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Organic Grooves Vinyl 1957 Items

Hip Hop 40 Organic Grooves 1957 Funk | Soul 779 Contemporary Funk 4 Jazz | Fusion 735 Blues 49 Disco | Boogie 294 Latin | Brazil 157 Afrobeat 141 Original Breaks & Samples 33 Rock & Indie 1991 Electronic & Dance 305 Reggae & Dancehall 324 Pop 468 Classical Music 17 Soundtracks 121 Childrens 1
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Leon Thomas - Full Circle Black Vinyl Edition
Leon Thomas
Full Circle Black Vinyl Edition
LP | 1973 | UK | Reissue (Flying Durchman)
27,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Freddie Hubbard & Art Blakey - Feel The Wind Black Vinyl Edition
Freddie Hubbard & Art Blakey
Feel The Wind Black Vinyl Edition
LP | 1989 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1989 / US – Reissue
Genre: Organic Grooves
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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Im pulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.
Braen/Raskovich (G.Sorgini/A.Alessandroni) - Tempo Libero Black Vinyl Edition
Braen/Raskovich (G.Sorgini/A.Alessandroni)
Tempo Libero Black Vinyl Edition
LP | 1975 | EU | Reissue (BTF)
29,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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The Clark Sisters - He Gave Me Nothing To Lose
The Clark Sisters
He Gave Me Nothing To Lose
LP | 1979 | UK | Reissue (Westbound)
24,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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The Clark Sisters' fourth album for Westbound's Sound Of Gospel label is the one that pushed them firmly towards the crossover market. Whilst there was traditional soul-based gospel fare on tracks like 'My Cup Runneth Over' they hustled onto the dance floor on disco-influenced gems like 'My Life Is Complete With Jesus' and 'Everything Is Gonna Be Alright'. The Clark Sisters were one of the great gospel groups and also part of a great gospel dynasty. Their mother was the great Mattie Moss Clark, and their uncle was Bill Moss. Written, produced and arranged by core member Elbernita "Twinkie" Clark, the album features instrumental contributions from famous Detroit soul names such as Melvin Davis and the Counts' Leroy Emmanuel. Although the Clark Sisters are one of the biggest-selling gospel groups of all time, this is the first time "He Gave Me Nothing To Lose" has been reissued since it was originally released in 1979. It's time to go back to church via the dancefloor.
Junie - When We Do
Junie
When We Do
LP | 1975 | UK | Reissue (Westbound)
24,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Never before reissued debut album by hit-making member of the Ohio Players Junie Morrison - the first of his much-sampled Westbound recordings. Junie is best known today as Funkadelic's late 70s keyboard player who wrote their worldwide hit 'One Nation Under A Groove'. "When We Do" was released on his departure from the Ohio Players, who decided to leave Westbound after the success of 'Funky Worm'. "When We Do" features Junie's unique mix of funk and soul, including the classic 'Tight Rope' and the title track as sampled by Lyrics Born. Junie, who died in 2017, was celebrated by Solange Knowles and Andre 3000 of Outkast on the track 'Junie' on her "A Seat At The Table" album from 2016. "When We Do" is reissued on vinyl for the first time since it's 1975 original release.
Junie - Freeze
Junie
Freeze
LP | 1975 | UK | Reissue (Westbound)
24,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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In the wake of their hit, 'Funky Worm', the Ohio Players quit Westbound Records and keyboard and vocal wizard Junie quit the Ohio Players. He immediately set out on a solo career that was less commercial than his erstwhile colleagues, but musically intriguing. He recorded three solo albums for Westbound, with "Freeze" being the immediate follow up to his debut "When We Do". Recorded at the world-famous Ardent Studio in Memphis, it saw Junie play every instrument, from a traditional rhythm section to a barrage of the latest synthesizer technology. The result was an avant-funk masterpiece that ranged from the sublime 'Not As Good As You Should' to the wild 'Granny's Funky Rolls Royce' which reprised the worm character and was later sampled by DJ Shadow. Junie would later join Funkadelic, originating their biggest international hit, 'One Nation Under A Groove', and touring the world. He died in 2017, a year after Solange and Andre 3000 from Outkast lauded him on the track 'Junie' from Solange's Grammy winning album "A Seat At The Table". The album is reissued in a facsimile of it's original cover, and is reissued for the first time ever
Nexus - Stand Up Black Vinyl Edition
Nexus
Stand Up Black Vinyl Edition
12" | 1983 | EU | Reissue (Mr. Disc)
12,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves, Pop
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Tchiss Lopes - Stranger Ja Catem Traboi
Tchiss Lopes
Stranger Ja Catem Traboi
LP | 1982 | EU | Reissue (Arabusta)
22,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Albert Dailey - Renaissance
Albert Dailey
Renaissance
LP | 1977 | EU (Trading Places)
21,99 €*
Release: 1977 / EU
Genre: Organic Grooves
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Modern and grounded in 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939 – 1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians, the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus and Lee Konitz to name just a few. But despite that, he was an underrated artist during his lifetime receiving deserved recognition only after his death. Renaissance 2 November 1977 is his second album, played by a bold group that includes the voice of Cheryl Alexander, Carter Jefferson on sax, Cecil McBee on bass and features both Cheryl Alexander and Adam Nussbaum on drums.
The Trio - Conflagration
The Trio
Conflagration
LP | 1971 | EU (Trading Places)
21,99 €*
Release: 1971 / EU
Genre: Organic Grooves
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The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea and trumpeter Harry Beckett, ensuring their take on abstract jazz contains melody as well as jarring exchanges. Another great Trio free jazz set!
Daniel Bechet - Songs To My Father
Daniel Bechet
Songs To My Father
LP | 1979 | EU | Reissue (Mad About)
27,54 €* 28,99 € -5%
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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French drummer and Jazz musician/composer Daniel Bechet dedicated 1979 “Songs to My Father” to his father, the famous Sax/Clarinet player Sydney Bechet.

Sydney Bechet’s son-only LP is a hidden treasure we are proud to reissue. The base is a solid Fusion and Jazz Funk sound. Still, the mellow and soulful moment is wonderfully groovy with arrangements reminding George Duke’s albums, or Cortex plenty of funky Fender Rhodes.
Bra Sello - Butterfly Black Vinyl Edition
Bra Sello
Butterfly Black Vinyl Edition
LP | 1975 | EU | Reissue (Afrodelic)
23,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.
Bra Sello - The Battle Of Disco Black Vinyl Edition
Bra Sello
The Battle Of Disco Black Vinyl Edition
LP | 1977 | EU | Reissue (Afrodelic)
24,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.
Adelhard Roidinger - Computer & Project I
Adelhard Roidinger
Computer & Project I
LP | 1984 | EU | Reissue (Ultimo Tango)
22,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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Weather Report - Weather Report Colored Vinyl Edition
Weather Report
Weather Report Colored Vinyl Edition
LP | 1971 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Dana V Andrews - Mr Justice
Dana V Andrews
Mr Justice
7" | 1976 | UK | Reissue (Epsilon)
17,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Dana V Andrews is a man who is still very much in love with music of all types. At 23 years old and far from living a perfect life, his love of music led him to go to Los Angeles, California in 1973 with a talented songwriter in search of fame and fortune. Dana played a role while working on a song and album that was a big hit for the now deceased Mr. Barry White. In 1975 he met David Futch and together they formed a record and publishing company that recorded R&B and Gospel music. One of the gospel Groups, the Highland Park Community Choir out of Highland Park, Michigan had a song nominated for a Grammy Award in 1976.

That same year, Dana V. Andrews recorded two songs titled “Mr. Justice” because he was distressed by the social injustice he saw and still sees in our world. His humble hope was that “Mr. Justice” could be a rallying call for the majority of good people in the world. To unite and vote for responsible, fair, politicians who had helping the people foremost in their hearts. And “Everything’s Gonna Be Alright” because he had faith that eventually right will win out over wrong. He still does to this day. He still believes today that when the majority of people stand for righteous justice with genuine love leading the way that governmental bipartisanship will defeat hate, prejudice, and injustice.
Masahiko Togashi - Story Of Wind Behind Left HHV Exclusive Green Vinyl Edition
Masahiko Togashi
Story Of Wind Behind Left HHV Exclusive Green Vinyl Edition
LP | 1975 | EU | Reissue (Cinedelic)
25,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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HHV Exclusive edition on green wax, limited to 100 copies

Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. On the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left,” Masahiko Togashi revolutionized the Japanese jazz scene. The record includes an insert with the original liner notes translated into English.
Teleclere - Affection/Defection Black Vinyl Edition
Teleclere
Affection/Defection Black Vinyl Edition
LP | 1983 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1983 / US – Reissue
Genre: Organic Grooves
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Rare Seattle Electro-Funk Boogie
Originally Released & Privately Pressed in 1983
First ever vinyl reissue
180g Clear vinyl limited to 100 copies (lita Exclusive)
A central figure in Seattle’s fading disco scene, radio DJ, producer, engineer, writer and multi-instrumentalist…Tony Benton was the driving force behind the Seattle soul-funk sound during the late 70s & 80s. Starting off his career at the age of ten he learned how to play the piano and then finally got to take a music class in the 7th grade. Having access to an electric piano made him fall in love with the thought that he could make his own music. At the age of 16 Tony and his friends already formed their first band called 'Crystal Clear' and were making up songs in his basement. Things would really start of when Tony Benton teamed up with his group to form the avant-boogie group Teleclere who went on to release their first single in 1982 (Fantasy Love / Ultra Groove). That’s when Tony started playing all of the other instruments and thus earning him the title ‘multi-instrumentalist’. Teleclere was all about creating and performing original music, there was no music scene in Seattle at that time for a black artist or group who played original compositions. Rap-music was also emerging and clubs slowly started to switch from live performances to deejays. Through the success of their independent EP release, Teleclere followed up a year later with their Affection/Defection album which created a serious hype. This gave them the chance to regularly open at concerts for national artists in halls and clubs. They played at nightclubs, bars, festivals, private parties and did mini tours in the Washington State cities & Canada…including opening for Grammy-award winning soul-star Peabo Bryson (performing for a crowd of 3,000 in their hometown Seattle) Sadly, radio would not play their music so folks never really had the chance to hear it unless they saw them perform live (they always won the crowd over). To add insult to injury, venues and the likes started to mainly book cover bands playing top 40 music. Disappointed by this Tony Benton became a radio personality but would continue to record and perform under the name 'Teleclere' with various players and vocalists for many years to come. Only a handful of his tracks recorded were released in the end. Thankfully we are left with the unique audio-document that is the Affection/Defection LP. The album took the scene by storm in 1983 and sounds like a sci-fi space odyssey unfolding on an intergalactic dance floor…a chopped and slapped slice of 80ies electro-funk, sensual soulful serenades, pulses of Innervisions-worthy bass, top of the line vocals and a plethora of vocoder magic. Also included is the hit ‘Steal Your Love’ that was featured on the acclaimed 2014 Light In The Attic compilation ‘Wheedle’s Groove Volume II: Seattle Funk, Modern Soul And Boogie 1972-1987’. Tidal Waves Music (in collaboration with the Numero Group) now proudly presents the first ever vinyl reissue of this fantastic private pressed Seattle electronic soul/funk album (originally released in 1983 on Telemusic Productions). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork and obi strip.
Sheila Hylton - Lot Of Love
Sheila Hylton
Lot Of Love
7" | 1979 | JP | Reissue (Drum & Bass)
17,99 €*
Release: 1979 / JP – Reissue
Genre: Organic Grooves, Reggae & Dancehall
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A reggae disco version of the Neil Young classic "Lotta Love," which was a big hit in 1978 sung by Nicolette Larson. The song features lively synth drums, an up-tempo four-beat rhythm, and Sheila's voice that gets the floor burning hot.
Sheila Hylton - Falling In Love
Sheila Hylton
Falling In Love
7" | 1983 | JP | Reissue (Drum & Bass)
17,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves, Reggae & Dancehall
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A remake of 1983 Surface disco hits. Fashionable and mellow Jamaican lovers featuring rhythm boxes and analog synths, the trend at the time. The beat is less aggressive and more soulful than the original.
Guilherme Coutinho E O Grupo Stalo - Guilherme Coutinho E O Grupo Stalo
Guilherme Coutinho E O Grupo Stalo
Guilherme Coutinho E O Grupo Stalo
LP | 1978 | UK | Reissue (Mr Bongo)
29,99 €*
Release: 1978 / UK – Reissue
Genre: Organic Grooves
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We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.

It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector’s item.

The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho’s (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian’s songs. ‘Guilherme Coutinho E O Grupo Stalo’ is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience.
Rick Mason And Rare Feelings - The Inner Dimensions Of Rick Mason And Rare Feelings
Rick Mason And Rare Feelings
The Inner Dimensions Of Rick Mason And Rare Feelings
LP | 1977 | JP | Reissue (P-Vine)
35,99 €*
Release: 1977 / JP – Reissue
Genre: Organic Grooves
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This album was recorded in Philadelphia in 1977 by Rick Mason's band Rare Feelings, who also supported the band's groove as bassist, but also worked as songwriter, arranger and producer. Every record collector specialising in soul and funk will want to add this record to their shelves, and the few diggers lucky enough to have it will be enthralled not only by its sound but also by its striking artwork. This sought-after album has finally been revived as the world's first official reissue!
Fela Kuti - Gentleman 50th Anniversary Igbo Smoke Vinyl Edition
Fela Kuti
Gentleman 50th Anniversary Igbo Smoke Vinyl Edition
LP | 1973 | CZ | Reissue (Knitting Factory)
28,99 €*
Release: 1973 / CZ – Reissue
Genre: Organic Grooves
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Kleeer - Intimate connection
Kleeer
Intimate connection
12" | 1984 | US (Atlantic)
13,99 €*
Release: 1984 / US
Genre: Organic Grooves
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/ tonight
Mandrassi & Zollinger - Rhythm & Sound
Mandrassi & Zollinger
Rhythm & Sound
LP | 1973 | EU | Reissue (Sonor Music Editions)
30,39 €* 31,99 € -5%
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Sonor Music Editions proudly announces a previously unknown Italian Library killer session from the golden era - Rhythm AND Sound by the mysterious 'Mandrassi & Zollinger', backed by 'I Beati' studio band. Mandrassi, alias for Anna Maria Assunta Andreassi, is one of the very first female composers of Library Music in Italy while Zollinger is linked to Sergio Pagano, brother of the famed Italian author, composer and singer Mario Pagano. Originally released in 1973 for the private studio label ‘Ludo Record’, this album remained in the obscurity for almost 50 years, it’s so rare that only very few hardcore record collectors know it, we even doubt about its existence at all.. so we're now glad to bring it back to life! A countless breaks galore, filled with outstanding funk grooves and chasing beats. The jam sounds like a missing link between The Fine Machine ‘Habitat’ and the legendary Arawak ‘Accadde a..’ recordings, with its uptempo rhythms allover and the coolest funky instrumentation played by a mysterious studio group.
Malombo Jazz Makers - Malompo Jazz
Malombo Jazz Makers
Malompo Jazz
LP | 1972 | EU | Reissue (Strut)
25,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Malombo Jazz Makers - Malombo Jazz Makers Volume 2
Malombo Jazz Makers
Malombo Jazz Makers Volume 2
LP | 1971 | EU | Reissue (Strut)
25,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Funkadelic - Funkadelic's Greatest Hits Black Vinyl Edition
Funkadelic
Funkadelic's Greatest Hits Black Vinyl Edition
LP | 1975 | UK | Reissue (Westbound)
21,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Keenly awaited vinyl reissue of Funkadelic’s 1975 “Greatest Hits” collection on Westbound Records.

Known as “the sheep album” for its unique cover art, it is a stunning selection of highlights from the George Clinton-led group’s first six albums.

Gathering 45 mixes, LP versions and a unique edit of the instrumental ‘A Joyful Process’, it is a perfect entry point into the world of Funkadelic.

The original 1975 release suffered from a slightly tinny sound, so we have remastered to give you the full force of the music.
Toshiyuki Honda - Burnin' Waves
Toshiyuki Honda
Burnin' Waves
LP | 1978 | EU | Reissue (Holy Basil)
26,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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We are happy to continue our series of Electric Bird reissues in collaboration with King Record with the a killer jazz-funk release, saxophonist Toshiyuki Honda's "Burnin' Waves", originally released in 1978. Son of jazz critic Toshiyuki Honda, the Japanese composer was a skillful flute and saxophone player, and in the 70's he worked with George Otsuka and the Burning Waves ensemble. In the 1980s he worked with Chick Corea, Tatsuya Takahashi, and Kazumi Watanabe, lead his own ensemble, Super Quartet as well as being a member of the ensemble Native Son. His 1978 debut album "Burnin' Waves" boasts with hectic saxophone explorations over funky bass and happy keyboards, making it one of the grooviest releases of the Electric Bird catalog, now available on vinyl again for the first time!
Lesiman - High Tension Volume 1
Lesiman
High Tension Volume 1
LP | 1973 | EU | Reissue (Holy Basil)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Following the release of Lee Selmoco's "Mosaico" we continue our journey with Vedette Records to bring back to life part of their incredible catalog, with the reissue of the first instalment of the "High Tension" series by Lesiman. Born in Florence in 1935, Paolo Renosto, the man behind the moniker Lesiman, was an incredible composer, experimenter, music teacher and piano player whose amazing skills and sound research brought him to work with Luigi Dallapiccola and Bruno Maderna, as well as being a member of the Associazione Nuova Consonanza of Roma. He obviously joined, for some time, the renowned Gruppo d’Improvvisazione, with Franco Evangelisti and Domenico Guaccero. Released exactly 50 years ago and packed with dramatic tension, obscure drums and asphyxiating atmospheres revolving around the theme of war, composed with the additional input of Romolo Grano, Sandro Brugnolini and Guido Baggiani, this first volume in the series is a holy grail in Italian libraries as well as a prime example of "music especially crafted for films, television, radio, publicity and industrial use". Now available on vinyl for the first time as a limited edition of 500 copies.
Wendell Harrison - An Evening With The Devil
Wendell Harrison
An Evening With The Devil
LP | 1973 | JP | Reissue (Deep Jazz Reality / Tribe / Octave-Lab)
62,99 €*
Release: 1973 / JP – Reissue
Genre: Organic Grooves
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Active Force - Active Force Black Vinyl Edition
Active Force
Active Force Black Vinyl Edition
LP | 1983 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
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180 gram audiophile vinyl
Soul, boogie, funk album produced by Michael Stokes
Includes the big club hit "Give Me Your Love"
Reissue for the first time since 1983, celebrating its 40th anniversary
Ben Webster - In Hot House White Vinyl Edition
Ben Webster
In Hot House White Vinyl Edition
LP | 1972 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.
Keith Paul - Keith Paul
Keith Paul
Keith Paul
LP | 1977 | EU | Reissue (La Freak)
27,54 €* 28,99 € -5%
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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First Reissue for this almost impossible to find record, this beautiful soul blending disco was recorded in one shot by Keith Paul in 1977. Fully remastered, it gives justice to one of the most hidden treasure of Guyana's music. Keith Paul recorded every instrument on this record. The liner notes interview by Saultone founder will give you the whole story and get deep in the secret of this incredible voice and talent
Matadi - Dance My Love
Matadi
Dance My Love
LP | 1978 | EU | Reissue (La Freak)
28,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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First of our series is Matadi's album " Dance My Love" released in 1978 on now reissued for the first time with a full remastering of the original tracks and including an exclusive interview of Sammy Massamba on a printed insert. Matadi was a band created by legendary producer Sammy Massamba in late 70s, here's their first and only album "Dance My Love" , including cosmic afro-disco and heavy funk and soul tracks with crazy synths and groove on all tracks. The whole album was fully licensed in close collaboration with Sammy Massamba.
Broadway Quintet - Amalume
Broadway Quintet
Amalume
LP | 1976 | EU | Reissue (Sharp Flat)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Beautiful Zambian Jazz/Rock LP. Huge Tip! Sharp-Flat Records presents the long-awaited restoration of The Broadway Quintet's cult classic Amalume – a hypnotic concoction of traditional Zambian sounds and jazz-rock grooves with a twist of 1970s African psychedelia.

Emerging to serve the entertainment needs of Zambia's United National Independence Party (unip) in the early 1960s, The Broadway Quintet gathered seasoned talent from Lusaka's best hotel bands to fashion its esteemed lineup. Starting as a quartet and later evolving into a quintet, the group's career spanned over twenty years as favourites on the cabaret circuit and boasted a myriad of prestigious collaborations.

The Broadway Quintet's jazz sensibilities set them apart from the rock sound that dominated the music landscape of the 1970s. Yet the formula behind Zamrock, fusing indigenous Zambian sounds with Western pop, shaped their one and only 1976 long-player. Featuring modern arrangements of traditional songs, Amalume blended congas with sax sounds, folk lyrics with electric keyboard shenanigans and show business staples with jazz guitar noodling. With its psychedelic fever dream illustrated cover, it was an explosive package of "originality and electrifying beauty" as the album's liner notes rightly attested.

Released on the Zambezi label, Amalume joined an exceptional run of mid-1970s offerings alongside Witch, Ricky Banda and Crossbones. Officially licensed, carefully restored and beautifully reproduced, Zambia's most requested reissue has finally returned for everybody to enjoy.
Al Green - Explores Your Mind
Al Green
Explores Your Mind
LP | 1974 | US | Reissue (Fat Possum)
39,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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1974's Al Green Explores Your Mind (originally released on HI Records) continues the Mitchell and Green uptempo groovy hard soul alliance. Although more mellow than Green's previous releases, this album reflects only in part the changes Willie Mitchell had begun to weave into his music, giving his productions a lighter feel. This is because Al Green is unique and his style can't be confused with anyone else, no matter what producers do to the arrangements. Contains the classic "Take Me To The River," later also recorded by the Talking Heads and the sentimental "School Days."
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