Organic Grooves Vinyl 10 Inch 129 Items

Limited edition for Record Store Day 2014

Limited edition for Record Store Day 2015!

Limited 10" vinyl. The Broensgebuzzes are common themes in the work of De Beren Gieren. It is a small nostalgic piece of music, an invitation to long-gone memories.Celebrating their 10 year anniversary as a trio, these miniatures are now transformed into a narrative mini-album.

Limited Edition for Record Store Day 2018!

Sdban Ultra is very pleased to present a sampler of Steiger's debut album 'And Above All' on a limited 10" vinyl for Record Store Day 2018. This release marks their introduction on Sdban Ultra, their sophomore album is expected next fall.

Inspired by the music of Fela Kuti and his Africa 70 project feat. drummer Tony Allenl, “The Devil Made Me Do It” is pure downtempo afro beat in its original version; the first remix here included, the “Invisible Cosmic Echoes”, has a slower pace and is characterized - as the title suggests - by reverberations and space sound, while the “Invisible Astral Wave” is perfect for a DJ remix and has got a slightly accelerated pace, with an emphasis on the percussive / tribal element.

This is extremely special. Expansion have taken an 80s soul classic and released it for the first time as a single together with a brand new version.

Nick Walters returns to his D.O.T. imprint with a limited edition 10", featuring a selection of two ragas recorded in collaboration with the Pakistani musicians Kashif Ali Dhani (tabla) and Muzamil Hussain (sarod). This 10" is the forerunner for a full album due for release on D.O.T. in early 2023, which features tracks born out of a trip to India in 2019.

During a month long trip backpacking around India, Walters started piecing together a new album, taking inspiration from the sights, sounds, food and culture. He also took a digital recorder with him, recording samples whilst on the road that he could use for the album. The two tracks on this record feature some of those samples and are an exploration of ragas - the North Indian classical music he encountered on his trip. Of course, the exploration of Hindustani Classical music is a well trodden path for many great musicians, led in the 60's and 70's by jazz heroes such as John Coltrane and Don Cherry, and more recently Walters' long time collaborator and friend Tenderlonious. Both tracks on this limited edition 10" focus on traditional ragas and feature Jaubi band member and tabla master Kashif Ali Dhani, and Muzamil Hussain on sarod.

'Ranakpur' is a raga using the mode of Raag Charukeshi, a scale referred to in western music theory as the aeolian dominant. It is said to incite feelings of pathos and devotion in the listener, and inspiration for this recording was drawn from visiting the ornately carved Jain temple at Ranakpur in Rajasthan, India.

'Raga for Don' is a tribute to Don Cherry, and uses the same mode (Raag Malkauns) which he explores on his track 'Malkauns' from the classic album 'Brown Rice'. The notes of this raga correspond to the western pentatonic scale, and are said to have a soothing and intoxicating effect.

Wanubalé – nine guys from Berlin, inspired by the city's fresh Jazz scene and distinct club culture. This band sets out to define their own, highly danceable version of Jazz, Neo Soul and Funk.
The Wanubalés are first rate musicians. They tend to take their time writing arrangements, yet they are careful not to overly emphasize their jazz skills. Songwriting is a collaborative affair, everything is developed organically. Just like the band name, which dates back to the days of fooling around in the schoolyard, playing with syllables ("nuba" came first). Sound was crucial. Some say "Wanubalé" means "brother" in Swahili.
Wanubalé's instrumental debut album was recorded by Axel Reinemer in Berlin's Jazzanova Studio in 2018. The musicians don't hide their influences: Snarky Puppy, Fat Freddy's Drop, plus younger acts like Hiatus Kaiyote and Nubiyan Twist. But Wanubalé do their own thing, having produced and arranged the album. Wanubalé: four horns, two drummers, guitar, bass, keyboards. Nine musicians with a knack for funky breaks, might brass sounds and great melodies.

Diego Krause is next on Blind Box Series with three originals and the usual Blind Box mix from the label heads.

Two no-flim-flam, cross-border, dub-wise stompers paired with masterful versions from the veteran, Kingston-based unit led by the trombonist of Count Ossie’s Mystic Revelation Of Rastafari and The Light Of Saba.

Two tracks exclusive to this release: the one and only Badu in an irresistibly catchy do-over of the euphoric album instrumental there, also featuring veteran Malian synth freak, Cheick Tidiane Seck, and a dub by Mark Ernestus, from Rhythm & Sound. Lovely silk-screened sleeve.

Following on from the successes of their first two LPs, "Kalba" and "Small Small", Isaac Birituro & The Rail Abandon return with the "Kontonbili EP". A collection of seven tracks that trace the traditional West African roots of their sound whilst adding their unique touch, largely courtesy of Isaac's xylophone, Sonny Johns' folky embellishments and the vocal prowess of powerful Ghanaian songstress Wiyaala.

The lead single "Hado Deeli" roughly translates to "My Rival" and is a vibrant discussion between two rivals, one of whom is always making a fuss about anything and everything, even when things are all good! "Gargar", with its collaboration of xylophone, whistles, Wiyaala's effervescent vocals and relentless groove represents, quite literally, the band's "joining together" for this EP. In contrast, "I Know" sees Sonny Johns takes over lead vocal duties to lament the breakdown of a relationship accompanied by muted horns and Wiyaala's soothing backing vocals. "Nimmbalia" continues in a mellow and reassuring tone before emerging as one of the most uplifting and simultaneously fierce cuts on the EP! The traditional version of "Bawa" - the original take of which can be found on last year's "Small Small" LP - strips things back a little, before culminating in a battle of xylophone, whistles and choir. "Yeri Villa" has a wonderfully laid back, sun drenched feel with some truly beautiful vocal refrains, and finally - only available on the digital version - comes the deeply percussive and trance inducing "Darpeny", rounding off a rather stunning EP from this cross continental outfit.

All tracks feature Ghanaian singer, song-writer, model and actor, Wiyaala. With a strong fanbase in Africa and beyond, "the lioness" made her mark on Wah Wah 45s and BBC 6 Music last year when she featured on the A-listed "Senye", described as "perfection" by Annie Mac and "pure joy!" by Tash LC.

Dedicated ‘to the United Nations and especially young people’, this is slow-burning, steeply screwed, early-seventies Atlanta funk by James Conley and co, spun out of a line from Eliza Hewett’s nineteenth-century hymn, When We All Get To Heaven.

The flip is deadly, too: a super-soulful blend of Sly & The Family Stone with Kool & The Gang, movingly confused and sincere in its pleading (without threats or machismo) to be loved back.

Both sides come with instrumentals. Check part two of Get Together.

Beautifully sleeved.

Three of the deepest, freshest instrumentals from the imminent album — featuring the Hypnotic Brass Ensemble on the opener. Sound-wise, this is doubly lethal, as alive and present as vinyl gets: mixed by Mark Ernestus, mastered and cut at D&M, manufactured at Pallas. In a silvered, silk-screened sleeve; a limited one-off.

feat. Georgia Anne Muldrow ... incl. Floating Points Remix

Back to back versions, old to the new!

With insert

close to NM