Organic Grooves Vinyl 1746 Items

LP | 1988 | US | Reissue (Drag City)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Excellent reissue of this amazing LP by the South African super group. Check the tunes ''Harari'' and 'Thiba Kamoo'', super groovy arrangements and tight cohesion between Alec Khaoli on bass guitar and Sipho Mabuse on drums, laced with the soaring vocals and guitar play by Selby Ntuli. Tip! The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Nuno Canavarro

Plux Quba

Release: 1988 / US – Reissue

Genre: Organic Grooves

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From Left To Right White Vinyl Edition

Bill Evans

LP | 1970 | EU | Reissue (Klimt)

LP | 1977 | US | Reissue (Lion Productions)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)

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Jorge Trasante

Folklore Afro Uruguayo

Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto

Release: 1977 / US – Reissue

Genre: Organic Grooves

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A masterpiece of South American percussion, recorded in 1977 by worldwide legend and Gipsy Kings percussionist Jorge Trasante—and impossible to find for decades—finally reissued!

'In the mid-'70s I was struck by a young Uruguayan percussionist named Jorge Trasante. I met him accompanying Rada and Pippo Spera, in recordings in the Sondor Studio. He turned out to be an experienced percussionist and remarkable musical researcher, despite his young age, only 23 years old. At that time he invited me to a rehearsal with Eduardo Mateo, at his house in El Cordón. We decided to record the album 'Mateo y Trasante', which today is an iconic album of Uruguayan music. And at the same time, I suggested to Jorge, to record an LP of instrumental percussion, based on Afro Uruguay rhythms. It became his letter of introduction when a few months later he traveled to Europe, where he joined very good groups, including the Gipsy Kings, with whom he recorded 18 albums between 1987 and 2001, and also accompanied other great artists. Jorge Trasante settled in Paris, France, where he lived for more than 30 years. The album “Folklore Afro Uruguayo” was not a success of the moment, but is a sound document which maintains its validity through time.” —Enrique Abal Oliú

'I left (Uruguay) in early 1977. We were finishing a cycle with Mateo, Buscaglia, Yánez and Mariana Vigil. I studied technical drawing at the Universidad del Trabajo del Uruguay… and worked in a cigar and cigar factory—that was my mother's trade—which allowed me to buy the instruments that Emilio Acevedo made in Ansina 1036; he was the great teacher. The first drums I paid for in a thousand installments. He would lend me pailas, Ameijenda or Galletti would lend me a cymbal, I never had anything.

I left because here I was very “wounded' and the political thing got very hard with the dictatorship and the music weighed more than everything. I decided to jump to Europe, where there were great friends. And I went with 70 kilos of drums to Paris to Mario Aguerre, former bassist of Los Delfines. Knowing that I had arrived, Emilio Arteaga called me and he proposed to set up a group with Jorge Pinchevsky, a great Argentine violinist who had played in La Pesada del Rock & Roll. We set up an experimental group with Latin rhythms to play on the street, in clubs, where he would paint. I used to play a set of congas, timbales, and we made Andean music, very fashionable then… and that summer of 1977 in the south of France we did very well. There I crossed paths for the first time with the Gipsy Kings, who also played on the street doing 'the manga' with their gypsy rumba.” —Jorge Trasante

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Jazz Rock

LP | 1973 | EU | Reissue (Mr Bongo)

LP | 1981 | UK | Reissue (Time Capsule)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.

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Serginho Meriti

Bons Momentos

The Mystery Kindaichi Band

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Brazil’s Black Rio movement had a lasting impact on the country’s marginalised black youth. Inspired by the African-American Civil Rights Movement and the revolutionary, politically conscious soul and funk being produced by the likes of James Brown, Curtis Mayfield, Gil Scott Heron, Billy Paul and Nina Simone, a new scene began to incubate in Rio’s poor and oft-neglected North Zone - one which put black culture front and centre. At bailes funk (funk balls) revellers proudly sported afros and danced to their own beat while artists such as Banda Black Rio, Trio Ternura, Tim Maia and Emilio Santiago subverted officially-sanctioned Brazilian styles by fusing elements of imported soul, funk and jazz with samba rhythms to create a new form of music they could call their own.

Sérginho Meriti was one of many young artists caught up in the excitement of the movement. Born Sérgio Roberto Serafim and raised in the north Rio suburb of Meriti (from which he’d take his stage name), he began his career with Black Rio funk/soul outfit Copa 7, for whom he penned the stridently funky dance floor hit Som Da Copa 7.

Snapped up by Polydor at the turn of the 80s, Bons Mementos was his first work as a solo artist. It’s the work of a young musician brimming with musical ideas and creating a new take the Black Rio sound - one he would refer to variously as Meritiense (the sound of Meriti) or as Electric Samba. The title track is perhaps the perfect distillation of his ideas, mixing Black Rio’s funky bass and guitar lines with a healthy dose of the samba rock style developed by Jorge Ben, a pinch of eighties synths, and some of the best call-and-response female vocals this side of Fela Kuti. The result is a potently-rich musical stew that has made the track a compilation favourite and the album hugely collectable among funk connoisseurs.

Elsewhere on an all-killer-no-filler effort, Madureira adds reggae-fied guitar rhythms and low-slung bass to the mix while Malandro’s added bursts of brass give playful homage to Glenn Miller’s Big Band standard In The Mood. Memorias demonstrates Meriti’s mastery of tempo. Beginning with a languid slice of samba rock the track abruptly changes speed half way through for a bright and zippy finish of brass-heavy funk. Serjane adds layers of flute and saxophone the latter adding to the natural warmth of Serginho’s rough-hewn vocals. Tipo is a classic funk workout with some deliciously squelchy synths, while Batalha ends the album with a warm slice of funk, it’s yin and yang melding of joyful horn bursts with mournful vocals a potent demonstration of the sadness that underpins the album’s seemingly sunny soul.

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The Adventures Of Kindaichi Kosuke Black Vinyl Edition

LP | 1977 | EU | Original (Wewantsounds)

32,99 €*

Release: 1977 / EU – Original

Genre: Organic Grooves, Soundtracks

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12" | 1983 | EU | Reissue (Best Record Italy)

Lama

Love On The Rocks

12" | 1984 | EU | Reissue (Best Record Italy)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Remastered reissue of a double A-side classic by LAMA a studio project from 1983. Both tracks here are killer electro/italo tracks well worth their weight in gold. Love On The Rocks is a electro-fied cover of Lucio Battisti's original disco smash "Il Veliero."
On the flip we have the dark apocalyptic feel offered by "Nineteen Ninety Three".

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Funky Family

Funk Is On

12" | 1979 | EU | Reissue (Left Ear)

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Pop

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Limited edition remastered reissue of Funky Family, the italo disco studio project from 1984. This production features Nicola Nicolosi from Nicolosi Family
we can remember him on Amnesie by Turas) and represents a real example of proto-house that became a Chicago classic regularly played by Ron Hardy at Muzic Box and during WBMX radio shows. This edition has the full instrumental cut on the side two instead of the short radio edit available on the original one.

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Justine

Wordless Songs

17,99 €*

LP | 1981 | EU | Reissue (Be With)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Mysterious Sydney songstress Justine recorded one album in ’79, which was never officially released. Left Ear have chosen two tracks for a 45 RPM 12” single, which they feel best highlights Justine’s unique vocal talents and songwriting ability. Here the crafty songstress wields melancholic soul and a funky Jazz inspired number with personal and reflective lyrics, both with an intimate and honest approach.
Elusive Sydney songstress Justine (Bradley) almost entirely wrote, produced and arranged her sole LP in ’79, an album that was funded by a radio station as the beneficiary for emerging talent. The music was created specifically for radio play without any intention of being manufactured. Luckily however, a friend with ties to a pressing plant known aptly as ‘Midnite Flite’, managed to sneak into said plant one evening and press up a small number for the enjoyment of family, friends & those involved.
Left Ear have decided to release what they consider to be the two most significant tracks from this release onto a 12” single, now for the enjoyment of all. The A-Side will feature the haunting ‘Wordless Songs’, a melancholic soulful number which according to Justine explores the “capacity to comprehend a partner’s internal quest for authenticity and connection”. The B-side ‘Mama Didn’t Tell Ya’ is more uplifting in both tempo and arrangements comprising an extended outro, while the lyrics remain just as personal and reflective.

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Logg

LP | 1973 | US | Reissue (ABC)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl. The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece. The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment.

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Johnny Pate

OST Shaft in Africa

Haruomi Hosono, Takahiko Ishikawa & Masataka Matsutoya

Release: 1973 / US – Reissue

Genre: Organic Grooves, Soundtracks

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12 tracks incl. 'are you man enough' performed by The Four Tops ... classic blaxploitation soundtrack!!

- "Shaft in Africa" sampled by Beatnuts for "It's Da Nuts",
Cookie Crew for "Born this Way",
Diamond D for "Best Kept Secret",
Dismasters for "Black and Proud",
Hakeem for "Hip Hop Reborn",
Naughty by Nature for "The Hood Comes First",
Ras Kass for "Rasassination",
Tony Scott for "Get Into It" and
Tuff Crew for "Soul Food"

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The Aegean Sea

LP | 1979 | EU | Reissue (Victory)

Disco Jazz Black Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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1979’s The Aegean Sea is somewhat of a companion piece to the previous year’s Pacific. A beautiful piece of Japanese smooth fusion-jazz with elements of traditional Greek music and Balearic grooves, it’s one of Hosono’s cleanest and most focused works to date. Long sought after by collectors this record is nearly impossible to find in original pressings outside of Japan and this is a welcome reissue of one of the greatest titles in Hosono’s seemingly infinite catalog. Essential Japanese jazz fusion.

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Rupa

LP | 1982 | US | Reissue (Numero Group)

23,74 €* 24,99 € -5%

Ronie & Central Do Brasil

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Barely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between Bollywood and Balearic. Tracked in Calgary’s Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weaving around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and withe permission and blessing of the producers and performers.

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LP | 1975 | EU | Reissue (Mad About)

2LP | 1983 | EU | Reissue (BBE)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Sweet Soul Funk from 70s Brazil. Ronie aka Ronaldo Mesquita, the drummer of Bossa Três Combo! This album's got a smoother groove and luxurious use of Fender Rhodes, gliding alongside sweet samba soul arrangements in a mode that's a bit like some of the funkier 70s work by João Donato. Reissue on vinyl for the first time in a 180 gram heavyweight vinyl.

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Takeo Moriyama

East Plants

41,99 €*

LP | 1973 | US | Reissue (GSF)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1983 on the Japanese VAP
label, ‘East Plants’ is an essential album in the J
Jazz canon. It’s an album that distils several key
characteristics of Moriyama’s music: clearly
articulated and inventive rhythms, open yet orderly
arrangements, and an accessible groove balanced
with a graceful control.
‘East Plants’ features no piano, just percussion,
bass and reeds. From the luxurious raga-like build
of the album’s hypnotic title track and the fierce
post-bop workout of ‘Fields’, to the stately modal
track ‘Kaze’ ( as featured on the sell-out BBE
compilation, ‘J Jazz: Deep Modern Jazz From Japan
1968-1984’), the album was, until now, a rarely
acknowledged masterpiece. ‘East Plants’ shows
Moriyama’s quintet at their most transcendent:
delicate layers of percussion by Yoji Sadanari, a
warm and pliant bass from Hideki Mochizuki, with
colour and texture provided by the eloquent reed
work of Shuichi Enomoto and Toshiko Inoue. And,
overseeing it all, Moriyama’s discreet yet
commanding drumming.
The BBE J Jazz Masterclass Series is curated by
Tony Higgins and Mike Peden and is dedicated to
presenting the very finest in Japanese jazz. The
series will feature rare, long-lost and unreleased
material presented in the highest quality
reproductions of the original releases, fully licensed
and authorised.

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Skull Snaps

20,99 €*

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Shamek Farrah

First Impressions

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Bear Family Productions)

Bobby 'Blue' Bland

Dreamer

23,99 €*

LP | 1979 | EU | Reissue (Far Out)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Bobby ’Blue’ Bland
Bobby ’Blue’ Bland (1930 – 2013) was one of the leading US-American Blues, R&B and Soul entertainers. He knew how to combine the intensity of Gospel music with the expression of the Blues. His voice sounded as he wanted to bear witness to one's resolve but he was able to let his voice sound soft, sometimes cool but always culitvated so he could also reach the fans of Frank Sinatra and Nat ’King’ Cole with tremendous success. He formed his remarkable style of singing out of many different influences, characteristic and remained solely reserved for Bobby ’Blue’ Bland.
Duke-Label & ABC Dunhill
Blands voice was always the center of attention. After his huge successes during the 1950s and 1960s for the Duke label, he moved to ABC Dunhill when Duke was sold. He could reach a wider white audience in the early 1970s with his two LPs, ’His California Album’ and ’Dreamer’, plus productions together with B.B. King. ’

Dreamer’ was the record company's trial to produce an album in California with the cool Soul appeal of the city of Los Angeles. As a timeless Soul and Blues classic the album 'Dreamer' contains the in recent years often sampled track Ain’t No Love in the Heart of the City, one of the musical back bones to one of the favorites by Jay Z. The whole album is a wonderful soundtrack for those lonely nights alone and blue in a sleazy joint trying to forget a lost love in a bottle of bourbon.
Dreamer
’Dreamer’ is the warm velvet cover against cold loneliness with so many great songs like I Wouldn’t Treat A Dog (The Way You Treated Me) and Whose Foolin’ Who?, the bluesy Cold Day In Hell, Lovin’ On Borrowed Time and When You Come To The End Of Your Road. I Ain’t Gonna Be The First To Cry has indeed the lyrical quality of The Thrill Is Gone. The production by Steve Barri and Michael Omartian sounds full and ponderous.

The accompanying musicians, guitarists Dean Parks and Larry Carlton, bassist Wilton Felder and drummer Ed Green, ranked as being part in the cream of L.A.'s studio musicians. When ’Dreamer’ was first issued in 1974 a controversial discussion started regarding the production and the arrangements containing a brass section and strings. But now, forty years later, the LP album counts as one of the great masterpieces of its genre and the songs became standards in the repertoires of many Soul and Blues performers. Newly remastered with its original gatefold cover jacket the first real reissue on vinyl after 43 years comes from Bear Family Records!
Grammy® as a lifetime achievement award in 1997
Bobby ’Blue’ Bland was inducted into the ’Blues Hall of Fame’ in 1981 and 11 years later the induction into the ’Rock'n'Roll Hall of Fame’ followed. He received a Grammy® as a lifetime achievement award in 1997.
1-LP, 180 gram Vinyl-LP, 10 tracks

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Antonio Adolfo

Viralata

Did You Give The World Some Love Today Baby Black Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Far Out Recordings are honoured to be working with master composer, arranger and pianist, Antonio Adolfo for the first time since releasing his Destiny album in 2007. This time we present the first ever vinyl reissue of his era-defining Viralata LP: An essential album from Brazil's majorly progressive heyday of late seventies jazz-funk. Viralata is a sacred artefact of Brazilian music, which Antonio himself describes as ‘a product of my hybrid musical influences that joins together flavours of marchinhas de carnaval, frevo, toada, classical, baião, mpb and jazz, etc’.
The album’s first track ‘Cascavel’ is the emotionally charged, celebratory dance anthem, which became a London jazz-dance classic in the early ‘90s after Far Out label boss Joe Davis discovered a handful of copies in a second hand shop in Sao Paulo and brought them back to London to sell to DJs like Gilles Peterson and Patrick Forge. In recent years the track has been played out by the likes of Floating Points, Mr Scruff and Andrew Ashong, it was also the last song ever to play on the hallowed soundsystem of London’s beloved club Plastic People…

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Doris

LP | 1970 | UK | Reissue (EMI)

Fela Kuti & The Africa 70

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!

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Zombie

LP | 1976 | UK | Reissue (Knitting Factory)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Fela Kuti & The Africa 70

Gentleman

LP | 1973 | UK | Reissue (Knitting Factory)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | CZ | Reissue (Now-Again)

The Peace

Black Power

LP | 1973 | EU | Reissue (Beat Goes Public)

Release: 1975 / CZ – Reissue

Genre: Organic Grooves

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Essential garage Zamrock/soul/funk: the first official reissue of the celebrated band’s one and only album. The musical style that became known as Zamrock came to embody the economic despair that followed the 1973-1974 oil crisis, which flung Zambia into recession and exacerbated a wide range of social tensions. Much of Zamrock also captured the controversy of wider politics in Africa and the world. Perhaps the finest example of this is Black Power by The Peace. - The Guardian. The Boyfriends, from Kitwe’s Chamboli Mine Township, supplied the founding members for Zamrock’s most famous band, Witch, and kick started one of Zamrock’s best bands, Peace. Their sole Zamrock entry, Black Power, recorded at Malachite Film Studio circa 1973/4 and issued circa 1975, sounds like nothing else in the Zamrock canon: a lost message drifiting from the flower power era, imbued with a fiery Zambian voice.

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Funk Inc.

Superfunk

2LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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produced by David Axelrod !

- "Message from the Meters" sampled by Eric B & Rakim for "Keep 'em Eager to Listen"

- "Goodbye, So Long" sampled by Brand Nubian for "Hold On",
Lench Mob for "All on My Nut Sac" and
YG for "Ghetto Celeb"

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Herbie Hancock

Flood

55,99 €*

Cerrone 3 - Supernature Pale Green Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne

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Cerrone

LP+CD | 1977 | FR | Reissue (Because)

LP | 1975 | US | Reissue (Fantasy)

Release: 1977 / FR – Reissue

Genre: Organic Grooves

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10 Years Because Music Edition. Green vinyl including CD and poster.

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The 3 Pieces

Vibes of truth

2LP | 1970 | EU | Reissue (Sony)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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sampled by Presage and Da Lench Mob

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Miles Davis

Bitches Brew

LP | 1970 | EU | Reissue (Speakers Corner)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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180 gram pressing!

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Antonio Carlos Jobim

Stone Flower

33,99 €*

LP | 1971 | BR | Reissue (Polysom)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.
That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".
With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!

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Erasmo Carlos

Carlos, Erasmo

39,99 €*

2LP | 1971 | US | Reissue (Fantasy)

Release: 1971 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1971. Erasmo Carlos sounds even cooler here than usual – still working with tunes penned with his brother Roberto – but also taking on music by Caetano Veloso, Jorge Ben, and Marcos Valle too!

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Isaac Hayes

Black Moses

44,99 €*

Black Byrd Back To Black Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Ike's all time classic is back in!

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Donald Byrd

LP | 1973 | EU | Reissue (Blue Note)

28,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | UK | Reissue (Mr Bongo)

Incredible Bongo Band

The Return Of …

LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Re-released for the 1st time since 1974!

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Herbie Hancock

Man-Child

33,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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12" | 1981 | US | Reissue (Peoples Potential Unlimited)

Dazzle

Explain

13,99 €*

LP | 1977 | UK | Reissue (Mr Bongo)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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sooooo good! Pure boogie!

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Ebo Taylor

LP | 1971 | EU | Original (Elektra)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Nice repress on 180 gram wax!

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The Doors

L.A. Woman

21,99 €*

Do You Still Feel The Same Way

Release: 1971 / EU – Original

Genre: Organic Grooves, Rock & Indie

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incl. 'riders on the storm' & 'l.a. woman'

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Tommie Young

LP | 1973 | US | Reissue (Soul Power)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | US | Reissue (Fantasy)

Pleasure

Future Now

Earth Blossom Deluxe Edition

Release: 1979 / US – Reissue

Genre: Organic Grooves

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- "Thoughts of Old Flames" sampled by Big Daddy Kane for "Give it to Me",
Questionmark Asylum for "Hey Look Away Now",
Rakim for "Remember That" and
Under Ground Kings for "It's Supposed to Bubble"

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John Betsch Society

LP | 1974 | Reissue (Heavenly Sweetness)

31,99 €*

Release: 1974 / Reissue

Genre: Organic Grooves

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Noriki Clear Sky Blue Vinyl Ediiton

Noriki

LP | 1983 | JP | Reissue (Universal Music Japan)

39,99 €*

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Tigre / Gennarino O Sioux Limited Test Press Edition

Tonica & Dominante

12" | 1979 | EU | Reissue (Archeo)

LP | 1979 | EU | Reissue (No Music No Life)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies, hand-numbered on label side A.
Includes A4 info sheet.

Originally released in 1979 on Dominant Records, the two songs, produced by Antonio Iglio and Antonio Moxedano, became a total cult through the years, a collector item if there is one. The original 7 inch is one of the most wanted and rarest, impossible to find, with few copies appearing in the second hand market at hundreds quotations, a true milestone in the underground Neapolitan Disco Funk sound released between the end of the Seventies and early Eighties in a lot of small, unknown labels. The fever around Tigre / Gennarino ‘O Sioux by Tonica & Dominante was so high that influenced a new wave of Neapolitan acts like Nu Guinea (Nu Genea) and also compilations of other singles from the past like “Napoli Segreta”. Finally reissued on Archeo Recordings, the first time appearing on 12 inch, Tigre and Gennarino ‘O Sioux are remastered for the Archeo release and each track backed by a Vocal Dub version done by italian dance music legends Leo Mas & Fabrice, two superb and extended grooves that will be fire for the Balearic/Nu-Disco scene.

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Bumblebee Unlimited

Sting Like A Bee

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | UK | Reissue (Mr Bongo)

Los Reyes 73

23,99 €*

Takeshi Inomata & Sound Limited

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Continuing the Mr Bongo Cuban Classics Series, we shine a light on Los Reyes 73 and their sensational debut LP from 1975. The album had multiple different pressings under various titles and artworks, but the music stayed the same and speaks for itself. The group set the bar high with this fiery Afro-Cuban-funk gem, letting loose a vibrant Latin workout combining psych rock trippiness with a heavy dose of deep funk. Elements that fuse to firmly cement this album as a ‘70s Cuban masterpiece and one of our favourites here at Mr Bongo HQ.

Releasing just two albums and a handful of 7-inch singles, the band were a popular and influential group in Cuba at the time. Since then, they have featured on several compilation albums across the 2000s that have helped raise their profile amongst new audiences worldwide.

Produced by the magical Raúl Gómez, the album featured a list of heavyweight Cuban musicians. Directed by Santiago Reyes and Ovidio Guerra, with orchestration from greats including Ricardo Eddy Martinez who also released the much-loved album 'Expreso Ritmico' in 1978 alongside Ignacio Herrera, Mario Valdes and Gilberto García. The album also features the writing prowess of Los Van Van’s Miguel Ángel Rasalps.

Blending traditional Cuban Son aesthetics with funk influences and psychedelic touches, the music housed within showcases a cosmic fusion that stands up on any modern dancefloor. The scintillating opener ‘Grandes Amigos’, the tripped out ‘Adeoey’ and the grooving ‘Un Lamento Hecho Cancion’ are just a handful of examples that exhibit the sheer musical melting pot of this album.

For this reissue, we have chosen to use the artwork from a Mexican version of the album released on Pentagrama Records that features the beautiful bird illustration cover art. The Cuban edition was released on the state-run Areito.

An outstanding and wondrous Latin record that has long been calling out for an official reissue.

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New Rock In Europe

LP | 1971 | JP | Reissue (Universal Music Japan)

36,99 €*

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Out Of Gas But Still Burning

Kashmere Stage Band

LP | 1974 | JP | Reissue (P-Vine)

37,99 €*

LP | 1970 | UK | Reissue (Charly)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Don Cherry

Mu. Second Part

31,99 €*

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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De Las Colonias Del Rio De La Plata Splattered Vinyl Edition

Viejas Raices

LP | 1976 | EU | Reissue (Altercat)

LP | 1975 | UK | Reissue (Be With)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.

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Cedar Walton

Mobius

29,99 €*

LP | 1973 | WW | Reissue (Craft)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Don't judge a book by its cover. Judge a record by its cover.

And, perhaps, its title.

Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.

Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!

Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.

Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.

Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.

As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Fania All Stars

Latin-Soul-Rock

45,99 €*

Release: 1973 / WW – Reissue

Genre: Organic Grooves

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7" | 1983 | EU | Reissue (The Saifam Group)

Patrizia Pellegrino

Scusa Ma Ti Amo

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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12" | 1984 | EU | Reissue (Best Record Italy)

Randy Wiper

I'd Like To Know

Hard Times / If You Want My Love

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Randy Wiper is only known for this highly sought-after 100% pure Italo-Disco song from 1984, but the reason why he hasn't published anything else is that the artist embarked on a career as a film actor immediately after. The beginning of the song "I'd Like To Know" could be divided into three, the pattern of which is repeated in the subsequent instrumental parts, the piece possesses the sidereal energy of space disco. When it seems that we will leave the planet on board a shuttle, the soloist's voice enters, full of personality, it is that of Marcello Arcangeli and has the gift of inflections that sometimes recall that of Roy Orbison, at other times that of David Bowie. What remains most imprinted on the listener is the romantic part of the ballad, highlighted by the piano and passion. Finally there is the chorus which sounds exclamatory, imploring, but at the same time casual and danceable. Through a unique theme, that of a rare piece like "I'd Like To Know", we explore space, the heart, the disco.

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Chequers

7" | 1983 | UK | Reissue (Freestyle)

13,99 €*

Another Life Black Vinyl Edition

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Chequers' ultra-rare 1983 electro-boogie 45 'Hard Times', backed with the equally stellar 'If You Want My Love', sees it's first ever reissue courtesy of Freestyle Records!

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Kano

12" | 1983 | EU | Reissue (Full Time)

18,99 €*

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (Craft)

Azar Lawrence

Summer Solstice

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Music Love Song / Mother Hernie 2024 Repress

Capone

12" | 1979 | EU | Reissue (Miss You)

LP | 1976 | EU | Reissue (Week-End)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1979, strangely only in Portugal, yet produced by a French duo, Anselmi/Silvestre. “Music Love Song” is a 7 minute long European disco excursion with an unmistakably unique aesthetic, confidently breaking every rule in favour of a sound unheard of at the time. Employing unorthodox studio techniques that would have been unacceptable for most major labels this single only made it on a relatively small sublabel in Portugal for some mysterious reason. The result is a deeply cosmic/melancholic escapade with dreamy androgynous vocals and raging guitars at 130+ BPM - hard to forget. Officially re-issued, remastered and released with original artwork that is no less bold than the music.

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Joyce

Passarinho Urbano

32,99 €*

12" | 1981 | EU | Reissue (Unknownunknown)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy.

She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy.

For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.

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Ahmad Albar

Secita Serita

She's Gone / Mr C Record Store Day 2024 Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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First ever 12” edition of Ahmad Albar’s spacey 1981Indonesian disco rarity, including an additional extended edit. Produced by Fariz RM. Tip!

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Norman Connors

7" | 1981 | UK | Reissue (Arista)

12" | 1986 | EU | Reissue (Isle Of Jura)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Norman Connors' 'She's Gone' is a timeless blend of Soul and R&B from his 1981 album, 'Mr C'. 43 years since its initial release, 'She’s Gone' still endures as a masterpiece, showcasing Connors' musical prowess and ability to create unforgettable compositions. Lush arrangements, masterful instrumentation, and heartfelt vocals define the track with Norman Connors seamlessly fusing horns, strings, and rhythm instruments for a rich sonic experience. This 7'' heavyweight vinyl single, presented here exclusively for RSD is the first time this single has been available since 1981 & gives fans old and new the chance to own a slice of this classic, in demand Norman Connors production. remastered, but with slick early 80's aesthetics as was.

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Terrance T

Power

12" | 1977 | EU | Reissue (Miss You)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1986 ‘Power’ was the work of Philly producer Derrick Graves and vocalist Terrance T. The machine lead production on ‘Power’ was part of an emerging wave of post disco producers embracing a dub aesthetic that proved to be the precursor to the emergence of house music. The vocal harmonies from Terrance were influenced by Cameo and Prince and combined with the powerful production results in a dancefloor bomb in the Larry Levan style, stripped back and dubby with a strong song at its core. This level of musicality and production was no fluke, Derrick was a seasoned session musician who worked extensively with the likes of Sister Sledge, Dexter Wansel & Donny Hathaway. Derrick had a clear understanding of emerging studio trends “Music production was evolving into a new phase where home studios were developing and it was becoming more possible for real recordings to be made! From there, I eventually enhanced my production skills by learning how to compose using sequencers, computer software (DAWs), and midi instrument implementation in the 80's and 90's. I went from a 4-track to eventually a 24-Track 2" tape machine setup!”.

The fully remastered 12” includes the essential Instrumental mix.

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Las Deblas

Zorongo

18,99 €*

Carter Lake / Must Be The Beat

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Two Spanish slow disco tracks from 1977, originally released in 7" format, brought back in 12" format with an additional extended edit, very respectful to the original. "Zorongo" is a re-interpretation of a Andalucian popular folk song with Arabic influence, a gypsy love song from ancient times which was collected and presented by Spanish poet and playwright Federico Garcia Lorca before his death/disappearing during the Spanish Civil War. Jobam's new arrangement gives it a heavy downtempo disco facelift, taking the original gypsy warrior intensities of dealing with love and contrasting them with a beautiful orchestral string driven addition to the theme. Heavy Balearic, emotionally loaded gypsy business, something one could very easily imagine hearing at a 10 hour Harvey set in Pikes, Ibiza.

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Carl Moore

7" | 1984 | EU | Reissue (Sweet Free Association)

16,14 €* 16,99 € -5%

Our Hearts Will Always Shine / Mighty-Mighty

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Keyboardist and composer Carl Moore originally wrote, recorded and pressed only 100 (!) copies of these tracks, grabbing a quick moment of studio time during a tour of Japan in the early 1980s. Moore’s purple patch saw him becoming peers with artists such as Phyllis Hyman, Jean Carn, Janet Jackson and ‘The King of Gospel’, James Cleveland.

Carter Lake is an energetic 2 minutes 30 second blast of pure dance floor joy, that looks back at carefree days, teenage love and love lost. Moore’s voice soars, and showcases his love for the powerful stylings of jazz and gospel. On the flip, Must Be The Beat sees him explore very different textures and could easily be a long lost Prince recording found in the vaults in Paisley Park. Sounding like something jammed late at night, this one is perfect for the afterhours when there are 30 sweaty dancers left on the floor at 5am that just don’t want to go home!

This is the first release on Sweet Free Association, a new label founded by Sam Don, the DJ and curator responsible for the recent lovers rock and UK soul comps For The Love of You and Just A Touch. Born out of the wish to find another way of sharing ‘the fruits’ from his Free Association radio show and parties, these impossibly rare disco tracks are now available to a wider audience for the first time, as the vast majority of the original copies have been long lost.

Mastered at The Carvery, the lo-fi recordings have been skilfully lifted by Frank Merritt to sound big in the club, while retaining the original charm in the sound that made the tracks stand out to Sam in the first instance.

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Ozone

7" | 1983 | UK | Reissue (Expansion)

17,99 €*

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Mad About)

Majoie Hajary

La Passion Selon Judas

25,49 €* 29,99 € -15%

Taking All The Love I Can

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.

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Chosen Few

LP | 1971 | US | Reissue (On High)

34,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Neil Ardley, Ian Carr, Don Rendell

Greek Variations

LP | 1970 | EU (Endless Happiness)

21,99 €*

Nasty Gal Metallic Gold Vinyl Edition

Release: 1970 / EU

Genre: Organic Grooves

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Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influential jazz-rock band Nucleus was rising from the ashes.

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Betty Davis

LP | 1975 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

Nasty Gal Pink & Yellow Vinyl Edition

Release: 1975 / US – Reissue

Genre: Organic Grooves

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"In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty paved the way for generations of future artists who said ‘funk you’ to the music industry and social norms.

In 1975, Betty Davis’s star was on the rise. With the backing of Island Records and a new band, Funk House, Betty’s third album, Nasty Gal, leans into the hyper-sexualized persona with which her critics were so obsessed. She raps, purrs, shrieks, and moans on top of Funk House’s manic funk-rock and lays claim to the “bad girl” anthems that now saturate the music industry. Mastered from the original tapes, Nasty Gal showcases Betty’s groundbreaking work as a performer, writer, and producer."

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Betty Davis

LP | 1975 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

LP | 1979 | JP | Reissue (Union)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Ryusei Tomoyose

Dah Nah

50,99 €*

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Surgeon Of The Nightsky Restores Dead Things Byteh Power Of Sound

Jon Hassell

LP | 1987 | EU | Reissue (Intuition)

35,14 €* 36,99 € -5%

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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12" | 1986 | EU | Reissue (ZYX Music)

Maurice Yesterday

Come On

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Noise For Vendor Mouth Red Vinyl Edition

Fela Kuti

LP | 1975 | UK | Reissue (Knitting Factory)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Unknownunknown)

The Headquarters

Sweetie / Moshate

Poder Del Alma HHV Exclusive Clear Blue Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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2 tracks taken from the "Sweetie" LP by South-African group, The Headquarters. Originally released in 1977 and very hard to come by in it's original form. The album tracks are loudly pressed on one side each in it's original length. "Real solid deep disco for the heads!"

Mastered by The Carvery.

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Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

LP | 1975 | TR | Reissue (İstanbul Plak)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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HHV Exclusive edition on clear blue wax, limited to 100 copies worldwide.

First ever reissue!! Psychedelic Latin-funk holy grail from Nicaragua, 1974!! Poder del Alma (“Soul Power”) was a supergroup formed by some of the best musicians from the Nica scene. This all-star band of nine members was assembled to play at the famous free concert of Santana in Managua in benefit for the 1972 earthquake. After that successful gig supporting the Latin-Rock superstar, what was to be a one-night stand became the seed of the most loved Nicaraguan act from the 70s. All the members had already played an important role in the history of the Nica music / hippie scene in the 1960s. Among them, we can find Román Cerpas (previously on Bwana), René “Chapo Domínguez (Los Rockets), Edgar “El Gato” Aguilar… A few months after the Managua concert with Santana, Poder del Alma traveled to Guatemala to record their first long play for Dideca (Discos De Centroamérica, S.A.) in just one week of recording sessions. Despite the low budget and precarious recording equipment, the band managed to obtain a powerful psychedelic / afro / funk-rock sound full of electric guitar, heavy drums, hot, percussion, horns, Spanish male/female vocals…featuring titles like “El Valle del Ayatimbo”, “Ia-Taa Yo”, “Zúmbale”…

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Ajda Pekkan

Hos Gör Sen

Release: 1975 / TR – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Elemental Music)

Freddie King

Burglar

32,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1982 | EU | Reissue (Sabura)

Mendes & Mendes

29,99 €*

LP | 1975 | JP | Reissue (P-Vine)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Brothers Gerard Mendes (also known as Boy Ge Mendes) and Jean-Claude Mendes display the intriguing combination of Creole Portuguese-African polyrhythms, American boogie, and Brazilian samba; the duo became massive stars among the Cabo Verde diaspora.

This LP includes the killer boogie anthem “Mitamiyo”

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Vernon Garrett

Going To My Baby's Place

Takesi Inomata & Sound Limited

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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There are only a few albums left by West Coast soul singer Vernon Garrett. One of the sought-after records of these is this debut album, released on Grenade Records in 1975. This masterpiece, with Vernon's wild and powerful songs backed by incandescent performances by the members who would later form L.T.D. and David T. Walker was reissued once on vinyl by P-vine in 1997, but we have decided to bring this wonderful work back to the world once again.

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Innocent Canon Black Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

28,99 €*

LP | 1976 | UK | Reissue (Mr Bongo)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Grupo Irakere

32,39 €* 35,99 € -10%

LP | 1988 | UK | Reissue (Mr Bongo)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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For the second instalment in our Cuban Classics series, we proudly present this sought-after slice of sublime Afro-Cuban jazz from 1976. It comes courtesy of one of Cuba’s most influential acts, Grupo Irakere. Founded in 1973 by Chucho Valdés (son of the Cuban pianist and bandleader Bebo Valdés) the group was home to many of Cuba’s finest musicians over the years. With an electrifying style and sound, they mixed traditional Cuban music with jazz, funk, and rock.

This self-titled album includes the much-loved, dancefloor heavy-hitter 'Chequeré-Son’, a Latin-jazz funk masterpiece with Cubanized bebop-flavoured horn lines, lush keys, and ‘70s hip swagger. Though 'Chequeré-Son’ is the keystone of the record, the album is laced with brilliance at every turn, from the Carlos Santana-esque channelling ‘Iya’ with its percussive Latin power, to the sultry, slick and passionate '38 1/2’. Elsewhere, the absorbing, ever-building energy of 'Juana 1600’ and steamy vocal dancer ‘Xiomara’ are also highlights of this incredible album.

Pressed on Cuba’s state led Areito Records, the album was well received internationally, garnering distribution in Finland on Love Records, in Italy on Phase 6 Super Stereo, and also in the Dominican Republic, Mexico and Venezuela.

A cherished Afro-Cuban triumph, this album has been crying out for a reissue and we’re delighted to make that happen.

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Maria Rita

Brasileira

Muscolo Rosso EP Black Vinyl Edition

Release: 1988 / UK – Reissue

Genre: Organic Grooves

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Maria Rita is a musical pioneer that was ahead of her time. On first hearing her song, 'Cântico Brasileiro No.3 (Kamaiurá)’, we thought it sounded like a contemporary remix that an artist such as Carl Craig could have produced. In fact, it came out in 1988 and was taken from Maria's 'Brasileira' album, released on the Brazilian, independent Acorde imprint. The song would go on to gain cult status with its inclusion on John Gomez's superb 'Outro Tempo' compilation, released on the Music From Memory label in 2017.

The album fuses new-age electronics with indigenous vocals and Amazonian rhythms. It is beautiful and unique and takes you on a journey through different moods, textures and ethereal planes. Through the sounds Maria created, you join her on a timeless voyage gazing into the future whilst embracing her powerful roots.

Maria Rita Stumpf was born in the southern inland of Brazil, in the mountains of Aparados da Serra. She started writing music at the age of 14, and through participation in festivals and song contests, she developed her material and sound. A move to Rio de Janeiro in 1985 furthered her career and led to the release of the 'Brasileira' album. The record features the legendary pianist Luiz Eça, alongside the group Uaktí and Ricardo Bordini.

1993 saw the release of 'Mapa das Nuvens (Map of the Clouds)' on CD via the Leblon label, but soon after, Maria would have a hiatus from the music industry, dedicating herself to her cultural and arts agency, Acorde. She left the stage and recordings behind, but quality always shines through and years after its original release, international diggers, producers and DJs rediscovered the greatness of Maria's music. This would lead to a re-issue of the ‘Brasileira’ LP, and later Optimo Music/Selva Discos released a 12” EP of ‘Brasileira’ remixes by Selvagem, Carrot Green and Joakim. Maria also spoke at the Red Bull Music Academy Festival in São Paulo, performed at both the Kino Beat Festival and the Brazilian leg of the Dutch festival, Dekmantel. Her two latest albums received critical acclaim, ’Inkiri Om’ in 2020 and ‘Ver Tente’ in 2022. At last, Maria has got the credit and kudos she deserves, inspiring new and future generations of producers and music lovers.

Though previously re-issued, it was after a conversation with Maria that we learned that she wanted to keep this sublime record in press, and this was something that we couldn’t wait to put into action. So here it is, the Mr Bongo pressing of ‘Brasileira’, housed in a gatefold cover.

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Cicciolina

12" | 1987 | EU | Reissue (Mondo Groove)

21,99 €*

7" | 1982 | UK | Reissue (Diggers Dozen)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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In the late 1980s, Ilona Staller aka Cicciolina’s popularity was skyrocketing. It was at that time that she recorded her most representative and iconic song: ‘Muscolo Rosso’. It is finally reissued in 12″ 45rpm from original master tapes accompanied by 3 other dance hits such as ‘San Francisco Dance’, ‘Inno Alla Trasgressione’ and ‘Sexy Porno Shop’. Includes a postcard and sticker.

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Tampa

Don't Fight The Feeling

17,99 €*

7" | 1984 | EU | Reissue (Edition Hawara)

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Available for the first time ever on 7-inch, Diggers Dozen presents this off the radar, jazz laced, disco funk gem. Originally only featured on an obscure Florida based radio station compilation LP released in 1978.

Tampa formed together in 1977 to be a house band at the most popular nightclub in Tampa Bay, generally playing covers as well as playing their own material in a variety of styles from rock to funk and disco.
At this time the local radio station in Florida WXTB-FM 97.9 Clearwater also know as 98 Rock, called out to musicians in the Tampa Bay area requesting for songs to feature on a compilation album showcasing local talented musicians, as well as being a fund raising project with all profits donated to the Suncoast Seabird Sanctuary.
Tampa decided to record and submit a track “Don’t Fight The Feeling” for the radio stations request. They were happily surprised to find out that it made the cut. Over two hundred groups in the Tampa Bay area submitted songs. “Don’t Fight The Feeling” was one out of the ten songs selected to feature on the compilation titled “The 98 Rock Album”.
Soon after this period the seven piece band played all over the Tampa Bay area gigging generally 50 weeks in a year between 1979-1984. The band recorded around a dozen original songs. “Don’t Fight The Feeling” was the only track to ever be released and make it on to record. The other songs recorded sadly have been long lost.
Now this marvellous track is officially and finely issued on 7” for the first time, including superb re-edit magic on the flip side by The Mighty Zaf.

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Miss D.

Moving

LP | 1977 | US | Reissue (Superior Viaduct)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Miss D used to work as a model in New York. That she ended up in Vienna was sheer coincidence. That she became a recording artist was never planned, either. She moved to the Austrian capital with a well-known commercial producer in the mid-1980s, and soon she found herself recording TV ads for ice cream manufacturers.
One day in the recording studio, someone had the brilliant idea of making a proper record with her. The outcome was the highly sought-after disco oddity "Moving", most copies of which were destroyed due to a lack of commercial success.
Now getting a second chance, "Moving" is as strong as Austrian disco productions from that era come: slow, bouncy, full of personality and consistently surprising. So, three cheers to coincidences and random ideas in recording studios. This is a most memorable 7".

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Milford Graves

Bäbi

12" | 1983 | EU | Reissue (Isle Of Jura)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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In March 1976, Verna Gillis invited Graves to perform on WBAI's Free Music Store radio show. For the date, he chose to present a trio lineup which he had been occasionally playing – featuring two saxophonists who were dedicated to the drummer's vision. Hugh Glover is almost exclusively known for his work with Graves, while Arthur Doyle would gain exposure later for an obscure record that he made two years later, Alabama Feeling, which would become a highly collectable item among free jazz enthusiasts. Originally released in 1977, Bäbi remains one of Graves' most seminal recordings. The music played by the trio was ecstatic. Extreme energy music, buoyant and joyful. It relied on Graves' new way of approaching the drum kit, in which he had opened up the bottoms of his skin-slackened toms and eliminated the snare. Graves' art was always unblemished by commercial interests, and this album is its finest mission statement.

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Escape From New York

Save Our Love

LP | 1971 | EU | Reissue (Four Flies)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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The original single from Escape From New York finally gets an official reissue. Originally released in 1983 ‘Save Our Love’ was released a year before ‘Fire in My Heart’ and sets out their highly effective fusion of New Wave, Disco, Italo and Post Punk. Featuring Jaki Graham and D.C Lee on backing vocals, the 12” also includes an instrumental mix and cult classic ‘Slow Beat’ (Dance Mix). Escape From New York were short lived and disbanded in 1984 following the release of ‘Fire in My Heart’, ultimately buckling under the pressure of commercial expectations for their innovative brand of pop music. Fast forward to 2023 and history has been kind and these singles are now regarded as being pioneering classics.

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Giuliano Sorgini

Scappo Per Cantare

LP | 1974 | JP | Reissue (Groove Diggers)

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

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Weldon Irvine

In Harmony

Get It Right / Standard Man Ep Collection

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1974 on the famed spiritual jazz label Strata-East * New remastering * Japanese Obi-strip In Harmony' is the fourth album by American jazz pianist and composer Weldon Irvine, released in 1974 on the famed spiritual jazz label Strata-East and acclaimed as one of his finest catalog in his early career. P-vine delightedly presents this great jazz album with new remastering just for this reissue!

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Animal Magic

LP | 1982 | EU | Reissue (Lantern)

LP | 1976 | US | Reissue (Chess)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’

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Jack McDuff

Sophisticated funk

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin

Neo Rythmiques

LP | 1976 | Reissue (Be With)

12" | 1983 | EU | Reissue (Best Record Italy)

Release: 1976 / Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Mr. Master

A Dog In The Night

15,29 €* 16,99 € -10%

Bound / Remember You Opaque Yellow Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Groundbreaking release from the early 80's produced with rather primitive synthesizers with as result "A Dog in the Night" a track with a thick sound, unusual for its time. Credited as "the sound of the future" in those days and sounding reevant today. The piece produced by Stefano Zito and arranged by Stefano Galante is after 40 years among the favorites of collectors and followers of Italo-Disco, being noted among the songs to be re-edited by Danilo Braca, the New York based Italian Dj known for his creativity! He manages to create wonderful reconstructions, often considered "works of art". Such as the version he remixed and revisited, with the strings played and recorded by Layer Bows, but above all with the additional lyrics written and performed by the superlative SuperJaimie (aka Charlotte Balibar); with her voice she gives a completely different air to this Italo-Disco jewel, now worthy of being brought to the attention of the new generations. Such a gem, made available again on high quality vinyl!

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Ponderosa Twins Plus One

7" | 1971 | US | Reissue (Numero Group)

12,99 €*

LP | 1988 | EU | Reissue (Pa Flipe)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, Numero is proud to present the first official American 45' repressing of the Ponderosa Twins + 1 original 1971 release of Bound b/w I Remember You.

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Odissey

Pa Flipe

25,64 €* 26,99 € -5%

Soul Impressions Black Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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Reissue of the 1988 zouk album Pa Flipé by Odissey.

Odissey is a group formed by the Adams brothers (Pascal and Richie), born in Paris to a mother from Guadeloupe and a father from Martinique. At the time, Pascal was a DJ and radio presenter and Richard was a guitarist, both being trained singers. They had been making demo's for some time when one day they met Jolème Narayadou who was a well-known producer in the country, specialized in charming music who wanted to produce something other than slow and bolero (very popular music at the time). The three ventured in the studio and this resulted in the album Pa flipé (which is a Creole expression which means don't be afraid).

The tune Marie Hélène was a hit and is one of the great successes of Zouk in Martinique. The song is about a man in love with an Indian girl and takes place in Martinique, a small island in the French West Indies which saw the birth of Aimé Césaire but also Jean-Philippe Marthély, Jocelyne Béroard, Jean-Claude Naimro from the Kassav group, the legendary band which was born in Guadeloupe and which has toured the world multiple times.

Check the stand out songs : "Viré Love" & "Songe"

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Janko Nilovic

LP | 1975 | EU | Reissue (Underdog)