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Nick Cave & The Bad Seeds HHV Records 28 Items

HHV Records 28 Vinyl, CD & Tape 27 Used Vinyl 3 Print & Design 1
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33 1/3
Bad Seed Ltd.
Bad Seeds Ltd.
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Play It Again Sam
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Nick Cave & The Bad Seeds
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West Berlin and The Birthday Party

In the late 1970s and early 1980s, Nick Cave was part of the post-punk scene in Melbourne. Born in Warracknabeal, Victoria, Cave moved to Melbourne in the late 1970s to study painting at Caulfield Institute of Technology. During this time, Cave formed the band The Boys Next Door, which later evolved into The Birthday Party with fellow musician Mick Harvey. They created a raw, intense sound that blended punk, goth and rockabilly influences. Despite limited commercial success, their chaotic performances and Cave’s dark, poetic lyrics achieved cult status. Nick Cave and the Bad Seeds formed in 1983 after The Birthday Party disbanded. The original lineup consisted of Cave, Mick Harvey, Blixa Bargeld, Barry Adamson and Jim G. Thirlwell. The band relocated to West Berlin, where they recorded their debut album From Her to Eternity in 1984.

Exploring emotional depths

The band’s second vinyl, The Firstborn Is Dead (1985), was even more challenging and abrasive, alienating many of their early fans. However, the band also began to develop a cult following, attracted by Cave’s vocals and the band’s unique sound. In 1986, Nick Cave and the Bad Seeds released their third album, Kicking Against the Pricks, a collection of gospel covers. The record was a critical and commercial success and helped introduce the band to a wider audience. Tender Prey (1988), was a further refinement of their sound and included some of their most enduring songs, such as The Ship Song and Deanna. Throughout the 1990s, Nick Cave and the Bad Seeds continued to release critically acclaimed vinyl, including The Good Son (1990), Henry’s Dream (1992), Let Love In (1994) and Murder Ballads (1996). With albums such as The Boatman’s Call (1997) and No More Shall We Part (2001), popularity continued to grow in the 2000s. In 2003, the band released Nocturama, a dark vinyl that was widely praised for its cinematic quality and Cave’s powerful lyrics. Two years later came Abattoir Blues/The Lyre of Orpheus, a double album that was even more ambitious and experimental, incorporating influences ranging from gospel to classical music. In 2008, the band released Dig, Lazarus, Dig!!!, their most accessible vinyl in years. It was a critical and commercial success and helped introduce Nick Cave & The Bad Seeds to a new generation of fans. The band’s next three records, Push the Sky Away, Skeleton Tree and Ghosteen were all hailed as masterpieces. Push the Sky Away was a radical departure from the band’s previous output, with a more electronic and experimental sound. Nick Cave & The Bad Seeds have also released a number of live albums and compilations over the past 20 years, including Live Bizarre Festival Germany (1996) and Live from KCRW (2013).

Almost as constant as change

Since their beginnings in the early 1980s, they have defied genre boundaries to create a unique sound that combines rock, post-punk and blues with Cave’s dark, evocative lyrics. Her influence on alternative music is immeasurable and has inspired countless artists with her brooding intensity and emotional depth. Cave’s distinctive baritone and lyrical prowess have made him a revered figure in music, while the Bad Seeds’ ever-evolving lineup has continued to push sonic boundaries. The band’s early albums were dark and brooding, with lyrics that dealt with themes of love, loss, violence and redemption. Their discography is a testament to their ability to explore the depths of human emotion through music, making them an enduring force in the alternative music landscape. They have not only defined a genre, but also a sense of artistic fearlessness that has influenced musicians for generations.