Movies | TV 315 Items

Waxwork Records is proud to present CHILLING ADVENTURES OF SABRINA Original Television Score And Soundtrack Season 1 (Parts 1 & 2)! Prepare to sign away your soul to the Dark Lord, because this deluxe triple LP will tempt even the most devout. Chilling Adventures Of Sabrina is a supernatural horror television series developed by Robert Aguirre-Sacasa based on the Archie comic book series of the same name. The series is centered on the character Sabrina Spellman, portrayed by Kiernan Shipka, who must reconcile her dual nature as a half witch, half mortal while fighting evil forces that threaten her, her family, and the daylight world humans inhabit.

The score by self-taught musician and composer Adam Taylor (The Handmaid’s Tale) is an orchestral powerhouse that moves from quirky to dark, tense, and terrifying. Through his score, Taylor effectively balances the quirky energy of Sabrina’s youth with evil, malevolent cues.

The soundtrack is loaded with classic hits from artists such as Creedence Clearwater Revival, The Cramps, Devo, Stray Cats, and many more. Also included on the soundtrack are the standout songs from the series “Always is Always Forever”, “Masquerade”, and “Blest Be The Tie That Binds” performed by the cast from Chilling Adventures Of Sabrina.

Packaging features full artwork by comic artist Robert Hack. Hack not only creates the instantly recognizable and classic artwork for the hit Sabrina comics for Archie Studios, but he also fully illustrated the opening title sequence for the Chilling Adventures Of Sabrina Netflix TV series. The score and soundtrack have been pressed to 180 gram colored vinyl featuring two variants: “Satanic Splatter” and solid red, orange, and yellow vinyl.

Chilling Adventures Of Sabrina Original Television Series Score And Soundtrack (Parts 1 & 2) Features:

The Series Score By Adam Taylor
The Series Soundtrack

Album Art by Robert Hack

n alternative soundtrack for Roy Andersson’s movie A Pigeon Sat on a Branch Reflecting on Existence

Emilie Zoé was invited in 2018 by the alternative film festival « 2300 plan 9 à Les Étranges Nuits du Cinéma » in La Chaux-de-Fonds, CH to create a live soundtrack for a movie of her choice. She asked Christian Garcia-Gaucher, who had recently produced her second album The Very Start, to join the project. They chose together Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence for its hypnotic rhythm and its overall contemplative atmosphere and worn out colors. Within a few days, they wrote a collection of delicate themes and slightly melancholic interludes that they could play along the original feature. The show sold out and it felt crucial to everyone that such an exciting project would not end there. They gathered few months later in Swiss producer Louis Jucker’s tiny attic studio to lay these sounds on rusty second hand tapes. These 11 demo tapes merged spontaneously into a rich collaborative album, that assembles lo-fi pop hits and intriguing field recordings into a surprisingly coherent whole.

Stelvio Cipriani wrote a rhythmic score with a nostalgic feeling which is then reprised in bossa, suspense, and action music versions. Maestro Cipriani also composed a folk theme to describe the Mafia and Camorra characters who are fighting each other in the film. The LP closes by reprising the folk theme and the main theme. Stelvio Cipriani’s bravura as a piano soloist is also found in this OST. This LP was made possible thanks to the mono masters preserved in the historical archives of the RCA.
Directed in 1979 by Stelvio Massi. Starring Maurizio Merli, Mario Merola, Carmen Scarpitta, Francisco Rabal, Nando Marineo, Massimo Dapporto, Matilde C. Tisano, Massimo Mirani, Remo Varisco, Lidia Costanzo, Gianni Casifa, Anna Canzi, Nino Carillo.

Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on track1, and is then reprised with captivating instrumental arrangements. For the four protagonists, Maestro Trovajoli composed a jazz motif with a spylike atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this LP we were able to use the mono tapes from the recording session.
Directed in 1967 by Luigi Zampa. Starring Ursula Andress, Claudine Auger, Virna Lisi, Marisa Mell, Mario Adorf, Franco Fabrizi, Margherita Guzzinati, Brett Halsey, Marco Guglielmi, Nello Pazzafini, Luciano Salce, Giovanni Ivan Scratuglia, Lando Buzzanca, Vittorio Caprioli, Fred Williams, Frank Wolff, Lia Zoppelli, Jean-Pierre Cassel.

New music from the HBO Series. Euphoria — which paved the way for Labrinth’s opportunity to score the show. His soundtrack, due out in album form this Friday, hums with soft electricity, perfectly complementing the journey of the main character, Rue, a teenager caught in limbo between the euphoria of a drug high and the harsh consequences of addiction. “When you look back to your teenage days,” he says, “it feels semi-magical but semi-crazy and semi-psychotic. I wanted to make sure the music felt like those things.”

"Mediterraneo" is a film directed by Gabriele Salvatores, set during the Second World War on the Greek island of Castelrosso, a few kilometers from the Turkish coasts. In this place, only apparently uninhabited, some Italian soldiers arrive on a mission; they will soon find themselves to be completely isolated, forced to wait for any communication signs from the outside world and to integrate with the local population.

When it came out in theaters in 1991, “Mediterraneo” immediately gained wide acclaim and recognition (David di Donatello and Nastro d'Argento for best film, Academy Award for best foreign film), a success also significantly determined by the soundtrack written by Giancarlo Bigazzi and Marco Falagiani, record producers and composers of a large series of Italian music famous songs and themes: the essence of this movie score is fully enclosed in the five notes of the main theme, both simple and evocative, immersed in a context of ethnic feel and Arabic/Oriental flavours. Except for some occasional modern sounds, the music of “Mediterraneo” is almost entirely produced by ‘popular’ and unconventional acoustic instruments: santouri, bouzouki, gavala, bagpipe, zurna, toubeleki, davul, rabeca and lyre.

The deep work of music research, composition and arrangement by the Bigazzi/Falagiani duo earned them the 1991 Globo d’oro Award. A soundtrack that is still memorable today, reissued exclusively by AMS Records on clear blue vinyl!

Features 6 original pieces of music by PJ Harvey written for the series
Pressed on 2 x 180g black vinyl
Housed in a heavyweight gatefold sleeve with beautiful artwork throughout. Digital download card included

The Soundtrack to Shane Meadows’ “The Virtues” which screened on Channel 4 last May/June

Features 6 original pieces of music by PJ Harvey written for the series
Includes tracks used throughout the series including music by Aphex Twin, MONO, Lisa Hannigan and more

“I am so happy to have provided the original music for this extraordinary and powerful new drama by a director I have admired and followed all my life. Shane has a unique directness and sensitivity to his work which I am drawn to and aspire to in my own work, so our collaboration was open and trusting. I sent Shane ideas as demos for him to try out as he edited and let him choose what he used and where to the greatest effect. In the end we both loved how the demos worked so left them as they were, adding to the raw beauty of the piece.” – PJ Harvey

The Virtues is an emotionally charged drama starring Stephen Graham (This Is England) that teeters on the edge of total self destruction, battling alcohol addiction and memories from a dark childhood.

Limited to 500 copies.

Paddy Kingsland was the first Radiophonic composer to see a solo release of his compositions, although he is not credited on the sleeve. "Fourth Dimension", first released in 1973, showcased Kingsland's theme tunes for television and radio while at the BBC Radiophonic Workshop. The recordings feature a rock-style backing band and synthesisers including the VCS 3 and "Delaware" Synthi 100, and the track "Reg" from the album was also released as the B side to the 1973 single release of the iconic Doctor Who theme tune. Kingsland remained at the workshop for 21 years, leaving in 1981, during which time he composed music for much loved TV shows The Changes, Doctor Who and The Hitchhikers Guide to the Galaxy among others.

From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synthridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona’s daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids affections through the 1980s as Finders Keepers present J. M. Pagan’s lost lunar modular synth score to Kiu I Els Seus Amics (Kiu And Friends aka Kiu Is Your Friend).
From the same intergalactic phenomenon that brought such delights as Turkey’s exploito cash-in “Badi” or South Africa’s lo-rent hommage “Nukie” to our unregulated small screens, and the same craze which filled international airwaves with the likes of Extra T’S electro smash single “E.T. Boogie” or the million selling Columbian “Cumbia De E.T. El Extraterrestre” smash hit... not to mention a wide range of unofficial themetune cover versions from Holland, Austria, France and Germany (lest we forget an inspired late period Lee Scratch Perry Album) the creators of the movie which inspire the music on the album you are about to hear made no bones about their intergalactic muse. In 1982 the diaspora from Steven Spielberg’s small fictional mid-American neighbourhood that played host to everyones favourite torch fingered, three toed, Skittle scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21st century, resulting in an unexpected high-demand / short-supply play-off in which bootleggers, copyists and counterfeiters rose to the challenge like never before. At the precise moment that international audiences saw that cute little baldy poke his retractable neck around the corner and started stealing beer from the fridge, demanding long distance phone calls while circuit bending kids toys and frankly not looking after the plants... the human race was hooked! and we wanted more! more! more! When Spielberg regrettably told interviewers that he had no intention of making a sequel to E.T. The Extra Terrestrial, it instantly became open-season for the imitators... but way before somebody squeezedout, Mac & Me, ALF and The Purple People Eater a team of kid’s TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisió de Catalunya (TV3) and screened exclusively in Catalunya, Kiu I Els Seus Amics was one of the first E.T. “tributes” to make it out of the gate, and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, “Kiu” has since remained a short but sweet micro-memory in the hearts of an entire generation of Catalonian cosmonauts.

Both versions available in a strict run of 150 copies. A record that definitely lives up to its title – an obscure Italian sound library session that blends instrumental touches that evoke an America at the start of the 70s with some of the hipper, deeper currents you’d expect from the team of Stefano Torossi and Giovanni Tomasso. There’s plenty of expected sound library funk in the mix here in a way that makes for one of the most unique sound library sessions we’ve ever heard.

Both versions available in a strict run of 150 copies. A record that definitely lives up to its title – an obscure Italian sound library session that blends instrumental touches that evoke an America at the start of the 70s with some of the hipper, deeper currents you’d expect from the team of Stefano Torossi and Giovanni Tomasso. There’s plenty of expected sound library funk in the mix here in a way that makes for one of the most unique sound library sessions we’ve ever heard.

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

PRESSED ON 180G BLACK VINYL. HOUSE INSIDE A SPOT VARNISHED 425GSM GATEFOLD JACKET WITH INSERT. Artwork By Matt Ryan Tobin

We are thrilled to be releasing the score to A Quiet Place in conjunction with our friends over at Milan Records. The film has been one of the breakout hits of 2018. This is only the second directorial feature for John Krasinski and is an absolutely incredibly tense monster movie, that is as original as it is scary.

The score by Marco Beltrami is an absolute tour de force, it's basically another character in the film, it can be forceful and bludgeoning one minute and quiet and reflective the next. His players twist their instruments to generate tones and textures not usually associated with them, the layers of sound and percussion on display are incredible, the opening track 'It Hears You' reminds me of a classic Planet Of The Apes cue it's disquieting and slightly wonky but has an incredible hook that immediately lets you know you are in horror territory whereas say 'A Quiet Family' is a beautiful piano track that reminds you of the life the family lived before a world of monsters took over. Pianos are detuned, Electronics are layered over traditional instruments to create something truly unsettling

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Another great shot at Four Flies 7'' Family: two gorgeous soul ballads composed for the title sequences of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Special Ultra-limited Collector's Edition: 133 copies with reddish-purple label and sleeve + 133 blue label & sleeve + 133 violet label and sleeve.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

In conjunction with The Criterion Collection’s special-edition DVD and Blu-ray release of David Byrne’s 1986 film True Stories, Nonesuch and Todomundo Records release a comprehensive soundtrack, collected for the first time in one package and in film sequence: True Stories, A Film by David Byrne: The Complete Soundtrack. David Byrne was inspired by tabloid headlines to make his sole foray into feature-film directing, an ode to the extraordinariness of ordinary American life and a distillation of what was in his own idiosyncratic mind. Byrne plays a visitor to Virgil, Texas, who introduces us to the citizens of the town during preparations for its Celebration of Specialness. As shot by cinematographer Ed Lachman, Texas becomes a hyper-realistic late-capitalist landscape of endless vistas, shopping malls, and prefab metal buildings. In True Stories, Byrne uses his songs to stitch together pop iconography, voodoo rituals, and a singular variety show. Byrne calls the record “an immersive audio voyage into the little town of Virgil, Texas, in the mid-eighties.” He continues, “I always imagined that the music written for True Stories should be heard as it is in the film. It makes the most sense this way. Me singing the song that was written for John Goodman’s character, Louis Fine, always felt weird to me. It was written for that character, not for me.”

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

John Carpenter's 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their
homes. The multi-talented filmmaker's atmospheric synthesiser score has long been a soundtrack favourite and this 7" single features its two most recognisable themes.

The LP Italian library "Music Is My Life" is a new collection of songs never printed in LP of the 70s and early 80s used in the sound commentaries of newsreels, films, TV and documentaries. Many of you (now aged forty) will have surely felt them in the background, now we want to present them in their great musical fullness and to delight your ears.S. Brugnolini - A. Alessandroni - A. Trovajoli - E. Morricone - L. Zito - M. Guantini - Teimar - B. Pisano - G. Tommaso - T. Schipa

Limited Edition, black wax vinyl. Mondo, in conjunction with Studio Ponoc, is proud to present a limited edition pressing of the full length soundtrack to their debut feature length animated film: MARY AND THE WITCH'S FLOWER. Composed and produced by Takatsugu Muramatsu, featuring an original song by SEKAI NO OWARI.

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

Thom Yorke’s Suspiria (Music for the Luca Guadagnino Film) is released on XL Recordings. Suspiria consists of 25 original compositions written by Thom specifically for Luca Guadagnino reimagining of the 1977 Dario Argento horror classic. The album is a mix of instrumental score work, interstitial pieces and interludes, and more traditional song structures featuring Thom’s vocals such as Unmade, Has Ended and Suspirium, the album's first single featuring the melodic theme that recurs throughout the film and its score.

As scoring a horror film presented Thom with altogether new challenges and opportunities, Suspiria stands apart from any of his other work. Piano / vocal ballads, Krautrock-esque modular synth work inspired by the film’s Berlin 1977 setting, multilayered vocals, and melodies that convey terror, longing and melancholy combine to create a chaotic yet cohesive musical spell.

Suspiria was written and arranged by Thom Yorke, recorded and produced by Thom and Sam Petts-Davies. The album also features the London Contemporary Orchestra and Choir, Noah Yorke on drums on Has Ended and Volk, and Pasha Mansurov on solo flute on Suspirium.

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.