Organic Grooves Vinyl 6657 Items

Could Heaven Ever Be Like This / Turn This Mutha Out

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Pure Pleasure SD2-907

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Idris Muhammad

12" | 1977 | US (Kudu)

LP | 1971 | DE | Reissue (Westbound)

Release: 1977 / US

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny wear. Promo. 2006 reissue.

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Funkadelic

Maggot Brain

LP | 1970 | DE (Violet System)

Release: 1971 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. German reissue.

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Taste

LP | 1979 | JP | Reissue (Union)

Release: 1970 / DE

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

taped spine

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Ryusei Tomoyose

Dah Nah

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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12" | 1983 | UK | Original (Passion)

Sun Palace

Winning

Horace Tapscott with The Pan-Afrikan Peoples Arkestra

Release: 1983 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with ring wear.

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Live At I.U.C.C.

2LP | 1979 | UK | Reissue (Pure Pleasure)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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12" | 1985 | UK | Reissue (Kalita)

Stirling March

Under Cover Lover

The Scene Changes, Vol. 5

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. Tiny wear. Vinyl is close to NM. 2019 reissue.

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Bud Powell

LP | 1983 | JP | Original (Blue Note)

LP | 1972 | US | Original (Paula)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.
OBI not included.
Includes original insert.
Record is close to VG+.

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Fontella Bass

Free

Sérgio Mendes & Brasil '66

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

US reissue from 2000s.

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Live At Expo'70

LP | 1970 | JP | Original (A&M)

12" | 1987 | US | Original (Megatone)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original Japanese pressing without OBI!

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Modern Rocketry

Deeper N Deeper

LP | 1977 | JP | Reissue (Blue Note)

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Label cover.

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Wayne Shorter

Super Nova

Art Blakey & The Jazz Messengers

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI! Cover with slight wear and sticker residue on the back! Record has a few slight scratches!

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Moanin'

LP | 1977 | JP | Reissue (Blue Note)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Art Blakey & The Jazz Messengers

The Big Beat

LP | 1984 | FR | Reissue (Blue Note)

LP | 1984 | JP | Reissue (Universal Music Japan)

Release: 1984 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with minor storage abrasions.
Includes OBI.

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Ichiko Hashimoto

Beauty

Let The Music Play / Conception

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

* Originally released in 1984 * With OBI.

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Midnight Session

7" | 1974 | FR | Original (H Production)

2LP | 1971 | US | Reissue (Craft)

Release: 1974 / FR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with ring wear and small writing on the back.

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Woody Shaw

Blackstone Legacy

LP | 1979 | JP | Original (Capitol)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

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Nat King Cole

Unforgettable

LP | 1971 | EU | Reissue (Rolling Stones)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Record and cover are close to NM.
Includes OBI and insert.

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The Rolling Stones

Sticky Fingers

Smokey Blue Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

1990 reissue. Original inner sleeve.

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Smokey Robinson

LP | 1973 | EU | Reissue (Anagram / Elemental / Motown)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | AU | Original (Virgin)

Link Wray

Beans And Fatback

Multidirection Coke Bottle Clear Vinyl Edition

Release: 1973 / AU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag. Small tear on cover.

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Kenny Cox

LP | 1970 | US | Reissue (Blue Note / Third Man)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | JP | Reissue (P-Vine)

Clifford Jordan Quartet

Glass Bead Games

LP | 1974 | JP | Reissue (P-Vine)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.

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Phil Ranelin

The Time Is Now!

LP | 1977 | JP | Reissue (P-Vine)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!

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Erik Tagg

Rendez Vous

Akira Ishikawa & His Count Buffalos

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Erik Tagg’s blend of warm, deeply resonating vocals spread like butter over the smooth instrumentation of this AOR and modern soul classic. 1976’s Rendez Vous was the second album from Tagg who had played in the Dutch bands Beehive and Rainbow Train outside his activity as a solo artist. From his debut two years prior, his emergence as a solo artist had always been full of promise. Yet Rendez Vous still came as a surprise with its expanded instrumentation, and the added weight of his voice on tracks, like the soul-searching “Life Goes On,” fine-tuned a winning formula.

Back in 2020 P-vine reissued the album for the first time on vinyl format through its Groove-Diggers imprint, and will again repress the album as a deluxe double gatefold edition with clear vinyl. Also included are four tracks that weren’t originally compiled on the album bringing the total tracklisting to thirteen.

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Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

LP | 1975 | JP | Reissue (Pony Canyon)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Preorder shipping from 2024-11-08

In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Junko Hirotani

Sono Ai Ni..

LP | 1975 | HK | Reissue (Evosound)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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DJ Yoshizawa dynamite.jp, an avid record digger and "wamono" style expert who has been active as a professional DJ, remixer, composer, and producer in Japan since the late 80s, published his record guidebook "Wamono A to Z" in 2015. The book introduced many classic and rare Japanese Groove records that were not yet known at the time.

Now, DJ Yoshizawa dynamite.jp recommends four rare light mellow funk and soft rock LPs by Junko Hirotani, Kyoko Omiya & Orange, and Chie Sawa. These LPs were released on the independent Japanese label Pony Canyon from 1974 to 1980.

These albums feature the participation of Haruomi Hosono, Ken Sato, Masaki Matsubara, Masataka Matsutoya, Masayoshi Takanaka, Shigeru Suzuki, Taeko Onuki, Tatsuo Hayashi, Tatsuro Yamashita, Tetsuji Hayashi, Yuji Toriyama, Yukihiro Takahashi, and others.

All songs have been digitally remastered and reissued on translucent color vinyl with a Japanese obi.

Put the needle on the record, turn up the volume, and dig into "Wamono A to Z" right now!

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Bob James

Two Gold Vinyl Edition

Release: 1975 / HK – Reissue

Genre: Organic Grooves

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Voices And Rhythms Of The Creative Profile

Harold McKinney

LP+7" | 1974 | EU | Reissue (P-Vine)

2LP | 1988 | US | Reissue (Palto Flats)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!

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Woo

In The Heart Of Love

LP | 1985 | JP | Reissue (Nippon Columbia)

Release: 1988 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Absolutely essential. Deluxe 2LP edition of this impeccable album from 1988. The spot glossed Gatefold jacket features artwork including archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives.

Issued for the first time in its entirety on vinyl, spread over two LPs, and remastered from newly discovered hi-quality DAT sources, we’re thrilled to present the definitive version of Woo’s most fully-formed album. A cosmic testament to the healing power of love, utilizing vocoded clarinets, pastoral guitars, homespun folk lullabies, and lilting electronics, coalescing into a an hour plus long journey through their otherworldly soundscapes. A prime entry point to Woo’s sound, containing some of their most beloved songs, such as ‘Make Me Tea,’ ‘It’s Love,’ ‘Hopi’ and many others, and also including a never-before heard bonus track – the vocal version of ‘It’s Love.’

Into The Heart Of Love was originally self-released on cassette in 1988, with a wider cassette release in 1990. Compiled from home recordings from the preceding years, and released during a transitional point for the band, the Ives brothers see this album as their most complete work, offering space to the listener to stretch out and immerse themselves into the warmth of their sound.

Woo is the uncategorizable project of Clive and Mark Ives from Brighton, UK. Since the 1970s, the duo have been recording a plethora of eclectic sounds, most falling under the blanket genre of new age, but spiraling out toward notions of ambient sounds, jazz, and other spiritual takes on modern music. They received some acclaim for their early releases, including 1982's Whichever Way You Are Going, You Are Going Wrong and 1989's It's Cosy Inside, but their work began to receive renewed appreciation during the 2010s, when labels such as Drag City and Palto Flats reissued the band's albums. The brothers remained active all the while, digitally self-issuing material.

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Mizuki Koyama

Angel's Dream

46,99 €*

LP | 1985 | US | Reissue (Blue Note)

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Japanese Boogie - The first analog reissue of the urban city pop classic!

The first analog reissue of the debut album released in 1985 by the talented singer Mizuki Koyama, who also played in the inimitable lounge band Safari, with the specifications as close as possible to those of the time!

The album was designed by Hiroshi Shinkawa, who introduced the most advanced bracon sound of the time and designed the album with an urban yet songful feel.

The funky melody of 'He Can't Get Away With It,' composed by Kyohei Tsutumi, and the Japanese boogie number 'Oh! Daddy,' penned by Toshinobu Kubota, are true highlights of the album.

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Grant Green

Born To Be Blue

46,99 €*

Release: 1985 / US – Reissue

Genre: Organic Grooves

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ECM Special Edition For Contemporary Music

V.A.

LP | 1973 | JP | Original (ECM)

46,99 €*

LP | 1986 | EU | Reissue (Red)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With OBI and insert. Cover and vinyl are close to NM.

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Steve Grossman

Love Is The Thing

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | EU | Reissue (Red)

Cedar Walton

The Trio 3

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | EU | Reissue (Red)

Robert Watson Quartet

Love Remains

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | UK | Reissue (Cosmic Sounds)

Janko Nilovic

Rythmes Contemporains

ECM Special Edition For Contemporary Music

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2000 reissue.

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V.A.

LP | 1973 | JP | Original (ECM)

2LP | 1988 | US | Reissue (Palto Flats)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

OBI not included.

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Woo

In The Heart Of Love

Release: 1988 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 1973 | WW | Reissue (Craft)

Fania All Stars

Latin-Soul-Rock

Release: 1973 / WW – Reissue

Genre: Organic Grooves

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Charles Wright & The Watts 103rd St Rhythm Band

Express Yourself

LP | 1970 | US | Reissue (Warner Bros.)

2LP | 1981 | UK | Reissue (Pure Pleasure)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

180gr reissue. Cover and vinyl are close to NM.

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Horace Tapscott

Dial 'B' For Barbra

45,89 €* 50,99 € -10%

Hardcore Jollies Colored Vinyl Edition

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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The best of pianist Horace Tapscott's recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott's originals plus a 19½-minute version of Linda Hill's "Dem Folks". Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and the performances have a momentum of their own. Scott Yanow/AMG A great group recording from pianist Horace Tapscott – recorded in LA in the early 80s, but done with all the righteousness and spirituality of his earlier albums! Tracks are long and exploratory, but also relatively lyrical too – stretching out with a style that's never too 'outside', and which has Horace and the group really soaring to the heavens on the best moments! The group here is a sextet – with the great Gary Bias on alto and soprano saxophone, plus Sabir Matteen on tenor, Reggie Bullen on trumpet, Roberto Miguel Miranda on bass, and Everett Brown on drums and percussion – all working with a cohesiveness that reminds us of some of Tapscott's larger group recordings, but with a cleaner, leaner kind of feel. Titles include "Lately's Solo", "Dial B For Barbara", and "Dem Folks".

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Funkadelic

LP | 1976 | EU | Reissue (Charly)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Electric Spanking Of War Babies Colored Vinyl Edition

Funkadelic

LP | 1981 | EU | Reissue (Charly)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1983 | JP | Reissue (P-Vine)

Today's Latin Project

LP | 1977 | JP | Original (CBS/Sony)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Long awaited reissue is finally coming! "Today's Latin Project '' was released in 1983 from Discomate and currently this is one of the most demanded vinyls of 80's Walearic record which was produced by Tadaaki Misago (Tokyo Cuban Boys) who is one of the most important person of Latin music scene in Japan. and arranged by Yasuaki Shimizu (composer, saxophonist and producer / well known for his interpretations of the music of J.S. Bach) , Jun Takemura (latin music compiler / januralist) and Kazuo Otani (composer, arranger / he had been also playing in Shogun). CD version is also available from P-vine / released in 2020). OBI strip is attached.

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Al Di Meola

Elegant Gypsy

LP | 1977 | US | Original (Lester Radio Corporation)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert!

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Lonnie Smith

Funk Reaction

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Babs Robert & The Love Planet

LP | 1970 | EU | Reissue (Alpha)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.

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2LP | 1979 | US | Original (Columbia)

Circle In The Round

Hajime Ishimatsu, Seiji Tanaka, Kunihiko Suzuki And Vienus

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing. Vinyl is Close to VG+. Promo stamp on back cover.

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Dynamic Drum Complete Album

2LP | 1971 | JP | Original (Union)

12" | 1982 | UK | Original (PRT)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert!

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Kadenza

Let's Do It

LP | 1973 | EU | Reissue (Disko B)

Release: 1982 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+. Writing on white labels

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The Pyramids

Lalibela

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Milt Ward And Virgo Spectrum

LP | 1977 | US | Reissue (Frederiksberg)

Herbie Mann At The Village Gate

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with stuffed corners!

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Herbie Mann

LP | 1976 | JP | Original (Atlantic)

LP | 1975 | JP | Original (Whynot)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. OBI is missing. With insert.

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Muhal Richard Abrams

Afrisong

Ann Burton With Kenn McCarthy Trio

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert.Vinyl is close to NM.

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Misty Burton

LP | 1973 | JP | Original (Epic)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With inserts. OBI is missing.

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LP | 1981 | JP | Reissue (CBS/Sony)

Miles In Berlin

The Players = The Players

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing without OBI!

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Madagascar Lady = マダガスカル・レディー

LP | 1981 | JP | Original (Openskye)

LP | 1983 | JP | Reissue (Cadet)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened. With OBI and inserts. Original inner sleeve. Vinyl seems unplayed.

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Ray Bryant

Lonesome Traveler

Voyage To The Stars • Reise Zu Den Sternen

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert. Vinyl close to NM

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Remo Rau Project

LP | 1985 | CH | Original (Unit)

Fred Van Hove & Cel Overberghe

Release: 1985 / CH – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover is close to VG+!

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Fred Van Hove & Cel Overberghe With Strings - Met Strijkers - Avec Cordes

LP | 1977 | BE | Original (Kamikaze)

Release: 1977 / BE – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

Hound Dog Taylor & The House Rockers

Natural Boogie

LP | 1974 | UK | Original (Sonet)

2LP | 1970 | UK | Reissue (BBE Music)

Release: 1974 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM. Cover with promo sticker on the front.

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Sphere

Inside Ourselves

2LP | 1977 | UK | Reissue (BBE Music)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself.

Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, ‘What’s Going On’, the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings.

Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military.

A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster.

While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.

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Per Husby Septett

Peacemaker

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Journey In Satchidananda Acoustic Sounds Edition

Alice Coltrane

LP | 1971 | EU | Reissue (Impulse)

LP | 1971 | EU | Reissue (The Sun / Ascenzionale)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Tete Mbambisa

Did You Tell Your Mother

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Black Moses Vinyl Me, Please Edition

Isaac Hayes

2LP | 1971 | US | Reissue (Vinyl Me, Please)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The Hissing Of Summer Lawns Vinyl Me, Please Edition

Joni Mitchell

2LP | 1975 | US | Reissue (Vinyl Me, Please)

LP | 1981 | EU | Reissue (Ransemble)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
By the time Joni Mitchell made The Hissing of Summer Lawns, she had already entered the pantheon of the greats, with albums that can be talked about in casual conversation without having to say the artist (Court and Spark, Blue, Ladies of the Canyon, et al.). But the pioneering work in alt-folk and self-confessional singer-songwriting done, she started pushing her music in radical directions, incorporating jazz, African music (which was hard to actually hear in the States in the ‘70s) and a new, sprawling vision of pop music into her fold. The first moment that all those styles converge and lift Mitchell off into some new vista is The Hissing of Summer Lawns, an album we believe to be her masterpiece, an album that has tendrils of influence that are still being felt today. Remastered by Ryan Smith at 2xLP 45RPM from original tapes, this edition has to be heard to be believed.

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Enzo Randisi

Swing Ensemble

LP | 1982 | EU | Reissue (The Saifam Group)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Did someone say Summer? Sicily is what Cuba is to the Caribbean, sun, sea, easy and friendly people with lots of troubles! You won't find anything better around that identifies the summer more than this album by Enzo Randisi who at the beginning of the 80s put together a Swing Ensemble as a tribute to that "cheerful" movement of Jazz music. But Enzo and his fellas just couldn't stay on track and put in the best that the alternative Palermo area could offer in that historical period, like the sisters Cinzia and Loredana Spata, who brought the production to a next level in the vocal version of All Blues or in Chic Corea's Spain. But what really struck us was Charles Cables' version of "Quite Fire" (here missspelled as "Quite Fair"), released a few months earlier only in Japan and which would only become famous in the 90s with the Acid Jazz movement, and this tells us a lot about how hungry Enzo and Riccardo were of musical knowle, to be able to find some pearls in a city with basically no record shops and isolated...well...it's on an island!

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Tantra

Tantra 2

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Seriewoc)

Khan Jamal

Give The Vibes Some

LP | 1979 | EU | Reissue (Produzioni Discografiche)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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It's quite simple, if you have a good connection with music, to find things that should be reissued due to their exceptional quality, but, like a diviner, being able to unravel the problems related to the licensing of a record, well, that's much more difficult. Finding someone is Sherlock's job! After 4 years, Khan Jamal II (son of Khan Jamal) delighted us with a "Let's go my guy". Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the lands of the rising sun of Jamal and the composed trumpet of Clint Jackson III which anchor "Give the vibes Some" in a sort of Space Age Jazz era. In the end, you know what? This album is a transcendent journey into yourself, like an intense session of meditation...even if "35.007 Feet Up" could easily be played by Jeff MiIls in his DJ Set

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Enzo Randisi

Genesis Black Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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This is the lost gem, this is the most secret album coming from the ancient land of Sicily No Holy Grails here, we are not at the crusades, but in the presence of one of the busiest ensembles on the Italian scene during the 70s and 80s of the last century. Enzo Randisi and his son Riccardo, who signs the only unreleased song on the album, take us into a world of visionary jazz, ambient atmospheres of the track Windows, an opening towards a modern vision, a watershed between the live performances of standards American music at a new rate also in tracks like the 3/4 "Etna Sud" written by Riccardo Randisi for the album with digressions into Jazz Rock Rhythm à la Gary Barton and Bloody Funk which has its peak in the cover of the Czech musician Karel Ruzicka and his "Probu Zeni" a killer cub track that will smash your audio set-up! The very last mystery from Italian jazz scene available for the first time in a precious

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Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Multidirection Black Vinyl Edition

Kenny Cox

LP | 1970 | US | Reissue (Blue Note / Third Man)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Disco Bambina Light Blue Vinyl Edition

Heather Parisi

LP | 1979 | EU | Reissue (Warner)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Demon's Dance Tone Poet Vinyl Edition

Jackie McLean

LP | 1970 | EU | Reissue (Blue Note)

2LP | 1975 | EU | Reissue (Craft)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Jackie McLean’s music weaved in and out of the avant-garde throughout the late-60s but the saxophonist maintained a decidedly post-bop edge on Demon’s Dance featuring trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scott Holt, drummer Jack DeJohnette, and striking cover art by Mati Klarwein.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Fania All-Stars

Live At Yankee Stadium

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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AN HISTORIC NIGHT FOR LATIN MUSIC AS 40,000 FANS POURED INTO THE YANKEE STADIUM IN NEW YORK. TWO SETS WERE PLANNED, THE FIRST BEING A TRADITIONAL ONE, THE SECOND WAS NEVER COMPLETED AS A FRENZIED CROWD RUSHED THE PLAYING FIELD AND THE STAGE, ENDING THE NIGHT. LEGENDARY!

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LP | 1983 | JP | Reissue (Blue Note)

Volume 2

LP | 1970 | EU | Reissue (Anagram / Elemental / Motown)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original insert.

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Four Tops

Still Waters Run Deep

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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ECM Special Edition For Contemporary Music

V.A.

LP | 1973 | JP | Original (ECM)

Do It 'Til You're Satisfied Blue Vinyl Edition

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, but with insert. Vinyl with a couple of light scuffs, closer to VG+

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B.T. Express

LP | 1974 | US | Reissue (Friday Rights Mgmt)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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I Feel Good Blue Vinyl Edition

John Lee Hooker

LP | 1970 | US | Reissue (Friday Rights Mgmt)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Friday Music)

Billy Cobham

Spectrum

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Himawari Black Vinyl Edition

Akira Mitake

LP | 1987 | JP | Reissue (HMV Record Shop)

A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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Soundtrack of the documentary program for Japanese art history, “Japan: Its Heart and Form” which was aired on NHK educational channel from 1987 to 1988. Akira Mitake worked on it, and after the dissolution of Ippudo, he produced music for the media and provided music to many artists, mainly pop music. It’s an electronic work that expresses the silence, space, romance reminiscent of Japanese spirit. The entire contents has a mysterious atmosphere, “Yasha” and “Keisetsu” are particularly captivating, evoking the beauty of Japan. Truly amazing piece left by the talent behind Masami Tsuchiya, who can be interpreted as ambient music.

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Archie Shepp

2LP | 1976 | US | Reissue (Culture Factory)

2LP | 1970 | UK | Reissue (BBE Music)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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1975 Iconic, Very Rare Live Recording from The Massy in France. Archie "Vernon" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. This double LP set, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. 1st Opaque Pink & 2nd Opaque White Color Vinyl

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Kohsuke Mine

First

LP | 1970 | EU | Reissue (Amercia)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.

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Noah Howard

Space Dimension

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more sophisticated. In the neighborhood where I grew up kids around me were listening to Rhythm and Blues and Jazz; Rock came only much later. One of the great moments of my life was when I was around 13 years old and heard Duke Ellington with Paul Gonsalves playing a twenty-some minutes chorus solo on tenor sax at Newport. We had never heard anything like this before; a saxophone player doing so many choruses, this was years before Coltrane opened up. That experience meant there was no turning back; my ears were open and my desire was burning for music.”
He first learned to play the trumpet before moving on to alto, tenor and soprano saxophone. And his musical journey initially took him to Los Angeles where he worked with Dewey Johnson and then later moved to New York to join the Sun Ra Arkestra. Like most forward thinking saxophonists of the time, Howard was influenced by the evolving expressionism of John Coltrane and Albert Ayler and it wasn't long before he became a key member of the mid-60s free jazz movement, a stepping stone to his elevation into one of the world’s most notable saxophonists.
Howard's debut LP as leader, 'Noah Howard Quartet' was recorded in 1965, and the follow up, 'Noah Howard at Judson Hall', in 1966 but not issued until 1968, both for the groundbreaking ESP Records label (incidentally, both albums featured British trumpeter Ric Colbeck). However, Howard's view of ESP was not positive, calling it “ a monster of deception... I am aware of ESP's adventures...they continue to make money off the artists and they refuse to pay any royalties.”

Like many of the black jazz musicians of the 60s, Howard left the USA and settled in Europe (making the permanent move to Paris in 1972). In an interview in 2005, Howard explained his move: “When I first came to Europe it was 1969 and I came to play in a big festival and after that we had a lot of concerts, recalls Howard. "Then we left and we came back to the States, I was based in New York at that time. About six months later, we had some more concerts, we came back and this went on for years, going back and forth and back and forth and back and forth... I decided that instead of going back and forth all the time, it was more advantageous for me to stay over here and live and work.”
It was in Paris that Howard took part in sessions for the Frank Wright albums 'One For John', cut for the leading French free jazz label BYG Actuel and another Wight session, 'Uhuru Na Umoja', for the America label. Another album on America that featured Howard was Archie Shepp's 'Black Gipsy'. This session also featured , among others, Sunny Murray on drums and Clifford Thornton on trumpet.
America Records was to be home to Howard's third album, 'Space Dimension'. On this album, Frank Wright was reunited with Howard once more, and Wright also composed one track, 'Church Number Nine' (Wright would also do his own version as the title track on his 1970 album, initially only released in Japan. That album would also feature Howard.) 'Space Dimension' also features bop drummer Art Taylor on three tracks, with Muhammed Ali (brother of Rashid), on one. They're joined by alongside pianist Bobby Few, longtime member of Frank Wright's group and an alumnus of Archie Shepp's band.
'Space Dimension' has never seen an official reissue since its original release in 1970 and remains, among a few aficionados, one of the most in demand - and little known - albums in Howard's discography. The blend of free improvisation with a tough rhythmic foundation make for an edifying listening experience. The spectral disjointed afro-blues of the title track, with Howard's soaring, searing horn, introduces an exceptional album of weight and significance, a real statement piece. 'Viva Black' starts as a lush groove, rich with texture and tone. Bobby Few's piano is sparse and disciplined, allowing space for the interweaving angles of the horns and drums to cross and jostle and build in intensity, with Muhammad Ali's drum solo acting as a cathartic release.
'Song for Poets' is blistering in its attack, an intense assault from the whole group – urgent and imperative, a call to action that seemed to resonate with the tumult of the late 60s and early 70s and, perhaps, still resonates now. The album closes with the extended piece 'Blues for Thelma'. It starts like a sort of angular, shattered New Orleans first line march band; Howard visceral horn and Few's piano joust and punch like fighters in a ring; Ali's drums hammer a solid undertow of power and energy, relentless in its fire.
All in all, 'Space Dimension' announced Howard's arrival into a new decade, a decade that was to see not just jazz but music and wider society undergo profound change.
Howard's third record was the widely acclaimed 'Black Ark', which featured Arthur Doyle on his first recording. 'Black Ark' soon became a landmark free jazz recording and elevated Howard into the first division of globally renowned free jazz players.

He spent much of the next decade or so exploring new ideas and places to work, including Europe and Africa, moving to Nairobi in 1982 and finally Brussels, where he had a studio and ran a jazz club.
In his autobiography, Howard described going to Africa: “It was a Sunday morning with bright blue skies and I reached down and grabbed a handful of earth, holding it in my hands. It was red earth. As the first of my family to make this voyage back to my community, I was filled with emotion and started to cry – thinking about all those before me who didn’t survive the middle passage and slave trade. I thanked the few strong survivors of which I’m a descendant and was grateful to be a live and to make it back to Africa in my lifetime. The feeling of coming back home, after generations had gone through abuse and suffering, was upon me. I would put some of this into music later on when recording with James Emmanuel, the poet on 'Middle Passage'”
He recorded steadily through the 1970s and 1980s, mostly with his own label AltSax and continued to expand his repertoire, exploring a range of sounds from ethno-funk to world music in his latter decade. He returned to his free jazz roots in the 90s, mixing the myriad of influences and styles he had encountered throughout his journey.
Noah Howard recorded 35 albums, and their styles reflect the ceaseless musical searcher he was: blues, free jazz, world music. He covered it all.
Noah Howard died on September 3rd, 2010 while on holiday in the South of France. He died a day before finishing the first draft of his autobiography.

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Star People Vinyl Me, Please Edition

2LP | 1983 | US | Reissue (Vinyl Me, Please)

Starlight / The Girls Are Back In Town

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
'Star People,' the blistering 1983 album from Miles Davis, is the VMP Classics Record of the Month for November 2022. It's here on 180g black audiophile vinyl pressed at RTI with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

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Risqué

12" | 1982 | US | Original (Importe/12)

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

2LP+7" | 1976 | JP | Original (Motown)

Stevie Wonder

Songs In The Key Of Life

The Early Tapes (July/August 1980)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Level 42

LP | 1983 | JP | Original (Polydor)

Wedding Album Gold Vinyl Edition

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. Copy closer to NM

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Leon Russell

LP | 1976 | US | Reissue (Friday Music)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Wedding Album Silver Vinyl Edition

Leon Russell

LP | 1976 | US | Reissue (Friday Music)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | JP | Reissue (P-Vine)

Smokey Wilson

Blowin' Smoke

LP | 1974 | JP | Reissue (P-Vine)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Another one from P-vine's new series called "Spin The Blues" is here! This is the first album by Smokey Wilson, a tough and gutsy blues singer and guitarist based on the West Coast. Wild, droning vocals that sound like a mix between Howlin' Wolf and Elmore James, and a groove with a messy funky blues beat. From funk blues to shuffles and slow blues, you'll be blown away by the energy and crispness! A masterpiece with a rush of energy that is even exhilarating. P-vine is reissuing on vinyl this intensely funky modern blues masterpiece, originally released by the prestigious Modern/Kent Records in 1977 on their sub label Big Town, with an iconic Japanese obi!

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Funkgus

Man With A Gun