Organic Grooves Vinyl 2187 Items

Annette Peacock And Paul Bley

Release: 1971 / US – Reissue

Genre: Organic Grooves

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There were so many competent records coming out of Memphis that any burgeoning greatness can only be detected by a careful listening. Ann Peebles deserves that kind of extra care. Her style is so subtle and economical that the finer qualities of her talents might be passed over as being merely competent. This would be a crime because little Ann has so very much to offer. Ann stresses the melody (rather than rhythm for its own sake). This is not to say she can’t sing funky; she can and does very effectively. It just means Ann shines extra brightly on the slower bluesy numbers. For example “Give Me Some Credit” is such a moving lament, filtering faint traces of early Smokey Robinson and the album’s two most tender cuts, “I Still Love You” and “Steal Away” are the places where Ann Peebles makes such a great impression. These are the kinds of song that become “personal” classics. Ann sings seven up-tempo numbers on which she illustrates her tight, full-bodied voice and shows why she’s presently way up on R&B charts all over the country. Her renditions of “It’s Your Thing,” “Part Time Love,” and “Make Me Yours” are unfettered delights. Ann Peebles goes past the apparent and into the sublime. She stands beyond the predictably competent. And you know that’s where it’s at.

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Dual Unity

LP | 1972 | EU | Reissue (Cosmic Jazz)

LP | 1970 | EU | Reissue (Speakers Corner)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Here's the reissue of Annette Peacock and Paul Bley's "Dual Unity" album, originally released in 1972 on Freedom Records. Hailed as a pioneer and artistic genius by many, this album captures Peacock in her element alongside husband, Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision captured on tape in 1970, during their first European tour. For 33 minutes and 21 seconds, the listener is absorbed by other spirits. Using Robert Moog's earliest synthesizers, Bley and Peacock apply the strategic use of silence to indicate its reflective nature with captivating results. A statement of immensity through synthetic minimalism and a milestone in the avant-garde, free jazz movement. Guests musicians: Han Bennink (drums) on "M.J." and "Gargantuan Encounter", Mario Pavone (bass) and Laurence Cook (drums) on "Richter Scale" and "Dual Unity".

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Antonio Carlos Jobim

Stone Flower

33,99 €*

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.
That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".
With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!

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Antonio Carlos Jobim

Stone Flower

Novaphonia Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his 6th studio release Stone Flower is an absolute classic. The album is emblematic of 70’s bossa with it’s seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and musicality is so well cared for that it effortlessly carries listeners away.

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

Novaphonia Clear Vinyl Edition

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

27,99 €* 39,99 € -30%

LP | 1973 | EU | Reissue (Mad About)

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Limited to 200 copies.
Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Appendix

Space Trip

29,99 €*

LP | 1976 | EU | Reissue (Glossy Mistakes)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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"Space Trip" is a cult record released in 1973 on the legendary Amigo catalog, the longest-running independent label in Sweden.

This amazing Spiritual Jazz-Funk/Fusion LP was very hard to find. Finally available again, fully licensed and remastered, with original artwork.

This album is a killer one in its entirety, with no fillers. Some of the best spiritual jazz on record!

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Aquarius

25,99 €*

Ara Tokatlian & Enrique Villegas

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Vocal harmonies and arrangements and excellent guitar work are masterfully combined creating a joyful journey featuring the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura. "The human voice is more than just a musical instrument; it is ally to the thought. Vocal art is one of the most beautiful forms of musical expression and an endless resource. It's a shame that so few devote themselves to it in our popular music. I would therefore like to congratulate Aquarius and Continental for the release of this LP and may it be received by all with the same affection and attention than those who dedicated themselves to making it" Paulinho Tapajos These notes, originally printed on the back cover of this 1976 beauty, are a perfect introduction to the vocal harmonies and arrangements and excellent guitar work that are masterfully combined creating a joyful journey that features the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura. An amazing bit of Brazilian samba funk that also touches on MPB, bossa nova, jazz… This sought-after gem opens with the beautiful version of Burnier & Cartier’s ‘Só Tem Lugar Prá Você’ (one of the two B&C versions included on this album, with a pitched-down ‘Europanema’ sparkling on the B side), building up a mellow, airy vibe that stays throughout the entire album. This release is the result of a collaboration between Vampisoul and Glossy Mistakes.

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Inspiracion

LP | 1978 | EU | Reissue (Altercat)

Black And White Raven Black Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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This top-notch spiritual jazz album from Argentina will leave fans of Pharoah Sanders and John Coltrane astonished. Recorded in 1975 and still surprisingly off the radar, this is one of the deepest jazz albums from South America.

Inspiración is the meeting of two generations united by music: Ara Tokatlian and Guillermo Bordarampé, members of the influential 70s rock band Arco Iris (which Tokatlian cofounded with the now Oscar award-winning composer Gustavo Santaolalla), join forces with Enrique "Mono" Villegas, an admired jazz pianist who had been active since the 1930s.

Meditative, soothing and serene, Inspiración is music your soul yearns for.

Official reissue with sound off the master tapes, including a reproduction of the original 16-page booklet. With the blessing and support from Ara Tokatlian and Guillermo Bordarampe.

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Archie James Cavanaugh

LP | 1980 | US | Reissue (Numero Group)

Black And White Raven White Vinyl Editin

Release: 1980 / US – Reissue

Genre: Organic Grooves

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A masterpiece of the schooner rock variety, Black and White Raven is an album that emerged from Archie James Cavanaugh's youthful dream of recording his own music while stuck in the Alaskan wilderness. With a freewheeling cast culled from Archie's travels around the Pacific Northwest, including Redbone's Tony Bellamy and Pete DePoe, Black and White Raven was set down as the '70s crested. Traces of disco, AM gold, gospel, and yacht mixed freely with his Tlingit heritage, creating a breezy and optimistic portrait of life in the 49th state.

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Archie James Cavanaugh

LP | 1980 | US | Reissue (Numero Group)

A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Archie Shepp

2LP | 1976 | US | Reissue (Culture Factory)

41,99 €*

Archie Shepp/Lars Gullin Quintet

Release: 1976 / US – Reissue

Genre: Organic Grooves

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1975 Iconic, Very Rare Live Recording from The Massy in France. Archie "Vernon" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. This double LP set, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. 1st Opaque Pink & 2nd Opaque White Color Vinyl

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The House I Live In

LP | 1980 | WW | Reissue (SteepleChase)

43,99 €*

Release: 1980 / WW – Reissue

Genre: Organic Grooves

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Event 76 Live Clear Vinyl Edition

Area

LP | 1979 | EU | Reissue (Cramps)

31,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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2LP | 1986 | EU | Reissue (Rhino)

Aretha Franklin

Aretha

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Atlantic)

Aretha Franklin

Greatest Hits

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Speakers Corner)

Aretha Franklin

Live At Fillmore West

33,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1980 | EU | Reissue (Jazz Room)

Ariel

30,99 €*

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Una Magnum Special Per Tony Saitta

Armando Trovaioli

LP | 1976 | EU | Reissue (Holy Basil)

Arnie Love & The Loveletts

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Una Magnum Special Per Tony Saitta (aka. Blazing Magnum: Strange Shadows In An Empty Room)> is a cop movie directed in year 1976 by Alberto De Martino and starring Stuart Whitman, Martin Landau, Tisa Farrow, and Gayle Hunnicutt. It was co-produced by Italy and Canada. An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. Later on, he desperately starts to use his own brutal methods to find the killer, but the truth turns out to be something different than what he had expected. Trovajoli has composed and conducted a score that elegantly occupies a place of all respect in the Cops/Giallo movies’ scoring. The score alternates between action-driven funky music to nostalgic/ romantic music in a reflection of the two dimensions of the protagonist: his cop job full of tasks and his private life full of sadness, but he becomes the superhero of the story by taking vengeance against those who hurt him by killing his beloved sister, and ultimately discovering the unexpected truth. For this vinyl album the original record master in stereo sound was used, restored and remastered to the highest quality. More or less the music in the movie is featured on this album, prepared for release by the composer himself for a very fine listening experience. Enjoy a half-hour with Armando Trovajoli and his cool sound!

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Invisible Wind Record Store Day 2021 Edition

12" | 1981 | EU | Reissue (Tap)

13,99 €*

Asha Puthli Record Store Day 2020 Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. First official reissue of this much bootlegged and sort after 12" release from Arnie Love & The Loveletts. Having disappeared into obscurity shortly after it's release in 1981, original copies now fetching over £200 in part due to regular plays in DJ sets from Four Tet, Caribou, Palms Trax & Charlie Bones.

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Asha Puthli

LP | 1973 | EU | Reissue (Mr Bongo)

LP | 1974 | EU | Reissue (Groovie)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

180gm Colored Vinyl of her seminal album which includes cover versions of songs by John Lennon, JJ Cale, Bill Withers, George Harrison and Jimmh Webb.

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Assim Assado

Assim Assado Purple Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole LP by Brazilian quartet Assim Assado, originally released in 1974 by the CID-label, gets reissued on vinyl. Both the artwork and the contents make clear that the band was massively influenced by the psychedelic/progressive art-rock of the popular act Secos & Molhados. Even the androgynous element is present! Assim Assado was led by Miguel de Deus, formerly of Os Brazoes. This wonderful album is recommended to fans of Brazil's late '60s/early '70s rock scene in general, and of Secos & Molhados in particular.

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Assim Assado

LP | 1974 | EU | Reissue (Groovie)

25,19 €* 27,99 € -10%

LP | 1977 | EU (Trading Places)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The name of the band and the cover of the disc explicitly reveal the influence: Secos&Molhados. Investing in androgenia, progressive rock and samba-soul, Assim Assado tried to be a response of the small CID label to the enormous success that the Secos&Molhados did to the young public.

Led by Miguel de Deus (formerly Os Brazões), who signed most of the compositions and assumed the guitar and vocals, the group never took off, leaving only this LP, now almost forgotten. Curiosity: in 1977 Miguel de Deus falls headlong into funk, casting the rather interesting (and rare) "Black Soul Brothers" Also repressed on Groovie Records.

Band formed by Miguel de Deus in 1974, inspired by the Secos&Molhados and making clear both in the name, which is copied from a song of Secos&Molhados, both on the cover of the band's only album. Also the visual was well androgen but the music, a mixture of psychedelic, Progressive and a strong touch of Brazilian Soul music. The only album that had the same name as the band, did not get repercussion despite presenting a lot of quality.

Now the repress of this rare pearl brings to the light the huge talent of Miguel De Deus.

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Astrud Gilberto

That Girl From Ipanema

12" | 1971 | EU (Trading Places)

Release: 1977 / EU

Genre: Organic Grooves

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The daughter of a Brazilian mother and German father, Astrud Gilberto achieved international prominence with “The Girl From Ipanema,” an inauspicious debut recorded for the landmark album her husband, Joao Gilberto, created with Stan Getz in 1963. Moving to the USA, where she was subsequently based, she continued her solo career and also toured with Getz, with whom she later began a relationship. Over-the-top classic That Girl From Ipanema allowed her to revisit the hit in the sweeping high-fidelity full-spectrum setting of a disco big-band, the album overseen by Mfsb and Salsoul mainstay, Vince Montana. Along with individual takes of Cole Porter’s “Love For Sale” and Harry Nilsson’s “The Puppy Song,” original “Far Away” benefits from the understated trumpet of Chet Baker, but the album ultimately revels in all things disco, the Brazilian element coming courtesy of percussionist Dom Um Romao on select tracks. Crank up the volume and tune in to the brass, piano and percussion that percolates under Astrud’s characteristically soft and sultry vocals to fully experience this underrated gem.

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Atlantic Bridge

I Can't Lie To You

10,49 €* 13,99 € -25%

LP | 1971 | EU | Reissue (Holy Basil)

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Atmo

Telegiornale

LP | 1981 | EU | Reissue (Mr Bongo)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.

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Atmosfear

En Trance

LP | 1976 | US | Reissue (Lion Productions)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Official reissue of the only full-length LP from Brit-funk masters, Atmosfear. Love for Atmosfear was born out of the underground UK dance scene of the early 1980s; from nightclubs, pirate radio shows and soul weekenders. A localised scene that went on to have a global influence. The band’s most notable track ‘Dancing in Outer Space’ – included here on the CD version as a bonus – is a certified classic. It was a chart hit in the UK and was also championed Stateside in clubs such as the mythic ‘Paradise Garage’ and 'The Loft' by the likes of Larry Levan and David Mancuso. An instantly recognisable anthem that is just as fresh today as it was when it was first released. Originally released in 1981 via Elite / MCA records, ‘En Trance’ is a joyous album that arguably represents the pinnacle of the Brit-funk sound. The band consisted of bassist, and keyboardist Lester J. Batchelor, drummer Ray Johnson, guitarist Andy Sojka, saxophonist Stewart Cawthorne, singer and guitarist Tony Antonio and producer Jerry Pike. The album captures the excitement of these
exceptional players demonstrating utmost originality in the studio. More Atmosfear and Elite Records reissues are available/coming soon on Mr Bongo, including ‘Xtra Special’ and ‘Dancing In Outer Space’ on 12”.
Official Mr Bongo reissue. Licensed from Chemical Discs.
!

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Aura

Aura (Sativa)

LP | 1972 | US | Reissue (Real Gone)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Aura was a San Francisco Psych-Funk band formed in 1974 which played extensively throughout Northern California and by 1976, the band recorded their first and only album. The original title of the album was meant to be "Sativa", but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as "Aura". Over the ensuing decades, the Aura album has grown in stature to become a major soul/funk collector's item. As a strange side note, it was the producer of underground psychedelic band the Lemon Drops, Reggie Weiss, who wrote the psych-funk title track, 'Sativa' (a parody of The Champs hit song 'Tequila', with water pipe sound effects and blistering guitar leads by former Lemon Drops guitarist, Eddie Weiss) and 'Skyrocket' (with manic fuzz guitar).

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Awakening

Hear, Sense And Feel

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Souffle Continu)

Axolotl

Abrasive

27,99 €*

LP | 1974 | EU | Reissue (Wewantsounds)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.

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Ayako Shinozaki

Music Now For Harp

32,99 €*

LP | 1984 | EU | Reissue (Comet)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki"s hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label"s cult "Master Sonic" series and features Shinozaki"s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.

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Ayizan

Dilijans

2LP | 1975 | EU | Reissue (Far Out)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Comet Records present the new reissue out of the Comet new reissue series, Dilijans by Ayizan. A mind-blowing session of Spiritual Jazz recorded in NYC in 1984 led by Haitian genius Alix Pascal blending traditional Ra Ra elements with modal/spiritual melodies. The result was like nothing else coming out of Haiti or the Haitian exile community in the US at the time. Dark, mystical, lyrical and abstract, with its otherworldly shifting rhythms, Dilijans came off like a Haitian version of Bitches Brew. The album sounds less like a stylish mini-jazz performing in a hotel dancehall than like a cry of ancestors emanating from the spirit world to lament over the complications of modern Haitian society.

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Azambuja & Cia

LP | 1975 | US | Reissue (Craft)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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This 180g LP is a Vinyl only release. In 1975, the prolific and multi-talented Brazilian comedians Chico Anysio and Arnaud Rodrigues recorded an album based on the protagonist of one of their most celebrated TV series. This soundtrack/musical re-imagining of the series combines jazz-funk with samba soul and MPB, with the help of cult Brazilian trio Azymuth.

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Azar Lawrence

Summer Solstice

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1989 | EU | Reissue (Nyami Nyami)

Azumah

Long Time Ago

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Azumah was the coming together of a group of talented young dancer-musicians from Soweto (South Africa) with musician and instrument-maker Smiles Mandla Makama of eSwatini (formerly Swaziland). Long Time Ago is the surprising and enticing, resultant album from 1985, recorded in the house of theatre stalwarts Des and Dawn Lindberg in Johannesburg. Produced by David Marks (3rd Ear Music, Hidden Years Music Archive Project), Des Lindberg and Smiles Makama, this album takes us back to a priceless musical moment in the dark and wild eighties of apartheid South Africa. Smiles Makama is a gifted and visionary music-maker. He was born in South Africa but grew up in eSwatini, the small kingdom enveloped by South Africa and Mozambique on each side. He tells the story of the process leading to the recording of this remarkable album: “I was invited from Swaziland by a Soweto-based group, Azumah. […] One of the members knew that there was a wizard in the mountains in Swaziland, building instruments. As I was in the mountains in my hut and then I saw people arrive. They found me. It all started there.” Instead of simplistic images of a generic ‘Africanness’ or ‘South Africanness’ and pictures of constructed and exotic ethnic identity, a contemporary, fresh listen to this album encourages an appreciation of the composition and musical skill at play in this music. Few people speak about the individual innovation and experimentation involved in the creation of this music (or the music of Amampondo for instance). “Woza Moya” sticks out as a dark and melancholy creation, different tonally to what has come before, evoking the work of Naná Vasconelos or Don Cherry. One thing that remains the same decades later is that encouraging deeper listening to the sounds of the mbira, the nyunga-nyunga, the uhadi or makhoyane bows is still challenging. Discouraging the superficial, short-lived acknowledgement of this ‘unchanging’, ‘African cultural expression’ is the everlasting hurdle. This is made so much easier by albums like Long Time Ago: when artists create music to be loved and entangled with, to be challenged by, derived from the musical roots and structures of these instruments and then expanded upon with creative freedom, risk, humour and funk. Azumah did this in 1985 and we have this album again today, newly released, to remind us of that moment and the moments since when musicians have urned inward and done similar. As Smiles has it: “Indigenous music doesn’t fade out. It’s just waiting to be discovered, all the time.”

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LP | 1977 | EU | Reissue (Mr Bongo)

Aguia Nao Come Mosca

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Golden-era, 1977, Brazilian jazz-funk-fusion album from the legendary Azymuth.
Lush Rhodes, soaring synths and fusion guitars from Malheiros and
Bertrami combine with the inimitable drum grooves from Ivan “Mamao” Conti that create the signature Azymuth sound.
The album moves from mellow soulful moods, into screaming disco-jazz-fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout.
This is actually the first Azymuth album that we have released on Mr Bongo, which came as a surprise to us too.
Official Mr Bongo reissue. Licensed from Warner Music.

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LP | 1975 | UK | Reissue (Far Out)

Azimüth

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-07-05

Reissued on 180 gram vinyl in gatefold sleeve!

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Outubro Deep Aqua Colored Vinyl Edition

LP | 1980 | UK | Reissue (Far Out)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade.

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LP | 1986 | US | Original (Milestone)

Tightrope Walker

Release: 1986 / US – Original

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Geffen)

B. B. King

Live In Cook County Jail

Do It 'Til You're Satisfied Blue Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Limited 180 gram vinyl LP repressing of the classic B.B. King live album. Live In Cook County Jail. Recorded in Chicago's Cook County Jail on a hot fall day in 1970 and released the following year, the recording of this historic event was named #499 on Rolling Stone's list of the 500 Greatest Albums of All Time, hitting #1 on the Billboard R&B charts, #3 on the Jazz charts and #25 on the Top 200. One of several live albums King released, it features a selection of his best-known songs. Includes "How Blue Can You Get?", "Please Accept My Love" and his signature classics "The Thrill Is Gone" and "Every Day I Have The Blues".

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B.T. Express

LP | 1974 | US | Reissue (Friday Rights Mgmt)

42,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Livin ' Up / Stop Black Vinyl Edition

B.W.H.

12" | 1983 | EU | Reissue (House Of Music)

LP | 1979 | JP | Reissue (P-Vine)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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An essential part of the European disco history... "Livin' Up" and "Stop" by B.W.H., these two tracks are true 'milestones' and Italo-Disco in the purest form. The sound that only the most virtuous and innovative young Italian DJs and arrangers were able to create in the early 80s. B.W.H is Stefano Zito (aka Black Way), Stefano Galante, and the late Carlo Favilli, "Stop" is dubbed "the best B-side ever!", but "Livin' Up" is also incredible, making this vinyl the hottest 12" ever assembled in the Italo Domain and for decades incredibly underrated. It was I-f's Mixed Up The Hague mix that brought this to the attention of a wider audience and have been considered one of the holy grails of Italo ever since. Here the 2 original versions from 1983 remastered with care and passion by Dom Scuteri and Claudio Casalini (Best Record) in two different editions: the classic one in black vinyl and the strictly limited one in gray vinyl. Two essential tracks available in a high quality edition. (Limited Grey vinyl)

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Babadu!

LP | 1979 | UK | Reissue (Pure Pleasure)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Produced by Hawaiian AOR legend Kirk Thompson (of Kalapana and Lemuria fame) singer-songwriter Babadu’s sole album is mellow Hawaiian soul from start to finish.

The 1970s saw the birth of Contemporary Hawaiian music, a genre inspired by the popular sounds of the mainland US, but with a distinct, Hawaiian feeling. Perhaps the most popular form of Contemporary Hawaiian music was Hawaiian AOR. It makes sense - mellow grooves and laid-back bass lines seem perfect for the pristine beaches of Waikiki; yet the genre would take off, gaining popularity in lands as far away as Japan.

Babadu! is firmly in the tradition of Hawaiian AOR, with the vocals of Babadu himself resting perfectly atop backing tracks that perfectly meld the sounds of the island with mainland yacht rock. Album opener “We’re Not To Blame” is a perfect example, with tropical flutes practically dancing over Babadu’s soulful vocals and a groove that’ll have anybody nodding their head. With Kirk Thompson of Kalapana handling production, arranging and keyboards - much like he did for Hawaiian AOR legends Lemuria, the album sounds simply sublime. Reissued with an obi-strip for the first time ever, with the handsome face of Babadu himself adorning the cover, you already know you’re in for a soulful, good time with this album.

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Babatunde And Phenomena

Levels Of Consciousness

LP | 1980 | EU (Survival Research)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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This reissue of an LP cut for the Theresa label contains plenty of exciting music. Percussionist Babatunde Lea takes stirring solos and constantly inspires the ensembles and soloists during a generally high-powered set. The musicians were all based in San Francisco at the time, including guest soloists trumpeter Eddie Henderson and trombonist Julian Priester. The music is Afro-Cuban jazz with bits of 1970s electronics and funk added to the mix. But despite some R&B-ish vocals (which dominate a bit during the last few tracks) and commercial moments, the music is excellent, there are some strong solos.

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Babla

Babla's Disco Sensation

16,99 €*

Babs Robert & The Love Planet

Release: 1980 / EU

Genre: Organic Grooves

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Laxmichand ‘Babla’ Shah began his career and a drummer and percussionist on Bollywood soundtracks composed by his older brothers Kalyanji V. Shah and Anandji V. Shah, and then made history through Babla’s Disco Sensation, the adventurous disco and synth-pop recasting of popular film hits released by Polydor in the late 1970s. This rare beast kicked off the ‘Disco Dandia’ craze and is a total killer from start to finish, the sitar funk grooves and eastern melodies clashing with all kinds of Moog madness. It’s a crate-diggers special that was sampled by Metro Area and others – grab your copy now and play loud for best effect!

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LP | 1970 | EU | Reissue (Alpha)

44,99 €*

LP | 1974 | EU | Reissue (Everland)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.

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Back East

Day By Day

LP | 1973 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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A masterpiece in the field of dreamy psyche pop that should have been issued five to seven years before. The Fifth Dimension might be a comparison but there is more. Jazz is one of the basic elements here, dreamy colorful pop and soul music are the others. The mixture is exciting despite it’s relaxed atmosphere. All thrillers here on the song front, great coverversions included turned into this band’s very own songs.

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Baden Powell

Images On Guitar

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Baiano & Os Novos Caetanos

LP | 1974 | EU | Reissue (Far Out)

LP | 1974 | EU | Reissue (Souffle Continu)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This 180g LP is a Vinyl only release. Baiano & Os Novos Caetanos was a band formed by prolific and multi-talented Brazilian comedians Chico Anysio and Arnaud Rodrigues. Azymuth’s free and funky psych sounds combine with accordion, harmonica, brass and plenty of rural Brazilian rhythms, for a hugely varied album drawing on MPB, funk and soulful samba rock. The album also features Orlandivo who co-wrote many of the songs, and renowned multi-instrumentalist and producer Durval Ferreira.

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Baikida E.J. Carroll

Orange Fish Tears

26,59 €* 27,99 € -5%

LP | 1977 | UK | Reissue (Mr Bongo)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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In 1972, trumpeter Baikida Carroll and some of his colleagues from the Black Artists Group took the advice of their friends in the Art Ensemble Of Chicago and left Missouri to discover the bright lights of Paris. The following year they would even get the chance to record their only album which would rapidly attain mythical status and a collector’s item: »In Paris, Aries 1973«, an essential album if you are a fan of free-wheeling avant-garde music from the Art Ensemble of Chicago to Sonic Youth and including Shabaka Hutchings and Rob Mazurek

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Banda Black Rio

Maria Fumaca

LP | 1977 | BR | Reissue (Polysom)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Banda Black Rio’s ‘Maria Fumaca’ is one of the strongest Brazilian samba-disco-funk-soul-fusion albums of all time. As regularly played by Theo Parrish, Gilles Peterson and co.

Banda Black Rio were formed in 1976 by the late Oberdan Magalhães in Rio de Janeiro. They revolutionised ‘black instrumental music’ at the time with their Brazilian re-interpretation of soul, jazz, funk and disco grooves, inspired by the likes of Tim Maia and reminiscent of Kool & The Gang and Earth Wind & Fire during their most on-point period of the 1970’s. ‘Maria Fumaca’ is the groups first album, originally released by Atlantic in 1977; a record that bought the group worldwide fame.

‘Maria Fumaca’ features in a list of the 100 greatest Brazilian albums of all time published by Rolling Stone Brazil, coming in at number 38.

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Banda Black Rio

Maria Fumaca

39,99 €*

Release: 1977 / BR – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Brunswick)

Barbara Acklin

Someone else's arms

15,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Barbara Carr & Roy Roberts / Eddie Floyd:

It's Only You / Guess It Wasn't Meant To Be

7" | 1978 | UK | Reissue (Izipho Soul)

15,99 €*

12" | 1984 | UK | Reissue (Soundway)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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In 1978, Roy Roberts produced and wrote a song for soul music legend Eddie Floyd; this melancholy storyliner has languished in the vaults for over forty years. Izipho Soul are thrilled to release on a 45 and continue our Rock House Records/Westwood Music Group licensed collaboration. Featuring on the A Side, Southern soul legends Barbara Carr and Roy Roberts duet on the supreme mid-pacer ‘It’s Only You’. 250 collectors’ copies pressed for the Real Soul Heads!

Please note ‘Guess It Wasn’t Meant To Be’ has been restored from the original tape to its best possible quality - unrepairable damage is evident in the final parts.

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Barbara Hernandez

All Nite Tonight

15,99 €*

The Stars / How Can I Tell

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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Cult soca disco 12", produced by Leston Paul and originally released in 1984 - now available in full vocal and instrumental versions for the first time in 40 years.Barbara Hernandez was working as a backing singer for Kool and the Gang in New York at the time the track was recorded, and the session featured their horn section as well as a who"s who of the Trinidad music scene for what would be Barbara"s only solo release. Suffering from poor distribution at the time of release, the 12" failed to make waves at the time but is now lovingly remastered and cut loud, a sure fire dancefloor filler.

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Barbara Lewis

LP | 1970 | EU | Reissue (Outta Sight)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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12" | 1982 | EU | Reissue (Best Record Italy)

Barbara York

Tonight

16,99 €*

LP | 1975 | EU | Reissue (Sommor)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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"Tonight" is a captivating, extraordinarily song written and arranged by Paolo Gianolio (one of Mauro Malavasi's most valid collaborators), who strongly wanted Ivana Spagna as a vocalist. In those very early 80s Spagna used to lend her refined voice.to successful productions using various pseudonyms: Mirage, Carol Kane and Yvonne Kay and precisely Barbara York The piece released in 1982 with Delirium Records was then released in 1983 on Smash One Music by Pino Toma who jealously preserved it making it one of the many rare gems of Italo-Disco. Now after 40 years here it is revived by Best Record in all four original versions, perfectly remastered by Dom Scuteri.

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Barcelona Traction

23,99 €*

LP | 1975 | TR | Reissue (Emre Grafson)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to form his own band, having jazz as a starting point but taking it to a more electric, eclectic sound with multiple influences. And thus, in 1973, he created the New Jazz Trio, which would become the embryo for Barcelona Traction. Lucky was accompanied by top double bass player Jordi Clua (ex-Dos +Un) and drummer Francis Rabassa (a veteran of the Barcelona 60s beat scene). The New Jazz Trio was the house band at the legendary La Cova del Drac jazz club, where they played every day, even acting as the backing band for international artists that came mainly through the USA-Paris jazz connection.

Performing life on a daily basis gave the trio great skills and the confidence to create a more personal sound through improvisation. But the turning point came when they decided to go electric. Lucky Guri moved to electric piano and even introduced the mini-moog to their sound. Jordi Clua never left the double bass, but started to use an electric bass as well. Add the modern, daring beat of Francis Rabassa and they started delivering a totally electric jazz-rock sound. The resulting mix arose the criticism of their more jazz-purist followers who turned their back on them, but the younger generations and a new audience coming from rock started to follow them instead.

After changing their name to Barcelona Traction, they caught the attention of popular catalan singer-songwriter Joan Manuel Serrat, who arranged for them to sign for his label, Òliba-Edigsa. The resulting LP contains five instrumental tracks. Three are written by Lucky Guri, the other two are fabulous covers of Rubens Serrano's "Sudamérica" and James Taylor's "Fire and Rain", here translated to Catalan as "Foc i pluja".

On Francesc Bellmunt's film about the famous Canet Rock festival, the band appears playing "Sudamérica". Thanks to this footage we can see how powerful the trio was on stage. Barcelona Traction marked an era, and their eponymous debut LP is here to prove it. Modern, fresh music that gets the attention of the listener. Unlike other bands like Música Urbana, more based in sophistication and more technical developments, Barcelona Traction is a combo that stands out due to the apparent simplicity and high energy of their sound, with the quality of being able to appeal and be listened in any situation, taking it beyond strict, pigeonholed mind sets.” - Álex Gómez-Font

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Baris Manco

2023

Baris Manco & Kurtalan Ekspres

Release: 1975 / TR – Reissue

Genre: Organic Grooves

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Re-mastered 180g black vinyl, in gatefold cover 12 pages booklet + poster. Originally released in 1975 by the Pioneer of Anatolian Rock, Baris Manco. He was one of the best musician in golden Era of Turkish Rock Scene. The album contains both traditional lyrics and space rock, progressive rock and psychedelic elements. In other words, nice blend of Turkish understanding with western instruments. Simply hypnotic, groovy.

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Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

LP | 1979 | TR | Reissue (Emre Grafson)

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Baris Manco

Yeni Bir Gun

2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Release: 1979 / TR – Reissue

Genre: Organic Grooves

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2019 Re-mastered – 180g black vinyl in gatefold Cover + 2 pages liner notes. It was originally released in 1979 which is (may be) the peak of Baris Manco and his band Kurtalan Ekspres’ musical career. True masterpiece ! It deserves to be a part of your collection. Every track in this LP, open any surprise. While one track is jazz-funk, the next one space rock and a pschedelic song will follow.

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Barney Wilen

Moshi

39,99 €*

LP | 1974 | EU | Reissue (Sommor)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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Barrabas

Soltad A Barrabas!

Barry Morgan & Ray Cooper

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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Percussion Spectrum (Themes)

LP | 1979 | EU | Reissue (Be With)

It's Ecstasy When You Lay Down Next To Me

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled with killer drum-breaks and percussion flares. Unsurprisingly it’s one of the most sought-after records from the Themes catalogue. This library LP is a library in itself, with its mix of short themes of single beats, short breaks.

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Barry White

12" | 1977 | US (20th Century)

Just Another Way To Say I Love You

Release: 1977 / US

Genre: Organic Grooves

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/ playing your game baby

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Barry White

LP | 1975 | US | Reissue (20th Century)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (20th Century)

Barry White

Stone Gon

Release: 1975 / US – Reissue

Genre: Organic Grooves

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12" | 1984 | EU | Reissue (Bordello A Parigi)

Basic

Face In The Night

13,99 €*

LP | 1974 | UK | Reissue (Matsuli Music)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A re-issue of this timeless italo ballad produced by Italian percussionist Massimo Pacciani. The song was recorded in 1984 in Marzio Bennelli’s studio in Florence with an Oberheim Ob-x, Yamaha DX7, Marzio on guitar and the great vocals of Riccardo Galardini. They took inspiration from Flashdancers – Maniac (an italo cover of Michael Sembello’s ‘Maniac’) which they recorded the same day in Bennelli’s studio. Remastered from original master tapes.

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Batsumi

29,99 €*

12" | 1981 | UK | Reissue (Voodoo Funk)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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BATSUMI’s 1974 classic. Repressed at Pallas in Germany on 180g black vinyl. Cover printed on reverse board and includes printed inner sleeve with liner notes from Francis Gooding. Initial copies shipped with exclusive 30cm x 30cm print of Batsumi performing in 1974. Batsumi is a masterpiece of spiritualised afro-jazz, and a prodigious singularity in the South African jazz canon. There is nothing else on record from the period that has the deep, resonant urgency of the Batsumi sound, a reverb-drenched, formidably focused pulse, underpinned by the tight-locked interplay of traditional and trap drums, and pushed on by the throb of Zulu Bidi’s mesmeric bass figures. The warm notes of Johnny Mothopeng’s guitar complete a soundscape that is at once closely packed with sonic texture and simultaneously vibrating with open space, and in whose shimmer and haze Themba Koyana and Tom Masemola soar. A sonorous echo emanating from an ancient well, reverberant with jazz ghosts and warmed by the heat of soul and pop, Batsumi is nothing short of revelatory. Many groups from this period did not issue recordings at all, and Batsumi are unusual in even having left an official recorded legacy. Out of print since the 1970s, and never issued outside of South African in its entirety, Batsumi is a landmark South African jazz recording, and a key musical document of its time.'

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Bayo Damazio

Listen To The Music

12,99 €*

LP | 1983 | JP | Reissue (Tokuma Japan Communications Co., Ltd./Lawson Entertainment Inc.)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Deliciously sophisticated Cameroonian funk, originally issued in 1981 by Phonodisk, the most ambitious Nigerian label at that time. Producer Tony Essien was on the lookout for a successor to Kris Okotie, who had abruptly defected to EMI, and the music is devil-may-care brilliant, with the Mighty Flames band bringing nuff buff Roy Ayers, Kool And The Gang and Chic to the party.

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Beers

Mistress

70,99 €*

Relax, You're Soaking In It

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The only album by Megumi Saito and Yoko Hashimoto, released in 1983. Together with prominent musicians, Kazuo Shiina, who was active as a regular member of Tatsuro Yamashita's band, Hiromasa Suzuki, who was active across genres, Hiroshi Shinkawa, who later worked on Omega Tribe and others, participated as an arrangement team, and you can hear an urban sound full of city feeling. Includes 10 songs including 'Kowareta Wiper', the only single with a comfortable mellow disco groove, and 'Lucky Strike Man' with a reggae taste.

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Belair

LP | 1980 | EU | Reissue (Mad About)

28,49 €* 29,99 € -5%

Bemowe Frazy Yellow Vinyl Edtion

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts. This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.

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Bemibem

LP | 1974 | EU | Reissue (Warner)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Ben Webster & His Quartet

Wayfaring Webster Black Friday Record Store Day 2023 Black Vinyl Edition

2LP | 1970 | EU | Reissue (Tidal Waves Music)

In Hot House Record Store Day 2023 Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Record Store Day Black Friday 2023 exclusive release Limited 180g Deluxe Double Vinyl Edition (1000 copies) with obi strip Rare unearthed Dutch recordings from 1970 Featuring an all-star line-up First Time ON Vinyl Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (Wayfaring Stranger recorded in 1970 by the NPS Radio network in The Netherlands) you will find mind-blowing high-quality Dutch sessions that were left dormant on a shelf and weren’t commercially released for over 30 years! On ‘Wayfaring Stranger’ the listener is treated to no less than nine sublime tracks that document Webster’s trademark relaxed-swinging but imaginative playing style that never gets boring. The album features an all-star line-up from the likes of Rob Langereis (Toots Thielemans), John Engels (Chet Baker, Dizzy Gillespie) and Cees Slinger (Dexter Gordon, Slide Hampton). Expect a 61-year-old Ben Webster in excellent form giving a warm, dusky, gritty yet funky performance where he delivers everything from up-tempo material, 12-bar blues jams to soulful expressive ballads. Webster’s quartet is in constant musical dialog with each other, creating a unique back and forth between musicians at the top of their game. Tidal Waves Music now proudly presents the First Ever vinyl release of this fantastic album (originally released as a limited Compact Disc edition back in 2000). This unique record comes as a deluxe 180g Double vinyl edition (strictly limited to 1000 copies) with obi strip. Released exclusively for Record Store Day Black Friday (UK & Europe) 2023 and available in participating stores on November 24, 2023.

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

30,59 €* 35,99 € -15%

In Hot House White Vinyl Edition

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Ben Webster

Live At Pio's

LP | 1979 | EU | Reissue (Sommor)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A great small club date from Ben Webster – different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums – who really come out swinging, and push Ben to take some of his boldest solos of the period – plenty of bite throughout, and a fire that you don't always hear on his other 60s recordings. Titles include "Cookin For T", "Sunday", "Pennies From Heaven", "How Long Has This Been Going On", and "Gone With The Wind".

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Benoit Widemann

Tsunami

7" | 1982 | EU | Reissue (Fantasy Love)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Second album, released in 1979, by French keyboard wizard Benoit Widemann (ex-Magma). “Tsunami” is an incredible mix of electronics and jazz-fusion with prog / avant-garde /minimal elements. Treated Minimoog, Oberheim synths, Rhodes, early computer sequencing plus bass, drums, guitar, sax… Featuring Jean-Pierre Fouquey (ex-Magma), Jean-Pierre Grasset (Verto) and Jean-Paul Ceccarelli among others.
"Digital computer-based sound in 1979! We were the avant-garde!" - Benoit Widemann.

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Bernard Walker

My Lover / Sexy Thang

Don't You Worry Baby The Best Is Yet To Come / Try To Leave Me If You Can

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Junei, the guitarist behind The Space Army Band, who would team up with his brother, General Lee, to form The Lost Weekend remains a pivotal character amongst the music scene of his hometown, Gary, Indiana.

Working closely with local indie groups & producers, such as Gordon Keith of Steeltown (Jackson 5's first manager), Junei would spend the 70s writing & recording whilst touring with artists such as The Emotions, Curtis Mayfield & Albert King.

Junei's calling card came to be in 1987, when he released his single 'Let's Ride' & 'You Must Go On' on local imprint, Pharoah's Records. The following year, he teamed up with Bernard Walker to produce a signature of that late-80s bedroom indie sound, cemented by the ideology & instruments used.

As Junei recalls..

"Bernard Walker approached me based on my reputation around town. He told me about this song that he wrote called "My Lover." Initially, he wanted to record a demo but I convinced him that I could do an actual finished production of his song, right from my small project "tape based, 8-track" basement studio. The sessions took place in Gary, Indiana in the basement of my parents home inside my... more

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Bessie Banks

7" | 1976 | EU | Reissue (Pressure Makes Diamonds)

11,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Ultra-rare modern/Northern soul/funk crossover, now extremely expensive in its original form. Cut loud & proud. Artwork based on the original promo version. Officially licensed from Phase One Network.

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Is This Love Or Desire Gold Vinyl Edition

LP | 1976 | US | Reissue (Light In The Attic)

36,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

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Is This Love Or Desire Silver Vinyl Edition

LP | 1976 | US | Reissue (Light In The Attic)

36,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Nasty Gal Metallic Gold Vinyl Edition

LP | 1975 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

Release: 1975 / US – Reissue

Genre: Organic Grooves

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"In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty paved the way for generations of future artists who said ‘funk you’ to the music industry and social norms.

In 1975, Betty Davis’s star was on the rise. With the backing of Island Records and a new band, Funk House, Betty’s third album, Nasty Gal, leans into the hyper-sexualized persona with which her critics were so obsessed. She raps, purrs, shrieks, and moans on top of Funk House’s manic funk-rock and lays claim to the “bad girl” anthems that now saturate the music industry. Mastered from the original tapes, Nasty Gal showcases Betty’s groundbreaking work as a performer, writer, and producer."

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Nasty Gal Pink & Yellow Vinyl Edition

LP | 1975 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

Release: 1975 / US – Reissue

Genre: Organic Grooves

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They Say I'm Different Orange Vinyl Edition

LP | 1974 | Reissue (Light In The Attic)

36,99 €*

7" | 1980 | UK | Reissue (Cultures Of Soul)

Release: 1974 / Reissue

Genre: Organic Grooves

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* New Pressing On Orange Colored Vinyl *Betty Davis' 1974 Sophomore Album They Say I'm Different Features A Worthy-Of-Framing Futuristic Cover Challenging David Bowie's Science Fiction Funk With Real Rocking Soul-Fire, Kicked Off With The Savagely Sexual "Shoo-B-Doop And Cop Him" (Later Sampled By Ice Cube). Her Follow Up Is Full Of Classic Cuts Like "Don't Call Her No Tramp" And The Hilarious, Hard, Deep Funk Of "He Was A Big Freak."

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Betty Griffin

Free Spirit

13,99 €*

Betty Lou Black Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Betty Griffin's "Free Spirit" was previously released on the 2016 compilation - Greg Belson's Divine Disco Volume 1. This 7-inch comes with two epic remixes of the track. These remixes are being released as a celebration for the 10 Year Anniversary of Greg Belson's significant radio show - “Divine Chord Gospel Show” on Dub Lab. Both tracks were remixed by the Divine Situation featuring Paulo Fulci and Greg Belson. The A-side remix, Divine Situation NYC Downlow Rework is influenced by their DJ appearances at Glastonbury's Downlow Club Room while the B-Side is more of an instrumental version. Both are pure fire for the dancefloor!

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Betty Lou Landreth

2LP | 1979 | UK | Reissue (Backatcha)

25,99 €*

Betty Lou Transparent Red Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Officially licensed. Reissue on two discs.

Originally released in 1979, Betty Lou Landreth's Betty Lou has been expanded to a 15-song double album featuring the original studio recordings along with bonus material, alternative takes, and extensive liner notes from Joel Palmer, the producer of this Motor City holy grail.

Recorded in Detroit and produced and released by Detroit-born jazz historian Joel Palmer on his YaYa label, the album features many veteran and esteemed Detroit and New Orleans Jazzmen. Alongside Joel, producer and arranger Charlie Gabriel recruited some of the city’s top fellow musicians for the session, including his longtime friend and housemate, trumpeter Marcus Belgrave, drummer J.C. Heard, Motown's Funk Brothers, keys player Emmanuel Riggins, bassist Hubie Crawford, violinist Travis Biggs, the Body sisters and many more.

"Honestly, there were never any commercial expectations or aspirations for the album. We just got together to cook up a gumbo. Detroit, New Orleans, funk, jazz, torch, country and some great, great musicians to bring the flavours together. Our only intent was to create the best work of music possible; one which would allow Betty Lou Landreth to display her extraordinary vocal skills, and that we did. The reissue serves as a monument to all of those who all those long years ago contributed their special magic to creating a very unique musical work which has endured the test of time.” Joel Palmer, 2021.

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Betty Lou Landreth

2LP | 1979 | UK | Reissue (Backatcha)

22,94 €* 26,99 € -15%

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Limited to 300 copies. Officially licensed. Reissue on two discs.

Originally released in 1979, Betty Lou Landreth's Betty Lou has been expanded to a 15-song double album featuring the original studio recordings along with bonus material, alternative takes, and extensive liner notes from Joel Palmer, the producer of this Motor City holy grail.

Recorded in Detroit and produced and released by Detroit-born jazz historian Joel Palmer on his YaYa label, the album features many veterans and esteemed Detroit and New Orleans Jazzmen. Alongside Joel, producer and arranger Charlie Gabriel recruited some of the city’s top fellow musicians for the session, including his longtime friend and housemate, trumpeter Marcus Belgrave, drummer J.C. Heard, Motown's Funk Brothers, keys player Emmanuel Riggins, bassist Hubie Crawford, violinist Travis Biggs, the Body sisters and many more.

"Honestly, there were never any commercial expectations or aspirations for the album. We just got together to cook up a gumbo. Detroit, New Orleans, funk, jazz, torch, country and some great, great musicians to bring the flavors together. Our only intent was to create the best work of music possible; one which would allow Betty Lou Landreth to display her extraordinary vocal skills, and that we did. The reissue serves as a monument to all of those who all those long years ago contributed their special magic to creating a unique musical work which has endured the test of time.” (Joel Palmer, 2021).

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Betty & The Code Red

Akure

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Betty & The Code Red is a life and creative partnership between Benin-born Tunde Obazee and his girlfriend Betty. The pair grew up in Nigeria and would play all manner of instruments to entertain people at the local school before staying together as they went on to live in Italy and the US. Obazee performed at colleges and universities despite no formal training and eventually recorded a selection of tunes together including a small album on relatively new bits of gear like the Yamaha RX7. Especial has collated some of their best work across two new EPs, this being one of them.

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Betty & The Code Red

Wishful Thinking

Danger High Voltage (Henry Stone Records)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.

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Betty Wright

LP | 1974 | EU | Reissue (Wagram)

18,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1983 | EU | Reissue (Pharaway Sounds)

Bibi Den's Tshibayi

Sensible

LP | 1980 | EU | Reissue (Soul Note Vinyl)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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A great mix of Zouk, Afro-Funk and Boogie from the Ivory Coast, 1983. Cool synths, electric guitar, Afro-Caribbean rhythms...
Four long tracks, including the massive afro-disco-boogie “Africa Mawa” plus two cool afro/Zouk tracks and a deep ballad with psych guitar.
Featuring Congolese musician Denis Bibi Den’s Thsibayi and his band The Best, “Sensible” was recorded at Abidjan, Ivory Coast, after Denis Tshibayi was requested to play live there. M. Sacko helped with the production / edition and the album was originally released first as a tiny private pressing in the Ivory Coast and later in France on the Tangent label. During that time, Denis Thsibayi also recorded for Earthworks/Rough Trade and in the following decades he recorded with Adrian Sherwood (On-U Sound Records), Alpha Blondy, etc.

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Bill Dixon

In Italy Volume One

Alone White Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Bill Dixon one of the great visionary composers and improvisers in modern creative Jazz, "In Italy Volume One" was recorded in Milan in 1980 and released on Soul Note. A wide open tapestry and a rare example of open interaction between pulse, melody and pure sound as result of the work of a maverick quintet featuring Dixon, Arthur Brooks and Stephen Haynes - trumpets, Stephen Horenstein - tenor & baritone saxophone, and the great open rhythm section of Alan Silva - bass and Freddie Waits - drums.

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Bill Evans

LP | 1970 | EU | Reissue (Klimt)

23,74 €* 24,99 € -5%

From Left To Right White Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Alone was recorded at Webster Hall in the East Village, which was reserved for two recording sessions in October 1968. A Steinway & Sons concert grand piano model D-274 was chosen by Bill Evans for this recording. Released in April 1970, the Grammy Award-winning Alone was Bill Evans' first single piano solo album following in the footsteps of his 1963 Verve session Conversations with Myself (three pianos overdubbed) and his 1967 Further Conversations with Myself, also on Verve (two pianos overdubbed).

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Bill Evans

LP | 1970 | EU | Reissue (Klimt)

Montreux II Blue Vinyl Edtion

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)

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Bill Evans

LP | 1970 | EU | Reissue (Klimt)