Organic Grooves Vinyl 1333 Items

LP | 1966 | US | Reissue (ATCO)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Torn spines, stickers on cover. Original US pressing.

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Capitols

Dance The Cool Jerk

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Somethin' Else Blue Note 85 Collection Blue Vinyl Edition

Cannonball Adderly

LP | 1964 | WW | Reissue (Blue Note)

28,99 €*

LP | 1965 | US | Original (Capitol)

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.

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Cannonball Adderley

Domination

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cannonball Adderley's Fiddler On The Roof

Cannonball Adderley

LP | 1964 | US | Original (Capitol)

30,99 €*

Cannonball Adderley's Fiddler On The Roof

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs

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Cannonball Adderley

LP | 1964 | US | Original (Capitol)

12,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

Cannonball Adderley & Bill Evans

Know What I Mean Original Jazz Classic Series

LP | 1961 | Reissue (Concord)

Release: 1961 / Reissue

Genre: Organic Grooves

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Cannonball Adderley & Bill Evans

Know What I Mean?

LP | 1961 | EU | Reissue (No Frills)

Tenderness George Semper Mix

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of the impression. In a peculiar way, the present album is a result of that success. For it is something that Adderley might well not have dared attempt in the past, and that he might not have been able to convince his record company to do. This his most satisfying LP. The nature of this album should be immediately apparent from Adderley's choice of associates. Cannonball feels, and many agree, that pianist Bill Evans is unexcelled when moody delicacy is called for.

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Candy Rae

7" | 1969 | EU | Reissue (Record Shack)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Solid State)

Candido

Thousand finger man

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Original (Verve)

Cal Tjader

Warm Wave

11,99 €*

Saturday Night / Sunday Night At The Blackhawk, San Francisco

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

Back from with minor white paint residue.

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Cal Tjader Quartet

LP | 1962 | US | Original (Verve)

22,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Irene Colored Vinyl Edition

Caetano Veloso

LP | 1969 | EU | Reissue (Lilith)

LP | 1965 | EU | Reissue (London)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Although Veloso had already been thrown in jail once for his criticism of Brazil’s military regime, he continued to speak out against it on his second album (1969), with tracks like “Irene”, (about a machine gun-toting outlaw celebrated by the left). No wonder he would soon find himself in political exile in the UK. The general tone of the album is in keeping with its dire message and actually, Veloso felt it was important for his voice of protest to be heard around the world. If he was a high profile public figure, he felt that he would be safer. All this (or perhaps because of all this) and the man still managed to make excellent records! Color vinyl version.

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Burt Bacharach

Hit Maker!

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Traffic)

Bukka White

Parchman Farm

LP | 1967 | US | Original (Pacific Jazz)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Born Booker T. Washington White, Bukka’s trajectory as a blues performer follows a familiar template for his
time. Born in Mississippi, maybe in Houston, MS – maybe in Aberdeen, MS – maybe in 1902, maybe in 1909
or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi
State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented “Well, I mostly
played guitar.”
During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukka’s career went
dormant. And then, like many of his time, his talent was “rediscovered” in the early 60s, in no small part thanks
to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout
the 60s, building interest in Bukka White’s Delta roots. This compilation of White’s best early material was first
issued in 1969 (1970 in the US), collecting Bukka’s 78s recorded for Vocalion and Okeh. His influence on rock
performers of that day cannot be understated. He opened for rock bands he’d inspired at venues like The
Fillmore, played his instrument in such a fashion that some said it’s like he was trying to destroy that guitar, his
most famous guitar, a 1933 National Duolian, was even known as “Hard Rock.” And then there’s the fact that
his song “Shake‘em On Down” was so influential on Led Zeppelin that they, “borrowed” from the song for both
“Hats Off To Roy Harper” and “Custard Pie.”
Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo,
a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer and, as celebrated here,
one of America’s blues pioneers.

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Buddy Rich Big Band

Big Swing Face

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Screaming Please / What Can I Do

Buddy Ace

7" | 1961 | UK | Reissue (Duke)

10,99 €*

LP | 1966 | US | Original (Sunset)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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Originally from 1961, here is a searing soul tinged R'n'B pleader. This reissue is backed with the original flip, which also is a nice mover.

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Bud Shank

I Hear Music

5,19 €* 7,99 € -35%

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Bud Shank And The Sax Section

Bud Shank

LP | 1966 | US | Original (Pacific Jazz)

5,84 €* 8,99 € -35%

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | US | Reissue (Impex)

Bud Shank

Barefoot Adbenture

49,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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The Amazing Bud Powell, Volume 2

Bud Powell

LP | 1966 | US | Reissue (Blue Note)

59,99 €*

Musica Per Commenti Sonori

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has some wear, yellowing and two tears on the back! Record has a few scratches!

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Brugnolini - Torossi

LP+CD | 1969 | EU | Reissue (Schema)

21,99 €*

LP | 1967 | US | Original (Atlantic)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Yet another collaboration between Sandro Brugnolini and Stefano Torossi, who also worked together on the masterpiece “Feelings”. “Musica per commenti sonori” consists of twelve amazing tracks that will excite lovers of the wildest funk, producers in search of rare breaks, and those with a penchant for the psycho-beat atmospheres of the sixties. One of the rarest library music releases ever, that’s never been re-released in any form until now!

“Musica per commenti sonori” is a cult series within the diverse world of Italian library music. In the late sixties and seventies, the small record label Costanza Records has published several releases precisely focusing on ‘background music’, including works of great composers such as Peppino De Luca, Roberto Pregadio, Franco Micalizzi, Vito Thomas, Giancarlo Thomas Puccio Roelens, Riccardo Luciani, and by the protagonists of this long-time due reissue: Sandro Brugnolini and Stefano Torossi.

The two musicians, who had also worked together on the masterpiece “Feelings” (1974), have often collaborated and delivered some of the best Italian library music of all time. “Musica per commenti sonori” is certainly one of the most interesting. On the two equally split sides of this LP, the first for Torossi and the second for Brugnolini (but it seems that this partition was exclusively dictated by legal demands), there are twelve amazing tracks that will excite lovers of the wildest funk, producers in search of rare breaks, and those with a penchant for the psycho-beat atmospheres of the sixties.

Among the most heated tracks featured on Torossi’s side, we can’t pass over the amazing “Sweet-Beat”, “Interrupted” (perhaps the best track of the album) and “Repetition” while “Polyphony”, “Motuproprio” and the closing track “Flyer” shine on Brugnolini’s. Virtually impossible to find, even at astonishing prices, this reissue puts back into the market one of the best examples of ‘The Italian Art of Library Music’: a genre worldwide envied and collected.

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Brother Jack McDuff

Tobacco Road

21,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Goodnight, It's Time To Go

Brother Jack McDuff

LP | 1961 | US | Original (Prestige)

LP | 1967 | US | Reissue (Craft)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Record has many hairlines and surface marks. Cover has slight water damage, no splits or tears.

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Brenton Wood

Baby You Got It

34,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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I`M So Happy / Love Me For All The Right Reasons

Brenda Holloway

7" | 1967 | EU | Original (Record Shack)

Release: 1967 / EU – Original

Genre: Organic Grooves

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Exclusive Version Of The Mega Northern Soul Classic With None Other Than The One And Only Mrs. Holloway Providing The Soulfulful Vox

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Melting pot

12" | 1967 | US (Stax)

13,29 €* 13,99 € -5%

Release: 1967 / US

Genre: Organic Grooves

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/ Bar Kays 'soul finger'

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7" | 1966 | UK | Original (Atlantic)

Jingle Bells

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.

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LP | 1967 | US | Original (Stax)

Hip Hug-Her

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1962 | EU | Reissue (Rhino)

Green Onions

24,99 €*

Green Onions Clear Vinyl Edtion

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Debut studio album by the American instrumental R&B/funk band. The title single was a worldwide hit that has been covered by dozens of artists. 'Green Onions' was the first album released on the famous Stax label.

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Booker T. & The M.G.'s

LP | 1962 | EU (Destination Moon)

In The Christmas Spirit Clear Vinyl Edition

Release: 1962 / EU

Genre: Organic Grooves

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The house band at Memphis's legendary Stax Records, Booker T. & the M.G.'s played on some of the most legendary and unforgettable soul recordings in history. Originally released in 1962, the title-track of their debut LP Green Onions is arguably the most recognizable piece of instrumental pop and soul ever to be released; an absolute stone classic of a jam, with Booker T.'s organ at the fore. In addition to being a classic group, Booker T. & the M.G.'s were one of the first soul and rock groups to have both white and black members, and understandably their music is often associated with the Civil Rights Movement that was going on all around them in the American south of the 1960s. Essential American originals from Booker T. & the M.G.'s.

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Booker T & Mg's

LP | 1966 | Reissue (Atlantic)

28,99 €*

Release: 1966 / Reissue

Genre: Organic Grooves

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Soul Dressing Mono Clear Vinyl Edtion

Booker T. And The Mg's

LP | 1965 | US | Reissue (Jackpot)

30,59 €* 35,99 € -15%

Hip Hug-Her Pink Vinyl Edition

Release: 1965 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1965 Mono release. Featuring the legendary The Mar-Keys’ horn section. Includes the hit single "Soul Dressing". Limited Clear Vinyl Pressing

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Booker T. And The Mg's

LP | 1967 | US | Reissue (Jackpot)

35,99 €*

And Now! Orange Vinyl Edtion

Release: 1967 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"

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Booker T. And The Mg's

LP | 1966 | US | Reissue (Jackpot)

34,19 €* 35,99 € -5%

Up Tight - Music From The Score Of The Motion Picture

Release: 1966 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1966 release. 1966’s And Now!’ is the first to feature long-term bassist Duck Dunn, who helps create a nightclub feel that alternates between some of their most aggressive recordings and most sultry.

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Booker T. And The M.G.'S

LP | 1969 | EU (Endless Happiness)

22,99 €*

Release: 1969 / EU

Genre: Organic Grooves, Soundtracks

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UpTight is a soundtrack album by Southern soul band Booker T. & the M.G.'s for the film of the same title. The album features "Time Is Tight", the single version of which became a US Top 10 hit and a signature song for the band.

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LP | 1964 | US | Reissue (Analogue Productions)

The Freedom Book

46,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety. But it was his series of Song Books for Prestige Records that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. The Southwest moan was an integral part of his playing. But his style went beyond the classic Texas tenor tradition to incorporate the intricacies of bebop and suggestions of the free jazz that was initiating one of the periods of self-renewal that keeps jazz fresh and interesting. "The Freedom Book", recorded at the end of 1963, was one of Ervin's masterpieces. He is abetted by the power and drive of Jaki Byard, Richard Davis, and Alan Dawson.

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LP | 1961 | EU | Reissue (BMG Rights Management)

The Book Cooks

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Original (Pacific Jazz)

Structurally Sound

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs, marks and hairlines. Cover with shelf wear and seam splits

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Exultation! 200g Vinyl Edition

LP | 1963 | US | Reissue (Analogue Productions)

46,99 €*

LP | 1969 | EU | Reissue (Premium Cool)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Intensity marked everything that Booker Ervin played. In his harmonic concept, slashing attack, and broad Texas sound, Ervin demanded attention and constantly built improvisations of searing drama and epic sweep. His primary legacy is a series of albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin’s longtime compatriot from their days together in the Charles Mingus Jazz Workshop and in a cooperative quartet that worked at "Minton’s Playhouse". In addition to four inspiring originals by Ervin and drummer Walter Perkins, the session features an eloquent reading of Fats Waller’s immortal "Black And Blue" and an exploration of the show tune "Just in Time". Both the latter and "No Land’s Man" are included in two versions, the shorter of which were cut for release as a 45rpm single.

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Bobby Womack

My Prescription

27,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Womack returned to American in 1969 to cut My Prescription, also produced by Moman, at a time that the venue was becoming exceptionally hot with visits from the likes of Elvis, Dusty Springfield, Neil Diamond and others. Womack's sophomore album may however well be one of the most demonstrative showcases of studio and session crew, incandescent on a finely-honed program of classy and soulful performances, with the singer in full control. Tracks like 'How I Miss You Baby,' 'Arkansas State Prison' and 'I Can't Take It Like A Man' stand as some of Womack's greatest moments, and taken as a whole, My Prescription stands not only the man's first truly great solo album, but also a timeless slice of sophisticated southern soul-making.

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LP | 1966 | EU | Reissue (Blue Note)

Stick Up!

42,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Vibraphonist Bobby Hutcherson’s 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals plus Ornette Coleman’s “Una Muy Bonita.”

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Bobby Hutcherson (vibraphone); Joe Henderson (tenor saxophone); McCoy Tyner (piano); Herbie Lewis (bass); Billy Higgins (drums)

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Medina Tone Poet Vinyl Edition

LP | 1969 | Reissue (Blue Note)

Release: 1969 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s cutting-edge 1969 session "Medina" found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.
BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.

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LP | 1967 | Reissue (Blue Note)

Happenings

28,99 €*

Release: 1967 / Reissue

Genre: Organic Grooves

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Dialogue Tone Poet Vinyl Edition

LP | 1965 | Reissue (Blue Note)

Release: 1965 / Reissue

Genre: Organic Grooves

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Ain't Doing Too B-a-d, Bad

Bobby Bryant Sextet

LP | 1967 | US | Original (Cadet)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1962 | US | Reissue (Duke)

Bobby Bland

Two Steps From The Blues

LP | 1961 | US | Reissue (Duke)

Release: 1962 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G

1962 Mono Repress! Cover with completely open top and bottom spine. Vinyl with many scuffs and hairlines

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Bobby Bland

Two Steps From The Blues

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Call On Me / That's The Way Love Is

Bobby Bland

LP | 1963 | US | Original (Duke)

Bob Brookmeyer And Friends

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Original US pressing.

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Bob Brookmeyer

LP | 1965 | US | Original (Columbia)

LP | 1961 | EU | Reissue (Now Or Never)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US pressing!

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Bo Diddley

Is A Lover

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Alexis Korner's Blues Incorporated

Blues Incorporated

LP | 1965 | UK | Original (Ace Of Clubs)

69,99 €*

Down With It! Tone Poet Vinyl Edition

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original UK Mono pressing.
Writing on label.
Small light scuff on side 2.
Record is close to VG+.
Yellowed cover with faint ring wear on the back.

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Blue Mitchell

LP | 1965 | EU | Original (Blue Note)

43,99 €*

Bring It Home To Me Tone Poet Vinyl Edition

Release: 1965 / EU – Original

Genre: Organic Grooves

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Trumpeter Blue Mitchell had a soulful, swinging style and was equally at home in jazz, R&B, and funk settings. This 1965 date featured his Horace Silver bandmates Junior Cook on tenor sax and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums.

“BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Blue Mitchell

LP | 1966 | EU | Reissue (Blue Note)

36,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Chrysalis)

Blodwyn Pig

Ahead Rings Out

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Harlem Street Singer Limited Edition +2 Bonus Tracks

Blind Gary Davis

LP | 1961 | EU | Reissue (Blues Joint)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | Reissue (Concord)

Blind Gary Davis

Harlem Street Singer

Release: 1961 / Reissue

Genre: Organic Grooves

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Blanche Thomas, "Papa" French And His New Orleans Jazz Band

Am I Blue

LP | 1964 | US | Original (Nobility)

6,29 €* 8,99 € -30%

Birdlegs & Pauline Black Vinyl Edition

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Birdlegs & Pauline

2LP | 1964 | US | Reissue (Numero Group)

Birdlegs & Pauline Baby Pink Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Among the rarest albums from Jim Kirchstein's Wisconsin-based Cuca label, 1964's Birdlegs & Pauline runs a playful gamut of girl group soul, sultry R&B, bluesy torch songs, and junk shop doo-wop. The Rockford, Illinois-based husband and wife duo struck gold with their Top 20 R&B hit "Spring" the year prior and frequently returned to Sauk City to see if there was any additional magic up Cuca's sleeve. Gathered here are the best of Birdlegs & Pauline's family album of songs, featuring several previously unissued songs found deep in the Cuca vault.

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Birdlegs & Pauline

2LP | 1964 | US | Reissue (Numero Group)

The Most Exciting Organ Ever

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Billy Preston

LP | 1965 | EU (Trading Places)

LP | 1963 | EU | Reissue (Honeypie)

Release: 1965 / EU

Genre: Organic Grooves

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Billy Preston’s mastery of the organ was such that he was commissioned for collaboration by The Beatles, The Stones and countless others, his classic Hammond work a defining element of ‘Get Back.’ Released in 1964 when Preston was still 19, The Most Exciting Organ Ever mixes swinging originals such as ‘Low Down,’ ‘Soul Meetin,’ ‘The Octopus’ and ‘Billy’s Bag’ with expressively soulful covers of standards such as ‘If I Had A Hammer’ and ‘Don’t Let The Sun Catch You Crying,’ ably showcasing Preston’s awesome dexterity and unmatched ability on his chosen instrument. With every track a winner, the title rings true!

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Billy Preston

16 Yr. Old Soul

LP | 1966 | US | Original (Motown)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Most listeners only became aware of Billy Preston as a solo artist after he signed to Apple Records in the late 1960s. But he'd been recording for a long time prior to that, dating back to when he was a teenager. This instrumental album for Sam Cooke's SAR label (issued on its sister Derby imprint) was cut in March 1963, when Preston was still going to high school in Los Angeles. The very fact that it's wholly instrumental indicates that it's pretty early in Preston's evolution, and though he does play some piano, it's really on the more uptempo, organ-dominated tunes where he hits the best groove. In truth, these aren't any great shakes even when it comes to soul organ instrumentals, but they have a nice swinging bounce that places them a cut above period background music, though they fall a good ways short of being spellbinding. The slower numbers (including covers of hits by Sam Cooke and Ray Charles) verge on easy listening; in contrast, the more urgent cuts are cookin', with bop, jazz, and gospel influences spicing up the soul/R&B recipe. (allmusic)

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Billy Eckstine

My Way

12,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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The Essential Carnegie Hall Concert 1956

LP | 1961 | UK | Reissue (Intermusic)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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The Essential Carnegie Hall Concert 1956

LP | 1961 | EU | Reissue (Pan Am)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Billie Holiday's Greatest Hits

LP | 1967 | US | Original (Columbia)

Release: 1967 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

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A Rare Live Recording Of Billie Holiday

LP | 1964 | US | Original (Recording Industries Corp.)

Release: 1964 / US – Original

Genre: Organic Grooves

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When My Dreamboat Comes Home

Bill Henderson

LP | 1965 | US | Original (Verve)

4,99 €*

LP | 1961 | US | Original (Vee Jay)

Release: 1965 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Stereo pressing.

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Bill Henderson

7,14 €* 10,99 € -35%

Release: 1961 / US – Original

Genre: Organic Grooves

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2LP | 1964 | US | Reissue (Analogue Productions)

Waltz For Debby

210,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

2LP | 1967 | US | Reissue (Analogue Productions)

210,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Bill Evans & Monica Zetterlund

Waltz For Debby

LP | 1964 | EU | Reissue (Audio Clarity)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Not Now)

Bill Evans & Jim Hall

Undercurrent

LP | 1962 | US | Reissue (Jackpot)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When giants of Jazz join together in conjugal jamming the resultant jousting can be less than jubilant. That was often the case in the era when promoters and record producers thought it a bright idea to create battle conditions at concerts and on albums. Undercurrent features the protagonists unsupported by a rhythm section, and relies on their intuition and telepathic understanding to create the interplay revealed in this album. Much admired as an influence on other Pianists, Bill Evans won seven Grammy Awards and a led a Trio that released many acclaimed albums. While Jim Hall continued playing, composing and arranging touring the world, receiving myriad awards in recognition of his achievements.

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Bill Evans & Jim Hall

Undercurrent

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.

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Bill Evans & Jim Hall

Undercurrent

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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How My Heart Sings! 180g Vinyl Edition

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Conversations With Myself

LP | 1963 | EU | Reissue (Elemental Music)

31,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | DE | Reissue (Blue Note)

Big John Patton

Oh Baby!

25,99 €*

LP | 1967 | US | Original (Bluesway)

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Blue Note’s 1960s roster boasted numerous Hammond B3 organ whizzes including the soulful Kansas City born master Big John Patton. The dynamic quintet that Patton assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by trumpeter Blue Mitchell, tenor saxophonist Harold Vick, guitarist Grant Green, and drummer Ben Dixon.

Big John Patton (organ); Blue Mitchell (trumpet); Harold Vick (tenor sax); Grant Green (guitar); Ben Dixon (drums)

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Big Joe Turner

Singing The Blues

11,99 €*

LP | 1967 | US | Reissue (Archive Of Folk Music)

Release: 1967 / US – Original

Genre: Organic Grooves

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Big Bill Broonzy

9,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Baile Ud. Con Betico Salas

Betico Salas Y Su Sorona

LP | 1966 | EU | Reissue (Vampisoul)

Album | 1965 | UK | Original (Transatlantic)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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HIGHLIGHTS:First solo LP by the talented Peruvian artist Betico Salas, lead trumpet player of the great Sonora de Lucho Macedo, one of the best ensembles playing Cuban repertoires in the early '60s.This 1966 album features Alfredo Linares on piano and sonero vocals by Benny del Solar, and combines a mix of guarachas, guanguancó and even cumbias. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.First time reissue.- DETAILS:Alfredo Linares on piano and sonero vocals by Benny del Solar stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin 'Nos vamos a casar'; the Colombian 'Lo que pasa es que la banda está borracha', a continental hit since the early sixties; the guaracha 'A los muchachos de Belén', by Puerto Rican musician Tito Rodríguez; the guaracha 'Ritmo del amor'; the elegant Cuban guaguancó 'Así namá', also well known for Tito Rodríguez's rendition; and the cumbia 'Qué le digo a mi mujer'. Singer, César Gonzales, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the Sonora Matancera 'Lindo Omelenko' and the bolero 'El árbol', a hit for the singer Roberto Ledesma, also recorded that same year by Peruvians Carmita Jiménez, Anamelba, Raul del Mar and Lucho Macedo himself, who decided to sing for his new record label.The mythical singer Johnny Arce, years later known as Mr. Macondo, also appears on the album on the two guarachas: 'La renga', a composition by Esther Forero, known as La novia de Barranquilla; and 'Yo soy candela', a composition by the Colombian Ray Rodríguez.Finally, 'La chola' is a cumbia by Peruvian composer Tomás Benítez; and 'Mambo Jazz' is a version of the descarga 'Yayi's instant mambo', an innovative instrumental track performed by Puerto Rican Willie Rosario, who recorded it in the United States at the start of 1966 with his own orchestra.Betico Salas would later release two more albums and bec...

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Bert Jansch

70,99 €*

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Greatest Hits - Stand By Me Red Vinyl Edition

LP | 1964 | US | Reissue (Friday Music)

40,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Intermusic)

Dont Play That Song!

40,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Don't Play That Song Crystal Clear Vinyl Edition

LP | 1962 | UK | Reissue (Rhino Atlantic)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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Ben E. King's Greatest Hits Blue Vinyl Edition

LP | 1964 | US | Reissue (Friday Music)

43,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Jazz Workshop)

Barry Harris Quintet

Newer Than New

24,99 €*

LP | 1966 | DE | Original (CBS)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"A quick listen to the lively bop on 'Newer Than New' may enlist a perplexing question: Was this music really recorded 40 years ago? Apparently so, but the music still sounds fresh and exciting. If pianist Harris set out to show bop was still a vital force in 1961, he accomplished his task. Of course he didn't do this alone. Trumpeter Lonnie Hillyer, alto Charles McPherson, bassist Ernie Farrow, and drummer Clifford Jarvis join him on eight tunes that would've made Parker and Gillespie proud. The influence of bop pioneers is evident on tunes like "The Last One" and "Anthropology," both giving the horns lots of room to soar against the backdrop of dynamic rhythm. "Mucho Dinero," one of several Harris originals, has an exuberant Latin feel. After the horns set the piece in motion, Harris takes the first solo, creating colorful textures with his keen sense of harmony. Newer Than New also places special emphasis on the young horn players, providing McPherson and Hillyer lots of room to show what they've got. Both echo Parker and Gillespie without copying them. Hillyer displays a fat rich tone on numbers like "Easy to Love," while McPherson's resonant pitch, no matter how quickly he's playing, always comes across. Farrow and Jarvis keep the shifting rhythms heavy in the mix, pushing each soloist to create something vital. The title 'Newer Than New' perhaps mocks the obsession with the latest thing, as opposed to opting for the timelessness of high-octane improvising. Jazz styles, like all styles, come and go, but great music like 'Newer than New' transcends styles. It's also fun (and illustrative) to listen to an album like this back to back with the latest retro jazz. Barry Harris and his colleagues make great jazz without the least bit of self-consciousness."

—Ronnie D. Lankford, Jr. (All Music Guide)

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Barrelhouse Jazzband

6 - Talking Hot

Release: 1966 / DE – Original

Genre: Organic Grooves

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LP | 1966 | US | Reissue (We Are Busy Bodies)

Barney Wilen

Zodiac

31,99 €*

More Today Than Yesterday

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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Barbara McNair

LP | 1969 | US | Original (Audio Fidelity)

You'll Lose A Good Thing Clear Vinyl Edtion

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Promo stamp on back cover.

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Barbara Lynn

LP | 1963 | EU (Destination Moon)

LP | 1969 | US | Reissue (Brunswick)

Release: 1963 / EU

Genre: Organic Grooves

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Texan rhythm and blues icon Barbara Lynn made an incredible impact in 1962 with the chart-topping debut single, ‘You’ll Lose A Good Thing,’ which has since been covered by Aretha Franklin, Freddy Fender, and countless others. A southpaw guitarist who wrote her own material, debut LP You’ll Lose A Good Thing captured our heroine at her best, the soulful smoky voice a striking contrast to the blues base of her backing musicians (including Dr John on keyboards). Containing the follow-up hits ‘Second Fiddle Girl’ and ‘Letter To Mommy And Daddy’ as well as the cherished title track, it’s a winner from start to finish.

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Barbara Acklin

Seven days of night

27,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Craft)

Bar-Kays

Gotta Groove

34,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Ballet Folklorico De Mexico

LP | 1963 | MX | Reissue (RCA Victor)

3,99 €*

The Nervous Kats Colored Splatter Vinyl Edition

Release: 1963 / MX – Reissue

Genre: Organic Grooves

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Bailey's Nervous Kats

LP | 1965 | US | Reissue (Numero Group)