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Based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation® platforms, The Last of Us is written and executive produced by co-creators Craig Mazin (Emmy® Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President).

The Last of Us takes place twenty years after modern civilization has been destroyed by a viral outbreak. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the U.S. and depend on each other for survival.

The vinyl release to the acclaimed series contains soundtrack highlights from the show. Featured are score tracks by composer Gustavo Santaolalla, with additional music by David Fleming as well as songs by Depeche Mode, Pearl Jam, Jessica Mazin & Nick Offerman.

The package contains 2x vinyl, standard weight at 140g, 1x green and 1x clear, a double-sided poster of the show’s key art, spot gloss and soft touch on the gatefold and an insert featuring liner notes by Neil Druckmann, Craig Mazin, Gustavo Santaolalla & David Fleming and images from the show.

The most beautiful themes of the famous science fiction universe Star Wars created by the American director George Lucas are now gathered in this exclusive vinyl record! First conceived as a cinematic trilogy in 1977, the franchise now counts films, series, novels and other goodies taking place «a long time ago in a galaxy far far away» in which a conflict between Jedi knights and Sith warriors remains.

The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

Steven Wilson is a 4 times Grammy nominated multi-instrumentalist, a soughtafter mixer and producer and has become known for the high sonic and musical standards of his work. His latest album The Future Bites featured guest contributions from Elton John and Nile Rodgers, and reached the top 5 in the UK, The Netherlands, Germany, and elsewhere across Europe. More recently Steven has become known for his immersive audio mixing, starting with his own projects, but increasingly also for several classic artists as diverse as Black Sabbath, Roxy Music, Tears For Fears, Kiss and King Crimson. Last Day of June is an adventure puzzle video game in third-person perspective. Eurogamer ranked Last Day of June 33rd on their list of the “Top 50 Games of 2017”, while Polygon ranked it 38th on their list of the 50 best games of 2017. In Adventure Gamers’ Aggie Awards 2017, it won the award for “Best Story”, while it was a runner-up each for “Best Concept”, “Best Graphic Design”, and “Best NonTraditional Adventure”. It was nominated for “Game Beyond Entertainment” at the 14th British Academy Games Awards. The soundtrack to Last Day Of June is based on existing music originally recorded and issued either on Steven Wilson’s albums under his own name or as his project Bass Communion between 2004-2016. However, with one exception, all of the music was remixed or edited especially for this soundtrack and has been carefully sequenced to make a satisfying stand-alone listening experience. Last Day Of June is available on vinyl for the first time. The LP is housed in a deluxe gatefold sleeve and contains an insert with credits and details of each song.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

Double LP on 180 Gram vinyl!

Why you'll love it...
Passing is the 2021 film directed by Rebecca Hall based on the 1929 novel of the same name by Nella Larsen. “Passing” references African Americans who have skin light enough to be perceived as white which is the case for the two leading women. Set in the 1920s, Passing follows childhood friends Irene and Clare as they reconnect and reckon with the different paths their lives took. Devonté Hynes creates the intimate air throughout the film and paints a love letter to Harlem.

Limited to 450 copies, the VMP exclusive version of Passing (Music From And Inspired By The Original Motion Picture) by Devonté Hynes is pressed on White & Black Split vinyl at Memphis Record Pressing (MRP). The 1LP will arrive in a single, direct-to-board, numbered jacket.

* Pressed on 180 Gram Black Vinyl with artwork by Mo Shafeek * Manufactured in the Czech Republic

Mondo, in collaboration with Back Lot Music, is proud to present a vinyl pressing of James Newton Howard's Golden Globe Nominated score to Universal Pictures’ powerful new film from acclaimed filmmaker Paul Greengrass, News of The World.

Set five years after the end of the Civil War, News of the World follows Captain Jefferson Kyle Kidd (Tom Hanks), a veteran of three wars, who now moves from town to town as a non-fiction storyteller, sharing the news of presidents and queens, glorious feuds, devastating catastrophes, and gripping adventures from the far reaches of the globe.

In the plains of Texas, Kidd crosses paths with Cicada, aka Johanna Leonberger (Helena Zengel, System Crasher), a 10-year-old taken in by the Kiowa people six years earlier and raised as one of their own. Johanna, hostile to a world she’s never experienced, is being returned to her biological aunt and uncle against her will. Kidd reluctantly agrees to deliver the child to where the law says she belongs. As they travel hundreds of miles into the unforgiving wilderness, the two will face tremendous challenges of both human and natural forces as they search for a place that either can call home.

The film is a moving exploration of our present through the lens of our past, and the music by eight-time Academy Award® nominee James Newton Howard (The Hunger Games, The Sixth Sense, Signs, The Fugitive) is innovative, emotional, and beautiful, as it follows Captain Kidd’s journey from regret to redemption. A haunted, and healing sound of vintage Americana floods from your speakers as the tender strings and piano guide you over gorgeous landscapes.

Pressed on 180g black vinyl
Housed in a deluxe heavyweight gatefold sleeve, with stunning artwork by Sander Brouwer printed on reverse board

* Includes download card / Invada Records & Lakeshore Records will co-release MONOS-Original Motion Picture Soundtrack, featuring original music by Ivor Novello Award winner and Academy Award-nominated Mica Levy (Jackie, Under the Skin).



The London-based composer, music producer and artist creates an indescribably hallucinatory, often menacing backdrop to the survivalist thriller set on a remote mountain in Latin America.

2x 180 Gram Black Vinyl /// The Lonely Island is proud to present the premiere vinyl release of the original soundtrack to POPSTAR: NEVER STOP NEVER STOPPING, courtesy of Mondo Music. Including nearly two dozen original, comedic pop and hip-hop songs performed by The Lonely Island and featuring artists such as P!NK, Adam Levine, Michael Bolton and Seal.

“Out of four possible stars, Rolling Stone has given it the sh*t emoji…” reads a scathing review from the venerable music magazine of Conner4Real’s fictional second solo album. In our world, however, the music of POPSTAR: NEVER STOP NEVER STOPPING would warrant a perfect four out of four sh*t emojis as The Lonely Island lovingly skewers pop music with brilliant glee. Catchy tracks like “Finest Girl (Bin Laden Song),” “Equal Rights”, and “I’m So Humble” have earned their place among the greatest music parodies of all time.

“The Lonely Island’s POPSTAR: NEVER STOP NEVER STOPPING is one of the funniest films of the last decade with a brilliantly executed soundtrack,” says Mondo Music Label Manager, Mo Shafeek. “It’s absolutely one of the best pop albums of the last five years… it just happens to also be one of the funniest comedy albums of the last five years as well. What Akiva, Andy and Jorma have achieved with this soundtrack is a thing of legends, and we are honored to be celebrating it.”

Vinyl seems unplayed. With insert. Tiny corner wear.

Limited to 400 copies. Two terrific shake signed by Sante Maria Romitelli, and taken from the original soundtrack of TOP SENSATION, also known as THE SEDUCERS. A late sixties giallo erotic cult movie starring Edwige Fenech and Rosalba Neri. Hammond groove a go-go!

- The Complete Film Music Available For The First Time On Vinyl- 180 Gram "Satanic Rite" Colored Vinyl- Exclusive Liner Notes By Rob Zombie- 16 Page Booklet Featuring Unreleased Photography- Bonus Black Metal Live Album By Count Corgan Pressed To 180 Gram Black Vinyl With B-Side Etching//Waxwork Records Is Proud To Present Rob Zombie's The Lords Of Salem Original Motion Picture Soundtrack. Available For The Very First Time On Vinyl And Pressed To 180 Gram "Satanic Rite" Colored Vinyl, The Music Of The Lords Of Salem Features The Velvet Underground, Rick James, Rush, Leviathan The Fleeing Serpent, John 5, And More.The Lords Of Salem Is A 2012 American Supernatural Horror Film Written, Produced, And Directed By Rob Zombie. The Film Stars Sheri Moon Zombie (The Firefly Trilogy), Meg Foster (They Live), Bruce Davison (X-Men), Dee Wallace (E.T., The Hills Have Eyes), And Patricia Quinn (The Rocky Horror Picture Show). The Plot Focuses On A Troubled Female Disc Jockey, Heidi (Sheri Moon Zombie), Who Is A Recovering Drug Addict Living In Salem, Massachusetts. Her Life Becomes Entangled With A Coven Of Ancient Satan-Worshipping Women After Receiving A Strange Wooden Box And Listening To The Album Inside It By A Band Named "The Lords".The Soundtrack Features Classic Songs By The Velvet Underground, Lou Reed, Manfred Mann's Earth Band, And Several More. The Score Features Original Cues By John 5 And Griffin Boice. In Line With Other Zombie Soundtracks, The Album Features Intermittent Dialogue Tracks From The Movie.Waxwork Is Thrilled To Present The Debut Vinyl Release Of The Lords Of Salem As A Deluxe Album Package Featuring 180 Gram "Satan Rite" Colored Vinyl (Blood Red And Blue Butterfly Effect With White Splatter), Exclusive Liner Notes By Rob Zombie, New And Original Art By Robert Sammelin, A 12"X12" 16-Page Booklet Including Unreleased Set Photography From Zombie's Personal Archive, A Heavyweight Art Print, Printed Inner Sleeves, And Old-Style Tip-On Gatefold Jackets With Satin Coating. Also Inclu...

Red/Green Split Vinyl.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is slightly warped but still enjoyable.
Small light scuff on side B.
Includes original insert.

A jazz & rock rumble! Nicholas Carras' powerhouse score for this angst-filled flick is a tapestry of sounds from fast, jazzy pieces, dark and suspenseful moments, breezy traveling music, and the optimistic ending. The soundtrack also features the earworm of a title cut that will have you pappa do do wah-ing along. Included here is a zine-style insert and a DVD of the outrageous original film, with a special Modern Harmonic edit made to sync with your LP! Another specimen from the glorious power triad of Modern Harmonic, Something Weird Video, and the Nicholas Carras estate. Date Bait joins Mr. Peters' Pets and High School Caesar as part of the Nicholas Carras Soundtrack Collection created from the vast collection of reels the estate preserved. All make their first LP soundtrack debut and all come from the Carras reels through Kevin Gray at Cohearent Audio and onto colored vinyl at Third Man Pressing.

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

Clear Vinyl.

Clear vinyl.
Records are slightly warped but still enjoyable.
Dogeared cover.

For the first time ever, Record Kicks is pleased to announce the release of the long lost soundtrack by Whatitdo Archive Group to the Italian Cinematic Masterpiece "The Black Stone Affair'' on beautiful gatefold vinyl, CD and digital format on April 09 2021. Long thought to be lost alongside the movie itself by the production studio, the soundtrack's master reels were recently recovered and its audio meticulously restored and remastered by J.J. Golden in Ventura, CA.

The movie itself was understood to be unusual for its time: a globetrotting adventure/western-noir written and directed by aspiring visionary, Stefano Paradisi. Unfortunately for Paradisi, the tragic loss of his masterpiece during a fire also meant the end of his short lived career in movies. People who worked on the film have been cited as saying this film was very ambitious, set to be a turning point in Paradisi’s carrier putting him on the map alongside the likes of Sergio Leone and Antonioni.

While the movie never saw the light of day, the soundtrack by obscure band Whatitdo Archive Group has thankfully been recovered. The music itself is staggering to hear, each track evoking all the senses almost all at once. "The Black Stone Affair (Main Theme)" sets the story with its dizzying bassline

underneath a Morricone-esque harpsichord melody eventually all digressing into a psych-freakout of guitars swirling over what is the overarching motif groove of this iconic soundtrack.

We then get taken into the giallo-steeped melody of "Blood Chief". What can only be the theme of the antagonist, this cut offers crunchy drum breaks, reverb-drenched bongos and a sinister baritone guitar line that seems to be indicative of its character. "Ethiopian Airlines" transports the movie into exotic lands with its afro-centric rhythms and mysterious horn melody. The search is on for the elusive Black Stone, an artifact so coveted it had been hidden for decades for its fatal power of seduction. For fans of KPM and De Wolfe Music, "Il Furto Di Africo" definitely delivers a similar 'library' flavor popular at the time. Our ears are treated to an ambiguous sense of center. What were Whatitdo Archive Group thinking? There almost seems to be two key centers at once and a slithering flute line blending between both. We can only imagine that the Black Stone was successfully stolen from the small Italian village of Africo with this track.

What movie really is complete without a lounge-y Bossa number? "Italian Love Triangle" delivers that sun-soaked Mediterranean romance. Our cunning female lead, Lola, decides the only way she can acquire the Black Stone is to pit the trio of characters against each other with an erotic love triangle she carefully crafts to exploit the vulnerability of Blood Chief and Beaumont Jenkins. "Last Train to Budapest" finds our two male leads in a gun-wielding, high-stakes train chase through the dizzying mountains of Bosnia racing to Hungary's capital city. The music brilliantly calls upon the soundtrack's multiple melodic motifs to all collide into a single stressful heart-racing track sure to put a knot in your stomach. Probably the most unusual song appearing in this soundtrack is the French infused "L'amour au Centre de la Terre", an obvious yet tasteful homage to the composers' musical hero, Alain Goraguer. A lilting monologue is recited by who seems to be Lola, the tragic female lead in "The Black Stone Affair". Her passage speaks of the entangled romance she shares with the other two male leads and her plan to acquire the elusive Black Stone for herself. It's every man (and woman) for themselves! Paranoia and deceit has crept into the minds and motives of our conniving trio. No one can be trusted and false alliances are crumbling from within.

"The Black Stone Affair (Reprise)" evokes the characters' gut-wrenching feeling with its ever-rising key center. "Farewell Lola" is the saddening funeral dirge and exit of the aforementioned Lola. Sworn enemies Beaumont and Blood Chief stand silently outside the church and watch as Lola's casket is lowered into her untimely grave. This is merely an armistice between the remaining opponents, only to resume after paying their respects to their former 'lover'. A gory fight leaves Blood Chief standing. Beaumont is nowhere to be seen and only a cloud of dust slowly settles into the landscape as the mournful guitar and harmonica of "Beaumont's Lament" plays quietly in the distance. All is not lost. Triumphantly, Beaumont Jenkins stands tall, throws one last devastating blow to Blood Chief leaving him incapacitated. "The Return of Beaumont Jenkins" plays loudly in the face of Blood Chief desperately reaching for the stone only to realize it's a false! Our new hero, Beaumont Jenkins, sustained by Alessandro Alessandroni Jr.'s cinematic whistle, rides away victoriously into the night sky... the Black Stone hidden cleverly in his hat. End credits.

Steeped in obscurity, a cult following of crate-diggers and musical oddity collectors has been brewing over the mysterious releases of the Whatitdo Archive Group. Surfacing in 2009 from the high deserts of Reno, NV, USA, this recording collective focuses solely on curating, performing and preserving esoteric soundtrack, library and deep-groove collections. The personnel of the group consist of three musicians; each of them avid composers, recording engineers and obsessive record collectors. Alexander Korostinsky, Mark Sexton and Aaron Chiazza met in college and have been working together on producing music for over 10 years. (Both Korostinsky and Sexton also happen to write and perform in

critically-acclaimed soul group “The Sextones”). In 2015 they quietly released a small batch of lo-fi deep-groove demos recorded exclusively to cassette in an old garage. This became their first full length offering, Shit’s Dope, and it began to quickly spread across the internet piquing the interest of record collectors and DJs all over the world—a record Fleamarket Funk describes as “Falling in between some Headhunters and Lunar Funk 45s” and becoming a bestseller on Bandcamp of that year.

During this time, the Whatitdo Archive Group also began what is often hailed as a vital turning point in Reno music history; by hosting their famous “Whatitdo Wednesday” residency at a local venue. These packed performances drew the attention of not only live music-goers, but also the most accomplished jazz musicians in the area, often joining them on stage. Eventually, these shows stumbled into the arena of obscure performance art, where the band would facetiously distribute written and multiple choice tests during their performance for the audience to participate in.

After their residency came to a bittersweet end, the Whatitdo Archive Group refocused their attention on the wonderful world of 1970’s soul-jazz, where they wrote and recorded what would be their follow up 7” release, Crocker Way / Steve’s Romp. This limited edition 45rpm became a hot ticket item for UK record collectors who had been previous fans of WAG’s older lo-fi work. Crocker Way was also a featured track on BBC Radio 6. Shortly after producing Crocker Way / Steve’s Romp, the group again started production on their crown jewel of a record, a concept album that had been tossed around for several years beforehand but never executed. As band member Mark Sexton explains “We wanted to create an album that encompassed everything we love and admire about old Italian soundtrack scores, and bring that energy back into the spotlight”. The group spent 9 months of research, digging through their personal collections of dusty LP’s scrutinizing the work of Piccioni, Torossi, Roubaix, Alessandroni and of course Morricone, recording, mixing and working with over 24 skilled musicians. The Whatitdo Archive Group finally completed what would be their finest work to date, The Black Stone Affair. Recorded entirely in Korostinsky’s home studio, this record is a labor of love, dedication, appreciation and respect for the golden age of Italian Soundtrack and Library music.

In the cinema, the composer must go to meet the filmmakers, enter their world, but without giving up his own. This is the difficulty or the paradox of music for the image. By collaborating with directors from a wide variety of backgrounds, I think I have indirectly discovered a lot about myself. It helped me to progress, to explore territories that were not naturally mine. Cinema is a laboratory where I have sought to construct original orchestral formulas combining Corsican polyphonies, musicians from jazz, variety, classical, or even rappers. Like the world today, a fragmented world where all cultures mingle. So said Bruno Coulais, one of the most innovative composers of contemporary cinema, during the tribute paid to him in 2011 at the Cinémathèque de Paris

In 1978, Bruno Coulais, a young composer of concert works, discovered in film music a new means of expression, a way of bringing the demands of his writing to the masses. François Reichenbach, then Josée Dayan, Jacques Davila, Souleymane Cissé or Laurent Heynemann, first on television and then in the cinema, lead him of his own accord in the discovery of this new world.

In 1995, he composed the music for Microcosmos. This centimeter-scale initiatory journey offers him the opportunity to reveal the full dimension of his writing. He injects into his score a strange lyricism, between wonder and fantasy, confirming the lesson learned from François Reichenbach: "to any documentary image, music brings a part of fiction".

The success of Microcosmos established the musician and made him the indispensable composer of other natural tales, notably alongside Jacques Perrin (Le Peuple migrateur, Oceans, Les Saisons, etc.). Other long-term relationships will be forged, in particular with Benoît Jacquot, with whom he has worked for more than a decade, not to mention Frédéric Schoendoerffer, James Huth or Jean-Paul Salomé.

In addition to great popular successes such as Les Choristes, Brice de Nice or Sur La Piste Du Marsipulami, it is hardly surprising that this insatiable curiosity has found in the animated cinema the most inspiring playgrounds, in particular through his collaboration with two exceptional designers, Henry Selick and Tomm Moore.

The first, American director of The Nightmare Before Christmas produced by Tim Burton, invites Bruno Coulais to sign in 2009 the magnificent score of Coraline (film nominated for the Oscars). 10 years later, he is about to find him for a new and beautiful Wendell & Wild adventure. For Irishman Tomm Moore, Bruno Coulais has already composed the music for two Oscar-nominated films, The Secret of Kells (2009) and Song Of the Sea (2014), and in 2020 he will sign the score for Wolfwalkers.

Whether it is about author's films or more mainstream films, Bruno Coulais maintains the same standards, always considering his art as a window open to the world. Much less wise than it seems, he reveals in it a gift of a modern alchemist and a very personal way of mixing the most diverse cultures in universal harmony at work.

Tracklist :

A WolfWalkers Theme Wolves Running with the Wolves (WolfWalkers Version) Mechanical Wolf or Girl I’m a WolfWalker Howls the Wolf (Moll’s Song - Wolf Run Free) Our Forest

B What Are You Doing Here? This Is Intolerable Please Mummy My Little Wolf Our Victory Follow Me Mébh’s Tune Robyn’s Tune

Ennio Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with Lounge flavour, vocalised by I Cantori Moderni di Alessandroni. Introduced first in “Titoli di Testa” and reprised with several variations throughout the score: a Classic style version with harpsichord, organ and mandolin, a slow and dreamy one with the voice of Edda and also including the choir I Cantori, a samba version, a beat-flavoured mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Ennio Morricone strongly recognizable in a second theme, very romantic and lounge, featuring a keyboard used by the author, frequently also in other scores like “Giu la testa”. A classic-style minuet with the opera vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by the type machine and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni. Our LP also contains three superb “shake” dancefloor music themes that bring us the unforgettable Beat atmospheres of those days’ discoteques.

Augustus Muller and Jae Matthews’ fifth release entitled ‘The Runner (Original Soundtrack)’ is not a traditional album. Rather, it is the soundtrack to a short film, also entitled ‘The Runner’. The film, written, produced, and directed by the duo, is a searching horror film, attached to a meta-style “documentary” about Boy Harsher’s recording process. The album includes several distinct components: cinematic arrangements, vocal features, and of course classic Boy Harsher dark pop. Both the album and short film will be released in January 2022.

The album opens with “Tower”. The only track on ‘The Runner (Original Soundtrack)’ that Boy Harsher has previously played live, but never recorded. The song is an incantation, with its pulsing synth and Jae’s begging vocals. A spell about desire and impending destruction. Jae asks 'But are you honest? Do you trust? You trust in me?' Questions answered by her desperate yells. It starts both the film and the soundtrack with a heavy presence.

Two songs on ‘The Runner (Original Soundtrack)’ feature vocalists other than Jae Matthews. He allows a distinct sound for both vocalists and really leans into the possibility of divergent genres. “Machina”, is a Hi-nrg homage, performed by Mariana Saldaña of Boan, and “Autonomy” a new wave tribute, performed by Cooper B. Handy of Lucy. Augustus Muller fully embraces the soundtrack ethos, by creating fictional ‘bands’ to generate additional content.

‘The Runner (Original Soundtrack)’ is exactly what’s in the name: a soundtrack. At first the shape of the release was nebulous - yet once realized the album is dynamic. It serves as the story of the running figure and her musical accompaniment. Those expecting a traditional release will be surprised, but not disappointed.

The Last Emperor is a lavish historical epic directed by the great Italian filmmaker Bernardo Bertolucci and starring John Lone, Joan Chen, and Peter O’Toole. The film tells the life story of Pu Yi, the last monarch of the Chinese Qing dynasty prior to the republican revolution in 1911. The score for The Last Emperor was created by an unlikely trio: Ryuichi Sakamoto, David Byrne, and Cong Su. The soundtrack is a theme-filled exploration of the sounds and musical traditions of Imperial China, filtered through some very contemporary sensibilities. Sakamoto’s contribution comprises nine cues and is focused around his main theme: a beautiful, lyrical melody for the full orchestra. It’s soft, wistful, and introspective, but becomes increasingly dramatic. Byrne contributes five cues, and the first one is the most recognisable, as it’s the main title theme playing over the film’s stylish opening credits sequence. It emerges from a set of evocative Chinese percussion items, with the melody being carried by a gorgeous, lilting erhu. It’s traditional and wholly steeped in Chinese classical music, but it has a real emotional weight that will connect with westerners. Cong Su’s contribution to the soundtrack album comprises just one cue – “Lunch” – but there is much more of his music in the film; Su was basically responsible for writing all the period-specific Chinese source music one hears in and around the imperial palace during Pu Yi’s childhood. All in all, Sakamoto, Byrne and Cong Su deliver an excellent score.

The LP comes with an insert with liner notes and photos.

This trilogy set will be released in winter, we don't now an exact date yet. In partnership with Netflix, Milan Records, and Sony Music, Waxwork Records is thrilled to release Fear Street: Parts 1-3 (Music From The Netflix Horror Trilogy Event)! The deluxe 3xLP album features the score music composed for the three installments in the trilogy based on R.L. Stine’s best-selling horror book series. Features include 180 gram Neon Blue, Green, and Pink colored vinyl, liner notes by Fear Street writer/director Leigh Janiak, new artwork by Sam Gilbey that pays homage to the classic 1990’s Fear Street book covers, printed heavyweight inner sleeves, and a triple LP gatefold jacket!

The first score featured, Fear Street Part 1: 1994, kicks off this expansive album with tracks composed by Marco Beltrami and Marcus Trumpp. Also featured are the scores for Fear Street Part 2: 1978 by Beltrami and Brandon Roberts and Fear Street Part 3: 1666 by Beltrami, Anna Drubich, and Trumpp.

About THE Fear Street Trilogy

In 1994, a group of teenagers discover the terrifying events that have haunted their town for generations may all be connected — and they may be the next targets. Based on R.L. Stine’s best-selling horror series, Fear Street follows Shadyside’s sinister history through a nightmare 300 years in the making.

About Fear Street Part 1: 1994

A circle of teenage friends accidentally encounter the ancient evil responsible for a series of brutal murders that have plagued their town for over 300 years. Welcome to Shadyside.

About Fear Street Part 2: 1978

Shadyside, 1978. School’s out for summer and the activities at Camp Nightwing are about to begin. But when another Shadysider is possessed with the urge to kill, the fun in the sun becomes a gruesome fight for survival.

About Fear Street Part 3: 1666

The origins of Sarah Fier’s curse are finally revealed as history comes full circle on a night that changes the lives of Shadysiders forever.

Despite never achieving major mainstream success in his career, the scope of influence from cult comedian Rudy Ray Moore is palpable and far-reaching. A consummate performer and raconteur, Moore's comedy emphasized raw and explicit story-telling and wisecracking, often told in rhyme, and featuring a backing band; a style of performance that inadvertedly set a blueprint for early hip-hop music. Following in the footsteps of comic legends Redd Foxx and Moms Mabley, his stage presence would inspire the likes of Katt Williams and Snoop Dogg, find widespread underground success among inner cities in the 1970s, and would lead him to collaborate with a wide swath of artists into his later years, from Big Daddy Kane to Insane Clown Posse. His various bits and sketches would even become sampling fodder in tracks by Madlib, A Tribe Called Quest, DJ Shadow, 2 Live Crew, and innumerable others.

Above all else, Rudy Ray Moore's best known and most beloved claim to fame is his tales of the legend of Dolemite the pimp. Derived from various obscene stories he overheard while working in a record store, Moore's most famous routine saw him take on the role of Dolemite, and recount humorous stories and anecdotes which framed the hustler as something of a ghetto folk hero. These anecdotes proved to be incredibly popular in urban clubs and parties, and would later be adapted into the hit 1975 blaxploitation film Dolemite, of which Moore would produce and star.

In celebration of Rudy Ray Moore's extensive works, as well as the upcoming Eddie Murphy-starring Netflix biopic featuring him, Dolemite Records proudly presents this reissue of one of his 1975 release, The Return Of Dolemite. Coming just on the cusp of the feature film's release, Return sees Moore at the top of his game, spinning anecdotal yarns about sexual conquests, hustling stories, and in his own parlance: "F*ckin' up motherf*ckas!"

If conceivable, imagine a collaboration between Brian Eno and Aphex Twin, both in their ambient periods, recording stock music for an Italian Library music label. If so, then behold Psycorama!, a collection of experimental music used to soundtrack a series of films and documentaries produced by the Italian filmmaker Roberto Rossellini. Composed by Mario Nascimbene, a name synonymous with the golden age of Italian film music, a composer whose grandiose scores of the 1950s and 60s defined the very essence of Cinecitta. While the widespread influence of these soundtracks is undeniable, it is beyond the commercial domain of the major studios where this compendium takes focus, revealing a deeper, darker and more complex composer. Forged on the 'Mixerama', a unique homemade sampling instrument, Nascimbene employed visionary techniques to deconstruct and render sound, sculpting pre-existing recordings into intense and evocative other-worldly soundscapes (most notably used for the 1971 existential TV drama Socrates and the 1969 Egyptian modernist film Al-Mummia (The Night Of Counting The Years). Previously unpublished except for a lone and mysterious Library music LP, the soundtrack cues are collected here for their first commercial release. Psycorama is a fascinating document of electro-acoustic music comparable to the beautifully dark music of fellow colleague Egisto Macchi. Including liner notes and rare photos.

Reissue of a rare Italian experimental Library LP.
Music used to soundtrack Roberto Rossellini films.
Pioneering sampling techniques and tape manipulation.
Brian Eno's Music For Airports meets Aphex Twin's Ambient Works II!

Scored by the legendary Italian film composer Armando Sciascia, Sea Fantasy is a conceptual suite of twelve exotic themes evoking the many moods and dramas of life under the sea. Recorded in 1972 for Sciascia's own Vedette label, the album is a key recording within the micro-genre of Italian underwater library music. A mosaic of evocative modern classical, flamenco textures and a surge of raw analogue synthesizers. Mysterious aquatic music that sits comfortably alongside other Italian Soundtrack and Library recordings including the lush bossa of Daniele Patucchi's Men Of The Sea (CAM) as well as the experimental electronics of Biologia Marina by Amedeo Tommasi & Alessandro Alessandroni (Rhombus). With several cues used for the English-version soundtrack to Harald Reinl's 1976 (Erich von Däniken inspired) mondo-documentary Mysteries Of The Gods, Sea Fantasy is reminiscent of the exotic mood-music scored for Folco Quilici's documentary Oceano composed by Ennio Morricone as well as Luigi Scattina's legendary tropical sexploitation film Il Corpo composed by Piero Umiliani. This new 2019 edition has been newly remastered and expanded with additional liner notes and photos.

2019 remastered and expanded edition.
Legendary Italian underwater Library recording
Replica vinyl reissue of the rare 1972 LP
Mysterious aquatic mood music

Hikaru Utada's debut single “Automatic/time will tell” released on December 9, 1998 sold over two million copies, catapulting her to top-artist-status at age 15. The first album “First Love” released a few months later and marked the highest number of CDs sold in Japan, a record that remains unbroken to this day. All of her albums that followed have topped the charts. The 2007 single “Flavor Of Life” set a world record for the highest number of digital downloads. She announced a hiatus from her music career in 2010 to focus on her "人間活動/ningen katsudo/career as a person," or personal growth, returning to her career of music in April 2016 with singles “Hanataba Wo Kimini” and “Manatsu No Tooriame.” Her sixth studio album "Fantome" followed in September 2016 to great success in both Japan and abroad with a #1 on the Oricon charts stretching four consecutive weeks for the first time, a #3 on the US iTunes chart, and over a million units total in sales of CD and digital downloads. Since March 2017, She has been with Epic Records Japan a division of Sony Music Labels Inc. The year 2018 saw the release of her 7th album "Hatsukoi" on June 27, 2018, marked her twenty-year anniversary from debut, and going on her first Japan-wide tour since recommencing her music career. Footage from the tour is available as a video release under the title "Hikaru Utada Laughter in the Dark Tour 2018." The theme song for video game KINGDOM HEARTS Ⅲ "Face My Fears" was released as a single in 2019. The track was co-created with Skrillex and marked Utada's first Billboard Top 100 in the US. An EP including the A.G. Cook co-produced single "One Last Kiss" and her first self-cover "Beautiful World (Da Capo Version)" is available March 10, 2021. The two tracks are both theme songs appearing in the feature film EVANGELION:3.0+1.0 THRICE UPON A TIME (SHIN EVANGELION).

Finally on vinyl!

Black Friday Record Store Day 2022 Reissue. Color: Opaque Purple. Limitation: 2000.

Original Motion Picture Soundtrack / 140g. My Little Pony: A New Generation galloped its way onto Netflix with critical acclaim 9/24/21 and the music is an integral part of the film. The film earned the #1 spot in the Kids section on Netflix in 86 markets globally and the #1 spot for all movies regardless of genre/demographic in 20 countries. The first week of release, the soundtrack amassed over 25,000 Shazams and 3 million streams across DSPs. Its first vinyl release, on opaque purple vinyl, is for RSD Black Friday 2022.

The soundtrack features seven original songs varying across genres, with pony characters voiced by Vanessa Hudgens, Kimiko Glenn, James Marsden, and Sofia Carson. Original songs include “It’s Alright,” written and produced by Parisi and performed by teen heartthrob Johnny Orlando, and “Together” written and produced by Aaron Pearce and performed by Callie Twisselman. The soundtrack was executive-produced by Grammy Award-winner Ron Fair (Christina Aguilera, Keyshia Cole, Lady Gaga, Fergie, etc) and features four songs written by composers/lyricists Alan Schmuckler and Michael Mahler (Diary of a Wimpy Kid). The first single, “Glowin’ Up,” was written by Jenna Andrews (co-writer of the biggest song of the year, Bts’ “Butter”), and produced by Fair, with vocals by Sofia Carson.