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All Items / HHV Records / Vinyl, CD & Tape / Organic Grooves

Organic Grooves Vinyl Sale 781 Items

Hip Hop 895 Organic Grooves 781 Funk | Soul 310 Contemporary Funk 45 Jazz | Fusion 310 Blues 13 Disco | Boogie 70 Latin | Brazil 40 Afrobeat 46 Original Breaks & Samples 2 Rock & Indie 1828 Electronic & Dance 2195 Reggae & Dancehall 388 Pop 433 Classical Music 37 Soundtracks 133 Childrens 3
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3rd Force
600v
96 Back
A.M. Muhammad
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Activity
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Gigi Pascal E La Pop Compagnia Meccanica - Debut
Gigi Pascal E La Pop Compagnia Meccanica
Debut
LP | 1979 | EU | Reissue (Black Widow)
22,19 €* 36,99 € -40%
Incl. VAT plus Shipping Costs
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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Official reissue with same original packaging of 1973 The neapolitan singer Gigi Pascal (real name Giancarlo D'Auria) had a long career as soloist in the melodic pop field, with some singles dating from the end of the sixties.
As many others he was attracted by the newly born rock groups of the early 70's, and assembled one with the odd name Pop Compagnia Meccanica. This group had a similar story to Fabio Celi & gli Infermieri, also from Naples, as they released an album in 1973 that sounds like it had been recorded three or four years earlier.
Only the first names are known of the other musicians playing with Pascal, the only known member was drummer Fulvio Marzocchella, that played with pop artists such as Umberto Bindi, Nico Fidenco, Patty Pravo and Orietta Berti. Debut is a very short album (eight songs for around 26 minutes) with the organ as main instrument and, where Fabio Celi's album had frantic vocals, this has a softer, more relaxed voice that owes much to the melodic Italian pop of the 60's, but always well mixed with the band's sound.
The music has some nice classical influences, like in the instrumental Fuga in Si minore, or Crescente and the long Un concerto with a very good and complex arrangement, but sometime the sixties' sound is more evident, like in the opening La tua voce.Gigi Pascal released two more singles in 1975, one of them still with the name of Pop Compagnia Meccanica. In the 80's he released singles and LP's under the nicknames Jaco D. and Jaco
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Bill Grace - Chances Go Round / Lonely Record Store Day 2023 Edition
Bill Grace
Chances Go Round / Lonely Record Store Day 2023 Edition
7" | 1979 | UK | Reissue (Asp)
9,74 €* 14,99 € -35%
Incl. VAT plus Shipping Costs
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Incredible synthesized disco nuggets from a real mover and shaker on the disco era local scene, Bill Grace. His first and only solo single hit the shelves in 1979, and now commands cripplingly expensive price tags of close to £600 and that’s if you can actually locate a copy of this US gem.

A name that may not be familiar to most, the recordings from this release led to a contract with West End the following year and saw him rubbing shoulders in the booth with disco legend & Paradise Garage head DJ Larry Levan. Pink label version original black sleeve.
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Smegma - Glamour Girl
Smegma
Glamour Girl
LP | 1979 | US | Reissue (Etats-Unis)
30,59 €* 35,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1979 / US – Reissue
Genre: Organic Grooves
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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Poo-Bah Records, with its import bins and backroom jam space, attracted the pseudonymous artists forming the initial incarnation of long-running collective Smegma. Early members Ju Suk Reet Meate, Dennis Duck, Cheez-it Ritz, Big Dirty, Amazon Bambiand Dr. Id contributed to various Lafms compilations and combinations before several core members relocated to Portland, Oregon in 1975, where they recorded their debut album Glamour Girl 1941. Originally released on the Lafms label in 1979, the LP combines rock instrumentation with tape, synthesizer, horns and voice in a tempestuous cauldron of anti-academy improv and alien noise. Beyond its roots in Lafms, Smegma would help shape the early Portland punk scene in the late '70s alongside Wipers and Neo Boys. In more recent years, they have collaborated with Merzbow and Wolf Eyes. This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.
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Rockcelona - La Bruja
Rockcelona
La Bruja
LP | 1979 | EU | Reissue (Legacy)
28,49 €* 29,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1979 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Considered by many worldwide collectors as one of the best hard-rock albums ever, Rockcelona's "La Bruja" saw the light in 1978 and sank without trace. The band came from Barcelona and could be seen as one of the early Spanish proto-punk bands along with La Banda Trapera Del Rio. Killer sound with primitive English/Spanish vocals and heavy, and I mean Heavy fuzz-wah wah assaults from start to finish!! A must!!!
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Betty Lou Landreth - Betty Lou Transparent Red Vinyl Edition
Betty Lou Landreth
Betty Lou Transparent Red Vinyl Edition
2LP | 1979 | UK | Reissue (Backatcha)
24,29 €* 26,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Limited to 300 copies. Officially licensed. Reissue on two discs.

Originally released in 1979, Betty Lou Landreth's Betty Lou has been expanded to a 15-song double album featuring the original studio recordings along with bonus material, alternative takes, and extensive liner notes from Joel Palmer, the producer of this Motor City holy grail.

Recorded in Detroit and produced and released by Detroit-born jazz historian Joel Palmer on his YaYa label, the album features many veterans and esteemed Detroit and New Orleans Jazzmen. Alongside Joel, producer and arranger Charlie Gabriel recruited some of the city’s top fellow musicians for the session, including his longtime friend and housemate, trumpeter Marcus Belgrave, drummer J.C. Heard, Motown's Funk Brothers, keys player Emmanuel Riggins, bassist Hubie Crawford, violinist Travis Biggs, the Body sisters and many more.

"Honestly, there were never any commercial expectations or aspirations for the album. We just got together to cook up a gumbo. Detroit, New Orleans, funk, jazz, torch, country and some great, great musicians to bring the flavors together. Our only intent was to create the best work of music possible; one which would allow Betty Lou Landreth to display her extraordinary vocal skills, and that we did. The reissue serves as a monument to all of those who all those long years ago contributed their special magic to creating a unique musical work which has endured the test of time.” (Joel Palmer, 2021).
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Eve - Canto Alberto
Eve
Canto Alberto
LP | 1979 | EU | Reissue (Komos)
20,89 €* 21,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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Everaldo Marcial aka Évé, born in 1951 and raised in Sao Paulo, fled the Brasilian dictatorship in 1974 to settle in France. Canto Aberto, originally released on the Free Lance label in 1979, is his one and only sought-after recording, made before he moved to the US in the early 80s and decided to quit music. Recorded with Parisian musicians, noteworthy fellow expatriate Manduka on one song and the African American saxophonist Bruce Tobe Grant as musical director, the music of Évé will please fans of Egberto Gismonti, Nana Vasconselos, Milton Nascimento, Edu Lobo... This first vinyl reissue is remastered from the original master tapes by Frank Merritt at The Carvery
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Andre & Josi - Amandla HHV Exclusive Tangerine Vinyl Edition
Andre & Josi
Amandla HHV Exclusive Tangerine Vinyl Edition
LP | 1979 | US | Reissue (Tidal Waves Music)
27,19 €* 31,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1979 / US – Reissue
Genre: Organic Grooves
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Limited to 100 copies on tangerine colored vinyl. Exclusive to HHV customers.
Rare Afrobeat album from 1979
Recorded at Decca Studios (Nigeria)
First ever vinyl reissue

Featuring Zamrock collaborators Josi & Andre (Wells Fargo, Osibisa, Tony Allen)
Having shown talent for playing guitar at a young age, Josi Ndlovu (Zimbabwe) started his first rock band “The Movers” (who were very popular within the local scene) in 1968. By the early 70’s Josi was already an acclaimed guitarist and a member of the revolutionary rock bands “Wells Fargo” and “Eye of Liberty” who were critical opponents of the racist Rhodesian government.

Prosecuted and harassed by the police for being a supporter of the independence movement, Josi Ndlovu had to move to Lusaka (Zambia) in 1975...it was here that he met his musical soulmate (Osibisa collaborator and bassist extraordinaire) André Abrahamse from South Africa. They started playing together in several local acts together with drummer Peter Lungu (from “Born Free” and later in the legendary Zamrock band “Witch”).

In 1977, Josi & André decided to go to Lagos (Nigeria) where they found many fellow Zimbabwean and South African students in exile. It was a total culture shock and really rough on the both of them…but they got lucky and were able to stay with some friends they had worked with in London (Themba Matebese and Uwandile Piliso of T-Fire fame). It was also here that they were approached by the Nigerian label “Boom Records” who booked them to record at the Decca Studios in Lagos (home to many other renowned recording artists such as Fela Kuti, Manu Dibango and Ofege). The result of these recording sessions was “Amandla” (the Ndebele word for ‘Power’).

The now legendary “Amandla” studio project is one of the most interesting collaborations between dissident, exiled musicians during the apartheid era…a very engaging album which talks about the liberation movement in Zimbabwe (which was under British colonial rule), ‘people-power’ as a concept and the walk towards freedom by any means necessary. Banned from radio and distribution (because of its political content) in their native countries, the record however did very well in Nigeria.

With the ‘Amandla’ album under their belts, André & Josi continued their traveling adventures to Botswana, Cape Town, and many other cities/countries…touring, recording and playing with influential artists from the likes of Rikki Ililonga, Tony Allen and Anna Mwale. André to this day keeps on composing and producing music for TV, film and various other audio projects. Josi Ndlovu passed away on September 7th, 2000…he will forever be in our hearts.

On “Amandla” the listener will find many genres blended together very successfully…a lot of smooth chordal Afro-soul, Blues soloing, Afro-disco-reggae with a dominant funk feeling surrounding it and a LOT of rock influences! Their groovy tunes went down smoothly on the dance floor and one can clearly hear the Fela Kuti-influenced beats pouring out of (Lagos scene regular) Buttley Moore’s fantastic drum-work. Other influences are also very diverse…from acts and styles that include Zamrock, Earth Wind and Fire, Isaac Hayes, Miles Davis, Jimi Hendrix, Sly Stone, local folk music etc. All of this makes the album a total must have for any collector and fan of the afro-beat-funk genre.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic Afrobeat album (originally released in 1979 on Boom Records Nigeria). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition complete with the original artwork. Limited to 100 copies 180g TANGERINE COLORED VINYL (available exclusively from HHV RECORDS).
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Justine - Wordless Songs
Justine
Wordless Songs
12" | 1979 | EU | Reissue (Left Ear)
15,29 €* 17,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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Mysterious Sydney songstress Justine recorded one album in ’79, which was never officially released. Left Ear have chosen two tracks for a 45 RPM 12” single, which they feel best highlights Justine’s unique vocal talents and songwriting ability. Here the crafty songstress wields melancholic soul and a funky Jazz inspired number with personal and reflective lyrics, both with an intimate and honest approach.
Elusive Sydney songstress Justine (Bradley) almost entirely wrote, produced and arranged her sole LP in ’79, an album that was funded by a radio station as the beneficiary for emerging talent. The music was created specifically for radio play without any intention of being manufactured. Luckily however, a friend with ties to a pressing plant known aptly as ‘Midnite Flite’, managed to sneak into said plant one evening and press up a small number for the enjoyment of family, friends & those involved.
Left Ear have decided to release what they consider to be the two most significant tracks from this release onto a 12” single, now for the enjoyment of all. The A-Side will feature the haunting ‘Wordless Songs’, a melancholic soulful number which according to Justine explores the “capacity to comprehend a partner’s internal quest for authenticity and connection”. The B-side ‘Mama Didn’t Tell Ya’ is more uplifting in both tempo and arrangements comprising an extended outro, while the lyrics remain just as personal and reflective.
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Cloud One - Funky Disco Tracks Of Cloud One (Missing Original Jacket)
Cloud One
Funky Disco Tracks Of Cloud One (Missing Original Jacket)
LP | 1978 | US (Queen Constance)
12,59 €* 13,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1978 / US
Genre: Organic Grooves
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Andy Crown & Magic Touch - Why Do I Love You Black Vinyl Edition
Andy Crown & Magic Touch
Why Do I Love You Black Vinyl Edition
7" | 1978 | US | Reissue (Numero Group)
8,99 €* 11,99 € -25%
Incl. VAT plus Shipping Costs
Release: 1978 / US – Reissue
Genre: Organic Grooves
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Chicago's Magic Touch label gets the Numero treatment. Legendary rare groove selector & DJ Red Greg's edit of Disco Holy-Grail "Why Do I Love You" is now available on 7" for the first time and housed in official Magic Touch Double Disco Smash 7" Company Sleeve. This tune has been making waves in the DJ community for years only after Red Greg introduced his crucial edit eliminating the studio fluff and dialing in the raw disco meat. Certified Floor Filler with a groove guaranteed to answer all questions on love.
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Miami - Miami Yellow Vinyl Edition
Miami
Miami Yellow Vinyl Edition
LP | 1978 | Reissue (Regrooved)
32,29 €* 33,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1978 / Reissue
Genre: Organic Grooves
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Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue
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Cosmic Force - Why Don't Love (Make Everything Right)
Cosmic Force
Why Don't Love (Make Everything Right)
7" | 1978 | JP | Reissue (P-Vine)
17,59 €* 21,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1978 / JP – Reissue
Genre: Organic Grooves
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Produced by Tribe producer Larry (Vjava) Lewis, Cosmic FORCE’s “Why Don’t Love (Make Everything Right)” has long deserved to be reissued. This mellow soul classic was originally released on the eve of Tribe’s disbandment in 1978, and would quickly become a highly vaunted record on the second hand market, fetching bids over ten times its original price. But it’s not just hype - the record itself is fantastic, with backing from some of Detroit’s finest musicians. The rhythm section is arranged simply, giving ample space for sweet tenor vocals, wailing saxophone licks, and the melancholy playing of a lone violin to intermingle - creating an arrangement that’s both lush and understated. The B-side contains an instrumental version, truly highlighting these musicians’ talent! Originally released without artwork, we’ve created original artwork and remastered Why Don’t Love (Make Everything Right) on audiophile grade 45rpm 7” vinyl for the first time ever! Don’t miss this pinnacle of mellow soul, available only from P-vine Records!
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Together - Together
Together
Together
LP | 1978 | JP | Reissue (P-Vine)
32,39 €* 35,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1978 / JP – Reissue
Genre: Organic Grooves
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From famed tax scam label “Tiger Lily Records”, comes another ultra rare soul record - Together - reissued for the first time ever.

A shocking pink cover, with a simple black logo painted on top of it. Besides song titles, composers, and the iconic Tiger Lily Records name, no credits appear anywhere on this mysterious record. Yet the sound, reminiscent of the teen soul of the Jackson Five, and Jackson Sisters has garnered high praise - often appearing on grail lists for hardcore crate diggers.

After catching the eye of Woodstock founder and major producer Michael Lange in 1975, Together signed a deal with a major record label. That is, until the untimely voice change of the unnamed teenage lead vocalist. The record was shelved at the last minute, and through a series of unknown circumstances, ended up being released by Tiger Lily Records. But take one listen and the album’s history will be the last of your concerns!

The charming vocal harmonies of the teenage singers, the incredibly danceable band sound - everything you could want is there! From the dance number opener “One Kiss And Then” to sweet soul ballad “Can I Be The Woman”, this record is packed full of 70s soul and groove! P-vine is thrilled to be reissuing Together’s self-titled debut for the first time ever, on limited edition vinyl with an obi-strip attached!
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Grupo Los Yoyi - Yoyi
Grupo Los Yoyi
Yoyi
LP | 1977 | US | Reissue (Future Rootz)
21,59 €* 26,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1977 / US – Reissue
Genre: Organic Grooves
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Future Rootz has collaborated with Canal Sounds and Egrem to release this gem from bass player and producer Jorge Soler León.

Originally released in 1977 under Egrem, it has become one of the rarest and most wanted albums to come out of the Cuban music archives. While Jorge Soler recorded and produced many tracks for many artists from that period, Grupo Yoyi is his only known solo project. This album presents a fusion of traditional Afro-Cuban rhythms with jazz, funk and disco, and it is full of amazing horn solos and incredible synth work. This is a must have, bringing both chillness for lounging and energy to heat up the dance floor.
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Bra Sello - The Battle Of Disco HHV Summer Of Jazz Exclusive Clear Yellow Vinyl Edition
Bra Sello
The Battle Of Disco HHV Summer Of Jazz Exclusive Clear Yellow Vinyl Edition
LP | 1977 | EU | Reissue (Afrodelic)
20,79 €* 25,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.
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Teaspoon And The Waves - Teaspoon And The Waves Blue Vinyl Edition
Teaspoon And The Waves
Teaspoon And The Waves Blue Vinyl Edition
LP | 1977 | UK | Reissue (Mr Bongo)
17,99 €* 29,99 € -40%
Incl. VAT plus Shipping Costs
Release: 1977 / UK – Reissue
Genre: Organic Grooves
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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz.

Official replica re-issue of a South African jazz-funk rarity from Teaspoon & The Waves. Released in 1977 on Soul Jazz Pop, a subsidiary label of Mavuthela Music Company / Gallo, Teaspoon & The Waves’ self-titled album is an absolute masterpiece. Best known for the song 'Oh Yeh Soweto’, which is an astonishing adaptation of Lamont Dozier's anthem 'Going Back to My Roots', this track has become a contemporary underground club classic in recent times and has been featured in sets from a cross-section of DJs. With such a massive calling card song, it could be easy to write off the album as a typical one-tracker (like so many records often are), but that is a long way from the truth. Each of the remaining four tracks are super strong and, for us here at Mr Bongo, this has to be our favourite South African record of this era. 'Saturday Express' is a jazz-funk/disco stomper which will soon be lighting up dancefloors again. 'Wind and Fire' is true afro-jazz-funk excellence, with great spacey synths and reggae-inspired guitar grooves riding throughout. The opener, 'Friday Night’, also has a slightly reggae-tinged tropical groove, whilst 'Got Me Tight' finishes off the session with a feel-good jazz-funk workout that features cool, quirky, Patrick Adams-esque synths. Saxophonist Teaspoon Ndlela has had an amazing and rich musical career. Releasing albums on records labels Soul Jazz Pop, Hit Special, Gallo GRC, alongside working with and writing for South African artists such as Mpharanyana, Stimela, Sipho Gumede and Sgu. He also features on the Paul Simon track 'Gumboots' taken from the iconic 'Graceland' project. Though best known for 'Oh Yeh Soweto' we hope this re-issue helps demonstrate that there is much more magic in this wonderful musician's repertoire to discover.
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Gianni Safred - Electronic Designs
Gianni Safred
Electronic Designs
LP | 1977 | EU | Reissue (Four Flies)
22,39 €* 27,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.
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Jorge Trasante - Folklore Afro Uruguayo
Jorge Trasante
Folklore Afro Uruguayo
LP | 1977 | US | Reissue (Lion Productions)
20,24 €* 26,99 € -25%
Incl. VAT plus Shipping Costs
Release: 1977 / US – Reissue
Genre: Organic Grooves
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A masterpiece of South American percussion, recorded in 1977 by worldwide legend and Gipsy Kings percussionist Jorge Trasante—and impossible to find for decades—finally reissued!

'In the mid-'70s I was struck by a young Uruguayan percussionist named Jorge Trasante. I met him accompanying Rada and Pippo Spera, in recordings in the Sondor Studio. He turned out to be an experienced percussionist and remarkable musical researcher, despite his young age, only 23 years old. At that time he invited me to a rehearsal with Eduardo Mateo, at his house in El Cordón. We decided to record the album 'Mateo y Trasante', which today is an iconic album of Uruguayan music. And at the same time, I suggested to Jorge, to record an LP of instrumental percussion, based on Afro Uruguay rhythms. It became his letter of introduction when a few months later he traveled to Europe, where he joined very good groups, including the Gipsy Kings, with whom he recorded 18 albums between 1987 and 2001, and also accompanied other great artists. Jorge Trasante settled in Paris, France, where he lived for more than 30 years. The album “Folklore Afro Uruguayo” was not a success of the moment, but is a sound document which maintains its validity through time.” —Enrique Abal Oliú


'I left (Uruguay) in early 1977. We were finishing a cycle with Mateo, Buscaglia, Yánez and Mariana Vigil. I studied technical drawing at the Universidad del Trabajo del Uruguay… and worked in a cigar and cigar factory—that was my mother's trade—which allowed me to buy the instruments that Emilio Acevedo made in Ansina 1036; he was the great teacher. The first drums I paid for in a thousand installments. He would lend me pailas, Ameijenda or Galletti would lend me a cymbal, I never had anything.

I left because here I was very “wounded' and the political thing got very hard with the dictatorship and the music weighed more than everything. I decided to jump to Europe, where there were great friends. And I went with 70 kilos of drums to Paris to Mario Aguerre, former bassist of Los Delfines. Knowing that I had arrived, Emilio Arteaga called me and he proposed to set up a group with Jorge Pinchevsky, a great Argentine violinist who had played in La Pesada del Rock & Roll. We set up an experimental group with Latin rhythms to play on the street, in clubs, where he would paint. I used to play a set of congas, timbales, and we made Andean music, very fashionable then… and that summer of 1977 in the south of France we did very well. There I crossed paths for the first time with the Gipsy Kings, who also played on the street doing 'the manga' with their gypsy rumba.” —Jorge Trasante
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Machi Oul Big Band - Quetzalcoatl
Machi Oul Big Band
Quetzalcoatl
LP | 1976 | EU | Reissue (Souffle Continu)
29,69 €* 32,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chilli. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming...

After discovering the jazz of Herbie Hancock, McCoy Tyner, Miles Davis and John Coltrane, Villarroel was taken by the free jazz which was all the rage at the time in America and Europe, and this would inspire the first version of his Machi-Oul, project. This was a septet, with which the pianist would record, in 1971, the tremendous Terremoto (re-released by Souffle Continu Ffl085). After this masterstroke Villarroel was invited to record with Perception (Perception & Friends) and with Baikida Carroll (Orange Fish Tears). While these were notable contributions, Villarroel was already looking into other combinations.

“I had to deal personally with my situation as an expatriate, without disavowing it. I tried not to betray my roots, I tried to translate into my music what was essential to me, to reflect my origins – Latin America, its musical and above all human feelings – while remaining faithful to jazz, which is the mode of expression of the musicians in the group”. This then is the ‘homecoming’ we mentioned, which would incite Manuel Villarroel to compose what he would call “structured free music”. In January 1972 the pianist enlarged his formation to reach the size of a real big band: the Septet became the Machi-Oul Big Band. Three years later in January 1975, with producer Jef Gilson at the helm, fifteen musicians including those from the old Septet (Jef Sicard, François and Jean-Louis Méchali, Gérard Coppéré) worked on a rare form of jazz. From togetherness to dissonance, we danse to it “Bolerito” then shake it up on “Leyendas De Nahuelbuta”. As for the concluding serpent, it is a piece which is impossible to pin down: “Quetzalcoat” is as impressive as it is difficult to grasp. To remind ourselves of this, lets listen to it again.
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Grupo Irakere - Grupo Irakere
Grupo Irakere
Grupo Irakere
LP | 1976 | UK | Reissue (Mr Bongo)
32,39 €* 35,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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For the second instalment in our Cuban Classics series, we proudly present this sought-after slice of sublime Afro-Cuban jazz from 1976. It comes courtesy of one of Cuba’s most influential acts, Grupo Irakere. Founded in 1973 by Chucho Valdés (son of the Cuban pianist and bandleader Bebo Valdés) the group was home to many of Cuba’s finest musicians over the years. With an electrifying style and sound, they mixed traditional Cuban music with jazz, funk, and rock.

This self-titled album includes the much-loved, dancefloor heavy-hitter 'Chequeré-Son’, a Latin-jazz funk masterpiece with Cubanized bebop-flavoured horn lines, lush keys, and ‘70s hip swagger. Though 'Chequeré-Son’ is the keystone of the record, the album is laced with brilliance at every turn, from the Carlos Santana-esque channelling ‘Iya’ with its percussive Latin power, to the sultry, slick and passionate '38 1/2’. Elsewhere, the absorbing, ever-building energy of 'Juana 1600’ and steamy vocal dancer ‘Xiomara’ are also highlights of this incredible album.

Pressed on Cuba’s state led Areito Records, the album was well received internationally, garnering distribution in Finland on Love Records, in Italy on Phase 6 Super Stereo, and also in the Dominican Republic, Mexico and Venezuela.

A cherished Afro-Cuban triumph, this album has been crying out for a reissue and we’re delighted to make that happen.
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Shigeo Sekito - Special Sound Series - Volume 3: Pathetique
Shigeo Sekito
Special Sound Series - Volume 3: Pathetique
LP | 1976 | EU | Reissue (Holy Basil)
24,64 €* 28,99 € -15%
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Release: 1976 / EU – Reissue
Genre: Organic Grooves
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We are very happy to continue the reissue series of Shigeo Sekitō's iconic "Sepcial Sound" series with its 3rd instalment, "Pathétique", a mesmerizing musical journey crafted by the visionary Japanese musician Shigeo Sekitō. Released in the 1970s, this album stands as a testament to Sekito's innovative genius and his ability to seamlessly blend genres, resulting in a captivating and groundbreaking sonic experience.

"Pathétique" showcases Sekitō's masterful fusion of jazz, funk, and electronic elements, creating a unique and otherworldly soundscape that transports listeners to a realm of musical exploration. The album features a series of compositions that are not only technically impressive but also emotionally resonant, evoking a range of feelings from nostalgia to euphoria.

The album's title, "Pathétique," is a nod to Tchaikovsky's renowned "Pathétique Symphony," and it hints at the emotional depth and complexity found within the music. Sekito's virtuosity on various instruments, including keyboards, synthesizers, and guitar, is on full display throughout the album, as he weaves intricate melodies and harmonies that take listeners on a sonic adventure.
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The Awakening - Brand New Feeling Black Vinyl Edition
The Awakening
Brand New Feeling Black Vinyl Edition
LP | 1976 | EU | Reissue (Cinedelic)
23,74 €* 24,99 € -5%
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Release: 1976 / EU – Reissue
Genre: Organic Grooves
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The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.
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The Awakening - Brand New Feeling HHV Exclusive Red Vinyl Edition
The Awakening
Brand New Feeling HHV Exclusive Red Vinyl Edition
LP | 1976 | EU | Reissue (Cinedelic)
20,79 €* 25,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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HHV Exclusive edition on red wax, limited to 100 copies.

The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.
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Burton Inc. - L.A. Will Make You Pay $$$
Burton Inc.
L.A. Will Make You Pay $$$
LP | 1976 | JP | Reissue (P-Vine)
35,14 €* 36,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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A follow-up of sorts to Messengers Incorporated’s Soulful Proclamation, LA Will Make You Pay $$$ by Burton Inc. featured core members Charles and Barbara Burton of both groups, and is a shining example of the modern soul and disco that pulsed through the Oklahoma underground. Moving away from the psych-infused heavy funk jams of Soulful Proclamation, these eight tracks gave Barbara Burton’s vocals the spotlight with heart-tugging soul ballads, sun-soaked horns and bass grooves. Originally released independently in 1976, P-vine is delighted to reissue the album on limited-edition vinyl with an iconic Japanese obi strip included.
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Pat Thomas - Stage Two Yellow Vinyl Edition
Pat Thomas
Stage Two Yellow Vinyl Edition
LP | 1976 | US | Reissue (Tidal Waves)
24,49 €* 34,99 € -30%
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Release: 1976 / US – Reissue
Genre: Organic Grooves
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The legendary Ghanaian singer-producer Pat Thomas needs little introduction, he is a globally recognized vocalist and songwriter, famed for both his solo works and that with the highlife bands The Blue Monks, Broadway-Stargazers Dance Band, The Satellites, The Sweet Beans, Marijata, The Kwashibu Area Band and The Uhuru Dance Band. Between 1974 and 2019, he issued more than two dozen recordings offering a unique take on highlife, funk, reggae, soul and Afro-beat/pop. Pat Thomas' work was sampled many times and continues to be featured on compilations by renowned reissue-labels across the globe.
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Whole Darn Family - Seven Minutes Of Funk Record Store Day 2022 Edition
Whole Darn Family
Seven Minutes Of Funk Record Store Day 2022 Edition
12" | 1976 | US | Reissue (Amherst)
19,71 €* 28,99 € -32%
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Release: 1976 / US – Reissue
Genre: Organic Grooves
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Record Store Day 2022 Drop 1 Release. Late arrival.

The Whole Darn Family emerged from Richmond, Virginia in the late 70’s and were managed, produced and promoted by August (Mr.Wiggles) Moon who ran an independent label called Soul International Records from a storefront in Richmond’s Southside District. “Seven Minutes of Funk” has become a cult favorite as it’s been sampled by Jay-Z, Wu-Tang Clan, Foxy Brown, Method Man, Biggie Smalls and countless other hip-hop artists. The LP is a gem to find for any top D.J., and a hunted collector’s item.
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Mutantes - Ao Vivo
Mutantes
Ao Vivo
LP | 1976 | EU | Reissue (Polysom)
33,99 €* 39,99 € -15%
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Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Friimen Muzik Company - Free Man Violet Vinyl Edition
Friimen Muzik Company
Free Man Violet Vinyl Edition
LP | 1976 | EU | Reissue (Tidal Waves Music)
16,49 €* 32,99 € -50%
Incl. VAT plus Shipping Costs
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Limited to 100 copies on violet vinyl,THE Friimen Muzik Company (also known as Friimen) was formed after the Biafran war in 1973-1974 in the town of ABA in the eastern part of Nigeria. Aba was the Number 1 Music Hub in the entire Eastern Region of Nigeria. While bands and artists like ‘Ofege’ and ‘Fela Kuti’ ruled the Lagos scene, bands like ‘Friimen’ and ‘The Apostles’ were ruling the ABA scene.

Before forming the band, most of its members were already working together as freelance session musicians backing up solo artists on several recordings and concerts (or were playing in military bands that gradually became civilian bands because the war had just ended). Friimen members’ credits were numerous and they played, wrote or performed on recordings from well-known acts like The Funkees, The Jets, The Apostles…and countless others.

When they started concentrating on writing their own songs, the group instantly took off and became an overnight hit that resulted in them doing multiple successful nationwide tours. Friimen would go on to record three albums: Free Man (1976), We Can Get It On (1978) and Merry Man (1979). All three albums were released on the Aba based label Anodisc Records (the key label to be on if you wanted your music heard and out there), Anodisc also released hit records by ‘Sweet Unit’ and ‘Voice Of The Cross’ but The Friimen Muzik Company was the label’s signature band.

The Friimen Muzik Company was so solid that every new group or artist wanted the Friimen to back them up in the recording studio. As a result, Anodisc Records received tons of demo cassettes from aspiring artists…the label would then first consult the Friimen members to see if these new acts were worthy of giving a chance to record and release an album for Anodisc. Over the course of the years the band went through several line-up changes…but in 1980 the band finally broke up and their story came to an end.

The album we are presenting you today (Free Man from 1976) was recorded at the famous Decca Studios in Lagos and comes swinging right out of the gate with a set of no less than Eight monster tunes. Expect nothing less than crazy afrobeat and over the top melodic funk influenced by a wide array of artists (both local and international). Mesmerizing solos, captivating grooves, impeccable sequences that turned many heads…everything you need to get a dancehall into a complete uproar. The musicians’ skills are just plain incredible! Free MAN is a quintessential record that every serious collector or fan needs to have in his/her collection.

Originally released in 1976 on Anodisc Records Nigeria, Tidal Waves Music now proudly presents the first official reissue of this seminal Afrobeat/Afrofunk album. This is also the first time the album is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition with obi strip and featuring the original artwork. This reissue also comes with an insert featuring pictures of the band and extensive liner notes from band-member Arthur Freds. Limited to 100 copies 180g Violet Color Vinyl Exclusively FOR HHV
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Etubom Rex Williams - Ubok Aka Inua
Etubom Rex Williams
Ubok Aka Inua
LP | 1976 | US | Reissue (We Are Busy Bodies)
28,79 €* 31,99 € -10%
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Release: 1976 / US – Reissue
Genre: Organic Grooves
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Originally released in 1976, Ubok Aka Inua is the fifth album by legendary Nigerian saxophonist and band leader, Etubom Rex Williams. The album features Psychedelic Shoes and One Woman Is Enough Trouble, both heard on countless funk and soul compilations. The album was restored from the original tapes by Noah Mintz and artwork restored and recreated by Steve Lewin. "Etubom Rex Williams occupies the genuine space of legend of Nigerian Highlife. His incredible professionalism, vast body of work and huge personality, established him as a veritable force of the genre quite early in his career. A case quite similar to another teenage prodigy of Highlife Music, Sir Victor Uwaifo. However any accolades he earned were well deserved and based on a platform of hard graft and genuine love for his art. He like Uwaifo, straddles the Inter-generational gap between the old masters of Highlife such as Bobby Benson, E.C.Arinze, Inyang Henshaw, Dr Victor Olaiya etc and the latter generation of Eddy Okweddy, Orlando Owoh, Tunji Oyelana, Eric Akaeze, Osayomore Joseph et al." - Ed Keazor, Music in Africa
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Bra Sello - Butterfly HHV Summer Of Jazz Exclusive Clear Vinyl Edition
Bra Sello
Butterfly HHV Summer Of Jazz Exclusive Clear Vinyl Edition
LP | 1975 | EU | Reissue (Afrodelic)
20,79 €* 25,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.
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Van McCoy - The Hustle Record Store Day 2022 Edition
Van McCoy
The Hustle Record Store Day 2022 Edition
12" | 1975 | US | Reissue (Avco)
24,17 €* 30,99 € -22%
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Release: 1975 / US – Reissue
Genre: Organic Grooves
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Record Store Day 2022 Drop 1 Release. Late arrival.

“The Hustle” by Van McCoy, is the ultimate classic disco song. While Van McCoy may not have invented the dance that was associated with the song, the catchy tune dominated the airwaves and dance floors, catapulting the disco craze into the world during the summer of 1975, hitting #1 on the Billboard charts and earning a Grammy Award for Best Pop Instrumental Performance.
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Assim Assado - Assim Assado Purple Vinyl Edition
Assim Assado
Assim Assado Purple Vinyl Edition
LP | 1974 | EU | Reissue (Groovie)
26,59 €* 27,99 € -5%
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Release: 1974 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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The name of the band and the cover of the disc explicitly reveal the influence: Secos&Molhados. Investing in androgenia, progressive rock and samba-soul, Assim Assado tried to be a response of the small CID label to the enormous success that the Secos&Molhados did to the young public.

Led by Miguel de Deus (formerly Os Brazões), who signed most of the compositions and assumed the guitar and vocals, the group never took off, leaving only this LP, now almost forgotten. Curiosity: in 1977 Miguel de Deus falls headlong into funk, casting the rather interesting (and rare) "Black Soul Brothers" Also repressed on Groovie Records.

Band formed by Miguel de Deus in 1974, inspired by the Secos&Molhados and making clear both in the name, which is copied from a song of Secos&Molhados, both on the cover of the band's only album. Also the visual was well androgen but the music, a mixture of psychedelic, Progressive and a strong touch of Brazilian Soul music. The only album that had the same name as the band, did not get repercussion despite presenting a lot of quality.

Now the repress of this rare pearl brings to the light the huge talent of Miguel De Deus.
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Grupo Irakere - Teatro Amadeo Roldan Recita
Grupo Irakere
Teatro Amadeo Roldan Recita
LP | 1974 | EU | Reissue (Mr Bongo)
28,49 €* 29,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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For the third release in our Mr Bongo Cuban Classics series, we reissue the iconic 1974 debut album by the mighty Grupo Irakere. Led by Chucho Valdés, son of Cuban pianist and bandleader Bebo Valdés, the band would go on to become of the most influential and successful groups emanating from Cuba in this period. Their debut ‘Teatro Amadeo Roldan Recital’ is an in-demand and incredible Afro-Cuban, jazz-funk masterpiece originally landing on Cuba’s state-owned imprint, Areito.

One of the jewels of the album is the beast of an opener, 'Bacalao Con Pan’. A heavy dancefloor Latin-funk burner, with ripping Wah-Wah guitar, a blistering mix of Latin percussive elements and horns firing on all cylinders. It’s a song which builds and breaks with an energy and power that still lights up the dance to this very day.

The album is a varied bag of tricks, traversing moods, styles and genres whilst melding traditional rhythms with more contemporary mindsets. Take the delectable downtempo ballad ‘Danza Nañiga’ or ‘Valle Picadura’ that starts on a similar tip, before erupting into a horn heavy heater. Move through to find ‘Taka Taka Ta’ where Afro-Cuban jazz, call and response vocals and brain-busting organs marry in steamy unison.

Elsewhere, continuing this melting pot of musical influences, the prog/psychedelic rock leaning 'Quindiambo', expertly combines traditional Latin music with psych rock in a similar way to Santana. 'Misaluba' is another highlight, a cover version of a song by the British-Italian based group Cyan, written by Mario & Giosy Capuano, making it their own with this tripped-out, percussion-rich makeover.

As debuts go, Grupo Irakere’s ‘Teatro Amadeo Roldan Recital' is about as good as it gets and gives a snapshot of Cuba in the mid ‘70s, with a band that were destined for big things.
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Kenyatta - Kick It Off / Movin' Music
Kenyatta
Kick It Off / Movin' Music
7" | 1974 | UK | Reissue (Epsilon)
16,14 €* 18,99 € -15%
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Release: 1974 / UK – Reissue
Genre: Organic Grooves
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Ultra obscure funk (official re-issue)
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Harold McKinney - Voices And Rhythms Of The Creative Profile
Harold McKinney
Voices And Rhythms Of The Creative Profile
LP+7" | 1974 | EU | Reissue (P-Vine)
46,54 €* 48,99 € -5%
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Release: 1974 / EU – Reissue
Genre: Organic Grooves
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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!
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Phil Ranelin - The Time Is Now!
Phil Ranelin
The Time Is Now!
LP | 1974 | JP | Reissue (P-Vine)
44,09 €* 48,99 € -10%
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Release: 1974 / JP – Reissue
Genre: Organic Grooves
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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!
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Vee Gees - Talkin'
Vee Gees
Talkin'
7" | 1974 | UK | Reissue (Stream)
16,99 €* 19,99 € -15%
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Release: 1974 / UK – Reissue
Genre: Organic Grooves
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The Vee-Gees (previously known as the Versatile Gents) were from Greensboro, N.C. The versalite Gents started the Group in 1967 originally as "the African Americans" performed at a talent show at Gillespie Park School, Geensboro, North Carolina. Soon After Virginia Massey a Senior Music Major at A&T joined the group and the name was changed to Gin And The Gents. After one year Massey left the Band and their name was changed to The Versatile Gents. They reformed and called themselves the Vee Gees in the early 70’s. The Members are Robert Evans (Vince Evans of the NFL's brother), Nathaniel Herring, Anthony Quick, CC Stewart, Cecil Young.In their band. Carlton Morales that wrote "Vallotte" and played with Julian Lennon on guitar. Kevan Tynes on drums. Walter Carlton on bass. They recored a beautiful sweet soul side call It’s hard to say so long on Jump in 1973. They came back to the studio in 1974 and cut the incredible Talkin on Jump off records. Vee Gees Talkin is the ultimate crossover tune, Spun by some of the best deejays in the world in the last 3 decades including Arthur Fenn, Keith Money, Andy Burns, Buey, Andy Dawes, Alexander Dimitriades Bentley, Jens Chreisti, Steven Clancy and many others. We’re sure you will be singing all day “Hey brother, brother, just had a talk with the man yesterday.. what did he saaaaaay? “
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Boo And The Tru-Tones - Show The World Gold Vinyl Edition
Boo And The Tru-Tones
Show The World Gold Vinyl Edition
LP | 1974 | US | Reissue (Not Dark Yet)
20,99 €* 29,99 € -30%
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Release: 1974 / US – Reissue
Genre: Organic Grooves, Reggae & Dancehall
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Limited edition of 200 copies on golden vinyl.

Reissued for the first time in over 40 years, Show the World is an unrated and relatively unknown soul / reggae album from the Caribbean. Having recently been sampled by Benny The Butcher, collectors and producers are starting to pay attention to what has been an overlooked gem until now. With the album ranging from sweet soul that sounds like it could have been released on Motown in its prime, to funky numbers that could be played in clubs, to reggae that could stand alongside some of the Studio 1 releases, this is sure to please many. No filler.
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Jim Marks - Touching Your Feelings
Jim Marks
Touching Your Feelings
LP | 1974 | Reissue (Nicole)
37,04 €* 38,99 € -5%
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Release: 1974 / Reissue
Genre: Organic Grooves
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Billy Brooks - Window Of The Mind Ultra Clear Vinyl Edition
Billy Brooks
Window Of The Mind Ultra Clear Vinyl Edition
LP | 1974 | EU | Reissue (Wewantsounds)
30,39 €* 31,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Leroy Hutson - Closer To The Source
Leroy Hutson
Closer To The Source
LP | 1974 | UK | Reissue (Acid Jazz)
33,24 €* 34,99 € -5%
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Release: 1974 / UK – Reissue
Genre: Organic Grooves
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Billy Cobham - Spectrum
Billy Cobham
Spectrum
LP | 1973 | US | Reissue (Friday Music)
37,79 €* 41,99 € -10%
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Release: 1973 / US – Reissue
Genre: Organic Grooves
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Alessandro Alessandroni / Giovanni Tommaso - Open Air Parade HHV Exclusive Lime Yellow Vinyl Edition
Alessandro Alessandroni / Giovanni Tommaso
Open Air Parade HHV Exclusive Lime Yellow Vinyl Edition
LP | 1972 | EU | Reissue (Sonor Music Editions)
21,59 €* 26,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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HHV exclusive vinyl edition on yellow vinyl, limited to 300 copies.

Sonor Music Editions is excited to announce this revived issue of Open Air Parade, one of the most sought-after artifacts from the golden era of Italian library music.

This holy grail was originally released in 1972 on the legendary Sermi Records label (often referred to as SR Records). It features ten tracks composed by Ennio Morricone’s whistler, Alessandro Alessandroni revealing his great talent and unrivaled sense of melody, and two by the brilliant Italian jazz bassist Giovanni Tommaso, also founder and member of the legendary prog-jazz-rock ensemble Perigeo.

Open Air Parade is a masterpiece and rightfully sits among the top five in its genre. It has a beautiful cohesiveness throughout and can only be described as sincere. The music ranges from superb psychedelic lounge funk, compelling groovy jazz beat tunes, and far-ranging mood music with lush arrangements.

It’s an essential album, officially reissued by Sonor Music Editions. This 2024 repress has been carefully remastered, and packed in a thick cardboard sleeve with fully restored artwork using the original painting by Ernst Wilhelm Nay in full fidelity.
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Weldon Irvine - Liberated Brother
Weldon Irvine
Liberated Brother
LP | 1972 | JP | Reissue (P-Vine)
29,44 €* 30,99 € -5%
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Release: 1972 / JP – Reissue
Genre: Organic Grooves
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Liberated Brother was the debut album from Weldon Irvine, and remains a landmark jazz release from the multi-talented explorer of sound. Originally released in 1972, over the course of eight tracks Irvine weaves through a collage of genre and instrumentation, fusing elements that would come to define his pioneering jazz-funk sound.

The album features Irvine’s early instrumental jazz before his decidedly conversational approach on the follow-up album Time Capsule. The title and opening track 'Liberated Brother,' with its playful Latin arrangements introduces the first half in spritely fashion, and mellows as Irvine's piano sets the mood for “Here’s Where I Came In” - a track where sombre tones feel luxurious, and conscious instrumentation tests the waters, spreading weight evenly across the soundscape. Guitarist Tommy Smith emerges as a singular figure at the start of side B with 'Gloria' - a timeless guitar composition so wholesome with its delicate simplicity, it attests the level of musicianship that keeps Irvine company across these tracks. The two then strike up a jazz-funk partnership on the subsequent “Homey” with their respective keyboards and guitar.

P-vine is thrilled to be reissuing Liberated Brother as a limited edition LP with newly remastered audio, and an iconic Japanese obi strip attached.
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Christian Zysset - Cosmogonie
Christian Zysset
Cosmogonie
LP | 1972 | EU | Reissue (Endless Happiness)
20,89 €* 21,99 € -5%
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Release: 1972 / EU – Reissue
Genre: Organic Grooves
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French Jazz Library LP with female voices and drum breaks originally released in 1972 on Mondiophone. Stunning composition and wonderfully recorded, this dark, aggressive jazz orchestral vibes, flitting perfectly between the abstract and the structured. Essential.
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Ben Webster - In Hot House Record Store Day 2023 Edition
Ben Webster
In Hot House Record Store Day 2023 Edition
LP | 1972 | US | Reissue (Tidal Waves Music)
28,79 €* 35,99 € -20%
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Release: 1972 / US – Reissue
Genre: Organic Grooves
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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.
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Blind Willie McTell - Atlanta Twelve String
Blind Willie McTell
Atlanta Twelve String
LP | 1972 | US | Reissue (Atlantic)
20,79 €* 25,99 € -20%
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Release: 1972 / US – Reissue
Genre: Organic Grooves
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180 gram vinyl!
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Stevie Wonder - Talking book
Stevie Wonder
Talking book
LP | 1972 | EU | Reissue (Vinyl Lovers)
26,09 €* 28,99 € -10%
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Release: 1972 / EU – Reissue
Genre: Organic Grooves
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180g remastered reissue
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Septet Matchi-Oul - Terremoto
Septet Matchi-Oul
Terremoto
LP | 1971 | EU | Reissue (Souffle Continu)
25,19 €* 27,99 € -10%
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?
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Takesi Inomata & Sound Limited - Innocent Canon Black Vinyl Edition
Takesi Inomata & Sound Limited
Innocent Canon Black Vinyl Edition
LP | 1971 | EU | Reissue (Cinedelic Orient Series)
27,54 €* 28,99 € -5%
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.
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Giuliano Sorgini - Scappo Per Cantare
Giuliano Sorgini
Scappo Per Cantare
LP | 1971 | EU | Reissue (Four Flies)
25,64 €* 26,99 € -5%
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Release: 1971 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.
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Atlantic Bridge - I Can't Lie To You
Atlantic Bridge
I Can't Lie To You
12" | 1971 | EU (Trading Places)
11,19 €* 13,99 € -20%
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Release: 1971 / EU
Genre: Organic Grooves
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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.
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Tsu Toronados - Please Heart Don't Break / Ain't Nothin' Nowhere Record Store Day 2023 Edition
Tsu Toronados
Please Heart Don't Break / Ain't Nothin' Nowhere Record Store Day 2023 Edition
7" | 1971 | UK | Reissue (Rampart Street)
14,24 €* 14,99 € -5%
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Release: 1971 / UK – Reissue
Genre: Organic Grooves
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A first official reissue of this vintage Houston double header from TSU Toronados – the house band for Ovide who recorded the original ‘Tighten Up’ riff. With originals of the 7 inch selling on the second-hand market for £300+, it’s high time a reissue hit the shelves.

Side A sees a crossover, mellow groove classic in the form of ‘Please Heart Don’t Break’ full to the brim with emotion encapsulated in those sweet vocals and harmonies. On the flip you’re treated to the energetic excellence of ‘Ain’t Nothin’ Nowhere’, an up-tempo funk jam with a raucous trading off of voices in the mix. Two super collectable cuts across a multitude of scenes. Red label version original black sleeve.
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Carole King - Carole King In Concert - Live At The Bbc 1971 Black Friday Record Store Day 2021 Edition
Carole King
Carole King In Concert - Live At The Bbc 1971 Black Friday Record Store Day 2021 Edition
LP | 1971 | EU | Reissue (Columbia)
23,74 €* 24,99 € -5%
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Limited to 6550 copies worldwide. Recorded Live for the BBC In Concert Series in 1971, and produced by Series producer Stanley Dorfman, Carole King performs hits from the seminal album Tapestry. Backed by members of Jo Mama (who were featured on the album), including her longtime friend and collaborator Danny “Kootch” Kortchmar on guitar. The setlist includes her songs “I Feel the Earth Move”, “(You Make Me Feel) Like A Natural Woman”, “So Far Away” (ft. James Taylor), “It's Too Late”, “Will You Still Love Me Tomorrow” and “Up on the Roof.” Never before released on vinyl.
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Dave Pike - The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition
Dave Pike
The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition
LP | 1970 | US | Reissue (Nature Sounds)
31,34 €* 32,99 € -5%
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.
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Majoie Hajary - La Passion Selon Judas
Majoie Hajary
La Passion Selon Judas
LP | 1970 | EU | Reissue (Mad About)
28,49 €* 29,99 € -5%
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.
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New Dawn - Theres A New Dawn Orange Metallic Swirl Vinyl Edition
New Dawn
Theres A New Dawn Orange Metallic Swirl Vinyl Edition
LP | 1970 | US | Reissue (Jackpot)
27,54 €* 28,99 € -5%
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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After being highly sought after by collectors, we are proud to release this definitive reissue, produced in close collaboration with Dan Bazzy, singer, songwriter, and founder of The New Dawn. Also included on a download are three previously unreleased 1971 New Dawn demos and a live track from a 2008 band reunion.
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Patty Pravo - Bravo Pravo Yellow Vinyl Edition
Patty Pravo
Bravo Pravo Yellow Vinyl Edition
LP | 1970 | EU | Reissue (Rca Label)
20,24 €* 26,99 € -25%
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Los Cirros - Los Cirros
Los Cirros
Los Cirros
2x7" | 1969 | EU | Reissue (Madmua)
36,09 €* 37,99 € -5%
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Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.
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Madeline Bell - Doin' Things Black History Month Colored Vinyl Edition
Madeline Bell
Doin' Things Black History Month Colored Vinyl Edition
LP | 1969 | UK | Reissue (UMR)
37,79 €* 41,99 € -10%
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Release: 1969 / UK – Reissue
Genre: Organic Grooves
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Mankunku Quartet - Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
Mankunku Quartet
Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
LP | 1968 | UK | Reissue (Mr Bongo)
26,99 €* 29,99 € -10%
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Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.
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Ewa Demarczyk - Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
Ewa Demarczyk
Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
LP | 1967 | EU | Reissue (Warner)
25,19 €* 27,99 € -10%
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Czeslaw Niemen & Akwarele - Dziwny Jest Ten Swiat..
Czeslaw Niemen & Akwarele
Dziwny Jest Ten Swiat..
LP | 1967 | PL | Reissue (Warner)
39,59 €* 43,99 € -10%
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Release: 1967 / PL – Reissue
Genre: Organic Grooves, Rock & Indie
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Milford Graves / Don Pullen - Nommo
Milford Graves / Don Pullen
Nommo
LP | 1967 | US | Reissue (Superior Viaduct)
24,69 €* 25,99 € -5%
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."
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Roy Ayers - Stoned Soul Picnic
Roy Ayers
Stoned Soul Picnic
LP | 1967 | US | Reissue (Nature Sounds)
27,54 €* 28,99 € -5%
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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In the late 1960s, vibraphonist Roy Ayers was among the top young talents in jazz, thriving during a remarkable era for the genre. While Ayers would later become a jazz-funk pioneer and delve heavily into R&B fusions, his third album Stoned Soul Picnic is a masterful showcase of soul-jazz grooves. Produced by Herbie Mann, Stoned Soul Picnic features a memorable Laura Nyro-penned title track, along with an exceptional lineup of musicians, including Gary Bartz, Hubert Laws, Ron Carter, Herbie Hancock, and Grady Tate. Originally released in 1968, this early Roy Ayers classic is now receiving an official reissue via Nature Sounds.
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Brenton Wood - Baby You Got It
Brenton Wood
Baby You Got It
LP | 1967 | US | Reissue (Craft)
28,79 €* 35,99 € -20%
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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Booker T. And The Mg's - And Now! Orange Vinyl Edtion
Booker T. And The Mg's
And Now! Orange Vinyl Edtion
LP | 1966 | US | Reissue (Jackpot)
34,19 €* 35,99 € -5%
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Release: 1966 / US – Reissue
Genre: Organic Grooves
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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1966 release. 1966’s And Now!’ is the first to feature long-term bassist Duck Dunn, who helps create a nightclub feel that alternates between some of their most aggressive recordings and most sultry.
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Cecil Taylor - Unit Structures
Cecil Taylor
Unit Structures
LP | 1966 | EU | Reissue (Blue Note)
11,19 €* 13,99 € -20%
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Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Wayne Shorter - Speak No Evil
Wayne Shorter
Speak No Evil
LP | 1966 | EU | Reissue (Blue Note)
32,29 €* 33,99 € -5%
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Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Booker T. And The Mg's - Soul Dressing Mono Clear Vinyl Edtion
Booker T. And The Mg's
Soul Dressing Mono Clear Vinyl Edtion
LP | 1965 | US | Reissue (Jackpot)
34,19 €* 35,99 € -5%
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Release: 1965 / US – Reissue
Genre: Organic Grooves
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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1965 Mono release. Featuring the legendary The Mar-Keys’ horn section. Includes the hit single "Soul Dressing". Limited Clear Vinyl Pressing
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Aretha Franklin - Yeah!
Aretha Franklin
Yeah!
LP | 1965 | UK | Reissue (Pure Pleasure)
34,19 €* 35,99 € -5%
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Release: 1965 / UK – Reissue
Genre: Organic Grooves
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Sahib Shihab - Summer Dawm 2024 Repress
Sahib Shihab
Summer Dawm 2024 Repress
LP | 1964 | EU | Reissue (Rearward)
21,59 €* 23,99 € -10%
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.
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Sam Rivers - Fuchsia Swing Song
Sam Rivers
Fuchsia Swing Song
LP | 1964 | DE | Reissue (Blue Note)
11,99 €* 14,99 € -20%
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Release: 1964 / DE – Reissue
Genre: Organic Grooves
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Der Saxophonist Sam Rivers hatte sich schon sehr früh in seiner Karriere durch bemerkenswerte Originalität ausgezeichnet. Nach einem kurzen Intermezzo im zweiten großen Quintett von Miles Davis, spielte Rivers im Dezember 1964 für Blue Note sein Debütalbum “Fuchsia Swing Song” ein. Das Repertoire bestand aus sechs Kompositionen von Rivers, die zwar fest im Post-Bop und Blues wurzelten, aber die avantgardistischen Tendenzen des Saxophonisten auch nicht leugnen konnten. Das Highlight des Albums ist die atemberaubende Ballade “Beatrice”, die später sogar von den Tenor-Giganten Joe Henderson und Stan Getz aufgegriffen und interpretiert wurde.

BLUE NOTE CLASSIC VINYL EDITION: Stereo, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.
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Duke Jordan - Les Liasons Dangereuses
Duke Jordan
Les Liasons Dangereuses
LP | 1962 | UK | Reissue (Be! Jazz)
23,39 €* 25,99 € -10%
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Release: 1962 / UK – Reissue
Genre: Organic Grooves
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Frank Frost With The Night Hawks - Hey Boss Man! Clear Vinyl Edtion
Frank Frost With The Night Hawks
Hey Boss Man! Clear Vinyl Edtion
LP | 1962 | EU (Destination Moon)
14,99 €* 19,99 € -25%
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Release: 1962 / EU
Genre: Organic Grooves
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"Legendary Sun Records producer Sam Phillips knew talent when he saw it, and when he started up his new Phillips label in the early 1960s, one of the first acts he signed was Frank Frost and his electric Delta blues trio. Now known as one of the greatest harp players of his generation, Frost learned his trade playing with none other than Sonny Boy Williamson and his influence can be heard whenever he blows. Originally released in 1962, Hey, Boss Man! is one of the last great electric blues albums."
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Mar-Keys - Do The Pop-Eye
Mar-Keys
Do The Pop-Eye
LP | 1962 | EU | Reissue (Honeypie)
13,29 €* 13,99 € -5%
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Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Here are the fabulous Mar-Keys, the Memphis based group, remembered to be the first house band at Stax Records. A bunch of talented, solid studio musicians who formed the foundation for the legendary Stax sound. Originally issued in early 1962, "Do the Pop-Eye" was the band's second album, a collection of minimal, infectious Soul-Funk-Rock instrumentals. Among the players: guitarist and composer Steve Cropper, bassist Donald “Duck” Dunn and organist Booker T. Jones. Just the right people to lay down the perfect groove for a quintessential album of instrumental music to dance to.
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V.A. - Passaporto Per L'italia
V.A.
Passaporto Per L'italia
LP | 1962 | EU | Reissue (Dialogo)
72,74 €* 96,99 € -25%
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Release: 1962 / EU – Reissue
Genre: Organic Grooves
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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.
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Miracles - Hi We're The Miracles
Miracles
Hi We're The Miracles
LP | 1961 | US | Reissue (Tamla)
16,99 €* 19,99 € -15%
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Release: 1961 / US – Reissue
Genre: Organic Grooves
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Tina Brooks - True Blue
Tina Brooks
True Blue
LP | 1960 | EU | Reissue (Blue Note)
27,54 €* 28,99 € -5%
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Release: 1960 / EU – Reissue
Genre: Organic Grooves
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The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums.



Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.
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Miles Davis - Sketches Of Spain
Miles Davis
Sketches Of Spain
LP | 1960 | UK | Reissue (20th Century Masterworks)
22,79 €* 23,99 € -5%
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Release: 1960 / UK – Reissue
Genre: Organic Grooves
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T-Bone Walker - T-Bone Blues
T-Bone Walker
T-Bone Blues
LP | 1959 | EU | Reissue (Waxtime)
16,14 €* 16,99 € -5%
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Release: 1959 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - Coltrane Time Clear Vinyl Edtion
John Coltrane
Coltrane Time Clear Vinyl Edtion
LP | 1959 | EU | Reissue (Sowing)
22,49 €* 24,99 € -10%
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Release: 1959 / EU – Reissue
Genre: Organic Grooves
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Limited Clear Vinyl edition, 500 copies! Recorded in NYC in 1958 and originally released in 1959 as "The Cecil Taylor Quintet - Hard Driving Jazz" this is in fact the only existing document of the meeting between John Coltrane and Cecil Taylor. Even if caught at an early stage in their career the two masters show great personality and deep respect for each other while trumpeter Kenny Dorham sticks more to his familiar bop idiom. Cordially backed up by Chuck Israel on bass and Louis Hayes, Coltrane swings madly on Taylor's dissonant comping producing a rare, fascinating friction between two worlds. A must for every Coltrane maniac out there.
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Ornette Coleman - The Shape Of Jazz To Come Crystal Clear / Black Marble Vinyl Edition
Ornette Coleman
The Shape Of Jazz To Come Crystal Clear / Black Marble Vinyl Edition
LP | 1959 | EU | Reissue (Second)
19,99 €* 24,99 € -20%
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Release: 1959 / EU – Reissue
Genre: Organic Grooves
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Sonny Clark - Cool Struttin'
Sonny Clark
Cool Struttin'
LP | 1958 | EU | Reissue (Blue Note)
17,99 €* 19,99 € -10%
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Release: 1958 / EU – Reissue
Genre: Organic Grooves
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Conrad Yeatis Clark, otherwise known as Sonny Clark, was in many ways the quintessential hard bop pianist. Possessed of an enviable lyrical flow and a wealth of inventive melodic ideas that unfurled with clarity and without fuss, Clark had a deeply rooted feeling for the blues.

After moving from his hometown of Pittsburgh to New York, Clark emerged as a ubiquitous presence on Blue Note starting in 1957. It was on his fifth Blue Note date as a leader that Clark arrived at his masterwork, Cool Struttin’, recorded in January 1958 with a top-shelf quintet featuring Art Farmer on trumpet, Jackie McLean on alto saxophone, Paul Chambers on bass, and ‘Philly’ Joe Jones on drums. The album has only grown in stature as a timeless hard bop classic since Clark’s premature death at age 31 in 1963.

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
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Johnny Griffin - Introducing
Johnny Griffin
Introducing
LP | 1956 | EU | Reissue (Blue Note)
17,99 €* 19,99 € -10%
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Release: 1956 / EU – Reissue
Genre: Organic Grooves
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Lead Belly - Easy Rider
Lead Belly
Easy Rider
LP | 1950 | US | Reissue (Smithsonian Folkways)
20,29 €* 28,99 € -30%
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Release: 1950 / US – Reissue
Genre: Organic Grooves
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Matek Deronjic, Ziga Golob, Krunoslav Levacic - Sunrise Sundown
Matek Deronjic, Ziga Golob, Krunoslav Levacic
Sunrise Sundown
LP | YU | Original (Croatia)
22,39 €* 27,99 € -20%
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Release: YU – Original
Genre: Organic Grooves
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First Timers - Three Day Weekend B/W Out The Sheath
First Timers
Three Day Weekend B/W Out The Sheath
7" | US | Original (Cqql)
17,09 €* 18,99 € -10%
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Release: US – Original
Genre: Organic Grooves
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V.A. - Garage Classics Volume 7
V.A.
Garage Classics Volume 7
12" | US (Garage Classics)
12,74 €* 14,99 € -15%
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Release: US
Genre: Organic Grooves
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The Groove Connections - Can You Hear Me / When I'm With You
The Groove Connections
Can You Hear Me / When I'm With You
7" (Spinout Nuggets)
18,04 €* 18,99 € -5%
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Genre: Organic Grooves
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Limited to 300 copies.The Groove Connection formed in Medway, Kent during the early '90's, amongst the Acid Jazz heyday, playing clubs, pubs and festivals up and down the land with their urban jazz-funk grooves. Theband comprised of usually six to eight members over the years, including Mark 'Bertie' Gilbert, the former (initial) bass player from The Milkshakes, and was originally an instrumental project, withvocals added later giving the band further appeal.Recording/releasing their first CD EP in 1996 (In Full Pursuit), described by Blues & Soul as 'an impressive debut set', The Groove Connection also released a 7" vinyl single in 1998 (What It Is), whichwas produced by respected DJ and percussionist Snowboy. A year later, their first album 'Infiltration' was released. All releases were via their own NeuJaz label.As well as working with Snowboy, the band also supported Jamiroquai twice in 1997 (at Finsbury's Jam in the Park and the Phoenix Festival), as well as playing to a full house at the Jazz Cafe,Camden on many occasions, and the band toured the UK as part of the Messin' Around Jazz Cotech collaboration.In 1999, the band found themselves on the Verve Records' released compilation 'Messin' Around Presents Root Down', alongside Lalo Schifrin, Jimmy Smith, The JBs, and Roy Ayers to name just afew. In 2001 the band recorded, and released their second album 'Back To Brooklyn', introducing vocalist Laura Knight and guest hammond virtuoso Gary Baldwin, a ten-track full-length, CD-onlyrelease. Other tracks were recorded in the same session…Two tracks that didn't make the last album were 'Can You Hear Me' and 'When I'm With You', both vocal filled, and we've decided to capture them onto two continuous 'grooves'.
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Karmello Brooks - Tell Me Baby
Karmello Brooks
Tell Me Baby
7" | UK | Reissue (Milestone)
12,79 €* 15,99 € -20%
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Release: UK – Reissue
Genre: Organic Grooves
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Dee Clark - That's My Girl / It's Raining
Dee Clark
That's My Girl / It's Raining
7" | UK | Reissue (Constellation)
13,59 €* 15,99 € -15%
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Release: UK – Reissue
Genre: Organic Grooves
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Alexander Patten - A Lil Lovin' Sometimes
Alexander Patten
A Lil Lovin' Sometimes
7" | UK | Reissue (Capitol)
11,03 €* 15,99 € -31%
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Release: UK – Reissue
Genre: Organic Grooves
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Natalie Cole - Holly & Ivy
Natalie Cole
Holly & Ivy
LP (Craft)
22,76 €* 32,99 € -31%
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Genre: Organic Grooves
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Torun Eriksen - Luxury And Waste
Torun Eriksen
Luxury And Waste
LP (Jazzland)
16,79 €* 20,99 € -20%
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Genre: Organic Grooves
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Charlie Parker & Lennie Trista - Charlie Parker & L. Tristano
Charlie Parker & Lennie Trista
Charlie Parker & L. Tristano
LP (Birds Nest)
22,09 €* 25,99 € -15%
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Genre: Organic Grooves
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