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The Coalition and Laced Records have joined forces to bring stunning remasters of the original trilogy soundtracks to vinyl.

2006’s Gears of War was truly a trend-setter thanks to its cinematic action, cover system, Active Reload, and biceps the size of basketballs.

Composer Kevin Riepl (Unreal Tournament series, Rocket League) and the Northwest Sinfonia infused the soundtrack with a propulsive sense of Sturm und Drang. On the frantic orchestral cues, driving metallic percussion accompanies thumping brass and busy string flurries. Riepl also forged the game’s signature sound with dark ambient pieces that employed electronic samples and delay.

This double LP set features 31 tracks, specially remastered for vinyl by Joe Caithness. These will be pressed onto two audiophile-quality, heavyweight 180g red LPs. Discs will be housed in a wide-spined sleeve with two printed inner sleeves.

The final track “Gears of War (Piano)” has never been released until now.

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

Waxwork Records is proud to present Godzilla Singular Point Original Soundtrack from the Netflix Anime Series by Kan Sawada!

Godzilla Singular Point is a 2022 Anime kaiju series that follows engineer Yun Arikawa and graduate student Mei Kamino as they are drawn together by a mysterious song. Their investigations lead to a fight against forces that may threaten the entire world. Featuring fan favorites like Jet Jaguar, Rodan, and Anguirus, Godzilla Singular Point swings between science fiction, Japanese mythology, and ferocious kaiju battles fans have come to expect from the Godzilla franchise!

Character design was handled by Blue Exorcist manga creator Kazue Kato, with former Studio Ghibli animator Eiji Yamamori designing the monsters.

The score composed by famed Japanese composer Kan Sawada is a lavishly produced composition full of bombastic orchestra driven cues, evoking the intense action of the kaiju terror. Electronic elements are also brought into the mix to accent the futuristic, science fiction nature of the story. Sawada utilizes a variety of instruments and voices to pay his respects to the earlier Showa era films, while creating something uniquely new and original.

Waxwork Records is excited to present the full soundtrack to the 13 episode Godzilla Singular Point Anime series as a deluxe 2xLP set. Featuring 180 gram Jet Jaguar colored vinyl, heavyweight gatefold jackets with matte satin coating, original artwork from the series, a 12"x12" art print, and more!

Godzilla Singular Point Original Soundtrack from the Netflix Anime Series Features:

The Complete Soundtrack by composer Kan Sawada 180 Gram 2xLP "Jet Jaguar" Swirl Colored Vinyl Heavyweight Gatefold Jackets with Matte Satin Coating Original Artwork from the Anime Series 12"x12" Art Print Catalog Number: Ww160 UPC: 657768079528

'JUSTIN TIME' is the first Vinyl LP compilation by Children's favourite, Justin Fletcher. Justin Fletcher has starred in the hit CBBC shows Mr. Tumble, Gigglebiz, Justin's House, Fun Song Factory, Something Special and the GiggleQuiz comedy observational panel show for the pre school audience. Justin is a multiple BAFTA Children's' Award winner, received an MBE in 2008, regularly tours with a live sell out live Christmas show, has his own monthly magazine, and is the voice in numerous blockbuster film animations including the four Shaun The Sheep movies! This 12" Vinyl LP Picture Disc features his best known songs on Side One, with Side Two is jam packed with sing a long nursery rhymes.

Still sealed with hype sticker. Deluxe Pink and Blue vinyl 180gr edition. Tiny wear.

Waxwork Records is proud to release Prisoners OF THE Ghostland (original Motion Picture Soundtrack) by critically-acclaimed composer Joseph Trapanese (Shadow and Bone, Straight Outta Compton, The Greatest Showman). The album features score music written by Trapanese for the Nicolas Cage starring Western directed by Sion Sono.

Of the soundtrack, composer Joseph Trapanese says, “My score for Prisoners of the Ghostland is a love letter to my favorite films and music. You’ll hear clear influences from Spaghetti Westerns and classic sci-fi, as well as from traditional Japanese music, Baroque Sarabande, and French Impressionism. For me, the collision of these musical styles with Nicolas’ expressive performance and Sion Sono's beautiful images is the most gratifying result of the film. What I love most about Sono-san’s work is that regardless of how dark, violent, or unconventional it may be, there is a clear, effusive, and vibrant joy for filmmaking. One cannot watch a Sion Sono film without being infected by his inventiveness, and I’m honored to have experienced his artistry firsthand. I’m thrilled to be sharing this music with you.”

Waxwork Records is thrilled to present a deluxe double vinyl edition of the soundtrack pressed on 180-gram colored vinyl with gatefold packaging, liner notes from composer Joseph Trapanese, a 12''x12'' art print insert, with layout and design by Matt Needle.

About Prisoners OF THE Ghostland

Story: In the treacherous frontier city of Samurai Town, a ruthless bank robber is sprung from jail by a wealthy warlord, The Governor, whose adopted granddaughter has run away. Strapped into a leather suit that will self-destruct within five days if he doesn’t find the missing girl, the bandit sets off on a journey to find the young woman — and his own path to redemption. Starring Nicolas Cage, Sofia Boutella, Bill Moseley, Nick Cassavetes, Tak Sakaaguchi. Directed by Sion Sono.

The soundtrack to critically acclaimed Flemish director Fien Troch's fourth film Home. Side A features pop music from Chromatics and Symmetry with Johnny Jewel's ambient score on the flip.

Cryptozoo is an animated feature-film drama, written and directed by Dash Shaw, featuring the voices of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause. The film won the Next Innovator Award at Sundance, and premiered internationally at the 2021 Berlinale. It will be released on August 20 in theaters and on demand.

This is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

Dark and melodic composition by acclaimed Jóhann Jóhannsson (Prisoners)!

Black Screen Records is excited to announce that Joe Collinson & Sam Houghton's banging soundtrack to Awe Interactive's rhythm-action FPS rogue-like game BPM: Bullets Per Minute is finally coming to vinyl. The soundtrack will be available on limited edition red/black & orange/black marbled vinyl and comes in a gatefold sleeve with official key art from the game. The vinyl also includes the bonus track ""Yggdrasil's Roots"" by Reuben Hawthorn. ""When we were in our homes composing the BPM soundtrack remotely during the height of the pandemic in 2020, we had no idea that it would reach the audience it has today. We're so happy that so many people continue to enjoy our (frankly ridiculous) music.We're so proud to have worked with Black Screen Records on what we believe to be the ultimate listening experience for our soundtrack to BPM: Bull...

In conjunction with Milan Records, Death Waltz Recording Co. is thrilled to bring you Jim Williams' incredible score to Titane. Reuniting with director Julia Docouranu (he also scored Raw) and hot on the heels of his outstanding work on last year's Possessor, Williams once again proves that he is one of the very best composers working today. His work here is, at times, cold, pulsating and ominous. However, these pieces are interspersed with tender passages that offer glimmers of hope, shining through in the form of warm tones and intricate melodies.

Williams said, 'The score for Titane grows from a short theme for a scene where the protagonist leaves home in startling circumstances. Initially in a contemporary popular music style with a tinge of John Barry, later this was set with metal percussion and male voice choir using the Neapolitan Minor for a scene set in a car. As the film develops, the theme takes on an emotional, darker twist.' Williams continued, 'The main theme for the film ['Sarabande'] is finally set in a Baroque style – a sarabande – that at first has the pomp of George Frideric Handel, but that later becomes tender, if rather twisted.'

Slightly cracked corners, close to NM. Silver with Red splattered vinyl seems unplayed. 180gr Limited edition. With insert

JARV IS... have written & performed the original soundtrack for the critically acclaimed BBC TV series "This is Going to Hurt" based on Adam Kay"s award-winning international multi-million selling memoir of the same name. The soundtrack was recorded at Narcissus Studios, London by Drew Dungate-Smith during various sessions throughout 2021. Most of the performances are live takes featuring the entire band - often recorded whilst they watched the playback of key sequences from the series. Each episode features at least one song with lyrics by Cocker, who had access to the scripts (adapted by Adam Kay from his own book) from an early stage in the production process. JARV IS... is a band comprising Jarvis Cocker, Serafina Steer, Emma Smith, Andrew McKinney, Adam Betts & Jason Buckle. The soundtrack consists of a mixture of songs & instrumental pieces, with Cocker & Steer being the main composers. Cocker is quoted as saying "It"s our love song to the NHS".

Still sealed with hype sticker.

At The Movies is very proud to present this epic soundtrack on vinyl for the first time!
James Horner (Titanic, Braveheart, The Magnificent Seven) knew when he took on the scoring of Avatar that it would be the challenge of a lifetime. The music is both classic in its orchestral power, but also connects us to the soul of the Na'vi through the use of indigenous rhythms and vocals. Includes the Leona Lewis track "I See You" (Theme from Avatar).

Finally back on vinyl!

“Gladiator” is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled “Gladiator: Music From the Motion Picture”. The Lyndhurst Orchestra performing the score was conducted by Gavin Greenaway.

The album won the Golden Globe Award for Best Original Score and was also nominated for the Academy Award and BAFTA Award for Best Score ("Anthony Asquith Award for Film Music").

“Gladiator” is a 2000 epic historical drama film directed by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Ralf Möller, Oliver Reed (in his final role), Djimon Hounsou, Derek Jacobi, John Shrapnel, and Richard Harris. Crowe portrays Hispano-Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus rises through the ranks of the gladiatorial arena to avenge the murders of his family and his emperor.

The film was released in the United States May , 2000, and grossed $457 million worldwide. The film won multiple awards, including Best Picture, Best Actor for Crowe and three other Oscars at the 73rd Academy Awards. It has also been credited with rekindling interest in entertainment centered around ancient Greek and Roman culture, such as Rome.

Denis Villenueve’s masterful Blade Runner 2049 races into theaters this weekend and the film’s accompanying soundtrack, composed by legendary film score maestro Hans Zimmer, is now streaming in full.

The score was composed in tandem by Zimmer and his longtime collaborator Benjamin Wallfisch. The duo was brought in somewhat later in the production process, after the score’s initial composer, Icelandic composer Jóhann Jóhannsson, ceased involvement due to creative differences.

Villeneuve explained his decision to replace Jóhannsson with Zimmer in an interview with Al Arabiya. “The thing I will say is that making movies is a laboratory,” he explained. “The movie needed something different, and I needed to go back to something closer to [the original film’s composer] Vangelis. Jóhann and I decided that I will need to go in another direction — that’s what I will say.”

The decision seemingly paid off, as Clint Worthington notes in his review of the film: “[Zimmer and Wallfisch] lean heavily on Vangelis’ original 1982 score for inspiration, but 2049 is refreshingly light on incidental music, mostly allowing the booming, immersive sound design to take center stage.”

As Editor-in-Chief Michael Roffman writes in his glowing A- review, the score is “a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.”

In additional to Zimmer and Wallfisch’s original compositions, the soundtrack features songs by Frank Sinatra, Elvis Presley, and Lauren Daigle.

When I was approached to participate in Monsterland I was immediately attracted to the idea of working on a series where horror, science fiction and gore could converge. I had never done music for a project like this before and the sole idea of venturing into some new playground immediately sparked my interest. And just after reading the first two episodes I realized I had to get involved in the project.

Several things connected with me deeply. I found in the stories elements that reminded me of the “magical realism” that I grew up with in Latin America through writers like Horacio Quiroga and Gabriel García Márquez. Also, the idea of tapping into a landscape in which fear and horror have a metaphysical quality connected to the psyche of the characters appealed to me.

Working with Juan Luquí was key in making this score. His capacity to deeply understand my vision and his masterful skills add another dimension to Monsterland. A land of monsters so human in nature, that in many instances seemed extremely and frighteningly familiar.

Now for the first time on vinyl, Four Flies Records is proud to present an unmissable Eurocrime soundtrack by Guido & Maurizio De Angelis, composed in 1976 and considered to be one of the genre’s finest offerings directed by Enzo G. Castellari. Perhaps the most forceful OST from the Italian duo, Il Grande Racket consists of fuzz distortion and electronic effects from the beginning to the end. This sonic gem is also enriched with psychedelic flutes, obsessive rhythms, and percussion which results with a totally prog-rock and psych-funk score that perfectly describes the main elements of the film: action, tension and violence. Remastered from the original master tapes preserved for decades in the C.A.M. archives, and augmented with exclusive liner notes by Davide Pulici (Nocturno Cinema) and stunning original artwork created by Luke Insect, this edition will be a true pleasure of the senses for any and all soundtrack lovers.

Since its opening in spring 2021, Jubg, a still young Cologne gallery for contemporary art, has specialized in the broad field of artists and collaborations working along artistic interfaces, especially those between visual art and experimental and/or electronic music. For example, Jubg has already hosted exhibitions by Markus Oehlen, Kim Gordon, Wolfgang Voigt, Matthias and Aksel "Superpitcher" Schaufler, Sven-Åke Johansson, and Emil Schult. Albert Oehlen, who is a kind of mentor and supporter of the gallery, was also a guest at Albertusstraße this summer, where he presented the exhibition D-i-e Orpheusmaschine together with Michael Wertmüller, Thomas Stammer and the poet Rainald Goetz.

It is only logical that the gallery now expands its sphere of activity to include its own label, on which music appears that comes from similar contexts as the artists listed above already suggest.

As catalog number 1, Jubg is now releasing the official soundtrack to "The Painter" from 2021. The film, German title "Der Maler", is a mixture of feature film and documentary and a collaboration between German director Oliver Hirschbiegel, best known for his Oscar-nominated film "Downfall", and Albert Oehlen, with whom Hirschbiegel has a long friendship, as they both once studied together at the Hochschule der Bildenden Künste in Hamburg.

The docu-fiction shows Oehlen struggling with a painting and pondering the meaning of his work. Oehlen is played by German actor and musician Ben Becker, accompanied by the off-screen voice of Charlotte Rampling. In the film, Becker makes a painting that Oehlen himself creates step by step behind the camera, while the actor improvises the process in front of the camera.

The wonderful music for this film comes from no less than two outstanding personalities whose individual biographies and musical signatures could hardly be better suited to this project. On the A-side it is Gudrun Gut, icon not only of the German electronic music scene since at least the 90's, singer, composer, DJ, label owner (Monika Enterprise) and of course founding member of the legendary 80's New Wave band Malaria. On the B-side it’s the world famous and award winning US avant-garde trumpeter and improvisational musician Nathan "Nate" Wooley, who has played with Fred Frith and John Zorn among others.

Gudrun Gut's tracks bear such beautiful titles as "Bewegung", "Küste" or "Weinen" and she once again pulls out all the stops of her great skills and decades of experience as a producer of the most diverse electronic music genres. These are unusual and much more experimental musical paintings that she creates here than on her recent solo works. Edgy, angular, raw and unpolished, yet always elegant and clever, she subverts the male artist madness depicted extensively in the film in her own unique way.

Nathan Wooley answers with the instrument he has been familiar with since childhood, the trumpet, with which he is able to create a ravishingly virtuosic noise. His pieces are more like sketches, often only 90 seconds or a few minutes long, but in all their abstractness underpin the narrative of the film almost perfectly.