Nu Disco | Disco Edits | Cosmic 185 Items

Clear vinyl. Original inner sleeve. tiny wear

close to NM

Yellow vinyl.

Travelling extensively across Asia and Africa from 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy. TIP!

Black vinyl. Artwork by Mikey Joyce. Limited to 300 copies.

Part two of a new Salsoul Re-edits series launches with four classic edits for RSD from seminal edit king Danny Krivit. With over 45 years behind the turntables, if anyone knows what little extra touch a record needs to work on the dancefloor…it's Danny! Taking his editing skills to four classics from the Salsoul vaults , Danny delivers once again. Available on vinyl for the very first time.

Young Marco mines deep into the 90s era Italian house underground and strikes absolute gold... Part 2 of 2..

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This spring, Safe Trip will release Welcome To Paradiso, an expansive retrospective of the Italian dream house sound co-compiled by label founder Young Marco.

At the tail end of the 1980s, a new take on deep house began to emerge from Italian studios. 'Dream house' drew inspiration from key U.S deep house records of the period – the spacey melodiousness of Larry Heard's productions, and the rich jazziness of tracks originating in New Jersey in particular – but sounded distinctly different. Its' 'head-in-the-clouds' feel – all rich chords, tactile basslines, fluid piano lines and starry electronics – made 'dream house' a uniquely Italian proposition.

First and foremost, the style echoed the wavy, glassy-eyed positivity of the period more than any other. While music in the UK and the low countries was getting faster and heavier, Italy's 'dream house' producers continued to create music shot through with warmth and colourful musicality until 1993. While few 'dream house' records were made after then, its' sounds and loose aesthetic influenced subsequent styles such as trance and progressive house.

During its' peak, dream house – or, as it was tagged by leading Italian label DFC, 'ambient house' (echoing the similarly minded work of UK pioneers such as The Orb and The KLF) – could be heard blaring from club sound systems across Europe. The style's popularity was fuelled, in part at least, by the runaway international success of "Sueno Latino".

Welcome To Paradiso gathers together some of the finest examples of the style for the first time since the turn of the 90s. It includes a smattering of scene anthems – Key Tronics Ensemble's peerless "Calypso of House", Morenas's "Sonnambulism", the ambient mix of Last Rhythm's Italo-house classic "Last Rhythm" – alongside a swathe of hard-to-find, in-demand and forgotten gems.

There are cuts from key players in the movement – the likes of Don Pablos Animals, Sasha (later to find fame with a strong of bouncy, piano-heavy Italo-house cuts), and Dreamatic – plus a string of lesser-known names whose contribution to the evolution of the sound should not be overlooked. Young Marco has also found space for Leo Anibaldi's "Elements", a rare deep house outing from a producer who later helped define the sound of Roman techno.

Over the course of two double-vinyl compilations (and one extended digital download package), Welcome To Paradiso celebrates one of the most evocative and imaginative musical styles of electronic music's golden era. Kick off your shoes, turn your gaze skywards, and immerse yourself in the music.

Described as "an audiovisual production and performance duo," Shiro Schwarz is truly a complete multimedia experience. The bright, 64-bit aesthetics of their visual style are a perfect compliment to their synth-heavy tunes, which blend elements of boogie funk, synth-pop, and new wave, while wrapping it all in an air of digital mystery, which lends deeply to the allure of their sound. This 12" maxi single includes "Electrify," originally released in 2015 on their "Street Beat" album, and "Breeze" from 2013's "Exoplanet Love." Originally pressed to wax in 2016, it sold out quickly and has become a scarce find in the aftermarket. This 2021 reissue includes a full picture cover with art designed by Pammela Rojas of Shiro Schwarz.

Following celebrated compilations from Motor City Drum Ensemble and Young Marco – and with the second edition of its limited-capacity festival in Croatia right around the corner – Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann
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Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode

“It’s music from my childhood,” says Dettmann. “It’s still relevant and still inspires me.” That inspiration can be heard across this edition of the Selectors series, as Dettmann has put together what he describes as a “pre-techno compilation.” Much like the previous Selectors editions, the compilation is not a mix CD, but a collection of tracks hand picked by Dettmann from his own vinyl archives. Freshly remastered – and occasionally reworked or re-edited by Dettmann himself – the songs here are undoubtedly vintage gems, but they also represent a very personal journey into Dettmann’s past.

“It was a great opportunity to dig deeper into my own musical outlook,” he explains. “The tracks come from a time before Marcel Dettmann became a DJ.” Simply put, the songs here are some of the building blocks upon which he’s built an incredibly storied career, and now he’d like to entrust them to future generations.

Left Ear are re-introducing another ten lost tracks from Nicholas Georgieff and Virgil Work, St Louis' basement electronics duo Workdub.

The release spans material from 1989-95 and includes recordings from their sole LP and both cassette albums. Workdub’s music hardly fits into a vacuum and some might even say it’s otherworldly. Tracks like “Reach for the Stars” and “Lunar Module” reflect dreams of space-age exploration, all the while their investigation into drum machines, synthesizers, samples and digital fx’s matched with their organic live instrumentation work to create a unique atmospheric dubbed out sound.

2LP, remaster - Imperial Tiger Orchestra's Mercato [12th years Anniversary Edition] includes the best of both albums Mercato & Addis Abeba remastered with bonuses live recordings in London, Paris, Addis, Tokyo & Cape Town.

Beautiful private press style release by Pablo 'Balearic' Color. Remix treatment by Phantom Island's Kejeblos. Just how you like it!!

Stamped white label test pressing!

Deluxe Limited Edition.
Includes poster.

5y anniversary repress on Colored Vinyl Satin Jackets' debut album, featuring a string of cameos from vocalists familiar and exotic, jetting in from LA, Berlin, London, Belgium and Australia.

Finally, this great record gets a nice re-press!

Music From Memory’s latest release in their 12” series focuses on the little known UK band The System. A project masterminded by Bob Lamb, a somewhat cult figure in Birmingham's music history; the short lived group released only one album ‘Logic' and a single in 1983 on the somewhat obscure French label ‘Romantic Records’. This distinctively forward thinking new wave/synth pop album met with poor distribution and with almost no promotion to speak of at the time and quickly dwindled into obscurity. The albums sense of technological exploration, outstanding production value coupled with the band’s gift of writing deeply emotive, yearning pop tunes, make it sound though perhaps more relevant today than many other far more successful albums of its time.

Emotional Response celebrates it's 10th Anniversary in repressing a label's long held favourite - Jefre Cantu-Ledesma and Alexis Georgopoulos wonderful Fragments Of A Season - coming together perfectly for an album of laconic story-telling and atmospherics.

Over the past decade, Cantu-Ledesma and Georgopoulos have been frequent collaborators. With one another - Jefre's recent ""On The Echoing Green' Mexican Summer), Arp's "The Soft Wave" Smalltown Supersound) and The Alps "Le Voyage" Type) - and with others. Jefre has worked with Grouper aka Liz Harris), filmmaker Paul Clipson and has released music by Harold Budd, Oneohtrix Point Never and Keith Fullerton Whitman on his Root Strata imprint, while Alexis has worked with visual artists Tauba Auerbach and Doug Aitken, scored dance for Merce Cunningham, choreographer Jonah Bokaer and made liminal classical music with Canterbury composer Anthony Moore Frkwys 3 / Rvng Intl.).(Emotional) Especial

In all of their projects, the two have always been masters of atmosphere. Veering between romantic abstraction, filmic ambiguity and suggested narrative, their music draws on personal and collective memory, letting things surface. Fragments Of A Season represents a new and distinct chapter in their ongoing work together, continuing this lineage of understated but resonant work.

Arising from conversations wherein each revealed that they'd been working on tracks with a similar feel in mind, the two quickly realized their songs fit together quite effortlessly. The goal was to do something immediate and spare - most songs simply use an old drum machine and a few chorused guitars, featuring live performances with minimal editing. The result, and indeed the goal of the project, was not to make an album that would simply sounds like what one would expect of the two - there are no modular synths or sequenced basslines, no motorik rhythms or overdriven distortions. Rather, to pursue a tangent of simplicity and clarity.

The result is an album of warmth and cool, sparse but evocative, earthy and luminous, narrative and abstract, taking influence from Les Disques Crepescule and early Cherry Red artists i the duo also cite Eric Rohmer's "A Summer's Tale" and the photography of Luigi Ghirri, whose image graces the cover.

Song titles provide narrative hints. As does New York-based writer Leigh Gallagher's short story enclosed within. Each song finds the story advancing - on the beach ""Marine""); at a discotheque ""Madagascar""); sleeping in the afternoon "Mirror The Sky"). Memory of cobblestone streets and a recent relationship ""Cleo"", "The Streets Are Filled With Rain"). A sense that this temporary idyll will end casts a shadow. Ultimately, for reasons unclear, it does ""Lost Summer"").

There is the sense that a distinct arc has taken place. On some faraway beach, the buildings are white, the skies and sea turquoise. Waves rise and crest. A shaft of light crosses an empty room. A discotheque can be heard in the distance. A mist burns off. Over the course of the ensuing astral summer weeks, an encounter sets the world known previously in relief. Days stretch out and the nights hum.

HEADPHONIQ drops an amazing album from the creator of the WARP remix! ILO fuses together a raw mix of deep house, jazz dub, disco & Detroit techno! Imagine DERRICK MAY, MAW, BJORK, KRAFTWERK, CARL CRAIG, PEPE BRADOCK & ROY AYERS make music together & you come close to what the sound of this is.

When first I got to know that I was going to create the score for this short, I was pretty excited about the idea behind the film, and especially the story of the character Jens, who suffers from schizophrenia.I started inventing sounds to depict the character’s visions and hallucinations and I knew right away that I was going for a style more experimental than the two previous scores, Eastern Army and Mosaic, both written during the same year. The working process of the soundtrack for Hell is Other People (Helvede er de Andre) has perhaps been the most creative I have ever done. I just started recording sounds, effects and handmade percussion with no idea as to where I was heading, only the sense that I was going somewhere else, somewhere I had never been before. Somewhere where I felt very comfortable. All of the sounds are performed and recorded at night in my home studio Easy Beat Evil Bite and I used everything I could at home, everything I could get my hands on: wine glasses, chimes, shakers, African percussion instruments, angel harp, tambourine, sitar, hand drumming on a paper box or on naked skin, cymbals, synthesizer, effect pedals, the Rhodes, the piano and a lot of reverse recording from my old Revox tape recorder as well as electric and acoustic guitars. The title song “Every Missing Beat of Your Heart” and ”Falling Papers from a Staircase” are both very calm and reflecting tunes, characterized by a dreaming acoustic guitar arpeggio and a persuasive hypnotized tempo from an old metronome. On the track ”Metal Me” is a lot of psycho-blues; the strumming of an acoustic Yamaha is evident on three monotone chords and the 'sloppy' beat makes everything sound so heavy. I love the production of the song ”At the Clinic” where I chose to do a swing beat playing on the glasses to generate a more defined sound, like something you just can’t get rid of; like an annoying sound , and together with electric guitar playing in surf mood I really did something cool and easy there… I pictured the boy Jens walking up and down the corridors at the hospital and having trouble thinking clearly, or maybe seeing what other people couldn’t see. I think that all in all, I was most inspired by the sound of the 50’s in the making of this album; the warmth of the tremolo of in ”My Room” and the dark and psychotic mood of “Perspective” and ”Second Moon”. From time to time there is a touch of emptiness, death, agony and the feeling of loneliness behind those moments in tunes such as ”One of Us”, “No More Dead Flies” and ”She Suicide”. The second part of ”Every Missing Beat of Your Heart” I wrote on an acoustic guitar in Berlin during a short vacation. I remember having written the chords and the lyrics for the melody in half an hour and was very happy with the result. Signe Isager, who recently sang live with the band Alex Puddu and The Butterfly Collectors, sings in this song with me and I thought it would be a good choice to go with the end credits. For the making of the songs on this album I have been searching for the clinical, cold aesthetics of the rooms and corridors of a hospital and the warm sound of the sea from a house on the beach and I do believe this is what inspired me. It has been a great experience working on this album and the production, from the very start to the very end of the process, and being able to give what I felt was right for this picture at this moment.

This is a selection of previously unreleased tracks created at home by Enrico Serotti, without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.

Deluxe Limited Edition.
Green Vinyl.
Small sticker on cover.

South Korean funkmeister MOGWAA delivers a 6 tracker in his debut. This is the epitome of the instrumental "MODERN FUNK" sound. Heavy analog synths & drum machines for days composed & played by a classically trained musician. It's a well rounded EP across the loner funk, outsider boogie spectrum. Out on STAR CREATURE.

Second album of this dope new boogie affaire - straight out of Melbourne, Australia..

Raw outsider boogie, interstellar loaner funk, intimate synth sound productions on this debut from Russia's VENUS EXPRESS II. The LP features 8 hot tracks of spacey, jazzy, funky tunes in the similar format of STAR CREATURE's SKY TONY & LIQUID PEGASUS releases. This is true space funk!

MFM's curious and utterly killer Afro/Belgian electronic project gets the re-whip by a bunch of current producers. The EP also includes the previously unreleased, Veronika V02 (a synth bass heavy version of the compilation track, Veronika 02).

Still shrink wrapped but opened.
Dogeared cover.
Records with just a few paper scuffs.

tiny wear. Vinyl is close to NM

“Expectations” is an extended player from minimalist disco outfit Harvey Sutherland and Bermuda. The second release for Sutherland’s own Clarity Recordings brings his Bermuda project into sharp focus - six tracks spanning Harvey’s influences from the West Coast to West End Records.

Recorded with bandmates Graeme Pogson (drums) and Tamil Rogeon (electric strings), Expectations follows last year’s stomping label debut single “Priestess/Bravado”.

The EP includes a long-awaited studio version of live favourite “Clarity”, uptempo burner “Coast 2 Coast” and a moment of spiritual introspection with “Spiders”. The title track offers glimmers of the Doobies and the ‘Dan – a sign of things to come from the Melbourne producer and his unique trio.

Expectations 12” and digital will be released worldwide 24 March 2017, via Clarity Recordings. Distributed by Monocarpic (AUS/NZ) and Above Board Distribution (ROW).

First release from the BEAT catalogue serie which is focused on new artists. All music produced and mastered by Kevin Skyler.
Electronic delight ranging from dance to experimental style!

This release is on 180g vinyl. The fifth in International Feel's minialbum series. From their base in Los Angeles, intrepid musical voyagers Pharaohs have imagined a place far from the city for their first stand alone release on International Feel.

This release is on 180g vinyl. The fourth in International Feel's minialbum series is by Shelter aka Alan Briand, a young Parisian producer with a strong melodic centre producing a sound that pulls on the Zouk, the Afro, the Balearic and the Ambient palette.

Ichisan has been coaxed back behind the velvet curtain of the Bordello, this time for eleven track trip into a land of funk filled machine music. Aperitiv cruises with no single style, instead this Slovenian synthesist glides and slides through a scatting of sounds. Cosmic. House. Disco. Wave. Italo. All are plundered to produce an album overflowing with good feeling. And these feelings are pretty damn good. The road bends- The course changes. Bubrling acid bliss, crisp beats and stunningly delicate key shifts characterise this collection. Inviting strings pull you ever deeper. A soundtrack to coast line journeys along the Gulf of Trieste in a top down convertible, late night romances and evenings of endless warmth. Allow yourself to be whisked off by Ichisan, a trip you won´t want to come back from.

Now a firm favourite in many a DJ’s record bag, Nigerian disco-boogie king Steve Monite’s hit “Only You” (featured on Soundway’s recent “Doing It In Lagos” compilation), is given a rework by Sofrito’s own Frankie Francis.
On the B-side, Nick The Record teams up with Idjut Boys’ Dan Tyler to take on “Hafi Deo” - a beautiful taste of breezy tropical Congolese pop from Tabu Ley Rochereau.

The people at Antinote are always excited to introduce new names to its roster and Sign Libra, its latest addition, makes no exception to the rule.
Released under the moniker Sign Libra, Closer to the Equator is the work of Latvian artist and composer Agata Melnikova. Composed for a contemporary ballet at Latvian National Opera in Riga, the music on this record strongly relies on Melnikova’s appreciation of BBC-produced nature documentaries. Projecting the life of each creature that inhabits the British TV-program into her very personal and highly synthetized world, Sign Libra lends these microscopic beings her own voice. Each song works like a musical “tableau” in which the main protagonists – plants and animals – come on stage to play their part in a ballet carefully choreographed by the Latvian artist.
Sign Libra’s mental and musical incarnations of the microcosm of the rainforest have something to do with Software’s album populated by exotic insects and crawling plants, a “Carnaval des Animaux” released on Sky by a MIDI-addicted Hector Berlioz. These microscopic beings incarnate themselves in resonated melodies that echo through a technicolour rainforest, while winds blow through holographic ferns, vines and palms.
Closer To The Equator synthesizes visions panning treetops as the sun’s rays pierce through clouds nearby. Sign Libra takes you into a harmonic world that shines brightly wherever you stand, and offers a genuine synesthetic experience.

Dark Entries and Emotional Rescue team up to further explore Psychic TV’s Acid House years. Psychic TV was formed by Genesis P-Orridge and Peter Christopherson of Throbbing Gristle with Alex Fergusson of Alternative TV in 1981. After various line up changes, the band shifted direction to dance oriented songs influenced by the House and Techno scenes of Detroit and Chicago. By 1988 the group included Dave Ball of Soft Cell, Fred Giannelli of Turning Shrines and Matthew Best of Carcrash International. During the summer of 1988 the group recorded a batch of songs at Time Square Studios in London that would appear under the guise of various artists compilations Jack The Tab’ and ‘Tekno Acid Beat’. The idea behind these ‘compilations' of imaginary artists was creating a sense that a healthy acid house scene existed in the UK.
Virginia was the studio project of Dave “Mista Luv” Ball and then-wife Virginia “Gini” Ball, a classical violinist who toured and recorded with Siouxsie and the Banshees and Marc Almond. The duo had previous collaborated on Dave’s solo album ‘In Strict Tempo’ in 1983 and with the group Other People in 1984. The name "Blue Pyramid" was inspired by a photograph from Pink Floyd's album ‘Dark Side of The Moon’. Also at the time Dave was taking quite a lot of acid and came across some stuff ironically called "Blue Pyramid". Gini’s violin has an arabic feel, adding to the already bright and hypnotic dance rhythms. For this reissue we’ve backed the A-side with a remix from Bucharest DJ and producer duo Khidja who add more acoustic instrumentation for a world-beat psych-out. On the flip is San Francisco analog wizard Bézier who ups the tempo for some late-night peak NRG. The final remix comes from San Francisco producer and engineer Mark Pistel of Consolidated, Hercules & Love Affair, and Meat Beat Manifesto, who offers a slice of non-stop ecstatic dancing. All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The 12” is housed in a trippy, majorelle blue and purple die-cut sleeve with classic yellow Psychic TV skull label, all designed by Eloise Leigh. Each copy also includes a 2-sided 6x6” square insert with a photograph by Fred Giannelli of the Emax disc for Blue Pyramid, and liner notes by Dave and Gini Ball.

Distant Images is D.K.’s fourth release on Antinote and we can say quite safely that Dang Khoa Chau fueled a few identifiable obsessions over the years – for those familiar with his work, it probably won’t feel like uncharted territory when they’ll hear a somehow well-known guitar in the background of the title-track.
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What time spent collaborating with D.K. also showed us is how much his sound magnified itself and its textures sharpened for the past three years. We now know for sure that his music only seems versatile on the surface as Distant Images confirms that the Paris-based musician has been, in fact, digging deeper in the same direction; each new record working like a diaphragm, always more precisely adjusted to capture his inner vision. It feels, for instance, like D.K.’s music is constantly trying to reach a higher level of vanescence from one record to an other, a process which possibly accelerated after a visit from Suzanne Kraft – who he recorded an album with, earlier this year (coming out on Melody As Truth).

With Distant Images, D.K.’s sound also took a step further into reality – the most attentive ears will hear seagulls on Distant Images while rain is softly falling on Leaving – and slightly departed from the digital universes that his
previous records seemed to set in motion. From the most abstract songs – like the Steve Reich-ian Shaker Loops – to the most evocative ones, the five compositions on Distant Images are like stained glass, gently filtering natural light. It is therefore no coincidence if, of all the senses, the titles of the songs mostly refer to Sight: close your eyes while listening to the cinematographic Days Of Steam and visions of an industrious city might appearbefore you.

The beauty that emanates from Distant Images is of a diaphanous kind and the record a collection of kaleidoscopic moments.

Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best damn Fela edit we've ever heard.

Although a relative upstart on the scene, Junktion has been getting some serious heads nodding lately with releases on Sleazy Beats and Outplay, and the Hot & Bothered EP continues to define his dusty and organic sound. From the summery ease of the title track, to the fresh take on the oft-sampled 'I'm Wishin' to the discofied chugger 'Fling Cleaning' followed by the slow-burning 'Visions of You,' this EP is a beautiful listen from beginning to end. And the kids are gonna dig it too.

Montreal. 1983. In the studio, Denis and Denyse LePage once again marry their musical ability to produce a romance streaked electro disco gem. Fast forward three decades and the husband-wife partnership of Lime may be forgotten by some, but not by all. Odessa pays homage and treats you to a Private Disco Show. Synth lines are buffed and allowed to shine once again. Vocals take a back seat as glittering notes are given centre stage. Bright beaming bars, cascading chords and heady harmonies bob and weave in this refreshing of a true classic.

Tropical Disco's first vinyl outing serves up 4 stellar disco reworks tailor made for dancefloors worldwide.

AL-TONE are back with part 1 of a double 12" of dance floor goodness. This volume contains some of their sought-after edits "SAME ROUTINE", "END OF TIME", "TEACH THE PEOPLE" and "I GOT SOMETHING", which are out of print.

RNT welcomes upstart Londoner Cody Currie into the roster with the groove-heavy Movin' Smoke EP.

A precociously well-developed production talent, the young producer puts his penchant for deep house sample-scapes on full display here.

From the blissful lilt of the title track to the creatively crafted jazz funk of Infinity I & II through to the b-side bangers Make Love and Magic City, this record is a beautiful listen from beginning to end.

As the head of Berlin's eminently respected OYE Records, it's no surprise Markus "Delfonic" Lindner would come correct with the edit heat for his first outing on Razor-N-Tape.