Organic Grooves Vinyl 357 Items

Keb'Mo' (1994) is the self-titled debut by Keb'Mo', an ambitious collection of gritty Country Blues.

180g vinyl.

Numbered limited edition on 180 gram vinyl.

Just Like You is the third album by three-time American Grammy Award-winning blues musician Keb' Mo' (born Kevin Moore). The album features guest artists Jackson Browne and Bonnie Raitt, both on the title track "Just Like You", and was produced by John Porter (Buddy Guy, B.B. King, Taj Mahal, a.o.).

180 gram vinyl

audiophile pressing incl. bouns track

A collection of live tracks ranging from the 1993 Sunflower Blues Fest to vintage early '70s recordings from Junior Kimbrough's home and juke joint. Includes the songs "Junior's Place" and "Baby, Please Don't Leave Me," and features Junior's son Kenny Malone on drums and R.L. Burnside's son Gary Burnside on guitar. A posthumous release from one of the 20th Century's most important blues figures.

On his remarkable 1997 album Trio Fascination: Edition One saxophonist Joe Lovano joined forces with two all-time legends—bassist Dave Holland and drummer Elvin Jones—in a spare trio setting that finds these three masters conversing freely.

This stereo Tone Poet Vinyl Edition marks the album’s first-ever release on vinyl and was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

/ Bet Your Lucky Star

Late Night Tales reissues the classic and hard-to-find ‘Late Night Tales: Jamiroquai’, compiled by none other than Jay Kay himself. The 10th edition of what is now a classic series of compilations was originally released 20 years ago, and hasn’t been available on vinyl for over 15 years. A blissful collection of soul, disco, jazz, rare groove, and funk, this collection is an electrifying journey through the aural influences of one of the UK’s most seminal jazz bands. Jay Kay showcases a wealth and breadth of inspiration that wouldn’t be amiss on the late-night dancefloors of the Loft (or Giant Steps, for that matter). From The Pointer Sisters’ uplifting and soulful ‘Happiness’ and jazz funk legend Johnny ‘Smith’ Hammond’s ‘Fantasy’ to the anthemic ‘Stay Free’ by Ashford & Simpson and mellifluous ‘Music Of The Earth' by Patrice Rushen, these two discs form a rite of passage into the creative mind of a true musical legend.

Some heavy Afro-funk stuff that was recorded with the help of The Budos Band!

The Sound Of Summer on Acid Jazz - the Humble Souls sampledelic classic ‘Beads Things & Flowers’ gets its first outing on a 7-inch single as part of our new Acid Jazz classics series. A magnificent dance floor classic, ‘Beads Things & Flowers’ is the result of the creative coming together of Simon Anniky - previously of Beats International and Hugh Brooker of the Night Trains and The Hip Joints, an Acid Jazz fixture since its earliest days. Its seamless blend of Mod Jazz samples and tight beats is inspirational. The A-side 7-inch was the hit of our ‘Acid Jazz (Not Jazz)’ compilation last year, whilst the vocal version makes its first ever appearance since its 1991 single release!

"ccr - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12" taken form Expanded Music's labels. The 6th release on "ccr - Club Culture Rarities" Hornbostel E.P. 1 originally released on Progressive Motion Records in 1993. Produced by Christian Hornbostel & Mr. Marvin (Virtualmismo, VFR, Tales of Underground, etc.) during their greatest artistic fertility period. Hornbostel EP1 takes us back to hypnotic grooves and atmospheres built with typical instruments belonging to that music era, such as the mythical Korg M1 and Waldorf Microwave. A new colored vinyl (blue) release on CCR Club Culture Rarities

Originally released in 1991 this was Henry Threadgil's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally into an unprecedented sound experience. A big step forward in modern jazz from one of the greatest composers of our time. Henry Threadgill - alto saxophone, flute, Curtis Fowlkes - trombone, Brandon Ross - electric guitar, Marcus Rojas, Edwin Rodriguez - tuba, Gene Lake – drums

* The long-awaited reissue with the first remastered sound source on vinyl * Contains 11 songs including 'Night Shade (Gong Cake mix)' which is only on vinyl * A long-awaited reissue album in which Makoto Kubota's first remastering tracks was cut by Toru Kotetsu, one of the Japanese leading cutting engineers

The album will be released by Awesome Tapes From Africa for the first time outside Ethiopia, with its original track sequence and album art along with exclusive period photos from Mergia’s personal scrapbook.

26 tracks of fine Latin sounds

Top tier tackle from Heels & Souls Recordings for their fourth reissue as they let loose a much anticipated double header, Gold In The Shade’s 'Over You' backed with 'Shining Through'. Rough, tough, straight-from-the-heart ‘90s street soul, coming courtesy of TSR bossman Robert Roper and the Gold In The Shade ladies Arletta Davis and Sonia Johnson. One of the most sought-after cuts of this scene, it encompasses much of what made street soul special - heavy bass, gritty breaks, emotive chords and off-kilter vocals, marrying together to form a snapshot of a raw DIY scene with optimism at its heart.

The trio’s first single from 1990, ‘Shining Through’ is a no nonsense, bassbin-rattling love song from the underground, seeing long-term friends Sonia and Arletta pulling on the heartstrings from the mic as Robert works his magic behind the studio controls.

Lovingly remastered from the DAT by Cicely Balston, if only ‘Over You’ had been so easy. Two years of endless searching for the tape and subsequently a clean copy of the record, Heels & Souls even went to the lengths of having the multitracks restored so that Robert could attempt to recreate the original mixdown in the studio – but the magic of ‘91, unfortunately, can’t simply be conjured at the drop of a hi-hat.

After all but losing hope, Sean P (by way of Backatcha’s Aiden Leacy), came to the rescue with a mint condition copy of the record that he had from running in the same circles as Robert and Duval back in the day, ripping and restoring it with a precision he’s rightly famed for. And so (finally!) here it is: distorted samples, low-fi hits, speaker rumbling bassweight and all. Raw to the core, but that’s the point – pure, unbridled emotion from the depths of North West London.

Fully licensed from Robert Roper, 20% of profits from Heels & Souls Recordings and Prime Direct Distribution will be donated to Lives Not Knives, a youth-led London-based charity, working to prevent knife crime, serious youth violence and school exclusions.

Remastered vinyl reissue of this 1990 Bill Laswell / Richard Horowitz production of local Gnawa musicians, recorded in the Medina of Marrakesh. According to Allmusic.com „a must for fans of both African and Middle Eastern music” and voted one of the „10 essential Gnawa albums” by Songlines.

The Gnawa are an ethnic minorityin today’s Morocco, descendents of slaves from West Africa who were brought to Morocco in the 16th century and who (although they quickly converted to Islam) nevertheless brought with them remnants of their animistic practices.

The Gnawa perform a complex ceremony (called lila or derdeba) that over the duration of several hours recreates the genesis of the universe by the evocation of the seven main manifestations of the divine, represented by seven colours. Those ceremonies, led by a master or „maleem“, are still taking place today privately while Gnawa music in general has clearly been modernizing and thus become more profane, but witnessing a performance is still an astonishing experience.

With the exception of a handful of recordings by Paul Bowles and Philip Schuyler (more ethnographic documents in a field recordings style), Gnawa music was barely heard outside of Morocco before 1990 – one of the first westerners to come and record the music was Bill Laswell, back then running his Axiom label that portrayed a wide range of ethnic music and musicians like The Master Musicians Of Jajouka or Maleem Mahmoud Ghania, to
name just two. „Night Spirit Masters“, recorded in the Medina of Marrakech, delivers soulful tracks of lead and group singers in call/ response mode, fired by sentirs, drums, hand clapping, and qrakechs, while others are drum features or sentir/ vocal pieces.

Over 30 years after its initial release, this essential Gnawa album is finally available again - remastered and on 180gr audiophile vinyl! „Gnawa, bottom heavy trance music of North Africa. Repetitive bass lines, generated by the gimbri or sintir with metal clappers, hand drums and voice. Seven trances, seven colors, seven scents, Gnawa not only moves, it can remove.“
Bill Laswell
Hell's Kitchen, NYC, May 2022