vinyl are close to NM.

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LP | 1978 | JP | Original (Arista)

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, with insert. Cover with light wear.

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LP | 1983 | JP | Original (Arista)

Greatest Hits Vol. II

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing with OBI and insert.

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LP | 1979 | JP | Original (Arista)

Greatest Story

Barry Miles and Silverlight

Release: 1979 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl close to NM and cover to VG+

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Barry Miles And Silverlight

LP | 1974 | US | Original (London)

11,39 €* 11,99 € -5%

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Barry Miles and Silverlight

Barry Miles And Silverlight

LP | 1974 | US | Original (London)

Barry Miles ' Silverlight

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

punch hole. Original inner sleeve

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Magic Theater

LP | 1975 | US | Original (London)

10,79 €* 11,99 € -10%

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Barry Morgan & Ray Cooper

Percussion Spectrum (Themes)

LP | 1979 | EU | Reissue (Be With)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled with killer drum-breaks and percussion flares. Unsurprisingly it’s one of the most sought-after records from the Themes catalogue. This library LP is a library in itself, with its mix of short themes of single beats, short breaks.

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Barry White Sings For Someone You Love

LP | 1977 | US | Original (20th Century)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tiny sticker tear

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Barry White Sings For Someone You Love

LP | 1977 | US | Original (20th Century)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with a couple of scratches. Open locket

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LP | 1978 | US | Original (20th Century Fox)

Barry White The Man

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

cut corner

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LP | 1982 | US | Original (Unlimited Gold)

Change

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Don't Make Me Wait Too Long

7" | 1976 | DE | Original (20th Century)

3,99 €*

Release: 1976 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam split

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I Love To Sing The Songs I Sing

LP | 1979 | US | Original (20th Century Fox)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

It's Ecstasy When You Lay Down Next To Me

12" | 1977 | US (20th Century)

Release: 1977 / US

Genre: Organic Grooves

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/ playing your game baby

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Just Another Way To Say I Love You

LP | 1975 | US | Reissue (20th Century)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Barry White, Love Unlimited & Love Unlimited Orchestra

Love

LP | 1974 | JP | Original (20th Century)

Barry White, Love Unlimited & Love Unlimited Orchestra

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Few paper scuffs. Cover has slight foxing.

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Love

LP | 1974 | JP | Original (20th Century)

Barry White & Love Unlimited Orchestra

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Love's Theme

LP | 1980 | JP | Original (RCA)

Barry White & Love Unlimited Orchestra

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI!

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Superdisc The Love Unlimited Orchestra '77

2LP | 1976 | JP | Original (20th Century)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Stereo Laboratory, Vol. 11 - Solid Sound

LP | 1975 | JP | Original (20th Century)