Organic Grooves Vinyl 297 Items

“Andy Bey is one of those few jazz vocalists who are so singularly personal and distinctive in style that they communicate the material they choose more in the manner of an instrumentalist than a vocalist. On these recordings from 1995, his first after 1974’s “Experience And Judgment”, he sings and accompanies himself on piano on a series of standards, including four by Duke Ellington (including “I Let A Song Go Our Of My Heart” and “In A Sentimental Mood”), two by George & Ira Gershwin (“Someone To Watch Over Me” and “Embraceable You”), Cole Porter’s “You’d Be So Nice To Come Home To”, Jerome Kern’s “Yesterdays”, and others by Ann Ronnell and Tadd Dameron. The setting is intimate and showcases his broad range from baritone to falsetto and his angular and often sparse piano accompaniment. This is the first time these recordings have been issued on vinyl.”

20 tracks from Martha & The Vandellas, Patti Jo, Millie Jackson, ...

25 tracks by S.O.U.L., Curtis Lee, Vernon Garnett, Melba Moore, Olympics, Ike & Tina Turner, ...

/ Plenty Action 'Soft Touch'

Bring 'Em In is the 13th studio album by blues musician Buddy Guy, originally released in 2005.
The album is made up almost entirely of covers and features renditions of songs by artists from Bob Dylan to Otis Redding.
Bring 'Em In features Tracy Chapman, John Mayer, Keb Mo, Keith Richards, Carlos Santana and many more.

From the legendary Deneb series, one of the grooviest Italian library ever. Amedeo Tommasi and Gerardo Iacoucci (alias H. Caiage) at their best. An explosion of heavy organ sounds, jazz & psych-beat, with killer drumming breaks and mellow tunes. Highly recommended for dj! Original Artwork by Luca Barcellona and exclusive liner notes by Gerardo Iacoucci himself.

“Not Too Late” is the third studio album by American singer-songwriter Norah Jones, released in January 2007, through Blue Note Records. It was produced by Lee Alexander, the songwriter and bassist featured on Jones's previous albums, “Come Away with Me” and “Feels like Home”. The album debuted at number one on the Billboard 200, making it Jones' third consecutive number one album.

“Feels Like Home” is the second studio album by American singer-songwriter Norah Jones, released in 2004, through Blue Note Records. It serves as the follow up to Jones' 2002 breakthrough album, “Come Away with Me”.

Geisterfaust finally gets a proper vinyl release. Tip!

/ canto de ossanha Big Bang remix

A collection of live tracks ranging from the 1993 Sunflower Blues Fest to vintage early '70s recordings from Junior Kimbrough's home and juke joint. Includes the songs "Junior's Place" and "Baby, Please Don't Leave Me," and features Junior's son Kenny Malone on drums and R.L. Burnside's son Gary Burnside on guitar. A posthumous release from one of the 20th Century's most important blues figures.

When PAINKILLER started in 1991, their first two albums “Guts Of A Virgin” and “Buried Secrets” (both released on extreme metal label Earache) were heavy attacks blending grindcore and free jazz that brought together the musical backgrounds of the three protagonists: drummer MICK HARRIS had just left grindcore legend NAPALM DEATH, JOHN ZORN explored new extremities with his NAKED CITY project while BILL LASWELL had as a member of roaring free jazz quartet LAST EXIT ( PETER BRÖTZMANN / SONNY SHARROCK / RONALD SHANNON JACKSON) proven that he was not only a visionary producer but also an accomplished bassist. But it is their 1994 double album “Execution Ground” that remains the opus magnum of the brilliant trio: ZORN’s unmistakable shrieking saxophone, HARRIS’ pounding drums and LASWELL’s growling sub-bass lines were given heavy mixing desk treatment, resulting in extended tracks that are no less intense than their early works but display the full range of the musicians’ skills. Soaked with reverb and delay, avant-jazz, grindcore, dub and ambient melt into eerie tracks of haunting atmospheres - even more so in the ambient versions of disc 2.
Mastered and cut by RASHAD BECKER at D&M Berlin, “Execution Ground” is now available on vinyl for the very first time as 2x 180gr LP incl. a download code and insert in a limited edition of 500 items.

Keb'Mo' (1994) is the self-titled debut by Keb'Mo', an ambitious collection of gritty Country Blues.

180g vinyl.

Reissue of the original Soulsville single from Harrisburg, PA. Fantastic, soulful fun ballad & mid-tempo originals.

Truth & Soul is proud to be bringing back a classic two sider that has been long out of print.

Originally released in 1990, two generations of leading and groundbreaking guitarists combined their efforts to create this legendary album. American Country music legend Chet Atkins and British singer-songwriter, guitarist and Dire Straits front man Mark Knopfler joined forces to produce the wonderful album Neck And Neck.

180g vinyl.

Numbered limited edition on 180 gram vinyl.

The period stretching from the mid-1960s through the early 1980s is often considered the ‘golden age’ of African popular music. Concurrently with the rise of popular music as a worldwide phenomenon, African popular music had its beginnings in the early decades of the 20th century, as radio broadcasting and sound recording facilities were gradually established by the colonial powers. By the end of World War II, European companies such as EMI, Gallo and Decca were starting to establish large-scale operations in the colonial territories. But African popular music really began to flower in the years of nationalist struggle and independence. With the winds of political change blowing in the air, popular music became extremely important as a component of the cultural life of newly or soon-to-be independent nations. Produced and consumed largely independently of local ethnic musical traditions — however much it may have drawn on them — popular music was seen as a powerful expression of newly national identity. The enthusiasm, idealism, and optimism that can be felt in the music of this era reflect the optimism and idealism of independence.