Organic Grooves Vinyl 1886 Items

Som, Sangue e Raca Blue Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Experience the soulful and funky gospel sounds of the Howard Lemon Singers with the reissue of their 1977 album, Seasons, originally released by TK Records' Gospel sub-label Gospel Roots. Now reissued on vinyl for the first time through Regrooved Records, this album masterfully blends traditional gospel with modern soul elements, showcasing the Howard Lemon Singers at their most dynamic and inspirational. Featuring rich vocal harmonies and uplifting messages, Seasons invites listeners on a spiritual journey through life's varying stages, emphasizing renewal, celebration, and introspection. Among the standout tracks is "You Are Somebody," a powerful anthem that resonates deeply with its message of affirmation and empowerment. The vinyl reissue preserves the original essence of the album, enhancing the audio quality to highlight the depth and warmth of the studio recordings. Perfect for both avid gospel enthusiasts and newcomers, this reissue of Seasons by The Howard Lemon Singers is not just a record—it's a celebration of faith, resilience, and the human spirit. Add this pivotal piece of gospel heritage to your collection and let the timeless beauty of their music inspire you throughout the seasons of your life.

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Dom Salvador e Abolicao

LP | 1971 | EU | Reissue (Mad About)

LP | 1977 | JP | Reissue (P-Vine)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of... more

This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

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The Sidewinders

Flatfoot Hustlin'

12" | 1982 | US (Emergency)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The deeply rooted funk spirit is alive and well in Canada's prolific funk-producing area, and The Sidewinders' most sought-after funk album, "Flatfoot Hustlin'," is making a long-awaited reissue with an obi. Apart from the fact that it was recorded in the same studio as Professor Lett AND STUDY's "love Serenade" at the time, the details of this album were shrouded in mystery. It gained attention among diggers when it adorned the cover of the rare groove/deep funk collector's bible, "Funky & Groovy Music Records Lexicon."

Featuring floor-pounding funky tunes like "I Like To Dance" and "Flat Foot Hustlin','' guaranteed to lift the dance floor, as well as a recommendable slow number for the sweet tea fans, "Time For Loving," and a heavy funk with a low center of gravity, "Gift to the Sun." Every track on this album is top-notch, making it a must-have for funk enthusiasts.

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Chemise

She Can't Love You

13,99 €*

LP | 1983 | EU | Reissue (Litoral)

Release: 1982 / US

Genre: Organic Grooves

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must have classic!

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Alcides Neves

Des (Trambelhar) Ou Não

LP | 1979 | EU | Reissue (Bureau B)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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A joint release between Discos Nada & Litoral. Alcides Neves’ unique second LP ‚Des (Trambelhar) Ou Não’ is reissued for the first time on vinyl, alongside his first release ‚Tempo de Fratura‘.

Somewhat of a concept album, this LP was conceived as having a predominantly experimental A-side and a more folky B-side, with songs influenced by Alcides’ native Northeastern Brazil. Alcides chose to release his second record independently as well, owing to the risk-averse nature of the labels at the time. Indeed, rather than adapting to the demands of the labels and making more romantic or commercial music, Alcides went in the opposite direction and released the most experimental record of his career.

The result is an album with distinct identities on each side but with an experimental bent throughout. The LP’s sounds are reflected by its striking cover, which collates some of Alcides’ artistic heroes - Frank Zappa, Gilberto Gil, Jimi Hendrix, Arnold Schönberg, Igor Stravinsky (to whom he also dedicated a song on the LP) among others, above an artwork in the style of Northeastern Brazilian folk art.

By blending traditional regional Northeastern elements with an experimental approach and influences from 20th century classical music, Alcides Neves crafted one of the most unique Brazilian records.

Carefully remastered by Paulo Torres with updated original artwork, the record is reissued in a gatefold sleeve including a promotional image from the time of release. This LP furthermore includes an insert with a text written by the journalist and researcher Bento Araujo, editor of the bimonthly publication ‚Poeira Zine‘ and author of the ‚Lindo Sonho Delirante‘ series of books.

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Supersempfft

Roboterwerke

27,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1987 | EU | Reissue (Canopy)

Myke Moul

Oppressor

LP | 1977 | US | Reissue (Superior Viaduct)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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The label say: This release marks the first complete album reissue on Canopy. Originally released in Nigeria in 1987, “Oppressor” was executive produced by Myke Moul himself and distributed domestically by EMI Nigeria & Tropic Records.

“Oppressor”, the album, finds the sweet spot between synth reggae, boogie, and euphoric Balearic island vibes.

Written by Myke Moul and arranged in collaboration with reggae star Majek Fashek in Nigeria, it was later re-crafted and recorded in France with a host of French musicians. Most notably the contribution of multi instrumentalist Pierre de St Front added engaging synthesiser parts and electronic drums.

Unfortunately the pressing of the album suffered from inherent technical flaws which adversely affected the sound quality and therefore even those lucky enough to find a copy, will not be able to enjoy it without considerable sonic defects. Therefore this remastered reissue will prove welcome to both collectors and new discoverers.

The titular track “Oppressor” stands out as a mid-tempo synth-reggae-boogie jam espousing the turbulent political times in Nigeria that were present in the late 80s. Elsewhere “Shadows in the Rain” is an instrumental cut displaying a jazz-funk sensibility which was unusual for a Nigerian artist at that time, and reflects Myke’s influences outside his home country. “Heading for the Top” is a boogie dance floor gem that shows the popularity of this genre at the time, as evidenced in many Nigerian releases and still sounds just as vital today. “Rescue us. O! Lord” shows Myke’s great song writing and Pierre’s fine musical skills working in tandem to create a reggae boogie tune, displaying the reggae & ska tendencies that were present in pop music in this era, from artists such as Grace Jones, Sly & Robbie or The Police.

All in all, the album demonstrates something fresh & exciting for Nigerian album reissues, touching down in a reggae fusion direction, with some fuller sounding production aesthetics, making the dynamics full and crisp on sound systems while also well suited to home listening.

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Joe McPhee

Tenor

Flying High / Guilty Record Store Day 2023 Edition

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)

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Jackie Stoudemire

7" | 1982 | UK | Reissue (Tap)

14,99 €*

Alice Coltrane & Pharoah Sanders

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Two classic Jackie Stoudemire gems, ‘Flying High’ and ‘Guilty’ get a long overdue reissue, the former of which has never been available on vinyl before.

Picked up by Tap Records impresario Jeremiah Yisrael, Jackie spent the lion’s share of 1982 in the studio with Yisrael, the prolific Gene Redd and dozens of musicians, including purportedly Barry White’s Love Unlimited Orchestra.

Ten songs were recorded over the course of the year, and two of the standouts are pressed loud and proud on either side of this limited 7 inch. First up the funk-fuelled, slick and stylish disco number ‘Flying High’, pressed for the first time ever to vinyl. ‘Guilty’ takes the B, one of the last songs Gene Redd would ever pen and some of the finest production work in a career that spanned four decades. Disco at its brilliant best. Yellow label version white sleeve.

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Journey In Satchidananda Acoustic Sounds Edition

LP | 1971 | EU | Reissue (Impulse)

43,99 €*

LP | 1984 | CZ | Reissue (Island)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Bob Marley & The Wailers

Legend

Stage Two Yellow Vinyl Edition

Release: 1984 / CZ – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary ("Get Up Stand Up"), romantic ("Is This Love"), devout Rastafarian ("Buffalo Soldier"), and prophet ("One Love/People Get Ready") are equally represented.In addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like "Stir It Up," "I Shot the Sheriff," and the gorgeous, poignant "Redemption Song" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air.

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Pat Thomas

LP | 1976 | US | Reissue (Tidal Waves)

24,49 €* 34,99 € -30%

At The Hotel Record Store Day 2022 Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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The legendary Ghanaian singer-producer Pat Thomas needs little introduction, he is a globally recognized vocalist and songwriter, famed for both his solo works and that with the highlife bands The Blue Monks, Broadway-Stargazers Dance Band, The Satellites, The Sweet Beans, Marijata, The Kwashibu Area Band and The Uhuru Dance Band. Between 1974 and 2019, he issued more than two dozen recordings offering a unique take on highlife, funk, reggae, soul and Afro-beat/pop. Pat Thomas' work was sampled many times and continues to be featured on compilations by renowned reissue-labels across the globe.

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Eunice Collins

7" | 1974 | UK | Reissue (Mod-Art)

13,99 €*

12" | 1983 | EU | Reissue (House Of Music)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One record which has lately come to prominence is the brilliant "After Hours" by Charlie Mitchell aka Vic Marcel on an absolutely gorgeous slice of mellow Rare-Groove which recalls the Leon Ware vibe perfectly. Produced and arranged by seasoned veterans Tony Silvester and Bert DeCoteaux this incredibly hypnotic song was also written by top writers J.R. Bailey and Ken Williams. "After Hours" has grown in popularity particularly over the last few years with original copies now reaching the £200-£250 valuation.

The flip-side is another slice of beautiful mid-tempo soul from the same production stable. Only one copy currently available the last time we checked, such has been the demand over the last two years especially. Quite why this record has been underground for so long is open to debate. Vic Marcel was under contract to RCA at the time hence the Charlie Mitchell pseudonym. Janus were also suffering distribution problems at the time which explains why the original is so rare. We're proud to finally make this available again on the original Janus imprint. Another double-sided beauty.

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Casco

Cybernetic Love

15,99 €*

LP | 1983 | UK | Reissue (Fire)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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Fantastic masterpiece, considered one of the best Italo-Disco songs ever. A mega-classic produced by Stefano Zito and Carlo Favilli (the latter passed away too soon) characterized by a heartbreaking melody and lush strings that exemplify the mood and rhythm of the Italo-Disco style with the use of some sounds of pre-bleepy keyboard and siren that technically make it one of the very first rave songs ever, inspiring the style of many artists that came later, like Duft Punk. However, many of them don't even come close with their imaginative computers to that bassline and string sounds that melted the souls of many of us back in that distant April 1983, even if it seems that part of the melodic line has been copied not very subtly by Casco from that of El Deux's Computer-Madchen released in 1982 in Switzerland, where Salvatore Cusato was working as a club-DJ. On the flip another excellent remix version by Danilo Braca of the song revisited a few years later. The confirmation of the wisdom and foresight of its producers, aware that the BPM would soon be lowered by a lot. In the more than 8 minutes of "Cyberlover" the constant melancholy background together with the drum/bass/synth lines are preserved intact, giving us a complete reissued product.

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ESG

Come Away With

12" | 1983 | EU | Reissue (Best Record Italy)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Come Away With ESG is the classic genre-busting debut album by the Bronx sisters ESG. The sample-friendly opus that's the inspiration for hip-hop, house and post punk. Music that falls outside of the no wave, new wave and post punk library, it's for the dance floor but it's not funk, there's no horns, no driving organ; it's the opposite of Sly And The Family Stone but no less cool and no less groovy. "A lasting document of their unique brand of minimal funk that would influence subsequent post-punk, hip-hop, and dance music acts. Stripped down to the most basic of drumbeats and rudimentary bass lines, `Come Away' confirms the notion that the real rhythm is what happens between the beats. - AllMusic

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Plustwo

Melody

LP | 1974 | EU | Reissue (Far Out)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Best Italy presents : the official remastered limited edition of one of the most sought after italo-disco jam from 1983! A one-off studio project featuring Belen Thomas on the vocals. This one became huge in the early chicago house movement and represents an early example of use of the classic Roland TB-303 Bassline!
This 2019 release offers for the first time the unreleased dub version of Melody plus the original versions.

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Ana Mazzotti

Ninguem Vai Me Segurar

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Still Way (Wave Notation 2)

Satoshi Ashikawa

LP | 1982 | EU | Reissue (WRWTFWW)

LP | 1978 | EU | Reissue (Studio Mule)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Artwork by Hiroshi Yoshimura, 350gsm Sleeve with selected UV High Gloss Varnish, Liner Notes by Midori Takada, Satoshi Ashikawa, and Gareth Quinn Redmond. Official reissue of Satoshi Ashikawa’s highly sought after Japanese ambient/environmental masterpiece Still Way (Wave Notation 2), originally released in 1982.

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Eiji Nakayama

Aya's Samba

LP | 1977 | EU | Reissue (Mr Bongo)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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One per customer only!

Johnny’s Disk Record is an independent jazz label run by the owner of jazz cafe Kaiunbashi No Johnny located in Rikuzentakata city in Iwate prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. Albums such as “farewell my johnny / left alone” and “aya’s samba” has reached cult status among fans as some of the best works to come out of the japanese jazz scene. Another japanese jazz classic, Aya’s Samba was a debut effort by bassist Eiji Nakayama, who played as part of elvin jones’ jazz machine and toured with Don Friedman. This album is an important release in the johnny’s disk catalogue, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be. “Aya’s Samba” is a mellow jazz samba in minor key that’s considered a japanese jazz classic. Slow ballad “yellow living” is drenched in melancholy with emotive keys and sax notes, while the dreamy “sea sea town” impresses with a captivating, expressive sax solo. The 4 tracker ends with “far-away road,” an uptempo tune with rhythmic keys.

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Trio Mocoto

22,99 €*

LP | 1977 | EU | Reissue (We Release Jazz)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Classic Brazilian album from 1977, featuring the incredible 'Não Adianta’ and a brilliant cover of Jorge Ben’s 'Que Nega É Essa’.
Luiz Carlos Fritz (Fritz Escovão), João Parahyba and Nereu Gargalo aka Trio Mocotó are most well-known as Jorge Ben Jr.'s backing band. They played on several seminal Jorge Ben LP’s – his self-titled from 1969, Força Bruta in 1970 and Negro É Lindo in 1971.
Trio Mocotó were also key players in the development of the 'samba rock’ sound – a fusion of samba, soul and rock influenced by music from the USA.
Official Mr Bongo reissue. Licensed from Arlequim.

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Ryo Fukui

Mellow Dream

LP | 1977 | UK | Reissue (Mr Bongo)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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This is the Standard Edition, mastered at half speed, 140g vinyl and Sticker. We Release Jazz (WRWTFWW Records’ new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.

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Cesar Mariano & Cia.

Sao Paulo Brasil

22,99 €*

Pastor T.L. Barrett And The Youth For Christ Choir

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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One of the finest Brazilian jazz funk fusion albums ever recorded; thoroughly deserving of its cult status. First official reissue outside of Brazil. Cesar Camargo Mariano is a celebrated Brazilian jazz pianist, composer and producer, born in Sao Paulo in the 1940’s. He has played and worked with the likes of Elis Regina (to whom he was married at one point), Som Tres and Sambalanco Trio and still plays very regularly today. ‘Sao Paulo Brasil’ saw Mariano and co. step deep into jazz funk/fusion territory – and nail it. Tight, tough drum grooves, intricate arrangements, layers of synthesisers, percussion and FX transport and tell a story from the first beat.

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Like A Ship ... (Without A Sail)

LP | 1971 | US | Reissue (Numero Group)

21,99 €*

LP | 1979 | EU | Reissue (Wagram)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Recorded in 1971 by a 27-year-old pastor and an after school program choir, Like A Ship is a stirring and powerful meditation on the wayward aftermath of the Civil Rights Movement. Tracked with the help of Chess/Cadet maestros Gene Barge, Phil
Upchurch, and Richard Evans, the album is a mix of euphoric gospel and Mayfield- esque political soul, with sleigh bells, hand claps, and jazzy piano stabs. Sampled by T.I., Kanye, and Khaled, Barrett created a rapturous, crossover gospel classic that’s still wildly relevant.

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Dave Brubeck

Take Five

15,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Black Byrd Back To Black Edition

Donald Byrd

LP | 1973 | EU | Reissue (Blue Note)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Music On Vinyl)

Placebo

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Limited to 1000 numbered copies.

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The Meters

Rejuvenation + 2

LP | 1977 | EU | Reissue (Trad Vibe)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g audiophile vinyl

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Cortex

Volume 2

19,99 €*

Joao Gilberto Clear Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Final reissue, limited to 500 copies!

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Joao Gilberto

LP | 1973 | EU | Reissue (Klimt)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (BGP)

S.O.U.L.

What is it

21,99 €*

Dream Cruise Clear Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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sampled by Organized Konfusion, Main Source, Pete Rock ...

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Noriki

LP | 1984 | JP | Reissue (Universal Music Japan)

39,99 €*

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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2LP | 1975 | EU | Reissue (BBE Music)

Larry Nozero

Time

36,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | WW | Reissue (Craft)

Fania All Stars

Latin-Soul-Rock

45,99 €*

Release: 1973 / WW – Reissue

Genre: Organic Grooves

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Take A Chance On The Feeling

Marshall Titus

7" | 1984 | EU | Reissue (Peoples Potential Unlimited)

13,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Altercat)

Jorge Lopez Ruiz

Coraje Buenos Aires

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Mad About)

Quintessence

Promised Heights 50th Anniversary Colored Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Mad About Records officially reissues super rare private press Quintessence’s 1981 LP. With every famous jazz recording, many others remained on the shelf of oblivion without ever receiving the recognition they deserved, and this is the case of Quintessence.

Led by Ron Ancrum, with George Sovak, David Gaedeke, Winston Johnson and Steve Muse recorded an exceptional and fundamental album of 80's jazz.

If you are into Fender Rhodes, this is an LP to be collected.

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Cymande

LP | 1974 | UK | Reissue (Partisan)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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For The Love Of You / Everybody Knows Record Store Day 2024 Edition

Family Underground

7" | 1979 | UK | Reissue (Power Funksion)

15,19 €* 15,99 € -5%

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Formed by Roland Treaudo and Manuel Herrera Jr, the Family Underground emerged from the rich musical tapestry of New Orleans. Despite their distinct upbringings in Baptist and Hispanic congregations, the band achieved widespread popularity. Securing a coveted Sunday residency at Whitey’s Devil’s Den, located in the heart of New Orleans, the band's dynamic performances led by Manuel on the grand piano and Roland on the mic drew in crowds that exceeded the 400-person capacity. Remarkably, this energetic scene continued until 4 am every Monday for over 250 consecutive weeks, all without the need for promotion or flyers. Amidst frequent tours and a bustling schedule across the Southern states, the band had limited time for recording. In 1975, at 'Cos' Matassa’s Warehouse Studio, they produced the single 'Everybody Knows'. The following year, their rendition of the Isley Brothers’ 'For The Love Of You' became a stripped-down classic, surpassing the original. Until now anyone wanting to own this piece of rare New Orleans funk and soul had to pay out nearly £150 for the pleasure, but for the first time in 49 years, the release has been officially licensed and lovingly reissued on heavyweight 7 inch vinyl, exclusively for RSD. An essential purchase for any lovers of rare soul and funk from the Deep South!

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Heptones

Cool Rasta

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Love Has Found You / Nightime Lady

Mike Francis

12" | 1982 | EU | Reissue (Best Record Italy)

14,39 €* 15,99 € -10%

En La Conquista Del Mundo Latino

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Francesco Puccioni "born genius" in Florence, Mike Francis "becomes legend" in Rome. Deeply inspired in his adolescence by the emerging movements of North American soul, country and West Coast music and by artists such as Marvin Gaye, Stevie Wonder and James Taylor, Francesco began to compose refined songs with radiant energy every day. From the first acoustic gestures performed with the guitar, always keeping compositional creativity and improvisation under his arm, he enters the unexplored waters of Italian disco music. This slow and inexorable transformation allowed him to create in 1981 with the Metropole group (with Al Festa and Claudio Giusti, all still in their twenties) the international disco hit "Miss Manhattan", a true piece of proto-Italo-Disco! A year later the young Florentine singer-songwriter wrote two evocative soul-disco songs produced by Paul & Peter Micioni, published by Best Record and performed by a certain Mike Francis (!). This is the birth of the stage name which will forever accompany the musician who became a fundamental reference of the experimental Italo-Disco "scene", then soon recognized worldwide. This coveted 12" vinyl reissue comes out with the same Best Record commercial cover as 40 years ago and with the same 'red sticker'. And finally we have the juicy reissue of "Nightime Lady" and the more appetizing and danceable "Love Has Found You", both perfectly remastered by Dom Scuteri, excellent in obtaining an impeccable sound recording, even eliminating some imperceptible defects of the original master tape. Therefore a super reissue (in limited edition) to listen to everywhere with the smart phone and to dance with joy and elegance at any type of party.

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Salsa Suprema

LP | 1979 | EU | Reissue (Elpalmas Music)

27,99 €*

12" | 1984 | EU | Original (ZYX)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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El Palmas Music rescues a hidden gem of Venezuelan salsa

With the vinyl reissue of En La Conquista del Mundo Latino (1979), by the Salsa Suprema Orchestra, it pays a fair tribute to Larry Francia.

“Larry Francia's work deserves nothing less than transcendence,” says Miguel Álvarez, the Venezuelan musical collector and archaeologist who one day came across with this Salsa legend from his country without planning it and knew it was fair and necessary to spread this magnificent work.

Born in Barlovento, an Afro area of Venezuela where the drum rules, Larry Francia grew up in San Agustín del Sur, a Caracas neighborhood that is salsa territory par excellence. When he was barely 12 years old, Víctor Piñero, one of the most popular orchestra singers in Venezuela in the 60s, summoned him to record choirs. An early initiation that marked Larry forever and at the same time revealed his indisputable talent.

“His driving force is singing. If you're talking to him, he often stops talking to sing" says Álvarez. “He was a man who never stopped being a musician, even though his living conditions were never the best. And the legacy of Salsa Suprema is key to Venezuelan popular music.”

When that orchestra stopped working (there were no producers who supported their tours, their records were pirated in Spain in the 80s), Larry suffered an emotional breakdown and even gave up devoting himself to music for a few years. He was someone who undoubtedly lived for and through music.

Larry Francia left this world in 2023, but we are left with a fabulous album like En La Conquista del Mundo Latino, recovered from the chest of memories by Álvarez and the Suicide Diggerz collective, specialists in rescuing hidden gems. “It’s a collector's item of the most exquisite and least known Venezuelan salsa” he defines.

The El Palmas Music label - created by musician, DJ, designer and cultural agitator Maurice Aymard, whose base of operations is in Barcelona - has been committed since 2020 to making known the best and least visible of the rich heritage of the popular music from Venezuela. Now he is pleased to present the reissue of this fundamental album as a posthumous tribute to an artist with capital letters: the great Larry Francia.

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Fokewulf 190

Body Heat

Nasty Gal Pink & Yellow Vinyl Edition

Release: 1984 / EU – Original

Genre: Organic Grooves

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Reissue of this italo classic from 1984. Comes with Flemming Dalum and DJ Tin Tin remixes.

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Betty Davis

LP | 1975 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

LP | 1976 | EU | Reissue (Mad About)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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"In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty paved the way for generations of future artists who said ‘funk you’ to the music industry and social norms.

In 1975, Betty Davis’s star was on the rise. With the backing of Island Records and a new band, Funk House, Betty’s third album, Nasty Gal, leans into the hyper-sexualized persona with which her critics were so obsessed. She raps, purrs, shrieks, and moans on top of Funk House’s manic funk-rock and lays claim to the “bad girl” anthems that now saturate the music industry. Mastered from the original tapes, Nasty Gal showcases Betty’s groundbreaking work as a performer, writer, and producer."

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Fisher

Surgeon Of The Nightsky Restores Dead Things Byteh Power Of Sound

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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A rare album, “Fisher” was originally released on the Nentu label in 1976. Think Grant Green meets Eddie Hazel.

This LP has it all: gorgeous Soul Jazz, wahed-out fuzz Rock, dirty, head-nodding Funk Rhythms. It's a monster psychedelic soul-funk instrumental album. This is less jazzy than the “Third Cup” and “The Next One Hundred Years”, released by Chicago’s Cadet label and more cosmic psych funk across both sides and gets super exploratory and trippy.

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Jon Hassell

LP | 1987 | EU | Reissue (Intuition)

36,99 €*

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Prelude Colored Vinyl Edition

Deodato

LP | 1973 | EU | Reissue (Music On Vinyl)

31,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Noise For Vendor Mouth Red Vinyl Edition

Fela Kuti

LP | 1975 | UK | Reissue (Knitting Factory)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Why Black Man Dey Suffer Transparent Yellow Vinyl Edition

Fela Kuti

LP | 1971 | UK | Reissue (Knitting Factory)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Poder Del Alma II Black Vinyl Edition

Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

LP | 1974 | UK | Reissue (Be With)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Impossible to find second album by this band from Nicaragua, 1975. A cool mix of Latin funk, jazz, salsa and psychedelic grooves. Including some of their most sought after tracks like ”Bacanal’ 76”, “Mimo” or the antiracist statement “La Conga de las Dos Razas”. After recording their first LP in Guatemala, Nica supergroup Poder del Alma travelled to Costa Rica to register their second album. This time the recording studio and equipment (including Mini-Moog) were better and the band featured a new line-up. The result was a powerful album which is now one of the holy grails of Latin funk worldwide.

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V.A.

Image (KPM)

LP | 1980 | Reissue (Be With)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Impossible to find in the wild, KPM's Image is exactly that; this record paints extraordinary, hyper-vivid scenes with music, in the way only the library greats can. Originally released in 1974, Image is an absolutely stunning listen from start to finish, and arguably the most wanted KPM grail that's still not been reissued - until now! Just too good…

Worth the price of admission alone, and likely the reason you're all already drooling about this release, the mellow, dramatic beat of "Image", Brian Bennett's opener and title track, is a Jaylib-sampled firecracker. A reflective, scenic underscore which grows to full orchestra and ends as it begins - it's just beautiful. Next up, swoon to "The Little Orphan" by Neil Richardson featuring strings and harp. It's a deeply emotive, sweeping orchestral piece. Just straight gorgeous. It's followed by "Paradise Island", a lush, horizontal Balearic gem courtesy of Gordon Rees and David Gold; it'll send you into a blissful reverie with its elegant strings and gentle drums. From the same pair, "Forbidden Fruit" is, again, string-drenched but the strings are more insistent, stabbing even, and, with drums and Blaxploitation guitars high up in the mix, it's definitely a funkier proposition. "The Enchantress", again a Rees-Gold special, is a slower, groovy, synthy wonder. Closing out the A-Side, "Phenomena" is a mysterious gem, a Gold solo effort set at a breezier tempo with propulsive percussion and head nod, fast-paced breaks with ace keys.

Flip over for "Infinite Expanse", John Scott's dramatic panorama adorned with proud, triumphant horns. Scott's "Static Objects" paints patient, pastoral scenes; there's a serenity and stillness to the proceedings. Next up, Be With favourite John Fiddy delivers shifting shapes and patterns with his wonderful "Metamorphosis", all wah wah, harps, dramatic percussion and strings. It's by turns billowy and blasting. "Cubist Pictures" follows, Neil Richardson's brilliant nebulous, fragmentary piece. Better yet, Richardson's gorgeous, beatless "Analysis" follows, and it's an orchestral beauty featuring cello, harps and woodwind. It's no exaggeration to describe this as transcendental. His "Crystal Ball" presents more static scenes with cello, twinkling percussion and strings, before Steve Gray's fantastically-titled softly-ace "Gliding Through Clouds" closes out this remarkable set.

As with all of our KPM re-issues, the audio for Image comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity.

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Bobby Caldwell

Cat In The Hat

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1980 / Reissue

Genre: Organic Grooves

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Bobby Caldwell's second album, Cat In The Hat, from 1980, is one of his greatest moments and another masterwork of soulful sophistication. Featuring the eternal "Open Your Eyes", brilliantly sampled by J Dilla for Common's "The Light", it's about as essential as records get. Like its eponymous predecessor, it's been out of print for far too long. To finally release the hugely-anticipated reissue is one of our sincerely proudest moments.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

Right from the off, it's easy to tell that Cat In The Hat is a deeply special record. It's fantastically produced and incredibly well-rounded, carving its own lane with deep soul, warm jazz and a stunning vocal delivery that really helped Bobby reach out to some big new audiences at the time. Goosebumps at the ready for the rolling power-piano funk of "Coming Down From Love", opening up the album with a track as good as anything Steely Dan or The Doobies ever crafted, with a vocal performance from the heavens. Pumping AOR wonder "Wrong Or Right" is up there with the slick, classy rhythms of prime Ned Doheny whilst the cool, skipping soul of guitar-drenched "To Know What You've Got" is a funky ballad par excellence, with elemental traces of "What A Fool Believes". No bad thing. Closing out Side A, the folk-funk of "You Promised Me" is a bright, soulful strut with a wonderful vocal coda that just builds. Sensational.

The delicate bounce and falsetto self-harmonising of "It's Over" offers a truly delightful introduction to Side B, and serves as a great precursor to what follows. Bobby's dynamite "Open Your Eyes" is likely the reason you're all here. As if he needed it, the eternal J Dilla further immortalised Caldwell in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023, Questlove claimed that he "got word Brother Bobby loved it". Bobby's original has seen new life even more recently from the likes of Dwele and Kendrick Lamar and deservingly so, as its insistent drums and staccato piano created a modern-soul classic. You'd think that would be hard to follow, wouldn't you? Not so, when you're Bobby Caldwell. Indeed, the horn-drenched stepper "Mother Of Creation" is absolutely ace, and, whisper it, possibly the album's finest track, all funky piano and guitars with horn lines to die for. Exquisite ballad "I Don't Want To Lose Your Love" rounds out the album beautifully.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of Cat In The Hat will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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Betty & The Code Red

Wishful Thinking

17,99 €*

LP | 1975 | EU | Reissue (ABC)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.

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Isaac Hayes

Chocolate Chip

30,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Gentle Breeze Red / White Vinyl Edition

Piper

LP | 1983 | US | Reissue (Ship To Shore)

23,19 €* 28,99 € -20%

12" | 1984 | EU | Reissue (Planet Records Classics)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 300 copies.

Piper continues their blend of groove-laden synth-pop funk with an LP so cool that the album cover itself depicts snow-covered scenery, yet is so warm to listen to you’ll believe that you’re at an 80’s themed pool party: Gentle Breeze!

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Clio

Eyes Black Vinyl Edition

17,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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7" | 1978 | UK | Reissue (Expansion)

Gloria Gaynor

This Love Affair

LP | 1974 | JP | Reissue (P-Vine)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Pure Philly magic from Gloria Gaynor, the definitive 2 minute 43 second version of “This Love Affair” only on 7”, and becoming rare/sought after after it’s original release in 1978. The full album version also still popular, so offered here too on this back to back release. The song is co-written by Gloria Gaynor and given that Philly flavour by arrangers Norman Harris and Ron ‘Have Mercy’ Kersey. Original UK copies on Discogs start at £50.

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Mulatu Astatke

Ethio Jazz

Gloster Williams And The King James Version

Release: 1974 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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"Ethio Jazz" is an album released by the Ethiopian master musician Mulatu Astatke in 1974 on his homeland Ethiopia's Amha Records. It stands as a milestone not only in his career but also in the history of contemporary Ethiopian music, continuing to shine brightly. With melancholic melodies played by wind instruments, a polyrhythmic rhythm section creating robust waves, sultry vibes from the vibraphone, and smoky organ tones, the album is enveloped in the sounds of jazz inherited from the States. This work, where various musical elements are miraculously fused in perfect balance, undoubtedly reigns at the pinnacle of Ethio Jazz, showcasing Mulatu's ambitious creativity in seeking out new sounds.

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Together Black Vinyl Edition

LP | 1977 | EU | Reissue (Regrooved)

30,99 €*

LP | 1971 | JP | Reissue (P-Vine)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Experience the divine power of gospel music with the reissue of the legendary album Together by Gloster Williams and The King James Version. Originally released in 1977 on Gospel Roots Records, this seminal work is now re-released for the first time on vinyl, courtesy of Regrooved Records. Together captures a moment in gospel music that is both timeless and transcendent. Led by the dynamic Gloster Williams, The King James Version choir brings an electrifying blend of traditional gospel with hints of soul and R&B, creating a sound that uplifts and inspires. This album is famed for its stirring harmonies, powerful lyrics, and the passionate delivery that fans and newcomers alike will find deeply moving. Highlights of the album include the soaring title track, "Together," which has been a staple in gospel music playlists for decades, celebrated for its message of unity and spiritual upliftment. Each song on the album is crafted with care, featuring intricate arrangements and a raw emotional energy that captures the essence of gospel music's golden era. This reissue is a meticulously remastered version that enhances the original recordings while preserving the authentic sound that made Together a must-have for gospel collectors and enthusiasts. It's pressed on high-quality vinyl to deliver the best listening experience, ensuring that the richness of the choir’s vocals and the depth of the instrumentation are beautifully rendered. Don't miss this opportunity to own a piece of gospel history. The reissue of Gloster Williams and The King James Version’s Together is a testament to the enduring power of gospel music to console, celebrate, and connect us. Add this vital record to your collection and let its messages of faith and fellowship fill your home with joy and inspiration.

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Kashmere Stage Band

Thunder Soul

37,99 €*

LP | 1976 | US | Reissue (Superior Viaduct)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Joe McPhee

The Willisau Concert

Through The Looking Glass

Release: 1976 / US – Reissue

Genre: Organic Grooves

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“Joe McPhee’s first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia. “In support of the new record for this Swiss label, McPhee invited John Snyder on a European tour in October 1975. Snyder was a synthesizer player with whom McPhee had made the duet LP Pieces Of Light, released a year earlier on CjR. The two musicians developed an extensive repertoire, playing diverse spaces in the Hudson Valley. Geographically close gigs were a plus, since it took extra energy to hoist Snyder’s ARP 2600. “McPhee and Snyder were invited to play at the Willisau Jazz Festival in Switzerland. If you compare this live record with Pieces Of Light, a studio effort, it’s considerably more open. South African drummer Makaya Ntshoko is rolling thunder on the choral ‘Voices,’ shuffling under Snyder’s bubbly beat on ‘Bahamian Folksong.’ It is quite a special combination, enough so that Hat Hut chose to release it as their next LP, Hat Hut B in their alphabetical series. The Willisau Concert represents the sound of Joe McPhee opening up, opening out, expanding his field of operations to include new figures, fresh experiences, new continents of sound.” John Corbett (excerpt from the liner notes)

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Midori Takada

2LP | 1983 | EU | Reissue (WRWTFWW)

37,99 €*

New Dimensions Record Store Day 2023 Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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2023 repress, limited to 500 with Original Stoughton Tip On Sleeve!

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Larry Bright

LP | 1987 | UK | Reissue (New Dimensions Productions)

22,79 €* 23,99 € -5%

On The Radio: Greatest Hits Volume I & II

Release: 1987 / UK – Reissue

Genre: Organic Grooves

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Having spent the majority of his career in the world of jazz fusion backing up the likes of Sun Ra and Ahmad Jamal, Larry Bright climbed out from behind the kit on his sophomore solo album New Dimensions. Self-released in 1987, an original of the eight-song LP will set you back £150 and finds Bright experimenting with spaced out synths, pop song structures, and drum machine-led electro-funk beat, pushing the boundaries of nu-jazz to the absolute edge. Remastered 180g Heavyweight vinyl.

Accompanied by guitarist John Grant, bassists Tony Bunn and Mark Easley, and dueling trumpeters Jimmy Wilson and Ivan Smart, the resulting album reads like a score to an afro-futurist sci-fi film. Float out into deep space and let Larry Bright’s smooth jazz-terpiece greet you like a warm wind hitting a docking bay in a far-off galaxy. Expertly remastered for your audiophile pleasure. LP in original picture sleeve.

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Donna Summer

2LP | 1979 | EU | Reissue (Def Jam)

38,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Everybody Loves The Sunshine

Roy Ayers Ubiquity

12" | 1979 | US (Polydor)

14,99 €*

Release: 1979 / US

Genre: Organic Grooves

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LP | 1974 | JP | Reissue (P-Vine)

Clifford Jordan Quartet

Glass Bead Games

48,99 €*

LP | 1974 | JP | Reissue (P-Vine)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.

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Phil Ranelin

The Time Is Now!

48,99 €*

LP | 1973 | EU | Reissue (Motown)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!

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Stevie Wonder

Innervisions

LP | 1975 | UK | Reissue (Mr Bongo)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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"All in Love is Fair" sampled by Jedi Mind Tricks for "War Ensemble"

- "Too High" sampled by Alkaholiks for "All Night"

- "Living for the City" sampled by Public Enemy for "Black Steel in the Hour of Chaos",
Sylvester for "Living for the City" and
Wu-Tang Clan for "The City"

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Waltel Branco

Meu Balanco

Ivory Black Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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This one takes us back! We originally reissued Waltel Branco's 'Meu Balanço' in 1995, it was one of the first releases to come out on Mr Bongo. It is a much-requested title with original copies becoming ever more-scarce and the price tag increasingly rising, so it feels fitting to present this stunning record once again for all to enjoy.

Waltel Branco was born in Paranaguá, Brazil in 1929 and died in Rio de Janeiro in 2018. During his triumphant career he accumulated an impressive musical portfolio. A true maestro who from the 1950s onwards appeared on productions as a guitarist, writer, conductor, composer, and arranger. He worked with some of the greats of Brazilian music including Elis Regina, Dom Um Romao, Bossa Três, Marcos Valle and Tony Bizarro to name just a few.

'Meu Balanço' was originally released on CBS Records Brazil in 1975. It is Brazilian big band, orchestrated jazz-funk at its finest. Echoing the library and film productions created in Europe and the USA at the time, it also displays the hallmarks of Waltel’s heritage with distinct threads of Brazilian flavour running throughout. The musicians on the record include under-the-radar players that were the backbone of the Brazilian music industry in the 1970s including Luizão Maia on bass, Edmundo Maciel on trombone and Paulinho Braga on drums.

The album flirts between jazz-funk, cinematic library excursions, breaks and beats, easy-listening, and 70s cop show instrumentals. It is a breezy ride into Waltel's world, wonderfully nostalgic and of another time and place, yet snippets of the production echo the beats of contemporary hip-hop iconic artists such as Madlib, knxwledge and The Alchemist.

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Kio Amachree

LP | 1981 | EU | Reissue (Mondo Groove)

The London Howlin' Wolf Sessions

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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The killer 1981’s Nigerian funk boogie disco and reggae by Kio Amachree repressed for the first time.

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Howlin' Wolf

LP | 1971 | EU | Reissue (Elemental Music)

32,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | Reissue (Knitting Factor)

Fela Kuti

He Miss Road

Release: 1975 / Reissue

Genre: Organic Grooves

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Michael Orr And The Book Of Life

Love Will Rise

LP | 1981 | JP | Reissue (P-Vine)

LP | 1980 | JP | Reissue (P-Vine)

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Forget the magician! Featuring Michael Orr front and center in all of his 70s slickness : Love Will Rise!

Best known for his work with soul diva FAY, as well as his iconic, and incredibly rare 1976 album Spread Love (see above), Michael Orr’s talents seem immeasurable. Backed by his hometown band, Book of Life, the two combine in a funky explosion the likes of which hasn’t been seen since! Crate diggers will recognize the name of album closer “Spread Love” from Orr's 1976 album of the same name, yet this is a somehow even funkier recording of the same tune, with a leaner groove and harder beat. Danceable funk has always been Orr's speciality, but he seems to turn the dial up to 11 with this interpretation.

The other side of the Michael Orr coin is title track “Love Will Rise”. With smooth grooves, gentle drumming, and the ever present baritone of Michael Orr himself, the song is a relaxed affair, calling to mind the preacher-esque photo of Orr on the cover. As slick and soulful as it is, the grooves remain unparalleled, unifying the album in a strangely poetic way. Don’t miss Michael Orr and The Book of Life’s Love Will Rise, available on limited edition vinyl with a Japanese obi-strip attached!

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The Next Movement

First True Love Affair Yellow Vinyl Edition

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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The first ever vinyl reissue of Chicago’s very own chorus group The Next Movement’s self-titled debut, is getting its long-awaited release!

“What’s the next move?” was supposedly something that the fledgling Next Movement was asked so frequently (due to their incredibly smooth dance moves), they decided to take their name from it. Although they made a name for themselves performing for Oprah Winfrey and rowdy Las Vegas crowds, their self-titled debut album - the sole full length effort from the group - predates that fame, initially being released through GEC in 1980. Album opener “You’re The One” is a funky dance tune, complete with slap bass, wah’d out guitars, and iconic 80s synth sounds. In comparison, A-side closer “Kid Stuff” is a soul ballad, deeply groovy, but tinged with a hint of melancholy. All of this is tied together by the group’s impeccable vocal harmonies, truly reflecting the immense talent found in these Chicago crooners! P-vine is thrilled to be reissuing the Next Movement’s self-titled debut on limited edition vinyl with an obi-strip for the first time ever!

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Jimmy Ross

LP | 1981 | EU | Reissue (Full Time)

18,99 €*

Lonnie Liston Smith & The Cosmic Echoes

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Official reissue of this disco classic from 1981. Remastered in 2022 and pressed on yellow vinyl.

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Renaissance

LP | 1976 | UK | Reissue (BGP / Flying Dutchman)

The Sojourner 2022 Repress

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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After the success of “Expansions” (1975) Lonnie Liston Smith and the Cosmic Echoes were riding high, with Lonnie at the height of his creative powers. Two more albums followed on Flying Dutchman before changes at RCA meant that it was decided that the next album would be released on the parent label. As such, the final Cosmic Echoes album on RCA was neglected and has remained out of print on vinyl since its original release back in 1976.

Produced by Bob Thiele and Lonnie, this album we now restore this to its position in the Flying Dutchman catalogue on this vinyl reissue.

A masterpiece of cosmic jazz funk “Renaissance” includes the reflective ‘Between Here And There’, the jazz dance classic ‘Mardi Gras (Carnival)’ and the sensational ‘Space Lady’.

180g black vinyl in replica gatefold sleeve.

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Ensemble Al-Salaam

LP | 1974 | EU | Reissue (P-Vine)

31,99 €*

12" | 1984 | EU | Reissue (Best Record Italy)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. Over nine tracks, the band is perfectly in sync, expressing their spirituality through one ethereal soulful groove after another. The closer “Peace (Salaam)” stands out as a highlight, with warm spiritual tones and a beautiful haunting melody bringing the album to a close. P-VINE is proud to be repressing this album for the third time, with a new and improved obi-strip attached

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Strada

It's The Monkey!

15,99 €*

2LP | 1984 | EU | Reissue (Hot Casa)

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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""It's the Monkey !" is one of the most striking and unique reissues of Best Record to date, rises like a flame from the history of the Italo-Disco. Very well arranged and enriched by a creative use of many different sounds. There is nothing else quite like it! Strada was born in a studio where the extraordinary arrangers Ennio Tricomi, Enzo Vallicelli and Romano Trevisani work with Enza Kucic's superb vocal skills, their favorite backing singer of Crusin' Records. "It's the Monkey", considered to be one of the Top Five Italo-Disco tracks of all time, is a electro monster with all kinds of weird sounds and effects, wicked synth stabs, very original use of drum kits and arpeggios! There is nothing else that looks and sounds like this piece apart from "Raging Waters" by Al Jarreau in the 12" Dance Remixed by Judy Weinstein and Larry Levan. But how can one claim that someone copied Levan when Strada's album was releases three months earlier? "Street Dance" on the flip is an underrated electronic track with a deep dance potential, rhythmically slightly slower, with very catchy synth strings. Among the most evocative and important reissues of the year!"

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Alhaji K. Frimpong

Abrabo

32,99 €*

Akira Ishikawa & His Count Buffalos

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A classic and essential Hi-Life & Afro Funk album from one of the greatest Ghanaian singers and composers, reissued for the first time! The legendary Alhaji Kwabena Frimpong's fantastic rare album was recorded in 1984 in Germany and originally produced and distributed from Hamburg. K . Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti - Akim district, died Oct 18th 2005 in Kumasi (Ghana). He entered right into music after elementary school by joining "Star de Republic" and later "Oko's band" after which he left for K. Gyasy's band where he worked for more than 6 years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of Hi-life and Soul . The excellent background is given by the famous Cubanos Fiesta with members of Vis-à-vis band such as the famous Sammy Cropper on guitar or Slim Manu on bass. Originally produced by Atakora Mensah in Hamburg, this four songs recording is a blend of danceable and spiritual Soul and straight Hi-life. A must-have vinyl of percussive Afro Funk for all the music connoisseurs, Abrabo is a true masterpiece, so hard to find and reaching crazy skills for a decent copy affordable. Remastered by Frank Merritt at The Carvery. Pressed on Replika format. Fully licensed by the Alhaji Kwame Frimpong Family.

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African Rock

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Tülay German & Francois Rabbath

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Japanese jazz drummer Akira Ishikawa has recorded countless albums with the band Count Buffalos, though few are quite as revered and sought-after as 1971 set African Rock. Of his albums, this is certainly the most dazzling and impactful, flawlessly produced. More than "African rock" it is psychedelic spiritual jazz with funky veins; the set is a brilliant blend of Akira Ishikawa's favorite styles with juicy, tribal and deep percussive elements - his drums are flanked by Kenji Shiraishi's marimba and Masami Kawahara's percussion - which in some moments they recall Fela Kuti (see the superb "Animals / Mnama") and in many other the electric Miles Davis. He bring a completely new global sound to his music with the inclusion of the electronic component with the ‘ tabbing' Kimio Mizutani's guitar solos and electric piano accompaniment by the great Hiromasa 'Colgen’ Suzuki (also on acoustic piano and composition). Undoubtedly one of the best records produced in Japan in the 70s. Unmissable!

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Homage To Nazim Hikmet

LP | 1982 | EU | Reissue (Zehra)

LP | 1975 | Reissue (Luaka Bop)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the reissue of the self-titled debut by Tülay German & François Rabbath in 2021, we‘re presenting the 2nd and final part of our Tülay German reissues: "Homage to Nazım Hikmet" (1982). Once again in a duo setting with François Rabbath, Tülay German pays tribute to one of Turkey's greatest poets of the 20th century: Nazım Hikmet (1902-1963). Recorded in the early 80s this two-album workcycle refers heavily on turkish poets and the tradition of aşıks (singer-poets and wandering bards) and consists of unique and modern interpretations of turkish folk songs unmatched to this day.

Back in the 60s Tülay German (*1935 in Istanbul, Turkey) shook the turkish music landscape with several 7" records. Most notably her first 7" record Burçak Tarlası (1964) is now considered the cornerstone of what was to become the Anadolu Rock/ Pop movement and underlines her rebellious nature and sense of justice. But due to increasing repression Tülay German and her lifelong partner and intellectual impetus Erdem Buri decided to leave Turkey a few years later. In France Tülay German signs a major contract with Philips resulting in many 7" releases sung in french under her french moniker Toulaϊ. In the long run Tülay German doesn’t feel quite comfortable with this major deal. And thus, despite the success and recognition she had gained, she decides to quit the contract with Philips!

Later on she signs to independent world-music label Arion to pursue her actual artistic goals more in line with her origin and temperament. Back to her mother tongue, Tülay German records above mentioned albums for Arion under full artistic freedom, the only full-lenghths in her 20+ years career. Alongside with double-bass virtuoso and turkophil François Rabbath (*1931 in Aleppo, Syria) the albums consist of aşık traditionals and intonated poems mainly by Nazım Hikmet. Her passionate voice and the restrained arrangements of François Rabbath turn these centuries old melodies and poems into glowing manifestos for love and justice. The fruitful collaboration of these artists-in-exile adds significantly to the rich heritage of turkish folk music.

Nazım Hikmet (1902-1963) is considered as one of Turkey’s greatest poets of the 20th century, though during his lifetime his works were banned in Turkey for decades and he spent most of his life in prison or in exile. He is up to this day a huge reference for turkish writers, musicians and intellectuals.

Tülay German ended her musical career in 1987. In 2021 Tülay German was awarded with the Lifetime Achievement Award by the Istanbul Foundation for Culture and Arts, Turkey.

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The Staples Jr. Singers

When Do We Get Paid

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1975 / Reissue

Genre: Organic Grooves

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The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.

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Muddy Waters

Hard Again

Courtial With Errol Knowles

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Muddy Waters needs no introduction. The Chicago-based blues singer has been in the business since the 1940's, influencing the 60's blues rock movement spearheaded by the Rolling Stones. Recorded eight years after his last album 'After The Rain', 'Hard Again' is Muddy Water's massive comeback album of 1977, opening up with the one song that cemented Muddy's place in Rock & Roll heaven: 'Mannish Boy'. Produced by Johnny Winter (whose ecstatic 'Yeah!'s can be heard on 'Mannish Boy'), 'Hard Again' features Muddy's trademark blues sound: rugged, raw and full of energy. The rest of the album has similar qualities: blues harps, slide guitars and wailing vocals, it's all there. Music On Vinyl's 180 grams reissue LP is a must for any record collection

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Don't You Think It's Time

LP | 1976 | EU | Reissue (Mad About)

The Space Between White Vinyl Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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First time worldwide reissue on 180 gram vinyl with original 6 pages insert book with lyrics. Cult LP including rare groove classics like “Losing You”, “Don’t You Think It’s Time” or “Love Nevermore” Released in 1976 on Pipeline, a small label from Woodside, California.

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Joanna Brouk

LP | 1981 | US | Reissue (Numero Group)

Be What You Want Be 2022 Repress

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Previously issued on three rare cassette-only editions, Joanna Brouk's 1980 sophomore album The Space Between has finally been given spacious LP quarters. The side-long title track, performed by Brouk's Mills College instructor and sometime-lover Bill Maraldo is among the deepest and most distinctive pieces in the new age canon, while side B's three cuts expand the theme in hypnotic new directions.

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Ernest Ranglin

12" | 1983 | EU | Reissue (Emotional Rescue)

Sammy Burdson, Klaus Weiss & Larry Robb

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Emotional Rescue is delighted to reissue for the first time, the legendary Ernest Ranglin teaming up with Noel Williams aka King Sporty, on this 1983 meeting of reggae guitar legend and Miami disco boogie don that resulted in this highly sought after 6 track mini-LP.
A defining guitarist and composer in the development of Jamaican music, Ranglin leads little introduction. In a career spanning over 50 years, he was involved in the move from mento and calypso to ska and on to reggae, playing on the groundbreaking recording of My Boy Lollipop itself, before going on to work with the likes of the Skatalies, Prince Buster, Jimmy Cliff and Bob Marley. Born in 1932 in Manchester, West Jamaica before moving to Kingston, Ranglin's self-taught chordal and rhythmic approach blended jazz, mento and reggae with percussive guitar solos. On moving to Florida in 1982, he teamed up with scene king, Williams to present 'a new style', mixing the bass heavy boogie disco the producer was famous for with Ranglin's unique playing. Featuring a who's who of the Miami scene including Bobby Caldwell, Timmy Thomas, Betty Wright and Williams himself, the rearranged order starts here with Soft Touch. A retake of Thomas' TK Disco and Cosmic) classic Africano, before a skanking remake of the William's standard, Keep On Dancing and title bomber Be What You Want Be, crown the match of reggae and vocal disco. Also, included is a beautiful take on Anthony Hester's R&B classic, In The Rain, while the record closes with the choice Papa "Doo" and jammer Why Not.

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Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

12" | 1982 | EU | Reissue (Groovin)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Shriekback

My Spine Is The Bassline

12,99 €*

Soup For One Record Store Day 2021 Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Larry and Bell are two musos from the east and west of the Atlantic, who met on a scuba trip in Belize in '99. Larry plays Bongos, Bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on Guitar, Double Bass, and Kick Drum. After a few Rum Daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

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Chic

12" | 1982 | EU | Reissue (Mirage)

21,99 €*

LP | 1975 | EU | Reissue (Matsuli Music)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Famously sampled in Modjo’s number one smash hit ‘Lady’, Chic ‘Soup For One’ is a tried and tested recipe for greatness. Tantalizing, trademark Nile Rogers funk strumming, sublime synthwork, vocals to die for and hooks for days. Coming up to its 40th anniversary with the original released on Mirage in ’82.

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The Beaters

Harari

7" | 1978 | UK | Reissue (Discs Of Fun And Love)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Excellent reissue of this amazing LP by the South African super group. Check the tunes ''Harari'' and 'Thiba Kamoo'', super groovy arrangements and tight cohesion between Alec Khaoli on bass guitar and Sipho Mabuse on drums, laced with the soaring vocals and guitar play by Selby Ntuli. Tip! The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Alonzo Turner

Whoever Said It

12,99 €*

LP | 1977 | US | Reissue (Lion Productions)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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We're back with our 5th release! This time it's the certified dancefloor weapon by Alonzo Turner ‘Whoever Said It?’ Released on a 7 inch with a part 1 & 2, this record has been played on dancefloors worldwide by such players as Rahaan, Sadar Bahar and more, with those selectors favouring the part 2 in the most euphoric moments with that incredible vocal half way through. The record has remained hard to come by for most so we are thrilled to have this one out there as an affordable and great sounding reissue. Remastered as always by Frank at The Carvery and this time released with a vibrant company sleeve and a baby yellow label on the 7 to match the original. "Alonzo Turner was born in Northern California in 1955 and was introduced to music by his church, of which his father was pastor. As a young adult, Turner moves to West Hollywood and at 23, he starts to manage a local rock band while working day and night to write what will turn out to be his first and only release, ‘Whoever Said It’. The song catches the attention of Dave Crawford, A former producer at Atlantic. Like most stuff on Crawford’s label, LA Records, the single never makes it to the charts but helps Turner make a name for himself in L.A. and Orange County where he performs often. There is only speculation about what happened to ‘You’ve Got Something’, the LP on which the song was meant to appear, but five years later Alonzo ends up writing an eponymous piece for Norma Lewis (Shakatak, Charade) on her debut album ‘It’s Gonna Happen’. In 1984, struggling to make ends meet from his music career, Turner takes a part time job at a record store, while also pushing garments to an elite clientele in Beverly Hills, even selling clothes to one of Michael Jackson’s designers. In 1991, aged 38, Alonzo Turner will pass away from illness. Written by a loner who lived in a modest flat filled with antiques and expensive art pieces, ‘Whoever Said It’ is a testament to the idea that love does exist beyond our imagination. While asking who is to blame for spreading the opposite theory, Turner makes this simple yet compelling argument to debunk it: emotions are a motor of action, they literally set us in motion and therefore reality derives its very momentum from them." Alonzo Turner biopic originally written by Omar Krivit via musicismysanctuary.com

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Jorge Trasante

Folklore Afro Uruguayo

Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto

Release: 1977 / US – Reissue

Genre: Organic Grooves

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A masterpiece of South American percussion, recorded in 1977 by worldwide legend and Gipsy Kings percussionist Jorge Trasante—and impossible to find for decades—finally reissued!

'In the mid-'70s I was struck by a young Uruguayan percussionist named Jorge Trasante. I met him accompanying Rada and Pippo Spera, in recordings in the Sondor Studio. He turned out to be an experienced percussionist and remarkable musical researcher, despite his young age, only 23 years old. At that time he invited me to a rehearsal with Eduardo Mateo, at his house in El Cordón. We decided to record the album 'Mateo y Trasante', which today is an iconic album of Uruguayan music. And at the same time, I suggested to Jorge, to record an LP of instrumental percussion, based on Afro Uruguay rhythms. It became his letter of introduction when a few months later he traveled to Europe, where he joined very good groups, including the Gipsy Kings, with whom he recorded 18 albums between 1987 and 2001, and also accompanied other great artists. Jorge Trasante settled in Paris, France, where he lived for more than 30 years. The album “Folklore Afro Uruguayo” was not a success of the moment, but is a sound document which maintains its validity through time.” —Enrique Abal Oliú

'I left (Uruguay) in early 1977. We were finishing a cycle with Mateo, Buscaglia, Yánez and Mariana Vigil. I studied technical drawing at the Universidad del Trabajo del Uruguay… and worked in a cigar and cigar factory—that was my mother's trade—which allowed me to buy the instruments that Emilio Acevedo made in Ansina 1036; he was the great teacher. The first drums I paid for in a thousand installments. He would lend me pailas, Ameijenda or Galletti would lend me a cymbal, I never had anything.

I left because here I was very “wounded' and the political thing got very hard with the dictatorship and the music weighed more than everything. I decided to jump to Europe, where there were great friends. And I went with 70 kilos of drums to Paris to Mario Aguerre, former bassist of Los Delfines. Knowing that I had arrived, Emilio Arteaga called me and he proposed to set up a group with Jorge Pinchevsky, a great Argentine violinist who had played in La Pesada del Rock & Roll. We set up an experimental group with Latin rhythms to play on the street, in clubs, where he would paint. I used to play a set of congas, timbales, and we made Andean music, very fashionable then… and that summer of 1977 in the south of France we did very well. There I crossed paths for the first time with the Gipsy Kings, who also played on the street doing 'the manga' with their gypsy rumba.” —Jorge Trasante

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Jazz Rock

LP | 1973 | EU | Reissue (Mr Bongo)

22,99 €*

LP | 1981 | UK | Reissue (Time Capsule)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.

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Serginho Meriti

Bons Momentos

LP | 1980 | EU | Reissue (Strut)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Brazil’s Black Rio movement had a lasting impact on the country’s marginalised black youth. Inspired by the African-American Civil Rights Movement and the revolutionary, politically conscious soul and funk being produced by the likes of James Brown, Curtis Mayfield, Gil Scott Heron, Billy Paul and Nina Simone, a new scene began to incubate in Rio’s poor and oft-neglected North Zone - one which put black culture front and centre. At bailes funk (funk balls) revellers proudly sported afros and danced to their own beat while artists such as Banda Black Rio, Trio Ternura, Tim Maia and Emilio Santiago subverted officially-sanctioned Brazilian styles by fusing elements of imported soul, funk and jazz with samba rhythms to create a new form of music they could call their own.

Sérginho Meriti was one of many young artists caught up in the excitement of the movement. Born Sérgio Roberto Serafim and raised in the north Rio suburb of Meriti (from which he’d take his stage name), he began his career with Black Rio funk/soul outfit Copa 7, for whom he penned the stridently funky dance floor hit Som Da Copa 7.

Snapped up by Polydor at the turn of the 80s, Bons Mementos was his first work as a solo artist. It’s the work of a young musician brimming with musical ideas and creating a new take the Black Rio sound - one he would refer to variously as Meritiense (the sound of Meriti) or as Electric Samba. The title track is perhaps the perfect distillation of his ideas, mixing Black Rio’s funky bass and guitar lines with a healthy dose of the samba rock style developed by Jorge Ben, a pinch of eighties synths, and some of the best call-and-response female vocals this side of Fela Kuti. The result is a potently-rich musical stew that has made the track a compilation favourite and the album hugely collectable among funk connoisseurs.

Elsewhere on an all-killer-no-filler effort, Madureira adds reggae-fied guitar rhythms and low-slung bass to the mix while Malandro’s added bursts of brass give playful homage to Glenn Miller’s Big Band standard In The Mood. Memorias demonstrates Meriti’s mastery of tempo. Beginning with a languid slice of samba rock the track abruptly changes speed half way through for a bright and zippy finish of brass-heavy funk. Serjane adds layers of flute and saxophone the latter adding to the natural warmth of Serginho’s rough-hewn vocals. Tipo is a classic funk workout with some deliciously squelchy synths, while Batalha ends the album with a warm slice of funk, it’s yin and yang melding of joyful horn bursts with mournful vocals a potent demonstration of the sadness that underpins the album’s seemingly sunny soul.

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Patrice Rushen

Posh

The Mystery Kindaichi Band

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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The landmark 1980 album, representing a period of consolidation for Patrice Rushen. Her studio reputation as a go-to pianist and arranger among other artists and musicians was well established and was growing exponentially. Although never originally planning a career as a solo artist, she had built this side of her work through three Prestige albums and two sophisticated soul and disco albums for Elektra, 'Patrice' and 'Pizzazz'. "I was lucky to have a group of musicians that I knew well by the time of these recording sessions," remembers Patrice. "I had my pick of really incredible players because of all of the studio work I was doing. I also played with Lee Ritenour, Harvey Mason and others almost on a weekly basis at The Baked Potato club in L.A." Tracks include the singles 'Don't Blame Me', 'Look Up!' and 'Never Gonna Give You Up'. "'Never Gonna Give You Up' came out of playing ideas at home. Bassist Freddie Washington was living with my family while he tried to get a foothold in L.A.'s music scene and that groove came out of those jams. With 'The Dream', I had been listening to Minnie Riperton's 'Come To My Garden', one of my favourite albums. With Charles Stepney's arrangements, I saw that he didn't have to use large instrumentation to be orchestral in his approach. So, 'The Dream' was a homage to that kind of writing." "After 'Posh', we had a much better idea from the performance side what was important in our music and that informed my next album, 'Straight From The Heart'. We took a little break after 'Posh' was released, although I was still writing and working regularly on scores for film and TV. That had always been my main focus in my music."

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The Adventures Of Kindaichi Kosuke Black Vinyl Edition

LP | 1977 | EU | Original (Wewantsounds)

32,99 €*

Release: 1977 / EU – Original

Genre: Organic Grooves, Soundtracks

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LP | 1978 | EU | Reissue (Be With)

Samuel Jonathan Johnson

My Music