Organic Grooves Vinyl 1899 Items

Courtial With Errol Knowles

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Commenting on this album in 1962, Billboard magazine wrote: »He seems to be everywhere, everywhere that is but on his usual instrument«. Charles Mingus, one of the most impressive musicians in the history of jazz, doesn’t play a single note on the bass for a change, but leads the band from his (blues-)piano – the instrument that he always used for composing. He hits the keys, he sings the blues, he shouts and he encourages – apparently Mingus really found the need to express himself loudly in this album. (Doug Watkins stood in for him on the contrabass.) "Oh Yeah" is definitely Mingus’s most powerful and passionate album. He calls on two hot, intensive saxophonists – Roland Kirk and Booker Ervin – as well as Jimmy Knepper on the trombone. Kirk is the main soloist, but all three wind-players deliver expressive improvisations, carrying out a non-stop dialogue with one another, and pushing one other to achieve maximum energy. The music is wild and ecstatic, but it’s not free jazz, remaining – as it does – grounded in blues and gospel. "Hog Callin’ Blues" is an enthralling shuffle with a wealth of riffs, "Devil Woman" a clever slow blues with inventive wind figures. "Ecclusiastics", with its constant change of rhythm and expression alternating between gospel and blues has the most complex form. Blues has always been a part of a black church service, said Mingus. "Eat That Chicken" (a homage to Fats Waller and his favourite food) even plays around with an old-time, Dixie feeling. Humour is never far away. Even in the atomic bomb song (this too, a sort of churchy blues) one hears the words: »Don’t let ’em drop it! Stop it! Be-bop it!«

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: November 1961 at Atlantic Studios, New York City, by Tom Dowd and Phil Iehle Production: Nesuhi Ertegun

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Don't You Think It's Time

LP | 1976 | EU | Reissue (Mad About)

25,99 €*

The Space Between White Vinyl Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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First time worldwide reissue on 180 gram vinyl with original 6 pages insert book with lyrics. Cult LP including rare groove classics like “Losing You”, “Don’t You Think It’s Time” or “Love Nevermore” Released in 1976 on Pipeline, a small label from Woodside, California.

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Joanna Brouk

LP | 1981 | US | Reissue (Numero Group)

26,99 €*

Hank Jacobs And Don Malone / Hank Jacobs And The Tko's

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Previously issued on three rare cassette-only editions, Joanna Brouk's 1980 sophomore album The Space Between has finally been given spacious LP quarters. The side-long title track, performed by Brouk's Mills College instructor and sometime-lover Bill Maraldo is among the deepest and most distinctive pieces in the new age canon, while side B's three cuts expand the theme in hypnotic new directions.

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The World Needs Changin' / Gettin' On Down

7" | 1970 | UK | Reissue (BGP)

11,99 €*

Tigre / Gennarino O Sioux

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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A straight reissue of this super-rare funk single from 1970 on the Call Me label.

Original copies of this political soul anthem change hands for a lot of money.

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Tonica & Dominante

12" | 1979 | EU | Reissue (Archeo)

LP | 1978 | EU | Reissue (Strut)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1979 on Dominant Records, the two songs, produced by Antonio Iglio and Antonio Moxedano, became a total cult through the years, a collector item if there is one. The original 7 inch is one of the most wanted and rarest, impossible to find, with few copies appearing in the second hand market at hundreds quotations, a true milestone in the underground Neapolitan Disco Funk sound released between the end of the Seventies and early Eighties in a lot of small, unknown labels. The fever around Tigre / Gennarino ‘O Sioux by Tonica & Dominante was so high that influenced a new wave of Neapolitan acts like Nu Guinea (Nu Genea) and also compilations of other singles from the past like “Napoli Segreta”. Finally reissued on Archeo Recordings, the first time appearing on 12 inch, Tigre and Gennarino ‘O Sioux are remastered for the Archeo release and each track backed by a Vocal Dub version done by italian dance music legends Leo Mas & Fabrice, two superb and extended grooves that will be fire for the Balearic/Nu-Disco scene.

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Sun Ra

Lanquidity

Rockin - Poppin Full Tilting

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Recorded overnight at Bob Bank’s Blank Tapes on 17th July 1978 after the Arkestra had appeared on Saturday Night Live, the album is unique in the Ra catalogue. “Most critics felt that it was more of a fusion-inspired record,” explains Michael Ray. “As the name suggests, the album is liquid and languid.” Bob Blank continues, “Musically, it was very ad hoc and freeform. There were horn charts but most tracks came out of improvised jams. Sun Ra just did his thing.”

Comprising five effortlessly fluid pieces, the album eases in with Lanquidity. Danny Ray Thompson remembers, “This was one of Sun Ra’s on-the-spot compositions. It is almost like an Ancient Egyptian Stargazing Ceremony, mapping out the stars and the planets.” Where Pathways Meet is “Sun Ra’s funky version of an Egyptian march. Pharaoh is sending his troops off to fight and this is his pep-talk!” continues Thompson. “The music seems to take different pathways but still converges.” The loping groove of That’s How I Feel, features the reflective trumpet lines of Eddie Gale with solos by John Gilmore and Marshall Allen: “Marshall comes in with that snake charming oboe.” Says Thompson. The funky Twin Stars Of Thence weaves around Richard Williams celebrated elastic bassline while the haunting closer, There Are Other Worlds (They Have Not Told You Of), is pure “space music.” The poet Mama Nzinga described it as ‘The essence of light. Spirit takes a ride inside the deep dark space of just being.”

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Lee Alfred

12" | 1980 | EU | Reissue (Cancer)

13,99 €*

Arnie Love & The Loveletts

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Insanely rare full length 12 inch versions of an already eye poppingly sought-after 1980’s disco bomb, 'Rockin – Poppin Full Tilting'. A classic in it's own right, Midland brought it back to the forefront of people's minds, expertly sampling it in the 2016 summer anthem ‘Final Credits’, leaving many scrambling to find an original copy. The 12 inch original has never been sold on Discogs before, with prices of the 7 inch topping £125.

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Invisible Wind Record Store Day 2021 Edition

12" | 1981 | EU | Reissue (Tap)

13,99 €*

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. First official reissue of this much bootlegged and sort after 12" release from Arnie Love & The Loveletts. Having disappeared into obscurity shortly after it's release in 1981, original copies now fetching over £200 in part due to regular plays in DJ sets from Four Tet, Caribou, Palms Trax & Charlie Bones.

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Stanley Cowell

Musa-Ancestral Streams

LP | 1972 | UK | Reissue (Mr Bongo)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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"Musa-Ancestral Streams" remains a relative oddity in the pantheon of jazz's black consciousness movement -- a solo piano set of stunning reach and scope, its adherence to intimacy contrasts sharply with the bold, multi-dimensional sensibilities that signify the vast majority of post-Coltrane excursions into spiritual expression, yet the sheer soulfulness and abandon of Stanley Cowell's performance nevertheless vaults the record into the same physical and metaphysical planes. Cowell's energy and touch are remarkable, as if guided by divine power, and for all the music's structural spaciousness and rhythmic freedom, not a note feels out of place, let alone excessive. Most intriguing is "Travelin' Man", an overdubbed 'duet' featuring Cowell on both acoustic and electric piano that underscores his uncommon affinity for space and presence.

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Ian Carr

Belladonna

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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7" | 1978 | UK | Reissue (Discs Of Fun And Love)

Alonzo Turner

Whoever Said It

12,99 €*

7" | 1975 | UK | Reissue (Mr Bongo)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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We're back with our 5th release! This time it's the certified dancefloor weapon by Alonzo Turner ‘Whoever Said It?’ Released on a 7 inch with a part 1 & 2, this record has been played on dancefloors worldwide by such players as Rahaan, Sadar Bahar and more, with those selectors favouring the part 2 in the most euphoric moments with that incredible vocal half way through. The record has remained hard to come by for most so we are thrilled to have this one out there as an affordable and great sounding reissue. Remastered as always by Frank at The Carvery and this time released with a vibrant company sleeve and a baby yellow label on the 7 to match the original. "Alonzo Turner was born in Northern California in 1955 and was introduced to music by his church, of which his father was pastor. As a young adult, Turner moves to West Hollywood and at 23, he starts to manage a local rock band while working day and night to write what will turn out to be his first and only release, ‘Whoever Said It’. The song catches the attention of Dave Crawford, A former producer at Atlantic. Like most stuff on Crawford’s label, LA Records, the single never makes it to the charts but helps Turner make a name for himself in L.A. and Orange County where he performs often. There is only speculation about what happened to ‘You’ve Got Something’, the LP on which the song was meant to appear, but five years later Alonzo ends up writing an eponymous piece for Norma Lewis (Shakatak, Charade) on her debut album ‘It’s Gonna Happen’. In 1984, struggling to make ends meet from his music career, Turner takes a part time job at a record store, while also pushing garments to an elite clientele in Beverly Hills, even selling clothes to one of Michael Jackson’s designers. In 1991, aged 38, Alonzo Turner will pass away from illness. Written by a loner who lived in a modest flat filled with antiques and expensive art pieces, ‘Whoever Said It’ is a testament to the idea that love does exist beyond our imagination. While asking who is to blame for spreading the opposite theory, Turner makes this simple yet compelling argument to debunk it: emotions are a motor of action, they literally set us in motion and therefore reality derives its very momentum from them." Alonzo Turner biopic originally written by Omar Krivit via musicismysanctuary.com

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Magalhaes / Os Panteras

Xango / Lambada Pauleira

11,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1983 | EU | Reissue (Music Take Me Up)

Joy

The Time Is Right

29,99 €*

They Say I'm Different Orange Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Gathered for the first time and including what can safely be called a holy grail of Gospel music is the very best of Joy, compiled from their albums “I Feel The Spirit” and “The Time Is Right”. Consisting of members of the St. Stephen's Church of God in Christ in San Diego, Joy was a performing Gospel band spreading the word of God throughout the local community and opening for renowned Gospel artists such as Danniebelle Hall, Jessy Dixon and Sandra Crouch. Led by producer/musician Matt Anderson, the two albums were recorded in ’78 and ’83 and feature an impressive array of very talented contributing artists such as bass player Michael-Kae and multi-instrumentalist Clarence Bell, also known for his work with Stevie Wonder and Patrice Rushen. Restored and remastered from the original master tapes, the compilation is available on a high quality vinyl pressing and includes the masterpiece “The Time Is Right” among a collection of lesser known but equally powerful and timeless pieces of music.

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Betty Davis

LP | 1974 | Reissue (Light In The Attic)

36,99 €*

12" | 1983 | EU | Reissue (ZYX)

Release: 1974 / Reissue

Genre: Organic Grooves

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* New Pressing On Orange Colored Vinyl *Betty Davis' 1974 Sophomore Album They Say I'm Different Features A Worthy-Of-Framing Futuristic Cover Challenging David Bowie's Science Fiction Funk With Real Rocking Soul-Fire, Kicked Off With The Savagely Sexual "Shoo-B-Doop And Cop Him" (Later Sampled By Ice Cube). Her Follow Up Is Full Of Classic Cuts Like "Don't Call Her No Tramp" And The Hilarious, Hard, Deep Funk Of "He Was A Big Freak."

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Paul Paul

Good Times

14,99 €*

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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From Left To Right White Vinyl Edition

Bill Evans

LP | 1970 | EU | Reissue (Klimt)

Charles Tolliver / Music Inc & Orchestra

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)

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Impact

LP | 1976 | UK | Reissue (Pure Pleasure)

LP | 1987 | EU | Reissue (Wewantsounds)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Trumpeter/flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, "Impact" contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.

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Fairuz

Maarifti Feek

33,99 €*

Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Following the reissue last year of Fairuz's classic 1979 album "Wahdon", Wewantsounds pursue their exploration of great Lebanese music with the reissue of Fairuz's highly sought-after LP "Maarifti Feek," released in 1987. Recorded in Beirut around 1983-84, the album features the Diva's superb voice combined with Ziad Rahbani's jazz and funk orchestration, making it one of the most in-demand albums on the Arabic funk scene. The release will coincide with "Arab Divas," a major exhibition set in the prestigious Institut du Monde Arabe (IMA) in Paris, celebrating the greatest singers from the Arab World and starting 13 May 2020.

One of the greatest singers of the Middle East, Fairuz started her career in Lebanon in the 50s and quickly established herself as the most renowned Diva in the Arabic world, playing the most prestigious venues in the world.

At the end of the 70s, Fairuz was at a turning point both professionally and personally. Her Husband Assi Rahbani, who, with his brother Elias, had penned her biggest successes, has suffered a stroke a few years earlier. This setback ultimately led to both the demise of their marriage and the end of their professionnal partnership. Enters Ziad Rahbani, Fairuz and Assi's son, a young musician, playwright and producer who had cut his teeth writing a handful of Fairuz's song - including her 1973 hit "Sa'alouni El Nas" - at just seventeen.

Ziad Rahbani swiftly took over from his father and uncle as the singer's musical director and composer and this fruitful association, which started in 1979 with the album "Wahdon,"
broke many new grounds for Fairuz with funkier rhythms and edgier lyrics. It was recorded at the same time as Rahbani's own 12 inch "Abu Ali" which became a sought-after disco classic in its own right.

The association between the two continued with a second album, "Maarifti Feek" ("Our Encounter"), recorded between 1983 and 84 in Beirut but only released in 1987. The album was another groundbreaking mix of influences ranging from the traditional arrangements of "Oudak Rannan" and "Ma Kdirt Nseet" to the brazilan flavour of "Version 1" via the synth funk of "Ouverture 83" and its follow up "Reprise 83". Also featured on the album is a beautiful remake of Joaquin Rodrigo's "Concerto de Aranjuez" in the form of a tribute to the lebanese capital, "Li Beirut."

This blend of Oriental grooves with jazz and funk orchestrations by Ziad Rahbani is a unique document of Fairuz's career development in the 80s and explains why "Maarifti Feek" is such a sought after album on the DJ and collector circuits which Wewantsounds is delighted to reissue for the first time since the album first came out.

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Jazz Rock

LP | 1973 | EU | Reissue (Mr Bongo)

LP | 1980 | EU | Reissue (Strut)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.

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Patrice Rushen

Posh

23,99 €*

LP | 1974 | EU | Reissue (Far Out)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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The landmark 1980 album, representing a period of consolidation for Patrice Rushen. Her studio reputation as a go-to pianist and arranger among other artists and musicians was well established and was growing exponentially. Although never originally planning a career as a solo artist, she had built this side of her work through three Prestige albums and two sophisticated soul and disco albums for Elektra, 'Patrice' and 'Pizzazz'. "I was lucky to have a group of musicians that I knew well by the time of these recording sessions," remembers Patrice. "I had my pick of really incredible players because of all of the studio work I was doing. I also played with Lee Ritenour, Harvey Mason and others almost on a weekly basis at The Baked Potato club in L.A." Tracks include the singles 'Don't Blame Me', 'Look Up!' and 'Never Gonna Give You Up'. "'Never Gonna Give You Up' came out of playing ideas at home. Bassist Freddie Washington was living with my family while he tried to get a foothold in L.A.'s music scene and that groove came out of those jams. With 'The Dream', I had been listening to Minnie Riperton's 'Come To My Garden', one of my favourite albums. With Charles Stepney's arrangements, I saw that he didn't have to use large instrumentation to be orchestral in his approach. So, 'The Dream' was a homage to that kind of writing." "After 'Posh', we had a much better idea from the performance side what was important in our music and that informed my next album, 'Straight From The Heart'. We took a little break after 'Posh' was released, although I was still writing and working regularly on scores for film and TV. That had always been my main focus in my music."

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Ana Mazzotti

Ninguem Vai Me Segurar

25,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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12" | 1981 | US | Reissue (Prelude)

D Train

You're The One For Me

12,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Be With)

Logg

LP | 1975 | US | Reissue (BMG)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl. The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece. The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment.

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Weldon Irvine

Spirit Man

30,99 €*

Haruomi Hosono, Takahiko Ishikawa & Masataka Matsutoya

Release: 1975 / US – Reissue

Genre: Organic Grooves

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incl.'we gettin' down' sampled for A Tribe Called Quest's 'award tour'

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The Aegean Sea

LP | 1979 | EU | Reissue (Victory)

19,99 €*

LP | 1976 | EU | Reissue (Mr Bongo)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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1979’s The Aegean Sea is somewhat of a companion piece to the previous year’s Pacific. A beautiful piece of Japanese smooth fusion-jazz with elements of traditional Greek music and Balearic grooves, it’s one of Hosono’s cleanest and most focused works to date. Long sought after by collectors this record is nearly impossible to find in original pressings outside of Japan and this is a welcome reissue of one of the greatest titles in Hosono’s seemingly infinite catalog. Essential Japanese jazz fusion.

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Tom Ze

Estudando O Samba

LP | 1976 | EU | Reissue (Jms)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Incredibly unique concept album from the one and only, Tom Zé. As featured in Rolling Stone magazine's 100 Greatest Brazilian Albums of all-time list (2007).
One of Ze’s finest albums in our opinion, originally released by Continental Brazil in 1976 – a tough one to find at a good price in its original form now. ‘Estudando do Samba’ (or ‘Studying The Samba’) is a post-Tropicalia studio
experimentation laiden with layers of hypnotic percussion, effects & samples that deconstructs the ‘samba’ form. Recorded during what was arguably his most creative period.
David Byrne found the record in Rio in the late 90’s and included several songs on his Tom Ze collection for Luaka Bop a few years later. At that time Tom was not recording or touring much; playing low-key shows in Sao Paulo and
contemplating a move back to Irará to work at a service station owned by one of his cousins. Byrne’s project helped to reignite his career and he hasn’t looked back since.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK Ltd.

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Henri Texier

Amir

26,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | UK | Reissue (Pure Pleasure)

Billy Harper

Capra Black

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Bear Family Productions)

Bobby 'Blue' Bland

Dreamer

23,99 €*

Keep The Fire Burning / Funky Sensation

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Bobby ’Blue’ Bland
Bobby ’Blue’ Bland (1930 – 2013) was one of the leading US-American Blues, R&B and Soul entertainers. He knew how to combine the intensity of Gospel music with the expression of the Blues. His voice sounded as he wanted to bear witness to one's resolve but he was able to let his voice sound soft, sometimes cool but always culitvated so he could also reach the fans of Frank Sinatra and Nat ’King’ Cole with tremendous success. He formed his remarkable style of singing out of many different influences, characteristic and remained solely reserved for Bobby ’Blue’ Bland.
Duke-Label & ABC Dunhill
Blands voice was always the center of attention. After his huge successes during the 1950s and 1960s for the Duke label, he moved to ABC Dunhill when Duke was sold. He could reach a wider white audience in the early 1970s with his two LPs, ’His California Album’ and ’Dreamer’, plus productions together with B.B. King. ’

Dreamer’ was the record company's trial to produce an album in California with the cool Soul appeal of the city of Los Angeles. As a timeless Soul and Blues classic the album 'Dreamer' contains the in recent years often sampled track Ain’t No Love in the Heart of the City, one of the musical back bones to one of the favorites by Jay Z. The whole album is a wonderful soundtrack for those lonely nights alone and blue in a sleazy joint trying to forget a lost love in a bottle of bourbon.
Dreamer
’Dreamer’ is the warm velvet cover against cold loneliness with so many great songs like I Wouldn’t Treat A Dog (The Way You Treated Me) and Whose Foolin’ Who?, the bluesy Cold Day In Hell, Lovin’ On Borrowed Time and When You Come To The End Of Your Road. I Ain’t Gonna Be The First To Cry has indeed the lyrical quality of The Thrill Is Gone. The production by Steve Barri and Michael Omartian sounds full and ponderous.

The accompanying musicians, guitarists Dean Parks and Larry Carlton, bassist Wilton Felder and drummer Ed Green, ranked as being part in the cream of L.A.'s studio musicians. When ’Dreamer’ was first issued in 1974 a controversial discussion started regarding the production and the arrangements containing a brass section and strings. But now, forty years later, the LP album counts as one of the great masterpieces of its genre and the songs became standards in the repertoires of many Soul and Blues performers. Newly remastered with its original gatefold cover jacket the first real reissue on vinyl after 43 years comes from Bear Family Records!
Grammy® as a lifetime achievement award in 1997
Bobby ’Blue’ Bland was inducted into the ’Blues Hall of Fame’ in 1981 and 11 years later the induction into the ’Rock'n'Roll Hall of Fame’ followed. He received a Grammy® as a lifetime achievement award in 1997.
1-LP, 180 gram Vinyl-LP, 10 tracks

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Gwen McCrae

12" | 1981 | UK | Reissue (Expansion)

18,99 €*

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (Wagram)

Dave Brubeck

Take Five

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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12" | 1978 | US | Reissue (Get On Down)

Bumblebee Unlimited

Lady Bug

Did You Give The World Some Love Today Baby Black Vinyl Edition

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Originally released in 1978 on Greg Charmichael's Red Greg Records, "Lady Bug" and ""Love Bug"" are probably Bumblebee Unlimited's most recognizable hits. Much like Cloud One, Universal Robot Band and Inner Life, Bumblebee Unlimited was a studio-based disco unit
conducted by Patrick Adams and Gregory Carmichael. Their only album "Sting Like a Bee" was released by RCA in 1979 with contributions from longtime Adams & Carmichael collaborators Leroy Burgess (vocals), Norbert Sloley (bass), and Richard Taninbaum (drums). With an undeniable groove, signature keys and arrangements by Patrick Adams in addition
to the comically sped-up vocals, Lady Bug is considered by many to be one of the most important underground tracks of the Disco era. As with the original "Lady Bug" 12" Single, the John Morales and Frank Trimarco "Sunshine Sound" mix takes the A-side of the RCA release. A true Disco version in every sense of the word, this almost 10 minute mix brings out the Latin percussions to the front making
it a true dance floor classic and establishing John Morales as one of the best remixers in the industry.
The B-Side belongs to one of New York City's hottest DJs at the time: Larry Levan. Despite being a very early remix by the Legendary Paradise Garage DJ, the talent was evident and his understanding of a club mix in wide display. It’s no wonder Larry Levan would go to become one of the most respected and revered remixers of his generation. Similarly to the Morales/Trimarco version, the percussions are accented throughout the
mix making it ready for the discotheque. However the two mixes are undoubtely different with Levan’s bringing out more funk out of the Adams composition
focusing more on the keys and the infectious bass lines. No real point in arguing which is better, so let’s just be glad we have both.

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Doris

LP | 1970 | UK | Reissue (EMI)

Fela Kuti & The Africa 70

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!

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Gentleman

LP | 1973 | UK | Reissue (Knitting Factory)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Fela Kuti & The Africa 70

Upside Down

LP | 1976 | UK | Reissue (Knitting Factory)

23,99 €*

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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2LP | 1979 | US | Reissue (Herb Alpert Presents)

Herb Alpert

Rise

Release: 1979 / US – Reissue

Genre: Organic Grooves

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2LP | 1972 | EU | Reissue (Westbound)

Funkadelic

America eats its young

LP | 1974 | UK | Reissue (Mr Bongo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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- "Loose Booty" sampled by EPMD for "Who's Booty?"

- "Joyful Process" sampled by CPO for "Gangsta Melody",
Eazy-E for "Eazy-Duz-It" and
Smokin Suckas with Logic for "Uncle Tom Artist"

- "I Call My Baby Pussycat" sampled by De La Soul for "Area"

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Incredible Bongo Band

The Return Of …

LP | 1972 | US | Reissue (Philly Groove)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Re-released for the 1st time since 1974!

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Delfonics

Tell Me This Is A Dream

19,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Motown)

Stevie Wonder

Talking Book

20,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | US | Reissue (Fantasy)

Pleasure

Future Now

LP | 1974 | US | Reissue (Music On Vinyl)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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- "Thoughts of Old Flames" sampled by Big Daddy Kane for "Give it to Me",
Questionmark Asylum for "Hey Look Away Now",
Rakim for "Remember That" and
Under Ground Kings for "It's Supposed to Bubble"

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Herbie Hancock

Thrust

Annette Peacock And Paul Bley

Release: 1974 / US – Reissue

Genre: Organic Grooves

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180g audiophile pressing

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Dual Unity

LP | 1972 | EU | Reissue (Cosmic Jazz)

19,99 €*

Tigre / Gennarino O Sioux Limited Test Press Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Here's the reissue of Annette Peacock and Paul Bley's "Dual Unity" album, originally released in 1972 on Freedom Records. Hailed as a pioneer and artistic genius by many, this album captures Peacock in her element alongside husband, Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision captured on tape in 1970, during their first European tour. For 33 minutes and 21 seconds, the listener is absorbed by other spirits. Using Robert Moog's earliest synthesizers, Bley and Peacock apply the strategic use of silence to indicate its reflective nature with captivating results. A statement of immensity through synthetic minimalism and a milestone in the avant-garde, free jazz movement. Guests musicians: Han Bennink (drums) on "M.J." and "Gargantuan Encounter", Mario Pavone (bass) and Laurence Cook (drums) on "Richter Scale" and "Dual Unity".

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Tonica & Dominante

12" | 1979 | EU | Reissue (Archeo)

John Surman / Alan Skidmore / Tony Oxley

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies, hand-numbered on label side A.
Includes A4 info sheet.

Originally released in 1979 on Dominant Records, the two songs, produced by Antonio Iglio and Antonio Moxedano, became a total cult through the years, a collector item if there is one. The original 7 inch is one of the most wanted and rarest, impossible to find, with few copies appearing in the second hand market at hundreds quotations, a true milestone in the underground Neapolitan Disco Funk sound released between the end of the Seventies and early Eighties in a lot of small, unknown labels. The fever around Tigre / Gennarino ‘O Sioux by Tonica & Dominante was so high that influenced a new wave of Neapolitan acts like Nu Guinea (Nu Genea) and also compilations of other singles from the past like “Napoli Segreta”. Finally reissued on Archeo Recordings, the first time appearing on 12 inch, Tigre and Gennarino ‘O Sioux are remastered for the Archeo release and each track backed by a Vocal Dub version done by italian dance music legends Leo Mas & Fabrice, two superb and extended grooves that will be fire for the Balearic/Nu-Disco scene.

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Jazz In Britain 68-69

LP | 1972 | EU | Reissue (Endless Happiness)

29,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm section, in the configuration that would emerge in the mid-'70s as S.O.S. For most of the other tracks, Oxley is the drummer, Kenny Wheeler plays flugelhorn, and John Taylor plays piano (acoustic and electric). The music here is all over the place stylistically, but it hardly matters because all the players are fully engaged, and as an ensemble, they all shine and were seemingly looking forward to the impact the new jazz would have.

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LP | 1972 | JP | Reissue (P-Vine)

Zero Point

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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LP | 1974 | JP | Reissue (P-Vine)

Plays Originals

Montreux II Blue Vinyl Edtion

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Bill Evans

LP | 1970 | EU | Reissue (Klimt)

Smokey Blue Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded live at the Montreux Festival, 1970, and originally released on CTI, this stunning album features a piano trio led by Bill Evans with bassist Eddie Gomez and drummer Marty Morrell.

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Smokey Robinson

LP | 1973 | EU | Reissue (Anagram / Elemental / Motown)

49,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | WW | Reissue (Craft)

Fania All Stars

Latin-Soul-Rock

45,99 €*

Release: 1973 / WW – Reissue

Genre: Organic Grooves

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12" | 1984 | EU | Reissue (Thank You)

Ze Carlos

Venha 2024 Repress

Wow / Singin' And Steppin'

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Imagine for a moment that Arthur Russel had learned to speak Brazilian and then moved to Italy to produce an Italo-Disco single back in 1984. There's a good chance it would sound like the Dub version of the B side on this record (Remixed by Bob One). A percussive foundation channeling Latin Freestyle beats sets the groundwork for the chill sunset vibed melody to pleasantly unfold intertwined with the alluring Brazilian lyrics. The recording engineering on this production is clearly at a higher standard (than the usual neighborhood italo disco studio from back in the day) with some of the techniques at play giving it a very balanced and sophisticated sound for its time. The meticulous remastering this re-issue underwent allow for a generous low end with crystal clear mid range – game changing on any well calibrated dance floor sound system.

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Surprise

12" | 1983 | EU | Reissue (Babà)

7" | 1983 | EU | Reissue (The Saifam Group)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Former member of Ganymed (a seminal Austrian space disco band active in the late 70s) multi-instrumentalist with boundless talent and dozens of excellent recordings ranging from jazz to pop under his belt. Italian-based musician, singer, and composer Daniele Prencipe is definitely to be counted among the most underrated, despite clear proof of his fine skills with solo projects and behind Surprise where he leaves an indelible mark.

In particular with the tracks like "Wow" and "Singin' And Steppin'" thanks to the pioneering use of the Minimoog combined with a Vocoder. Here the arrangement is on another level and the original 7" released by Polydor back in 1983 is one of the rarest of its kind. Finally reissued by Babà Records, fully licensed by Daniele Prencipe himself.

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Patrizia Pellegrino

Scusa Ma Ti Amo

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Hard Times / If You Want My Love

Chequers

7" | 1983 | UK | Reissue (Freestyle)

13,99 €*

12" | 1981 | EU | Reissue (Unknownunknown)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Chequers' ultra-rare 1983 electro-boogie 45 'Hard Times', backed with the equally stellar 'If You Want My Love', sees it's first ever reissue courtesy of Freestyle Records!

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Ahmad Albar

Secita Serita

Lonnie Liston Smith & The Cosmic Echoes

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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First ever 12” edition of Ahmad Albar’s spacey 1981Indonesian disco rarity, including an additional extended edit. Produced by Fariz RM. Tip!

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Cosmic Funk

LP | 1974 | Reissue (Real Gone Music)

Release: 1974 / Reissue

Genre: Organic Grooves

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Alessandro Alessandroni / Giovanni Tommaso

Open Air Parade Black Vinyl Edition

LP | 1972 | EU | Reissue (Sonor Music Editions)

26,99 €*

Carter Lake / Must Be The Beat

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Sonor Music Editions is excited to announce this revived issue of Open Air Parade, one of the most sought-after artifacts from the golden era of Italian library music.

This holy grail was originally released in 1972 on the legendary Sermi Records label (often referred to as SR Records). It features ten tracks composed by Ennio Morricone’s whistler, Alessandro Alessandroni revealing his great talent and unrivaled sense of melody, and two by the brilliant Italian jazz bassist Giovanni Tommaso, also founder and member of the legendary prog-jazz-rock ensemble Perigeo.

Open Air Parade is a masterpiece and rightfully sits among the top five in its genre. It has a beautiful cohesiveness throughout and can only be described as sincere. The music ranges from superb psychedelic lounge funk, compelling groovy jazz beat tunes, and far-ranging mood music with lush arrangements.

It’s an essential album, officially reissued by Sonor Music Editions. This 2024 repress has been carefully remastered, and packed in a thick cardboard sleeve with fully restored artwork using the original painting by Ernst Wilhelm Nay in full fidelity.

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Carl Moore

7" | 1984 | EU | Reissue (Sweet Free Association)

16,14 €* 16,99 € -5%

Our Hearts Will Always Shine / Mighty-Mighty

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Keyboardist and composer Carl Moore originally wrote, recorded and pressed only 100 (!) copies of these tracks, grabbing a quick moment of studio time during a tour of Japan in the early 1980s. Moore’s purple patch saw him becoming peers with artists such as Phyllis Hyman, Jean Carn, Janet Jackson and ‘The King of Gospel’, James Cleveland.

Carter Lake is an energetic 2 minutes 30 second blast of pure dance floor joy, that looks back at carefree days, teenage love and love lost. Moore’s voice soars, and showcases his love for the powerful stylings of jazz and gospel. On the flip, Must Be The Beat sees him explore very different textures and could easily be a long lost Prince recording found in the vaults in Paisley Park. Sounding like something jammed late at night, this one is perfect for the afterhours when there are 30 sweaty dancers left on the floor at 5am that just don’t want to go home!

This is the first release on Sweet Free Association, a new label founded by Sam Don, the DJ and curator responsible for the recent lovers rock and UK soul comps For The Love of You and Just A Touch. Born out of the wish to find another way of sharing ‘the fruits’ from his Free Association radio show and parties, these impossibly rare disco tracks are now available to a wider audience for the first time, as the vast majority of the original copies have been long lost.

Mastered at The Carvery, the lo-fi recordings have been skilfully lifted by Frank Merritt to sound big in the club, while retaining the original charm in the sound that made the tracks stand out to Sam in the first instance.

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Ozone

7" | 1983 | UK | Reissue (Expansion)

17,99 €*

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Seriewoc)

Khan Jamal

Give The Vibes Some

43,99 €*

LP | 1970 | EU | Reissue (Far Out)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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It's quite simple, if you have a good connection with music, to find things that should be reissued due to their exceptional quality, but, like a diviner, being able to unravel the problems related to the licensing of a record, well, that's much more difficult. Finding someone is Sherlock's job! After 4 years, Khan Jamal II (son of Khan Jamal) delighted us with a "Let's go my guy". Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the lands of the rising sun of Jamal and the composed trumpet of Clint Jackson III which anchor "Give the vibes Some" in a sort of Space Age Jazz era. In the end, you know what? This album is a transcendent journey into yourself, like an intense session of meditation...even if "35.007 Feet Up" could easily be played by Jeff MiIls in his DJ Set

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Agustin Pereyra Lucena

Neil Ardley, Ian Carr, Don Rendell

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Following Far Out’s reissue of Agustin Pereyra Lucena Quartet’s La Rana, the label continues its memorialisation of the late, great Argentinian guitarist’s music, with the first ever direct from tape, audiophile reissue of Pereyra Lucena’s self-titled debut album from 1970.

One of the outstanding South American guitarists, Agustin Pereyra Lucena commanded a unique position in Latin music history. He hailed from Buenos Aires, but was obsessed with the music of Brazil. A disciple of Antônio Carlos Jobim, Baden Powell and Vinicius De Moraes, the nature of Agustin’s Argentinian roots combined with the nurture of Brazil and its music to give Agustin a sound entirely his own.

After being scouted in a nightclub, by musician and guitar craftsman Jorge Demonte, Agustin was invited for an audition at Argenitinian label Tonodisc. Before he knew it, aged 22, he was in the studio recording his first album.

Agustin enlisted fellow Argentinian Brazilophiles Mario "Mojarra" Fernandez who played bass and drummer Enrique "Zurdo" Roizner. He had first heard the duo backing Vinicius de Moraes, Toquinho and Maria Creuza on their legendary La Fusa live album, also recorded in Buenos Aires. For vocals, Agustin brought in his old friend, a French teacher called Helena Uriburu, who at the time had (unbelievably) never sung in a studio before.

The atypical bossas and spiritual swinging sambas, composed by many of Agustin’s aforementioned heroes, were elevated to new heights by Agustin’s dazzling arrangements and phenomenal guitar playing. The almost cosmic reaches Agustin achieved with his sound are balanced against the stylish sophistication and breezy nature of the music.

Moments of calm serenity include Agustin’s own composition “Nina No Divagues”, Durval Ferreira and Pedro Camargo’s “Chuva” and the Brazilian bossa classic “Tristeza Nos Dois”, which feels like it draws equally upon exotica and early library records. Accompanied by Roizner’s shuffling samba jazz drums, opener “O Astronauta” is Agustin’s cover of the Brazilian guitar standard composed by Baden Powell. Another Baden Powell classic, “Consolacao” is an extended full-band set, which features Agustin’s crisp guitar dancing around a hypnotic rhythm section. Upright bass is swapped out for a big, round-sounding electric one, which sits loud in the mix for almost seven minutes of deep, groovy, distinctively early-seventies magic.

Agustin passed away in 2019, and it is only in recent years that he is starting to gain his plaudits as one of South America’s greats. On the liner notes of the album Vinicius De Moraes writes: “I think I never saw, with the exception of Baden Powell and Toquinho, anyone more linked to his instrument than Agustín Pereyra Lucena. It would give the impression that if the guitar were taken away from him, he would fade into music as one dies from the amputation of an arm.”

Agustin Pereyra Lucena will be released on audiophile vinyl LP, CD and digitally on the 26th January 2024 via Far Out Recordings.

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Greek Variations

LP | 1970 | EU (Endless Happiness)

21,99 €*

LP | 1984 | EU | Reissue (Sharp Flat)

Release: 1970 / EU

Genre: Organic Grooves

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Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influential jazz-rock band Nucleus was rising from the ashes.

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Witch

Kuomboka

LP | 1972 | JP | Reissue (P-Vine)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Sourced from the analog master tapes for the first time, Sharp-Flat presents the Witch disco albums as you've never heard them before in sleeves that replicate the original album artwork.

Over the course of the 1970s, Witch delivered an impressive run of garage, rock and prog releases. By 1980, the band was ready to embrace the exciting dance sounds of a new era. Shuffling their lineup and relocating to Zimbabwe, they undertook their mythical transformation into an African R&B, soul and funk powerhouse. With access to a state of the art recording studio in Harare, Witch produced two exquisite recordings during their disco years.

A full-throttle boogie outing, Kuomboka was issued in 1984 and features rising star Patrick Chisembele stepping in on lead vocals. Despite the album's modern vision for African pop, its title refers to a traditional migration ceremony practiced by the Lozi people of the Zambezi floodplains. The album documents a seasoned ensemble with an ambitious vision and is considered the group's sonic masterpiece.

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The Montclairs

Dreaming Out Of Season

12" | 1984 | EU | Reissue (Best Record Italy / Eyes)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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The Montclairs are a five-piece soul vocal group featuring Phil Perry, who is still active as a solo artist. The Montclairs were located in St. Louis, Missouri, which is not Philadelphia, New Jersey, Detroit, or Chicago, and their chorus was sweet and beautiful, with Perry's distinctive falsetto at the center. The group was discovered by Oliver Sane, a big name in the area, and released this album on the prestigious Paula (Jewell) Records label in 1972, produced by Sane.

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Joe Car

Dancing Dode

17,99 €*

12" | 1984 | EU | Reissue (Best Record Italy / Eyes)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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One-off electronic disco project of 1984 for the unmistakable sounds of the Yamaha DX7 - especially the notorious "tubular bells" during the verses - introduced at the end of '83, but which didn't catch on in Italo-Disco until the following year. "Dancing Dode" has the strangest spelling ever. Whoever created this truly amazing super theme barely knew English as the word "dode" does not exist in English. This explains why some Italo-Disco songs have obvious grammatical errors even on the original records. The artist or the authors thought that [du:d] would be written "dode" in English, but in reality it's "dude"... which means a meticulous and elegant man, potentially homosexual, in short a gay type, "King /Queen" of disco dancing like in that film with J.T.. The role of disco in the 80s was a ground for negotiating rights throughout history, so most people didn't care too much about choosing and hating someone's sexual orientation, but dancing, listening to music and this song with a beautiful melody is perhaps the rarest Italo Disco song ever made.

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Salvy & Giuly

Stop The World

17,99 €*

12" | 1983 | EU | Reissue (I.D. Limited)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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"Stop the World" is another captivating song released in 1984 by Eyes Records, written by three names who certainly need no introduction. Ivana Spagna, Larry Pignagnoli and Ottavio Bacciocchi. However, their artistic depth and their fundamental contribution to Italo-Disco (and not only) in their respective roles should be remembered: Ivana, an excellent lyricist and singer (also for third parties) who became the great pop star still today considered the most graceful in circulation; Larry, who deserves a handful of Grammy Awards for his countless arrangements (but it is enough to mention "Easy Lady" and "Call Me") and finally the modest and precious Ottavio with his excellent Studio Master 33 from Cremona, among the first to find the right sound of Italo-Disco already in the early 80s. Their contribution then married perfectly with the artistic direction curated by Salvy Lauria and Giacomo Danesi. It's worth highlighting the approximately 6 minute instrumental track of "Stop The World", it's a dance floor killer. Giuliano Saglia and Silvio Trisolino are right in wanting to re-propose only and exclusively the two original songs which after 40 years have been perfectly remastered by Dom Scuteri. Best Record is right to carry out all the work of this wonderful jewel, after having already reissued Blue Gas. Future State and Lily Ann, the other praiseworthy productions of the reborn Milanese label. Aficionados do well not to miss this other reissue of an Italo Disco classic from the 80s!!

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Scotch

Penguins' Invasion

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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12" | 1984 | EU | Reissue (I.D. Limited)

David Gray

I Wanna Fly

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Pop

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12" | 1987 | EU | Reissue (I.D. Limited)

Kissing The Kiss

Run Stop

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Pop

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12" | 1986 | EU | Reissue (I.D. Limited)

Sharks

I Love You..

16,14 €* 16,99 € -5%

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Pop

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12" | 1984 | EU | Reissue (I.D. Limited)

S.C.O.R.T.A.

Pertini Dance

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Pop

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LP | 1983 | JP | Reissue (P-Vine)

The Entertainers

LP | 1988 | UK | Reissue (Mr Bongo)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The Entertainers, a Miami soul band led by singer Earl Dawkins, released their debut single "Livin' For The Summer" in 1980, which became a smash hit. The Entertainers' first album, "Livin' For The Summer," was released three years later in 1983, and is being reissued in analog format with a Japanese obi. The album features an exquisite selection of soul-freaks' favorite covers, including "Hot On A Thang" by Chai Lights, "I'm in love with you" by Bobby Patterson, and "I won't cry anymore" and "What are we gonna do" by Turley Richards, as well as the aforementioned "Livin' For The Summer, The original songs, including the aforementioned "Livin' For The Summer," are also excellent blue-eyed soul music.

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Maria Rita

Brasileira

Second Time Around 50th Anniversary Transparent Green Vinyl Edition

Release: 1988 / UK – Reissue

Genre: Organic Grooves

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Maria Rita is a musical pioneer that was ahead of her time. On first hearing her song, 'Cântico Brasileiro No.3 (Kamaiurá)’, we thought it sounded like a contemporary remix that an artist such as Carl Craig could have produced. In fact, it came out in 1988 and was taken from Maria's 'Brasileira' album, released on the Brazilian, independent Acorde imprint. The song would go on to gain cult status with its inclusion on John Gomez's superb 'Outro Tempo' compilation, released on the Music From Memory label in 2017.

The album fuses new-age electronics with indigenous vocals and Amazonian rhythms. It is beautiful and unique and takes you on a journey through different moods, textures and ethereal planes. Through the sounds Maria created, you join her on a timeless voyage gazing into the future whilst embracing her powerful roots.

Maria Rita Stumpf was born in the southern inland of Brazil, in the mountains of Aparados da Serra. She started writing music at the age of 14, and through participation in festivals and song contests, she developed her material and sound. A move to Rio de Janeiro in 1985 furthered her career and led to the release of the 'Brasileira' album. The record features the legendary pianist Luiz Eça, alongside the group Uaktí and Ricardo Bordini.

1993 saw the release of 'Mapa das Nuvens (Map of the Clouds)' on CD via the Leblon label, but soon after, Maria would have a hiatus from the music industry, dedicating herself to her cultural and arts agency, Acorde. She left the stage and recordings behind, but quality always shines through and years after its original release, international diggers, producers and DJs rediscovered the greatness of Maria's music. This would lead to a re-issue of the ‘Brasileira’ LP, and later Optimo Music/Selva Discos released a 12” EP of ‘Brasileira’ remixes by Selvagem, Carrot Green and Joakim. Maria also spoke at the Red Bull Music Academy Festival in São Paulo, performed at both the Kino Beat Festival and the Brazilian leg of the Dutch festival, Dekmantel. Her two latest albums received critical acclaim, ’Inkiri Om’ in 2020 and ‘Ver Tente’ in 2022. At last, Maria has got the credit and kudos she deserves, inspiring new and future generations of producers and music lovers.

Though previously re-issued, it was after a conversation with Maria that we learned that she wanted to keep this sublime record in press, and this was something that we couldn’t wait to put into action. So here it is, the Mr Bongo pressing of ‘Brasileira’, housed in a gatefold cover.

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Cymande

LP | 1972 | UK | Reissue (Partisan)

7" | 1984 | EU | Reissue (Edition Hawara)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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With the release of 'Second Time Round' in 1973, Cymande cemented their place in music history. Descendants of the Windrush generation, they were part of the first wave of innovators and pioneers of the emerging black British music scene. The band fused influences from their Guyanese and Jamaican heritage, combining reggae basslines, Afro-influenced Nyabinghi percussion, psychedelic rock elements and American funk instrumentation to create a unique sound they called 'Nyah rock'. 'Second Time Round' was recorded when the band had just returned from a US tour with Al Green, and it was the follow-up to their self-titled debut album that firmly established the band in the ears of an enthusiastic US audience. Their debut was the first British soul album to make it into the Billboard charts and 'Second Time Round' placed them in the US charts again. They were also the first British band ever to perform at the legendary Apollo Theatre in Harlem.

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Miss D.

Moving

LP | 1978 | US | Reissue (Acoustic Sounds)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Miss D used to work as a model in New York. That she ended up in Vienna was sheer coincidence. That she became a recording artist was never planned, either. She moved to the Austrian capital with a well-known commercial producer in the mid-1980s, and soon she found herself recording TV ads for ice cream manufacturers.
One day in the recording studio, someone had the brilliant idea of making a proper record with her. The outcome was the highly sought-after disco oddity "Moving", most copies of which were destroyed due to a lack of commercial success.
Now getting a second chance, "Moving" is as strong as Austrian disco productions from that era come: slow, bouncy, full of personality and consistently surprising. So, three cheers to coincidences and random ideas in recording studios. This is a most memorable 7".

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Tommy Flanagan

Overseas Mono Edition

55,99 €*

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Special Sound Series - Volume 3: Pathetique

Shigeo Sekito

LP | 1976 | EU | Reissue (Holy Basil)

27,54 €* 28,99 € -5%

Demon's Dance Tone Poet Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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We are very happy to continue the reissue series of Shigeo Sekitō's iconic "Sepcial Sound" series with its 3rd instalment, "Pathétique", a mesmerizing musical journey crafted by the visionary Japanese musician Shigeo Sekitō. Released in the 1970s, this album stands as a testament to Sekito's innovative genius and his ability to seamlessly blend genres, resulting in a captivating and groundbreaking sonic experience.

"Pathétique" showcases Sekitō's masterful fusion of jazz, funk, and electronic elements, creating a unique and otherworldly soundscape that transports listeners to a realm of musical exploration. The album features a series of compositions that are not only technically impressive but also emotionally resonant, evoking a range of feelings from nostalgia to euphoria.

The album's title, "Pathétique," is a nod to Tchaikovsky's renowned "Pathétique Symphony," and it hints at the emotional depth and complexity found within the music. Sekito's virtuosity on various instruments, including keyboards, synthesizers, and guitar, is on full display throughout the album, as he weaves intricate melodies and harmonies that take listeners on a sonic adventure.

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Jackie McLean

LP | 1970 | EU | Reissue (Blue Note)

43,99 €*

LP | 1983 | EU | Reissue (Studio Mule)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Jackie McLean’s music weaved in and out of the avant-garde throughout the late-60s but the saxophonist maintained a decidedly post-bop edge on Demon’s Dance featuring trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scott Holt, drummer Jack DeJohnette, and striking cover art by Mati Klarwein.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Shinsuke Honda

Silence

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Get It Right / Standard Man Ep Collection

Animal Magic

LP | 1982 | EU | Reissue (Lantern)

25,99 €*

Pierre-Alain Dahan & Slim Pezin

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’

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Neo Rythmiques

LP | 1976 | Reissue (Be With)

LP | 1981 | EU | Reissue (Mad About)

Release: 1976 / Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Grupo Medusa

Lonnie Liston Smith & The Cosmic Echoes

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Grupo Medusa was one of the best instrumental bands in Brazil during the 70s and 80s, blending Jazz, African Influences, and traditional Brazilian Rhythms. Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte. Original release in 1981, reissued for the first time Worldwide.

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Reflections Of A Golden Dream

LP | 1976 | UK | Reissue (BGP)

Brand New Feeling Black Vinyl Edition

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album 'Expansions' is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis. Released in 1976,"Reflections On A Golden Dream", the follow-up to "Expansions", was his fifth album for Flying Dutchman and featured the core band of the Cosmic Echoes, including his brother Donald Smith, David Hubbard and Wilby Fletcher. As for the music, this album is a classic, with the funky 'Get Down Everybody (It's Time For World Peace)', the reflective 'Quiet Dawn' and 'Meditations' and the sumptuous 'Beautiful Woman'. "Reflections Of A Golden Dream" was also the first of Lonnie's albums to feature his own vocals. It's a lost classic everyone should own.

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The Awakening

LP | 1976 | EU | Reissue (Cinedelic)

Gentleman 50th Anniversary Igbo Smoke Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.

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Fela Kuti

LP | 1973 | CZ | Reissue (Knitting Factory)

Release: 1973 / CZ – Reissue

Genre: Organic Grooves

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LP | 1982 | Reissue (Be With)

Keni Burke

Changes

Release: 1982 / Reissue

Genre: Organic Grooves

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What's The Deal / Have You For My Love

Carol Williams

12" | 1986 | EU | Reissue (Best Record Italy)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Some gorgeous soulful boogie tracks right here!! The French Philippe Lecauchois, better known as "Phil Boogie Times" and Claudio Casalini, the factotum of the Italian label Best Record, teamed up with the intention of carrying on their identical passion, being devoted to Boogie, Funk, Soul and " Old School Disco". There couldn't have been a better choice to start this conjunction of passions and sharing of ideals: the first 12inch, produced by Darryl Payne in 1983, sees two precious gems such as "What's the Deal" b/w "Have You for My Love" by the charming ex Salsoul artist, Carol Williams (btbs-12001). The other reissue of Phil and Claudio is 1984's "Come Back Lover" masterfully sung and arranged by Carl Smith (btbs-12002). Listening to these splendid 40-year-old productions again will do good to the hearts of all the followers and fans of true soul music made in the USA. Coming on a limited vinyl edition!

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Out Of Gas But Still Burning

LP | 1974 | JP | Reissue (P-Vine)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-12-18

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Kashmere 73 Live In Concert

LP | 1973 | JP | Reissue (P-Vine)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-12-18

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Expo 75 Concert Tour Japan / Okinawa

LP | 1975 | JP | Reissue (P-Vine)

Horizon Unlimited Opaque Green Vinyl Edition

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2025-01-22

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The Lijadu Sisters

LP | 1979 | US | Reissue (Numero Group)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-09-20

Kassav' (Jacob Desvarieux & Georges Decimus)

Yélélé

LP | 1988 | EU | Reissue (Zouk)

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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" Brand new vinyl reissue to celebrate the 40the anniversary of zouk pioneers Kassav’ .

Who hasn’t retained at least one memory of the group Kassav’ from their youth? For whether in concert, or onthe radio or TV, the image of Kassav’ remains vivid inthe minds of listeners and spectators.

The group,founded in 1979 by Jacob Desvarieux, Georges andPierre-Edouard Décimus, has become legendary, putting Guadeloupe and Martinique on the musicalmap of the world. Touring the world with zouk, amusical movement introduced and popularized by Kassav’, their albums have repeatedly been rewarded with both gold and platinum discs .A victim of Covid in 2021, the loss of Jacob Desvarieux leaves a huge void. The mix of Jacob Des varieux and George Decimus with Jocelyne Béroard, Jean-Philippe Marthély, Patrick Saint-Éloi and Jean-Claude Naimro has played soldout concerts in 82 countries. With texts recounting reallife in the Caribbean world their lively music draws on the rhythms of Guadeloupe’s gwo-ka and Martinique’sti-bwa. Transcending the well-defined codes of Caribbean music, they have turned the 1980s and all the succeeding decades into a fabulous ballroom.

They have been welcomed in Japan and the Ussr, where they became the first group of black musicians to tour. Forty years after the group’s creation, their timeless hits continue to resonate. "

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Impeach The President Clear Vinyl Edition

The Honey Drippers

7" | 1974 | UK | Reissue (Alaga U.S.)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Fats Gaines Band presents Zorina

Fats Gaines Band Presents Zorina

LP | 1983 | EU | Reissue (Mad About)

LP | 1970 | EU | Reissue (Be With)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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lost 80s groover from Bay Area Soulster Fats Gaines is stepping out here with vocalist Zorina London!

Fats Gaines was a jazz musician and orchestra leader born in Kansas, who had a significant presence in the San Francisco Bay music scene from the early 1950s to the first half of the 1980s. He experimented with various musical genres throughout his career, including Rhythm and Blues, Soul, Funk, and Disco, but he always maintained the guiding presence of jazz in his music.

His debut on record occurred in 1952, and although he had a prolific career as a live musician, his discography output was relatively limited and scattered. He recorded only half a dozen singles until 1983, which can be attributed to various reasons, including the volatile nature of the music industry and the difficulty in finding record labels willing to record jazz and other less popular musical genres.

Despite his lack of commercial recognition, Fats Gaines is remembered by many as a talented saxophonist and orchestra leader who significantly contributed to the San Francisco Bay music scene. His music and legacy continue to be appreciated by jazz fans worldwide.

Louisiana born and creed: Zorina spent her formative years in San San Francisco Hunter Point district. She aspired to be an all-around entertainer; though her parents couldn't afford dance lessons, she hung around dance schools until the opportunity arose to show her dancing ability. Soon thereafter, she began dancing with various troupes and graduated as a leading dancer-choreographer for Kemo channel 20's variety program. She also began modelling professionally and won the Top Bay Area Model Award and the Knights of Honor Beauty Pageant in 1972. Also, during this time, she began working at San Francisco's Playboy Club, hoping for more opportunities and exposure. Besides her dancing ability, she exhibited her singing and acting abilities as well, with notables Carol Channing, comedian Prof. Irwin Corey and songstress Randy Crawford.

Currently, Zorina continues her career as a singer, actress, and human rights activist in Taiwan.

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Nucleus

Elastic Rock

30,99 €*

Black Sugar II Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.

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Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)