Nu Disco | Disco Edits | Cosmic 149 Items

San Francisco-based DJ/producer Nick Monaco has long been part of the Soul Clap family, releasing his first 12" on the label back in 2012. Mating Call, a double 12" set running at album length, is easily his most expansive release yet. It's typically eccentric, delivering a range of songs - featuring his own distinctive vocals - that blend numerous styles whilst retaining a loose, funky and altogether rather kaleidoscopic feel. It's rooted in Balearic pop, but also touches on dub, deep house, boogie, dub disco and a strangely deep and contemporary take on the triple-beat rhythms of glam rock. It's hard to accurately describe, but is really rather good; certainly, it's one of Soul Clap's strongest releases of recent times.

Multi artist comp with one side dedicated to disco floor heat from Osmose & The Silver Rider, and the other offering a midtempo bouncy number from JP Source & a sultry obscure edit from Hristo. Hand stamped chipboard jackets.

Volume 8 of our ongoing Luv N’Haight Edit Series is our biggest one yet! Featuring another helping of Kon with co-headliner Ohmega Watts, taking turns remixing and reimagining another Twilight classic. Supplied with the original stems culled from master tapes provided by Twilight’s own Lawrence Ross, Kon’s remix transforms the original into a mid-tempo boogie-house jam. The deep, minimal intro gives way to a swinging groove with the chorus interspersed in perfectly to sync with the tune. Also included is a dub version that’s a bit more stripped down giving the groove a bit more room to stretch out. Ohmega Watts’ title for his remix is apropos as it’s the type of song to get a house party jumping. With a classic 4 on the floor house beat accompanied by a groovy driving bassline, it’s definitely guaranteed to shake your hips and move your feet!

Eddie C, Lauer, Konstantin Sibold, Naum Gabo and many more can be found on the 2nd part of "I'm starting..."

The Late Nite Tuff Guy returns with the 8th release in his #Tuff Cut Series with another 4 killer cuts....

Another 2 killer cuts are given the LNTG treatment........

It’s not every day you find a keyboard player with chops like John Camp. Plucked from the same Minneapolis Jazz vine that grew such deliciously ripened talents as No Regular Play's Greg Paulus and Aaron James (Gregory Porter band), we met Camp for the first time at the Marcy Hotel. Initially adding his signature touch to other’s Crew Love records and last year dropping an incredi- ble EP on Have A Killer Time, the Mistral EP marks his first official Crew Love release!

Coma prove again their knack for unconventional, but catchy hooks. The release includes Robag Wruhme and Pional mixes.

Our favorite Boyband with 8 new diamonds!

Bastedos returns hosting two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him to 'join his party'...if you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along and dancing tune versioned from vaults of Moby Dick.

This is and incredible release from Ukraine on the Californianlabel Mysidian.

After a blazing start, Low Budget Family return !

The celebrated independent Moscow-based record label run by the crew behind the legendary Shop&Bar Denis Simachev deliver another stunner from SIMPLE SYMMETRY

MIMINO is another tropical House delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line

The Instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path

SIMSIM wraps things up in fine Middle Eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam

Zouk it and see !

New Zealand based crate digger Frank Booker invites good friend Julien Dyne to drop the second release on his new imprint Down In the Basement.
JD picks up where The Man Called Booker left off on Vol 1 and gets straight up to speed cutting up rare boogie, disco and Afro jams and employing his trademark raw cuts in an old school style, while lacing oodles of FX 'n stuff into the mix.

The overall sound is reminiscent of the early Idjut Boys material, which is so close to Mr Booker's heart.

This 2x12" contains unreleased Prins Thomas Versions of tracks used in the mix. It includes tracks by Actress, Blacknecks, Box Saga, Joachim Holm & Alejandro Mosso, Hieroglyphic Being and Ü that received a special individual treatment by Prins Thomas.

Green Vinyl Repress!

Reissue of this sought after Bastedos double header, serving up two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him, to 'join his party'. If you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along, dancing tune versioned from the vaults of Moby Dick.

2023 official repress of the EP originally released in 2015 by the swiss/german production team "Jack Pattern". Electronic music with italo-disco influences at the highest level.

Repressed. AL & Tone dropped this back in 2015. The "praise" side features "mad Dash", a groovin' gospel tune with a funky bassline and sweet horn riffs, plus the spaced out "MY Soul". The "rejoice" side has the killer cut "U", a sweet modern soul jam along with "worship" a sick lo-fi cut

Repress of the 8th installment of the Black Aroma Edits Series!

Just in time to warm up your winter, Hell Yeah revisit the peerless recent Tsuki album from ambient and Balearic masters Tempelhof & Gigi Masin. Two tracks from the album are included on this new package, as well as a remix from Jex Opolis.

2022 repress!

Growing Bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of percussion obsessives for a supernatural mission into the heart of the rhythm.
Dressed in the pitch black of Dusseldorf stands Wolf Mueller, master of the tropical drums and seven time Salon Des Amateur breakdance champion. Repping Cologne and Berlin is Niklas Wandt, Germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demented Eurodance. Standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a Crash Bandicoot victory dance... so stretch out and step into ‚Instrumentalmusik von der Mitte der World‘.
Taking to their task with the joyful abandon of two big kids getting creative with the Kindergarten music tray, Müller & Wandt marry dripping electronics, Froesean pads and rubber-limbed basslines with tribal polyrhythms, C2 claps and Indonesian shakers - and that‘s only on the A1. Comprising of three trance-inducing epics, a handful of medium-sized movers and a couple of freeform interludes, this dynamic double pack could almost pass as a lost Library masterpiece; but our mind guides go Furthur, fusing esoteric funk and free-jazz freak-out a truly transportive experience. Prepare to enter a world of techno totems and neon skulls, shades of Yello and excellent birds. Within these grooves lies a transdimensional pathway between the Temple of Doom, the Twilight Zone and De Palma‘s Paradise, brought to life in a shamanic rite.
Forget the healing frequencies of Growing Bin‘s ambient outings, this time we‘re dancing for mental health.

Volume 2 from the Tropical Disco camp… 4 killer disco gems lovingly tweaked, treated & tested, all carefully constructed for discerning dancefloor destruction.

As ever, the next project on Opilec Music is one with a rich back story this time paying homage to a very specific disco scene of the early 80s: it finds label boss I-Robots turning out one of his brilliant reconstructions, namely of a classic and cult track by one hit wonders Ahzz.
This track was first released on Land of Hits, a label run by Peter Brown (who also wrote "Material Girl" for Madonna) and Michael Campbell and has now been officially licensed for this reissue by Opilec Music.
The track, 'New York's Movin'' was huge on the New York disco scene and was played by the likes of David Mancuso at The Loft, Larry Levan at The Paradise Garage and by Nicky Siano at Studio 54, but continued to be a big hit with modern New York tastemakers Kenny Dope, DJ Spinna, Danny Krivit and his Body & Soul party crew well into the 90s, as well as with stars like Motor City Drum Ensemble and Bulljun.
I-Robots is a notorious producer and record collector with a vast understanding of the history of house and disco and his version combines an original vocal and instrumental version into something really magical.
‘New York's Movin'' (I-Robots Reconstruction Take I) is a jangling, organic and lose limbed disco number with a funky drum line, soul in its bones and plenty of lovably rough percussion, clicks and drums.
A retro and impassioned vocal line adds flair to the track at the midpoint just before that groove kicks once more. This version is featured on the new I-Robots - Reconstructions 2007-2017 10th year Anniversary release.
‘New York's Movin'' (I-Robots Reconstruction Take II) is then just as emotive and outgoing but after the break has more of a focus on funk.
This is a huge party starting track filled with feel good vibes and once again proves Opilec Music work on only the most special projects.

Sometimes there’s a huge talent out there and you desperately want the whole universe to discover it. That’s pretty much the story of Parisian label Chuwanaga with young French artist Koji Ono, composer and producer of these four precisely crafted gems, recording everything by himself.
Brilliantly mixed by Greita from Disques Flegon, his first EP Incognito is the product of a lot of influences, from Metro Area vibes to the original Britfunk sound. With an inner sense of elegance in the arrangements - something we may link to his Japanese heritage? - The whole EP brings musicality back on the dancefloor.
We believe this could be the beginning of a great story for this talented musician, Koji Ono emerging from the incognito shadow to the whole light of the world.
Don’t miss out!

For the first release of 2018 we welcome Harry Wolfman to the Outplay family. Having followed his work for the last couple of years we're very happy to have him deliver this varied 4-tracker, which very well might be some of his best work to date.

Really Swing goes wider with a new 12” series, head honcho Quiroga delivers three track dedicated to magician and eminence of misdirection Dariel Fitzkee and Italian master composer Alessandro Alessandroni.
“Cup and Balls” the title track is an elegant disco cut blending latin bass, guitar and percussion, creating an emotional texture in its rhythm and serenity that became an astonishing future jazz tune with a leading bassline.
On the flip side “ Ciao Fischio” an homage to Maestro Alessandroni drowning lush rhodes melodies over funky breaks and intricate bassline, while “Citta di Mare” is voyage through eighties atmosphere that became a soulful and sensous tune full of heavenly piano licks and warmth synth leads

Mating Ritual Recordings chief Martin Hayes returns to RNT and once again shows his knack for simple yet effective selections and slices.

A rich and diverse palette of 7 tracks occupies the record, touching on italo disco, some sparks of bass driven synthwave and the late ’80s house sound. Ritmo! is full of melodies, injecting beats and energy that create an addictive drive and momentum. The record is featuring an impressive list of artists as vocal collaboration as well, leading to an expressive journey that evolves throughout its infectious grooves and powerful 4/4s. It’s the dynamic and propulsive power sparked by the 80s sounds that makes Ritmo! an album you would want in your collection, or on your decks while playing at the club.

CULT EDITS from MANFREDAS, SIMPLE SYMMETRY, and SIAUBAS guaranteed to burn the house / club / teepee down. These top-secret jams have been extensively tested, ended countless epic parties, soundtracked highlight-reel Boiler Room moments, and prompted innumerable feverish attempts at track IDs. Heard in the sets of illuminati DJs, the cult exclusivity now extends with this limited edition VINYL ONLY release. CULTED 001 - worth believing in.

It was May 2017 when Earthboogie’s debut release dropped on Leng. The soundsystem-loving East London duo rightly won praise for a fine EP that brilliantly joined the dots between all things intergalactic, terrestrial and tribal.
Having spent the last ten months recording their adventures, Izaak Gray and Nicola Robinson return with “Silken Moon”, the first single from their forthcoming debut album, Human Call. In typical fashion, “Silken Moon” cannily combines musical elements from a
myriad of styles – most notably Afro-disco, samba and mid-tempo Chicago house – to create a humid hybrid that defies easy categorization. There are bouncy organ riffs, undulating acid lines, clipped Afro-funk guitars, tons of tropical percussion and the chanted, carnival-friendly vocalizations of guest singer Nina Miranda.
The release comes backed with remixes from two members of the extended Leng family: long-serving producer Felix Dickinson and Turkish rising star Ali Kuru. Dickinson sticks close to the original of “Silken Moon” with a mix built around gently jacking machine drums and Earthboogie’s sweaty guitar licks while Kuru takes “Human Call” in an altogether more cosmic direction. Pushing the track’s psychedelic TB-303 lines and tropical textures to the fore whilst adding his own mind-altering electronics – most notably a fat new synth bassline – Kuru cleverly re-casts the track as a pulsating, late night throb-job.

STAR CREATURE furthering their exploration into the house music genre, not surprising since Chicago is their homebase. 4 tracks of raw, grimy house better suited for the loft than the club.

Temples Of Jura is a new offshoot catering for original artist material from a variety of genres. The first release is a split Dub 12” featuring Melbourne’s Len Leise and Adelaide’s Jura Soundsystem. As the title suggests Len’s track is a homage to the legendary Dub pioneer Adrian Sherwood whilst Jura Soundsystem debut with a more Rootsy excursion across 3 mixes.

Ichisan’s 2017 Aperitiv was so good that we’ve decided to return for a second helping from his sumptuous album. Four choice cuts have been selected and reworked with a specific instrument focus. The harpsicord version of “Hotel” keeps the intoxicating melody of the original but allows beats to relax as notes shine with an incandescent brilliance. Drums put their feet up for the Rhodes version of “Modri Tunel.” Deep stings and lounging lines mingle in this work of smoke swirling seduction. “Kozmetika (Trumpet Version)” dances to a different tune. Rich bass is again central but this time brash and bold brass intertwine with funk filled bars. The last waltz arrives with the piano version of “Terminal E.” Alluring notes ascend, rising and falling against heartwrenching guitar strings for a finale to end this ballroom inspired beauty.

Auke Riemersma (aka Aux Tha Masterfader). Erio Simonini and Gilberto Caleffi (aka Disco Doubles). Together this partnership from The Netherlands and Italy form Light Cycles, a trio raised on sci-fi sound tracks and smouldering synth anthems. These influences are omnipresent in the group’s debut 12”: Flowing. Addictively catchy hooks and clean beats are central to the Light Cycles’ sound with their dazzling melodies glimmering across the 12”. Elements of disco are folded into these spirited compositions as this forward-looking triumvirate marry past inspirations with a hope-filled future. Seamless radiance. Simply put, Flowing.

DJ Koze might be one of the world’s best producers, but above all he’s a DJ, and it’s his DJ ear that governs. Just as in a great set, so with his releases: “Seeing Aliens” came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it’s time to remind everyone what’s most important about club music, pull things back, take a turn to the left, and get deep into the groove. Thus “Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12″ version. In a sense it’s incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium.

Malmö's own Sune fills in for Better Listen's tenth release, continuing a run of sweet Scandinavian finds for the label.
The Butter Love EP is a true reflection of the Crime City man's sound; jovial, dusty disco and soul samples adorned by heady drum machine programming.

While the info may be light on detail, the music is heavy on vibe.

When No Pussyfooting was released in 1973 by two great pioneers like Eno and Fripp, that first whisper of their artistic association surprised many critics and fans. Yet, that kind of minimalist ambient sonority carried out by the two appeared in the ear like something absolutely new and innovative. Although nowadays we might be more accustomed to creative operations of this type, we are still fascinated, while listening, by the still possible achievement of relevant moments of musical epiphany, however distant we might be from that first eminent combination between keyboards and guitar which concerned electronic experimentation. Something similar occurred in this new collaboration between Riccardo Sinigaglia and Maurizio Abate; two generations in comparison, whose research developments unfold in the handful of different conceptions and experiences. Their music does not own a pre-defined structure; it receives its ultimate reason from the progressive and continuous metamorphosis of sound. It’s all the result of spontaneous sessions, during which a predisposition towards an active trance procedure, sustained by complementary flashes of lucidity, prevails. The dominant atmosphere is entirely oneiric, perpetually doubtful, still not linked to the passive remote unconscious: it rather reminds of lucid dreams, of phosphenes, of eidetic visualizations that belong to Tibetan tradition.

Theo Special brings you the ultimate heat for this summer, including a Bartellow remix.

The long awaited EP by Will Buckley finally comes sees the light. Soul Sides EP showcases Will's search for a perfect loop with three originals and a super smooth remix courtesy of Parallax, PKA C.Scott and Buscrates. Each original was mixed by Lovedancing's own, Pontchartrain.

Under an old alias, Nicolas Jaar puts out a new album, prooving that he is innovative as ever.

This is Maurice Fulton at his best! The much sought-after remix of Alice Smith's "Love Endeavor" now lovingly reissued on 12", complete with the instrumental mix.
The A side sees Fulton elevate the original from summertime neo soul jam, into a chuggy dancefloor masterpiece - reimagining the killer bassline & teasing the vocal until the full force of Alice's voice is let loose in one of the best breakdowns around.
On the flip, the instrumental remix gives you the choice to let Fulton's craftsmanship shine without the vocal. TIP!

Follow up to their debut Liquid Deep, Dreamcast Davon and Sasac are back for another PPU PRODUCT.

The Mighty Zaf & Phil Asher present ’80s, their new edit label specializing in disco & boogie, and strictly vinyl only. Their second releases continues their strive for edit heaven with three scintillating selected cuts. Best not to sleep on this because the first sold out fast!

Another STAR CREATURE debut sure shot, this time from newly formed GROUND CONTROL project headed by DJ FRICTION out of Germany. Another hot 2 slider with "STEP OUT OF THE DARK" & "ALL NIGHT LONG". Test Presses have already been making their way around the globe at rare groove & disco parties.

OURRA teams up with ANDRE ESPEUT again to deliver a hot follow up to one of the highest demanded records 2017 "WHERE THERE'S NO LOVE". The combo is proving to be truly stellar as they put a new school twist on Brit funk with a little modern Italo vibe. ANDRE's voice can't be matched. Act fast!

Two of Russian electronic music’s rising stars, Phil Gerus and Alexander Lay-Far, invite you to join them at the Solitary High Social Club. While table service is provided, they’d much rather you throw caution to the wind and head to the dancefloor.
Before joining forces in the studio, both Moscow-based musicians have delivered a string of memorable solo productions. Lay-Far has previously released a wealth of material on such labels as Local Talk, City Fly, Lazy Days and 4Lux Black, while synthesizer fetishist Gerus has showcased his electrofunk and disco-fired cuts on Futureboogie Recordings, Sonar Kollektiv, Public Release and Superior Elevation Records.
The five tracks that make up Solitary High Social Club deliver a perfect marriage of the two producers’ distinctive solo styles, combining the rich musicality of Lay-Far’s house productions with the spacey, intergalactic electronics of Gerus’s discoid adventures. In many ways, it’s a marriage made in heaven – or in Lay-Far’s celebrated In-Beat-Ween Studio, at least.
The duo’s spacey and melodious musical fusion is arguably best exemplified by lead cut “City 2 City, Star 2 Star”, a widescreen, mid-tempo disco epic rich in tactile Rhodes riffs, supernova synth solos, delay-laden drum beats, tumbling melody lines and heavy analogue bass. Fittingly, the track returns in “Reprise” form – think sweeping, weightless ambient bliss – to round off the EP. Elsewhere, the duo provides further proof of their combined musical talents. Check, for example, the gentle drum machine electro beats, cascading new age
melodies and sparkling, stretched-out synthesizer chords of the impeccably beautiful “Am I Tripping”, or the devilishly percussive, mind-altering brilliance of “Love Life”, where mutant electro bass, wide-eyed chords and alien melodies rise above a heavy, Afro-influenced groove.
As for “Snowflakes On Her Lips”, you’ll struggle to find a more confident and positive dancefloor workout all year. Blessed with killer piano parts, darting analogue synth-bass and a range of disco-tinged musical flourishes, it’s by far and away the most celebratory moment on an already happy-go-lucky EP. It confirms, too, our initial hunch: at the Solitary High Social Club, life is always good.

As with those that preceded it, this one's a vinyl-only 12" of... indeterminate provenance. Behind every Schatzi ditty is a dash of homespun crate-digging mischief, a dollop of crunchy, swinging drum loops, and a determination to inject into the tropes of today the carefree heart and funky soul that made the dance music of decades past feel so alive. A royal flush of raw, untamed disco that desperately wants off this slab of wax and onto fogged-out dance floors and into strobe-lit basements.

They don’t get much more anthemic than Idris Muhammad’s ‘Could Heaven Ever Be Like This’ and who better to rework it than edit royalty, Late Nite Tuff Guy. Subtle in his touches yet incorporating a more DJ friendly, dancefloor orientated beat and tension building intro which teases elements of this classic before that instantly recognizable bass riff and staccato guitar chords come into play.
That subtlety is key when it comes to handling a record as epic as this, elements are accentuated and looped, delicate effects are woven in but the soul and feeling of Idris’ music is lovingly maintained by LNTG.
And for the purists out there, the flip houses the original mix so you’ve got two paths to heaven to choose from.

This LP samples Alexander Goldscheider’s music produced for records, films, TV and even an art exhibition in the space of 25 years starting from 1975. In its second venture into reissuing hidden gems of electronic music produced in Eastern Europe in the 20th Century, Little Beat Different Issues focuses on the work of a Czech composer, musician and producer, Alexander Goldscheider. Born in Prague in 1950, Goldscheider started as a music correspondent in New York in 1968/69, went onto reading Music at Charles University whilst continuing as a music critic and radio/club DJ, before becoming a record producer at the top Czech label, Supraphon. As a composer, he pioneered the use of synthesizers in his songs for major Czech pop/rock singers as well as in his own instrumental tracks. After moving to London in 1981, he first recorded two albums at the renowned Red Bus Studios, then proceeded to work at the legendary BBC Radiophonic Workshop, before co-founding and establishing Romantic Robot, a software and hardware design and manufacturing company which later moved into music recording and publishing. Of the many original products, The Music Typewriter was ground-breaking software enabling the writing and printing of real notation on the Sinclair ZX Spectrum. Similarly Terezin: The Music 1941-44 was the first ever release of CDs with music written in the Theresienstadt Concentration Camp during World War II.

Second release on new LA based Pleasure of Love label, Barcelona's Pau Roca on editorial duties. Soulful disco grooves and rare south african funk are subtly retooled, teased out, and extended to perfection for DJ use.
Born out of a dingy basement club in Hollywood, Pleasure of Love has grown from anything goes disco house party to adventurous re-edit label.
Reworks reflect the spirit of the party and limited pressing of 300 matches the capacity of the venue that holds it each week.

Originally released back in 2006 Destination Boogie has been one of ZR's most popular and respected compilations. In fact we recently reissued it on vinyl for the first time.
There's a lot of crappy edits out there, we believe these Dr Packer reworks are very worthwhile, well constructed new versions that make the tracks more playable for today's dancefloors whilst retaining their boogie tastic musicality.
Since the album was released the whole edit culture has exploded so we thought it would be a nice idea to get one of the best, Dr Packer, to rework four of the most danceable cuts from the album.
We at ZR HQ think he's done a great job on these........

AUF TOGO is Sasa Crnobrnja (In Flagranti, Mytron & Ofofo) and Clément Cachot-Coulom (The Fabulous Penetrators, Big Girls).
Blending vintage recording equipment and instruments with tweaks from the modern studio, the duo presents a loose, almost improvised sound that plays organically within the rigid confines of house music. Psychedelic echoey guitars clash with probing synth lines, live sounding rhythm sections, heavy kicks and singing cowbells, whilst deep bass lines and spare guitar licks blur the line between rigid, quantised sounds and AUF TOGO’s refreshing human touch.
After receiving much praiseby DJs and fans alike for their releases on Leng Records, AUF TOGO now returns with No Control EP, out on SaS Recordings, drawing on their knowledge of the past and the current club scene, giving the perfect mix of home listening fuzz and a late night dance floor.
The 12" vinyl comes in a branded SaS Recordings sleeve, and Side A is cut to 33rpm, whilst Side B cut to 45rpm.

Slikk Tim, the multi-instrumentalist behind Gary Gritness (Clone/ Hypercolour) and DopeGems (Traveller/ Heavenly Sweetness) strikes back with his new persona on Arcane - Morris Mobley.
The album is a mix of strong Modern Soul flavors, razor sharp vocals, and Grant Green-tinted guitar licks; served with shiny, luxurious synths, and a pounding 808. Includes distinct nods to Houston Rap and Chicago House whilst covering the likes of Don Blackman and Steely Dan.
Built upon solid personal compositions and a strong lyrical sense, backed by suave rhythms and sophisticated chords. Morris Mobley ventures into a sharp, neo-noir vibe, paying tribute to the Johnny 'Guitar' Watson tradition; ranging from nostalgic love to nocturnal moods throughout this eight-tracker he single-handedly produced.

Black Bones are certainly having something of a purple patch, so what better way to celebrate their regal success than with a purple edition in the best-selling series. More awe-inspiring archeology afoot here, as we're treated to another invaluable 4-tracker taking in heavyweight Funk, a fired up freestyle beatdown, strobelit, leather-clad Disco and Folky outdoor Balearia.

More CULT EDITS from IÑIGO VONTIER, PIETNEV, DREEM LION, and ALEXI LE FAN. Everyone loves these. No one has them. Only edits in circulation requiring a vow of silence and a paid subscription. Cannot be stolen, shared, or caned to death. Rename the track titles in a random internet café for maximum secrecy/exclusivity/emotional well-being. CULTED002 - blood in, blood out.

The folks at Passport to Paradise deliver more exotic sounds from the farthest reaches of Earth and beyond, for your aural pleasure. Your concierge today is cosmic disco maverick Loud E, taking us from 123 to 456 to 789 in a masterclass of disco edit wizardry. Step inside the elevator...
The doors close. Loud E welcomes you with '123', flicking gears and switches while offering you a space mojito. It's a smooth ascension; suddenly, the elevator wobbles and the lights blink to the beat of 124bpm. Still with us? We land on '456', and the doors creak open to reveal the orange surface of Mars.
Space dust floats around a disco ball; strobe lights penetrate the atmosphere. By '789', you're seeing stars - literally. Loud E takes us from nought to sixty in the blink of an eye, or perhaps the stamp of a passport. Three cosmic cuts for the more enlightened of dancefloors.
Join the Passport to Paradise ride, but be careful - you might never come.

British born, Berlin based singer songwriter, Cameron James Laing steps up for an outing on Suara. The original, 'Her', is an emotive and enchanting mixture of soulful vocals, acoustic guitars and swelling strings, beautifully produced and expertly executed.
Roman Poncet then flips the original into a bumping, breaksy, glitched out roller, twisting and manipulating Cameron's vocals to add a further dimension to the mix.
On the B side Prins Thomas brings his trademark Scandanavian touch to 'Her' edging the tempo up and anchoring the song to a dynamic bass, alongside echoing out elements of the guitar and strings to create a version that wouldn't be out of place on the Balaeric Islands.
Closing out the e.p. Peter Pardeike takes you back to the club, placing a rhythmic arp and weighty stabs behind a pounding kick and crisp hats, to provide a big room version of Cameron's original.

Timeless mysterious crunchy groove from Formix no. 1

“Fire, the divine essence stolen from the gods by Prometheus and given to humanity thus, making us unique amongst other creatures of Mother Nature, bringing us closer to the divine.
The myth’s version chosen to illustrate the songs in this compilation, whispers that the figure of this fire remains alive in the shape of intelligence and cleverness. Technology split us apart while allowing us to own the sounds of Nature, to transform them, to travel in time within the 20th century using all sorts of folk instruments, assembling mezzo-sopranos coming down from orchestras high up in the sky, with the most virtuous percussionists in the Spanish music scene. Who would have told the sailor man that he would be dancing to down-tempo with his loved one, who is leaning on the balcony waiting for him.
This compilation is a deep scream from modern gods; the flame that is still alive in this new century.
I couldn’t be more thankful to Lord Guardado (Discómanos) for relying on me for the selection of songs, for being this project’s cornerstone and engine, as well as to all the artists who agreed to be part of it.”
Daniel Nielles

Subtitled As “The Open Gate To New Spanish Music” This Is An Amazing Compilation Dedicated To Spanish Minimal, New Age, Ambient, Downtempo, Folk, Experimental Sounds, 1989-1999, All Tracks Never Released On Vinyl Before.
Feat: Suso Saiz, Iury Lech, Finis Africae, Eliseo Parra...
Sublimely Curated By Daniel Nielles (Tuharrdosons), Inspired By The Work Of People Like Luis Delgado (El Cometa De Madrid, Etc).
LP Only Release, 500 Copies. 180Gr Vinyl.

Genius DON CHRELLI returns to ROYAL ATHLETE with his debut EP "CARAMEL" with remixes by PIN UP CLUB & OURRA. "CARAMEL" is a disco boogie feel great EP featuring sleek bass slapping grooves & smooth melodies. 4 album worthy songs are included with 2 cosmic tripping remixes. Outstanding project!

Spencer Miles' debut on Bordello A Parigi with two hard banging electro-disco tracks to wreck the festivals and clubs this summer!

Following the success of Joey Negro's 'Produced With Love' album, four of the album cuts get the remix treatment from an all-star cast of producers each with their own particular flavor.
Kicking it off Chicago legend Ron Trent takes the original funked out, Arthur Russell flavoured, 'Distorting Space Time' and turns it into a deep house groover complete with a strong walking bass alongside adding a soul & richness to the elements that only he knows how. Crackazat step up next to take on 'Lactican Boogie' crafting it into an uptempo piano driven, emotionally charged stomper sure to do some damage this summer.
Flip it over and Lay-Far delve into 'In Search of The Dream', adding squelchy synth stabs and a deep bass to give a more hard hitting edge to the track whilst retaining that disco flavor with Angela Johnson's emotive vocals.
Closing out the e.p. Fouk come full circle, bringing their hazy, jazz tinged style to 'Distorting Space Time' - building the remix around those warm Rhodes chords, shuffling rhythm and dynamic bassline.
Gold once again from the Z Records camp!

House of Disco's vinyl only edits imprint HODSTASH is back with four cuts for the floor with tracks from label regulars Fouk, Snack & Harry Wolfman and a track from someone totally new SDWTRX.