Nu-Jazz | Broken Beat Vinyl 244 Items

A few copies arrived with a damaged Cover. We're therefore selling it on a reduced price.

„One day I was on a visit sitting in his kitchen and when we decided to change to the sofa in the music room, his girlfriend proposed to listen to these old recordings, as maybe I would be weird enough to like them. „Recorded in my homestudio, low budget style with a cheap microphone, a sampler, drum machines, vinyl and a few borrowed synths. … A commitment to the funk, a raw analogue sound and also a dedication to black music and its architects.“ the artist comments on it. I immediately dug the rather short demos a lot. As I had to swallow the information that there never were real plans to release them, I later decided on the bus home, I just had to puke out a „label“. Soon I asked him to extend some of the songs and let me do some mixing and here is the album.“ Cid Hohner

An entire long-player on hair, representing the complete Illwig catalogue. Beautifully raw electronic funk. Obscure, bouncy and atmospheric. Right. This is F.B.Illwig with the first official release on Moonwalk X Records after a singlesided promo 12“ sporting the extended version of „Why Do My Hair“.

Tawoyame Orquesta celebrates their 15th Anniversary with new 7inch release from their new project! The guest remixer features Takeshi Nakatsuka. The band's signature song "Suteki na Ongaku", which was included on their first album, is newly sung by the leader Tomoko Okamura on the original track from 10 years ago!! The flip side features a remix track for the first time. "odo Latin" from the latest full-length album, "Shukuen Fifteen" (urdc82) is remixed by Takeshi Nakatsuka, a wizard of live sound. The remix is a swingin' and breakin' floor-ready tune!!

Kenichiro Nishihara is a highly acclaimed musician who has gained support from many in the dance music scene. His long-awaited 6th album "Elastic Afterwords", released in 2019 to celebrate 10 years of his career, is now available on LP!! Guest vocalists include Michael Kaneko, Sirup, Marter, and Pismo. The album also features Finland's national jazz player, Jukka Eskola (Flugelhorn), Daisuke (Sax) of "jabberloop", one of the leading instrumental jazz bands in Japan, and Akihiko Ogi (Gt) of Zainichi Funk, and many other live musicians. The album is a milestone work that bridges the club jazz scene of the 2010s and 2020s.

Here comes the 2nd release on our imprint from the classy duo, this time on vinyl. The Robinson continue their personal voyage into the shades of house never forgetting their roots deeply linked to the second wave of Chicago House and the distinctive sound of Italo House. This new effort consists in two tracks per side: two original cuts and in as many powerful remixes by the U.S. legends of the game Fred P and Trinidadian Deep.

Taste Rec. keeps the pressure high with an EP that unleash pulsating beats and groovy bass lines merged perfectly with soulful melodies, tribal percussions and a special Kora solo recorded live. Dreamy atmospheres alongside a four to the floor rhythms is the philosophy we chase and we prove it still delivering a record suitable both for clubs or private underground events.

Fate is a funny old thing. One day in 2011, DJ/producer Tom Trago found himself sharing a train journey with Steven Van Lummel, a DIY musician, artist and co-founder of PIP, an underground nightclub and cultural hub in The Hague. Over the course of a rambling, open-ended conversation, the idea of making music together came up; a few weeks later, Trago travelled to van Lummel’s place – a former industrial unit that was now home to a rotating cast of artists and musicians – and didn’t leave for a month.

Cossetted away from the outside world in van Lummel’s loft, with multi-instrumentalists Janneke Nijhuijs and Wieger Hoogendorp joining them to create a musical four-piece, Mega Wega was born. Over the course of four weeks, the quartet embarked on an almost continuous creative session punctuated only by impromptu parties and mixing sessions. Life-long bonds were made and over 70 tracks recorded before the mundanity of day-to-day life came calling.

For one reason or another, the project never saw the light of day, with tracks sat gathering dust on hard drives for the best part of a decade. During the madness and loneliness of the Covid-19 pandemic, Trago rediscovered the tracks. Delighted by what he heard, a collective decision was made to add finishing touches and release the resultant album on van Lummel’s PIP Records imprint. Further instruments and vocals were added over two days at Hoogendorp’s studio, before mutual friend Tom Ruig got on board to mix the album.

So, what can you expect from Haunted, Mega Wega’s debut album? First and foremost, it’s the sound of pure creative expression – the distillation of a freewheeling, no-holds-barred, spontaneous musical journey variously inspired by the do-it-yourself ethos of musical counterculture, shared inspirations and influences, epic jam sessions, distant stars (Wega, sometimes known as Fidis or ‘the harp star’, is one of the brightest in the night sky), imaginary journeys across dusty deserts, and the comradeship of four new friends.

Enchanting and alluring, it’s an album that gleefully denies lazy categorization and ploughs its own eclectic, atmospheric musical furrow in vivid sonic detail. It’s a collective exploration of heady musical eclecticism unified by saucer-eyed vocals, low-slung bass, loose-limbed beats, sweaty percussion workouts and hazy electric piano motifs.

Haunted begins with the woozy and hallucinatory slow-burn soundscape of ‘Get Things Done’ – an effects laden shuffle akin to lying flat on your back tripping under an intense desert sun – and ends with the creepy, mind-mangling post-punk funk of ‘Brain Carpaccio’; in between, you’ll find spaced-out, low-tempo lo-fi soul (‘Move Around’, ‘Haunted’), deep and off-kilter opioid jazz (‘Copenhagen’), intoxicating psychedelia (‘Last Night on Earth’), piano-laden dream-pop epics (‘Shake Or Fall’), and Latin-infused, percussion-powered hedonism (‘Chopping Heads’).

Born out of spontaneous collaboration and immersive, almost endless recording sessions, Haunted is an album shot through with imagination and boundless energy, captured for posterity by four friends and collaborators at the top of their game.

2000black returns with two slices of ’23 grooves.’Soursop-Mango’ is afro beat house funkified the mr ranks & mr mensah way. Whilst ‘Straight Forward Side Steps’ is the minimal techno runnings that dj’s love to ride in the mix.

Toronto native Demur is a master of groovy, funky deep house and has been since his fine debut TruSkool back in 2016. He has been busy of late with Visions back in March finding him collaborating with the likes of Fred P and Aaron Gray. Now comes another full length in Under The Waning Moon, another compelling mix of contemporary deep house sounds, well-sourced and deployed samples and elements of everything from jazz to funk to downtempo colouring the grooves. For steamy late-night stuff look no further than '21 Days A Hoe' while 'Wasted Wednesdays' is delightfully sunny and well swung for cosy back room vibes.

Akira Mizumoto is a DJ, editor, and writer. His full album "A.M.", originally released in 2002, will finally be released as an LP on Record Day 2023!! Guest vocalists include Tomomi Sano, Yasuyuki Horigome (ex:Kirinji), and Rie Aoki (flex life). In addition to the remastering of all songs, the artwork will be updated to LP-only version by Keiji Ito, who also worked on the artwork of the original CD. The sound of bossa, jazz, and electronics intersecting with a beat based on 4x4 should be reevaluated today. The music is a collection of gems that color the floor, and we hope that you will experience the reincarnation of club music that transcends the ages and continues to spin.

Pioneering new music from members of the iconic and legendary funk band Parliament Funkadelic. Detroit Rising is an exciting artist collective created by 10 groove masters including the current and original members of P-funk, Prince, Public Enemy and Mary J Blige. Taking a break from relentless touring, the musicians step out in a whole new direction, creating a hybrid sound of funk-jazz with injections of soul and hip hop. The album, “A Cosmic Jazz Funk Adventure” was recorded live at the world famous Motown affiliated United Sound Studios in Detroit and studios in New York, Los Angeles, Las Vegas, Baltimore and Florida. For this remix release a handpicked selection of some of the top DJ producers in the UK have been brought together to create a soulful house and nu-jazz hybrid record: Jimpster, Kaidi Tatham, Sean McCabe with Z records (Dave Lee) and Evm128 – with mastering by UK wizard AtJazz. First up, Jimpster remixes the Detroit Rising space opera, ‘Rocket Love’ – showcasing two funk-fused house tracks with guitar licks from Duminie Deporres (Public Enemy) and bass lines courtesy of Kern Brantley (Mary J Blige, Beyonce, Aretha Franklin). The vocal remix is expertly laced with parts of the original P-funk instrumental and hip-hop vocals, with the dreamy Dub version letting that infectious hook and melody hit hard. Next up, Sean McCabe was brought in by Dave Lee of Z records to remix the original Detroit hit ‘Little Bit of Love’ into a fast-paced dance heater. King of the keys Kaidi Tatham is then welcomed to remix two different Detroit Rising tracks, creating a double dose of signature, broken beat infused cuts. ‘Our World’ stars P-funk vocalist and keyboard wizard Danny Bedrosian, alongside granddaughter of George Clinton, Tonysha Nelson. The emotive, soulful broken brilliance of ‘Peace & Harmony’ also gets the Kaidi treatment starring Sue Ann Carwell and Steve Boyd, vocalists for Prince and Kool & The Gang respectively. Evm128 of Coop rounds off the package presenting a fast futuristic Bruk beat from the romantic Detroit Rising song called ‘Gorgeous’.

All music by M. Rose, T. Parrish Art & Graphics by Nep Sidhu 2023 Whobody Publishing BMI

The Amsterdam-based duo of Lyma and Rebiere aka Likeminds follow up their debut album On My Way with versions from its predecessor.

Sometimes life throws you a curveball and you still gotta make it to first base. That’s what happened when Rebiere’s laptop was stolen, along with all the recordings of their original debut album. The pair made a brand new album from scratch, but they kept coming back to the demos from the lost recordings. They started to rework the sound as a whole, adding finishing touches, including additions from Bo Floor and Gino Groeneveld from Jungle By Night. The demos weren’t the same as the stolen tracks, but they learned to love the imperfections all the same.

The Lost Tape takes you on a journey - through low-slung beats, party jams, soulful. melodies and woozy synths, all masterfully woven together with samples and field recordings from Amsterdam’s watery canalways. It’s also the story of how the duo met, at a time when Lyma felt lost at sea with his collection of unreleased tracks, before Rebiere threw him a lifeline and brought some focus and clarity. Sometimes finding a like-minded friend can make all the difference.

Part Two of a very special Reloved installment dedicated to Alessandro Alessandroni's Tema DI Susie masterpiece. With his characteristic style, enigmatic French producer Mounika has spun Alessandroni's dreamy melody into a remix that resonates with the soul.

After reissuing Hedzoleh by Hedzoleh in 2022, a collaborative effort by Meakusma and Soundway, this new 12inch features remixes by Jimi Tenor, Mark Ernestus, Gavsborg and Waltraud Blischke, transporting and transfusing Hedzoleh's tracks into new spheres and circumstances. Hedzoleh Soundz were one of the first and most original ‘Afro’ bands from 1970s Ghana, playing an unusual mix of traditional music and western rock as part of the West African Highlife scene. The music for the Hedzoleh album was used by legendary South-African trumpeter Hugh Masekela as the backbone to his afrojazz classic, “Masekela – Introducing Hedzoleh Soundz”. The Hedzoleh Soundz Remixes 12inch features an eloquent, deep, deeply poppy even, dub by Mark Ernestus, Jimi Tenor taking the original Rekpete track into even more joyous territory, adding some subtly hypnagogic touches at the end, Gavsborg transforming Y Yes Baa Gee Wo into a beat-based drone of sorts, a toolin the right hands, and a majestic experimental twist by Waltraud Blischke, sampling one Hedzoleh track and one unreleased solo track by Sascha Todd, son of Hedzoleh bass player and vocalist Stanley Todd.

This record came about with the support of Ostbelgien.

One' invites the listener to look beyond individuality and egocentrism, encouraging contemplation of existence as a more complex reality. On the cover, the artist's face is scarred, depriving it of its importance and centrality, recalling the smallness of the human being in relation to the cosmos. The back of the album, on the other hand, represents with a dichotomy the competitive world in which we live, made up of spotlights and appearances in which the true self struggles to find space. "uno" symbolises unity and cohesion and the tracks that comprises it bear artistic witness to this, exploring the fusion of different genres: electronic, jazz, sampling and instrumental music.

BIO Daykoda is the musical project of Milanese producer and musician Andrea Gamba, who experiments with electronica, experimental jazz and hip-hop. Over the years Andrea has developed a refined taste for the sound of innovative labels such as Brainfeeder and Ninja Tune, which has pushed him to improve his production and master his own style. Daykoda's discography includes 2 albums and many live shows, including events such as Circolo Magnolia (where he supported Thundercat in 2022), the Viva! Festival (sharing the stage with Alfa Mist, Kokoroko, Moderat and Gilles Peterson in 2022), Novara Jazz, Spring Attitude and Jazz Re:Found among many others. His work has received the support of national and international media realities such as Tom Ravenscroft (bbc Radio), Mary Anne Hobbs (bbc Radio), Travis Holcombe (kcrw), Raffaele Costantino (Rai Radio 2), Nubya Garcia (nts Radio), Lefto (Worldwide FM), Laurent Garnier including that of the Italian webzine Soundwall, which provocatively defined him 'the Italian Flying Lotus'. Tracklist:

GIM Records is back from the Moon bringing a new release "In The Music" signed by the Italian team "Groove In Mind" aka GIM Productions (Onda Records). The original track is a dancefloor oriented anthem with a groovy bassline and a House vibe feeling, fueled by magnetic Rhodes keys and flute. Included are a couple of very hot remixes by the well-renowned Kai Alcé (ndatl Muzik) and the Italian Dj Emanuele Inglese (Cocoon Rec).

Limited Edition 12 Inch - 140 grams standard black vinyl with generic jackets

Lovely atmospheric ambient sounds on this new Lapsus release! Composer, percussionist, and multidisciplinary artist Rrucculla is undoubtedly one of the most eclectic projects to emerge from Spain in recent times, combining abstraction, plasticity and experimentation with an uncommon mastery. Since her first impact on the electronic "headz" scene with SHuSH [Sound Sketches, 2018], the Basque producer has been carefully distilling her new album Zeru Freq., which will be released on Barcelona's Lapsus record label. The album is wide-ranging, interweaving sound and art that transports the listener into an immersive universe. Zeru Freq. envelops us in a Euskadi environment, guiding us through an open-air museum, containing a collection of eleven sound productions that fuse nature, landscapes and the local climate. This epic musical journey incorporates organic frequencies painted in Technicolor, in which hyper-realistic synthesizer textures merge with acoustic instruments, resulting in an atmospheric ambient sound that warps our perceptions of reality. At a sonic level the unmistakable stamp of Rrucculla is omnipresent, but this time she climbs to even higher plains. Zeru Freq. explores an expanded aural palette, traversing the borders of strictly electronic music, while laying the foundations for a new audio discourse. Throughout its eleven tracks, Rrucculla embraces the broadest spectrum of contemporary music, flirting with avant-garde electronica at will, without succumbing to labels or pigeonholing. Zeru Freq. is the sound of shapes; figures and strokes, it is a work that mutates with each passing moment, until the last note is heard.

A bold first creation set in motion, Yore is the fantastic debut solo release from Charlie Hill. Yore captures the excitement and naïve creativity of Charlie’s new journey as a producer after studying and performing as a jazz drummer. A mixture of club-ready basslines, earthy space funk and ethereal Trip Hop, Yore follows Charlie’s 2023 collaborative Galaxy EP alongside fellow Meanjin producer Sampology.

Middle Name Records are proud to present this project, the first release on the imprint that is not of a solo or collaborative Sampology record.

There is an exciting energy currently bubbling within the Meanjin/Brisbane music scene and Charlie’s debut work as a producer has reflected this instinctively. Recorded performances from local jazz ensembles, his vocalist singer as well as his own drumming were utilised as samples throughout the EP.

As time moves forward, it becomes increasingly clear that the need for emotional expression through artistry is more important than ever, especially in the wake of emerging AI technology that threatens to replace human creativity. Minus & MRDolly's new album, "Giant Stops," is a testament to the enduring power of art to connect with audiences on a deep emotional level. Named in direct reference to arguably one of the greatest albums ever created, "Giant Steps" by John Coltrane, "Giant Stops" pays homage to the rich legacy of jazz while pushing the boundaries of the genre with a contemporary twist. The album seamlessly blends jazz, hip-hop, and electronic elements to create a unique sonic landscape that is both nostalgic and modern. For Minus & MRDolly, "Giant Stops" represents a new chapter in his evolution as a musician, showcasing his growth and commitment to pushing boundaries in his genre-bending style. Taking inspiration from the creative process of Makaya McCraven, the album features dynamic instrumentals backed by a live band, with Minus & MRDolly's signature lyricism and storytelling shining through both the instrumentals and the lended work of guest musician such as Meta_ or Luca Argel. By using this production method the album takes a bold stand for the importance of sampling as an art form hoping to encourage listeners to appreciate the rich history and evolution of hip hop and to recognize the essential role that sampling has played in shaping the genre. As a nod to his Portuguese roots, "Giant Stops" represents a deeper exploration of the artist's identity and a commitment to looking inward to find creative inspiration. With this album, Minus & MRDolly hopes to inspire others to embrace their own unique perspectives and use them to create art that connects with audiences on a deeply emotional level. In a world where technology threatens to replace human creativity, "Giant Stops" is a reminder that the power of art to connect with people on a fundamental level is enduring and will continue to shape our world for generations to come.

Marc Mac back with another high grade Bruk, Electro Boogie monster. This is the fourth and final piece of the series. From Africa to Jamaica, Brazil and now Japan Marc Mac has explored the international fusion and cultures that has been an influence on his style of Broken Beat. The four track EP is under-pinned with Jazz/Funkiness and a hint of Jungle in the subs can be felt on "Kambei". 'Yasuke Soul" and "Tokyo Nightlife" feel like a head nod to Ryuichi and Akiko, so buckle up and get ready for a Journey eastbound. Brilliant cover art is supplied by Mitchy Bwoy.
arigatō

Ruth Koleva hails from Sofia, Bulgaria, and has been a TV star and singing out concert halls for years. She has also long been singing on some superb broken beat and nu-jazz records while working with top-level production talent and having her tunes remixed by Zed Bias, Kaidi Tatham, Mark de Clive-Lowe and Eric Lau. The neo-soul star's Ruth album gets a special anniversary edition release here with four heart-melting and textbook neo-soul tunes on the A-side then some super remixes on the flip. This is timeless stuff that works on the heart and the heel in equal measure.

For more than a decade, Freak Heat Waves have been steadily amassing a cult following and earning acclaim from both critics and underground aficionados alike. Their music is a heady cocktail that defies easy categorization, blending elements of post-punk, psych, dub, ambient, house, and techno. Their eclectic sound has served as the soundtrack to countless DIY punk shows, outsider galleries and sleazy discos, establishing the duo as iconoclasts with a reputation for ignoring expectations and subverting genre conventions. While at times, the term ‘acquired taste’ may have seemed fitting, their latest release offers their most alluring output to date. Mondo Tempo, the duo's fifth LP, released through Vancouver's Mood Hut, was primarily recorded at their home studios in Montreal and Victoria. Building upon the electronic explorations of their previous record, Zap The Planet (Telephone Explosion), they inject their signature sound with a smoother and sweeter blend of dance music. The album’s tracks feature midi smoothness, trance mantras, dancehall grooves, ambient textures and vocal samples, creating a world that is both captivating and immersive. Notably, the lead single “In A Moment Divine” features a collaboration with Cindy Lee, resulting in a dance floor number that boldly ventures beyond the familiar wheelhouses of both acts. With Mondo Tempo Freak Heat Waves solidify their reputation as one of the most exciting and unpredictable acts around.

Melts In Your Mind is the mercurial new LP by Healing Force Project, aka Italian producer Antonio Marini.

An amorphous, shapeshifting, intangible proposition, Melts In Your Mind represents Healing Force Project at it’s most fluid and alchemical yet, a melon-twisting amalgam of jazz, dub and acid house tropes mulched and rearranged in inimitable style. Seemingly live and erratic polyrhythms, liquid basslines and expressive roving keys combine with kitchen sink sample hits and rogue licks for a thrilling, constantly shifting, alive sound. It’s music that’s difficult to grasp on first or even fourth listen, and as such continues to reward on repeat. Rather than going somewhere, tracks just go, rarely repeating motifs but riffing on, digging into and working out.

Behavior Of Waves sets the scene discretely enough, a simple bass refrain that is eventually overcome with an urgent rhythm that stumbles over itself into a post-dub cavern. The title track resembles a scramble of disparate earthly sounds - lurking synthesizer, restless popping drums, West African balafon and a muted vocal sample - sucked into the same swirling black hole and dropped into another dimension, completely cohesive. Equator acts as loose-limbed palette cleanser, an unmoored drift gently driven forward by an insistent snare roll and improv piano stabs. Inharmonious Layer stands out on the record for being less reliant on samples and by it’s relatively predictable unfolding, a queasy acid lope from the darkest corner of a deviant dancefloor, while on Diaphonization Marini flexes his aptitude with drum sampling, a bouncing excursion in sampled loops interrupted by unironic jazz cliches, the product of an omnivorous lover of the genre’s high and low. Melts In Your Mind closes on the droning tambura, ethereal pads and scattered rhythm of Two Waves In The Dark, a suitably metaphysical and ultimately peaceful resting place for a record that challenges perceptions from the outset.

Marini has released records as Healing Force Project on Firecracker, Berceuse Heroique, Bedouin and most recently Beat Machine Records. He’s based in Treviso, Italy.

Melts In Your Mind was written, produced and mixed by Antonio Marini. It was mastered by Chris Wang. Art and design by Ginji Kimura.

noquestionsasked & Vanishing Berlin present: »Diskothek Harmonie«

An ode to places we will remember with wistfulness, even though we had no idea we would ever miss them. A homage to a sub- and neighborhood culture that threatens to disappear. Nothing lasts forever!

Diskothek Harmonie was created in cooperation with photographer Alexander Steffen's Vanishing Berlin project. The cover comes in five variations: One photo motif from each of the districts of Neukölln, Schöneberg, Mitte, Friedrichshain and Prenzlauer Berg. Framed by a handmade screen print, with individual coloring. Each motif is limited to 50 copies.

The vinyl EP's four tracks are held together by short atmospheric soundscapes and spoken cut-up lyrics. In the titular track, the warm voice of actress Barbara Philipp invites us to dance with the time signs and slogans of the present. The remaining tracks by Projekt Freizeit come from their archives of the last 15 years. Created between long gone wastelands and brick walls, pressed on vinyl to last forever.

A?er the success of the first volume, the second Soul Fingers’s tribute compila&on is released on double vinyl too. Soul Fingers is a wandering black music dancefloor that in 2023 reaches to celebrate 10 years lifelong. Soul Fingers mixes soul, disco and funk, with rap and La&n rhythms. In this brand new compila&on there are some pieces that have really marked great par&es since 2013. This &me featuring soAme carefully selected dancefloor music bombs directly from the hands of Claudio Cavallaro, the leader of the Soul Fingers console.

What can't be said about Funki Porcini. From doing Film scores to the surreal live performances with his recent 'Laserium' tour.

An Incredible album of weird & wonderful ridiculousness. An exclusive first time on vinyl, collection of Funki's Famous Fat ones. A fusion of downtempo to eclectic jazz cuts & horns with b-boy latin funk breaks with elements of blissfull strings & melodies throughout.

Funki Porcini delivers his most Incredible vinyl, buffed & ready to play. The most joy you will have with a 12" since 'Lets See What Carmen Can Do'.

Cratere Centrale are back from Etna for the second chapter of the ‘Excursions’ series of 7" EPs. On the Aside "What You See", a bonus track of their first Ep called "Cratere Centrale", with the help of the beautiful, warm & deep vocals of Derane On the Bside the remix of "My Guitar" (original version included on their debut ep) by producer and musician K15 who gives us a bruk banger!

The Mechanical Man is something of a hero amongst deep house heads, so US label Selections are rightly buzzed to have him on board. He opens up with a lively broken beat number lavished with a superb r&b vocal sample and sunny chords on 'Be Down.' He sinks into a more cuddly and smoky house groove on 'Let It Ride' and allows the pensive leads to take over as you head through the stars. 'The Night In The North Area' has a fresh bassline darting about underneath muted chords that bring a Detroit feel. Last of all is the soulful joy of 'You Know It's True', another one with a classic sample smartly worked into a scuffed-up deep house shuffle.

Beijing based Leele, Tokyo based S.O.N and Detroit transplant Camille has come together to give you something soothing from Adeen records. Their debut live studio album A Band Of Brothers is a nice warm welcome from the label that's known for house and techno. The late 70's early 80's Japanese fusion jazz influenced offering is split into two discs with one being all jazz, and disc two being remixed into breezy house tracks. Rather is an easy chilled out vibe or a night on the dancefloor, A Band Of Brother got you covered for all occasions.

On June 16th, 2023, Steven Julien and Kyle Hall return with their first EP together in ten years, Crown. The record follows earlier EPs the duo created under their former alias Funkinevil, 2013's Ignorant and 2012's Night/Dusk. The record once again brings together two artists from opposite sides of the pond—Julien hailing from London and Hall representing Detroit—with a shared love for soul in its purest essence. Opening "Page 1", a pitched-down vocal by James Massiah pronounces, "My plan—won't let you take it from hand." That alone could be considered the nut graph of a record about taking ownership, created by two vanguards in the electronic music scene that, a decade ago, insisted on infusing their music with soul in a commercial club circuit lacking in it. Assembled from a few years-worth of studio jams in Julien's studio, Crown dials up the staticky warmth present on earlier Funkinevil tracks like "Dusk" and "In The Grid." Across seven songs, Funkinevil shaves off some of their tougher elements, instead shooting for pastoral melodies and funky basslines, like on "Page 2", where Vicky Flint's flute flutters sleepily over breaks and a groovy Korg synthesizer. But the atmosphere on the EP is also grander than ever—on "Page 5," Cloud's wistful melisma soars over Flint's bleating saxophone and wandering sci-fi synths. With all this attention to funky musicality, it's only fitting that two legends specializing in the craft would land on the B-side—Däm Funk revs up "Page 3" with a slamming kick and his unmistakable coolness, and Reggie B turns "Page 5" into a sludgy, jazzy dance party. In the words of Julien, "I think a lot of people have forgotten about what this whole thing is about. Musically, artistry and everything. So I'm happy this is what we represent on this project."

Mr. Fingers second part of the Around the Sun series of albums!!! Larry Heard's (under his most notable monniker) continuation on the path from last years "Around the Sun part 1". Encompassing all his influences from Jazz, R&B to Techno and Ambient these lush tracks with a feel that no one else expresses quite like him. No need to further elaborate... Larry Heard at his finest.

Hollyspleef is an Italian electronic music producer, shaping his way through the early 21st Century. He spends his late evenings and early mornings making live recordings with a bunch of analog gear from his hidden studio on the shores of the Adriatic Sea. On one end pulling from R&B, House and Dub/Reggae, and on the other richly layered ambient and future-jazz. He creates sonically smooth music that rises and recedes like the tide, fitting for the next great surf film soundtrack or a packed club at 2am. Maintaining a steady hold on timeless dance music when he's up in the DJ booth playing the hits and the new 'classics’, Hollyspleef is a soulful artist whose styles bend time and space with particular groove.

“Paradise Seeds” is about roads, roots, paths and emotions, the ones you’re not used to feeling everyday. But most importantly it is about change, about the inner force one discovers when forced to transform. After finding out he had to move out his beloved Resonance Jungle Studio, Hollyspleef decided he had to make one last album before the big move. Exploring his inner self through R&B, Jazz, Trip Hop, Footwork and Trap he delivers yet another gem of a record.

Earth Is Not For Humans' is the funk definition of its not a God given right! The interstellar groove brings the outer world timing to the third planet. Be warned humans you are merely temporary visitors on the miraculous terraferma. What can be deemed more different than 'Uniquely Fresh' a jazz fusion boogie combination set in the year 2055. Lastly Shokazulu warms us down with Seeing Is Believing. Only Shokazulu Will Protect You.

Baby Mammoth’s seventh album, helpfully titled “Seven Up”, was originally released on CD in 2001 by Pork Recordings (Dave ‘Porky’ Brennand and Steve Cobby) who were behind household names “Fila Brazillia” and “Bullitnuts”, pioneering the sound of the late 90s / early 2000s downtempo, ambient, and trip hop scene. In collaboration with Pork Recordings, Seven Up is now being released by Musical Charis on vinyl for the first time. Baby Mammoth mastered the sound of downtempo lounge in this album which has stood the test of time, warranting its re-release. In this album, Baby Mammoth stay true to their traditional funky downtempo course, while the guitar plucks and modulations of “1” certainly make for a joyful listen. "And I'll See You" leans heavily on a vocal sample from Jimmy Scott's “Under the Sycamore Tree” and provides a nice introduction for the swoops in “Baroque 'n' Roll” which drift in on clouds of strings. “Frozen” gets bubblier and "Pink Elephants" gets more spare and groovier with its bongo and flute-driven sensation (a real crowd favourite!). Indeed, they maintain a sense of fun throughout the album, keeping things on the lighter side, driving up the dub reverb on "Deadpool”, or engaging with some vocal snippets on “Frank's Angels”. Baby Mammoth will have you giddy with this release on vinyl.

Yellow Jackets number 6 pushes things forward with two exceptional pieces by Byron The Aquarius and Deenamic. The modern jazz funk of the american keyboard wizard meets the relentless electronic futuristic programming of the elusive Deenamic! Like Yin and Yang meeting this release fuses the best of both worlds, keeping Yellow Jackets’ now notorious boundaries pushing edge on a phat loud vinyl, only 12’ inch!

“Dancing Around Fire” is the new album by LA-based drummer and composer Tommaso Cappellato in partnership with Pavimento Fertile, the Italian break dance collective founded by Paolo “Frigo” Montesi. Inspired by the energy of dance and improvisation, this album serves up a dynamic fusion of experimental soul and timeless grooves that command the body to move.This unique collaboration between dancer and musician was born out of Cappellato’s live performance at the Pavimento Fertile dance jam in 2021. Seeing how Cappellato’s rhythms brought out new layers in the dancers’ movements inspired Montesi to commission an album of original music that celebrates the culture of drum breaks and sampling which fuel freestyle dance.The album’s seven tracks, composed by Cappellato in as many days, take the listener straight to the dance floor. Cappellato weaves the soulful vocals of Lalin St. Juste (on “Made of Golden Light”) and Cameron Kinghorn (on “Heart to Mend”) alongside percussive electronic tracks (like “Battle Moves”) that emphasize the importance of the drum in unleashing the power of human expression.

After six illustrious vinyl releases behind them, Forbidden Dance takes this one deeply close to home. As a rising house name from Croatia, Laseech signs this harmonic and creamy house release iced with stellar vocals by Desney Bailey and backed up by two of the house heavyweights – Dego and Patrice Scott. A1 The title track “Hey Love” is packed with effortless deepness in and out topped with smooth Bailey’s vocals dancing elegantly over chords and strings. Dazzling tuneage that resembles airy summer jam at your favourite beach spot. A2 Dego is a man with a thousand sounds. And all of them are rich and impressive. His disco-funk spin on “Hey Love” is ploughed with heavy synths and sharp drums that culminate with a lush keyboard frenzy in the end. B1 Patrice Scott’s ability to infuse introspective soul into machine sound is second to none. “Hey Love” goes through melodic morphosis which Patrice delivers so smoothly and tinges it with floor-oriented moves. B2 Bailey’s vocals are the soul carrier of this release and it shows pretty much on “You See”. Hazy and melancholic, the track slowly burns under her looped vocals. Stripped, heart-aching and beautifully dimmed.

Robert Matos returns to Ocha with an Afro-jazz house burner feat. the voice of Deep House legend RON Trent reminding us that House Music needs soul. Afro House phenom Carlos Mena drives the message home with his club worthy remix, while Coflo delivers signature percussive deepness with his remix. Tracklisting:

Okayama Japan based artist Daisuke Kondo serves up a hearty dose of Detroit inspired soulful house, with a dash of jazzy broken beat on this 4 tracker from Chicago's Jitney Music. This 12" aims straight at the hearts and souls of fans of labels like Sound Signature as well as artists like Dego.

Limited edition coke bottle green vinyl coloured 180g vinyl gatefold double album from Stella Polaris.

The world’s largest free chill out event, Stella Polaris have been wrapping their electronic blanket of dubby and jazzy slo-mo sounds around tens of thousands welcoming bodies since ’97. An oasis of positivity and top-drawer music beaming out of Denmark, with a record label arm born in 2003.

Fast forward 20 years and their 17th album release, a delectable double album features new material from upcoming artists and exclusive Stella Polaris custom made remixes of well-known artists including: Foster The People (us), Groove Armada (uk), José Padilla (es), Underher (ca/de), Days of May (fr), The 2 Bears (uk), Elvstrøm (dk), Teitur & Mads Björn (dk).

"Resonance" is the latest offering from K15, arriving on 2000Black. Resonance opens with a meditative chord arrangement that gets subtly layered with percussion and programmed drums, creating a song of depth and richness.Within Reach is the most playful track on the record. An uptempo ride, filled with class and flair and demonstrates K15's evolution of ambition and composition. The EP closes with the militant groove that is Resistance. The heavy bass, the wall of synths and the floating shakers create a track pulsing with life. "Resonance" is filled with life and rhythm, making it a fitting addition to the 2000Black catalogue.

After a convincing self-released EP in 2019 and a first introduction on BMM Records with a track feature on the "Groove Dingueries Vol. 1" compilation, Swiss quartet mohs. present their debut album "Mirage", an ode to creativity. Guitarist Erwan Valazza, trumpeter Zacharie Ksyk, bassist Gaspard Colin and drummer Nathan Vandenbulcke distill jazz, hip hop and afrobeat elements in an ocean of blissful synths while keeping a wary eye on the sound texture. From the funky instrumentation surrounding Fang The Great's vocals on "Heartbreaker" to the the nostalgic guitar loops of "Mirage", all the way to the relaxing, almost ambient soundscapes of "Lonely Cowboy", this album will comfort your ears like a warm blanket.

Eiji Takehana is an originator of the club jazz scene in Japan and a DJ/producer who continues to lead the scene. After 6 years of silence, the long-awaited release of the latest 7inch single is now available. The sound is ferocious yet precise, the finest jazzy drum'n'bass.

Artwork insert, in PVC outer sleeve.

Awanto3 (also known for his work with Aardvarck and Kid Sublime on Rednose Distrikt) returns to Rush Hour with "Party" Volume 1. Moody and rolling MPC work outs with live accompaniment from a solid cast (Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on keys). Broken Beat heads look out .... this really smacks. TIP!

Backstory: Party was born in a small village located in Wallonia during a period of house-sitting for a family on holiday. Initially my mother was asked to take care of the chickens, goat, dog and donkey but eventually I decided to take care of them to relieve my mother. This week turned out to be a small nightmare, because I think the house was being possessed by a spirit that I had to deal with night and day. The vibe of the house was so grimy, due to the fact that there were calendars with all kinds of weapons and dark oak furniture, interspersed with a huge flatscreen and blinds at the ready to be rolled out when the sun started to go down (by request of the paranoid owner). This setting affected my sketches; a dark side that was looking for contra light weight. After I took care of the animals, I had an energy to escape to my MPC to make the basis for a possible new album. When I got back in Amsterdam, I started to work out some of the sketches I’ve made in the ghost house together with Stefan and Jos in Studio K at Sloterdijk.

Gilles Peterson : "Love this!"

Gayance joins forces with Rhythm Section for her debut album ‘Mascarade’ - a swaying dance that moves between poetic, soulful odes to the past, accounts of the Afro-diasporic feminine experience and playfully energetic dance floor grooves.

Mascarade is a collection of dancey, broken rhythms, interwoven with heartfelt stories and bright, unapologetic outpours of joy. In her own words, “It's the story of my 20's. I wanted to pay homage to this kid everybody knew, but not deeply. It's about taking back a power that is mine and was always in my hands...It's about making peace with the past and moving forward”.

Gayance (real name Aïsha Vertus) takes her alias from the Haitian creole word for joyfulness.Based in Amsterdam, born and raised in Montreal-Nord, she started as a DJ in 2013, and has toured the world with shows in Paris, Brooklyn, Marrakech, Berlin, Sao Paulo and more, bringing electrifying and contagious energy wherever she goes.

Her own production is influenced by underground UKG and the respective house scenes of Detroit and New York, with nods to the vivid, sun-soaked colours of Latin America. Shades of blues, jazz and gospel can also be heard in her newest project, pulling together styles from each corner of the world. Following her catalog of entirely self-released projects, Gayance announces her full-length debut album on Rhythm Section, bringing some fellow Montrealers along for the ride.

After the first EP released in 2019 with Mother Tongue label, the French band never stopped reinventing itself. Oscillating between future jazz, house, the alchemy found within the band proves to be quite unstoppable. Whether it’s live or in the studio, the Gin Tonic Orchestra reinvents, innovates and experiments constantly. The idea is to create a live experience that resembles a DJ set, strongly influenced by club culture and jazz. For the first album « Shyance », the collective starts with a cataclysmic intro that introduce « No I Can’t Be Free » which connects Stefania EP to the new album. The other tracks cross Fusion (Shyance), Hisaishi harmonies (Yubaba), DnB (Rage Jaune), Deep House (La Couenne Rance), Cosmic Disco (Crush) and Thrash R&B (Can U Plug My Sm58 Tonight).