Movies | TV 332 Items

As soon as the pilots of the Space Oddities endeavour decided to tackle Yan Tregger's oeuvre, a major problem surfaced: where to begin? And where to end? Upon which side should one launch into the ascension of this body of work? It will have taken Alexis Le-Tan and Jess years to put up this selection, capturing the profusion and eclecticism of Tregger who, at 81 years old, has yet to lay down the arms and still defines himself as a "jack of all trades". Symphonies, library music, movie soundtracks, TV credits, advertisement, French variété, pop, disco, electronic, experimental or relaxation music, Yan Tregger (born Edouard Scotto di Suoccio) took up all genres, styles and formats through a career spanning from the end of the 50s to this day. How the Stakhanovist successfully went down so many different routes can be explained by his innate talent for composing melodies; they are the very basis on which his iconoclastic production was built. Ten years ago already, Yan Tregger had welcomed us in the studio of his Parisian suburb pavilion. There, sat in front of his machines and albums framed on the wall, he had delved into the midst of a life writing itself like would a rather unusual musical score.

Imagine a world in which you are permitted, by a warlock, to go back in time to use an advanced yet primitive submarine to investigate the deepest waters in and around Japan, for the first time in human history. You are not permitted, but two Japanese scientists were allowed on such an aquatic adventure!

Here we have an underwater in-submarine field recording of their adventures, intermixed with a slippery-watery score, that surely represents the lurking fresh surroundings of the deep as they retreat further and further to the bottom of the ocean. The cameras, the retracting mechanical sea tentacle, their communication devices, are all audible now for you, as Deep Sea Animals is played out as a fresh digital radio play. All the audio has been preserved at Studio Isabellalei, by Milan W. from the original laserdisc, which was a part of the cinematic curatorial program at the opening for Spencer Clark’s album Avatar Blue, in Antwerp, Belgium.

With a purchase of the vinyl album of Deep Sea Animals on Pacific City Discs, you not only return to the prehistoric times of 1986, when two brave Japanese submarine pilots were to record deep underwater creatures, but you are also thus thrust back in time to Antwerp 2018, to a romantically titled, Event Horizon Cactus Cooler Laserdisc Theater. Just as well, the proceeds of this disk, tirelessly edited by Spencer Clark, will be donated to the preservation of the ocean, via the inspiring Sylvia A. Earle’s foundation, Mission Blue. Its not that you may or may not believe what I am now discussing with you, its that you can believe, because this disk is real, and thanks to Pacific City and Discrepant we will ride further into the super-natural realms of real life.

What an amazing experience,

Spencer Clark, Athens 2023

Acclaimed label Light in the Attic proudly partners with River Road, Zurich Avenue, and Roadside Attractions to release Dreamin’ Wild Original Motion Picture Soundtrack. The film follows the real-life story of brothers Donnie & Joe Emerson, whose teenage dreams of rock stardom suddenly came true 30 years later. The soundtrack blends vintage recordings by Donnie & Joe (including the cult favorite “Baby”) with exclusive new performances by Donnie Emerson, Nancy Sophia Emerson, and actor Noah Jupe, plus original score selections by composer Leopold Ross (Black Mirror, A Million Little Pieces).

Limited Yellow Vinyl Edition.

The original off-kilter psychedelic score rejected by Andrzej Zulawski available for the first time ever on limited edition transparent red vinyl 7” (500 only). Released alongside long-awaited liberation of Andrzej Korzynski’s full psychedelic score for Diabeł (fkr112) Sourced from the elusive original master tapes with the full cooperation of the CeTA archives in Warsaw this grinding psych ro

Still shrink wrapped but opened.

A home audio version of Jonathan Snipe's soundtrack for '32 Acres', a sound walk by Marike Splint. This site-specific piece took place in 2021 at the Los Angeles State Historic Park. 32 Acres crowdsourced approximately 1,500 recordings on concepts such as what LA tastes or sounds like, which Snipes then layered to create a cobblestone tapestry. CD version is a continuous mix by the composer.

Introducing BENCZE SCHAMANN QUINTETT — a groundbreaking collaboration between Munich's underground visionaries, Andor Bencze and Thomas Schamann. With their debut album, the artists invite you on an espionage mission in a twisted parallel universe where the hierarchy between melody and rhythm is turned upside down. Expect wild car chases, dangerous love and notorious villainy, directed by David Lynch.

Their debut is a testament to their creativity and an experiment in pushing the boundaries of what is possible with sound. It's an invitation to explore the unexplored, to embrace the bizarre, and to immerse yourself in a realm where sound is sculpted, warped, and reinvented.

Waxwork Records in partnership with Back Lot Music is thrilled to release Cocaine Bear Original Motion Picture Soundtrack Music by Mark Mothersbaugh!

Directed by Elizabeth Banks and inspired by the 1985 true story of a drug runner's plane crash, missing cocaine, and the black bear that ate it, this wild dark comedy finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500- pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow … and blood.

About the composer:

Mark Mothersbaugh is a Grammy, Bafta, and Emmy nominated composer, producer, designer, and visual artist whose work has become part of the pop culture consciousness. He started his career as co-creator and front man for the seminal New Wave band Devo. Their Brian Eno/David Bowie-produced debut album “Q: Are We Not Men? A: We Are Devo” was certified Gold before their hit album “Freedom of Choice” went Platinum.

For Cocaine Bear, Mothersbaugh wanted a score that reflected and captured the culture of the ’80s, with a personality that evolved as the decade’s music evolved. “At the beginning of the film, it starts out very pop,” Mothersbaugh says. “But as it goes through it, it gets heavier. The guitars change up from being acoustic and lighter to being distorted and more aggressive and there are synths throughout that provide a pulse that keeps things moving.”

To make it as authentic as possible, Mothersbaugh used the instruments that created some of the most distinctive and memorable sounds of the ’80s music scene. “Once we decided we were going to let it soak a bit in an ’80s sound, I went to the warehouse where I store equipment and my old Devo road cases full of synths,” Mothersbaugh says. “I pulled out old synths that we used on albums in the ’80s and used the same synths and a lot of the same amps and foot pedals.”

Cocaine Bear Original Motion Picture Soundtrack Music Features:

The Complete Score by Composer Mark Mothersbaugh Compact Disc Design and Layout by Matt Needle 4.75" Insert

Dynamite is proud to unlesh, the second Dewolf delight....DYNAM7133 Frank McDonald & Chris Rae
Side One: Night Moves / Side Two: Zero Hour & Bank Job
Next up is Frank McDonald & Chris Rae here are 3 songs from the Night Moves album, Our opening track is Yes "Night Moves" a deep heavy groove, spooky, seductive and dreamy all at the same time, library music just gotta love it.
"Zero hour" - is a mid-tempo, spacey funky groove, just like a scean in a heist film. Tension, just holding the groove with Rhodes chords to thinken the vibe, Perfecto!!!
"Bank Job" – A super funky little mover, Drums Bass & Rhodes holding down another heist feeling.
x 500 vinyl copies only

Dynam7134 Barry Stoller - Atomic Butterfly

Side One: Funky Spider

Side Two: Cool Character

This the first time, these two super fine grooves, taken from the original Atomic Butterfly album, are on 7" vinyl.

Funky Spider – Mid tempo floor mover, drums and super funky horns. Definitely party vibes for this one !!!

Cool Character – Drums and bass groove

Dynam7135 Keith Papworth – Hard Hitter / Decisive Action

A Hard Hitter

B Decisive Action

Keith Papworth was born in 1919 in Poplar, He died in 1990.

The hard Hitter Dewolf album is one of the big movers in the collectors world, This single give you two of the big numbers breaks and bass grooved

"Hard Hitter" – this is right up there with its super funky bass line and drums. A touch of flute and horns to give you that extra pick up

"Decisive Action"

DJs beware, its work out time !!! A superb funky groove sampled by Paul Nice on Vol.15 (Track 17)(2001)

Dynamite cuts is proud to unlesihing a series of Dewolf library grooves. All firstime on 7" vinyl including the Original 70s sleeve design.
First up are two amazing grooves are taken from the original mega rare Formula album. We have Chosen "Long Weekend" which is a bass-driven, percussive, heavy groove, great drums - the perfect DJ tool. On the flip is, "Design" - uplifting, bright, funky guitars and bass, a right little mover; it just calls Dynamite Cut 7" and it was so right, the Perfect track.
Barry Stoller is the award winning composer and original writer for Match of a Day, The Sweeney (1975), Dawn of The Dead and many more scores we may recognise

Dynamite Cuts are proud to unleash another selection of musical delights. The World OF Library music is a mind field of goodies. Our first release in this 5-part series from the UK Library label De Wolf Music.

Dynam7136 Nick Ingman

A - Throng

B - Trip Wire

This is as kitch as it gets, Firstime on 7" vinyl for these two beauties. A side "Throng" with its Perfect funky opening, lifts it up into a lovely little groove, Clavs, flutes, horns… Thank you ! On the flip "Trip Wire", a slow intro building up to a wicked head knodder,

"Throng" was sampled by Ltj Bukem for the Inner Guidance" release

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

Taken from the soundtrack to an obscure 1975 Italian film, Elio Bartolini’s L’Altro Dio, these two killer disco-funk instrumentals might have remained in oblivion were it not that Four Flies rescued and included them in the comps Esterno Notte and Esterno Giorno, both of which sold out quickly and have become almost impossible to find. It seemed more than proper now to release them for the first time ever on 7”.

Suite Crude Revue is a rotating cast of outstanding performers committed to an unshackled aesthetic. Produced, composed, and arranged by Daniel Zelonky, this single presents songs for imagined films. “Cowpoke Detox” might be termed “spaghetti jazz”. It’s a strange hybrid of spaghetti western style baritone guitar lines supporting jazz noir harmonies, creating a surreal backdrop for the tale of an unrepentant murderer, who feels regret only in terms of the consequences he’s facing. “Blue Ramen #1” is a lover’s lament, set to what might be termed a “Hollywood samba”: One imagines Los Angeles session players emulating samba for a commercial film, not an authentic Brazilian band. The lush aural environment culminates in a dreamy closing vamp with the impassioned vocal set amid a swirl of improvised trumpet, violin, and piano. This haunting, yet ironic song may well have found its way into the popular consciousness ... if the movie had actually existed! This record breaks the mold of history-conscious record making, eschewing the slavish copying of past styles which has become so common, and exemplifying the label’s stated mission of “Reimagining a futuristic past” where “weird vistas of fresh possibilities unfold before us...” Very limited edition on vinyl.

- Music from original 1980/90's BallyTM/WilliamsTM Pinball Machines -- First time ever released -- Pressed on LITA EXCLUSIVE Lime Green Vinyl -//The 80s and 90s was an innovative and exciting time for pinball as the music and playfields evolved to incorporate the electronic innovations rising from the reign of the video game and computer industry.A time when music moved from the background to the forefront of game play becoming an integral element of the feel and kinetic nature of pinball where no two games will ever be exact.These collections of original electronic music from classic BallyTM/WilliamsTM pinball tables feature songs from many of the most popular games of this era.The pinball industry exploded during the pandemic with new companies and games entering the market. Making Pinball the new hot throwback resurgence with barcades, tournaments and arcade museums opening across the globe.

2 tracks from the Dirty Harry Soundtrack first time available on a 45

7 track mini album. 'Waterpark' is a film score written for Director Evan Prosofsky's same titled film, and explores the neutral element of sound in a massive indoor water park located in west Edmonton Mall, in the province of Alberta. A vacation home to countless stranded Canadians with no vacation in sight.

The instrumentation of oscillators, heavily reverberated strings, mellotron/chamberlain, and experimental electric guitar sets the mood for this bizarre plastic tropical paradise thats within a shopping mall.

Record Store Day. Blue Vinyl Edition.
Cover with seam split at the lower edge.
Includes original insert.