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A potently multithreaded horror film: What seems like the contemplation of grief becomes a tale of unspeakable and enigmatic terror. Complementing this twisted tale is the haunting score by Polish composer Wojciech Golczewski (mohawk, Beyond THE Gates) and three otherworldly rock numbers by Slow Moses and Kleen Kut. Golczewski’s deft compositions embrace the story’s rich dynamic but never try to overstep it.

As we experience the trials of the Sacchetti couple, who’ve moved into an old farmhouse in an inhospitable New England town, Golczewski treats us to a host of equally delicate and indelicate passages. Dry, creaky strings, an ominous electronic hum, and the searing burn of the synths all leave an indelible mark with each suspended breath of foreboding and every histrionic blaze. Phoenix-based Slow Moses’ dreamy “Gas Station” and hallucinogenic “Teenage Sun” are bruised-and-battered songs that add a whimsical counterpoint to the beautifully terrifying tapestries that Golczewski weaves. New York-based Kleen Kut’s rare “Running Out of Time” is a dark, disembodied rocker with phantasmal melodies unfurling from ancient truths. It carries propulsive, raw energy that codifies the sentiments of the film into a guitar-driven, minor-key strut of otherworldly enchantment. Even after the last note fades, we are still here for another spin.

Still sealed. Pink vinyl.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Yellow Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Split, a terrifying, breakneck thriller, centers on Kevin Wendell Crumb (James McAvoy), a man with dissociative identity disorder whose more sinister personalities (collectively known as The Horde) kidnap three teenage girls. The plan is to feed the “impure” girls to another of Crumb’s personalities, a superhuman creature known as The Beast. The final girl, Casey Cooke (Anya Taylor-Joy) is spared because The Beast sees scars covering Casey’s body, markers of child-hood abuse. Because Casey, unlike the other girls, has suffered, her heart is pure. “Rejoice,” The Beast tells her. “The broken are the more evolved.”

The Split score, by West Dylan Thordson, became the first collaboration between Shyamalan and the composer. Sonic, sinister and foreboding, the music was unlike any recorded for a film before. “I started by recording several loose takes of some simple harmonic bowing ideas with a cellist and violinist,” Thordson said. “The intention was to heavily modulate the captured sounds. While playing around with an idea in the past, I’d accidentally captured something like this and wanted to explore it more. The resulting sound was extremely chaotic, unpredictable, and scary. It felt haunted and seemed to capture the otherworldly, tortured, animalistic quality I was looking for. I wanted it to feel like “Jaws,” foreshadowing the existence of this malevolent being.”

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Fluorescent Purple Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Glass weaves together the unforgettable narratives of Unbreakable and Split in one explosive comic-book thriller. Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within him, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men. The film also stars Sarah Paulson as psychiatrist Dr. Ellie Staple.

Composer West Dylan Thordson reunited with Shyamalan for the Glass score. “I wanted to find sounds that felt brittle and sharp,” Thordson said. “Violin and metal percussion became clear voices for me to build from. Mainly, I wanted the combination of melody and dissonance in Glass to play to Elijah’s thrilling and playful energy. The longer gnarled sounds combined with the pristine orchestral elements seemed to work well to represent the melding of light and dark. To me, the score for Glass is largely about discovery and acceptance.”

West Dylan Thordson is an American film music composer. He is best known for his original scores to Joy, The Jinx: The Life and Deaths of Robert Durst, Foxcatcher, and M. Night Shyamalan's Split and Glass.

Ship to Shore PhonoCo. is very proud to present Vince Pope’s score to Issa López’s acclaimed dark fairy tale Tigers Are Not Afraid, on limited edition vinyl!

The film plays out as a dark fairytale, set against the harsh reality of a Mexican city in which a group of orphaned children living rough in the streets butt heads with the local murderous cartel, all the while their most recent addition - Estrella - is literally haunted by a dark presence…

The music helps weave the tapestry of the story together, dark ambient moments are punctuated with touching melodies that will pull at your heartstrings with a soundscape that is simultaneously creepy and melancholic in all the good ways.

The soundtrack is pressed onto an orange-with-black-splatter variant LP, and also comes with a voucher offering a 30 day free trial of Shudder!

Still in shrink, but opened, with hype sticker

Beautiful vinyl housed in a Tri-Fold Jacket

Pink vinyl is close to NM. limited edition. Original inner sleeve.

Still in shrink but opened, with OBI. Pink vinyl limited edition. Original inner sleeve. Vinyl seems unplayed.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

We saw the power of BET when their New Edition Movie drove the Bell, Biv, Devoe album to #1.
eOne and BET will join forces on a massive Death Row marketing campaign consisting of commercials
on the show, crawlers during the show, eblasts to the million plus Death Row fan list, Death Row pop up
stores etc..
This 15 song album is a good mix of front line hits like “Murder Was The Case” and hard-to-find rarities
like Sam Sneed’s “Drug Related”.

Features 6 original pieces of music by PJ Harvey written for the series
Pressed on 2 x 180g black vinyl
Housed in a heavyweight gatefold sleeve with beautiful artwork throughout. Digital download card included

The Soundtrack to Shane Meadows’ “The Virtues” which screened on Channel 4 last May/June

Features 6 original pieces of music by PJ Harvey written for the series
Includes tracks used throughout the series including music by Aphex Twin, MONO, Lisa Hannigan and more

“I am so happy to have provided the original music for this extraordinary and powerful new drama by a director I have admired and followed all my life. Shane has a unique directness and sensitivity to his work which I am drawn to and aspire to in my own work, so our collaboration was open and trusting. I sent Shane ideas as demos for him to try out as he edited and let him choose what he used and where to the greatest effect. In the end we both loved how the demos worked so left them as they were, adding to the raw beauty of the piece.” – PJ Harvey

The Virtues is an emotionally charged drama starring Stephen Graham (This Is England) that teeters on the edge of total self destruction, battling alcohol addiction and memories from a dark childhood.

“Windows on the World” is a dramatic love story about a Mexican son's search for his father – a missing, undocumented worker in The World Trade Center on 9/11. On the morning of September 11, 2001, Fernando (Ryan Guzman - “Step Up” franchise, “Boy Next Door") and his family in Mazatlan watch their TV in horror as the Twin Towers collapse. Fernando's father, Balthazar (Edward James Olmos) works in the Windows on the World restaurant. But he does not call to say he is safe. And there is no way to contact him. As the family grieves for his apparent loss, Fernando’s distraught mother swears she sees her husband on news footage – escaping from the building ALIVE! Heroic Fernando decides to take the epic journey from Mexico to New York City to find his father and save his family. Along the way, he falls in love with empathetic Lia (Chelsea Gilligan), and befriends an eclectic group of international characters that help him restore his faith in humanity, as Fernando discovers the hard truths about his father, the melting pot of America, and the immigrant experience. The film also has memorable performances from Richard Cabral (“The Mayans”) Glynn Turman (“Cooley High,” “The Wire”) Julie Carmen (“In the Mouth of Madness,” “Gloria”) and Luna Lauren Velez (“Dexter,” “Oz.”) It was directed by Michael Olmos (“Filly Brown") - adopted son of Edward James Olmos, cinematography by Reynaldo Villalobos ("Risky Business,” “Urban Cowboy,” TV’s “Breaking Bad”), with a soundtrack that includes a new song with vocals and guitar by David Hidalgo (Los Lobos) and blues hall of famer Charlie Musselwhite on harmonica. Plus original jazz music from members of the SFJAZZ Collective (past and present), Eric Harland, David Sanchez, Edward Simon, Obed Calvaire, Robin Eubanks, Matt Penman, along with Taylor Eigsti and Ethan Iverson (The Bad Plus)...as well as tracks from Les Claypool (Primus) and Fela Kuti.

Available For The Very First Time On Vinyl
180 Gram Pumpkin Orange, Candy Apple Red, and Magenta Swirled Colored Vinyl
Includes Soundtrack Songs, Score Cues, and Dialogue
Exclusive Liner Notes By Rob Zombie
New Art By Robert Sammelin
12”x12” Twenty Page Booklet
Unreleased Set Photography From Rob Zombie’s Personal Collection
A 12”x12” Art Print
Printed Inner LP Sleeves with Set Photography
Old Style Tip-On Gatefold Jackets with Matte Satin Coating
Waxwork Records is proud to announce the debut vinyl release of Rob Zombie’s Halloween II Original Motion Picture Soundtrack. Released in 2009, Rob Zombie’s Halloween II is an American slasher film written, directed, and produced by Rob Zombie. The film is a sequel to Zombie’s 2007 reimagining of 1978’s Halloween and the tenth installment in the Halloween franchise starring Tyler Mane as Michael Myers, Malcolm McDowell as Dr. Sam Loomis, Sheri Moon Zombie, Scout Taylor-Compton, and Brad Douriff. The film picks up where the 2007 film ended and then jumping ahead one year. Halloween II follows Laurie Strode as she deals with the aftermath of the previous film’s events, Dr. Loomis trying to capitalize on those events by publishing a book that chronicles the events, and Michael Myers as he continues his search for Laurie so he can reunite with his sister.

Waxwork Records is proud to present the soundtrack for the very first time on vinyl. The deluxe release features score cues by Tyler Bates, select dialogue from the movie, and soundtrack songs including tracks by The Moody Blues, Motörhead, Void, Scream, Foghat, Captain Clegg and the Nightcreatures, and more.

Record Store Day 2020 Release.
Limitation: 200 copies.

The soundtrack for the documentary film, Record Safari, on standard vinyl. Record Safari is a feature documentary about vinyl record collectors. Vinyl Records are Alex Rodriguez's drug, and he's turned his addiction into a career. Running the Glass House Record Store and curating for Coachella Music Festival's on-site record store, Alex spends weeks on the road buying records and swapping stories with fellow collectors, musicians, enthusiasts and producers. Record Safari takes you on journey as Alex searches high and low for these sought after pieces of plastic and gives us an inside look into the world of record collecting. Side 1 (A Side) 1. Bikini Kill- This Is Not A test (1:59) 2. Deidre & The Dark- Which Way (3:02) 3. High Waisted- Hey Hey (3:07) 4. Atmosphere- Camera Thief (4:46) 5. Fiona Silver- Here Comes The Fall (3:38) 6. Deidre & The Dark- Tell Me (3:29) 7. Lenny Kaye- Record Collector Side 2 (B Side) 1. Fiona Silver- Housewife (4:09) 2. Atlantic Thrills- Day At The Beach (2:40) 3. Atmosphere- To All My Friends (3:17) 4. The Chamber Strings- Check Out Girls (3:38) 5. The Postmarks- You Drift Away (3:50) 6. Deidre & The Dark- Can't Believe You're Mine (1:52) 7. Outro: ''Thanks'' (:06)

Limited edition for Record Store Day 2018!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Why you'll love it...
The Flaming Lips, The Marías, TOKiMONSTA, Cass McCombs, Maisey Rika, award-winning composer Mahuia Bridgman-Cooper, and newcomer Sophie Gibson, are among 14 artists featured on the original soundtrack to E-Line Media’s Beyond Blue, an exciting new science-driven, ocean adventure game inspired by the BBC’s critically-acclaimed, award-winning documentary series Blue Planet II.

With an eclectic mix of psychedelic indie-pop, electronic, alt rock, and world music by established artists and indie darlings, the soundtrack also includes songs by Muthoni Drummer Queen, LIPS, doubleVee, Slow Skies, Rachelle Eve, The Edisons, Vanderocker, Sophie Gibson and Amitė. The Rachtmans curated the soundtrack to complement the unique narrative and environment of the game, where players are explorers experiencing the awesome wonder, mysteries, and creatures under the sea.

Limited Blue And Green Splatter Vinyl.

The LP Italian library "Music Is My Life" is a new collection of songs never printed in LP of the 70s and early 80s used in the sound commentaries of newsreels, films, TV and documentaries. Many of you (now aged forty) will have surely felt them in the background, now we want to present them in their great musical fullness and to delight your ears.S. Brugnolini - A. Alessandroni - A. Trovajoli - E. Morricone - L. Zito - M. Guantini - Teimar - B. Pisano - G. Tommaso - T. Schipa

A Mad Menagerie of Grindhouse Go-Go Grooves!

Girl In Gold Boots is Ted V. Mikels' (The Corpse Grinders) homage to the time tested 'small town girl moves to the big city to become a go-go dancer' story. And if a movie is ostensibly about go-go dancing, then we're gonna need some music to go-go to. And that's what this album you're now holding is all about. From the odd psych rocker 'Do You Want To Laugh Or Cry,' to a frenetic barrage of country soul. It's got some solid harmonica groovers, an odd xmas song and of course the banger of a title track!

Pressed on colored vinyl, and includes a DVD of the entire film with lots of extras!

Limited edition of 500 copies pressed on white and yellow vinyl.

Back in the latter half of the 1960s the burgeoning idiosyncratic group of alternative filmmakers coming out of (then) Czechoslovakia known as the Czech New Wave were taking art house cinemas in Western Europe and America by storm. The hour long films that came out of the infamous Barrandov production house played a competitive rival to that of the French and Italian New Waves with their very own immaculate and spellbinding takes on cinema verité, film noir, surrealism and cinema concrète. But after the Soviet Union invaded Czech in August 1968 the clampdown on non-conformist creative arts saw over seventy films either banned or withdrawn from production in a mass culling of film reels until 1970.

It is not until recent years that the genre has become widely recognised as a veritable and virtually untapped source of inspiration for fans of experimental cinema, psychedelic cinematography, baroque costumes and scenery, music and graphic design.

Daisies pulls together what you might call the ‘Holy Trinity’ of the Czech New Wave – director Vera Chytilová, costume and set designer Esther Krumbachová, and cinematographer Jaroslav Kucera – arguably the three most forward-thinking and truly experiMENTAL minds in the whole of the CNW collective. Witness Les Petites Margeurites (original French theatrical title) as they mischievously flutter through Prague’s finest restaurants accompanying middle-aged men on flamboyant double dates in gastronomic ménage à trois – “If the world spoils itself, then we shall be spoiled as well” decide the two bikini clad button-cute Maries in the films opening scenes.

The radical and experimental nature of Daisies is further enhanced by its erratic score which consists of the juxtaposition of various non-melodic elements and sound effects, laden with a broad palette of samples and snippets of choral and classical vintage recordings spliced with concréte effects, traditional brass band music, Disney style exotica, Charleston dance standards and token 60’s beat tracks.

Originally prepared for public consumption by Finders Keepers in 2007 and available once again as part of our ongoing (and slightly disrupted) 15th birthday celebrations this immaculate release was taken from the original reels and compiled in close accordance to the original storyline and comes complete with unseen archive images, original international poster designs and new and extensive sleevenotes.