Nu Disco | Disco Edits | Cosmic Vinyl 439 Items

The kind of track that makes you want to know what kind of morning routine Apiento has on a weekday, "The Orange Place" is simply an underground dancefloor classic of the 2010's that makes you realise something very special was going on with Paul Byrne's Astrological charts at the time. In his innocent words: "This was made in 2013 in a studio in East London. It was sort of made for like dark clubs that just have that glowing light which is why it was named ‘The Orange Place’. It’s fun to hear in the club as you know what it is from the first conga hits." A galloping chugger known to do serious damage on well oiled dancefloors like Pikes in Ibiza with DJ Harvey at the reins. Pure Sleazy Belgian Indiana Jones vibes, impossible to forget and very timeless, if you didn't get in on the first pressings, don't sleep on another chance. Now with full cover artwork and additional dubbed out afro cosmic remix by Castro.

Almost a decade after it's initial release, we're VERY happy to say this much in-demand Red Motorbike 12" is almost back in our hands. This enduring dedication to the dubwise has been going for eye-watering prices 2nd hand, so load 'em up !

It's time for another GAMM battle weapon, only the third one since we dropped the first one back in 2004. This time Ukokos and keyboard wizard Jabco lay down some Dilla(ish) hip hop beats and piano action over that incredible live video clip that went viral with Kanye Wests Sunday Service band doing a combined live gospel/soul cover of Keep Rising To The Top and All Night long. A serious battle weapon for any soulful head.

Sähkö Recordings offspring and Helsinki's house music label #1 Keys Of Life presents their first part of two balearic 12inches by DJ Sotofett & SVN.

Each heading for their own side, DJ Sotofett stretches epic coastal synths, shaking tambourines, stomping bass notes and whirling crystal resonance to a 14 min ride. SVN on the flip side goes deeper, to the late night or early morning, with spacial rhythms, reverberated back drops and warm pads with a hint of acid.

A few copies arrived with a corner bump on the cover. We're therefore selling it on a reduced price.

Limited Edition for Record Store Day 2019! LTD edition handnumbered gatefold 2LP celebrating the 5th year anniversary of Super Disco Edits. The labels first album consisting of 18 unissued soul tracks from the 70’s & 80’s featuring formely formerly and highly collectable SDE 45’s and 5 formerly unreleased tracks from the likes of Buddy Hankerson, Dennis Coffey and groups who never made a single release like Mother Braintree and Between the Two

Travelling extensively across Asia and Africa from 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy. TIP!

"This release is LP and it's individually 300 hand-numbered limited edition. The first 100 copies are pressed on WHITE & GREEN MARBLED vinyls (AR016).
It's dedicated to the 1988 Experimental / Electronic masterpiece by the Italian contemporary guitarist Riccardo Giagni, originally released on Stile Libero (Italy) + a special Balearic Remix by SIMON PETER.
Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."

Washington based Better Listen Records drop their first VA e.p. housing four disco influenced dancefloor workouts bringing a slice of sunshine to our shores.
Folamour kicks things off with an uptempo disco stomper, complete with driving bass, infectious string hooks and energetic piano stabs. The A2 sees Ethyene slows things down combining choice vocal snippets, shuffling rhythms and sleezy synthwork to create a sunset groove ready made for the summer.
On the flip Ari Bald draws on all the elements from a classic disco anthem, with brass stabs, slap bass and an uplifting guitar riff driving things forward, before Dorsi Plantar closes things out with a blissful boogie simmerdown perfect for any sunrise set.

This Banger form 2010 by croatia`s finest Ilija Rudman get a 7" re-issue treatment from personal records. A soulful pre-house journey filled with 80's keyboards and a heavy bass! With the Instumental on the flip.

"Pablo’s Eye is the science of studio pressure, when engineer becomes artist. Appropriating left and right as well as front and back, Pablo’s Eye uses the mixing desk to examine and exhaust the possibilities of moments. Pablo’s Eye is a record of that examination and exhaustion, but it is also a record of its own inner space. By means of depth placement, psychoacoustics and spatial fug, Pablo’s Eye is experienced in the deeper reaches of the body, bypassing the conscious part of the mind entirely.
Pablo’s Eye is the turning of recorded music inside out to show its seams. It interrogates a song, stripping down the body of the song to reveal its bones. Pablo’s Eye is in the interstices of music, it plugs the gaps, fills the holes. Pablo’s Eye seeks out the concealed mechanisms, it is a song’s hidden agenda.
For this compilation, it was decided to present the softer air-beatings of Pablo’s Eye. More than anything, Pablo’s Eye is a temporary atmosphere, like a taste or a dream..."

Repress ! For the 10th installment of his Black Aroma Eps, Patrick Gibin leaves the edit duties to 3 masters of the scene: Red Greg, Specter and Luca Trevisi aka LTJ Xperience deliver 5 special edits for this release on Blend it! Records.

Alex Puddu pulls an ace from up his sleeve with the new album The Gambler On his 10th solo album Alex Puddu is back and surprises with a strong set of songs, inspired by a mixture of the early 60’s sound of doo-wop vocal harmonies, together with R’n’B and a hint of jazz og surf references. It’s clear that one can unmistakably hear Puddu has a true love for the music of this period; unapologetically his sound references Dion and The Belmonts ,Vince Taylor and his Playboys, The Marcels and classics Movie scores such as West Side Story, The Wanderers, The Incident and Music To Read The Pretenders by Joe Rene Complex. Morricone’s string musicians and the legendary voice of Edda Dell’Orso On The Gambler there are numerous special guest appearances: First and foremost Ennio Morricone’s legendary vocalist Edda Dell’Orso, well known for her singing on the 60’s og 70’s Western soundtracks The Good, The Bad and The Ugly, Once Upon a Time in the West og Giù la Testa. Dell’Orso sings on three songs on the album, while her husband, Giacomo Dell’Orso, has orchestrated the album and conducted a small group of Ennio Morricone’s string musicians under the name of Piccola Orchestra Cinefonica di Roma. With Alex Puddu on guitar, organ and piano, he is joined by Heidi Luke on drums, Henrik Mathiassen on contrabass, Mikael Fleron on saxophone, with Lukas Sherfey (The Movement) Stefan Moulvad (The Sandmen) and Anders Bruus (The Breakers) on electric guitar. Participating on lead vocals are: Steffen Westmark (The Blue Van - on two tracks), Peter Sandorff (Hola Ghost), Jess Møller Rasmussen (Taggy Tones), Duane Hobson (The Moonfires) and the Italian crooner Max Locci.

When first I got to know that I was going to create the score for this short, I was pretty excited about the idea behind the film, and especially the story of the character Jens, who suffers from schizophrenia.I started inventing sounds to depict the character’s visions and hallucinations and I knew right away that I was going for a style more experimental than the two previous scores, Eastern Army and Mosaic, both written during the same year. The working process of the soundtrack for Hell is Other People (Helvede er de Andre) has perhaps been the most creative I have ever done. I just started recording sounds, effects and handmade percussion with no idea as to where I was heading, only the sense that I was going somewhere else, somewhere I had never been before. Somewhere where I felt very comfortable. All of the sounds are performed and recorded at night in my home studio Easy Beat Evil Bite and I used everything I could at home, everything I could get my hands on: wine glasses, chimes, shakers, African percussion instruments, angel harp, tambourine, sitar, hand drumming on a paper box or on naked skin, cymbals, synthesizer, effect pedals, the Rhodes, the piano and a lot of reverse recording from my old Revox tape recorder as well as electric and acoustic guitars. The title song “Every Missing Beat of Your Heart” and ”Falling Papers from a Staircase” are both very calm and reflecting tunes, characterized by a dreaming acoustic guitar arpeggio and a persuasive hypnotized tempo from an old metronome. On the track ”Metal Me” is a lot of psycho-blues; the strumming of an acoustic Yamaha is evident on three monotone chords and the 'sloppy' beat makes everything sound so heavy. I love the production of the song ”At the Clinic” where I chose to do a swing beat playing on the glasses to generate a more defined sound, like something you just can’t get rid of; like an annoying sound , and together with electric guitar playing in surf mood I really did something cool and easy there… I pictured the boy Jens walking up and down the corridors at the hospital and having trouble thinking clearly, or maybe seeing what other people couldn’t see. I think that all in all, I was most inspired by the sound of the 50’s in the making of this album; the warmth of the tremolo of in ”My Room” and the dark and psychotic mood of “Perspective” and ”Second Moon”. From time to time there is a touch of emptiness, death, agony and the feeling of loneliness behind those moments in tunes such as ”One of Us”, “No More Dead Flies” and ”She Suicide”. The second part of ”Every Missing Beat of Your Heart” I wrote on an acoustic guitar in Berlin during a short vacation. I remember having written the chords and the lyrics for the melody in half an hour and was very happy with the result. Signe Isager, who recently sang live with the band Alex Puddu and The Butterfly Collectors, sings in this song with me and I thought it would be a good choice to go with the end credits. For the making of the songs on this album I have been searching for the clinical, cold aesthetics of the rooms and corridors of a hospital and the warm sound of the sea from a house on the beach and I do believe this is what inspired me. It has been a great experience working on this album and the production, from the very start to the very end of the process, and being able to give what I felt was right for this picture at this moment.