Organic Grooves Preorder 195 Items

The elegant City Pop album released in 1979, which shines with Junko Ohashi's unchanging overwhelming singing and the sophisticated performance of the second generation Minoya Central Station, which added new members, is available exclusively on milky pink vinyl. Re-release!

DJ Yoshizawa dynamite.jp, an avid record digger and "wamono" style expert who has been active as a professional DJ, remixer, composer, and producer in Japan since the late 80s, published his record guidebook "Wamono A to Z" in 2015. The book introduced many classic and rare Japanese Groove records that were not yet known at the time.

Now, DJ Yoshizawa dynamite.jp recommends four rare light mellow funk and soft rock LPs by Junko Hirotani, Kyoko Omiya & Orange, and Chie Sawa. These LPs were released on the independent Japanese label Pony Canyon from 1974 to 1980.

These albums feature the participation of Haruomi Hosono, Ken Sato, Masaki Matsubara, Masataka Matsutoya, Masayoshi Takanaka, Shigeru Suzuki, Taeko Onuki, Tatsuo Hayashi, Tatsuro Yamashita, Tetsuji Hayashi, Yuji Toriyama, Yukihiro Takahashi, and others.

All songs have been digitally remastered and reissued on translucent color vinyl with a Japanese obi.

Put the needle on the record, turn up the volume, and dig into "Wamono A to Z" right now!

DJ Yoshizawa dynamite.jp, an avid record digger and "wamono" style expert who has been active as a professional DJ, remixer, composer, and producer in Japan since the late 80s, published his record guidebook "Wamono A to Z" in 2015. The book introduced many classic and rare Japanese Groove records that were not yet known at the time.

Now, DJ Yoshizawa dynamite.jp recommends four rare light mellow funk and soft rock LPs by Junko Hirotani, Kyoko Omiya & Orange, and Chie Sawa. These LPs were released on the independent Japanese label Pony Canyon from 1974 to 1980.

These albums feature the participation of Haruomi Hosono, Ken Sato, Masaki Matsubara, Masataka Matsutoya, Masayoshi Takanaka, Shigeru Suzuki, Taeko Onuki, Tatsuo Hayashi, Tatsuro Yamashita, Tetsuji Hayashi, Yuji Toriyama, Yukihiro Takahashi, and others.

All songs have been digitally remastered and reissued on translucent color vinyl with a Japanese obi.

Put the needle on the record, turn up the volume, and dig into "Wamono A to Z" right now!

Regrooved Records is thrilled to release a limited 45 featuring the legendary Junie Morrison,
backed by the dynamic "Crowd Pleasers." Recorded live in 1976, this rare gem captures the
raw energy and unparalleled talent of a true funk pioneer. Previously only released as a part
of the limited extended edition version of the album "The Funky Worm – Live at Dooley’s
1976" on Regrooved Records, this 7" record is now being offered as a standalone treasure
for all funk aficionados. Don’t miss your chance to own a piece of funk history!

What would Louis Armstrong sound like if he were a contemporary artist? Probably Jumaane Smith... acclaimed Trumpeter, Vocalist, and long-time bandmember/featured guest artist with Michael Bublé. Comprised of original works and new arrangements by Jumaane Smith, this deeply emotional album seamlessly traverses jazz, blues, and contemporary soul, with nostalgic echoes of classic albums from those genres. Smith has performed on 5 GRAMMY Award-winning records (selling more than 60 million copies), 2 Emmy Award-nominated TV performances, the GRAMMY Awards with Stevie Wonder, in Steven Spielberg's West Side Story (trumpet solo actor), at The White House, on the Today Show, Tonight Show, Oprah, Good Morning America, and American Idol. He has worked with musical legends such as Quincy Jones, Herbie Hancock, ArethaFranklin, Christian McBride, Kamasi Washington, Alicia Keys, Jon Batiste, and many more.

Rio-born, Joyce Moreno, is one of the greatest Brazilian artists of all time. The voice, the playing, the writing, they all combine to make her a true allrounder. She possesses the ability to transport, captivate and transcend listeners. With a career that has spanned more than 30 albums and over 50 years, she continues to record and tour the world.

‘Aldeia de Ogum’ is one of her most well-known songs. With a joyfully jazzy arrangement, building Latin percussion, Brazilian flute and tropical atmosphere, this full-bodied samba smash became an anthem amongst London’s DJs and dancers in the Acid Jazz days. A favourite of Patrick Forge and Gilles Peterson, it was regularly spun at their legendary Dingwalls sessions.

Originally featured on her sought after Feminina LP from 1980, it also appears on our 'Essential' Joyce compilation from 1997. The original pressing of this Brazil 45 was the first time the track had been released on 7".

A fellow Rio native, Rosinha was a highly acclaimed composer, arranger and guitarist who played with legends including Baden Powell, Sérgio Mendes and Sivuca.

Here we present her stunning cover of the Gershwin classic, ‘Summertime’. Rosinha’s elegant, instrumental interpretation showcases her majestic guitar playing, and what a player she was! Backed with beautifully arranged, emotion-drenched strings, this track is guaranteed to stir your soul.

'Summertime' is taken from her 1975 RCA LP entitled Um Violão Em Primeiro Plano. The original pressing of this Brazil45 was the first time the track had been released on 7".

Remastered with refreshed artwork.

Jorge Ben is a name that any lover of Brazilian music will be very familiar with. He is widely regarded as the James Brown of Brazilian music and is famed for writing the Brazilian anthem ‘Mas Que Nada'. For the duet ‘Carolina, Carol Bela' he teamed up with the singer and guitarist Toquinho. Toquinho is best known for his collaborations, as composer and performer, with bossa nova poet Vinicius de Moraes.

'Carolina, Carol Bela' featured on the album Toquinho by Toquinho. It was originally released in 1970 on the small independent Brazilian label, RGE. The song was sampled by DJ Marky and XRS for their Drum & Bass track ‘lk’ (V Recordings, 2002). This went on to be a huge chart hit across the world, and a number one hit in the UK.

João Donato is a Brazilian jazz and bossa nova pianist. He has collaborated with many of the greats of Brazilian Music, including Tom Jobim, Astrud Gilberto and Gilberto Gil. He was one of the few Brazilian artists who went over to perform in the States during the bossa nova boom of the late 60’s. The song ‘A Rã’ was originally released on his seminal album Quem é quem, (emi, 1973), an album that is full of great tracks and was considered as one of the 100 best albums of all time by the Rolling Stone magazine.

Two classic cuts from Jorge Ben and Miriam Makeba take either side of this Mr Bongo Brazil 45 reissue.

’Xica Da Silva’ is one of Jorge Ben’s most well-known and well-loved cuts, housed on the legendary Africa Brazil LP that deserves a place in every collection. A magical MPB cut, it instantly transports you to the shores of Rio de Janeiro. With a low-slung funky samba flavour, Ben’s absorbing vocal recounts the legend of one of Brazil's oldest black icons.

On the flip side, Miriam Makeba serves up an entrancing, slowed-down, grooved-out version of ‘Xica da Silva’. A highly influential singer, songwriter, and civil rights activist from South Africa, this low and slow interpretation is doused in strutting guitar, off-beat piano stabs and hypnotic drums providing the perfect platform to let Miriam’s vocal shine through.

Remastered with refreshed artwork.

The Blues is a unique sound that comes from particular times, places, and people. However, that sound is universal in that it can be used to articulate every human emotion. In this album, I invite listeners from all walks of life to the world of The Blues as it is in 2024. I invite people to engage with the ups and downs we all experience, through this music.

The blues was a black-American innovation in our history that had many facets to it. There are technical components to the blues - standards and vocal phrasing. There are also components to the blues that are more abstract, such as history, geography, even intellectual movements. In this album, I endeavored to use those building blocks to articulate the humanity I see around me - past, present, and future - without compromising the quality, the foundation that the blues provides.

These fifteen original songs are my invitation to everyone out there - whether you’re a blues aficionado or just passing through the genre, I hope you find plenty to engage with.

The Blues is a unique sound that comes from particular times, places, and people. However, that sound is universal in that it can be used to articulate every human emotion. In this album, I invite listeners from all walks of life to the world of The Blues as it is in 2024. I invite people to engage with the ups and downs we all experience, through this music.

The blues was a black-American innovation in our history that had many facets to it. There are technical components to the blues - standards and vocal phrasing. There are also components to the blues that are more abstract, such as history, geography, even intellectual movements. In this album, I endeavored to use those building blocks to articulate the humanity I see around me - past, present, and future - without compromising the quality, the foundation that the blues provides.

These fifteen original songs are my invitation to everyone out there - whether you’re a blues aficionado or just passing through the genre, I hope you find plenty to engage with.

Saxophonist John O"Gallagher has carved out a formidable reputation as a musician and composer who seeks to expand beyond the frontiers of jazz and into new territories of improvisational concepts. His list of collaborators is a who"s-who of adventurous improvised music. Recently he"s extended into an actual new territory, moving to Lisbon, Portugal in 2021. This new record Beast captures him playing in front of a live audience with a new multi-generational ensemble of musicians from the fertile European improv scene. Rhythm section duties are handled by the Portuguese team of Ze Almeida on bass and drummer Joao Lencastre. Joining the band on piano is the German musical polymath Samuel Gapp, so that this recording marks the first time in John"s prodigious and storied career that he has recorded as a leader with the classic piano quartet line-up.

The bassist, singer and producer Joel Henryson comes from Stockholm, Sweden, but moved to Copenhagen in 2018 to study at the Royal Academy of Music. His stay in CPH led to close ties to the Danish modern jazz/ beat scenes, which is how he and the Super Bad Disco crew met. In conjunction with HHV, SBD has previously released acclaimed albums by, among others, Athletic Progression, Yellow Spoon, and Clapper.

Joel's musical expression is characterised by a captivating sense of melody, technical finesse, and a hauntingly beautiful vocal. Besides his bass and voice, he performs and produces with samplers, synthesizers, and effect modules, giving his music a uniquely poetic, almost ethereal expression.

His debut album Senses will be released in early August 2024 on Super Bad Disco/ Pasteelo.

João Donato need no presentation his one of the of tropical groove masters from all eras. Albums like A Bad Donato, Quem é Quem or Lugar Comum from his 1970's Works are legendary. This one is a homage to that era and João Donato returning to his Tropical Jazz Funk Groove original style. It is known that good albums generate good shows, but in the case of this album, we can do the opposite. "Donato Elétrico" began to take shape following a show performed by the artist in 2014, at Sesc Pinheiros (São Paulo, Brazil). On that occasion, the musician released the emblematic album "Quem é Quem" on stage, after a delay of more than 40 years. For this late release, Donato invited young musicians from São Paulo, with whom he had already been working on the idea of a new project, and who helped him recreate the original atmosphere of "Quem é Quem", full of grooves, whose essence was in the João's electric piano.

The long-awaited LP release of "sweet SPARE," the third album by I love you Orchestra Swing Style (ilyoss), a leading Japanese Jazz x Citypop band. The album features a danceable instrumental sound based on jazz and swing, and includes nine tracks featuring vocals from Hiro-a-key, Tamuraryo & Namichie, and Korean neo-soul sensation dosii.

"Heaven & Earth" was a soul vocal group based in Chicago in the mid-1970s, and throughout their career, they left behind four high-quality albums. Among them, this first album released from Clarence Johnson's G.E.C. Label could be considered their most overflowing work of the charm of their sweet vocals. This piece, where you can thoroughly enjoy Dwight Dukes' consistently sweet falsetto, has never been reissued on record since its release in 1976 until today. The P-vine edition includes the additional track "Promises," which was only released on a single.

Edoardo Barbi is an alias of Gledd, the label head at Saint Wax, co-owner of Radio Mundo Records and a prolific producer who hails from Italy but is based in Mexico City. For this new EP, he taps into his love of 70s church funk and classic gospel and serves up a quartet of emotionally intense cuts that each tell a unique story. They all have their own moods and subtly uplifting grooves and are defined by the famously meticulous production style of Gledd. When you want to make the dance floor move in a different way than usual., these four cuts should be your go-to.

The Fossils label has been unearthing more musical treasure for its fifth outing, and this one takes you directly to the Middle East for some twisted disco-funk with red hot grooves courtesy of Fava Luva & Dr. Professor. The source of the tunes is obscure and unknown but the pair bring plenty of their own goodness with additional layers of live instrumentation really bring them to life. 'Lahatz' is steamy and full of sensuous vocal magic and cosmic synth work that will get the floor into action, while 'Kerem' is even more topical and exotic with its rich array of strong melodies and downtempo beats making for a woozy and wonderful trip.

Did someone say Summer? Sicily is what Cuba is to the Caribbean, sun, sea, easy and friendly people with lots of troubles! You won't find anything better around that identifies the summer more than this album by Enzo Randisi who at the beginning of the 80s put together a Swing Ensemble as a tribute to that "cheerful" movement of Jazz music. But Enzo and his fellas just couldn't stay on track and put in the best that the alternative Palermo area could offer in that historical period, like the sisters Cinzia and Loredana Spata, who brought the production to a next level in the vocal version of All Blues or in Chic Corea's Spain. But what really struck us was Charles Cables' version of "Quite Fire" (here missspelled as "Quite Fair"), released a few months earlier only in Japan and which would only become famous in the 90s with the Acid Jazz movement, and this tells us a lot about how hungry Enzo and Riccardo were of musical knowle, to be able to find some pearls in a city with basically no record shops and isolated...well...it's on an island!

Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.

NYC multi-instrumentalist Darian Donovan Thomas releases his long awaited debut solo album following high profile guest appearances on records by Moses Sumney, Wild Up, So Percussion and many more.

The year is 1971, a time when nightclubs still had live bands perform the musical hits of the
day. Every city had its local stars and for the club scene of the city of Columbus, Ohio it was
the CROWD PLEASERS. Founded in 1968 by June Carey along with her younger brothers,
twins El & Al, the seven-piece band grew into an in-demand act that performed all over the
city. In April 1971 they went into the studio to record eight songs, but an actual release
never materialized. In time the master tape was destroyed and all that was left were two
acetates. But as time passed, these too were lost. Over the years, a growing market for
obscure funk and soul albums emerged. When one of the acetates went up for sale on eBay
in 2011, it sold for $3,900! Eleven years later, in 2022, the last remaining copy also appeared
on eBay. Collectors drove the price up until it finally sold for a staggering $7,000! So now,
after more than 53 years, Al Carey & Regrooved Records proudly presents the previously
unreleased 1971 album of the CROWD PLEASERS featuring renditions of hits by Marvin Gaye,
Sly Stone's Little Sister, Neil Young, Gladys Knight & The Pips, Cold Blood, Dionne Warwick,
The Lettermen and the original funk break track “Eggs & Bacon”.

THE 7000 DOLLAR ACETATE
The year is 1971, a time when nightclubs still had live bands perform the musical hits of the
day. Every city had its local stars and for the club scene of the city of Columbus, Ohio it was
the CROWD PLEASERS. Founded in 1968 by June Carey along with her younger brothers,
twins El & Al, the seven-piece band grew into an in-demand act that performed all over the
city. In April 1971 they went into the studio to record eight songs, but an actual release
never materialized. In time the master tape was destroyed and all that was left were two
acetates. But as time passed, these too were lost. Over the years, a growing market for
obscure funk and soul albums emerged. When one of the acetates went up for sale on eBay
in 2011, it sold for $3,900! Eleven years later, in 2022, the last remaining copy also appeared
on eBay. Collectors drove the price up until it finally sold for a staggering $7,000! So now,
after more than 53 years, Al Carey & Regrooved Records proudly presents the previously
unreleased 1971 album of the CROWD PLEASERS featuring renditions of hits by Marvin Gaye,
Sly Stone's Little Sister, Neil Young, Gladys Knight & The Pips, Cold Blood, Dionne Warwick,
The Lettermen and the original funk break track “Eggs & Bacon”.

Colonel Red & Inkswel continue their creative collaboration with the new project “Joy” on Liquid Beat Records. With a message that the moment calls for, Colonel Red & Inkswel explore themes of freedom, liberation, emancipation, and reinvention with music that is soulful and immediate. The layered and rhythmic backbone of the production, coupled with the poetic songwriting all speak to the idea that there is joy in freeing oneself from mental & economic slavery, and that joy is a necessary mindset pertaining to being on the right side of history and this side of humanity. We here at Liquid Beat are very proud to present this incredible project from Colonel Red & Inkswel that pushes forward a bold and decisive artistic vision, rooted in the human spirit. Vinyl comes with a download code for an exclusive digital-only track featuring Libretto, Remixes from Roane Namuh & Hot16, plus instrumentals.

The soulful instrumental mastery of Cold Diamond & Mink takes center stage in this release that versions two essential tracks from their collaboration with the singer Jonny Benavidez. Both songs are lifted from the album My Echo, Shadow and Me that the group recorded together with the golden-voiced Chicano soul brother for New York's Daptone Records.On the A-side, you get to immerse yourself in the enchanting crossover soul beats of "My Echo, Shadow and Me", the instrumental rendition complementing the previous gems by Benavidez and the band on Timmion Records. Flipping the record exposes another soulful groover in "Playing The Fool" that showcases Cold Diamond & Mink's love for iconic `60s and `70s indie soul by groups like The T.S.U. Toronadoes and The Commands.The whole My Echo, Shadow and Me LP is getting an instrumental treatment on Timmion, and this single shows that even without the vocals Jonny Benavidez's strong influences from Texas Chicano soul shine through loud and clear.

One of the prominent growing voices in Timmion Record'sroster, singer Emilia Sisco blesses your turntable withanother deep soul ballad. Joining hands with ColdDiamond & Mink, Emilia pours a generous helping of deepsoul magic into "Let Me In", gliding over the southerntinged beat with melodic grace.It's almost impossible to remain ambivalent to Emilia'stalent when the spine-tingling chorus with its clever twistsrolls in. The bittersweet love song's timeless feel poursover the listener like the flooding Mississippi, anthemic butunderstated. Flipping the single, we get to revisit Emilia'sprevious single "Love Can Carry Me" but this time ininstrumental mode, titled as "Way Past Midnight". It's notjust a vocal strip down, but this time Cold Diamond & Minkhas equipped the track with a jazzy Grant Green styledlead guitar. Tasty.You would have to be a cold-blooded robot not to feelsomething from this soulful double sider. Forget the dancefloors and bedrooms for a minute, these songs are the bestfertilizer for your personal mind garden.

Miraculous 7inch collaboration single "I don't know" by Chara and In-sist is finally re-released after 10 years! The superb hip tune "On & On" by In-sist is included on the B-side. Chara, a singer who has established a strong position in the J-Pop scene as a Japanese girl pop icon, has clearly etched her roots in black soul music on this eternal soul classic!

The second single from the well-received previous release, "Samurai," is now available. This time, the song "Pastime Paradise," written by Stevie Wonder and released in 1979 by Ray Barretto, has been updated in the Central style! In 2024, Central is preparing to release its first album in many years, but before that, another strong 7-inch is on the way. The groove created by the percussion, bass, and keyboards working in unison, and the exquisite arrangement of the horn ensemble, which is full of Central style, is a true gem.

Calm presents K.F.'s 'Shining of Life' returns with an array of unreleased mixes that breathe new life into the iconic 2004 Japan-only release. This special edition features innovative reinterpretations by Calm, offering a fresh auditory experience that blends the past with the present in an extraordinary musical journey.

This new package contains four unreleased versions, including the mesmerizing 'Flutemental' mix and the expansive 'Space Ritual Dub' rendition.

This collector's edition is a must-have for true music aficionado

The cheerful ragtime combination of piano, banjo, tuba, and drums was first presented on record more than 80 years ago by members of the Lu Watters Yerba Buena Jazz Band (including pianist Wally Rose). Their recording of the "Black and White Rag" caught on and helped to kickstart the first ragtime revival wave in the 1940s. In 2024, Brian Holland and The Ragabonds revive the instrumentation - but with plenty of surprising twists! Upon first hearing the Ragabonds' take on Scott Joplin's "The Ragtime Dance," jazz pianist Jeff Barnhart exclaimed "I never want to hear it any other way!" The playlist is a mix of old and new compositions spanning nearly a century, yet every track sounds fresh and contemporary in these performances by The Ragabonds. If you have a pulse - and a heart capable of soaring - prepare to smile until your face hurts as you listen to Brian Holland and The Ragabonds. Musicians include: Brian Holland (piano), Katie Cavera (banjo), Paul Hagglund (tuba), and Gareth Price (drums). Includes liner notes by Jeff Barnhart. 14 tracks. 51 minutes. 180 gram vinyl. Limited edition of 500.

Thrasher is the soundtrack to a virtual reality video game about a creature that has a life cycle that traverses different psychedelic realities. Thrasher was composed and performed by Brian Gibson, bassist of Lightning Bolt. It is the follow up to the acclaimed best-selling game and soundtrack Thumper. The central character in Thrasher is a giant centipede like creature, so Gibson employed a lot of melodic sequences that resonated well with its segments moving through space.The soundtrack has the drive you might expect knowing Gibson"s work in Lightning Bolt combined with complex melodic structures that are absolutely irresistible. In addition to bucking the hyperreality trend in gameplay, Gibson"s DIY ethos and warehouse culture roots permeate the entire soundtrack. He says it best: "Thumper has that combination of psychedelic and iconic that takes me back to the Fort Thunder days. Thrasher is a further exploration into some of those motifs." We recommend that you play this record VERY loudly.

Thrasher is the soundtrack to a virtual reality video game about a creature that has a life cycle that traverses different psychedelic realities. Thrasher was composed and performed by Brian Gibson, bassist of Lightning Bolt. It is the follow up to the acclaimed best-selling game and soundtrack Thumper. The central character in Thrasher is a giant centipede like creature, so Gibson employed a lot of melodic sequences that resonated well with its segments moving through space.The soundtrack has the drive you might expect knowing Gibson"s work in Lightning Bolt combined with complex melodic structures that are absolutely irresistible. In addition to bucking the hyperreality trend in gameplay, Gibson"s DIY ethos and warehouse culture roots permeate the entire soundtrack. He says it best: "Thumper has that combination of psychedelic and iconic that takes me back to the Fort Thunder days. Thrasher is a further exploration into some of those motifs." We recommend that you play this record VERY loudly.