Organic Grooves Sale 172 Items

The world is more elusive than simple cause and effect imply, more typically, life circumvents causation in favor of an unknowable correlation. It seems like the more we know, the less we know. On this first volume from ZOH Amba and Francisco Mela, the duo brings their regional traditions, from Tennessee and Cuba respectively, and musical inclinations to the cause and effect behind their own life stories. Causa y Efecto, Vol. 1 is an ode to the unknown, transporting audiences between the New York studio where it was recorded and the mist-shrouded mountains where each musician grew up. On tracks like “Dos Vidas'' and “Serenata,” Mela builds a textured, percussive foundation that Amba interrupts with breathy tenor saxophone and her distinctive flute. On “Maria,” dedicated to Mela’s mother, simple hand drumming provides a gentle rhythm, overlaid by Amba’s delicate flute and Mela’s full baritone voice, delivered in the unassuming style of the campesino. Causa y Efecto, Vol. 1 is an ode to the countrysides that both musicians came from, decades apart, and the experimental, improvisational pursuit for which they've joined in New York.

American R&B and soul singer and producer Al Johnson debuted as lead singer of The Unifics in the mid 60's and enjoyed a successful career as songwriter and producer after leaving the group. He is also well known as a producer of Terry Huff's classic album The Lonely One.

His first album Peaceful was released from a minor label called Marina Records in 1978 and was produced by Lloyd Price who is the singer that had some R&B hit songs in the 50's. In addition, thanks to the skillful supporting musicians such as Bernard Purdie on drums, Leo Nocentelli from The Meters on guitar, the album is an aural delight with soulful gems from start-to-finish.

Although it's less known than his 2nd full length Back For More which was produced by Norman Connors, P-vine believes this album will strike a chord with R&B lovers. Includes Japanese OBI-strip!

Emerging from the Oakland underground and the ever-expanding Bay Area cumbia scene, Ritmos Tropicosmos delivers this debut 8-song LP for Summer 2024 on Econo Jam Records. Song subjects range from the purgatory of the unknown, to love/loss and family with lyrics by lead vocalist Eli Reyes and percussionist/vocalist Lesli Rodriguez. With several hard-hitting instrumentals on tap as well, the groove is ever-present, with a constant ear towards experimental sounds and cosmically drenched psychedelia. Band members have a long history in the Bay Area music scene with players from the cumbia, noise, rock, and electronic music communities. Live shows have been described as “how you might imagine a party in the underworld” (Nastia Voynovskaya, Kqed). This record aims to capture the playful but deep-burning energy of the band’s live performances and maybe to even take it one step beyond.

The first and best out of just two collaborative albums by organist Jimmy Smith and guitarist Wes Montgomery, Jimmy & Wes: The Dynamic Duo was recorded in 1966 and features arrangements by Oliver Nelson. It is frequently listed among Jimmy Smith's best albums. The duo's follow-up record, Further Adventures of Jimmy and Wes, was taped during the same sessions and released in 1968. Al/Music critic Richard S. Ginell gave The Dynamic Duo the maximum * * * * * rating, stating that "Creed Taylor matched two of his most famous artists, Wes Montgomery and Jimmy Smith, on this session (Montgomery's last for Verve), and the results are incendiary- a near-ideal meeting of yin a.nd yang. Smith comes at your throat with his big attacks and blues runs while Montgomery responds with rounder, smoother octaves and single notes that still convey much heat. They are an amazing pair."

Melbourne-based band Hiatus Kaiyote announces their forthcoming album Love Heart Cheat Code due June 28th via Brainfeeder Records / Ninja Tune. Alongside the announcement, the band shares their new single out “Make Friends,” the second offering from their upcoming project following their previously-released single “Everything’s Beautiful.” The band are also sharing a visual announcement of the album revealing the playful 3-D world of a family supermarket that the band have created to accompany the music.

A final unscripted addition to the album, “Make Friends” was inspired by words of wisdom imparted to the band by a friend who noted, “You don’t make friends, you recognize them.” Succinct yet profound, this sage insight reminded Nai of the lack of representation for deep, platonic love. “I wanted to have representation for just the different examples of people that I love from the women in my life, to the men, to my non-binary friends,” she shares, “and it was very natural and fun to work on as a formula.” The single is composed of one verse, but Nai takes that one verse through three gender permutations: female, male, and nonbinary. Nai adds, “When I sang the third verse, the ‘them/they’ verse, I actually had to stop. Just realizing that inclusivity is so often denied to some of the people that I love the most, my best besties.”

Love Heart Cheat Code is a snapshot of four musicians dancing together on the edge, 11 playful, exuberant tracks that shine light. Yet, for a band that made a name for itself with its complexity and received critical praise and multiple Grammy nominations for their embrace of maximalism, one of the most striking things about Love Heart Cheat Code is its simplicity. “I’m a maximalist. I complicate fucking everything,” Nai laughs. “But the more you go through things in life, you become more relaxed and uninhibited. Sometimes you can still have depth and reach people and really stop dancing around the fact: What do you want to communicate to people? And I feel like this album is a result of that clarity for us. We didn’t need to spell out complexity if the song didn’t call for it.”

Brooklyn-based pianist EVA Novoa delivers a masterfully executed trio album of melodic themes replete with touches of swing, grooves and exquisite electronic landscapes. Novoa’s articulated playing flows with plenty of room gifting the band full freedom of improvisation. On the track ‘Rocket Man’ you can hear the possibilities of the traditional jazz trio format as it projects into the future, combining the acoustic beauty of the piano with the electronic tapestry of modular synthesizer. The group nimbly celebrates the tradition of jazz while positing that legacy against the backdrop of contemporary culture.

LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

(Classicos EM Vinyl, LP 180gr, Simple cover) Recorded live at "Maracanãzinho" (Rio de Janeiro) on the 23rd of February, 1974. Liner notes by Gerson Conrad.

Kiefer’s newest album It’s Ok, B U shows us a new side to the optimistic artist– exploring his lesser-discussed emotions ranging from panic to lust to self-doubt – ultimately pointing him toward self-acceptance. It’s Ok, B U reveals a new layer to Kiefer’s beatmaking style, placing listeners right beside him in navigating these emotions that accompany each track. Album artwork by acclaimed Barcelona-based artist María Medem.

Original US pressing. Stain / Waterdamage on cover.

Muddy Waters was the greatest blues musician ever, and the most influential. He invented electric blues, inspired
the Rolling Stones and created the template for the rock’n’roll band and its wild lifestyle. Enjoy his Chess singles
here on our superb 2LP set.

Psychedelic Colored Vinyl, first time on vinyl, limited to 2000, indie-retail exclusive Limited edition for Record Store Day 2015!

Exclusively to Record Store Day 2024 comes The Charlie Watts Orchestra, Live from Fulham Town Hall. Charlie Watts, the Rolling Stones’ drummer always had a passion for jazz and in 1986 he financed a world tour of an orchestra he hand selected, which included some household jazz names such as Peter King and Courtney Pine.

As the fable goes: pre-discogs, intrepid disc jocks would often take trips to Italy (many tricking their spouse into believe it was a ‘holiday’!) to source records from the seemingly endless supply of top tier Italo, disco and cosmic record shops across the country. According to legend, the classified sections of local yellow pages and information booklets which would contain the addresses of the record shops and dealers in the area would often be ripped out unscrupulously, thwarting – or at least making it more difficult for – the next vinyl tourist to source out the rare gems amongst the rich seams – a wild west vinyl gold rush if you will.

Such stories are a rarity these days, with youtube making some of the most underground tracks common knowledge, and discogs almost making any record obtainable – at a price of course. Upgrading his digging methodology, Bosco has developed a secret New Technique to side-step the machine and in doing so obtained a clutch of amyl-soaked fluffers that are so rare, that upon writing they aren’t even listed online! Seriously, he must be communicating with some interdimensional, upper echelon Italo overlords; taking us on a primo-thrust tour through the most unexposed recesses of the Italo disco galaxy.

Don’t be hoodwinked by their sheer obscurity however; we wouldn’t give a toss if they couldn’t tear the arse off the dancefloor. But they’re all fuckin rhodium grade tackle peeps! Eight neon-drenched late night roman candles of Italo disco decadence that’ll defo have you jizzing rainbow skittles over the dancefloor as you search desperately through the fog for another huff of poppers off Darren.

Total Discogs market value: as yet undetermined

Pharoah Brunson’s Pyramid Points: 9999999999999

Welcome to the first of the Masters Series, a cache of limited releases for people who understand that some things, no matter how hard you try, just can't be tamed. (Read: these are scratchier/rougher recordings that are cleaned up as best we can get them - if that's going to not work for you, don't order!)

Already championed by the likes of Michael Robinson (Dig Deeper, NY) and just entering the collective consciousness of the R&B scene worldwide, this release is a double-sided dancefloor destroyer. Both sides rip with tremendous energy.

Those who know will recognize the name Carl Holmes from well established winners like "Soul Dance No. 3" and "Unchain My Heart". Here he is with an unreleased song called "Love With A Feeling", featuring a raucous drum break with his soulful vocals throughout. Not that the tune needs a pedigree, but things like that never hurt.

On the flip is an unknown funky Soul R&B bomb "Some Of These Days". This female led tune is perfect for either a Northern Soul or R&B party.

The story behind The Masters Series

In our hunt for unreleased soul, we occasionally find some incredible gems that are just a bit too beaten to restore to the ears of the general public. Rather than return them to the dusty basements from whence they came, we press them in small batches to share with those who love to share.

Cover with faint ring wear.

A gift to Mrs. HH on her ninetieth birthday – and her to us

A year ago, in preparation for the celebration of Hana Hegerova’s 90th birthday, the idea of summarising her francophone repertoire was conceived. She liked the theme very much and gladly agreed to it. As fate would have it, this year’s preparatory work could only be observed – and enriched by the provision of archival material – by her descendants.

The recordings from 1965 to 2010 include everything that was recorded, mainly studio shots but also rare stage moments. A chronology has been preserved, allowing for logical continuation of period arrangements and sounds, but also showing the maturation of artistic expression. Between her thirties and eighties or so, Hana Hegerova met Brel, Ferre, Becaud, Moustaki, Aznavour and Gainsbourg to add her own singing and personal experiences. The original versions, as well as the lyrics by Pavlo Kopta, zak and Vrba, O. Suchy, J. Fikejzova and others, have helped make these songs a permanent part of the top of our popular music of the last six decades.

In the form of a 2LP set, it is actually a thank you to France by Mrs. Hegerova for her musical inspiration and at the same time our thanks to her for a lot of beautiful music. The cover features a photograph by Jakub Ludvik, capturing the charmingly relaxed singer. Inside the cover you’ll find historic footage from Paris Olympia and other concert images, as well as reminiscences of her career and sheet music, lyrics and other material from Hana Hegerova’s personal archive.

Super rare album now reissued on BBE!

Limited to 500 copies, Audiophile Clear Vinyl Series!

For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.

Everything from mellow soul numbers, to synth-heavy 80s disco boogie, Cruisin’ has it!

Originally released from Wenha in 1981, the debut album from Detroit soul singer William Odell Hughes is funky, soulful, and has all the best characteristics of an 80s album. Album opener and title track “Cruisin’” is electrifying disco boogie - a tune that’ll make even the shyest of clubgoers want to get up and dance. In comparison, tracks like “Where Am I” are mellow, with Wendell Harrison’s instantly recognizable flute playing and synth pads giving the track a warm, relaxed groove.But throughout it all, the influence of Wendell Harrison can still be heard, not only in his excellent performances, but also through his role as a co-writer. References to universal awareness are plentiful throughout, and despite the album’s mellow sound, the spirituality of The Tribe remains a constant undertone; a gentle reminder of Wenha’s roots. With a sound like this, it’s no wonder that this album has long been considered a grail for crate diggers around the world. Reissued for the first time ever, now with an obi-strip, this album has never looked or sounded this good!

Play that funky music white boy! In 1977, San Francisco singer-songwriter Matthew Larkin Cassell privately pressed and distributed his debut LP “Pieces” to little fanfare. It took over two decades and being sampled by Madlib for listeners everywhere to recognize Cassell’s unique combination of soul, funk, and rock as ahead of its time. Even now, 45 years after its release, the record sounds fresh, appealing to fans of A.O.R, blue-eyed soul, and even city pop. Don’t miss this iconic album, reissued by P-VINE’s very own Groove-diggers imprint.

Mokomizik Records presents the first-ever reissue of this ultra-rare Latin-Jazz masterpiece. The Fantastic Variety in the Music of Panama - The Winsor Style and Calypso Impressions was privately released in the early 1960s by Panamanian pianist and songwriter Alonso Wilson De Briano.
Alonso described Panama as a country "with a foot in each side", referring to its unique geography that connects North and South America. The blending of Latin and English-speaking cultures had a big influence on Alonso, whose work draws on elements from West-Indian, Afro-Cuban and Panamanian folk musical styles. From the upbeat mambo rhythms of "Amigo" to the unusual combination of Calypso and Tamborera styles used in "My Brother, Too," Alonso weaves a rich musical tapestry into his arrangements. Back in 50s Panama, Alonso enjoyed relative success, with the likes of Orquesta Armando Boza and Tito Contreras performing his songs. So distinctive were his compositions that people had started referring to them by their own style - El stylito Winsor (the Winsor style), a reference to a club that Alonso performed at. Throughout his music career, Alonso worked with a number of renowned musicians, several of whom appear on the record, including Cuban-Jazz pioneer Arsenio Rodríguez's main bassist, Alfonso Joseph; and saxophonist and flutist Gene Jefferson to name a few.
Sadly, not many copies remain of Alonso's music today and the few that have surfaced over the years have naturally demanded high asking prices. This limited reissue aims to shed new light on Alonso's work and make it available for a new generation of listeners to enjoy. Great care has been taken to restore this record, using quality mastering to ensure maximum listening pleasure and retaining the original artwork with lyrics and the song descriptions written at the time. Each record comes with an insert containing restored photos and detailed biography, which features quotes from a rare interview with Alonso from the 1980s along with information gathered from his family and Alfonso Joseph, the only musician we could reach who plays on the record.
Limited to 500 copies. 180g LP with tip-on sleeve.

Compiled by the one and only DJ Muro!

Japan’s “King of Diggin’”, Muro, selected his favorite songs from the Tribe catalog, and we’ve compiled them onto a single LP! From spiritual jazz to funky grooves, don’t miss this special edition compilation!

In 1980, four years after the release of their debut LP, Synchronized, Timeless Legend released ‘I Was Born To Love You’. Its subtle groove and timeless disco sensibilities have long captivated crate diggers and fans of rare groove alike - catapulting prices for their 7” singles to the four-figure range. But one listen and it's clear to see why fanatical listeners have spent a considerable portion of their life savings on these records. From sweet soul ballads to mellow dance tunes, the Ohio four piece vocal unit truly does it all - and boy, do they look good while they do it. For the first time ever, P-vine has collected ‘I Was Born To Love You’ with the songs from their other 7” singles to create Timeless Legend’s other LP! Available on limited edition vinyl with an obi-strip, this record is sure to become a timeless legend of its own!

180 gram vinyl analogue limited edition audiophile re-mastering

Vinyl with a couple of light scuffs

* Kumi Showji's second album
* Originally released in November 1990
* Four of the songs were recorded in LA and arranged by Jerry Hey

Kumi Showji's second album, originally released in November 1990. Four of the songs were recorded in LA and arranged by Jerry Hey (M1, M4, M9, M10), horn player for the legendary Hawaiian fusion band 'Seawind' and Grammy award-winning arranger.

This is a 180g pressing.

Vinyl with many scuffs and hairlines, plays with a some background noise, but is still very enjoyable. Cover with some stains on the back, close to VG+

Red Vinyl. Side 3 has a deeper scratch, the other sides are between VG+ and NM

Requiem for Jazz is a 12-movement suite composed and arranged by Angel Bat Dawid, inspired in part by dialogue from Edward O. Bland"s 1959 film "The Cry of Jazz."The original form of the music was premiered at the 2019 edition of the Hyde Park Jazz Festival in Chicago, where Angel conducted a multigenerational fifteen-piece instrumental ensemble (all Black musicians from Chicago"s creative music community) alongside a fourperson choir (featuring singers from Black Monument Ensemble), dancers, and visual artists in performance.Angel mixed and post-produced recordings from the performance - adding interludes, vocals and additional sounds, as well as transcribing a piece from "The Cry of Jazz" film. The final movement of Requiem for Jazz features Marshall Allen and Knoel Scott of the Sun Ra Arkestra. Their contributions were recorded remotely at the historic Arkestral Institute of Sun Ra in Philadelphia in late 2020.

Ever the storyteller, Barton weaves tales of first kisses, of soldiers trying in vain to remember their hometown, of missed opportunities and unreliable childhood memories. He casts Orson Wells as a modern day dictator, perched on high in a carousel, and tells the story of the spray-painted marriage proposal that appeared overnight on a motorway bridge 50 miles from London.

Manchester Sun was recorded in England with Barton playing most of the instruments himself, moving through guitar, bass, drums, percussion and Hammond organ during an intensive week-long session in the peaceful, rural setting of Echo Studios. The album places Barton and his acoustic guitar centerstage, with additional contributions from long time collaborators Vincent Guibert, David Lewis, Melissa Cox and Nicki Ross on Piano, trumpet, violin and vocals.

Manchester Sun will be released worldwide in October 2022, with the first single
“Starter Kiss” and its accompanying stop-motion video appearing in May.

Record Store Day 2021 Release.