Organic Grooves Vinyl 1981 Items

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Come To My Garden Clear Vinyl Edtion

Minnie Riperton

LP | 1970 | EU | Reissue (Soulgramma)

LP | 1970 | EU | Reissue (Souffle Continu)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What a beauty here. A proper re-issue of Minnie Riperton debut album on GRT, originally puvlished in 1970. Her name came to prominence with the highly influential Chicago band Rotary Connection, forerunners of the rock & soul crossover. In addition to their own recordings, including their 1967 debut album Rotary Connection, the band is notable as the backing band for Muddy Waters on his 1968 psychedelic blues album Electric Mud. Standing on her own, Minnie cut a series of sublime albums moving in a more soulful way. Opening track ‘Les Fleur’ is a shiny cover of Ramsey Lewis – who is musical assistant and contributor here – classic number penned in 1968, literally a cornerstone for contemporary hip-hop and r&b being sampled by the likes of Jurassic 5 feat. Nelly Furtado, Damu the Fudgemunk, Dr. Octagon and Cut Chemist among others. Produced by Charles Stepney (already in with Rotary Connection and subsequently behind the desk with Earth Wind & Fire), the album benefits from is lushy orchestral arrangements, pushing the vocal duties of Minnie even forward (her five-octave vocal range, enabled her to sing in ‘whistle register’ nevertheless). The jazzy soft-pop feel overall will mark comparison with Stevie Wonder, Riperton’s future employer/mentor.

Go to Item

Francois Tusques

Piano Dazibao

25,99 €*

Is It Because I'm Black Grey & Black Swirl Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In Paris in 1965, F. Tusques mixed with Michel Portal, François Jeanneau, Jean-François Jenny-Clark, Aldo Romano or Jacques Thollot. He also met Don Cherry and above all recorded, with other like-minded Frenchmen (Portal and Jeanneau alongside Bernard Vitet, Beb Guérin and Charles Saudrais), the first album of free jazz in France. Years later his thirst for freedom led him to isolation; between May and September 1970, the pianist recorded, at his home, the first of two albums that he would release on Futura Records: »Piano Dazibao« and »Dazibao N°2«.

Go to Item

Syl Johnson

LP | 1970 | US | Reissue (Numero Group)

29,99 €*

LP | 1970 | EU | Reissue (As Shams)

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ten years into his role as poster boy for pop soul and peak-hour R&B, Syl Johnson did an unlikely about-face and cut the most inspiring and powerful song he'd ever touch. Issued on 45 in September of 1969, "Is It Because I'm Black" struck an immediate chord within the black community, forcing the song up the charts by sheer volume of call-in requests. It would be Syl's biggest hit for Twinight, climbing as high as #11 on the Billboard R&B chart during its 14-week stay, marking the defining moment of what had become more than just an occupation. Syl had his hands on a career and worked tirelessly rehearsing his next opus, an album of songs reflective of the changing times. With "Is It Because I'm Black" still bolding the pages of Billboard, the coming LP's title appeared to Syl plain as day _ or, in this case, black as night. Issued in April 1970 _ a full 13 months before Marvin Gaye's What's Going On _ Is It Because I'm Black can rightly be called the first black concept album, a distinction few give it credit for. But that factoid, whatever its meaning then or now, failed to inspire music buyers: Johnson's record never got a whiff of the two million copies Gaye's did in its first year of availability. Syl lays the blame squarely on the record's lack of marketability to a white audience. The album's cover didn't exactly move units either. Photographer Jerry Griffith dragged Syl to a burned-out building on 43rd Street to shoot the back cover image, and he finger-painted the iconic title over a stock photo of an eroding brick wall. The title track, coupled with the politically charged "I'm Talking About Freedom" and ghetto conscious "Concrete Reservation" sealed the album's cool reception as the work of an "angry black man." Which is unfortunate, as "Together Forever," "Come Together," and "Black Balloons" are positively uplifting, forming their own pot of gold at the end of a grayscale rainbow. The album's closer burns the brightest. "Right On" devolves into a full-on party track, ending with Syl riffing on the line "I'm gonna keep on doing my thing," as if to answer his critics before their needles reached the run-out groove.

Go to Item

Gideon Nxumalo

Early-Mart

Hank Jacobs And Don Malone / Hank Jacobs And The Tko's

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gideon Nxumalo was a key figure during the formative years of South African jazz in the 1950s, helping shape the emerging South African jazz sound as a pianist and composer and contributing to the scene as a radio presenter, music teacher and arranger. His recorded output as bandleader/composer is comprised of three iconic albums from Jazz Fantasia (1962) to Gideon Plays (1968) to Early-Mart (1970).

Early-Mart was Gideon Nxumalo's tribute to his friend and musical compatriot, drummer Early Mabuza (Castle Lager Big Band, Mankunku Quartet), who died in 1969. Nxumalo assembled what journalist and observer Leslie Sehume reports was a 14-piece band for the album, which was recorded during a legendary overnight session in February 1970 and released just months before Nxumalo's own death on 24 December 1970.

Go to Item

The World Needs Changin' / Gettin' On Down

7" | 1970 | UK | Reissue (BGP)

11,99 €*

LP | 1970 | Reissue (Be With)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A straight reissue of this super-rare funk single from 1970 on the Call Me label.

Original copies of this political soul anthem change hands for a lot of money.

Go to Item

Willie Hutch

Season For Love

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1970 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. Often-overlooked, his second album Season For Love (1970) is a must for all deep soul fans and has been sought-after by collectors of different stripes for decades. Whereas his debut featured thundering, gritty numbers, Hutch treats us to a mellower soul here - sumptuous, warm and string-led. He compared his approach to that of Otis Redding and there are definite parallels; from the raspy, rough-hewn vocals that tend to roam between sweet and deeply impassioned to the horn-heavy, emphatic sonic backdrops.

Go to Item

Jackson 5

ABC

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bravo Pravo Yellow Vinyl Edition

Patty Pravo

LP | 1970 | EU | Reissue (Rca Label)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Stars / How Can I Tell

Barbara Lewis

LP | 1970 | EU | Reissue (Outta Sight)

17,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Christmas Card Colored Vinyl Edition

The Temptations

LP | 1970 | EU | Reissue (Island)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Washington Suite Ox Blood Red Vinyl Edition

Lloyd McNeill Quartet

LP | 1970 | UK | Reissue (Soul Jazz)

John Mclaughlin & John Surman

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Soul Jazz Records' new ox-blood red Colored Vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album, first released as a private-press album in 1970 on flautist Lloyd McNeill's own Asha Record label in Washington, DC. Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill's hypnotic 'Washington Suite' was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

Go to Item

Where Fortune Smiles Color Vinyl Edition

LP | 1970 | EU | Reissue (Tiger Bay)

15,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Here Come The Girls / Back Street Lover Record Store Day 2021 Edition

Ernie K. Doe

7" | 1970 | EU | Reissue (Janus)

11,99 €*

A Divina Comedia White Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2021 Release. Most people will remember the Boots advert from 2007 which used Ernie K. Doe's infectious funky 'Here Come The Girls' and caused a surge of new interest in this killer 1970 New Orleans vintage groover. The Sugababes then nicked it and managed a Top 3 hit. However, accept no substiture for the original! An essential Allen Toussaint song and production which should be in everyone's 7Inch box as a staple. Instant flloor-filler anywhere and everywhere.

Go to Item

Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

29,99 €*

2LP | 1970 | UK | Reissue (BBE)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

Go to Item

Kohsuke Mine

First

39,99 €*

LP | 1970 | EU | Reissue (Discos Monterey)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.

Go to Item

Gerardo Manuel & Humo

Apocallypsis

LP | 1970 | BR | Reissue (Polysom)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

Go to Item

Novos Baianos

Ferro Na Boneca

39,99 €*

Free Your Mind And Your Ass Will Follow Blue Vinyl Edition

Release: 1970 / BR – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This release comes on 180g vinyl and is a totally great album from Novos Baianos; the earliest one we've ever seen by the group, and a session that has them sounding a fair bit like Os Mutantes.

Go to Item

Funkadelic

LP | 1970 | UK | Reissue (Westbound)

23,99 €*

From Left To Right White Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Also from 1970 is Funkadelic’s second LP.

In a thick card gatefold sleeve with 180g blue vinyl pressing

Go to Item

Bill Evans

LP | 1970 | EU | Reissue (Klimt)

On The Way To Eden White Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)

Go to Item

Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

21,99 €*

Luiz Eça Y La Familia Sagrada

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

Go to Item

La Nueva Onda Del Brasil Record Store Day 2020 Edition

LP | 1970 | EU | Reissue (Vinilisssimo)

25,99 €*

LP | 1970 | CA | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2020 Release.
Limitation: 1000 copies.

180g vinyl reissue of the mega rare Mexican-only Luiz Eτa album from 1970 in facsimile artwork and remastered sound.The Brazilian pianist and founder member of Tamba Trio is accompanied here by a large group of top-notchBrazilian musicians.

Go to Item

Marius Cultier

Release: 1970 / CA – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | US | Reissue (Craft)

Tito Puente & Celia Cruz

Alma Con Alma

35,99 €*

LP | 1970 | EU | Reissue (Be With)

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

THIS ALBUM SYMBOLIZES THE VERY ESSENCE OF TWO GREAT ARTISTS AT THEIR VERY BEST. THE 'CUBAN EDITH PIAF', CELIA CRUZ AND THE UNPARALLELED TITO PUENTE GIVE THIS ALBUM EVERYTHING IN SPADES: FEELING, STYLE, RHYTHM AND CLASS!

Go to Item

Optimistics

LP | 1970 | US | Reissue (Craft)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is some serious top shelf material out of Baltimore and a certified masterclass in sweet symphonic soul. Optimistics was originally released in 1970 on Turbo and it’s every bit as essential as The Chi-Lites, The Delfonics and The Moments yet nowhere near as known. Those original copies are ridiculously rare and, of course, the prices are equally ridiculous. Optimistics is a killer LP throughout, beloved of discerning hip-hop producers worldwide and routinely championed by the legendary Pete Rock. The genius George Kerr has handled the production on what is an album of beautiful, naïve soul for mind and body. It’s bursting with goodness and, like the best of its genre, it radiates a heart-breaking ambience that cuts right to the core.

Go to Item

Booker T & The MG's

Melting Pot

35,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Universal)

Rodriguez

Coming From Reality

LP | 1970 | US | Reissue (Blue Note)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Newly remastered by Alex Abrash at AA Mastering, pressed on 180 gram vinyl!

Go to Item

Reuben Wilson

Blue Mode

25,99 €*

Paul Baillargeon & Dean Morgan

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Go to Item

Viens, Mon Amour

LP | 1970 | EU | Reissue (Tresor National)

20,89 €* 21,99 € -5%

LP | 1970 | EU | Reissue (Altercat)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tresor Notional is a new Montreal-based record label dedicated to reissuing long lost gems recorded in Quebec (Canada). Their inaugurational release will be o 180g vinyl-only official reissue of the 1970 cult classic “maple syrup porn” soundtrack “Viens, mon amour’ (Love in a 4 letter World), composed by Paul Baillargeon (Star Trek TV series, Jean- Pierre Ferland's Soleil, Curious Georges) and Dean Morgan.
Between 1968 and 1974, Quebec was exposed to unabashed exploitation cinema. Erotic and taboo, these B-movies took on the name of films de fesses (titty films) or “maple syrup porn”. The genre produced some of the most delectable and collectable soundtracks at the time while “Viens, mon amour” easily stands out as one of the sexiest example ever recorded in La Belle Province! Original pressings are scarce and have been highly sought-after for decades by collectors from around the world. This remastered reissue highlights every sensual, psychedelic and
funky side, where rare grooves mix with delicate pop songs and Moog- infused, fuzz-driven titles with hard-hitting brass. A true gem for cinephiles, DJs and all diggers of exotic sounds... with a distinctive Québécois feel.
This first-ever reissue also includes extensive liner notes, rare artwork and exclusive commentaries from the composers. Pressed at 1000 copies, the album will be released in June 2019.

Go to Item

Werther

20,99 €*

LP | 1970 | EU | Reissue (Amercia)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements.
The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: bohemian life, the sea, love.
Despite Werther and his friends being only in their teens, without any previous experience recording music, those working behind the scenes were not equally amateur. Producer Peter Keller had already worked with Aloysio De Oliveira in the quintessential Bossa Nova label Elenco, and was also an initial partner in Roberto Quartin’s cult label Forma. Studio owner Bill Horne was a very loved character in the Rio jazz scene who had regularly taken part in the legendary meetings in Nara Leão’s apartment and befriended some of Brazil’s most respected musicians. Some of these musicians were, for example, Naná Vasconcelos and Edison Machado, who provided small contributions to Werther’s album.
It was only in the 1990’s that Werther’s album was rediscovered by a handful of collectors and Brazilian music enthusiasts, who recognised in it a purity that had already vanished from the mainstream Bossa Nova recordings. But due to the haziness around the original release and the relative anonymity of its instigators, many questions surrounding these recordings were left unanswered. Today we are finally able to disclose the full story behind Werther’s short-lived contribution to Brazilian music.

Go to Item

Noah Howard

Space Dimension

41,99 €*

LP | 1970 | US | Reissue (Wand)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more sophisticated. In the neighborhood where I grew up kids around me were listening to Rhythm and Blues and Jazz; Rock came only much later. One of the great moments of my life was when I was around 13 years old and heard Duke Ellington with Paul Gonsalves playing a twenty-some minutes chorus solo on tenor sax at Newport. We had never heard anything like this before; a saxophone player doing so many choruses, this was years before Coltrane opened up. That experience meant there was no turning back; my ears were open and my desire was burning for music.”
He first learned to play the trumpet before moving on to alto, tenor and soprano saxophone. And his musical journey initially took him to Los Angeles where he worked with Dewey Johnson and then later moved to New York to join the Sun Ra Arkestra. Like most forward thinking saxophonists of the time, Howard was influenced by the evolving expressionism of John Coltrane and Albert Ayler and it wasn't long before he became a key member of the mid-60s free jazz movement, a stepping stone to his elevation into one of the world’s most notable saxophonists.
Howard's debut LP as leader, 'Noah Howard Quartet' was recorded in 1965, and the follow up, 'Noah Howard at Judson Hall', in 1966 but not issued until 1968, both for the groundbreaking ESP Records label (incidentally, both albums featured British trumpeter Ric Colbeck). However, Howard's view of ESP was not positive, calling it “ a monster of deception... I am aware of ESP's adventures...they continue to make money off the artists and they refuse to pay any royalties.”

Like many of the black jazz musicians of the 60s, Howard left the USA and settled in Europe (making the permanent move to Paris in 1972). In an interview in 2005, Howard explained his move: “When I first came to Europe it was 1969 and I came to play in a big festival and after that we had a lot of concerts, recalls Howard. "Then we left and we came back to the States, I was based in New York at that time. About six months later, we had some more concerts, we came back and this went on for years, going back and forth and back and forth and back and forth... I decided that instead of going back and forth all the time, it was more advantageous for me to stay over here and live and work.”
It was in Paris that Howard took part in sessions for the Frank Wright albums 'One For John', cut for the leading French free jazz label BYG Actuel and another Wight session, 'Uhuru Na Umoja', for the America label. Another album on America that featured Howard was Archie Shepp's 'Black Gipsy'. This session also featured , among others, Sunny Murray on drums and Clifford Thornton on trumpet.
America Records was to be home to Howard's third album, 'Space Dimension'. On this album, Frank Wright was reunited with Howard once more, and Wright also composed one track, 'Church Number Nine' (Wright would also do his own version as the title track on his 1970 album, initially only released in Japan. That album would also feature Howard.) 'Space Dimension' also features bop drummer Art Taylor on three tracks, with Muhammed Ali (brother of Rashid), on one. They're joined by alongside pianist Bobby Few, longtime member of Frank Wright's group and an alumnus of Archie Shepp's band.
'Space Dimension' has never seen an official reissue since its original release in 1970 and remains, among a few aficionados, one of the most in demand - and little known - albums in Howard's discography. The blend of free improvisation with a tough rhythmic foundation make for an edifying listening experience. The spectral disjointed afro-blues of the title track, with Howard's soaring, searing horn, introduces an exceptional album of weight and significance, a real statement piece. 'Viva Black' starts as a lush groove, rich with texture and tone. Bobby Few's piano is sparse and disciplined, allowing space for the interweaving angles of the horns and drums to cross and jostle and build in intensity, with Muhammad Ali's drum solo acting as a cathartic release.
'Song for Poets' is blistering in its attack, an intense assault from the whole group – urgent and imperative, a call to action that seemed to resonate with the tumult of the late 60s and early 70s and, perhaps, still resonates now. The album closes with the extended piece 'Blues for Thelma'. It starts like a sort of angular, shattered New Orleans first line march band; Howard visceral horn and Few's piano joust and punch like fighters in a ring; Ali's drums hammer a solid undertow of power and energy, relentless in its fire.
All in all, 'Space Dimension' announced Howard's arrival into a new decade, a decade that was to see not just jazz but music and wider society undergo profound change.
Howard's third record was the widely acclaimed 'Black Ark', which featured Arthur Doyle on his first recording. 'Black Ark' soon became a landmark free jazz recording and elevated Howard into the first division of globally renowned free jazz players.

He spent much of the next decade or so exploring new ideas and places to work, including Europe and Africa, moving to Nairobi in 1982 and finally Brussels, where he had a studio and ran a jazz club.
In his autobiography, Howard described going to Africa: “It was a Sunday morning with bright blue skies and I reached down and grabbed a handful of earth, holding it in my hands. It was red earth. As the first of my family to make this voyage back to my community, I was filled with emotion and started to cry – thinking about all those before me who didn’t survive the middle passage and slave trade. I thanked the few strong survivors of which I’m a descendant and was grateful to be a live and to make it back to Africa in my lifetime. The feeling of coming back home, after generations had gone through abuse and suffering, was upon me. I would put some of this into music later on when recording with James Emmanuel, the poet on 'Middle Passage'”
He recorded steadily through the 1970s and 1980s, mostly with his own label AltSax and continued to expand his repertoire, exploring a range of sounds from ethno-funk to world music in his latter decade. He returned to his free jazz roots in the 90s, mixing the myriad of influences and styles he had encountered throughout his journey.
Noah Howard recorded 35 albums, and their styles reflect the ceaseless musical searcher he was: blues, free jazz, world music. He covered it all.
Noah Howard died on September 3rd, 2010 while on holiday in the South of France. He died a day before finishing the first draft of his autobiography.

Go to Item

John Lee Hooker

On The Waterfront

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | US | Reissue (Arhoolie)

Sonny Boy Williamson

King Biscuit Time

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Mr Bongo)

Celia

Welcome Back A Foolish Man / Lovin' Hard, Livin' Good

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

MRBLP188 Beautiful debut album from the incredible, Célia. Conducted & arranged by Arthur Verocai and Rogério Duprat; featuring songs by Lo Borges, Antonio Adolfo and Joyce amongst others. Célia recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017, aged 70. This is her debut album from 1970. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career. Joyce was particularly supportive in the making of this album, writing the beautiful “Abrace Paul McCartney” and her husband at the time, Nelson Ângelo, recorded some of the songs.
Features an exclusive insert of a translated interview with Celia, completed in 2011 in her hometown of São Paulo. Focusing, in particular on her recording work with Arthur Verocai, it showcases her wonderful sense of humour and how she was embracing her new legion of fans, particularly in the world of hip hop. Official Mr Bongo reissue. Licensed from Warner Music.

Go to Item

Bobby Jones

7" | 1970 | EU | Reissue (Rocafort)

11,99 €*

Afreaka! Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Conforming to the usual high standards we've come to expect, Rocafort Records have got their hands on another sublime soul 7inch. Originally released in 1970 on the amusingly named Kack label, soulman Bobby Jones assures us that there's nothing but the smell of sweet soul music happening here.
Written and produced by well-known Chicago music veteran, Maurice Lee Simpkins, "Welcome Back A Foolish Man" does everything an early 70s mid-tempo two-stepper should. Urgent, pleading lyrics telling of unspeakable heartache, sweeping strings, twangy guitars, heavenly backing vocals that lift everything towards the Gods. All solidly crowned by the raw, expressive vocal talent of Bobby Jones – a consistantly worthy bluesy/soul singer who never really got the recognition he deserved.
Interesting to note that both "Welcome Back A Foolish Man" and the similarly veined B side, "Lovin' Hard, Livin' Good" were sung by soul siren Ruby Andrews a few years prior but with different lyrics, different composers and label. A mystery worth solving for any of you musos out there !

Go to Item

Demon Fuzz

LP | 1970 | EU | Reissue (Music On Vinyl)

LP | 1970 | US | Reissue (Polydor)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Demon Fuzz's only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, Afro-jazz and black acid rock.

Go to Item

Lee Dorsey

Yes We Can

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A Tribute To Jack Johnson

Miles Davis

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

62,99 €*

Lightnin' Hopkins In New York

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
MOBILE FIDELITY’S NUMBERED-EDITION 180G SUPERVINYL LP PRESENTS 1971 LANDMARK IN EXUBERANT, FULL-RANGE SOUND

Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl’s nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything — from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio — in reference fashion.

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences long-time fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires.

Utilizing wah-wah and distortion, the go-to instrumentalist of the performances— guitarist John McLaughlin — attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson< cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record’s creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.

The least-well-known masterpiece of Davis' career, the 1971 record — seamlessly assembled and spliced together by producer Teo Macero — was a victim of limited record-label promotion. Audiences also didn’t immediately know what to make of its original cover art — faithfully replicated here. In addition, the powers that be at Columbia Records were directing the public’s attention to Miles at Fillmore, a completely different kind of album guided by two keyboardists. A Tribute to Jack Johnson practically lives in a different universe, one from the future. To many listeners who did manage to hear it — among them critic/musician Robert Quine, Stooges leader Iggy Pop, and renowned critic Robert Christgau — it surpassed everything that came before.

Indeed, Davis treated it as a personal manifesto: An opportunity to salute the Black championship boxer admired for his threatening image to the establishment and impeccable taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson — a stance mirrored by the defiant music, which hits with a prize fighter's force and reflects the graceful elegance with which a pugilist navigates the ring — and closes the album with a Johnson quote read by Brock Peters.

Inspired not only by Johnson but by Jimi Hendrix and Sly Stone, Davis changed his approach and his band. He surrounds himself with a cadre of musicians in their 20s and, in the case of bassist Michael Henderson, a 19-year-old fresh from touring with Stevie Wonder. Henderson gives Davis what he requested: boogie-based grooves that don’t lose shape or direction. Soprano saxophonist Steve Grossman, drummer Billy Cobham, and organist Herbie Hancock adhere to a similar aesthetic that prizes brazenness, innovation, and energy.

In that vein, during a portion of “Yesternow,” Davis segues into a separate performance (which became known in its entirety as “Willie Nelson”) played by guitarists McLaughlin and Sonny Sharrock, bass clarinetist Bernie Maupin, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. Dig it!

Talking with jazz scholar Bill Milkowski — who himself noted how McLaughlin’s unrestrained style, decibel-forward volumes, and rapid-fire power chords engendered himself to the rock crowd at the same time that his harmonics and syncopation still definitely made him a jazz player — guitarist Henry Kaiser summed up part of the appeal of A Tribute to Jack Johnson as well as anyone, saying: “It’s a jazz record that way way more open than other jazz records at the time, but still not free jazz. [McLaughlin’s] rhythm guitar playing on ‘Right Off’ — the use of different chords in a rock shuffle than what anybody had used before — was revolutionary.”

And to think that’s just one aspect of a record that contains multitudes. “Never let them forget it.” Indeed.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.

Go to Item

Lightnin' Hopkins

LP | 1970 | US | Reissue (Barnaby)

18,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1970 | EU | Reissue (Sony)

Miles Davis

Bitches Brew

LP | 1970 | EU | Reissue (Speakers Corner)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram pressing!

Go to Item

Antonio Carlos Jobim

Stone Flower

33,99 €*

LP | 1970 | US | Reissue (VIP)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.
That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".
With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!

Go to Item

Spinners

2nd Time Around

16,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | US | Reissue (Prestige)

Sonny Phillips

Black Magic

16,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Hot Casa)

Stanislas Tohon

Dans Le Tchink Systeme

LP | 1970 | UK | Reissue (Kent)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Afro-Soul Holy Grail by the “Soul Brother from Benin“, featuring the famous “Vis à Vis” band from Ghana and recorded in Kumasi in 1979.

Go to Item

Preston Love

Omaha Bar-B-Q

23,99 €*

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)

Joe Pass

Intercontinental

Babs Robert & The Love Planet

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.

Go to Item

LP | 1970 | EU | Reissue (Alpha)

44,99 €*

LP | 1970 | EU | Reissue (Spectator)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.

Go to Item

Tordenskjolds Soldater

Peace

39,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | US | Reissue (Kent)

Rudy Ray Moore

Eat Out More Often

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Thad Jones & Mel Lewis Orchestra

Consummation

LP | 1970 | UK | Reissue (Pure Pleasure)

35,99 €*

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ray Stephen Oche And His Mutambo

Interpretation Of The Original Rhythm

LP | 1970 | EU | Reissue (Favorite)

15,99 €*

LP | 1970 | US | Reissue (Reprise)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

High on everyones afro-jazz wishlist!

Go to Item

Stovall Sisters

The Stovall Sisters

LP | 1970 | US | Reissue (Brunswick)

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

includes all time soul classic 'Hang On In There'!

Go to Item

Hysear Don Walker

Complete expressions

14,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | US | Reissue (RCA)

Carolyn Franklin

Chain reaction

14,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Did You Give The World Some Love Today Baby Black Vinyl Edition

Doris

LP | 1970 | UK | Reissue (EMI)

Free Your Mind And Your Ass Will Follow

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!

Go to Item

Funkadelic

LP | 1970 | EU | Reissue (Westbound)

21,99 €*