Organic Grooves Used Vinyl Vinyl 155 Items

Vinyl with a couple of light scuffs, closer to NM. Still in shrink, but opened

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Records are close to VG+

With a globetrotting 20-year career renowned for being a voice for the people across four decades of political and societal upheaval from the late ‘90s to today, Antibalas celebrates its 20th Anniversary with a stark return to their Williamsburg roots on its latest Daptone Records studio album, Fu Chronicles. Pre-gentrified Williamsburg serves as the backdrop for Fu Chronicles–voyaging back to the early days of when Antibalas and Daptone Records spawned out of lead singer Duke Amayo’s kung fu dojo. A senior master of the Jow Ga Kung FuSchool of martial arts, Duke Amayo along with Antibalas founder/baritone saxophonist Martín Perna guide listeners through an epic journey of where kung fu ingeniously intersects with Afrobeat on Fu Chronicles.

Still in shrink but opened. Tiny wear. Few paper scuffs.

Clear vinyl!

Only record 2, record 1 is missing! Red vinyl is close to NM. Original inner sleeves. Stuffed corners. 2020 reissue Limited edition. With insert

Ships in a brand new plain sleeve.

Cover as new with slightly dented corners.
Small light scuff on side B
Includes original insert.

Still sealed. Cracked corner.

slight seam split.

Sticker residue on front.

Still sealed.

hand stamped white label is close to NM

Green vinyl seems unplayed. Still in shrink but opened with hype sticker. Numbered Limited edition. With insert

Vinyl is close to NM. Still in shrink but opened.

Garrett III is more of a swan project. A final installment, if you will. Garrett is now retreating more deeply, as evident by the album cover by @GangCulture into obscurity. The time has come for a landing via this 3rd installment of his ‘private life’. After surviving a lockdown x worldwide pandemic in 1 piece, without going insane, he has finally decided 2 conclude this phase of his tightrope walk between lush Ambient touched Modern-Funk & the choice of no vocals / strictly instrumental aural experiences, for listeners of all hues, backgrounds & taste. The hope is that it’s enjoyed in whatever way feasible for all human (& alien) kind.

Limited edition. close to NM

Creole poetry, folk mysticism and heavy-grooving cosmic synths combine on this unprecedented survey of spiritual Martinique polymath Gratien Midonet’s first four albums.



“I always broke free from the rules, from codes being too narrow,” says poet, musician and sonic shaman Gratien Midonet. “I have always had this sense of peaceful knowledge that there is no separation between genres, beings and universal things.”



For Midonet, pushing musical boundaries was less a choice than an extension of his spirit. A self-taught guitarist and composer,



drawing on his childhood memories of bélé and beguine rhythms, Midonet’s musical life developed in parallel to his academic and spiritual pursuits. Studying philosophy and psychopedagogy in France, it was his fascination with pan-Africanism and animism which fuelled the transcendent energy of his music. Although Midonet honed his sound in France, the four albums he released during the



late ‘70s and ‘80s were heavily inspired by diasporic nostalgia, or what he describes as the “smells and colours… subliminal noises… fruity notes, the memories of funeral wakes, the bombastic organ of the cathedral and the gasps of the drums” of his childhood home on the Caribbean island of Martinique.



Fittingly, it’s there that Midonet achieved cult status for the title track of his 1979 debut, Van An Lévè, which became a protest anthem for the island’s independence movement, and was briefly censored by the French authorities. Look no further than ‘Mari Rhont Ouve La Pot’, which opens this collection, to hear the propulsive mix of cosmic synths, acoustic folk, and Creole lyricism that became the essence of Midonet’s sound. Released on Martinique label Touloulou, Van An Lévè was followed in 1980 by L’inité, whose tropical acid folk (‘M’en ka Monté Mon’) and majestic, violin-led melodies (‘Kannaval Sakré Pou Tout Z’Heb Poussé’) confirmed Midonet’s unique and intuitive approach to composition.



Not content to skip effortlessly between genres and influences, Midonet also began pushing the boundaries of the album form itself. His third album, Bourg La Folie, released in 1984, was a soundtrack for a lost film about the mysticisms of carnival, while his fourth, Fô Ou Tchimbé, took the form of a ‘conte musical’ (a narrated story accompanied by music) presented at the Pompidou Centre, and spoke to Midonet’s literary prowess as a fierce proponent of the Creole language.

Limited to 500 copies.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record with just a few paper scuffs, close to VG+.

Limited edition.

Cover with slightly bent corner and light creasing.

Sealed copy.
Cover corners slightly dented.

Cover is close to NM.

Record is close to NM.

Record with just a few paper scuffs.
Includes original insert.

Record is close to VG+.

Copy without OBI.

Cover and vinyl are close to NM Original inner sleeves. tiny wear.

Vinyl is close to NM. Original inner sleeves. tiny wear.

Violet vinyl seems unplayed. Tiny wear on original inner sleeve.

Vinyl close to VG+

Record is close to NM.

Limited Edition.
Black Vinyl Edition.

Cover as new with a dented corner.
Record is close to VG+.

Copy closer to NM. Black vinyl edition.

Black vinyl. Unsealed to check color. Still in shrink. Cover with seam damage on top spine and a bumped corner..

Cover with slightly bent corner and light creasing.