Movies | TV 353 Items

9 x 7" box set.

The Godzilla franchise is a Japanese media franchise created and owned by Toho, centered on the fictional kaiju character Godzilla.

It is the longest-running film franchise, having been in ongoing production from 1954!



From the first ever Godzilla record "Godzilla-san / Our Anguirus" to the big hit "Shin Godzilla" in 2016, it is a permanent preservation board that traces Godzilla's music history in the form of a single record. In addition to "All Monsters Attack", the theme song that colored Godzilla's hero era at the Toho Champion Festival is recorded in the form of a reprint of the original version of Crown Toho Records. For the theme song "Kaese! Taiyo wo" of "Godzilla vs. Hedorah (1971)", which is gaining cult popularity, the soundtrack version used in the movie was made into a record for the first time. "Godzilla vs. Mothra (1992)" and "Shin Godzilla (2016)", which boast the largest number of mobilization in the Heisei Godzilla series, are the first 7inch records of the inserted songs.

The reprinted 7inch single record contains valuable past art. (* The recording form of art is different from the original board)The four new records will be recorded with completely new art.

Mondo and Vinyl Films are proud to present the premiere, expanded edition of the soundtrack to Cameron Crowe's essential, genre-defining 1989 debut film SAY Anything…

Containing the original soundtrack album, plus an entire additional disc of music - featuring demos written and recorded for the film, previously unreleased in any form - including long-lost demo recordings of the 'Joe Lies' songs, as performed by Nancy Wilson for Lili Taylor.

Featuring a 16-page booklet, containing never-before-seen photos and liner notes with the film's writer and director Cameron Crowe, stars John Cusack, Ione Skye, Lili Taylor and composer Nancy Wilson and more!

The soundtrack of one of the most sinister, disturbing, controversial and original horror films of the last twenty years is finally available on a physical format!

"The Human Centipede" is a film conceived, produced and directed by Dutch director Tom Six, which tells the story of the wicked Doctor Heiter, a manic German surgeon who kidnaps three people with the aim of surgically sewing them together to form a 'human centipede'. The movie has won many awards at various horror film festivals, and its delirious plot has become part of the urban subculture, thanks to numerous citations in TV series (including The Simpsons and South Park), films and songs.

The sinister and spine-chilling electronic soundtrack created by Patrick Savage and Holeg Spies perfectly reflects the morbid atmosphere of a film that "occupies a world where the stars don't shine". This release contains the music of the first film of "The Human Centipede" series, conceived right from the start as a trilogy that began in 2009 with a 'First Sequence' and followed in 2011 and 2015 respectively by the 'Full' and 'Final sequence'.

This first yellow vinyl edition, enclosed in a gatefold cover with artwork by Ed Harrington, contains also a very special add-on: a temporary tattoo with the illustration the centipede project designed by Dr. Heiter himself!

Hair is a 1968 rock musical with lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s. The musical broke new ground in musical theatre by defining the genre of 'rock musical', using a racially integrated cast, and inviting the audience onstage for a 'Be-In' finale. The album reached the #1 spot on the Billboard chart and received a Grammy award. For the first time ever, the complete recording of Hair is now available on a deluxe and expanded 2LP-set. The album features classic hits like 'Aquarius', 'Ain't Got No', 'Let The Sunshine In' and 'Hair'. There are multiple guest appearances, including Diane Keaton, Idris Muhammad, Melba Moore and many more. Hair is available on black vinyl. The package contains a 8-page booklet with pictures and liner notes.

This is a 11st collaborative animated features works by Miyazaki and Hisaishi. “The Wind Rises” have released only soundtrack. Performance by full orchestra of New Japan Philharmonic. Folk instrument which are Balalaika and Bayan etc. are impressive. Including the main theme “hiko-ki Gumo” (vocal: Yumi Arai)

- The Complete Film Music Available For The First Time On Vinyl- 180 Gram "Satanic Rite" Colored Vinyl- Exclusive Liner Notes By Rob Zombie- 16 Page Booklet Featuring Unreleased Photography- Bonus Black Metal Live Album By Count Corgan Pressed To 180 Gram Black Vinyl With B-Side Etching//Waxwork Records Is Proud To Present Rob Zombie's The Lords Of Salem Original Motion Picture Soundtrack. Available For The Very First Time On Vinyl And Pressed To 180 Gram "Satanic Rite" Colored Vinyl, The Music Of The Lords Of Salem Features The Velvet Underground, Rick James, Rush, Leviathan The Fleeing Serpent, John 5, And More.The Lords Of Salem Is A 2012 American Supernatural Horror Film Written, Produced, And Directed By Rob Zombie. The Film Stars Sheri Moon Zombie (The Firefly Trilogy), Meg Foster (They Live), Bruce Davison (X-Men), Dee Wallace (E.T., The Hills Have Eyes), And Patricia Quinn (The Rocky Horror Picture Show). The Plot Focuses On A Troubled Female Disc Jockey, Heidi (Sheri Moon Zombie), Who Is A Recovering Drug Addict Living In Salem, Massachusetts. Her Life Becomes Entangled With A Coven Of Ancient Satan-Worshipping Women After Receiving A Strange Wooden Box And Listening To The Album Inside It By A Band Named "The Lords".The Soundtrack Features Classic Songs By The Velvet Underground, Lou Reed, Manfred Mann's Earth Band, And Several More. The Score Features Original Cues By John 5 And Griffin Boice. In Line With Other Zombie Soundtracks, The Album Features Intermittent Dialogue Tracks From The Movie.Waxwork Is Thrilled To Present The Debut Vinyl Release Of The Lords Of Salem As A Deluxe Album Package Featuring 180 Gram "Satan Rite" Colored Vinyl (Blood Red And Blue Butterfly Effect With White Splatter), Exclusive Liner Notes By Rob Zombie, New And Original Art By Robert Sammelin, A 12"X12" 16-Page Booklet Including Unreleased Set Photography From Zombie's Personal Archive, A Heavyweight Art Print, Printed Inner Sleeves, And Old-Style Tip-On Gatefold Jackets With Satin Coating. Also Inclu...

It has been 30years since “Nausicaä of the Valley of the Wind Symphony” was produced Isao Takahata. This is the first and last soundtrack by Movie Director Isao Takahata and Composer Joe Hisaishi collaborative work. Including the main theme by Kazumi Nikaido.

Performance by full orchestra of New Japan Philharmonic in addition a chorus by Ritsuyukai. Including the main theme by Masako Hayashi, Fujiokafujimaki and Nozomi Ohashi.

An album including 10 tracks created by Joe Hisaishi. 3 songs are based on a poetic note of inspirations written by Director Hayao Miyazaki. 6 songs, instrument 4song , total 10tracks. Including the main theme “Ponyo on the Cliff by the Sea”. Vocal: FujiokaFujimaki and Nozomi Ohashi, Little Carol, FujiokaFujimaki, Nozomi, Mai)

Record Store Day 2021 Release. Following their 1990s hiatus, Wire reformed in 1999, and, after setting up their own Pinkflag imprint, between 2001–2003 released five distinct Wire items: Twelve Times You (pf3; 7-inch vinyl), Read & Burn 01 (pf4; CD EP), Read & Burn 02 (pf5; CD EP), Send (pf6; CD album) and Pf456 Redux (pf456 Redux; 12-inch vinyl album. Following the two Read & Burn CD EPs, Wire released the full length album Send, combining some tracks from both Read & Burn EPs and four unreleased pieces. Since none of the tracks had previously been issued on vinyl, a creative solution was sought to include all of the tracks from Send and the two Read & Burn EPs. This was achieved by some quite brutal edits! Thus the title Pf456 Redux is both catalog number and descriptor of the process. However, none of the tracks on PF4, PF5 and PF6 were ever put out on vinyl at full length—hence Pf456 Deluxe, which includes everything from those three releases and Twelve Times You, for good measure. As in many things with Wire, form follows function. This limited edition version for Record Store Day 2021 comes with a hard -bound book containing text about these recordings and photos from the period.

The Nest is a 2020 thriller film written, directed, and produced by Sean Durkin. It tells the story of a family plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently. Its soundtrack was arranged by Richard Reed Parry, a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments. The Nest is available as a limited edition of 500 individually numbered copies on crystal clear vinyl. The package includes an insert with pictures from the movie.

* Pressed on 180 Gram Black Vinyl with artwork by Mo Shafeek * Manufactured in the Czech Republic

Mondo, in collaboration with Back Lot Music, is proud to present a vinyl pressing of James Newton Howard's Golden Globe Nominated score to Universal Pictures’ powerful new film from acclaimed filmmaker Paul Greengrass, News of The World.

Set five years after the end of the Civil War, News of the World follows Captain Jefferson Kyle Kidd (Tom Hanks), a veteran of three wars, who now moves from town to town as a non-fiction storyteller, sharing the news of presidents and queens, glorious feuds, devastating catastrophes, and gripping adventures from the far reaches of the globe.

In the plains of Texas, Kidd crosses paths with Cicada, aka Johanna Leonberger (Helena Zengel, System Crasher), a 10-year-old taken in by the Kiowa people six years earlier and raised as one of their own. Johanna, hostile to a world she’s never experienced, is being returned to her biological aunt and uncle against her will. Kidd reluctantly agrees to deliver the child to where the law says she belongs. As they travel hundreds of miles into the unforgiving wilderness, the two will face tremendous challenges of both human and natural forces as they search for a place that either can call home.

The film is a moving exploration of our present through the lens of our past, and the music by eight-time Academy Award® nominee James Newton Howard (The Hunger Games, The Sixth Sense, Signs, The Fugitive) is innovative, emotional, and beautiful, as it follows Captain Kidd’s journey from regret to redemption. A haunted, and healing sound of vintage Americana floods from your speakers as the tender strings and piano guide you over gorgeous landscapes.

The long-awaited recurrence of the OP theme "I won't be your wife" from the TV anime "Kiteretsu Daihyakka"!

The opening theme of the TV anime "Kiteretsu Daihyakka" sung by Kaori Moritani, announced in 1988, has been reissued with a new analog 7-inch jacket design. On the B-side, the ending theme of the 90-minute special version that was broadcast the year before the start of regular broadcasting (1987), "Korosuke Machigou" composed and arranged by Haruomi Hosono is recorded.

Evangelion Finally is a collection of vocal songs performed by Yoko Takahashi and Megumi Hayashibara as heard in the hit anime series Neon Genesis Evangelion and the 2009 film Evangelion: 2.0 You Can (Not) Advance. Neon Genesis Evangelion originally ran from 1995 to 1996 and is credited with the big global spread of Japanese animation due to the popularity of the series.

In the cinema, the composer must go to meet the filmmakers, enter their world, but without giving up his own. This is the difficulty or the paradox of music for the image. By collaborating with directors from a wide variety of backgrounds, I think I have indirectly discovered a lot about myself. It helped me to progress, to explore territories that were not naturally mine. Cinema is a laboratory where I have sought to construct original orchestral formulas combining Corsican polyphonies, musicians from jazz, variety, classical, or even rappers. Like the world today, a fragmented world where all cultures mingle. So said Bruno Coulais, one of the most innovative composers of contemporary cinema, during the tribute paid to him in 2011 at the Cinémathèque de Paris

In 1978, Bruno Coulais, a young composer of concert works, discovered in film music a new means of expression, a way of bringing the demands of his writing to the masses. François Reichenbach, then Josée Dayan, Jacques Davila, Souleymane Cissé or Laurent Heynemann, first on television and then in the cinema, lead him of his own accord in the discovery of this new world.

In 1995, he composed the music for Microcosmos. This centimeter-scale initiatory journey offers him the opportunity to reveal the full dimension of his writing. He injects into his score a strange lyricism, between wonder and fantasy, confirming the lesson learned from François Reichenbach: "to any documentary image, music brings a part of fiction".

The success of Microcosmos established the musician and made him the indispensable composer of other natural tales, notably alongside Jacques Perrin (Le Peuple migrateur, Oceans, Les Saisons, etc.). Other long-term relationships will be forged, in particular with Benoît Jacquot, with whom he has worked for more than a decade, not to mention Frédéric Schoendoerffer, James Huth or Jean-Paul Salomé.

In addition to great popular successes such as Les Choristes, Brice de Nice or Sur La Piste Du Marsipulami, it is hardly surprising that this insatiable curiosity has found in the animated cinema the most inspiring playgrounds, in particular through his collaboration with two exceptional designers, Henry Selick and Tomm Moore.

The first, American director of The Nightmare Before Christmas produced by Tim Burton, invites Bruno Coulais to sign in 2009 the magnificent score of Coraline (film nominated for the Oscars). 10 years later, he is about to find him for a new and beautiful Wendell & Wild adventure. For Irishman Tomm Moore, Bruno Coulais has already composed the music for two Oscar-nominated films, The Secret of Kells (2009) and Song Of the Sea (2014), and in 2020 he will sign the score for Wolfwalkers.

Whether it is about author's films or more mainstream films, Bruno Coulais maintains the same standards, always considering his art as a window open to the world. Much less wise than it seems, he reveals in it a gift of a modern alchemist and a very personal way of mixing the most diverse cultures in universal harmony at work.

Tracklist :

A WolfWalkers Theme Wolves Running with the Wolves (WolfWalkers Version) Mechanical Wolf or Girl I’m a WolfWalker Howls the Wolf (Moll’s Song - Wolf Run Free) Our Forest

B What Are You Doing Here? This Is Intolerable Please Mummy My Little Wolf Our Victory Follow Me Mébh’s Tune Robyn’s Tune

For the 30th anniversary of the legendary SNK Corporation’s Neo-Geo, Wayô Records is proud to present this new complete edition of the Magician Lord soundtrack in both vinyl and CD digipak formats, featuring a new illustration by Eisuke Ogura! This iconic game has been released in 1990 and was one of the launch titles of the cult arcade system by SNK, and 1991 on the home system. It is still regarded today as one of the legendary game made by SNK on these systems.

In addition to this release, the soundtrack is accompanied by a brand-new virtuoso piano arrangement, especially produced by Wayô Records, and recorded in studio on a beautiful Steinway model C by Nicolas Horvath (official Steinway Artist). This new piano arrangement is part of our Wayô Piano Collection and is a unique way to rediscover the fabulous Magician Lord soundtrack.

The new illustration designed and hand-signed by Eisuke Ogura is available with this vinyl edition, as a collector japanese-made Shikishi, offered to the first 150 orders!

Lesbo" is a 1969 erotic film directed by Edoardo Mulargia, his only experiment in this genre within a filmography mostly focused on Western films and sentimental/romantic comedies. Calling "Lesbo" an underground film is practically an understatement, as no official home video releases of this movie seem to exist; its soundtrack instead has luckily survived to the present day and, given the caliber of its two composers, it could only be a terrific work.

The friendship between Francesco De Masi and Alessandro Alessandroni is even more dated than the artistic partnership that was later born between the most famous spaghetti western whistle and Morricone, and "Lesbo" is 'only' one of the various collaborations between these two composers. Introduced as usual by a sensual theme sung by a seducing female voice, this warm and Mediterranean-flavoured soundtrack has numerous variations with a romantic/symphonic, lounge, even jazz taste, with some typically 'Morriconian' moments of tension too.

An extremely varied work, therefore, of which in 1969 - the year the film was released in theaters - only eight tracks were published on the single side of an LP containing, in addition to the soundtrack of "Lesbo", also that of "L'amore questo sconosciuto" on side B. Recently reissued with the addition of numerous bonus tracks, it is here in its full version - 24 tracks! - on vinyl for the first time ever.

180gr. black vinyl with gatefold cover edition.

Finally on vinyl!

First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.

The Last Emperor is a lavish historical epic directed by the great Italian filmmaker Bernardo Bertolucci and starring John Lone, Joan Chen, and Peter O’Toole. The film tells the life story of Pu Yi, the last monarch of the Chinese Qing dynasty prior to the republican revolution in 1911. The score for The Last Emperor was created by an unlikely trio: Ryuichi Sakamoto, David Byrne, and Cong Su. The soundtrack is a theme-filled exploration of the sounds and musical traditions of Imperial China, filtered through some very contemporary sensibilities. Sakamoto’s contribution comprises nine cues and is focused around his main theme: a beautiful, lyrical melody for the full orchestra. It’s soft, wistful, and introspective, but becomes increasingly dramatic. Byrne contributes five cues, and the first one is the most recognisable, as it’s the main title theme playing over the film’s stylish opening credits sequence. It emerges from a set of evocative Chinese percussion items, with the melody being carried by a gorgeous, lilting erhu. It’s traditional and wholly steeped in Chinese classical music, but it has a real emotional weight that will connect with westerners. Cong Su’s contribution to the soundtrack album comprises just one cue – “Lunch” – but there is much more of his music in the film; Su was basically responsible for writing all the period-specific Chinese source music one hears in and around the imperial palace during Pu Yi’s childhood. All in all, Sakamoto, Byrne and Cong Su deliver an excellent score.

The LP comes with an insert with liner notes and photos.

For the first time ever, Record Kicks is pleased to announce the release of the long lost soundtrack by Whatitdo Archive Group to the Italian Cinematic Masterpiece "The Black Stone Affair'' on beautiful gatefold vinyl, CD and digital format on April 09 2021. Long thought to be lost alongside the movie itself by the production studio, the soundtrack's master reels were recently recovered and its audio meticulously restored and remastered by J.J. Golden in Ventura, CA.

The movie itself was understood to be unusual for its time: a globetrotting adventure/western-noir written and directed by aspiring visionary, Stefano Paradisi. Unfortunately for Paradisi, the tragic loss of his masterpiece during a fire also meant the end of his short lived career in movies. People who worked on the film have been cited as saying this film was very ambitious, set to be a turning point in Paradisi’s carrier putting him on the map alongside the likes of Sergio Leone and Antonioni.

While the movie never saw the light of day, the soundtrack by obscure band Whatitdo Archive Group has thankfully been recovered. The music itself is staggering to hear, each track evoking all the senses almost all at once. "The Black Stone Affair (Main Theme)" sets the story with its dizzying bassline

underneath a Morricone-esque harpsichord melody eventually all digressing into a psych-freakout of guitars swirling over what is the overarching motif groove of this iconic soundtrack.

We then get taken into the giallo-steeped melody of "Blood Chief". What can only be the theme of the antagonist, this cut offers crunchy drum breaks, reverb-drenched bongos and a sinister baritone guitar line that seems to be indicative of its character. "Ethiopian Airlines" transports the movie into exotic lands with its afro-centric rhythms and mysterious horn melody. The search is on for the elusive Black Stone, an artifact so coveted it had been hidden for decades for its fatal power of seduction. For fans of KPM and De Wolfe Music, "Il Furto Di Africo" definitely delivers a similar 'library' flavor popular at the time. Our ears are treated to an ambiguous sense of center. What were Whatitdo Archive Group thinking? There almost seems to be two key centers at once and a slithering flute line blending between both. We can only imagine that the Black Stone was successfully stolen from the small Italian village of Africo with this track.

What movie really is complete without a lounge-y Bossa number? "Italian Love Triangle" delivers that sun-soaked Mediterranean romance. Our cunning female lead, Lola, decides the only way she can acquire the Black Stone is to pit the trio of characters against each other with an erotic love triangle she carefully crafts to exploit the vulnerability of Blood Chief and Beaumont Jenkins. "Last Train to Budapest" finds our two male leads in a gun-wielding, high-stakes train chase through the dizzying mountains of Bosnia racing to Hungary's capital city. The music brilliantly calls upon the soundtrack's multiple melodic motifs to all collide into a single stressful heart-racing track sure to put a knot in your stomach. Probably the most unusual song appearing in this soundtrack is the French infused "L'amour au Centre de la Terre", an obvious yet tasteful homage to the composers' musical hero, Alain Goraguer. A lilting monologue is recited by who seems to be Lola, the tragic female lead in "The Black Stone Affair". Her passage speaks of the entangled romance she shares with the other two male leads and her plan to acquire the elusive Black Stone for herself. It's every man (and woman) for themselves! Paranoia and deceit has crept into the minds and motives of our conniving trio. No one can be trusted and false alliances are crumbling from within.

"The Black Stone Affair (Reprise)" evokes the characters' gut-wrenching feeling with its ever-rising key center. "Farewell Lola" is the saddening funeral dirge and exit of the aforementioned Lola. Sworn enemies Beaumont and Blood Chief stand silently outside the church and watch as Lola's casket is lowered into her untimely grave. This is merely an armistice between the remaining opponents, only to resume after paying their respects to their former 'lover'. A gory fight leaves Blood Chief standing. Beaumont is nowhere to be seen and only a cloud of dust slowly settles into the landscape as the mournful guitar and harmonica of "Beaumont's Lament" plays quietly in the distance. All is not lost. Triumphantly, Beaumont Jenkins stands tall, throws one last devastating blow to Blood Chief leaving him incapacitated. "The Return of Beaumont Jenkins" plays loudly in the face of Blood Chief desperately reaching for the stone only to realize it's a false! Our new hero, Beaumont Jenkins, sustained by Alessandro Alessandroni Jr.'s cinematic whistle, rides away victoriously into the night sky... the Black Stone hidden cleverly in his hat. End credits.

Steeped in obscurity, a cult following of crate-diggers and musical oddity collectors has been brewing over the mysterious releases of the Whatitdo Archive Group. Surfacing in 2009 from the high deserts of Reno, NV, USA, this recording collective focuses solely on curating, performing and preserving esoteric soundtrack, library and deep-groove collections. The personnel of the group consist of three musicians; each of them avid composers, recording engineers and obsessive record collectors. Alexander Korostinsky, Mark Sexton and Aaron Chiazza met in college and have been working together on producing music for over 10 years. (Both Korostinsky and Sexton also happen to write and perform in

critically-acclaimed soul group “The Sextones”). In 2015 they quietly released a small batch of lo-fi deep-groove demos recorded exclusively to cassette in an old garage. This became their first full length offering, Shit’s Dope, and it began to quickly spread across the internet piquing the interest of record collectors and DJs all over the world—a record Fleamarket Funk describes as “Falling in between some Headhunters and Lunar Funk 45s” and becoming a bestseller on Bandcamp of that year.

During this time, the Whatitdo Archive Group also began what is often hailed as a vital turning point in Reno music history; by hosting their famous “Whatitdo Wednesday” residency at a local venue. These packed performances drew the attention of not only live music-goers, but also the most accomplished jazz musicians in the area, often joining them on stage. Eventually, these shows stumbled into the arena of obscure performance art, where the band would facetiously distribute written and multiple choice tests during their performance for the audience to participate in.

After their residency came to a bittersweet end, the Whatitdo Archive Group refocused their attention on the wonderful world of 1970’s soul-jazz, where they wrote and recorded what would be their follow up 7” release, Crocker Way / Steve’s Romp. This limited edition 45rpm became a hot ticket item for UK record collectors who had been previous fans of WAG’s older lo-fi work. Crocker Way was also a featured track on BBC Radio 6. Shortly after producing Crocker Way / Steve’s Romp, the group again started production on their crown jewel of a record, a concept album that had been tossed around for several years beforehand but never executed. As band member Mark Sexton explains “We wanted to create an album that encompassed everything we love and admire about old Italian soundtrack scores, and bring that energy back into the spotlight”. The group spent 9 months of research, digging through their personal collections of dusty LP’s scrutinizing the work of Piccioni, Torossi, Roubaix, Alessandroni and of course Morricone, recording, mixing and working with over 24 skilled musicians. The Whatitdo Archive Group finally completed what would be their finest work to date, The Black Stone Affair. Recorded entirely in Korostinsky’s home studio, this record is a labor of love, dedication, appreciation and respect for the golden age of Italian Soundtrack and Library music.

Netflix’s acclaimed series Suburra: Blood on Rome (available in over 190 countries) focuses on the deep connections between politics and organised crime in the Italian capital. The soundtrack to the third and final season was written, produced and performed by Roman rapper and songwriter Piotta, whose “7 Vizi Capitale” was already the theme song for seasons 1 and 2. His music beautifully complements the gripping plot and the characters’ journey, capturing the atmosphere of a side of Rome unknown to many. The vinyl LP contains 10 previously unreleased tracks, including 2 instrumentals and a remix.

With 9 albums under his belt, Tommaso Zanello, also known as Piotta, is one of the pioneers of Italian hip hop. Active on the Roman rap scene since the mid-90s, he earned national fame with his award-winning single “Supercafone” (1998), which was later used by Sky Japan as a theme song for the Italian football championship. He can boast collaborations with hip hop legend Afrika Bambaataa and English musician Captain Sensible and has toured the United States with the Vans Warped Tour.

Four years on from the debut album “Cinematic Lies”, the second release from Sospetto founder Christian Rzechak under the Pan/scan alias is heading your way. Inspired by old-school synthesizer soundscapes of the Berlin or Düsseldorf school, but with an atmospheric modern feel added, Kosmonauter is a pure electronic science fiction soundtrack to guide your dreams. Reminders of composers such as Jóhann Jóhannsson, Cliff Martinez or Steve Moore are quite intentional. The fusion of retro-futurism and contemporary electro-ambient innovations takes you on an exhilarating aural trip into the darkest, furthest reaches of infinite space! Who is the Kosmonauter? What is his mission? Does he defend us against danger or is he a threat himself? The six tracks on the album tell a story, but where this journey goes is up to the listener. The track titles hint at the true meaning, but who can interpret them? The Kosmonauter will invade your head; and, maybe, you will lose your mind...The Kosmonauter: Redemption or Apocalypse?

Four years on from the debut album “Cinematic Lies”, the second release from Sospetto founder Christian Rzechak under the Pan/scan alias is heading your way. Inspired by old-school synthesizer soundscapes of the Berlin or Düsseldorf school, but with an atmospheric modern feel added, Kosmonauter is a pure electronic science fiction soundtrack to guide your dreams. Reminders of composers such as Jóhann Jóhannsson, Cliff Martinez or Steve Moore are quite intentional. The fusion of retro-futurism and contemporary electro-ambient innovations takes you on an exhilarating aural trip into the darkest, furthest reaches of infinite space! Who is the Kosmonauter? What is his mission? Does he defend us against danger or is he a threat himself? The six tracks on the album tell a story, but where this journey goes is up to the listener. The track titles hint at the true meaning, but who can interpret them? The Kosmonauter will invade your head; and, maybe, you will lose your mind...The Kosmonauter: Redemption or Apocalypse?

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!