Movies | TV 201 Items

Thomas Fehlmann remains as one of the most endearing and respected artists on Kompakt. He has inspired generations of fans and musicians over the course of his 30+ year career. From his early days as part of the legendary band Palais Schaumburg, and the pioneering Detroit/Berlin act 3mb (With Juan Atkins and Moritz Von Oswald), to his longstanding membership with The Orb, combined with his contributions as a solo artist to esteemed imprints R&S, Plug Research and of course Kompakt, where we have proudly released two full length solo albums: Visions Of Blah (Kompakt CD 20/Kompakt 67) and Honigpumpe (Kompakt CD 59 / Kompakt 157), his musical works have been prolific, not to mention four singles and a full serving of tracks found on our Pop Ambient and Total collections. Now, after 3 years, Fehlmann returns with 'Gute Luft'.

Based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation® platforms, The Last of Us is written and executive produced by co-creators Craig Mazin (Emmy® Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President).

The Last of Us takes place twenty years after modern civilization has been destroyed by a viral outbreak. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the U.S. and depend on each other for survival.

The vinyl release to the acclaimed series contains soundtrack highlights from the show. Featured are score tracks by composer Gustavo Santaolalla, with additional music by David Fleming as well as songs by Depeche Mode, Pearl Jam, Jessica Mazin & Nick Offerman.

The package contains 2x vinyl, standard weight at 140g, 1x green and 1x clear, a double-sided poster of the show’s key art, spot gloss and soft touch on the gatefold and an insert featuring liner notes by Neil Druckmann, Craig Mazin, Gustavo Santaolalla & David Fleming and images from the show.

Only five songs here were featured prominently in Quentin Tarantino's rousing crime film ("Little Green Bag," "Hooked on a Feeling," "I Gotcha," "Stuck in the Middle with You," and "Coconut"), but the record includes Steven Wright's introductions from the film, as well as Tarantino's infamous interpretation of the meaning of Madonna's "Like a Virgin" and Harvey Keitel's monologue on how to rob a jewelry store. Padding out the rest of the disc are three new songs that were heard in passing in the film.

The most beautiful themes of the famous science fiction universe Star Wars created by the American director George Lucas are now gathered in this exclusive vinyl record! First conceived as a cinematic trilogy in 1977, the franchise now counts films, series, novels and other goodies taking place «a long time ago in a galaxy far far away» in which a conflict between Jedi knights and Sith warriors remains.

The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

Double LP on 180 Gram vinyl!

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

Pressed on 180g black vinyl
Housed in a deluxe heavyweight gatefold sleeve, with stunning artwork by Sander Brouwer printed on reverse board

* Includes download card / Invada Records & Lakeshore Records will co-release MONOS-Original Motion Picture Soundtrack, featuring original music by Ivor Novello Award winner and Academy Award-nominated Mica Levy (Jackie, Under the Skin).



The London-based composer, music producer and artist creates an indescribably hallucinatory, often menacing backdrop to the survivalist thriller set on a remote mountain in Latin America.

2x 180 Gram Black Vinyl /// The Lonely Island is proud to present the premiere vinyl release of the original soundtrack to POPSTAR: NEVER STOP NEVER STOPPING, courtesy of Mondo Music. Including nearly two dozen original, comedic pop and hip-hop songs performed by The Lonely Island and featuring artists such as P!NK, Adam Levine, Michael Bolton and Seal.

“Out of four possible stars, Rolling Stone has given it the sh*t emoji…” reads a scathing review from the venerable music magazine of Conner4Real’s fictional second solo album. In our world, however, the music of POPSTAR: NEVER STOP NEVER STOPPING would warrant a perfect four out of four sh*t emojis as The Lonely Island lovingly skewers pop music with brilliant glee. Catchy tracks like “Finest Girl (Bin Laden Song),” “Equal Rights”, and “I’m So Humble” have earned their place among the greatest music parodies of all time.

“The Lonely Island’s POPSTAR: NEVER STOP NEVER STOPPING is one of the funniest films of the last decade with a brilliantly executed soundtrack,” says Mondo Music Label Manager, Mo Shafeek. “It’s absolutely one of the best pop albums of the last five years… it just happens to also be one of the funniest comedy albums of the last five years as well. What Akiva, Andy and Jorma have achieved with this soundtrack is a thing of legends, and we are honored to be celebrating it.”

A Fantastic Woman (Spanish: Una mujer fantástica) is a 2017 drama film directed by Sebastián Lelio and written by Lelio and Gonzalo Maza. It was selected as the Chilean entry for the Best Foreign Language Film where it won in the 90th Academy Awards. The film is about Marina, a transgender woman who works as a waitress and moonlights as a nightclub singer, is bowled over by the death of her older boyfriend. It premiered at the 67th Berlin International Film Festival in 2017 where it won the Silver Bear for Best Screenplay and the Teddy Award, an award given to films with a LGBT theme. Matthew Herbert is an award-winning composer, artist, producer and writer. He has had work commissioned by the Royal Opera House, the BBC and has remixed iconic artists such as Quincy Jones, Ennio Morricone and been a long-time collaborator of Bjork's, but he is best known for working with sound, turning ordinary or so-called found sound in to electronic music. This is a limited edition on transparent pink coloured vinyl. The LP package contains an insert with notes from director Sebastián Lelio.

Limited Edition for Record Store Day 2018

500 x Limited Numbered Edition Double LP on
White Vinyl - 1970's Cult BBC TV Original Soundtrack - First Ever Release -
Written by Paddy Kingsland and the BBC Radiophonic Workshop The
critically acclaimed BBC TV series, The Changes, was first broadcast by the
BBC in in 1975, accompanied by music from electronic pioneer Paddy
Kingsland, who wrote and recorded the score while working at the BBC
Radiophonic Workshop. The 10 part series, adapted from Peter Dickinson's
book trilogy, was perfectly suited to Kingsland's seminal electronic style,
following a teenager living in a Britain where machinery and technology emit
a terrible, all-enveloping noise, causing the population to destroy them.
Kingsland used an early synthesiser, the EMS Synthi 100 (which was
apparently so large, they had to remove the doors of the studio to get it
through), overlaid with live instruments including sitar, percussion, tabla, flute
and horns to create a soundtrack which is indicative of exactly how the BBC
Radiophonic Workshop's early output influenced and informed the popular
electronic music of the Eighties and beyond. Kingsland went on to write the
music for (amongst others) The Hitchhiker's Guide to the Galaxy (Radio and
TV series), Doctor Who and Around the World in 80 Days, as well as
composing for the KPM music library, who issued eight albums of his work.
An LP of his Radiophonic Workshop output, "The Fourth Dimension" , was
released by BBC Records in 1973.

The album includes 12 new recordings made especially for the film and soundtrack plus an existing recording by Dave Van Ronk. Also featured is a never-before-released version of Bob Dylan performing his song “Farewell,” which was recorded during the sessions for his album The Times They Are A-Changin' and is available exclusively on this soundtrack.

Limited to 400 copies. Two terrific shake signed by Sante Maria Romitelli, and taken from the original soundtrack of TOP SENSATION, also known as THE SEDUCERS. A late sixties giallo erotic cult movie starring Edwige Fenech and Rosalba Neri. Hammond groove a go-go!

A jazz & rock rumble! Nicholas Carras' powerhouse score for this angst-filled flick is a tapestry of sounds from fast, jazzy pieces, dark and suspenseful moments, breezy traveling music, and the optimistic ending. The soundtrack also features the earworm of a title cut that will have you pappa do do wah-ing along. Included here is a zine-style insert and a DVD of the outrageous original film, with a special Modern Harmonic edit made to sync with your LP! Another specimen from the glorious power triad of Modern Harmonic, Something Weird Video, and the Nicholas Carras estate. Date Bait joins Mr. Peters' Pets and High School Caesar as part of the Nicholas Carras Soundtrack Collection created from the vast collection of reels the estate preserved. All make their first LP soundtrack debut and all come from the Carras reels through Kevin Gray at Cohearent Audio and onto colored vinyl at Third Man Pressing.

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

Ennio Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with Lounge flavour, vocalised by I Cantori Moderni di Alessandroni. Introduced first in “Titoli di Testa” and reprised with several variations throughout the score: a Classic style version with harpsichord, organ and mandolin, a slow and dreamy one with the voice of Edda and also including the choir I Cantori, a samba version, a beat-flavoured mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Ennio Morricone strongly recognizable in a second theme, very romantic and lounge, featuring a keyboard used by the author, frequently also in other scores like “Giu la testa”. A classic-style minuet with the opera vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by the type machine and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni. Our LP also contains three superb “shake” dancefloor music themes that bring us the unforgettable Beat atmospheres of those days’ discoteques.

We saw the power of BET when their New Edition Movie drove the Bell, Biv, Devoe album to #1.
eOne and BET will join forces on a massive Death Row marketing campaign consisting of commercials
on the show, crawlers during the show, eblasts to the million plus Death Row fan list, Death Row pop up
stores etc..
This 15 song album is a good mix of front line hits like “Murder Was The Case” and hard-to-find rarities
like Sam Sneed’s “Drug Related”.

Despite never achieving major mainstream success in his career, the scope of influence from cult comedian Rudy Ray Moore is palpable and far-reaching. A consummate performer and raconteur, Moore's comedy emphasized raw and explicit story-telling and wisecracking, often told in rhyme, and featuring a backing band; a style of performance that inadvertedly set a blueprint for early hip-hop music. Following in the footsteps of comic legends Redd Foxx and Moms Mabley, his stage presence would inspire the likes of Katt Williams and Snoop Dogg, find widespread underground success among inner cities in the 1970s, and would lead him to collaborate with a wide swath of artists into his later years, from Big Daddy Kane to Insane Clown Posse. His various bits and sketches would even become sampling fodder in tracks by Madlib, A Tribe Called Quest, DJ Shadow, 2 Live Crew, and innumerable others.

Above all else, Rudy Ray Moore's best known and most beloved claim to fame is his tales of the legend of Dolemite the pimp. Derived from various obscene stories he overheard while working in a record store, Moore's most famous routine saw him take on the role of Dolemite, and recount humorous stories and anecdotes which framed the hustler as something of a ghetto folk hero. These anecdotes proved to be incredibly popular in urban clubs and parties, and would later be adapted into the hit 1975 blaxploitation film Dolemite, of which Moore would produce and star.

In celebration of Rudy Ray Moore's extensive works, as well as the upcoming Eddie Murphy-starring Netflix biopic featuring him, Dolemite Records proudly presents this reissue of one of his 1975 release, The Return Of Dolemite. Coming just on the cusp of the feature film's release, Return sees Moore at the top of his game, spinning anecdotal yarns about sexual conquests, hustling stories, and in his own parlance: "F*ckin' up motherf*ckas!"

If conceivable, imagine a collaboration between Brian Eno and Aphex Twin, both in their ambient periods, recording stock music for an Italian Library music label. If so, then behold Psycorama!, a collection of experimental music used to soundtrack a series of films and documentaries produced by the Italian filmmaker Roberto Rossellini. Composed by Mario Nascimbene, a name synonymous with the golden age of Italian film music, a composer whose grandiose scores of the 1950s and 60s defined the very essence of Cinecitta. While the widespread influence of these soundtracks is undeniable, it is beyond the commercial domain of the major studios where this compendium takes focus, revealing a deeper, darker and more complex composer. Forged on the 'Mixerama', a unique homemade sampling instrument, Nascimbene employed visionary techniques to deconstruct and render sound, sculpting pre-existing recordings into intense and evocative other-worldly soundscapes (most notably used for the 1971 existential TV drama Socrates and the 1969 Egyptian modernist film Al-Mummia (The Night Of Counting The Years). Previously unpublished except for a lone and mysterious Library music LP, the soundtrack cues are collected here for their first commercial release. Psycorama is a fascinating document of electro-acoustic music comparable to the beautifully dark music of fellow colleague Egisto Macchi. Including liner notes and rare photos.

Reissue of a rare Italian experimental Library LP.
Music used to soundtrack Roberto Rossellini films.
Pioneering sampling techniques and tape manipulation.
Brian Eno's Music For Airports meets Aphex Twin's Ambient Works II!

Scored by the legendary Italian film composer Armando Sciascia, Sea Fantasy is a conceptual suite of twelve exotic themes evoking the many moods and dramas of life under the sea. Recorded in 1972 for Sciascia's own Vedette label, the album is a key recording within the micro-genre of Italian underwater library music. A mosaic of evocative modern classical, flamenco textures and a surge of raw analogue synthesizers. Mysterious aquatic music that sits comfortably alongside other Italian Soundtrack and Library recordings including the lush bossa of Daniele Patucchi's Men Of The Sea (CAM) as well as the experimental electronics of Biologia Marina by Amedeo Tommasi & Alessandro Alessandroni (Rhombus). With several cues used for the English-version soundtrack to Harald Reinl's 1976 (Erich von Däniken inspired) mondo-documentary Mysteries Of The Gods, Sea Fantasy is reminiscent of the exotic mood-music scored for Folco Quilici's documentary Oceano composed by Ennio Morricone as well as Luigi Scattina's legendary tropical sexploitation film Il Corpo composed by Piero Umiliani. This new 2019 edition has been newly remastered and expanded with additional liner notes and photos.

2019 remastered and expanded edition.
Legendary Italian underwater Library recording
Replica vinyl reissue of the rare 1972 LP
Mysterious aquatic mood music

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Akira Ifukube’s mighty score to the legendary monster movie that started it all, ‘Godzilla’! Ifukube’s visionary music is super dark reflecting the horror of Ishiro Honda’s film. This incredible score music alternates between brass and strings as we witness the death and destruction that comes in Godzilla’s wake.

Waxwork Records is proud to present the Us Original Motion Picture Soundtrack featuring a score by composer Michael Abels. Us, released in March 2019, is an original nightmare written, directed and produced by Academy Award®-winning visionary Jordan Peele (Get Out). Set in present-day Santa Cruz on the iconic Northern California coastline, the film, starring Oscar® winner Lupita Nyong’o and Black Panther’s Winston Duke, pits an ordinary American family against a terrifying and uncanny opponent: doppelgängers of themselves.

Abels featured a 30 person choir, a third of them children, in the “Anthem,” and implemented Eastern European instruments, violins, percussion, and a virtual instrument called a Propanium drum. “It makes this trashy metal sound, but you can also play melodies on it,” Abels said. “The Propanium drum has a sound that’s both otherworldly but not electronic or like science fiction. It’s a sound you can’t quite put your finger on, which is why it works well in this film.”

Also included on the soundtrack is the 1995 hip-hop hit “I Got 5 On It” by Luniz and the stand-out track “I Like That” by Janelle Monáe. Abels also helped with a new arrangement of the Luniz hit, which is featured on the soundtrack as the ‘Tethered Mix from Us’.

Waxwork is thrilled to present the soundtrack and score as a deluxe double LP featuring 180 gram "The Untethering" Red, Brass, and White split colored vinyl. The album artwork was created by illustrator Edward Kinsella. The interactive packaging includes die-cut inner gatefold jackets that require customers to use scissors to cut through family-member portraits to reveal their tethered doppelgängers lurking in the shadows on the printed inner sleeves housed within. More deluxe items include a die-cut mirror board back cover, a heavyweight 11”x11” art print, and an exclusive essay by UCLA Professor, scholar, and activist Shana L. Redmond Ph.D., author of Anthem: Social Movements and the Sound of Solidarity in the African Diaspora

Battlefield V Original 636 On A Picture Disc -

Agnes, taken for granted as a suburban mother, discovers a passion
for solving jigsaw puzzles which unexpectedly draws her into a new
world - where her life unfolds in ways she could never have imagined.
The soundtrack to Puzzle is composed by A Winged Victory for the
Sullen member Dustin O’Halloran. He says about his recordings: “I
wanted the score to have a minimal sound in order to leave space
for the performances of the actors, so I decided on a chamber sound
consisting of piano, string quartet, harp and woodwinds.” For the last
track “Horizons” he contacted his friend Ane Brun, who created beautiful
melodies and words that perfectly captured the feelings of the character
Agnes.
Dustin O’Halloran released his first two albums, entitled Piano Solos
and Piano Solos 2 in 2004 and 2006. Later on he scored multiple
soundtracks, including Marie Antoinette, Lion and The Beauty Inside.

Thom Yorke’s Suspiria (Music for the Luca Guadagnino Film) is released on XL Recordings. Suspiria consists of 25 original compositions written by Thom specifically for Luca Guadagnino reimagining of the 1977 Dario Argento horror classic. The album is a mix of instrumental score work, interstitial pieces and interludes, and more traditional song structures featuring Thom’s vocals such as Unmade, Has Ended and Suspirium, the album's first single featuring the melodic theme that recurs throughout the film and its score.

As scoring a horror film presented Thom with altogether new challenges and opportunities, Suspiria stands apart from any of his other work. Piano / vocal ballads, Krautrock-esque modular synth work inspired by the film’s Berlin 1977 setting, multilayered vocals, and melodies that convey terror, longing and melancholy combine to create a chaotic yet cohesive musical spell.

Suspiria was written and arranged by Thom Yorke, recorded and produced by Thom and Sam Petts-Davies. The album also features the London Contemporary Orchestra and Choir, Noah Yorke on drums on Has Ended and Volk, and Pasha Mansurov on solo flute on Suspirium.

“Sounding like the sophisticated Scandinavian elder brother of 3 Days Of The Condor or Roy Budd’s Diamonds, this previously-unreleased soundtrack is a fantastic slab of atmospheric funky jazz served Norwegian style!” Ed Griffiths (Blaxploitation.com)
Moving Music are proud to present next instalment in vintage Norwegian Soundtrack music. The youth movie “Operasjon Cobra” from
1978 is about a group of local terrorists trying to assassinate the US foreign minister on his visit Norway. The plans go wrong however as the plot is sabotaged by a group of youngsters living in Snarøya on the outskirts of Oslo.
The variety of Pete Knutsen’s music is funky jazz with the occasional dramatic mood and hint of disco, to coincide with the popular music of the times. Soundtrack feature and all-star cast of top Norwegian session players from the late seventies: Knut Riisnæs, Henry Lysiak, Thor Andreassen and Terje Methi. Played with strong array of musicianship and impressive use of instrumentation: moog, percussion, strings, breakbeats makes it a joyful listen throughout.
Soundtrack has never been released before and has undergone a new multitrack remaster by Timmion Records Finland.

“Charmingly lo-fi AOR-inflected 8-bit small group funky rock and post-punky disco-not-disco with open breaks and experimental electronics – an undiscovered gem!” Ed Griffiths (Blaxploitation.com)
Moving musis is out with it’s third Soundtrack release, the 1982 Norwegian cult feature “Carl Gustav, the Gang and the Parking Bandits” A teenage flick set in the outskirts of Bergen. A Band of black dressed greedy corporate thugs are converting all the playgrounds in the area to parking lots. This doesn’t fit well with the local youth, Carl Gustav and his friends finds all the clues, traces down the thugs and get their revenge at the castle finale.
Well respected Norwegian director Ola Solum again hired Pete Knutsen (see also Operasjon Cobra MM02 ost) and his bandmates from Popol Ace for the job to make the score. And the result is a brilliant small group funky rock outfit with plenty of open breaks, quirky instrumentation and interludes. Songs from the film includes vocal tracks by famous Norwegian pop artist Jahn Teigen and the punk group Alle Tiders Duster.
Never before released and remastered from multitrack tapes by Timmion Finland, this score is long overdue but finally available for the first time!

Steven Soderbergh’s take on Stanislaw Lem’s influential sci-fi tome Solaris was incredibly polarizing at the time. Some didn’t want to see it simply because it starred heart-throb George Clooney in what is essentially a mostly solo role, some didn’t appreciate it in light of legendary Russian director Andrei Tarkovsky’s overtly spiritual take on the same book. Soderbergh says of Martinez's pivotal role and his score, "I relied on it not only to unify the film emotionally, but to import actual narra-tive information." Martinez himself describes it as "one of the few soundtracks of mine that I can still stand to listen to.

I also think it was a score that made the greatest contribution to the film for which it was written." Described by BBC Music as "A brooding slow, meditative work" and a musical journey that "leaves the listener floating free" by Soundtrack.net, "Solaris' is an evocative and highly seductive score that still fully resonates with the listener more than a decade after it was first released.

Those that did manage to take it in would have noticed on thing in particular though – composer Cliff Martinez‘s haunting and deeply influential soundtrack. Percussive, but anchored with a slow, deeply affecting synthesized bass line throughout, the soundtrack served as a nudge in the right direction for drone-lovers and ambient types, and still sounds fresh even now. It’s hardly surprising then that Portishead’s Geoff Barrow has had the good sense to make sure it finally gets pressed to wax through his Invada imprint.

The relaunch of the Star Trek franchise in 2009 under J.J. Abrams was an astounding success, earning almost 400 million at the box office. The composing duties were turned over to Michael Giacchino, then know mostly for his Abrams TV work on Alias and Lost. The album was a success, moving almost 100k copies in the U.S. alone across CD and digital downloads. This is the first time the album has been made available on LP. Giacchino is the composer on the current Jurassic Park films, The Incredibles, Coco, Spider-man and Dr. Strange. It is the only Star Trek title from the rebooted franchise which has not appeared on vinyl, despite being the most successful of the films

Zelda & Chill contains lo-fi- hip hop arrangements of music from the original LoZ, Link To The Past, Majora’s Mask, Wind Waker, Ocarina of Time, Skyward Sword, and Breath of the Wild.

Re-recordings of Artemiev's soundtracks to the classic 1970s Tarkovsky film. Recorded in Moscow 1989-90.